Michael Boyce Gillespie shifts the ways we think about black film, seeing it not as the representation of the black expe
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Allyson Nadia Field recovers the forgotten body of African American filmmaking from the 1910s which she calls uplift cin
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A Los Angeles Times Bestseller The most important development in American culture of the last two decades is the emergen
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The history of African Americans in film musicals and their reception by Black audiences and critics.
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The politics of race in British screen culture over the last 30 years vis-a-vis the institutional, textual, cultural and
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Can films about black characters, produced by white filmmakers, be considered "black films"? In answering this
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Film Noir and the Cinema of Paranoia is an overview of 20th- and 21st-century noir and fatalist film practice from 1945
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Described by Richard Sherwin of New York Law School as the law and film movement's 'founding text', this
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Noir. A shadow looms. The blow, a sharp surprise. Waking and sleeping, the fear is with us and cannot be contained. Para
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A comprehensive re-examination of Brechtian film theory Offers the first full‐length study on Brechtian film theory and
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