The Nasty Woman and the Neo Femme Fatale in Contemporary Cinema puts forward the theoretical notion of the ‘nasty woman’
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June en haar man Robbert leven in luxe, maar ze rouwen om hun verloren dochtertje Imke en zijn compleet vervreemd van el
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Ostensibly the villain, but also a model of female power, poise, and intelligence, the femme fatale embodies Hollywood’s
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The cross-fertilization of languages, cultures, and literary forms that produced modern Japanese literature also gave bi
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The contemporary study of film is dominated by narrative theory – yet films include scenes and images which do not perfo
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How does a Norwegian farm girl become an infamous American serial killer, responsible for upward of 40 murders? Born in
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What can queer theory, media studies and feminism bring to our understanding of cinema's Lavender Ladies? Addressin
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Jean Ma shows how the rise and domination of singing actresses—or songstresses—in Chinese cinema attests to the changing
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The story of Samson and Delilah in Judges 16 has been studied and retold over the centuries by biblical interpreters, ar
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