19 piezas fáciles de piano de estilo moderno: Partituras facilitadas en orden de dificultad para el aprendiz principiante e intermedio (Spanish Edition)

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MAURO COSTA

19 piezas fáciles de piano de estilo moderno Un repertorio de 19 piezas con sonidos contemporáneos. Partituras facilitadas en orden de dificultad para el aprendiz principiante e intermedio

Cómo escuchar las pistas de audio: Es posible escuchar o descargar todas las pistas de audio en mp3 accediendo al siguiente enlace: https://urly.it/3c7-3 o puedes escuchar las canciones de este libro en Spotify, Apple Music, YouTube, etc. buscando mi nombre (Mauro Costa) o el nombre del álbum "19 piezas fáciles de piano".

Premisa Estas 19 piezas no son para los que empiezan de cero, sino para los que ya tienen algunas nociones musicales básicas. Las pistas están en orden de dificultad, aunque el nivel general es fácil/intermedio. Llevo 20 años dando clases de piano y me encanta hacerlo. La escritura de las canciones es también el resultado de la experiencia adquirida junto a mis alumnos y gracias a ellos. En este libro, he dado prioridad a la calidad, a la belleza de las canciones dentro de una escritura sencilla. Porque creo que la pieza debe, en primer lugar, emocionar y quedar impresa en nuestros oídos. Recorriendo las páginas, encontramos sonidos modernos, minimalistas, de jazz/pop. Adecuado para centros de enseñanza media con orientación musical, asociaciones musicales y academias.

Diseño: Mauro Costa © 2021 Mauro Costa Publicación independiente Todos los derechos reservados. Cualquier reproducción no autorizada constituye una violación de los derechos de autor.

ÍNDICE 1 Serenità…………………………………….... 2 Viaggio nello Spazio………………………... 3 La Corte……………………………………... 4 Il Tramonto………………………………….. 5 Medieval Time……………………………… 6 Storia D’amore…………………………….... 7 In Riva al Mare……………………………... 8 Nuvole………………………………………. 9 Spring ………………………………………. 10 Dolcezza ………………………………….. 11 Robot……………………………………… 12 Giochi D’acqua……………………………. 13 Mondo Fantastico…………………………. 14 La Neve……………………………………. 15 Strike………………………………………. 16 Valzer Indeciso……………………………. 17 Rimbalzo…………………………………... 18 Il Guerriero………………………………… 19 L’Orologio………………………………….

6 8 10 12 14 16 18 20 22 24 26 28 30 32 34 36 38 40 42

Serenità





 

6





1   

  







 



2



1

  11

Mauro Costa

Andante  = 80





1



 

 



1











 

 



 

5

 2

 



 1



  



 

 





1



 

2



  6





2

1











 



ad ogni misura

 

21

 

16













 

 





  3



 





3



  1

  2



 







   



 

25



  

 









  

 

 

29

1

2

  

33

 

37

 



     

45



 1















 









 









 





 



































1

41











 







 



7



 

rall.

 

 



Viaggio nello Spazio

   

4





1

1   



1   



 

5

 





 







    5











 

 



  







5





 1





 













 5





5

pedale ogni battuta



5



5



   7

 = 90

Andante





Mauro Costa













                    

5

                               

10



2 1 2 1                                     

 

13

1

8



 



 



                                          

16

1

1

5

       

1   1                                

19

       

5



22





1















5

        















1



1

5



5















        1

















                               

25

1





28

  

 

1





31

   











 



 

 

 





 

 9

 



  

rall.

 

 

   





La Corte

   



4

7



         

1

1 5

     3

    

10

2

 

13

3

   

  

3

    

   

16

 = 132

Allegretto





     2

 1

1

2

  

  

 

 

1 5

   





2

1

  

  

    3

 3

  



  

  

  

3

continua diteggiatura l.h..

  



3

4

 

Mauro Costa

3

  



  

10

 

 



   



  

  

  

1

  

    

  

2

 1





     3

  

 

 

1

  



    

  

19

     

22

   

25

3

  



 

28

   

31

4

  

  





 3

  





 

3





 



1  

 





11



  

  

1  

  

 



  3



  

2

  

 

 







  2

 

  







  





  

 

Il Tramonto



 





5

 

9



1

  1              2 1

 









 13

 

17

 

  5





5



 1   2

1



 5



 

  4





    2

       5



21

 4

  

2

5





    3

1

     3

5

  1

   



pedale ad ogni battuta











  

3



2



3

 3

     2

5





    





     4 1

 3







  1



     3 1

2

   





Andante  = 88





  

  

5

2

1

    



 



  

 



1

  

  

  

    

continua diteggiatura

  



2

    

 1 2

    

1



Mauro Costa

1

 

            2 1 2 5



5

12

1



   

  

3                                             1 1

25

5

5

2



      

 









29

33

5

  

37





  

1

   

5 

3

    





    

  

2

 







40





    

3           

    

            



1

    

 



rall.

  

13









 5





   

    

2

















   

 







Medieval Time

  

 

5

9



                   Allegretto   = 120

1

3

2

1 5

1 5

           

           1

          

13

      

17

3

    

          

21

3

  

   2

  

Mauro Costa

continua diteggiatura l.h. 3

 1

   



3

  

     

   

3

1

  

          1

14

   

        

         

 

  

          



 2

           

 1

    2

  

 

   



          

  

3             

















25

3

          

   

29

33

 

           

37

 

       

41

    

 

       

45

       

49

   







 

 





     



         

  3

2

3

       

        

 

        

     



15

  

    



 

                 

 

Storia D'amore



 



4

7





  3   

Andante  = 100

1









5



     5



10





   5 





     4

 2        1

4

               5 1

13

3



2



    

5

continua

       

      1

    

     4



1

    



con tenerezza           5 1 3



       

2

     

  

 5

 1

Mauro Costa

5

    

1



 3



     5 1 

    

  

    

16

   5

 

    

 

  

  

                  5 1 5 3

2



1

    

 2        3

   

1

              5 1 4

 

3

 

   

  



 2



 

    

    



  

 



 3

16

   

19

22

   

24

    



   

rall.



 

rall.







    



  





 

 

  5 1



1

 



2



 



  17

 



   



  

3



   

    

    

     

 



3

 5

 



 

    

2  



 

 

   



4



In Riva al Mare      

1

2

      



5

   



     7

1  

Andante  = 80

3

1

  





   

     

   

  

    

10

   









  



  

     



  

  

   

   

  

2

1





  

3

  







   

 1      2



                     

13

16

5

 

     



    

 5

  

2

1

18

   



2

  





 1  



pedale ad ogni misura

                      

  

Mauro Costa

 

 1 4     2



     

    

   

 

  

      

19

      2

5

      

25



 

    4     



   

2

1

28

 

rall.

5

   

  2

1

31

    

34

  

    



  



   



  

 1      

  



19

2





   



   rall.

    1



   

5

2

 

1

2

5

2

      1

 

  

 



  





  

5

     

 5

 



a tempo

  3

      

1

  

 





 

  2

5

1

       5



 2 5    



 



1

22

 

5

2

1



    

       

  

 1   2

   





5

   

 

 





Nuvole



   

4



    

Andante  = 100

1

3

    5



  3

  

1

    

1

             

10

5

1

     1





 





    



 5

1

     5

4

    

1



     

     

                           5 1   5 1

13

5

1

             5 1 

16

4

5

 2

pedale ad ogni battuta



       5

   

        5 1 5 1



7

1









con dolcezza



 

1

 

3

   

4



      5



    

1

 1

     



     





    

           5 1   5

1

4

 1

5

   

  

 

                   5 1

         20

     2

5

5

Mauro Costa

5

1

  



    

4

 

 

   

  

19



    2

     

    

    

 

   5  4                             





28





      

    

31

   

5

25

5

 





4





    

     

34

  

 1

    

 5



   

 4

   1



  5 1



   





5



     

22

            









   



             1

5



5

 



   

    

 





     

   

            

 3

     

21

 

5

      

        

     rall.                   2    2



 

Spring



 

 

4

7



1

  1                                            1   2 3 Giocoso  =150



                1 

       

                         2

                             1 4 

   1                 

10



                   

                 

  

     1

3

3

      1               1

                                        

13

16

               

Mauro Costa

              

                    4

               

5                                                   1      3

22

    

 1 4                                        1

19



           

22



1

  

                           

                

                                 

 3           

  

   



1                                          1   2 1

25

4                  2

28



 

           1

                     2

                                                  1 2 3

31



23

                5   

               5

Dolcezza



 

 

4

7



Andante  = 80

1

  5                                       

Mauro Costa



3 1 3 2                                         

 

5

5

1



2

pedale ad ogni battuta

5

  1 4      1 4                  con sentimento                   



  

10

 

 

13

2





   

   

5 

5

1

3 2 1   1 5                              













          rall.  2

5





5



2          





1

   4                                        

16













24

   

 

4 

5 

5 1                con sentimento                         

19





1







25





28



  

  5 



  





2

1







  



 

 

  





ritard..



 



 



 25





 1 3 4 5

 2

   



 

               



  

3  

1



1

pedale come prima

2 3 1        



22

2

1





       

Robot

  

 

4

8



1

  3                1 

                     2    

          2

     

 1 2         

      2

 = 160

Ritmico

     1

    

3

1

 1 2         

           

            1 5

5                                          1

12



16

 



        1

  

2

3



             3

19



3

1

2

1

2



        

3                                 3

Mauro Costa

2

1 2                  2  

            2

     

                   2 

        1 

           3

26

        

    

        

    

        

      1

2

1 2         

        2

3                      3

3

             3

   1 2       3

      3

       

    1

2

  

  



  1  2           25  5               22



 

28



31



 

34



   

38



41





     

                                   3       1 4              3

       

                               1 2  2                                       1 2  1 2 3 1 2 1 2 3                            cresc.                     5  5 3 2 4 2 1                                           cresc.                                            2 3 4   5 2 4                                                          3 1 2 1     2 3 1 2                                                             3 5 27





 

5





Giochi D'acqua    5

    

5



5

   9





Moderato  = 120

1

5

 

 1 2

3

   

4

 

2 1

13

  

cresc.



 1 2

  5



1

1



  



5







2

  5

 

2

ad ogni misura

 







 

  

 



3

1

 





   



  

   

   

1

 

   

   

Mauro Costa







  

   

 

 





 5  5  3 1   5 2 1              1  2         12             

17

5

5

28







 

  

                                            

21

       

25

5

    

5

      5

3

2   1

2

1

1 2       5



     

  

5

 

    

3                                                 

29



33



  

rall.

5



37



  



   

 

  

 1 2

3 

5





 



    

                         

41



  1 2



5

29





 4  



   

  





    

         rall.



    

6

  

11

 

16



Mondo Fantastico continua 2 2   1  5 5  1 3  1 3                        r.h.  l.h. sopra r.h.. r.h.  tutto legato                        3 1 5 3 1 5 ogni due battute 2      5 3        1                                   5 3 1    5 2  3    1                                  3 1   5 2    5     1 2        

Moderato   = 112

l.h.

 

    3 1 5 21                             26  2    1 3 5 2                



     3 1 5

Mauro Costa

l.h.







30

 

       

 



 





 



   3

1

 

5



             5



3



1



 

     

  





 

           

41

1

3

3

5

                                         

 

5

1



 2        

36

2   5 1 3                                   3 1   3 1 5 5

     

31

2

5

1

2  

  



    



51

 

 

()

 

56



 

   

  





                 a tempo             

  

    rall.





     rall.      

                             

46



 

           31





  

   

  

La Neve

  



4

1

   1             1 5



 







 

     

10

    

13



 

























 



5





  

            5

1

 







  1 5



   1

  5



    1





   32

5

   



continua diteggiatura r.h.

pedale ad ogni battuta



 

   

1

1 5









5

5





Mauro Costa



   

7



Andante  = 90

 1

5



 1





 

  





 





continua diteggiatura l.h.

 













       4

4



 



 

1

 





3

 

 

 

 

 

  

  

      



16

       

19

  































               

22





















        

                  

           

















     



 

28

  31









 





























  

        











 





 33









 



 







25





       







 

 



 



  



  



   



 

 

 



 

 





 

 

 

 







    



 

 

 

     

Strike



         1



 

 

4

7

1

                   

Mauro Costa

Con Swing  = 140

5

2













         





   



 3



 4

  



5





5

                            1

10

2

         











          

                      2 3 4

16

2

2

           2 1 3

2

34





            



   

 





  1



2





        







5 1        

       

13





                              2

1



     

 



   1 









   



                             

19









5        

25



1





  



 



2





             

      





                            2



34

    1 

2

    2      2

















 

   1 35





 5







         







4      5  2 3  2                      3 2 1  

     5



       







2

       







1

28

31



                 

        

22



           

5

2

 

 

 

5  



 5

 

  

 

6



Valzer Indeciso  3   

                       Moderato  = 164

1



5



1 3

5

1 3

5



11





       

16

      

     5

pedale ad ogni battuta



 3

                     



    

                                      3

4 1                                      

21

3

     



              

             

1 3

Mauro Costa

1

1 2                            

26

5

1 2

36

            3

                  3

5

1 2

5





  



3                                            1     5 1 5 1 1 2 3 5

31



3

3

 1   

41





  3                  1   3



36

2

    1 

 3      



5

3







1 3

5

1

  1

  













                       

46

5



51

 

56



  5

 

  1

  

 



    

3





 

5

5

  

  

     

3

5





   3 

   1

     37



  



5

 5

2

5

    3 5 5 5  1              

5



3

5

    1

trattenuto

5

3

  trattenuto           1 5 1 5

  2

 

 3

2





  

   

 

     5 1

          rall.

 

1 5

Rimbalzo

 

 



4

7



Con swing  = 80

1

            1 5 3 1

 

   

    

    

 2                        

        

    

 5      

   

5 2 1

    

5 2 1

    

        

     

Mauro Costa

    

   

 

    

   

              

  

 5 4  3 4 1 2                      continua legato                 2  3 5 2 1

3 1

                                             1 1 1

10

4

5

4

1

2

1

1

2

3

                                        1     1   2 3 3

13



16



4

4

        1

2

1

2

1

2

3

          2 4 4 3 4 3 5

4

       2

3

1

     1 2 3

38



3 

              4

3

3

1

2

 

  



3 3 1 2                                               4 1 5 1 3

19

4

4

                                               2 3

22

4

4

4

                                 

25

1

1

2

1

2

1

2



3



1

2

3

4

   

1

  1 

5                         3

  

 

  

 

31

35

2

5 2 1

       

    



          

cresc.

3

 5         

28

 4

3

5  4 2         

3

3

4

3

2

3

 

 

 

5

5 3 1

2

   

 

2

    



  

39

  5 2 1

      



1

 2          5 5 2 2 1 1          

        

4

    

1

 

 

  

       

        5 

 

   



5



Il Guerriero

  



5

9



Energico  = 160

1

 1             1 5



    1 5

     

   

  

      

   

  

      

   

  



   

13





1

1

1

           

17

2 1



         3 1

   1 5

   

Mauro Costa

   

  

           1

   

3

2

continua diteggiatura l.h.

  

       

       

           

           1

            1

3

2

            1

2

        40

3

     2 1



1



  

3

2

  

2

       

1

  

      

  

     2 1

    

     

  2

   

 3 1

 

    

 

   

            

         





 







         

21

2 1







          

25

2 1





29





             

33

        

               

   

  

          



               

 





   



    1

 

2

 

1

 

 

3

  2

  

  





  

   

          

  

 

 

         



 













1



   1

    

 

41

 

     

 

5 1

 

3





                        

 

 

 



   



 

 

2 1

2  1                          

   

   2 1

     

37

         

 

         

 

 



   

  

 

4

7





L'Orologio 1

1   5 4                         



 

Mauro Costa

Moderato  = 112





1

  1

2





 

4 1

2 1



1                    2



           5 2

1



        2

3 1

4

1 5

 

3 1

        3

2 1

 

 

5 2



        

 

        1

      5



13



            

         

               

16

         1 1 5

5

42

  

       

                     1       

  



                                             

10

1 5

1

   

  

 

1

2

3

  

          1 5

3

 

 





19

        

  







22

      



    

  

28



        

     

         5



 5



  

  1

2

  3

2

 



            







 

  1 5

3                                   

31

             2

5



3 1

4 1

1 5

43

4



   

5 3 1 2 41   12 2      



   

            

     1 2 3

            3 25



        

   

1 5

       

        

5 2



 



5



 

 

 

1