Insights and Essays on the Music Performance Library [First edition] 9781574631760, 1574631764

Chapter 1. The variety of performance librarians. Band librarian / Sarah Anderson ; Opera librarian / Paul J. Beck ; Mus

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English Pages xvi, 192 pages : illustrations, music ; 26 cm Year 2012

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Insights and Essays on the Music Performance Library [First edition]
 9781574631760, 1574631764

Table of contents :
Chapter 1. The variety of performance librarians. Band librarian / Sarah Anderson
Opera librarian / Paul J. Beck
Music festival librarian / Elizabeth Cusato
Music publisher rental librarian / Amy Diane Dickinson
College and conservatory librarian / Erika Kirsch
How to run a choral library / Sally Millar
Ballet music librarian / Matthew Naughtin
Jazz at Lincoln Center / Kay Niewood and Christianna English
Does the high school music department need a librarian? / Walter O'Keefe
Film and studio librarian: music preparation for film soundtrack recording sessions / Eric Swanson --
Chapter 2. The librarian and the ... Orchestra conductor / James DePreist
Wind band conductor / Michael J. Colburn
Composer / Ellen Taaffe Zwilich
Music dealer / Carla Boyer
Music publisher / Rachel Peters. Chapter 3. Aspects of the profession. So, you think you might want to be an orchestra librarian? / Lawrence Tarlow
Auditioning and interviewing for the performance librarian / Sara Griffin
Teach our own / Paul Gunther
The librarian as mentor --
hand to hand / Elena Lence Talley
Communication: say what?! / Marcia Farabee
Strength-based organization, communication pattern and work values / Kazue McGregor
The "one man" show / Patrick McGinn
Beyond the library / Karen Schnackenberg --
Chapter 4. Nuts and bolts. Advance planning / Robert Sutherland
Where are those orchestra parts? / Clinton F. Nieweg and Jennifer A. Johnson
Choosing editions / Ronald Whitaker
Proofreading / Bill Holab
Orchestral "pops" music: take nothing for granted / Ella M. Fredrickson. Music information centres / Jari Eskola
Small rights, and print, mechanical and synchronization licensing / Jane Cross
Grand rights / Robert Sutherland
Important features to look for in a performance library copier / Courtney Secoy Cohen
Using a database / Michael K. Runyan --
Chapter 5. Additional responsibilities. Working with a composer: the process of music editing / Charlie Harmon
Orchestra tours / John G. Van Winkle
Preservation in the performance library / D. Michael Ressler
Using technology and community partnerships to archive your orchestral collection / Robert Olivia
Input on your output: thoughts from a professional music copyist / Douglas Richard
The art of the retouche (Does Beethoven know what we're doing?) / Marshall Burlingame.

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