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Argues that the discursive erasure of Muslim women within colonial and Hindu nationalist discourse underpinned the const
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In Visible Histories, Disappearing Women, Mahua Sarkar examines how Muslim women in colonial Bengal came to be more marg
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"Ahwal Gaur wa Panduah" by Munshi Shyam Prasad: p. [1]-42 (4th group) In Persian.
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pages 210 and 211 are missing. Based on the author's thesis (M.A.--University of London, 1955) with title: Some as
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Presents a new history of how Hindustani court music responded to the political transitions of the nineteenth century.
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Basing her work on Bengali-language sources, such as women's journals, private papers, biographies, and autobiograp
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Presents a new history of how Hindustani court music responded to the political transitions of the nineteenth century. H
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