Spirits speak : a celebration of African masks

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Spirits speak : a celebration of African masks

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CONTENTS

Pfl'£FACE

SPIRtTS SP£A.K 21 PETER STEPAN

PLATES JJ

{ ETHNIC GROUPS IN ALPHABETICAL ORDER)

BAG.A 7. 9

&A.MANA 3l-39

BENIN KINGDOM 46. 47

CHOKWI 97. 1op. 102

,ANG 78. 79

'

LUCHAZI 99

URHOBO 55

n

IANGWA 76. 77

UTE 15

DK>t.A l 2

BANYANG 66

Bl~OGO 3--6

DOGON 40, 4 1

GUAO 19. 20

HIMBA Ill. n.i

IBl&IO 59

KU8A 104·)()6

KWlll $2•$4

WNGU (RUNGU) .12$

NA.LU

OVlMIUNDU 102 VILI 8'1. 88

a. n

MAHOt4GWl/NGAAI $0

NOMKA/8£KI 1$

PEND£ 94·96

WI 13

KNUllO 25·2$

VAKA 8~91

YOMBE 86

I.AULi 2l-24 80A n7

tGBO 52· S4

KWIRI: 12$

MAKOt.iM 121o-124

LIOA

UO 56-58

ns

IOMOYE )()6-no

IUKU 92. 93

80KJ 63

MARK.A 29

HKI: 8S

MBU~ l03

TUSYAN 4 5

YORUBA 48·51

IRJS HAHNER

Sl8UOGAAPKY 182

MAP OF AFRICA

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WIA lTI. 112

NUNUMA (GURUNSI) .. J

CATALOGUE tH

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•WA 44

KANTANA (MAMA) 68

LISl/BIRA t20

MAM.BILA 69. 10

NOOUNll RIVD 81

aEM8E· 1\6

EIC.ITI (YOAUllA) SO

11.JAGHAM 61. 62. 64. 65

IR 48

NOUN.DI -07

8ATl80 74

BIRA/LaH/KOMO 1l8

DYULA JO

KRU/ G-.0 ll. 14

MINDI: 10 ' MOSll 42 OGONI 60

llNUI RIGION

DAN 17. 18

GUIRE l6

KONGC>OtNGA 101

llAMILIKI 72. 1.1 75

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PREFACE

THE AJM OF THI$ BOOK is ldmitt.Oly not & MOdt:st one..

a10 still eothU-si.Mtic:ally d&ncfd today, the Pt!fformances often

h IS to ,provkl• a c:om.,..heMlvt 00ttrvkw of the tll\t:lt Attican

make conc:.sslons to ~ltttalnl"Mflt a~ touriil:s' •x-Ptci..Uons:.

mli$kt-tho molt comotflr"9 In t«ms of btaucy Of tculpturel

Only e f~ Afrle.n communitJff havo ~ntged to ket.P tlieir

conceot. the most awesome. and oerhaps most magical. masks

m asauerade performances hidden fTom t he inquisitive eyes ol'I

ever aiea ted by African a rtists. For modi too long now, masks

white visitOfs.

heve bll!en treated as mere tC..ns of tlw " s~" ot ce'taln tltWc vrouos: or re;~s. and their itll$he quaky hM frequently been

APA.RT FROM FAMO US ICONS OF tM Afl"bn tNisk·

negletted. The present selection is different. having Plltposefy been

making art. th.is book includes masks that seem well on the way

made on the basis o f the aesthetic rank of these creations.

to becoming such. Its selection of "Mona Llsas" ot •master

At most people oro now owaro. thl fnllkl In Wt1t1rn

mosKs· I' Ri0Pltmtnt·tc1 b)' an oot1ln1 or tht brOOd ronee Of ~

museums end 't$0M Mtrt trcigments.ltl(j that tn two

tnaJk tyQfl. With thl$ in mW'ld, thil c91..brotion ot Afrie.n IT\3W

tapectS. A$ fac.e. cap ~ helmet mas.ks. Ui•y wete originally P6tl

can begin..

of often voluminous mesque..-ade co11utnet, usuatly macM by • whot.e te..-n of •rtiwiM, ot r•ffi• •nd oth•r m.llerials. Thes.e whole-lbody costwnes. in tum were sir'!¥>1y the viw.t components

ol & com~ performMCe in wl'llCl'I musk &!"Id pettlon of

m.'lternit;y," and hW i ts opPQSite PG6e in tt\.e ert of the Sout h Sus.

AJriCltl art. Offpit• ill undout>ttYe·

5')irit they embodied needed no great IMoquence to communicate

ments. all the way down ~o mock copulation. Yet there are also

its meaning. and even Its eyes were nearly gazeless-(ndkatots

repotts of sa'wfish and hfppopotamus mas.ks, even of oock or rooster

of t he superior metaphysical power of the spirit effective In

dances performed by four young fellows "Who were dress.ed as

t hem.10

cocks,. in costumes made of palm leaf strips. They Imitated thes.e

By comparison to the deadly earnest and power embodied

bltds by bending forward from the hips and mincing around with

In such mas.ks. others give the Impress.ion of b cheerful .kinder·

short steps in time to the musie. Occastonally they interrupted

gal'ten. HU90 A. Betnatil.k once deSC:ril>td a masauorade ht s,.aw

their t ripping st•.ps with b few dust·raisin9 stamps, then resumod

in il930- 31 on orango Grand• (BiSStgOS ts.lends). It w.s accom·

nun•rk1g arouf\d. Chirping end crowing the while ,,_""

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THIS MULTIFARITY· OF VISUAL FORM REVEALS A MU LTIDIMENSIONAL REALITY IN WHICH D IFFERENT . WORLDS LITERALLY INTER PENETRAT E •

A.s t he $&mt observer relates. tht BiefJ090 vs~ to tta¢h their adolescents such dances in the seciuded domain

or a bush

the

habiUi~ t hat

r9Prfftnt$ the true homo of the m.sk spirits:

These, W9 temombtr, inc:lvded for est, bush and water spirits. and

camp, vet an i mal masks nonetheless r&mained a feature o f publ ic> when g irts and boyt (in di fferent camps) are sepa1a ted from their

village c e1ebrations as welL Eamest choreograph;c imitat;ons of

,,.;others and families to speod a key phase in their li\lff in a forest

ani mal behavior, frank sexual anusions in g rote-sque form, and

dlearing with tNChefs and wise men, sorcerer hunt ers and medical

the repeat ed appearance o f female clowns who caricatured t he

c.aretakers, the adolescents are recei~ by and given into the

men's lust, all lubricat ed with plenty o f palm wine. maintained a

care of mask s. ·Among the Dan in 1...ory Coast. for instance, their

balance• between a,;lt and play, sacred and profane.

care begins with the masks' dafly entry into the village to collect

food for their pupils from t he women- not silently or seriously MASK PIRFORMANCIS AR& NOT necessarily associated

but wit h earthy wit and charming insistence. The wearers disguise

with village dance spectacles a&one. There ar e many an d diverse

their voices to conform with t he mask, uttering anlmal.flke sounds

oocasbns fOf' them. and t heir range of meaning Is broad. In many

tl!\at ,t ransform them Into •spirit vokes"-a kind of "acoustk:

traditlonal convnunaies, rites of PilssaQe' and Initiations are virtually

masking; as It were."' When t he c hildren return from t he camp

unthlnkeble without the presence of masks. Thelr essential task

to the s~eplng hut In the village eve1t

from ehHdhOOd to edult hOOCI, wlth Its plttalls and uncertainties.

mom1ng (OIMts 17t.).

stands undor the PtOtectiOn of masks. wtllct\. among, other t hings, ~P evil

spirits at bay. Such bush e&rrios. w~ usually IM:l stvtral

Hbni Himm~htbt'r. who in 1976 had the

pri...i1eg e of 04fti·

Ciii>ating, os a whit9 mon. in an initiation camp of the Don in Libcll'ib.

weeks. a,.. not only the place where bOy$ bl"ld teenagers ate Cire\.lm-

reported on a ritual W91corne of the arriving boys on the part of

c iS4'1d but the site of instruction in dancing and cratts skills, in the

a:n invisible fore-st spirit by the name of Nana. who functioned as

commun ity's praverbs and basic rules. Here yooths are taught

spiritual supervi.sor from a COl"ICffled shelter in the sacred woods.

the use o f medicinal herbs and the ~bliatina. and thtir acpffranet- especially ttie tNSks of tho koino

what Qurpose they were made a.nd performed. After having gail'l9d

(plates 31f.)-~lls that ot ·fetiShts" which.have been "'charget A similar

authority. The effectiveness of these masks does not depend on

charging of masks was already seen Jn the case of the Bamana,

artist ic adornment, since It is already assured by t heir ass.oclation

whose komo·masks beat an amazing slmllarlty to 'fetish' altars

with magic medicine, one reason W'hy Grasslands masks have

(plates ! I f.). In contrast , In the Grasslands the gris-g.ris are not

maintained thell slgniflcance down to this day. Masks without

dir ectly attached to th~ wooden part of t he mask but to the

wooden face portions conslU ol an artfully woven or crocheted

dancer's costume. nor are offerings made to masks In this region.

material t hat.I$ pvlJed t:Ner the head.like a large stocking, and a

Whlle t he variety of masks among the Bamana may be o.artllllly

tei. their offlelels and reti nue. The

mtntionted above (plate 17>. serve as mediators between the bush

memot'y of an epoch of mighty rulers In Ea.st An901a _ finds an

camp and the villagers, especially the mothers of the circumcised

eixDteulon In the mask traditions. Sometlmtt. It ~ou\d aP0tar,

boys. ChihntJO is a matt ancestor sl)irlt who embodlff l)OWor

Nrfitt n.ilers thernstlvts "'e eommemo.rated In ma.k rorm, for

an·d WQl tt\ &nd accordingty Is da.nced only by a king or his sons.

instance in the Chokwe masks eua.inu ... and Kalelwa .... In th_,.e

The likt'Wise male mas.It figure Chiu~ appears at tht condu- •

two n\6SkJ, Chokwt kings ol ea111er eenturitt are d•Pieted."2'

sion of the initiation, which lasts Hvtral months. In many uses a lUS MA.SI< ti aditions com·

' chisaluke determines whether t hey haw in fact mastered the

Pelis us to 1eviso our notions of what the term "mask" signifie$ in

dances they have practiced. Thi s mask concfudes the bush camp

Africa. Tll9 rewlts may swprise especially those wtio have become

w.ith occasion.ally ~entric p@rformances on houMt r oofs or termite mounds. behaving like a trickster:

~1n

hi s performances

acevstomed to a uniform picture of African culture. This pictune

reflects the colonial viewpoint of "forced collectivizatioll." when

c.htsal uke i ncites the crowd by running around the village reek•

blankei judgements were passed C?n Africans and art negre. In

Jessl'y. c l imbing on houses, granaries. amt tr ees. and dancing

t he appearance ol masks. representatives of the colonlal power-s

sug~stively

with his phallic appendage, called a lwifwi, with

which h e 'impregnates' ewf\lthing and everybody.",.

The Chokwe and t hf f n~t>Ors have a good hu~red mask figures, which are·\liewed as embodiments of ancestors even when

they bear European features (Including abundances of facial hair)

tended to see an unleashing of elemental insti"H:ts and s1.4>«st1tlons rather than expressioris of a highly complex cultural system, 9\''ftr· changing and futt of MJanc.es from r egion to region. Ac:cotdlng to a more recent ethnologJeal ln.terpretatlon of these cultutal systems. the perfOfmance of masks Is also a meeins

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to counterbalance t he discrepancies and social asymmetries-

realistk renderinsi of t he human face is the except ion in Africa,

especially In the relationship of the sexes-that exist in every .

and wtien suc.h iealism does ~ear, it likely can be traced back to

scxlety. By selsmc)graphlcafly reacting to shifts In t he social status

European influences (piate 86). Nothing could be further frorp an

Quo and group dynamics, mask cult ure Is reput egle

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