In Canada, adaptation is a national mode of survival, but it is also a way to create radical change. Throughout history,
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English Pages 272 [265] Year 2020
Table of contents :
Cover
Political Adaptation in Canadian Theatre
Title
Copyright
Contents
Tables and Figures
Acknowledgments
Introduction
1 The Limits of Political Adaptation in Le Théâtre de Neptune en la Nouvelle-France and Sinking Neptune
2 Political Adaptation as Disidentification in Gertrude and Ophelia and Harlem Duet
3 Popular Yet Political Audiences in The Penelopiad and If We Were Birds
4 Beyond the Limits of Adaptation in Princess Pocahontas and the Blue Spots and Almighty Voice and His Wife
Conclusion
Notes
Bibliography
Index