From Sensation to Synaesthesia in Film and New Media 1527519244, 9781527519244

Citation preview

From Sensation to Synaesthesia in Film and New Media

From Sensation to Synaesthesia in Film and New Media Edited by

Rossella Catanese, Francesca Scotto Lavina and Valentina Valente

From Sensation to Synaesthesia in Film and New Media Edited by Rossella Catanese, Francesca Scotto Lavina and Valentina Valente This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Rossella Catanese, Francesca Scotto Lavina, Valentina Valente and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-1924-4 ISBN (13): 978-1-5275-1924-4

Introduction First Section: Perception Affect in Perception: Cinematic Fascination and Enactive Emotions

The Magic of Cinema: Perception, Cognition and Empathy in the Cinematic Vision

Color Outside the Lines: Animating a Model of Synaesthesia

The Sublime Spittle of the Opera Singer

The Theatricality of Alain Resnais’ Films: ‘Mèlo’ and ‘Smoking/ No Smoking’

Second Section: Movement Mechanical Sensations: Étienne-Jules Marey, Charles Frémont and the Issue of Automatism

‘The Underlying Gesture’: Towards the Notion of Gesture in Jean d’Udine and Sergei Eisenstein

Film as Synaesthetic Object: The Affective Sensorimotor Coupling of Cinematic Image Third Section: Senses Olfactory Experience and the Exploration of Space in Cinema: Alexander Sokurov’s ‘Alexandra’ and Jan Jakub Kolski’s ‘Jasminum

Jonathan Glazer’s and Surface

: Cinematic Clash of Affection

The Electricity of Blue Roses: Shorting the Senses and Sensing Film Mood in

Dust Gets in Your Eyes: Representations of Dust and Debris in Documentary Film and Video from Mainland China

Fourth Section: Abstractions “The Murmur of Existence”: Siegfried Kracauer between Aural and Visual Noise

The Poly-expressive Symphony: Futurism and the Moving Image

From Painting to Film: Abstract Cinema and Synaesthesia Fifth Section: New Media and Media Art A Return to the Techniques of the Body: On the Reenactments of Zoe Beloff

Inventing the Senses: Polish New Media Art and Synaesthesia in ’60s-’80s

The Sensory Experience of Drone Piloting in Omer Fast’s ‘Five Thousand Feet is the Best’

Un homme de têtes L'Éclipse du soleil en pleine lune The Lord of the Rings - The Two Towers The Kiss

Alexander Nevsky

. Under the Skin Fire Walk with Me.

Fire Walk with Me. Black Face, Drawing for Fantasia Lapis Linia rytmiczna z serii B Wideo i oddech

One eye sees, the other feels.

syn aisthesis

Gesamtkunstwerk

Perception,

Affect in Perception: Cinematic Fascination and Enactive Emotions

The Magic of Cinema: Perception, Cognition and Empathy in the Cinematic Vision

Color Outside the Lines: Animating a Model of Synaesthesia Inside Out World of Tomorrow

The Sublime Spittle of the Opera Singer

choice of monstration filming

The theatricality of Alain Resnais’ ‘Mèlo’, Mèlo

Movement, Mechanical sensations. Étienne-Jules Marey, Charles Frémont and the issue of automatism

‘The Underlying Gesture’: Towards the Notion of Gesture in Jean d’Udine and Sergei Eisenstein L’art et le geste

Film as synaesthetic object: the affective sensorimotor coupling of cinematic image,

Senses

Olfactory Experience and the Exploration of Space in Cinema: Alexander Sokurov’s ‘Alexandra’ and Jan Jakub Kolski’s ‘Jasminum

Jonathan Glazer’s ‘Under the Skin’. Cinematic Clash of Affection and Surface Under the Skin

The Electricity of Blue Roses: Shorting the Senses and Sensing Film Mood in ‘Twin Peaks: Fire Walk with Me’

Dust gets in your eyes: representations of dust and debris in documentary film and video from Mainland China Behemot Under the Dome BBR1,

Abstractions “The Murmur of Existence”: Siegfried Kracauer Between Aural and Visual Noise

The Polyexpressive Symphony: Futurism and the Moving Image

Abstract Cinema and Synaesthesia

New Media and Media Art A return to the techniques of the body. On the reenactments of Zoe Beloff The infernal dreal of Mutt and Jeff

dispositif

Inventing the senses. Polish New Media Art and Synaesthesia in ’60s-’80s

Understanding Media

The sensory experience of drone piloting in Omer Fast’s

5,000ft

eferences Nature What is philosophy? Convergence Culture. Where Old and New Media Collide La production de l'espace The skin of the film: intercultural cinema, embodiment, and the senses Mirrors in the Brain. How We Share our Actions and Emotions

Synesthesia— Perspectives from Cognitive Neuroscience The Cinematic Body Carnal Thoughts. Embodiment and Moving Image Culture

F ST S

T

PERCEPTION

:

ntroduction:

ust one of the curious The Elephant Man

The Elephant Man

F scin tion nd cine

interest

tic e otion theories

spectateur pensif

unintentional passivity that is compulsively sought

ine

tic f scin tion nd the seeking i

u se

et al.

conatus

One cannot be fascinated deliberately

content

n cti e e otions nd cine precede

tic en

e ent

self-organizational extropy

embody symbolization

amplify

is

The Elephant Man

The Elephant Man

trigger symbolize

onc usion: the sensor

ffecti e inte r tion

emotional seeing

of

with

eferences

Projections: The Journal for Movies and Mind Le corps du cinema. Hypnoses, émotions, animalités The Body of Cinema: Hypnoses, Emotions, Animalities Le macchine sinestetiche e l’identificazione. A proposito di cinema, sensazione, emozione. Synaesthetic Machines: On Cinema, Sensation, and Emotion Il cinema e le emozioni. Estetica, espressione, esperienza Phenomenology and Mind

Low-level Features of Film: What They Are and Why We Would Be Lost Without Them Psychocinematics: Exploring Cognition at the Movies The Feeling Body: Affective Science Meets the Enactive Mind The Elephant Man http://cinema-scope.com/cinema-scope-magazine/web-only-themonster-is-afraid-the-elephant-man-david-lynch/ Screen Empathy: Philosophical and Psychological Perspectives Cinematic Empathy: Spectator Involvement in the Film Experience Kinesthetic Empathy in Creative and Cultural Practices Narration and Spectatorship in Moving Images Emotions revealed Curious Emotions: Roots of Consciousness and Personality in Motivated Action Film Theory: An Introduction Through the Senses Soggetto, senso, emozioni: lavorare sul film, ancora Subject, Sense, Emotions: Working on Film, Again Dentro l’analisi. Soggetto, senso, emozioni Demystified: Remarks on Philosphical Iconology and Empirical Aesthetics Bildakt at the Warburg Institute Cinema: Journal of Philosophy and the Moving Image Embodied Visions: Evolution, Emotion, Culture, and Film

Feeling Cinema: Emotional Dynamics in Film Studies The Power of Movies: How Screen and Mind Interact The Imaginary Signifier: Psychoanalysis and the Cinema Expectancy and emotion Affective neuroscience: The Foundations of Human and Animal Emotions Journal of Consciousness Studies Consciousness & Cognition The Affective Brain and Core-Consciousness: How Does Neural Activity Generate Emotional Feelings? Handbook of Emotions Brain Emotional Systems and the Qualities of Mental Life: From Animal Models of Affect to Implications for Psychotherapeutics The Healing Power of Emotion: Affective Neuroscience, Development, and Clinical Practice , Journal of Consciousness Studies The Archaeology of Mind: Neuroevolutionary Origins of Human Emotions Moving Viewers: American Film and the Spectator’s Experience The Cinematic Body Film Structure and the Emotion System The Brain and the Inner World: An Introduction to the Neuroscience of Subjective Experience

Emotion and the Structure of Narrative Film: Film as an Emotion Machine Enactive Cinema: Simulatorium Eisensteinense

Neuropsychoanalysis

Le Cinéma ou l’homme imaginaire

eriencin

o ies

Phénoménologie de la Perception

28 days later

28 days later

forma

28 days later

The Piano Kill Bill Vol. II

Metaphors We Live By

Un homme de têtes

L'Éclipse du soleil en pleine lune

The Lord of the Rings - The Two Towers

Sensor e

th

onc usion

eferences Post-Theory: Reconstructing Film Studies. Poetics of cinema Social Research Morfologia dellʼimmaginario. L'arte delle origini fra linguistica e neuroscienze. Philosophie der symbolischen Formen Lʼocchio del Novecento. Cinema, esperienza, modernità. Evolutionary approaches to literature and drama. Oxford Handbook of Evolutionary Psychology The Feeling of What Happens: Body and Emotion in the Making of Consciousness. Semiotica in nuce. From Molecule to Metaphor. A neural theory of language

Prometeo California Italian Studies Embodied Visions. Narrative Theory and the Cognitive Sciences. Metaphors We Live By. Philosophy In The Flesh: the Embodied Mind and its Challenge to Western Thought. Archiv für die gesamte Psychologie Phénoménologie de la Perception The Society of Mind. Le Cinéma ou l'homme imaginaire. Essai dʼanthropologie sociologique. Empatia. Storia di unʼidea da Platone al postumano. So quello che fai. Il cervello che agisce e i neuroni specchio. Nella mente degli altri. Neuroni specchio e comportamento sociale. Semiotica dellʼimmaginazione. Dalla letteratura fantastica russa alla fantascienza sovietica. Carnal Thoughts. Embodiment and Moving Image Culture. Magic and the Mind. Mechanisms, Functions, and Development of Magical Thinking and Behavior. Über das optische Formgefühl - ein Beitrag zur Ästhetik. On the Optical Sense of Form: A Contribution to Aesthetics Inner Vision: An Exploration of Art and the Brain.

Inside Out

World of Tomorrow . Inside Out World of Tomorrow

Fantasia

is

Inside Out

World of Tomorrow

Inside Out World of Tomorrow

Inside Out

glows.

Brave.

World of Tomorrow

both I

Inside Out

Inside Out

World of Tomorrow Inside Out

Inside Out

World of Tomorrow World of Tomorrow

Inside Out

between

Inside Out, Inside Out distant visual, on World of Tomorrow

screen

World of Tomorrow

World of Tomorrow

my is seen heard

smelled is

both

only solely as image

conduct World of Tomorrow

fteri

e

outside World of Tomorrow

eferences NBC Bay Area (Online)

Inside Out Kids+media. Jungenmedienforschung

Zeitschrift

Für

Kinder-

Und

The Oxford Handbook of Synesthesia The New York Times Online in Infants and Very Young Children Synesthesia

Synesthesia The Oxford Handbook of

Child Psychology and Pedagogy: The Sorbonne Lectures 1949-1952

Slate

The Oxford Handbook of Synesthesia The Washington Post

TechCrunch

The Film Stage

The Oxford Handbook of Synesthesia

The Oxford Handbook of Synesthesia The Child as Natural Phenomenologist: Primal and Primary Experience in Merleau-Ponty’s Psychology

cultural series

live live high-definition

putter into images

shooting filming

Shootin or Fi Shooting

in

n

er

filming shooting trying

Shooting recording Filming

What becomes of an opera singer’s aura when their grimacing face suddenly fills the screen?

The Kiss The Widow Jones

The Kiss

organic labour

and spitting mouth in flagrante delicto

Die Walküre

The efenders of es ectfu So riet n er

hen Shootin

put on film Tutti-magazine

Die Walküre Der Ring des Nibelungen and Wagner’s Dream: The Making of the Ring Tutti-magazine

ceremony

filming

close-

ups

shooting

Yahoo! Questions/Réponses,

e d for our c ose u s

operatic resistance

Sunset Boulevard Washington Times

Raging Bull

sic shed a large amount of saliva onto the stage bold experiment

cultural and media proxemics

Eugene Onegin

Oxford English Dictionary

ose u s nd the

nce throu h

er

sses

lorgnettes

lorgner Lorgner

The Unfaithful Wife

glance through opera glasses

opera glass glances

Le Devoir

eferences A Thoroughly Parisian Drama

Double

Over: Blackcattish Stories La télévision cérémonielle: anthropologie et histoire en direct Quand la captation opératique se fait son cinéma… Du relatif anonymat des ‘enregistreurs d’opéra’ à l’ère de l’agora-télé Musique et enregistrement The End of Cinema? A Medium in Crisis in the Digital Age la notion de série culturelle Research Project

Défense et illustration de A History of Cinema without Names: A Oxford Handbook of Silent Cinema Le glas intérieur

Le Devoir

Le Devoir

Poésies complètes

The Chap-Book

Radio-Magazine Not Ready for Facebook Screening Sex

«Moi, j'ai essayé de faire du cinéma sur scène et vous avez fait du théâtre sur écran»

The sens tion of the tric it in cine foundation

Film and Theatre

mise en scène

The or of

in esn is nd his co

n

auteurs

Fanny

mise en abîme mise en abîme

L'année

dernière à Marienbad

Smoking/No Smoking mise en scene Hiroshima mon amour Smoking/No Smoking. Mélo, equipe

theatre company5

Mélo

Mélo Mélo

Marienbad

tournage tableaux

générique

par excellence

Mélo

par excellence

rideau

jeu d'acteur

Mélo ,

L'amour à mort Mélo

Cœurs

Les Herbes Folles

banlieue

L'amour à mort entourage

Mèlo

Mélo

cinémalité theatricality Mélo

eferences Positif Alain Resnais et le Théâtre Double Jeu. Théâtre / Cinéma Cinéma et théâtralité Cahiers du Gritec Film als Kunst Le rideau ou la fêlure du monde Positif Alain Resnais, arpenteur de l'imaginaire Il teatro di Baudelaire

Saggi Critici

Esprit Mélo. Pièces en trois actes et douze tableaux. (Représentée la première fois le 11 Mars 1929 sur la scène du Gymnase Coeurs et Les Herbes Folles d'Alain Resnais. Tremblements dans la lumière Alain Resnais et le Théâtre Double Jeu. Théâtre / Cinéma Theatre to cinema CinémAction Il concetto di modernità nel cinema Quale «teatralità» nel cinema? Lo Schermo e la Scena Alain Resnais et le Théâtre Double Jeu. Théâtre / Cinéma Le théâtre d'Henry Bernstein

Alain Resnais. Liaisons secrètes, accords vagabonds Alain Resnais et le Théâtre Double Jeu. Théâtre / Cinéma Le générique de film. De la lettre à la figure Théâtre & Cinéma Cahiers du cinéma Les Cahiers du Cinéma Études cinématographiques La parola solitaria. Il monologo nel teatro francese del Seicento Film and Theatre Tulane Drama Review Théâtre et cinéma. Positif L'Atelier d'Alain Resnais Les Cahiers du Cinéma Le Personnage entre imposition et subversion. Usages du monologue dans le théâtre français du XVIIe siècle Monologuer. Pratiques du discours solitaire au théâtre Mélo, 1945-1955: varianti nazionali Melodramma

Il

S

S

T

MOVEMENT

:

ntroduction

Fotografia e scienze della mente tra storia, rappresentazione e terapia

euro h sio o of sens tion nd the dec ine of the re resent ti e r di in oh nnes er

Ueber die Metamorphose des Nervensystems in der Thierwelt On the metamorphosis of the nervous system in the animal kingdom, Handbuch der Physiologie des Menschen Elements of physiology

Naturphilosophie

Handbuch

Elements of physiology

Lebenskraft

Handbuch

Vorstellung

camera obscura

Empfindung

e

ho t s ener is

nd the ther od n

ic

ode

energy perspective

Ueber die Erhaltung der Kraft On the conservation of force

perpetuum mobile

Ursache On the aim and progress of physical science

signs

Handbuch unbewußter Schluss

partes extra partes,

hrono hoto r h nd the issue of hoto r hic sn shot in the or of tienne u es re nd h r es Fr ont

h r es Fr

ont nd the i

Revue scientifique

e of f ti ue

Le Monde moderne

La Revue des Idées

eferences Rapport de M. Arago sur le daguerréotype, lu à la séance de la Chambre des députés, le 3 juillet 1839 Notice historique sur Xavier Bichat Anatomie générale The Genesis of Neo-kantianism, 1796-1880 Neo-kantianism The Oxford Handbook of German Philosophy in the Nineteenth Century Étienne-Jules Marey, Henri Bergson e brevi storie di fotografia. Rappresentazione e rappresentabilità del movimento Premio Nuova Estetica Aut aut Picturing time: The Work of Etienne-Jules Marey (1830-1904) The Corporate Eye: Photography and the Rationalization of American Commercial Culture, 1884-1929 A Tenth of a Second. A History Principles of Mental Psychology Techniques of the observer: on vision and modernity in the nineteenth century 24/7: Late capitalism and the ends of sleep Objectivity

La Photographie, ses origines et ses applications. Conférence faite à la Sorbonne le 20 mars 1879 Inventions et applications de la photographie Conférences publiques sur la photographie théorique et technique, 1891-1900 . Il movimento immobile. La fisiologia di É.-J. Marey e di C. E. François-Franck (1868-1921) Archives néerlandaises des sciences exactes et naturelles The Discovery of the Conservation of Energy Sinnenwelt und Weltseele: der psychologische Monismus in der Literatur der Jahrhundertwende Le Monde moderne L’inconscient cérébral Johannes Müller und Philosophie Ueber die Erhaltung der Kraft Ueber der Wechselwirkung der Naturkräfte und die darauf bezüglichen neuesten Ermittelungen der Physik Ueber das Sehen des Menschen Vorträge und Reden Handbuch

der

physiologischen Optik der Naturwissenschaft

Ueber das Ziel und die Fortschritte Vorträge und Reden Das Denken in der Medizin

Vorträge und Reden Revue scientifique Présentation de quelques spécimens de photographies solaires obtenues avec un appareil construit pour la mission du Japon

Moniteur The Eye as Mathematician: Clinical Practice, Instrumentation, and Helmholtz’s Construction of an Empiricist Theory of Vision Hermann von Helmholtz and the Foundations of the Nineteenth-century Science La Nature Le grand art de la lumière et de l'ombre: archéologie du cinéma Du mouvement dans les fonctions de la vie: leçons faites au collège de France La machine animale: Locomotion terrestre et aérienne La Nature Revue Militaire de Médecine et Chirurgie Comptes rendus hebdomadaires des séances de l’Académie des Sciences La Nature Comptes rendus hebdomadaires des séances de l’Académie des sciences La méthode graphique dans les sciences expérimentales et principalement en physiologie et en médecine. Deuxième tirage augmenté d’un supplément sur le développement de la méthode graphique par la photographie Revue scientifique Le mouvement La Revue des idées Revue de la Société scientifique d’hygiène alimentaire et de l’alimentation rationnelle de l’homme

Helmholtz, from Enlightment to Neuroscience La fatica Ueber das Bedürfnis der Physiologie nach einer philosophischen Naturbetrachtung, Antrittsvorlesung Vom Geist der Naturwissenschaften Archive für Anatomie und Physiologie Handbuch der Physiologie des Menschen für Vorlesungen Elements of Physiology The Attitudes of Animals in Motion. A Series of Photographs Illustrating the Consecutive Positions Assumed by Animals Performing Various Movements: Executed at Palo Alto, California, in 1878 and 1879. Experiment, Quantification, and Discovery: Helmholtz’s Early Physiological Researches, 1843-50 Hermann von Helmholtz and the Foundations of the Nineteenth-century Science

Journal de l’anatomie et de la physiologie normales et pathologiques de l’homme et des animaux Journal of the History of Ideas Müller’s Lab The Human Motor. Energy, Fatigue, and the Origins of Modernity British Journal for the History of Science 33 Les maladies de la volonté The Victorian Internet

Panorama; oder, Ansichten vom 19. Jahrhundert La Nature Grundriss der Psychologie

director’s signature

Notes on Gesture

Ballets Russes Mnemosyne Atlas

L’art et le geste

carpalistics Pnin, Notes For A General History Of

L'art et le geste

L’art et le geste

Cinema

im ex

émouvoir Tout génie artistique est un mime spécialisé

Opredeliaiushchii zhest Vertical Montage – The Film Sense Alexander Nevsky Neravnodushnaia priroda

Traité des sensations Die Sprache Völkerpsychologie. iskhodnyi zhest

in principle

an inner synchronization between the tangible picture and the differently perceived sounds

Melodiia i zhest

Alexander Nevsky complete correspondence between the movement of the music and the movement of the eye over the lines of the plastic composition

tensely rising line horizontal gesture

Alexander Nevsky

zvukozritel’nyi obraz obraz, obraznost’ obraz

izobrazhenie

izobrazhenie

obraz eikon obraz obraz Alexander Nevsky

höhere Formel

ikona

obraz

Tristram Shandy The Valkyrie

The Star

St Matthew's Passion

ob’’ediniaiushchii

obshchii Gestus

The Underlying Gesture Non-Indifferent Nature

skvoznoi

Alexander Nevsky The Valkyrie

Ivan the Terrible

écriture automatique

Le Message automatique

L’Ecran Français Neskol’ko slov o plasticheskoi i zvukozritel’noi kompozitsii

The gesture is the exhibition of a mediality: it is the process of making a means visible as such

eferences . Kommerell, or On Gesture Potentialities: Collected Essays in Philosophy Notes on Gesture

Means without End:

Notes on Politics ‘L’art et le Geste’ by Jean D'Udine The Philosophical Review Gesture in Film. Journal for Cultural Research The Movement-Image The Film Sense tomakh.

Izbrannye proizvedeniia v shesti Teoreticheskie issledovaniia 1945–1948 Voploshchenie mifa

Chet – nechet. Razdvoenie edinogo Method Tainy

masterov. Stat’i i etiudy Neravnodushnaia priroda Chuvstvo kino Art and Gesture Zeitschrift für Historische Anthropologie

Paragrana Internationale

Geste: Bewegungen zwischen Film und Tanz Cinema and Agamben: Ethics, Biopolitics and the Moving Image Mediating Gesture in Theory and Practice Mise en geste. Studies of Gesture in Cinema. Apparatus. Film, Media and Digital Cultures in Central and Eastern Europe Kuleshov's Experiments and the New Anthropology of the Actor. Inside the Film Factory: New Approaches to Russian and Soviet Cinema The Memory of Tiresias: Intertextuality and Film Études de psychologie linguistique: Le style oral, rythmique et mnémotechnique chez les Verbo-moteurs Sergei M. Eisenstein. Notes for a General History of Cinema Another Dialectic: Eisenstein on Acting The Flying Carpet. Studies on Eisenstein and Russian Cinema in Honor of Naum Kleiman This Thing of Darkness: Eisenstein’s ‘Ivan the Terrible’ in Stalin’s Russia Migrations of Gesture Film-Philosophy

Bild und Geste: Figurationen des Denkens in Philosophie und Kunst Zhest i montazh: eshche raz o russkom stile v rannem Kinovedcheskie zapiski 88 Na podstupakh k karpalistike: Dvizhenie i zhest v literature, iskusstve i kino L'Art et le geste Iskusstvo i zhest kino

Die Urgesten der “linearen Sprache”: Nikolaj Marr und Sergej Eisenstein The Flying Carpet. Studies on Eisenstein and Russian Cinema in Honor of Naum Kleiman

ethodo o ic

re ise

inesthetic identific tion nd irror touch s n esthesi : t o ossi e s n esthetic i e ech nis s sed on sensor otor cou in et een s ect tor nd fi

Merleau-Ponty

Oyu-sama

”

Paar

Alfred Hitchcock Presents

Notorious

Vertigo

The Lodger

The Lodger4

onc usions

eferences Early Film Theory: Visible Man and The Spirit of Film The Tactile Eye: Touch and the Cinematic Experience Barnard, Lynette Aro Healing Touching Lives Theories, Techniques and Therapies The Techniques And Therapies Of Aro-Healing Le Dépli des émotion Barnard, Lynette Aro Healing Touching Lives Theories, Techniques and Therapies The Techniques And Therapies Of Aro-Healing

Camera Movement and Cinematic Space Theoretical Perspectives In Cinema Cine Tracts Theorizing the Moving Image Cognitivism, psychology, neuroscience, Movies as attentional engines Psychocinematics: Exploring Cognition at the Movies Synesthesia: A Union of the Senses The Man Who Tasted Shapes: A Bizarre Medical Mystery Offers Revolutionary Insights into Emotions, Reasoning, and Consciousness L’image-mouvement. Cinéma 1 . . L’image-temps. Cinéma 2 . The Brain is the Screen The Brain is the Screen: Deleuze and the Philosophy of Cinema

Journal of Cognitive Neuroscience Remembered Present Method,

,

The Phenomenological Mind Phenomenology and the Cognitive Sciences Neuroscience and phenomenology. Phenomenology and Mind The Online Journal of The Center of Phenomenology and Sciences of The Person Lo Schermo Empatico Embodied Visions: Evolution, Emotion, Culture and Film

Synaesthesia: classic and contemporary readings.

.

Projection Cartesiann Meditation. The Age of Insight Neuron The Nature of Human Conflicts or Emotions

The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses Touch: Sensuous Theory and Multisensory Media Autopoiesis and Cognition: The Realization of the Living The tree of knowledge: The biological roots of human understanding Phenomenology of perception -

The Visible and the Invisible

Behavioral and Brain Sciences

Phenomenology and the Cognitive Sciences The Archaeology of Mind, Neuroevolutionary Origins of Human Emotions Cognitive Brain Research

Nature Reviews Neuroscience Archives de Philosophie, Sciences cognitives et phénoménologie The Neuro-Image: A Deleuzian Filmphilosophy of Digital Screen Culture Journal of Consciousness Studies The Cinematic Body Triangulating Aesthetic Experience Science: Connecting Minds, Brains, and Experience

Aesthetic

The Address of the Eye: A Phenomenology of the Film Experience Carnal Thoughts. Embodiment and Moving Image Culture . Studia Phaenomenologica Ejzenštejn, il cinema, le arti, il montaggio The interpersonal world of the Infant The present moment in psycotherapy and everyday life Stern, Leslie.

I Think Sebastian Paradoxa TRENDS in

Cognitive Sciences Journal of Consciousness Studies Why the Mind is not in the Head

Screening the past, The Collected Works of L. S. Vygotsky Cognitive Neuroscience

T

S

T

SENSES

:

Dream Olfactory Dream Olfactory

Carnal Thoughts Dream Olfactory

Jasminum Alexandra Jasminum

Alexandra

Jasminum

Skin

S e sc

e nd f ireurs

Alexandra

Jasminum

Alexandra

Alexandra

Jasminum

flaneur flaireur Jasminum

Alexandra Jasminum Jasminum

Jasminum

Jasminum

Cinema Paradiso

Alexandra,

Alexandra, Perfume: The Story of a Murderer

Jasminum,

S e s nd

n u

e

Alexandra . good

stink

Jasminum

Skin

Touch Alexandra

Jasminum Alexandra

Jasminum

f ctor i

es

Jasminum Alexandra

Jasminum

Jasminum

Alexandra

Jasminum Jasminum,

Jasminum

onc usions Jasminum

Alexandra .

Dream Olfactory,

eferences Close-up. Proximity and Defamiliarisation in Art, Film, and Photography, New Review of Film and Television Studies Aroma: The Cultural History of Smell Angelaki: Journal of the Theoretical Humanities

Hitchcock and the Cinema of Sensations: Embodied Film Theory and Cinematic Reception Journal of Experimental Psychology: Human Learning and Memory, The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses Touch: Sensuous Theory and Multisensory Media Landscapes of the Mind: Worlds of Sense and Metaphor The Smell of Books: a Cultural-Historical Study of Olfactory Perception in Literature Cinema Politics

The Dream Olfactory: On Making Scents of Carnal Aesthetics. Transgressive Imagery and Feminist

Kino Rethinking Symbolism The Body Social.

UNDER THE SKIN

Film Theory. An Introduction through the Senses

Under the Skin

Media of History

Under the Skin

Under The Skin Cache

hors-champ

Under the Skin

Under the Skin

Under the Skin,

. Under the Skin

Under the Skin

Under the Skin Under the Skin

Under the Skin

Under the Skin.

The Fold

Under the Skin

Fi

o r

h

Under the Skin

eferences Modelle der Rauminszenierung im zeitgenössischen europäischen Kino Zeit, Schnitt, Raum Surface. Matters of Aesthetics, Materiality, and Media Cinema 1. The Movement-Image Cinema 2. The Time-Image The Fold. Leibniz and the Baroque Die genetische Funktion des Historischen in der Geschichte der Bildmedien Mediale Histographien Das Aussen Philosophie

Essays zur Film-

Jenseits des Raums. Zur filmischen Topologie des Urbanen Epiphanie

Dimensionen

ästhetischer Erfahrungen, Diesseits der Hermeneutik. Die Produktion von Präsenz Deleuze und die Phänomenologie Phainomena. Journal of Phenomenology and Hermeneutics The Language of New Media Vor dem Schein kommt das Erscheinen. Bemerkungen zu einer Ästhetik der Medien Merkur

TWIN PEAKS: FIRE WALK WITH ME

Twin Peaks: Fire Walk with Me

Cinema’s Baroque Flesh: Film, Phenomenology and the Art of Entanglement

Fire Walk with Me,

Fire Walk with Me

Fire Walk with Me electric

The ure of the

ue ose

Fire Walk with Me

Twin Peaks Fire Walk with Me Fire Walk with Me Twin Peaks

Twin Peaks: The Missing Pieces Twin Peaks: The Return

Twin Peaks

Fire Walk with Me

Fire Walk with Me

Fire Walk with Me

Fire Walk with Me,

Fire Walk with Me.

Twin Peaks Fire Walk with Me Fire Walk with Me

Fire Walk with Me Fire Walk with Me Twin Peaks

Twin Peaks

Fire Walk with

Me

Flesh World Fire Walk with Me

Twin Peaks

Blue Lost

Velvet Highway

Mulholland Drive Fire Walk with Me

Twin Peaks: The Return

Twin Peaks

Fire Walk with Me

nside the in

oo : Sensin Fi

ood

Visible Man

Mulholland Drive

Fire Walk with Me

mise-en-scène

Fire Walk with Me

Fire Walk with Me

mise en scène

onc usion:

nch s

ectric Sens tions

Fire Walk with Me

anterior

Twin Peaks’ Fire Walk with Me Fire Walk with Me

Fire Walk with Me.

patterns

Fire Walk With Me

eferences Bela Balázs: Early Film Theory Daniel Stern

and

Going to the Cinema with Félix Guattari and The Guattari Effect The

Monist David Lynch The Man Who Tasted Shapes Full of Secrets: Critical Approaches to Twin Peaks Movies

Twin Peaks Senses of Cinema Twin Peaks Series: International Journal of TV Serial Narratives Cinema

Electric Sheep Magazine

No, it can wait ‘til morning: Surrealism, Soap opera, and Mystery in Twin Peaks. Lounge Critic: the Couch Theorist’s Companion Stimmung Screen The Interpersonal World of the Infant: A View from Psychoanalysis and Developmental Psychology Mapping the Moving Image: Gesture, Thought and Cinema Cira 1900 Cinema’s Baroque Flesh: Film, Phenomenology and the Art of Entanglement.

Dust

Behemot

Under the Dome BBR1

The Incredulity of Saint Thomas

Behemoth Black Face, White Face

雾霾

Hard Times

BBR1 (No.1 of Blossom Bud Restrainer)

Under the Dome – Investigating China’s Smog

Under the Dome Under the Dome

An Inconvenient Truth

Heshang River Elegy

Huanghe Yellow River

Under the Dome

Behemot

Behemot

悲兮魔兽

Man with No Name

Black Face, White Face

eferences

1980s China

L’uso dei corpi The Road to Tiananmen: Chinese Politics in the The Politics of China: Sixty Years of The People's Republic of

The New Chinese Documentary Film Movement: For the Public Record Mille plateaux: capitalisme et schizophrénie. Hard Times October, Total Modernity and the Avant-Garde in TwentiethCentury Chinese Art

Transnational Ecocinema. Film Culture in an Era of Ecological Transformation Encoding/decoding Language: Working Papers in Cultural Studies

Culture, Media,

Environmental Policy Under President Xi Jinping Leadership: The Changing Environmental Norms Environmental Policy and Governance in China Popular Media, Social Emotion and Public Discourse in Contemporary China The Guardian Chinese Ecocinema in the Age of Environmental Challenge The Politics of China Dust The New York Times

The Arts of China. Interactions: Studies in Communications & Culture The Journal of Aesthetic Education Grist

Asian Studies Reviews

The New York Times

F

T

S

T

ABSTRACTIONS

:

magnum opus Theory of Film

Theory of Film Marseille Notebooks

Notebooks Geraun des Seienden

es e in to sound

nd the sounds re Theory of Film

Marseille Notebooks

in i

es

Valeur humaine du cinéma

The

ord c r et

Theory of Film

The Beast of the City

Jungle Patrol

Boredom

Boredom

Theory of Film

Theory of Film

i.e.

dis

Theory of Film

Theory of Film

et een ur

nd isu

noise

Notebooks

Grundschicht

Theory of Film

thread texture

eferences New German Critique Audio-vision. Sound on Screen Critical Inquiry Theory of Film. The Redemption of Physical Reality Cinema and Experience: Siegfried Kracauer, Walter Benjamin and Theodor W. Adorno The Mass Ornament: Weimar Essays Theory of Film. The Redemption of Physical Reality Marseille Notebooks Werke. Band 3: Theorie des Films. Die Errettung der äußeren Wirklichkeit Siegfried Kracauer. Neue Interpretationen New German Critique Culture in the Anteroom. The Legacies of Siegfried Kracauer

The Cinematic Body Carnal Thoughts. Embodiment and Moving Image Culture

Le Figaro

tabula rasa

across

Gesamtkunstwerk

Gesamtkunstwerk

Gesamtkunstwerk

Prometheus

Untitled

The Painting of Sounds, Noises and Smells

L’Italia futurista

Fantasia

The Futurist Cinema

Victory of Samothrace

Entfremdung

The Steel Alcove

dispositif

dispositif

metamedium

Vita futurista The Futurist Cinema

eferences Early Film Theories in Italy, 1896-1922 Futurism and the Technological Imagination Futurism. An Anthology Pittura scultura futuriste. Visual Music: Synaesthesia in Art and Music Since 1900 Futurism. AnAnthology

Vita futurista Velocità

Avanguardia Synesthesia and the Arts PSYCHE: An Interdisciplinary Journal of Research on Consciousness . Bright Colors Falsely Seen: Synaesthesia and the Search for Transcendental Knowledge The Fourth Dimension and Non-Euclidean Geometry in Modern Art The Emergence of Cinematic Time. Modernity, Contingency, the Archive CINÉMAS Back to the Futurists. The avantgarde and its legacy Habitus in Habitat III. Synaesthesia and Kinaesthetics Virtual Art: From Illusion to Immersion Forum Italicum Il cinema futurista Grammophon, Film, Typewriter Gramophone, Film, Typewriter The Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium Futurism. An anthology

Technical Manifesto of Futurist Literature

Futurism. An Anthology

Futurism. An Anthology L’alcova d’acciaio La cucina futurista

The Futurist Cookbook Cognitive Processes

in the Perception of Art Antidiets of the Avant-garde: from Futurist cooking to Eat Art Early Film Theories in Italy, 1896-1922 Inventing Futurism. The Art and Politics of Artificial Optimism Quaderni del CSCI Sons & lumières: une histoire du son dans l'art du XXe siècle Tecnologie e avanguardia in Italia dal Futurismo alla Net.art Marinetti e il cinema. Tra attrazione e sperimentazione The Great Black Spider on its Knock-kneed Tripod: Reflections of Cinema in Early Twentieth-century Italy Futurist Cinema: Studies on Italian Avant-garde Film

The Hidden Sense. Synesthesia in Art and Science Senses & Society Sensory Arts and Design Gli intellettuali e il cinema Cinema e letteratura del Futurismo Film History

Fro

intin to ine

new optical media

Universelle Sprache

articulation of space in movement

Rhythmus 21 Rhythmus 23

Rhythmus

Diagonal Symphony abstract dynamic

Universelle Sprache Demonstration of the ‘Universal Language’

musical

Fro

str ct horeo r hies nd udio isu usic: Fischin er s r Studies to isne s F nst si

Studie Nr. 1

flood of feeling

Tönende Ornamente Sound Ornaments

Studien

Hungarian Dance No. 5

The Sorcerer's Apprentice

Silly Symphonies

The

Skeleton Dance

Studie Nr. 5

Nr. 7

Whoopee! 42nd Gold Diggers of 1933 By a Waterfall Footlight Parade

Street

Studie Nr. 5 Muratti Greift Ein

Die Puppenfee Radio Dynamics Allegretto

Studie Nr. 5 Über die Abstrakte Filmstudie Nr. 5 von Oskar Fischinger Synästhetischer Film fantastic abstract ballet

Muratti Privat Muratti Greift Ein

Studien Rondo alla Turca

Dames Allegretto

Radio Dynamics

An Optical Poem Hungarian Rhapsody No. 2 Fashions of 1934

Komposition in Blau

Muratti Greift Ein

Fantasia Dance of the Reed Flutes

Nutcracker

Suite

Fantasia

Study no. 8 Sorcerer’s Apprentice

The Fantasia

Pinocchio Fantasia

Beauty and the Beast

Drawing for Fantasia

Oskar Fischinger / Wassily Kandinsky. Where Abstraction and Comics Collide

Black Lines

abstract

To

rds o

synaesthetic

uter rt

Toccata and Fugue in D Minor

audiovisual music Five Film Exercises: Films 1 – 5

Catalog Lapis Osaka 1-2-3

Matrix I

Pixillation

Matrix II

Matrix III

Lapis

onc usions synaesthetic moving images

synaesthetic language

eferences Visual-Music Culture Synaesthesia in Art and Music Since My Statements Are in My Work

Visual Music: Art in Cinema

Art in Cinema Documents Toward a History of the Film Society Oskas Fischinger / Wassily Kandinsky. Where Abstraction and Comics Collide Oskar Fischinger 1900-1967. Experiments in Cinematic Static and Kinetic Optical Malerei Fotografie Film Painting Photography Film

Composition

Optical Poetry: The Life and Work of Oskar Fischinger Le Temps exposé. Le cinéma de la salle au musée Abstractio Multiplicata. Abstract Cinema and the Utopia of the Synaesthetic Work of Art The Small Utopia. Ars Multiplicata Kinovedcheskie Zapiski Universelle Sprache Demonstration of the ‘Universal Language’ Richter, Activism, Modernism, and the Avant-Garde

Hans

Art press Our Multiplied Sensibility. Sound recording between artistic practice, aesthetics and media theory (1922–30). The Small Utopia. Ars Multiplicata

Buzz: The Life and Art of Busby Berkeley Filmmakers 1893-1941

Busby Berkeley and America's Pioneer Abstract Unseen Cinema: Early American Avant-garde Film

Viking Eggeling. Diagonal Symphony Lumières. Une histoire du son dans l'art du XXe siècle

Sons &

Cinémas contemporains. Du film à l'installation

F FT S

T

:

NEW MEDIA AND MEDIA ART

The Infernal Dream of Mutt and Jeff

technical object

techniques of the body

Kulturtechniken

habitus

The Infernal Dream of Mutt and Jeff

The Infernal Dream of Mutt and Jeff lumpen

The Infernal Dream of Mutt and Jeff

makes tangible the fact that time is money, and that an unnecessary motion is money lost forever.

The Infernal Dream of Mutt and Jeff

It is [...] the linguistic being of man to name things.

The Infernal Dream of Mutt and Jeff

Motion Studies Application

Folie à Deux

Mechanization Takes Command Perfect Movement

Motion Studies Application

OneWay Street

physis

Communist Manifesto

Einfühlung

Motion Studies Application Folie à deux

Motion Studies Application

Folie à Deux

dispositif

never symbolic in themselves

dispositifs

operative

eferences The Infernal Dream of Mutt and Jeff Reproduction

The Work of Art in the Age of Mechanical Illuminations: Essays and Reflections

The Task of the Translator Illuminations: Essays and Reflections On the Mimetic Faculty

Reflections

On Language as Such and on the Language of Man

Reflections Surrealism

Reflections

Techniques & Culture L’image-temps: Cinéma 2 Eisenstein on Disney Der menschliche Gang und der kinematographische Algorithmus Diskurse der Fotografie. Fotokritik am Ende des fotografischen Zeitalters

Mechanization Takes Command: A Contribution to an Anonymous History Applied Motion Study: A Collection of Papers on the Efficient Method to Industrial Preparedness Tracing the Individual Body: Photography, Detectives and Early Cinema Cinema and the Invention of Modern Life Benjamin and Cinema: Not a One-Way Street Walter Benjamin. Critical Evaluations in Cultural Theory – Volume II: Modernity Cinema and Experience, Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno rythmes

Le Geste et la Parole, II: La Mémoire et les Gesture and Speech

Introduction to Marcel Mauss to the Work of Marcel Mauss,

Introduction

Sociologie et Anthropologie Incorporations Le chirurgien et le mage

Cinéma et Peinture,

Approches Zeitschrift für Medien- und Kulturforschung The Play of Musement Du mode de l’existence des objets techniques

i it

Senses

The Language of New Media

media

new media

Understanding Media Number

o

nticis

s s nthesis of rts nd its continu tion

correspondance des arts

Concerning the Spiritual in Art, and Painting in particular

Psalmus

ech nic

senses nd their con er ence in rt or The c se of o ish ne edi rt

intermedialism .

á rebours

status quo

isu

scores

Linia rytmiczna z serii B

Inventing Abstraction 1910-1925

S

ti

sounds

My Place, My Music

Personal Instrument

isu

sounds nd soundin i

es

Dynamic Rectangle

Exercise

Sound photography

Test I

Video and Breath

Wideo i oddech

onc usion

per se

eferences Sounding The Body Electric Sounding The Body Electric. Experiments in art and music in Eastern Europe 19571984 The Language of New Media Understanding Media. The Extensions of Man Exhibition Sounding The Body Electric. Experiments in art and music in Eastern Europe 1957-1984 O romantycznej syntezie sztuk. Delacroix, Chopin, Baudelaire Linia rytmiczna Jeszcze raz o czysty film Sztuka polska lat 70. Awangarda

‘FIVE THOUSAND FEET IS THE BEST’

Five Thousand Feet is the Best

The Guardian

5,000ft

Body of Lies Zero Dark Thirty

Syriana

5,000ft

5,000ft

armed

War and Cinema

global vision

Space Weapons and US Strategy

proximity

Body of Lies

Body of Lies

Syriana

Unmanned: America’s Drone Wars

Syriana

Syriana

Zero Dark Thirty

Sight & Sound Call of Duty

Drone

UnManned

Five Thousand Feet is the Best

Body of Lies

Five Thousand Feet is the Best

visual

Syriana Body of Lies Dark Thirty 5,000ft

Zero Dark Thirty

5,000ft

Zero

5,000ft

5,000ft Zero Dark Thirty

War and Cinema

Syriana

Body of Lies Zero

Dark Thirty Five Thousand Feet is the Best

eferences The Guardian

Sight & Sound

Theory, Culture & Society Millenium – Journal of International Studies

Cultures in Orbit: Satellites and the Televisual Media Tropes Space Weapons and US Strategy: Origins and Development War and Cinema: The Logistics of Perception

Political Geography

Fi

o r

Body of Lies Five Thousand Feet is the Best Syriana Unmanned: America’s Drone Wars Zero Dark Thirty

h

osse

t nese

Fr ncesc Scotto

entin

ente

in

ennifer

r er

The Tactile Eye: Touch and the Cinematic Experience Discourse, The Cine-Files, Studia Phenomenologica New Review of Film & Television Studies Cinema Journal Film-Philosophy Paragraph

ind

erte i

hrist

in er

Théâtres de la mémoire. Cinéma de seconde main, Esthétique du remploi dans l'art du film et des nouveaux média Morgan Fisher, Off-Screen Cinema Geste filmé, gestes filmiques or t

u Visceral Material: Cinematic Bodies on

Screen

.

nrico

rocci

Attraverso le immagini. Tre saggi sull’emozione cinematografica Il cinema e le emozioni. Estetica, espressione, esperienza

hi r

ste i

ri r i

in F

ost ntino

n

Redacted Tortured Body: The Cinema as Scaffold ndr

Screening the

udre u t

The End of Cinema? A Medium in Crisis in the Digital Age Le récit cinématographique: Films et séries télévisées To

so s

ur

co

ro

i

e

hi i

e

rion

Analyse des médias Collectiana École des hautes études en sciences de l’information et de la communication École européenne supérieure de l’image . The End of Cinema? A Medium in Crisis in the Digital Age rie

e ecchi

Sergei Eisenstein. The Anthropology of Rhythm Eccentric Values after Eisenstein Eisenstein, Bataille, Buñuel

rin Schu

Paris 1929.

i Apparatus

Fictions / Realities. New Forms and Interactions Apparatu Mise en geste. Studies of Gesture in Cinema

S i e

ton

Cinema's Baroque Flesh: Film, Phenomenology and the Art of Entanglemen Screening the Past