Relax with Meditative Piano: 40 Beautiful Pieces

A new addition to the best-selling series, the 40 pieces in Relax with Meditative Piano have been selected and edited by

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Relax with Meditative Piano: 40 Beautiful Pieces

Table of contents :
Introduction
George Nevada: When Paris Dreams
Hans-Günter Heumann: Like a Feather in the Wind
Paul Zilcher: Lullaby
Jürgen Moser: Sad Song
Georges Ivanovich Gurdjieff: Song of the FIscherwomen
Barbara Heller: Evening Flower
Melanie Spanswick: Inflections
John Kember: Soft Blue
Samantha Ward: Tango for Em
Mike Schoenmehl: Melancholy Reflections
Melanie Spanswick: Lost in Thought
Peter Michael Hamel: Two Steps Forward, One Step Back
Melanie Spanswick: Walking in the Wood
George Nevada: Little Atlantic Rhapsody
Samantha Ward: Slow Blues
Johanna Senfter: Lullaby
Eduard Pütz: Sentimental Lady
Johann Sebastian Bach: Prelude
Franz Liszt: Notturno No. 2
John Kember: Midnight Blue
Robert Schumann: Child Falling Asleep
Zhang Zhao: Meditation
Hans-Günter Heumann: Listen to Your Heart
Alexander Gretchaninoff: Lamentation
Edvard Grieg: Elegy
Robert Fuchs: Lullaby
Alexander Scriabin: Prélude
Isaac Albéniz: Prélude
Mikis Thodorakis: Margarita, Daughter of May
Maciej Raginia: Impressions on E.D.
Charles Gounod: Ave Maria
Charles-Valentin Alkan: Barcarolle
Jules Massenet: Méditation
Uwe Korn: Air in Blue
Robert Schumann: Sheherazade
Aaron Copland: Sentimental Melody
Edvard Grieg: Notturno
Frédéric Chopin: Prélude
Johann Sebastian Bach: I Call to You, Lord Jesus Christ
Sergei Rachmaninoff: Elegy

Citation preview

MEDITATIVE PIANO

40 BEAUTIFUL PIECES SELECTED BY SAMANTHA WARD

ED 23081

Relax with

Meditative Piano 40 Beautiful Pieces Selected by Samantha Ward ED 23081

www.schott-music.com

Mainz · London · Madrid · Paris · New York · Tokyo · Beijing © 2020 Schott Music GmbH & Co. KG, Mainz · Printed in Germany

ED 23081 © 2020 Schott Music GmbH & Co. KG, Mainz All rights reserved. No parts of this publication may be reproduced sored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from Schott Music GmbH & Co. KG, Mainz. French translation: Michaëla Rubi German translation: Robert Schäfer BSS 59469 · Printed in Germany

Contents Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 George Nevada

When Paris Dreams . . . . . . . . . . . . . . . . . . . . . . . . 5

Hans-Günter Heumann

Like a Feather in the Wind . . . . . . . . . . . . . . . . . . . 6

Paul Zilcher

Lullaby, Op. 93/4 . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Jürgen Moser

Sad Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Georges Ivanovich Gurdjieff / Thomas de Hartmann

Song of the Fisherwomen . . . . . . . . . . . . . . . . . . . . 14

Barbara Heller

Evening Flower . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Melanie Spanswick

Inflections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

John Kember

Soft Blue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Samantha Ward

Tango for Em . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

Mike Schoenmehl

Melancholy Reflections . . . . . . . . . . . . . . . . . . . . . . 22

Melanie Spanswick

Lost in Thought . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Peter Michael Hamel

Two Steps Forward, One Step Back . . . . . . . . . . . . . 24

Melanie Spanswick

Walking in the Woods . . . . . . . . . . . . . . . . . . . . . . 26

George Nevada

Little Atlantic Rhapsody . . . . . . . . . . . . . . . . . . . . . 28

Samantha Ward

Slow Blues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Johanna Senfter

Lullaby . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Eduard Pütz

Sentimental Lady . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Johann Sebastian Bach / Alexander Siloti

Prelude in B minor . . . . . . . . . . . . . . . . . . . . . . . . . 34

Franz Liszt

Notturno No. 2, S 541a . . . . . . . . . . . . . . . . . . . . . 36

John Kember

Midnight Blue . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Robert Schumann

Child Falling Asleep, Op. 15/2 . . . . . . . . . . . . . . . . 38

Zhang Zhao

Meditation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Hans-Günter Heumann

Listen to Your Heart . . . . . . . . . . . . . . . . . . . . . . . . 44

Alexander Gretchaninoff

Lamentation, Op. 3/1 . . . . . . . . . . . . . . . . . . . . . . . 50

Edvard Grieg

Elegy, Op. 38/6 . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Robert Fuchs

Lullaby . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Alexander Scriabin

Prélude, Op. 27/2 . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Isaac Albéniz

Prélude, Op. 165/1 . . . . . . . . . . . . . . . . . . . . . . . . . 56

Mikis Theodorakis

Margarita, Daughter of May . . . . . . . . . . . . . . . . . . 58

Maciej Raginia

Impressions on E.D. . . . . . . . . . . . . . . . . . . . . . . . . 60

Charles Gounod

Ave Maria . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

Charles-Valentin Alkan

Barcarolle, Op. 65/6 . . . . . . . . . . . . . . . . . . . . . . . . 65

Jules Massenet

Méditation from Thaïs . . . . . . . . . . . . . . . . . . . . . . 68

Uwe Korn

Air in Blue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72

Robert Schumann

Sheherazade, Op. 68/32 . . . . . . . . . . . . . . . . . . . . . 74

Aaron Copland

Sentimental Melody . . . . . . . . . . . . . . . . . . . . . . . . 76

Edvard Grieg

Notturno, Op. 54/4 . . . . . . . . . . . . . . . . . . . . . . . . 78

Frédéric Chopin

Prélude, Op. 28/13 . . . . . . . . . . . . . . . . . . . . . . . . . 82

Johann Sebastian Bach / Ferruccio Busoni

I Call to You, Lord Jesus Christ . . . . . . . . . . . . . . . . 85

Sergei Rachmaninoff

Elegie, Op. 3/1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Introduction Schott Music’s Relax With series is designed to help you unwind with some of the piano repertoire’s greatest works, alongside lesser known pieces from the Baroque period right through to the 20th century. I have very much enjoyed compiling this particular edition, including a wide range of pieces from several different genres. Many pieces by classical composers such as Bach, Chopin and Schumann feature in this edition, as well as those by more contemporary composers such as Hans-Günter Heumann, John Kember and George Nevada. It has been a real pleasure to also include a few of my own compositions as well as one by my husband Maciej too, which we hope you will enjoy learning. I have tried to incorporate as much variety within the repertoire as possible, whilst remaining within the boundaries of relaxing and meditative pieces of music. Adding one more anthology to the set of Relax With books has been hugely rewarding and I hope you enjoy all the collections, hopefully discovering new repertoire and composers along the way. Samantha Ward Samantha Ward is a British concert pianist, and founder and Artistic Director of the international festival and summer school, PIANO WEEK. For more information, please visit www.pianoweek.com

Introduction La collection « Moments détente » des éditions Schott est conçue pour vous aider à vous relaxer grâce à quelques-unes des plus grandes œuvres du répertoire pour piano de la période baroque à nos jours, ainsi que d’autres moins connues. J’ai eu beaucoup de plaisir à concevoir le présent volume qui comprend un large éventail de pièces de genres diffé­rents. De nombreuses œuvres de compositeurs classiques tels que Bach, Chopin et Schumann y côtoient celles de compositeurs plus contemporains tels que Hans-Günter Heumann, John Kember ou George Nevada. Je me suis égale­ment fait une joie d’y adjoindre quelques-unes de mes compositions personnelles ainsi qu’une œuvre de mon mari Maciej. Nous espérons que vous les apprécierez. J’ai tenté de ménager autant de variété que possible dans le répertoire, tout en restant dans les limites de la musique relaxante et méditative. L’ajout de cette nouvelle anthologie à la série des « Relax with » s’est avéré extrêmement enrichissant pour moi. J’espère que vous apprécierez chacun des recueils de cette collection et qu’ils seront pour vous l’occasion de découvrir de nouveaux répertoires et de nouveaux compositeurs. Samantha Ward Fondatrice et directrice du festival international et des cours d’été « PIANO WEEK », Samantha Ward est une pianisteconcertiste britannique. Vous trouverez davantage d’informations sur le site www.pianoweek.com

Einleitung Mit der Reihe Relax With von Schott Music kann man mit vielen bekannten Klavierwerken sowie weniger bekannten Stücken vom Barock bis zum 20. Jahrhundert entspannen. Die Zusammenstellung dieser speziellen Ausgabe, die sehr viele verschiedene Genres abdeckt, hat mir sehr viel Freude bereitet. Sie enthält sowohl zahlreiche Stücke klassischer Komponisten wie Bach, Chopin oder Schumann als auch moderner Komponisten wie Hans-Günter Heumann, John Kember oder George Nevada. Ferner war es mir eine Freude, auch einige meiner eigenen Kompositionen sowie ein Stück meines Ehemanns Maciej in den Band aufzunehmen. Ich habe versucht, das Repertoire so abwechslungsreich wie möglich zu gestalten, mich dabei aber auf entspannende und meditative Musik beschränkt. Die Reihe Relax With durch einen weiteren Band zu erweitern, war für mich sehr bereichernd. Ich wünsche Ihnen viel Spaß mit der Sammlung und hoffe, dass Sie einige neue Stücke und Komponisten darin entdecken werden. Samantha Ward Samantha Ward ist eine britische Konzertpianistin sowie die Gründerin und künstlerische Leiterin von PIANO WEEK, einem internationalen Festival und Ferienkurs. Weitere Informationen finden Sie unter www.pianoweek.com

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When Paris Dreams George Nevada 1939–2014

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From the Schott edition Night and Dreams (ED 9048)

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



    

    





c

 







 C



    

15 15

15









  



7  4













    

 

28







 







 









   

 

 6   4

 

 

 



  

    





   

c

 

   



     

   

 

7 4

poco più f

 

 

  

 

7 4

     

più p

   



      







I



        

 

I I



 c 



 I



ten.

   



     

     

     I 6 I I 4 I

    

       

24







     

   



 



  7  4

20





18



 

Da Capo

 



 

    



    



pp

(Fine)

16 16

Evening Flower Abendblume Barbara Heller *1936

Free tempo and phrasing (quasi improvisando)





6 4

          

 mf

  

  

     

c



c



  

  

 

     

   

  



   

   







 

 

 



 

 







   

  







  

 

 

 



 

 

 

 

6 4



    

   





    

  



 



 

 

 

 

         



      



   

 

 

 

 

 

   





 



 

 

© 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition Musical Flowers (ED 20374)

 

17 17

32





  

  



    

  



   

 

 



 

 

 

38

 



   

         



 

  

 

      

        

 



45

       



  

 

            

 

 

 

  



 

 

 

53



     

 

  

60



        

    

 



       



     

 

 

  

 

 

           

 

 

   

 

 

  

 

improvise ad libitum

18

Inflections Melanie Spanswick *1969

Tranquillo (h = 96-104)



5 4 mf     2       2                      1

pp

2

1  22   2                         5   

4 5  5                                  3

4



1

                               sim. f5 4   5                               

7



pp

                                                            

10



          

                 

© 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition No Words Necessary (ED 23075)

19

mf                                 

13



pp

                           mp 5 4   4                                 2 2

16



1

1

pp

2

                             4 5  5                                 

19



1

p

                             5 4  5                                

22



                             4           

5          

         

        

25



rit.

4 1

 

pp

  1 5

20 20

Soft Blue 4   4    3 2



   4  4 p

   

1 4

5



        

   

        

      

  

      

            



   



mp

   

          mf

   

17



         p

   

21



   

   

13



  

    

9

        

pp

   

John Kember *1935

            

Gently (q = 92)

   

 

   

            

    

       

 

 

   

           

  

   

© 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition On the Lighter Side (ED 12726)

f

   

                     

 

   

    

   

                  

      

     

21

For Emily Pearl Campbell

Tango for Em q = 60



 2  4



  p

 

    

     

 

   



   

      

              mp

 3      4 5   

 3 5          

3

3

3

mf

      

3

     5    

        5

5

pp

5

 

5 2 1

 

  





3

   3      mf

      5   

      

        3

  

© 2020 Schott Music GmbH & Co. KG, Mainz

3

      

pesante e espressivo

3

        3

3

                   

4



2 1

6

   

     

3

       3

           rit.

 



3

2

                            

  1       

28



 

5

3

3

22



           5   simile

 5       3       

15



 

3

3

8



      

343-5

3

2

mf

  2 4

        

3

4

Samantha Ward *1982

   

    

    

5







  



22

Melancholy Reflections Mike Schoenmehl *1957

Slow ( ca. 69) ( 1

4

=

)

3

2

1

4

4

(4)

4

4 2

4 2 1

4

4

4

5

5

2

5 2

1

1

2

3

5

5

9

3

5 1

5

© 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition Piano Studies in Pop (ED 7304)

3 1

5

4

2

(4)

13

5 2

4

molto rit.

5 2

3

1

5

4

5 4

5 3

2 1

2 1

8

23 23

Lost in Thought

1

© 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition No Words Necessary (ED 23075)

 













     



   











   





    

              5 1

      

  









   





1  43    

1 5



rit.

1

      





       

mp

  5  2 

 

     sim.

   





    



 

     









mf

5

   



   

      

pp

  



      

13



1     35  





        



   





5    21







  







f

     

  



  





     



  41  5  







      

   

   421





mf

9



5







5

 

    





mp

1     4  35 4 



  





5



     









5    31



4  4



Lento (q = 66)

Melanie Spanswick *1969

  

24 24

für Peter Hanser-Strecker zum 70. Geburtstag

Two Steps Forward, One Step Back Zwei Schritte vor, ein Schritt zurück Zwiefacher Krebstanz *)

4





 





5 4  p

 5       4  

   mf

    

10



  



 

      

   

   

       



 

  

© 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition Dances of Our Time (ED 21470) *) two-step crab dance



 

2.





                   

 

   









       



 

 





          

1.

1.

        

  





        

    



12



 







              

7



 



Peter Michael Hamel *1947



    

 





   





2.

    

p

                       





   



   



     



25 25

15

 





   





    

18

 





   

      





p



    



 

  

   



1.

    

27

 





      





     

 



   



                                

f

                       

26





    

mf

22

 



   









 



   

allarg.







     

  

              







          

2.



p sub.



    

          





    





   

 

26 26

Walking in the Wood Melanie Spanswick *1969

Andante (q = 72-80)

6 2   4  4

    

6 4



1



3





         5 3 1 2 5 

mp

2     mf

3    

       

 





1      

5



       





      3

      

 

5      

9



2

 

1

mf





4

     4



      

5 4  1  

7





       

















3    

2

 

         





       

     3

  

© 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition No Words Necessary (ED 23075)

p







       

27 27 1      

11

3    

2



       

 





      3



       

2 5     







17





4

      3

 

19



  

  





 

1





3

   





 



       



    

      















5    

     3 5  







       

mf

15

 



5 4  1 3 

13

 

       



2

3

    

4

5 1

  pp





  

28 28

Little Atlantic Rhapsody George Nevada 1939 –2014

h. (ca. 54) sempre legato

6 4



5

mp

 6  2 1 45 

4

   1



 

7

 



 







 







   3  1   

  

l. H.

     

  



  

5

1

 1





sim.

r. H.

2





    







     

l. H.

13



  

sim.

 

   





  

  

l. H.

10





  







  

  

  



 



  





© 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition Romantic Miniatures (ED 7696)



 

l. H.





r. H.

 1

2





 1

4

     l. H.



29

  

16

  



r. H.



    

  

     



19

   r. H.

l. H.

1

 

22



 

















   



 

  

mp

28









 

31

dim.

 



  

   





sim.







  

  







D. S. con rep.

 



   

25





sim.

  

  

  





4

  



  







  

   

rit.

   













    

   

p p



    



30 30

For my husband Maciej

Slow Blues

Samantha Ward *1982

Slow (q = 65)

4 4

(swung quavers)

4

3             p mp legato  4 1     2              4           simile   5 3 1 4          3                         mf   2   2                           





9



2-4

3

                    

13

 





 

17

p



 

mp

 

 

      3        4  mf

     

  





© 2020 Schott Music GmbH & Co. KG, Mainz



 

    

2

    

 





 

 

pp

     

         



 3        

 

 

 

  

 

pp



 



  

1

    

    



mp

rit.

p

 

                

          

  

20

 

3

   

1





  



31

Lullaby Andante

3

1

6

4

1

5

5

5

2 1

2

1 4

2

2

1

1 4

11

2

2

1

Johanna Senfter 1879–1961

2 5

2 1

5

2 1

rit. 3 1

4 2

4 2

[ 2

1 4

a tempo

16

3

1

2

]

[

21

4

]

[

1

1

2

1

2 4

1

4 © 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition 6 Easy Pieces for Beginners (ED0 9773) Fingerings are by Johanna Senfter

]

32 32

Sentimental Lady

mf

 3 4     sempre col 



    

      







  



 







  



  

  

 

 



    





 





 



 

From the Schott edition Waltzing the Blues (ED 8033)

 

   

 





   

p

  

    



  



 



   



rit.





  

   

  





  

 



  

   

  

  

 



 

© 2020 Schott Music GmbH & Co. KG, Mainz







  

  



     a tempo

 

 

   

25





     

19





  

13



 

 

espr.

7



  









3  4



Slow and dreamy

Eduard Pütz 1911–2000







  

p

  







  



33 33



        



  

   



   



   



 

     

accel.

49

     

    



        

55

(



   



   

   

  



 

 

poco mosso

   

 

    

      

43





  

 





 

37

  

    

  

31





  

mf



       

   

  

riten.

              p espr.                 

  

rit.

                         

   

)  

  





 





D. S. al – 

   







   

rit.





pp

  

34 34

Prelude B minor

Johann Sebastian Bach 1685 –1750 Arr.: Alexander Siloti

(q = 60) sempre legato



 c  2  4              2 3 5              p

              3  2  4             2  4               









  c*)









               5 2 3 5 2 3 5  3       3                          mp







 

 

  

  





3



  

 3







4 3   3 5 3 2  2             







    





9









   







              simile   7 2 3 5  3       3            3             

© 2020 Schott Music GmbH & Co. KG, Mainz

after: J.S. Bach, Prelude E minor, BWV 855a (from: Klavierbüchlein für Wilhelm Friedemann Bach) From the Schott edition Concert Favourites (ED 21827) *) Arpeggio only in the repetition; bring out minims and semibreves in the repetition (note of the editor)



5 3  2  2 3       4              





  

  







 



   





3



   

11

35 35

4 3   3       2 3 5           2          

13



 

  













 





   

 3   3 5 3 2  2 3 5      2 3 5      2 3 5       f                 

  5    

     



3



3     

 

21



 



   



sempre ritenuto e diminuendo

2 3 5 2             4

mf

 

19

 

  5     3

2

   





2



17

 











15

 2

3

5

    

 





 2

4

     3



         3

 

  

    



3

3  1 2 3 2 2  4 4                              

sempre più ritenuto al fine

5

2

3





   

       3

     3

14

2

     3

pp

  

36 36

Notturno No. 2 [1st version] S 541a [192a] 3   5 4 2        2                2 mf   3        4    5 5 3   3   1                               

Lento espressivo





   



 3   4

5 3 1

Franz Liszt 1811–1886

               3

                         rit.  45    9           3  25           1                               1 3 1 3   dolce

4 2

5 1

cresc.

                             14 3  3                                       mf                 18 ritard. 3                                          perdendo                   





© 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition Album Leaves and Short Piano Pieces (ED 9054)

37

Midnight Blue

John Kember *1935

Dreamily = 80 Straight Quavers

2

2

3

3 1

3

2 3

con Ped. 6

2

4

4

5 2

5 2

3 1

11

16

5 4

21

5

5 3 2 1

2

1

3 2

4

2

1

1

2

2 3

2 3

3

25

molto rall.

© 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition On the Lighter Side (ED 12614)

38

Child Falling Asleep from Scenes from Childhood, Op. 15/12 = 92

5

1

Robert Schumann 1810–1856

2

2 2

1

1

2

1

5

35

5

9

1

2

1

2

2

1

2

3

2

1

© 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition Programme Music (ED 9043)

3

1

4

13

4

1

39

5 3 1

17

4 1

5

3 3

4

21

45

5 2

(1 2

2 1

1) 2 2

(1 2

rit.

5

4 1

2

2) 1

3

2

3

ritardando 25

4

(ritardando) 29

2

.

3

1

2

4

40 40

Meditation from Music Diary The colorful clouds sail in the sky; how I wish they could take me to travel !

Zhang Zhao *1964

Lento (q = 60)

4  4     





4 4 

5









     p











    





3

  





 







  







  

         3

3

  



   



    

 



3

 



3

 

3 3                          3  

7



3

 

 

  



           

9



  3

3

3

3

 



© 2020 Schott Music GmbH & Co. KG, Mainz



3

3

3

 





3

 



 

3            3

3



3

  



3

  

41 41

11

3

        

rit.

         







3

3

  

3



3

  

3

 

             Adagio (q = 72)

13



p

   

3



3

3





             

15

 



17

3  4 

3



  3  4

3









  44  

3

   

3

  



 

3

  



 





3

3

            43 3

 



3

  

5  4 

3 4     3 4    

19

3

3



sostenuto

3 5           4 

   

3



3

3



3 4

   3

3  

3

                

3

3

3

 

4 4 4 4





3

   

3

3





3

3

3

 

 

42 42

3

3 3 3                      

21

              

5  4    5  4 

3

3



rit.

   

 



3

       3

  



3

4 4

3

3

5 4



5 4



4 4

  3

3

4 4

  







27

  

  





3

3

3



mf

3 3      

3

           3

  4 4  



6 4  





   



4 4

 

3



ff

   



3

3

3

 

 

 

                                  6     4





25

 



 

  

Lento (q = 60)

23







 

   L.      

cresc.





mf

3

rit.

             3







4 4

43 43

 3 3  3          2       3       4 4  3 3

3  4  4   

28



 4  4 

3



       3

a tempo (q = 60)

2 4 

30



p

3



5 4



  

2 4      

  



  



  











  

rit.

p

   





   

5 4 



3 4 

         33  

36

3 4

  

3

2   4   3



3

 43 



rit.

3



a tempo

 

   

 

  

 

  



  4 4 pp



 

4 4  

           

  5 4

 

5 4



44 44

Listen to Your Heart q = 104

c



Hans-Günter Heumann *1955



5                                      2 3 1 2 1 mf espress. 1 2 3 1 1 2 1 1 (1) 1   2  c                 5 5 5  



5

5

45

45



                       

5



         

    



simile

       

     4 

       

   



       2 5



45

   



3           4 2                                         

9



5

4

45

          2

1

5

        2

1

  1  2

  

5

      1

5                                            



          

       

© 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition Go Your Own Way (ED 22262)

   

  

1

        

13

2

2

1 3

2

p

         1

5

45 45

                        

       

      

       

      

17



         



    

   



                       

21



             

25



                  

   

28



  





        



     

  

      

  

      

   



   

           

             

           



   

          

  

          

31

    





 

  

          

  

      

 

      2 1

a tempo

    

poco rit.

  

     



5



   

3 4 3 4

46 46

  3   4

      

34











  





      





  

  



 

1



 



 1

      



 





 

      

2

1



  



 

   2

    





 

1



       



 





  

  

    



21





      

  

    

5

1





  



2

5

5

2



 

      

5

       

p









5

  



      

       

mf



    

1

p



46



 



5



42



2

1

2

5

       3

mf

   3   4

38

      



  

3

47 47

    

      

50





mf





 



    



p





 





    



 

 

  

2

 



   

1



5





 







  



 







   

rit.

  

 



      

       



 

     



      

62





  





1

5

58



 

 

      

54





       

      

 





  

 

  2

1

 5

 1

 

      

 







a tempo

   c   mf





c

48 48

66





c

                      

  c        



    

       

   



                                         

70



         

74

 



  

       

   

                           



    

  



        

    

   

  

   

mf

        



                                               

p

       

       

78

      



       p

   

          f

        



49 49

82

                                                      

      



   

      

86

                        



         

90

  



                    

   

93

  





96

             

  

    

          

  

           

          



    

       

  

     f

      



   

       

 



  

          

  

      

 

  



 



rit.

      

   

      

                    

p

mf

   

50

Lamentation

from Pastelle, Op. 3/1

Alexander Gretchaninoff 1864–1956

Andantino 3

2

2 4

1 3

2 4

1 3

a tempo

poco rit.

5

5

1 3

10

4

5 5

2 4

4

4

cresc. 1 3

2 4

15

2

1

poco string.

3

1 3

una corda rit.

20

1

1 3

1

1

2 4

1 3

a tempo

2 4

una corda © 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition Emotions (ED 9045)

1 3

2 4

1

45

51

ritard.

25

dim.

rubato

4

30

più

4

35

dim.

40

sopra

45

morendo

una corda

disperato

4

4

52

Elegy

from Lyric Pieces, Op. 38/6

Edvard Grieg 1843–1907

Allegretto semplice 4

3

4

3 1 4

3

4

2

3

3

1

1

4

6

4

3

3 1

3

4

4

4 1

5

1

4 3

5

4

1

1

2 3

5

3

4

3

4 2

3 1

11

54

4

cantabile

1

2

3 4 3

3

3 1

3 2

3 2

1

3

2

3

16

4

3 2

3

4

5

3

3

4

2

3

3

4

5

5

3

cresc.

2

2

2

4

2

5

54

20

4

5

3

3

4

3 1 4 2

4

3

5

© 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition Emotions (ED 9045)

54

4

3

1

4

3

4 3

4 3

53 25

2 4

3

2

4

3

1 3

2 4

1

2

3

3

4

3

4 1

5

5

4

1

1

4 3

4

cantabile

1

1

2 3

5

3

3

30

3 2

3 2

1

3

2

3

35

4

3 2

3

4

5

3

3

4

5

2

3

3

5

4 3

5

cresc.

2

2

4

2

2

5

54

39

4 3

5

4

3

3 1 4

4

2

3

5 4

4

3

3 1

4 3

4 3

44

2 4

3

2

3

4

1

3

2 4

3

2

3

3

4

5

4 1

1

5

4

1

1

4

3

2 3

1 2

54

Lullaby Robert Fuchs 1847–1927

Einfach

3

3 1

1

5

4

4

4

2

2

3

]1 1 2

5

1

2

2

Ped. sim. (halbtaktig) 5

5

4

5

4

4

3

5

4

5

3

5

4

1

2

1

5

5

4

5

3

]1 2

1

1

5

8

1

2

5

4

3

5

1

4

3

2 1

5

2

5

4

1

2 1

4

4

5

5

1

dim. 1

4

2

1

2

5

4

1

5

4

5

2

1 2

5

1[ 2 5

1

3

2

2

3

2 4

1

16

1 5

2

3

4

12

2

2

2 1

2

© 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition Night and Dreams (ED 9048)

1 4

5

4

5

4

3

5

5

2

1

2

4

2 1

5 5

2 1

1

5

2 1

4

5

1[

2

5

4

1

1

5

5

4

2

5

5

2

1 4

3

45 3

1 1

1

1

morendo 1

Repetition ad libitum

55 55

Prélude Op. 27/2 Andante (q = 96)

 3    4    



p

   

3 1

2

       

3

   

5

5     3   5  5      1 1 1 1           



 5      



pp

5

 

     

5

2

  

5

1

2     

    

  

   

4

1

3 2 1

     

5

9



5

5

2 1

         

3

3 2 1

     

2 1

  3           4 2

Alexander Scriabin 1871–1915



  

4

5

2



                           3 2  2 1 3 3

2

3

1

una corda

  

13





35



 





3



 

.

cresc.

 

  

5

                            1 3 2 2 3 2 2 2 (3)

5           

17



4 2

mf

   

1

  5   3  

      



   

5

3

4

5

         2  3 dim. 3 3           2 3 2 3 4

© 2020 Schott Music GmbH & Co. KG, Mainz

5

52

3

56

Prélude

from España, Op. 165/1 Isaac Albéniz 1860–1909

Andantino 3 1

ma sonoro

7

una corda 13

19

24

© 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition Impressionism (ED 9042)

5

3

3

3

4

3

3

3

57 29

3

35

40

44

rall.

3

3

3

Andante 49

morendo

rall. 54

molto

8

58 58

Margarita, Daughter of May from Enchanted City Largo (q = 50)

2 4



2 4

6









p

 

           

             p  espress.  





  



Mikis Theodorakis *1925 Arr.: Tatiana Papageorgiou

   

         

pp

   



                                                 p                     cantabile

11



                                                          21                                       16

 

 











© 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition Songs for Piano (ED 21060)















 

59 59

                                            

26



p

6

    











mf



 

 

  

  

                                                     

31



p

  

           

 

37



 

            

        

   

  

       

42













47

  





   





 

  



 



espress.

  



 









   

 







  

                       

   





       

 

rit. e dim.

6





      



    

     pp

 

60 60

Dedicated to Peter James Corney

Impressions on E.D. A rich man might not notice it; Yet to my frugal eye Of more esteem than ducats. Oh, find it, sir, for me!

I LOST a world the other day. Has anybody found? You’ll know it by the row of stars Around its forehead bound.

Emily Dickinson (1830–86)

Maciej Raginia *1983

    4           

Adagio teneramente e molto rubato (q = 64)

  M.S.             4

 4  4 

4  4

4  4

4   4  

3



mp sonoro



3



3









 



     3    1

  



1

3

2





3-2

3

 

     52 4      3

  5

animato

5 2



                   4

3

5

mf

3

1

1

 



2



  

3

 

4

  

14



1

3



pp sempre molto legato

10





  

3







5              p 3    

parlando

3

5 3

4

2 5

5-2





rit.

 

2         1            



rit.

    3



a tempo (q = 80) 1

 

1 1 2 3                            4 2 5 5           

© 2020 Schott Music GmbH & Co. KG, Mainz



pluck the string softly

pluck the string softly

Un poco piu mosso (q = 80) 5



   

mp



3



  

61 61

18







3

       3    



5

1

2

2    

 

3

 

  

1 5-3



3 1



5 2

3

5 2

parlando

 

  5 

  

 



5-3 2-1

     2

f

 

2 

1

6

3



        

 

           2  1 5   3

3

5-3 3

4





3

 5 

Adagio (q = 64) 

   

 -1 

  

    1 

  2

p





            4

5

2



3

1

   2      1    4 5   



  2              2 3 5 3

3



  

1



a tempo (q = 80)

       2          2   3-1   



6

 2

3

35





       5  

31





2 5

 

1 2

Liberamente (q = 60) 28



 molto rit.

4  4         

  

23

 

 

3

2               

   

3

5 3

4



2-1

3

mf



  4



3



 

2

 

5

 3-2



 

 

1



2



  1 3    2          3  2    3

  

3

1

m o r e n d o





3        2



  

ff



 

        

ppp

niente      2

62

Ave Maria Méditation sur le Premier Prélude de J. S. Bach Charles Gounod 1818 –1893

Moderato

3







c

m.s. p

c

 

    p

 

   

7





5



 



     

4





        

 

5



    

 



 



    

        

4







 



        

   5    

  

 

 

      

 



     

    







   4

   

© 2020 Schott Music GmbH & Co. KG, Mainz

1





     



                    



 

p

2



  



cresc.



      

        

4

                 9                     



 

 

 







1



   



  





                   

11



p

cresc.



14





   

 











5

1



 2







   

    5











p

5



2



 5



1









5

 2

cresc.

 4



   





2

 1

2

 5

 3

1















 4







  



  

4 2

1

2

    



5





5

cresc.





 

 

5





 



f

 

    5







     5



4 1





     



dim.





2

1

 

 





4 2

 



1 2



5





     



     





 

 





3





2

3







 

1 2 3



       



 

  

5

5



23



    

 





41

1







20







p

dim.

 







                  

p

dim.

  

 

  

17

 





2







1

1

   4

 



63



2

5

2









1



2



p



 1

1





4

2

 5

1







dim.

 











 





  



 

5



5







   

 

5 









64

26







29







32



 





(cresc.)

   5

     1

2

1

2





   

2

1

  

  





2

(37) 2.







 

ff

 



2

1

2

3

2

1









1





    1



   1

4

2

1 2

 







2

  

   







1





2

1

5

1

2 5

    

 

2





 

 

1





più f

tutta forza            2 4 1  1



  













 1

1 2

2

4

1 2

     

   



2



      

  

  











1 2

 







2





       

1



5

5 2

   

1







    

rit.

p

dim.





p

1

  

  





2

1 2

             

3

             2 5 1 

 molto maestoso  ff           4 4 2 1  1 2 2

dim.

molto





  

   

         1.                           

2

1

3



f

           



5

     



   

  

cresc.

  

f



 

2

 



   

   

p

   



molto

5

35



   





  



65

Barcarolle Op. 65/6

Charles-Valentin Alkan 1813–1888

Assez lentement

6    8      



dolce e simplice

  6   8

      



    3    4             

p

   ten.          

3



    

   

  

                                         

   ten.          

7



   

 

     

poco cresc.

                                               

 

11



    

  

      poco dim.

    

    

 

                                         

© 2020 Schott Music GmbH & Co. KG, Mainz

5

4

66





 

      m. v. *)

18





  

 



  

 

  

 

                                     

  

     





 

 



     

                                      







  

  

con grazia

        poco rf        4           3                                                                                                

 



   

  

rf

                                           dim.                                  rf 

32



    

 

28





                                    

24





 

21



 

15



*) m. v. = mezzo voce (mf )

67



 





    

pp

          

      

 

 

 

36

                                        



  

      

    

      



                

                                     ten.      

44







 

ten.      

40

    

   

 

                                                      poco cresc.

    

48

      

    poco dim.                               



 

 

52



 









  

poco calando



  

        sf

                                            smorz.

sf

68 68

Méditation from Thaïs

Jules Massenet 1842 –1912 Arr.: Hans-Günter Heumann

Andante religioso (q = 60)

  1 3 1    3          2       5 3 pp sostenuto                c            2 1 3 2 1 2 1   5    4 

 c  

53

4



 3   

5



 

 

a tempo 4

ppp subito

 

1

   

  

9



 

2      2

   

   

p                 

 



53  

3

   3

simile

  4







 







 



 



1





  

rall.

sf

       

  2    



13

 



 

2 cresc.

 5





 



5

1 2 5 5 2 5 5 3 5 5 3                               3 3      3 3 3 f  p        dolce cresc.                    17 rall. Più mosso (q = 69)                                   mf p  dim.                   

13





2



© 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition La Donna è mobile (ED 21129)

69 69

      

21



 



3



più f

     

   







         





  



calmato





       

29









 

p

 



3

   

  

f







 







     



  

  



                     

   

  



  

  

                            5

25

      

poco a poco appassionato

  f poco piùappassionato                                cresc.

            

Più mosso agitato

32



 

più f





 

   

            

  

  



                 

35



 



  



 

       

sff





  

 

  

      

     rall.                     







 

sff

   

sf

 

p



70 70



 

3

pp sostenuto



      





      

  

44

 

 

   

50





 







47

f



 



     

 

       





        

3

  

5



 

 



   

      

      

 



p

   



   



      

    

   

41

 





    

   

38





rall.

sf

  

 

     

            



    

ppp subito





       

a tempo



 

cresc.



3

  

      



3              3       3 3 3 3 p                 

71 71

rall.                                         

53





 

dolce

 

a tempo

56



 

  

  



 

62



      

     

 



 



  





      



3



p

p

 

 

59

 

cresc.

  







dolce





     





  

66



 

   

3

calmato

     

    



dim.

      



sf



      

 



p

sf

 

dim.

 

3

  







    





  

 

p                 

     

sf



  







 



dim.

  

pp

  

72 72

Air in Blue based on the Orchestral Suite No. 3 by J. S. Bach Rubato



3 3 2  2              p    c            1 3 1

 c 

1

2 5

Uwe Korn *1962

5 3 2

5   2                               2 1

3

3

1 5

1

5 2 1 3 3 2   3 4                                      1                          

5

5



1

4

3

   

4  31  42    4 3 3 1 3 1 3 3 3 2 2   3         5 4                  3         2 2 2                         2 4    5 2 1 12     1 4 1          2                 3 3 3                           2

8

 

    

16



2

   

1

 2 

2  2 1 4    1   1

    



 

© 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition Classics Meat Jazz 2 (ED 20537)

   

1 2 1   4    

  

 

 

73 73

  4   5   3  

19



     





3

  

3

       



  4 

22

 

 

 

 

    3 





3

3



3

              3 5





5



1



       p cresc.           



2

                                             1

 

26



1



     

 4        1                        

34



2



3   



f





 1

 3

5

30





4 1

3

2





2

p

  

2



   1 2

 3  2        3       

 

rit.

3

3

  

   1 2 5 2 3 2                       





dim.





   

 

74 74

Sheherazade from Album for the Young, Op. 68/32 Robert Schumann 1810 –1856

Ziemlich langsam, leise









2







2

 4





2





                   

2



  45

  3







sfp

4

 



4

© 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition Portraits (ED 22632) *) fingering in italics by Schumann

3

4



5

 1 2

              2



2

3

2





 

1

4

3  3     4 3           

17

1

42





12

 3 5 5 4                    





 4









 





*)

13

2



sfp

  

 1







 1









3 2

 

      4             4 2 5

5

5

 

3













3

  4                   1 4



1

fp

3

9



4

3

5  1 3       4 5  3                             2 2 2 1 3 2 fp 3          

5









4 5

5 2 1 4

 5 4 3           3     1

  c                  p   c  5

5

5







sfp

                             1 3 2 1 2 3 1 3 5





















1 2

4



2

 1

2









3









45

 

1



1



3



    5

3

  rit.





 5 3                    4 1  pp     









3

sfp

2

 

5                         1 2 3   3  

5 5                     3

43



5 1

5







 

sfp



        

sfp

5



39



5       5   4 3

4

3





12

4







4





4                               3     4 2 3 sfp             3



2

 



4

                    

                   4





2

5

5

34



5

 

4



          4 1 5



29







3



1

im Tempo

                 4 1

    

 

3 2 5          4 



5

3

1

      



rit.

          5



 





5

sfp



3

45

4











 

25

3

5

4





5





21

75 75

76

Sentimental Melody Aaron Copland 1900–1990

Non allegro, legato 3

1

2

3

3 3

4

2

1

4

3

3

3

4

3

1

2

5

1

4

3

4

1

1

3

3

7

3

3

3

10

3

3

1

3

3

2

3

2

3

3

3

1

3

© 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition Emotions (ED 9045)

3

1

3

3

2

1

1

3

3

4

3

5 5

3

3

4

3

3

1

2

77

14

3

3

3

18

a tempo 1

3

3

3

3

1

5

3 l. H. 3

3

l. H.

r. H.

5

4

3

3

2

3

3

3

3

1

3

3

3

2 5

3

3

4

1

sub.

21

3

3

3

2

1 5

rit.

3

poco meno mosso

r. H.

2

1

3

2

1

3

3

3

3

3

2

1

3

3

24

2

1

1 3

3

2

3

a tempo

3

3

4 1

1

1

3

3

1

3

3

1

5 4 1

4 3 1

4 3 1

3

4 3 1

1

3

1 4

1 3

5

3

1

3

3

5

28

3

3

1

1 4

1 3

1 4

4 1

78

Notturno

from Lyric Pieces, Op. 54/4

Andante

Edvard Grieg 1843–1907

2

2 4

3

3

5

4

2

2

2 1

1

2

2

3

6

4

1 2

1

2

5

2

2 1

4

2

2

3

9

2

1

3

2

2

3

5

5

2

2

2 5

2

cresc. 1 4

12

2 3

2 4

5

2

2

2 3

5

4

2

© 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition Night and Dreams (ED 9048)

poco rit.

1

a tempo 15

4

4

3

4

3

3

3

3

4

4

3

3

4

4

18

3

3

5

3

3 poco

3

4

2

3

23 5

3

21

79

2313

Più mosso

3 poco

2

5 3

2

3 1

4 2

5 3

3

1

3

una corda

2

3

3

5 5 3

24

3 1

4 2

2

2

1

2

3

5

3 1

poco

a

poco

cresc.

1

27

5 3

3 1

molto

3

tre corde

5 3

30

2 3 1

poco rit.

2 .

4 2

3

1 2

1 3

2 5

4

2

80 34

a tempo 2

2

4

3

5

4

37

1

2

2 1

4

1

2

2

2

3

40

1

2

2

2 1

4

1

2

2 4

5

2

2

2

5

cresc. 1 4

3

43

5

3

4

2

2 5

2

2

5

2

2

molto

2

46

3

5

2 4

5

2

2

2 3

4

3

2

.

2

4

2

5

81 5

49

2

2

2

3

4

5

2

2

2

3

2

dim. sempre 3

4

4

poco rit.

52

2

5

2

4 1

5 2

2 3

4 2

2 1

4

54

4

55

2

2

5 1

4 1

2 2

2

4 3

1

5 2

a tempo

2

3

4

3

3

3

4

3

3

2 3

2313

57

8

5 2

3

1

4

3

3

3

morendo

4

8

60

23

Adagio

12

2

.

1

4

3

4

3

82

Prélude Op. 28/13

  6 4   4   

Frédéric Chopin 1810 –1849

Lento



5 2 

  

  





   6                                4 1 2 3131 2 3 1    1 2 3  1 2 legato

  42  32 42  53  3  4                5

4



  

1

  



  

         2  1 2

                         3 1 1 2   12   7            

1 2

  





 

  

4

3

3

1 2

  

  p sempre legato

                               1 2    4     

       

13



2

4

2

2

4

3 4 2 2

4                                                              1 2    12  12

10



1 2

 

     





 

2 1

3

3

4

   

  

3

4

   5    4



 45

  



                               2   1 2    4 4

© 2020 Schott Music GmbH & Co. KG, Mainz

83

  4     

16

  





  

  3  1 4

p

4

 

 5  2 

                                  1 2 2 1 4 3 1 2  1 2  3 4 1 2 3    Più lento

      

19



più p

 



3 2               

   

  1 4

pp

p sostenuto

  3 2 1 2 1 1  2              5                        12   3 1 2 4  1 2 3   2 3   2                                 

22



   

 

     3

 

       2 2 



       2 3 1 1            2 5

2 4 5   2     4                                     3

24



   

2

1

1

                          4  3  

84 3 4 2   5 4 2 3 4 5 4 4 1  1 2 2                                                     5

26



1

1

1 2

2

                               3        1 2 5

Tempo I

  31    

29





1 2 5 4



   

 

p

  

43

2

3

2 5

 

      

3

   4 2

                                       4 1 2  12 2     4     

32

5

  

5





     

3

 1

 

4

  3 

 2 1

                                  12 4 3 1 2 1 2 1 2  1 2 3 3  3 3  4          5    3   

35



   

  

21

poco rit.

 4  5     2 1

         1 2 3   3 

5  3                  2 3 2 4 2 1 2 1 1

  

 

1 2



 

3





1

        2               

 25 

1 5





85

I Call to You, Lord Jesus Christ Ich ruf zu Dir, Herr Johann Sebastian Bach 1685 –1750 Arr.: Ferruccio Busoni

Andante (e = 50) Mit Andacht Die Oberstimme sehr ausdrucksvoll und gehalten Molto espressivo e tenuto il canto

    c     1 1 



   c   

 

 

4

3

1

   

 

 

 

5 1

   1

   

con pedale Der Bass weich und getragen Il basso dolce e sostenuto 3

3

3

2 4

 3                  

2

            1

  

leise und gebunden sotto voce e legato



45

5 3

2 1

5 1

5 2



         

5 4 4 3 3 2                         2 4

4

2 1 2

2

           

 

1

           

poco slentando



5 2

                   

       

4 5 4

5



     

4

3

1

 

1

2

   

più dolce

 

© 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition Concert Favourites (ED 21827)

 

 

sehr weich

 

            

    

 

 

   

86

3

3

3

                  

6



          



      

 

 4          3              

   



8



                   



           



etwas heller poco più sonore

        

                  

            5 2



       

                                                   3 2 4  3 4 3   2 1 1 più p



    



10

 

 

 

 

   

 

 

 

 

 

                           1   4 5 4 4 2 3 3  

12



     

pp

 

 

 

 

pp

 

 

 

 

 

 

   

 

 

          3 4  4 5 2

   

   

 

87

poco aumentando                            1 2        4 (3)       1 1 4

14





      

    

 

 

 

               

16

ten.

4



     

 

 

4

   

               3 4   



     

 

 

 

   

calando

 

 

       

 

 

   2

  

       

3



5



3 1

    



2

   2

 

molto legato

          3                    

 3                                         1 1   

20



 

5    4 23                    3 3    

più oscuro, ma sempre cantando

  

 

2

    

poco

5 4

18

 

 

pp

                  2                       

 

      

88

Elegy

Sergei Rachmaninoff 1873–1943

from Morceaux de fantaisie, Op. 3/1 4

Moderato

1 3 1

3 1

3 1

3

3

1

1

3

sim.

5

3

1

3

2

3

3

1 3 5 1

9

3

3 1

3 1

4

1

1

1 3 1 3 4

3

5 2

1

5 1

2

5

1 5

4

5

3

5

1 4

4

1

1

5

13

2

3 1

3

3 1

1

3

3 1

1 2 1 2

17

3 1

3

1

1 3

1

3 1 3

2 1

2

5 4

2 1

2

3

1

1 5

5 3

5

2 1

3

5 3 2 1

5

2

1

1 2 5

5

1 1

1 1 5

© 2020 Schott Music GmbH & Co. KG, Mainz

From the Schott edition Emotions (ED 9045)

3

2

3

5 2

1

1

5

5

1

5

1 1

22

3

3 1

con affetto

89

5 3

3 1

1

2

3

cresc.

1 5 3

1

2

3 2

5

1 2

5

2

3

1

1 3 1

5 1

3

26

3

5

2 1

3

2

3

1 2

5 5 2

30

3

5 2

3 1

5 3

1

3

5

5 12

3

1

5

5

2

3

1

5 2

5 2

3

3

5

34

2 1 2

3

1

1

1

1 3 5

3

4 5 1 2

3 1

5 1

5 2

1

1 3

3 1

1

2

5 4 1

5 2

3

1 3

5 3 1

1

4 1

5 2

5 2

5

3 1

3

45

38

1

3 1

1

1

1

3 1

5 2

1

2 5

rall. 4

1 5

1

3

3

5

4

1 5

3 1

3

1

3

1

1

3

1

3

1

3

1

1

90

Più vivo 41

4 2

5 2

4 1

1

4 2

5 2

3

1

a tempo 53

5 2

4 2

3 1

4 2

5 2

3

5 2

2

49

3 1

4 2

1

3

45

4 1

5 2

3 1

4 2

5 2

3 1

1

2

5

5 2

5 2

4 1

3

4

2

1 4 4 2

2

3

2 5

rall.

5

3 1

1 3

4 2

3

3

2 5 4

4 1

1

2 5

58

5 2

3

4

2

5 2

1

4

4 2

3

3

4 2

4

1

5 2

4 2

2

5

5 2

cresc.

2 5

4

2 5

4

62

3

5

1

3

91 3

3

cresc. 3

3

3

3

3

2

2 5

1 4

5

2 4

3

5

5

3

3

5

66

3

3

3

2

2

3

3

3

3

3

2

8

70

appassionato

3

1 3

2 5

2 5

1 2

1 3

3

2 5

3

3

74

5

3

3

1 2

79

4

1 2

1 3

5

5

3

3

1 3

1 2

3

1 2

Lento

4

3

2 1 3

3

4

1 2

1 3

1

1 3

1 2

2

2

4

1

2 4

3

1

2

4

2 1

4 3 1

3 2

1

2

92

Tempo I

5 2

4 1

84

3 1

4

3 1

3

4 1

5

3

1 2

5 2

4 1

5 2

5

5 2 1

3 1

1

3

1

1 3

1

1

5 2

1

1 3 1

sim. 45 1

89

4

5 2

4

3 2

4 5 4 3 2 3 2 1

5 1

1

4 5 1 2

5 2

3

4 1

3

1 5

94

1

1

2

3

3 1

1 3

3

3

2 1

3

3

3 1

3 2 1

4 1 3

5 3

2

2 5 3

3 1

3 1 3

1

1 2 3

3 2 1 1

2 1

2 1

3 1

1

5

5

1 2 1

5 4

3

2 1

2

2

3

1

1 2

3

1

2

4

1

1 3

5 4

1

3

1

3 1 2

99

3 1

1 3

1

3

3 1

4 5 2

4 2

104

1

3

3

2

1 2

2 4 1 5 2

4 2

4 2

4 2

4 5 2

3

5

3

2

1

1

3 1 3

5 3 2

1 2 3 5

5

4 2

2 4 1 2

3 3

3 1

3

3

5

3

2

3

3

5 3 5

2 1

1

2

5 3

3

3

5 3

3

5 2

Schott Music, Mainz 59 469