The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media 9780674024458, 0674024451

Table of contents :
Cover......Page 1
Title Page......Page 2
Copyright......Page 3
Table of Contents......Page 4
Illustrations......Page 6
A Note on the Texts......Page 8
Editors' Introduction by Michael W. Jennings......Page 12
Notes......Page 28
PART I: THE PRODUCTION, REPRODUCTIONAND RECEPTION OF THE WORK OF ART......Page 20
I......Page 30
II......Page 31
III......Page 32
IV......Page 34
V......Page 35
VI......Page 36
VIII......Page 38
IX......Page 39
X......Page 40
XI......Page 42
XII......Page 43
XIII......Page 44
XIV......Page 45
XV......Page 47
XVI......Page 48
XVII......Page 49
XVIII......Page 50
XIX......Page 52
Notes......Page 53
2.Theory of Distraction......Page 67
Notes......Page 68
3.To the Planetarium......Page 69
4. Garlanded Entrance (On the "Sound Nerves" Exhibition at the Gesundheithaus Kreuzberg)......Page 71
Notes......Page 75
5. The Rigorous Study of Art (On the First Volume of the Kenstwissenschaftliche Forschungen)......Page 78
Notes......Page 83
6.Itnperial Panorama......Page 86
Notes......Page 87
7.The Telephone......Page 88
8. The Author as Producer (Address at the Institute for the Study of Fascism, Paris, April 27, 1934......Page 90
Notes......Page 104
I. Fourier, or the Arcades......Page 107
II. Daguerre, or the Panoramas......Page 110
III. Grandville, or the World Exhibitions......Page 111
IV. Louis Philippe, or the Interior......Page 113
V. Baudelaire, or the Streets of Paris......Page 115
VI. Haussmann, or the Barricades......Page 117
Notes......Page 120
I......Page 127
II......Page 130
III......Page 134
IV......Page 136
V......Page 139
VI......Page 142
VII......Page 145
VIII......Page 147
IX......Page 150
X......Page 151
Notes......Page 154
11.Review of Sternberger's Panorama......Page 169
Notes......Page 174
PART II:SCRIPT, IMAGE, SCRIPT-IMAGE......Page 178
12.Attested Auditor of Books......Page 182
Notes......Page 183
13.These Surfaces for Rent......Page 184
14.The Antinomies of Allegorical Exegesis......Page 186
Notes......Page 189
15.The Ruin......Page 191
Notes......Page 195
16. The Dismemberment of Language......Page 198
Notes......Page 201
17.Graphology Old and New......Page 203
Notes......Page 204
PART III:PAINTING AND GRAPHICS......Page 206
18.Painting and the Graphic Arts......Page 230
Notes......Page 231
A. The Sign......Page 232
B. The Mark......Page 233
Notes......Page 236
20.A Glimpse into the World of Children's Books......Page 237
Notes......Page 246
21. Dream Kitsch (Gloss on Surrealism)......Page 247
Notes......Page 249
22.Moonlit Nights on the Rue La Boetie......Page 251
Notes......Page 252
23.Chambermaids' Romances of the Past Century......Page 254
Notes......Page 259
Triptych: First Minute, Second Minute, Third Minute......Page 260
First Minute: On the Scaffold......Page 261
Third Minute: In Eternity......Page 262
Notes......Page 263
25. Some Remarks on Folk Art......Page 265
Notes......Page 267
26.Chinese Paintings at the Bibliotheque Nationale......Page 268
Notes......Page 271
PART IV:PHOTOGRAPHY......Page 274
27.News about Flowers......Page 282
Notes......Page 284
28.Little History of Photography......Page 285
Notes......Page 306
29. Letter from Paris (2) (Painting and Photography)......Page 310
Notes......Page 318
30.Review of Freund'sPhotographie en France au dix-neuvieme siecle......Page 323
Notes......Page 325
PART V:FILM......Page 326
31.On the Present Situation of Russian Film......Page 334
Notes......Page 337
32.Reply to Oscar A. H. Schmitz......Page 339
Notes......Page 342
33.Chaplin......Page 344
Notes......Page 345
34.Chaplin in Retrospect......Page 346
Notes......Page 348
35.Mickey Mouse......Page 349
Notes......Page 350
36.The Formula in Which the DialecticalStructure of Film Finds Expression......Page 351
Notes......Page 352
PART VI:THE PUBLISHING INDUSTRY AND RADIO......Page 354
Notes......Page 364
38.A Critique of the Publishing Industry......Page 366
Notes......Page 369
39.The Newspaper......Page 370
Notes......Page 371
1. Cosmic Man [Allmensch]......Page 372
2. Demon......Page 381
3. Monster [Unmensch]......Page 388
Notes......Page 399
41.Reflections on Radio......Page 402
42. Theater and Radio (The Mutual Control of Their Educational Program)......Page 404
Notes......Page 407
43.Conversation with Ernst Schoen......Page 408
Notes......Page 411
44. Two Types of Popularity (Fundamental Reflections on a Radio Play)......Page 414
Notes......Page 416
45.On the Minute......Page 418
Index......Page 422
Credits......Page 436

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