Stranger in Our Midst: Images of the Jew in Polish Literature 9781501718298

Table of contents :
Contents
Illustrations
Preface
Introduction
Part One. From the Renaissance to the Mid-Nineteenth Century
"Poem about Jews" (rnid-1530s)
Principles of Law of the Polish Land (1579)
Catechism of the Secrets of the Polish Government as Written about the Year 1735 by the Esteemed Mr. Sterne in the English Language, Later Translated into French, and Now Finally into Polish (1790)
"Jews"
Levi and Sarah
The Year 3333, or An Incredible Dream
Pan Tadeusz
"Israel in Poland"
Collocation
"Polish Jews"
Part Two. From Positivism to Modernism
The Jew: Contemporary Images
Letters from America
"Mighty Samson"
Meir Ezofowicz
"Chava Ruby"
"El mole rachmim ... :'
"The Tailor"
"Froim (A Sketch from Nature)"
Our Jews in Towns and Villages
"Srul of Lubartów''
The Doll
Chronicles
"Mendel of Gdańsk (A Sketch)"
"The Anti-Semite"
Part Three. From World War I to World War II
The Popular Anti-Semitic Press from 1915 to 1929: Four Treatises
Two Poems
The Stranger
The City of Herod: Palestinian Notes
"The Bałaguła"
Native Realm: A Search for Self-Definition
"Cultural Anti-Semitism"
"The Anti-Semitism of Academic Youth"
Part Four. World War II and the Holocaust
"A Poor Christian Looks at the Ghetto"
Holy Week
"Elegy of Jewish Towns"
Part Five. The Postwar Era: War and Holocaust Revisited
"The Man with the Package"
"The Mendelssohn Quartet"
"Yankel's Last Concert"
"The Branch"
The Beautiful Mrs. Seiden man
The Final Station: Umschlagplatz
Selected Bibliography of Works in English on the Jews of Poland and Polish-Jewish Relations

Citation preview

Stranger in Our Midst

Also by Harold B. SegelThe Literature of Eighteenth-Century Russia The Death ofTarelkin and Other Plays by Alexander Sukhovo-Kobylin The Major Comedies of Alexander Fredro The Baroque Poem Polish Romantic Drama Twentieth-Century Russian Drama from Gorky to the Present Turn-of-the-Century Cabaret: Paris, Barcelona, Berlin, Munich, Vienna, Cracow, Moscow, St. Petersburg, Zurich Renaissance Culture in Poland: The Rise of Humanism, 1470-1543 The Vienna Coffeehouse Wits 1890-1938 Finocchio's Progeny: Puppets, Marionettes, Automatons, and Robots in Modernist and Avant-Garde Drama

Stranger in Our Midst Images of the Jew in Polish Literature

Edited with an Introduction by

• Harold B. Segel

Cornell University Press/ Ithaca & London

Copyright © 1996 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reprodl.tced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. First published 1996 by Cornell University Press.

Text design by Carrie Nelson House.

@I The paper in this book meets the minimum requirements of the American National Standard for Information SciencesPermanence of Paper for Printed Library Materials, ANSI Z39.48-1984.

Library of Congress Cataloging-in- Publication Data Stranger in our midst : images of the Jew in Polish literature/ edited with an introduction by Harold B. Segel. p. em. Includes bibliographical references. ISBN 0-8014-2865-3 (d.: a\k. paper). - ISBN 0-8014-8104-X (pbk.: a\k. paper) 1. Polish literature-Translations into English. 2. Jews-PolandLiterary collections. I. Segel, Harold B., 1930PG7445-E1S77 1996 891.8'50935203924- dc2o 95-50480

To the memory of my mother, who knew both worlds and saw the best in them.

I gazed astounded at those pages [the novel The Inn by Julian Stryjkowski], which had yellowed and darkened during those fourteen years, and I thought about that world, great and splendid, majestic and romantic, funny and laughable, moving and tragic, the unforgettable and already forgotten world and universe of the Polish Jews. A planet died. A globe incinerated by a cosmic disaster. A black hole. Antimatter. Oh, God, how did it happen? Anti-Semitism, philo-Semitism, Zionism, nationalism, converts and Has ids, hatreds and rivalries, moments of solidarity and community, good days, bad days, humanity, inhumanity, all of it mixed and whirled together in one land, divided and united, two civilizations and two cultures. Then, suddenly, during the brief night of the occupation, something was amputated. Some part of the landscape, the flora, the fauna, the architecture, the sound track was forever severed and borne away into the icy darkness of the universe which is our heaven and our hell. -TADEUSZ KONWICKI,

Moonrise, Moonset

Contents

Preface, xi Introduction, 1

Part I • From the Renaissance to the Mid-Nineteenth Century Jan Dantyszek (Ioannes Dantiscus) I "Poem about Jews," 33 Jan Tarnowski I Principles of Law of the Polish Land, 34 Fr. Franciszek Salezy Jezierski I Catechism of the Secrets of the Polish Government as Written about the Year 1735 by the Esteemed Mr. Sterne in the English Language, Later Translated into French, and Now Finally into Polish, 36 Stanislaw Staszic I "Jews," 38 Julian Ursyn Niemcewicz I Levi and Sarah, 43

Julian Ursyn Niemcewicz I The Year 3333, or an Incredible Dream,

61

Adam Mickiewicz I Pan Tadeusz, 71

Andrzej Towianski I "Israel in Poland," 76 J6zef Korzeniewski I Collocation, 8o Cyprian Kamil Norwid I "Polish Jews," 87

Part II • From Positivism to Modernism J6zef Ignacy Kraszewski I The Jew: Contemporary Images, 93 Henryk Sienkiewicz I Letters from America, 99

Eliza Orzeszkowa I "Mighty Samson,"

102

Eliza Orzeszkowa I Meir Ezofowicz, n8.

Aleksander Swi~tochowski I "Chava Ruby," 142

Wiktor Gomulicki I "El mole rachmim ... ," 158 Klemens Junosza (Szaniawski) I "The Tailor,"

162

Klemens Junosza (Szaniawski) I "Froim (A Sketch from Nature)," 179 Klemens Junosza (Szaniawski) I Our Jews in Towns and Villages, 187

Adam Szymanski I "Srul of Lubart6w," 190 Boleslaw Prus (Glowacki) I The Doll, 198 Boleslaw Prus (Glowacki) I Chronicles,

210

Maria Konopnicka I "Mendel of Gdansk,"

221

Gabriela Zapolska I "The Anti-Semite," 236

viii

Contents

Part III • From World War I to World War II The Popular Anti-Semitic Press from 1915 to 1929: Four Treatises, 273 J. Grabowski I Poles, jews, Russians, 273 Anonymous I jews during the War, 278

Fr. Jan Gnatowski I On the jewish Question, 280 Stanislaw Pienkowski I "On Values and Super-Values," 290 Antoni Slonimski I Two Poems, 293 Maria Kuncewiczowa I The Stranger, 295 Maria Kuncewiczowa I The City of Herod: Palestinian Notes, 298 Stanislaw Vincenz I "The Balagula," 302

Czeslaw Milosz I Native Realm: A Search for Self-Definition, 320 Leon Kruczkowski I "Cultural Anti-Semitism," 326

Zygmunt Szymanowski I "The Anti-Semitism of Academic Youth," 331

Part IV • World War II and the Holocaust Czeslaw Milosz I "A Poor Christian Looks at the Ghetto," 337 Jerzy Andrzejewski I Holy Week, 339

Antoni Slonimski I "Elegy of Jewish Towns," 363

Part V • The Postwar Era: War and Holocaust Revisited Tadeusz Borowski I "The Man with the Package," 367

Jaroslaw lwaszkiewicz I "The Mendelssohn Quartet," 370 Marian Piechal I "Yankel's Last Concert," 381

Tadeusz R6zewicz I "The Branch," 386

Andrzej Szczypiorski I The Beautiful Mrs. Seidenman, 389

Jaroslaw Marek Rymkiewicz I The Final Station: Umschlagplatz, 396 Selected Bibliography of Works in English on the Jews of Poland and Polish-Jewish Relations, 401

Illustrations

1.

Wincenty Smokowski (1797-1876), "Jewish Wedding," 46

2. Maurycy Tr~bacz (1861-1940), "Yankel's Concert," 74 3· Artur Szyk (1894-1951), "The Young Jew Michael Landy Taking Up the Cross

from the Hands of a Wounded Priest during the Demonstration of April 8, 1861, in Warsaw," 88 4· Edward Gorazdowski (1843-1901), "Michael Ezofowicz Senior," 121

5· Edward Gorazdowski, "Sabbath;' 128 6. Jan Krajewski (dates unknown), "Rabbi Isaac Todros Making His Way through the Streets of Szyb6w," 133 7· Teofil Konarzewski (dates unknown), "Town Elders Angered by Meir's Defiance," 139 8. Tadeusz Popiel (1862-1913), "Holiday of the Torah," 169 9· Juliusz Kossak (1824-99), "Fair near Warsaw," 304 10. Juliusz Kossak, "Fair near Warsaw," detail, 305

n. Bronislaw Wojciech Linke (1906-62), "El Mole-Rachmim," 394

Preface

Polish literature is a literature ofJewish experience; indeed, it is the greatest European literature of Jewish experience, a proposition that seems unlikely at best. Widely regarded as notoriously anti-Semitic, the Poles seem hardly likely to have encompassed Jewish experience in their literature in any but the most negative terms. But this is not the case. Poland has the richest Jewish history of any country in Europe, and one of the richest in the world. Jewish habitation, which can be traced back as early as the late tenth century, expanded in time to such an extent that on the eve of the German invasion of Poland in September 1939, Jews constituted over 10 percent of the total population of the country. But dry statistics can scarcely do justice to the impact of the Jewish presence on the Polish consciousness. Whatever their relations with the Poles, which changed as Polish fortunes changed in the course of history, whatever the estrangement of the majority of the Jews from mainstream Polish society, no significant Jewish emigration from Poland occurred until the twentieth century. Poland in fact had achieved its sizable Jewish community because of Jewish migration into the country in past centuries. And even with the increasing emigration to Palestine and elsewhere in the period between the two world wars, the Jewish community still numbered some three and a half million in 1939. Whatever preconceived notions may exist concerning the Poles' treatment of their huge Jewish population, the fact remains that that population, as indeed all of European Jewry, was targeted for extinction by the Germans, who invaded Poland in September 1939 and occupied the country until1945. PolishJewish relations at their worst cannot even remotely approximate the magnitude, and horror, of that genocide. This book is an attempt to look at Polish-Jewish relations from the perspective of Polish literature. Or to be more specific, from the viewpoint of that Polish imaginative literature written by Poles who were not, or are not, Jews. Assimilated Jews who spoke and wrote Polish began contributing to Polish literary culture only in the twentieth century, mainly in the interwar period. Their number includes some of the finest literary talents in the Polish language in this centurythe poets Julian Tuwim and Aleksander Wat, the prose writers Bruno Schulz and Kazimierz Brandys, and the playwright and director Tadeusz Kantor- but so complete has been their identification with Polish culture, and so strong their desire to be regarded as Polish writers, that very few Jewish writers in Polish have turned to Jewish subjects or relations between Poles and Jews in their works. Ethnic Polish writers, however, free of the constraints and inhibitions ofJewish as-

xii

Preface

similation, and representative of the host culture, have attempted to come to grips with the huge but largely alien Jewish community in their midst for centuries. In the virtual absence of a living Jewish culture in Poland today, historiography and other forms of recovery of the past collaborate on at least a documentary and iconographic reconstitution of the lost Jewish community. In so doing the Poles are attempting to recover a now extinct dimension of their own past. Their efforts are paralleled by the extraordinary scholarship on virtually every facet of the history of the Jews of Poland which has occurred in both the English-speaking world and Israel in recent years. With this book I seek to make a modest contribution to the ever-growing literature on the Jews of Poland and the history of Polish-Jewish relations. Through a carefully selected collection of texts, the great majority from works of imaginative literature, Polish literature has been called upon to disclose its own shifting perspective on the Jewish community in Poland. The importance of literary culture in Poland and the immense presence of the Jew in that culture enhance the value of such an endeavor. The huge body of texts available for an anthology of Polish literature on the Jew could easily fill more than a single volume. Limited, however, by practical considerations, I have tried to choose texts that are generally regarded as of major significance in Polish literary culture yet representative of Polish literary treatment of the Jew in any given period. For texts from the sixteenth and eighteenth centuries and for a cross-section of the anti-Semitic popular press of the period 1915-1929, I incorporated political and social commentary where it seemed useful to complement, or to compensate for a paucity of, appropriate imaginative literature. Since it was impossible to include entire novels, novellas, plays, and lengthy poems, excerpts had to be chosen with an eye to their interest and typicality for the individual text. Each selection is preceded by its own concise introduction whose purpose is to provide basic information on the author and the text from which it comes so that the reader has a helpful frame of reference. In some instances, for example, novels, I have interpolated brief summaries of the narrative at key junctures. No selection of texts such as this one, to say nothing of the process of excerpting itself, will please everyone familiar with the material. I would have much preferred to include whole texts, but that was out of the question if the book was to materialize in what I regard as its most useful form. I also deeply regret not being able to include every author I would have liked, from Asnyk to Zeromski; but the line had to be drawn somewhere. In view of the scope of the book, however, I regard omissions as regrettable but not grievous. Since the purpose of the book is to illuminate non-Jewish Polish attitudes toward the Jews of Poland and patterns of Polish-Jewish relations through the ages, Polish writers of Jewish origin have been omitted. The sole exception is

Preface

xiii

Antoni Slonimski, who had an impressive Jewish pedigree but was raised as a Catholic. Perhaps that is why Slonimski felt more comfortable writing about Jews than a fellow writer of Jewish origin such as Julian Tuwim, at least until the Holocaust revived Tuwim's sense of Jewishness. Until the interwar period there was no significant Jewish contribution to Polish literary culture except for the literary and art criticism of the nineteenth-century writer Julian Klaczko, who began writing in Hebrew and then switched to Polish and French. When writers of Jewish origin began making their presence felt in Polish literature they rarely wrote on Jewish subjects, notwithstanding efforts by some scholars to identify patterns of subliminal and subtextual Jewishness, as, for example, in the case of Bruno Schulz. For obvious reasons, the impressive Yiddish literature that blossomed in interwar Poland was similarly excluded from consideration. The works of a Yiddish writer such as Isaac Bashevis Singer, which conjure up their own world of old Polish Jewry, make splendid reading for comparative purposes but have no integral place in the present anthology. All translations from the Polish are my own except where indicated otherwise in the notes. Information on the original texts used for translations also appears in the notes. All Polish and Jewish names appear as they do in the original except for Jewish first names, which have been transliterated from the Polish spelling of the Yiddish and Hebrew originals. Thus Mosze appears as Moshe, Szloma as Shloma, Jankiel as Yankel, Cipa as Tsipa, and so on. For the sake of avoiding undue Anglicization and in order to preserve the Polish flavor of the original, Polish terms of address have been retained. Hence: pan ("mister," "sir"), pani ("mrs.," "madam"), panna ("miss"), panowie ("sirs," "gentlemen"). The sole exception is the character Irma Seidenman in Andrzej Szczypiorski's novel Poczqtek. Since my excerpts have been taken from the published translation, The Beautiful Mrs. Seidenman, I thought it best not to change "Mrs. Seidenman" back into "Pani Seidenman." Finally, Yiddish and Hebrew terms occurring in Polish texts have generally been left as they appear in the originals as a way of showing the greater or lesser familiarity of the authors with these terms. The concept for this book grew out of an international conference on PolishJewish relations through the ages which I organized in 1983 in my capacity as director of the Institute on East Central Europe of Columbia University's School of International and Public Affairs. The lecture I delivered at the conference, on images of the Jew in Polish literature, was repeated subsequently on other public occasions in somewhat altered versions. The response to these lectures, and the comments I received at other forums, encouraged me to proceed with the anthology and to attempt to realize it in its present form. For permission to translate from the Polish or to reprint excerpts from translations in print, grateful acknowledgment is made to the holders of copyright, publishers, or representatives listed below.

xiv

Preface

Farrar, Straus & Giroux, Inc. Excerpts from Jaroslaw M. Rymkiewicz, The Final Station: Umschlagplatz. Translated by Nina Taylor. Translation copyright © 1994 by Farrar, Straus & Giroux. Copyright © by Editions Robert Laffont, S. A., Paris. Excerpt from Tadeusz Konwicki, Moonrise, Moonset. Translated by Richard Lourie. Translation copyright © 1987 by Farrar, Straus & Giroux, Inc. First Polish edition published by Index on Censorship, London, in Zapis 21, copyright © 1982 by Tadeusz Konwicki. Grove/Atlantic, Inc. Excerpts from Andrzej Szczypiorski, The Beautiful Mrs. Seidenman. Translated by Klara Glowczewska. Copyright © 1989 by Grove Press. Copyright© 1988 by Diogenes Verlag, A. G. Giesenheyner & Crone (Stuttgart). Permission to translate Tadeusz Borowski, "Czlowiek z paczk