Finnegans Wake [Revised ed.] 0199695156, 9780199695157

In Chapelizod, a suburb of Dublin, an innkeeper and his family are sleeping. Around them and their dreams there swirls a

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Finnegans Wake [Revised ed.]
 0199695156, 9780199695157

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James Joyce Finnegans Wake OXFORD WORLD'S CLASSICS

OXFORD WORLD'S CLASSICS

FINNEGANS WAKE JAMES JOYCE was born on 2 February 1882 in Dublin, eldest often surviving children. Joyce's father was then a Collector of Rates but the family, once prosperous, had just begun its slow decline into poverty. Educated first at the Jesuit Clongowes Wood and Belvedere Colleges, Joyce entered the Royal University (now University College, Dublin) in 1898. Four years later he left for Paris returning to Dublin in April 1903. Here he met and, on 16 June 1904, first stepped out with Nora Barnacle, a young woman from Galway. In October they left together for the Continent. Returning only thrice to Ireland-and never again after 1912-Joyce lived out the remainder of his life in Italy, Switzerland, and France. The young couple went first to Pola, but soon moved to Trieste where Joyce began teaching English for the Berlitz School. Except for seven months in Rome, the Joyces stayed in Trieste for the next eleven years. During this time Joyce wrote the poems that became Chamber Music (1907), as well as Dubliners (1914) which he struggled for nearly ten years to get published. A Portrait ofthe Artist as a Young Man ( 1916) appeared first in the Egoist (from 2 February 1914, Joyce's thirty-second birthday). (The first attempt, Stephen Hero, was published posthumously in 1944.) By the time the family moved to Zurich in July 1915, he had also begun Ulysses. Over the next seven years, first in Zurich, later in Paris, Ulysses progressed. Partial serial publication in the Little Review ( 1917-18) brought suppression, confiscation, and finally conviction for obscenity. Sylvia Beach, proprietor of the Shakespeare and Company bookshop in Paris, offered to publish, and the first copies arrived in Joyce's hands on 2 February 1922, his fortieth birthday. The acclaim publication brought placed Joyce at the centre of the literary movement only later known as Modernism, but he was already restlessly pushing back its borders. Within the year he had begun his next project, known only mysteriously as Work in Progress. This occupied him for the next sixteen years, until in 1939 it was published as Finnegans Tfake. By this time, Europe was on the brink of war. When Germany invaded France the Joyces left Paris, first for Vichy then on to Zurich. Here Joyce died on 13 January 1941 after surgery for a perforated ulcer. He was buried in Fluntern Cemetery. ROBBERT-JAN HENKES and ERIK BINDERVOET translated Finnegans Tfake into Dutch in 2002. They are based in Amsterdam, and they have also translated Hamlet, The Last Days ofMankind by Karl Kraus, and the complete lyrics of The Beatles and of Bob Dylan. Their translations of King Lear and of Ulysses were published in 2012. FINN FORDHAM is Reader in 20th Century Literature at Royal Holloway, University of London. He is the author of Lots ofFun at 'Finnegans Wake' and I do I undo I redo: the Textual Genesis ofModernist Selves (both OUP). He has also edited several volumes of essays, and published articles on contemporary fiction and poetry.

OXFORD WORLD'S CLASSICS

For over 1 oo years Oxford World's Classics have brought readers closer to the world's great literature. Now with over 700 titles-from the 4,000-year-old myths ofMesopotamia to the twentieth century's greatest novels-the series makes available lesser-known as well as celebrated writing. The pocket-sized hardbacks ofthe early years contained introductiom by Virginia Woolf, T. S. Eliot, Graham Greene, and other literary figures which enriched the experience ofreading. Today the series is recognizedfor its fine scholarship and reliability in texts that span world literature, drama and poetry, religion, philosophy, and politics. Each edition includes perceptive commentary and essential background information to meet the changing needs ofreaders.

OXFORD WORLD'S CLASSICS

JAMES JOYCE

Finnegans Wake Edited by

ROBBERT-JAN HENKES ERIK BINDERVOET and FINN FORDHAM

OXFORD UNIVERSITY PRESS

OXFORD UNIVERSITY PRI!SS

Great Clarendon Street, Oxford ox2 United Kingdom

6DP

Oxford University Press is a department of the University of Oxford. le furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Text setting, Note on the Text, Appendix© Robbert-Jan Henkes and Erik Bindervoet 2012 Introduction, chapter outline, Select Bibliography© Finn Fordham 2012 Chronology © Jeri Johnson 1993 The moral rights of the authors have been asserted First published as an Oxford World's Classics paperback 2012 Impression: 3 All rights reserved. No part of this publication may be reproduced, stored in a retrieval S)'Stem, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Dara Data available Library of Congress Cataloging in Publication Data Data available ISBN 978-