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The study of music and the brain can be traced back to the work of Gall in the 18th century, continuing with John Hughli
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Whether regarded as a perplexing object, a morally captivating force, an ineffable entity beyond language, or an inescap
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With the ongoing development of algorithmic composition programs and communities of practice expanding, algorithmic musi
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In recent years Hugo Riemann's ideas have thoroughly captured the music-theoretical imagination, both in the United
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We speak of being 'free’ to speak our minds, free to go to college, free to move about; we can be cancer-free, debt
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