This book is a major new study – dealing with notions of film music as a device that desires to control its audience, us
194 81 14MB
Pages [195] Year 2005
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This book is a major new study - dealing with notions of film music as a device that desires to control its audience, us
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The seemingly effortless integration of sound, movement, and editing in films of the late 1930s stands in vivid contrast
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Despite their name, the silent films of the early cinematic era were frequently accompanied by music and other sound ele
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Unlike traditional music, film music sources are often difficult to locate and do not follow the patterns that researche
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New York Times, Spin, and Vanity Fair contributor Marc Spitz explores the first great cultural movement since Hip Hop: a
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Sound and Music in Film and Visual Media: A Critical Overview is a comprehensive work defining and encapsulating concept
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Viewing more than two hundred films from the American film industry's early sound era (1926–1934), Michael Slowik l
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Examines representations of ancient epic and epic conventions in film and television Demonstrates how adaptation and rev
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Tracing the connections between music making and built space in both historical and contemporary times, Music, Sound, an
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The first book-length study of meta-phenomena in film and television series Works discussed include: Sunset Blvd., Felli
328 92 13MB Read more