Probably the most prominent living filmmaker, and one of the foremost directors of the postwar era, Jean Luc-Godard has
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This collection explores torture from the array of approaches offered by the arts and humanities. It contends that these
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This collection of essays is the first book to take up the urgent issue of torture from the array of approaches offered
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What happens when we listen to a film? How can we describe the relationship of sound to vision in cinema, and in turn ou
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Richard Roud's seminal study of the director Jean-Luc Godard places the director in the context of modern European
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Da «Fino all'ultimo respiro» a «Passion», da «Il disprezzo» alle «Histoire(s) du cinéma», da «Il bandito delle 11»
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This book reads a series of Godard films as interventions in contemporary debate about the language of difference. Godar
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Richard Roud's Godard, first published in 1967 as ‘Number One’ in the seminal Cinema One series, was the first mono
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Jean-Luc Godard and Harun Farocki, this book argues, have been exploring and practicing "film as theory" for d
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