A high school course in architecture

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A HIGH SCHOOL COURSE IN ARCHITECTURE

A P ro je e t P re s e n te d to th e F a c u lty o f th e S c h o o l o f E d u c a tio n The U n i v e r s i t y o f S o u t h e r n C a l i f o r n i a

In P a r t ia l F u lfillm e n t o f t h e R e q u ire m e n ts f o r t h e D egree M a ste r o f S c ie n c e in E d u c a tio n

by H erm an H e n r y P r i c e A ugust

1950

UMI Number: EP46529

All rights re se rv e d INFORMATION TO ALL U S E R S T h e quality of this reproduction is d e p e n d e n t upon th e quality of th e copy subm itted. In th e unlikely e v e n t th a t th e a u th o r did not s e n d a c o m p lete m anuscript an d th e re a re m issing p a g e s , th e s e will be no ted . Also, if m aterial h ad to b e rem oved, a no te will indicate th e deletion.

Dissertatior. P i bi shtng

UMI E P 4 6 5 2 9 P ublished by P ro Q u e st LLC (2014). Copyright in th e D issertation held by th e Author. Microform Edition © P ro Q u e st LLC. AN rights rese rv ed . This w ork is p ro tected a g a in st un au th o rized copying u n d e r Title 17, United S ta te s C o d e

P ro Q u e st LLC. 789 E a s t E isen h o w er P arkw ay P.O . Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1 3 4 6

>s-l

P?V s'

Th is p r o j e c t report, w ri tt en under the direction of the candidate’s a dv is e r an d a p p r o v e d by him, has been p res en te d to a n d a c ce pt e d by the F a cu lt y o f the S c h o o l of E du c atio n in p a r t i a l fu lfi llm en t of the requirements f o r the de gre e of M a s t e r of Science in Education.

Date...

Adviser

Dean

ii PREFACE A co u rse in h ig h sc h o o l a r c h i t e c t u r e w i l l in d e e d t o t h e f i e l d o f a r c h i t e c t u r e .

l e a d few

I t seem s w rong t h e n

to d e v o te th e g r e a t e s t p a r t o f th e c o u rs e to th e s tu d y o f th o se i n t r i c a t e lic e n s e .

d e t a i l s w h ic h le a d t o th e a c q u i s i t i o n

On t h e o t h e r h a n d , t h e p e r c e n t a g e o f t w e l f t h

g r a d e r s who w i l l b e a i m i n g a t home o w n e r s h i p i s , rig h tly

of a

so,

e x tre m e ly h ig h .

a rc h ite c tu re

T h erefo re,

b u i l t aro u n d th e

a co u rse in

s t u d e n t s f u t u r e hom e w o u ld

se e m t o b e m o re i n l i n e w i t h m o d e r n p r o g r e s s i v e t h a n a c o u r s e i n w h ic h e a c h s t u d e n t l e a r n s , to le a rn ,

and

e d u c a tio n

or is

urged

a few o f t h e s t e p s n e c e s s a r y t o l a y o u t b l u e p r i n t s

f o r a d e p a rtm e n t s t o r e , le a rn s or is

u rged to

o f c o n stru c tio n

or as is

t h e c a s e so m any t i m e s ,

l e a r n t h e g r e a t o r d e r s and m eth o d s

o f m any h u n d r e d s o f y e a r s a g o .

The u n i t s o f t h i s c o u r s e a r e

b u i l t w ith th e s e th o u g h ts

i n m in d a n d t h e m a t t e r o f h i s t o r y i s th e f u tu r e .

T h is i s n o t to

used o n ly a s i t

e ffe c ts

s a y t h a t t h e r e i s no im p o r ta n c e

a tta c h e d to th e h is to r y o f a r c h ite c tu r e ,

but ra th e r th a t

th e tw e lf th g rad e i s n o t th e id e a l p la c e f o r i t s

e m p h a sis.

T he w r i t e r h a s o b s e r v e d i n h i s own s t u d e n t s o f a rc h ite c tu re , o f th e th is

a g reat d e sire fo r in stru c tio n

su b je c t,

co u rse i s

and i t

is

in th re e a re as

aro u n d t h e s e t h r e e a r e a s t h a t

c o n stru c te d .

T hese a r e a s a r e :

(1) th e

iii c o n c e p tio n o f a ho use s u ite d (2)

t h e m eth o d s o f b u i ld i n g th e h o u s e ,

tra tio n

th e re to

v e ry c h a n g e a b le n a t u r e .

le g isla tio n

C o n sid e rin g o u r p r e s e n t

a n d JH& a n d v e t e r a n h o u s i n g a n d m an y o t h e r

c o u rs e c o u ld v e ry l i k e l y b ro u g h t to th e

fo re,

and ( 3 ) th e a d m in is­

to u c h e d o n ly l i g h t l y due to

t h i n g s to o num erous t o m e n tio n ,

is

s tu d e n t,

of d e c o ra tiv e m a te r ia ls .

T he a r e a o f f i n a n c i n g i s its

fo r th e p a r tic u la r

a m eth o d o u t l i n e d i n t h i s

be o b s o l e t e by t h e t i m e t h e c o u r s e

c la ssro o m .

It is

b e lie v e d enough, t h e r e ­

t o sh ow t h e s t u d e n t t h e m o s t e c o n o m i c a l m e t h o d o f

a t t a i n i n g home o w n e r s h i p , w i t h t h e m a t t e r o f p a y i n g f o r th e house b ro u g h t in to

th e c o u rse in l i g h t o f th e fin a n c in g

m eth o d s o f t h e p a r t i c u l a r p e r i o d o f l e g a l r e g u l a t i o n s . The a im o f t h e to d e sig n ,

co u rse th e n ,

is

to

te a c h th e stu d e n t

b u i l d a n d d e c o r a t e h i s own home w i t h t h e m a j o r

p o rtio n

c o n c e rn e d w i t h a c t u a l m eth o d s o f c o n s t r u c t i o n ,

as th is

ap p ears to

i s assum ed t h a t th e th e

be t h e a r e a - o f g r e a t e s t c o n c e r n .

It

s t u d e n t h a s a th o r o u g h k n o w le d g e o f

e le m e n ts o f d r a f t i n g . H e im a n H . P r i c e

iv TABLE OF CONTENTS CHAPTER

PAGE PART 1 .

CREATION

HOW TO DESIGN YOUR HOUSE 1.

2.

3.

HOW TO DESIGN

THE FLOOR P L A N S ..............................

2

1.

How t o l o c a t e t h e l i v i n g r o o m ...........................................

2

2.

How t o l o c a t e t h e k i t c h e n .....................................................

3

3.

How t o l o c a t e t h e d i n i n g r o o m ..........................................

4

4.

How t o l o c a t e t h e b e d r o o m s .....................................................

4

5.

How t o l o c a t e t h e b a t h r o o m .....................................................

4

6.

How t o l o c a t e t h e u t i l i t y

r o o m ...........................................

5

HOW TO DESIGN

THE ELEVATION PLANS..................................................1 0

1.

How t o d e s i g n t h e f r o n t e l e v a t i o n ...................................... 10

2.

How t o d e s i g n t h e r e a r e l e v a t i o n ........................................... 11

3.

How t o d e s i g n t h e s i d e

4.

How t o d e s i g n t h e c u t aw ay o r

5.

How t o d e s i g n t h e n e c e s s a r y g a r a g e v i e w s

HOW TO DESIGN

e l e v a t i o n s .......................................11 ’S e c t i o n *

v iew s

.

. . . .

11 12

THE FRAMING P L A N S .................................................... 1 6

1.

How t o d e s i g n t h e f l o o r f r a m i n g ........................................... 1 6

2.

How t o d e s i g n t h e w a l l

3.

How t o d e s i g n t h e c e i l i n g f r a m i n g ...............................

4.

How t o d e s i g n t h e r o o f f r a m i n g .................................................17

f r a m i n g ................................................ 1 6 17

V

CHAPTER A.

5.

6.

PAGE

HOW TO DESIGN

THE F I R E P L A C E .............................

26

1.

How t o d e s i g n t h e e l e v a t i o n v i e w s ...................................... 26

2.

How t o d e s i g n t h e p l a n v i e w s ................................................ 27

3.

How t o d e s i g n t h e s e c t i o n

HOW TO DESIGN

v i e w s ........................................... 27

THE FOUNDATION PLANS............................................... 31

1.

How t o d e s i g n t h e f o o t i n g ...........................................................31

2.

How t o d e s i g n t h e f o u n d a t i o n w a l l s ................................. 31

3.

How t o d e s i g n t h e p i e r s a n d s u p p o r t s ............................32

4.

How t o d e s i g n t h e g a r a g e a n d / o r h o u s e s l a b

HOW TO DESIGN

.

,

32

THE UTILITY PLANS.......................................................37

1.

How t o d e s i g n t h e p l u m b i n g s y s t e m .........................

2.

How t o d e s i g n t h e w i r i n g s y s t e m ...........................................38

3.

How t o d e s i g n t h e h e a t i n g s y s t e m ...................................... 3^ PART 2 .

.

37

ERECTION

HOW TO BUILD YOUR HOUSE 7.

HOW TO LAY THE FOUNDATION..................................................................... 45 1.

How t o c l e a r t h e l a n d ......................................................................45

2.

How t o l a y o u t t h e b u i l d i n g s ................................................. 45

3.

How t o p e r f o r m t h e n e c e s s a r y e x c a v a t i o n

4.

How t o p o u r t h e

c o n c r e t e f o o t i n g .......................................4 6

5.

How t o p o u r t h e

f o u n d a t i o n w a l l s .......................................48

6.

How t o i n s e r t t h e a n c h o r b o l t s ............................................ 4 9

. . . .

46

vi CHAPTER

8 .'

9.

10.

PAGE

7.

Howt o s e t t h e g i r d e r ....................................

49

8.

Howt o l a y s l a b - f l o o r i n g ...........................................................49

HOW TO ERECT THE FRAMEWORK................................................................ 5 4 1.

Howt o f a s t e n

th e

sill

to

th e fo u n d a tio n

. . .

54

2.

Howt o i n s e r t f l o o r j o i s t s ...........................................................5 4

3.

Howt o l a y t h e s u b - f l o o r i n g ......................................................55

4.

Howt o i n s t a l l

t h e w a l l f r a m i n g ............................................55

HOW TO BUILD THE R Q Q E ............................................................................... 59 1.

Howt o f r a m e t h e r o o f ..............................................................

59

2.

Howt o a p p l y r o o f b o a r d s ...........................................................60

3.

Howt o i n s t a l l a s p h a l t s h i n g l e s ............................................60

4.

Howt o a t t a c h w ood s h i n g l e s ......................................................6 l

5.

Howt o a p p l y a s b e s t o s

s h i n g l e s ........................................... 6 l

HOW TO PLIMB YOUR H O U S E .............................................................

.

65

c o r r e c t t y p e o f p i p e ................................. 65

1.

Howt o b u y t h e

2.

Howt o cu t. p i p e a n d t u b i n g ......................................................65

3.

Howt o m ak e s o l d e r j o i n t s ....................................

4.

Howt o m ak e f l a r e

5.

Howt o i n s t a l l t h e w a t e r t a n k ................................................ 66

6.

Howt o m ake t h e s e w e r . .

7.

Howt o b u i l d t h e n e c e s s a r y w e l l s ...................................... 67

66

j o i n t s .......................................................... 66

.......................................................... 66

vii CHAPTER 11.

HOW TO APPLY THE EXTERIOR S ID IN G ....................................................7 0 1.

How t o a p p l y s h e a t h i n g ................................................................ 7 0

2.

How t o i n s t a l l i n s u l a t i o n .......................................................... 7 0

3. 4. 12.

13.

14.

PAGE

' How t o a p p l y wood o u t s i d e

c o v e r i n g .................................7 1

How t o a p p l y s t u c c o w a l l c o v e r i n g

................................. 72'

HOW TO BUILD THE F I R E P L A C E .............................................................. 75 1.

How t o l a y o u t

t h e b a s e .............................................................. 75

2.

How t o i n s t a l l

t h e a s h p i t d o o r ..........................................75

3.-

How t o b u i l d t h e c h im n e y w a l l .................................................75

4.

How t o l i n e

5.

How t o c a p t h e c h i m n e y ................................................................ 7 6

6.

How t o b u i l d

th e

f l u e .....................................................................7 6

t h e h e a r t h ................................................................ 7 6

HOW TO INSTALL WINDOWS ANDDOORS.

.............................................80

1.

How t o a s s e m b l e w in d o w f r a m e s .................................................8 0

2.

How t o s e a l t h e

3.

How t o f i x w in d o w f r a m e s i n o p e n i n g ................................. 81

4.

How t o i n s t a l l

t h e w in d o w s a s h

5.

How t o i n s t a l l

t h e d o o r s i l l ...............................................82

6.

How t o i n s t a l l

t h e d o o r f r a m e ...............................................82

j o i n t s a g a in s t th e w e a th e r

,

t

81

.....................................81

HOW TO INSTALL THE W I R I N G ....................................................................86 1.

How t o i n s t a l l

th e r i g id

c o n d u i t ...................................... 86

2.

How t o a p p l y a r m o r e d c a b l e ..................................................... 87

viii CHAPTER

15.

16.

17.

PAGE

3.

How t o i n s t a l l n o n m e t a l l i c

c a b l e .........................88

4.

How t o o b t a i n t h e c o r r e c t w i r e

5.

How t o a t t a c h

6.

How t o p l a c e m e t e r s ............................................................ 90

7.

How t o

8.

How t o a t t a c h

s i z e ....................88

e n tra n c e w ire s to th e house

in sta ll

o u tle t boxes

. . .

. . . . .

89

90

s w i t c h e s ................................................................91

HOW TO INSTALL THE HEATING S Y S T E M ................................................ 9 4 1.

How t o s e t u p a w arm a i r f u r n a c e ........................... . .

94

2.

How t o i n s t a l l a g r a v i t y warm a i r s y s t e m

94

3.

How t o i n s t a l l a f o r c e d warm a i r s y s t e m

4.

How t o p u t i n r a d i a n t h e a t i n g ...................................95

. . . . . . .

HOW TO APPLY INTERIOR WALL F I N I S H ................................... . . 1.

How t o i n s t a l l t h e p l a s t e r b a s e ..............................99

2.

How t o p l a s t e r t h e w a l l s a n d c e i l i n g s ............. 1 0 0

3.

How t o a p p l y d r y w a l l m a t e r i a l s ............................ 1 0 1

95

99

HOW TO BUILD THE S T A I R S ....................................................................... 1 0 4 1.

How t o b u i l d t h e

l a n d i n g s ............................................1 0 4

2.

How t o m ak e t h e s t r i n g e r s ........................................... 1 0 4

3.

How t o m ake t h e t r e a d s ................................................ 1 0 4

4*

How t o c u t t h e r i s e r s .....................................

5.

How t o b r a c e t h e s t a i r s .................................................105

1 05

ix CHAPTER 18.

19.

20.

PAGE

HOW TO BUILD FIXED FURNITURE............................................................. 1 0 8 1.

How

t o m ak e k i t c h e n

c a b in e ts

. . . . . . . . .

108

2.

How

t o b u i l d k i t c h e n w o r k t a b l e s ...................................1 0 9

3.

How

t o b u i l d b e d ro o m c l o s e t s .............................................109

4.

How

t o m ake b u i l t - i n

b o o k c a s e s ....................................... I l l

HOW TO INSTALL THE T R I M ........................................................................1 1 6 1.

How

t o i n s t a l l d o o r j a m b s .......................................................1 1 6

2.

How

to i n s t a l l

3.

How

t o i n s t a l l w in d o w t r i m s ..................................................117

4.

How

t o i n s t a l l b a s e b o a r d s .......................................................1 1 8

HOWTO LAY

door c a sin g s

.............................................117

THE F L O O R IN G ...................................................................... 12 1

1.

How t o l a y w oo d f l o o r i n g ............................................. .

2.

How

t o l a y l i n o l e u m ...................................................................... 12 2

3.

How

to la y a s p h a lt t i l e PART 3 .

. 1 21

........................................12 4

BEAUTIFICATION

HOW TO HE CORATE YOUR HOUSE 21.

HOW TO PAINT YOUR H O U S E ....................................................................... 1 2 8 1.

How

to o b ta in th e

c o r r e c t b r u s h ........................................1 2 8

2.

How

t o a p p l y e x t e r i o r p r i m e r ............................................ 128

3.

How t o a p p l y t o p e x t e r i o r c o a t s ...............................

4.

How

t o s t a i n t h e w o o d w o r k .......................................................1 2 9

5.

How

t o p a i n t s t u c c o ........................

. 129

1 30

CHAPTER 6. 22.

23.

PAGE How t o a p p l y i n t e r i o r p a i n t ....................................... . . 130

HOW TO PAPER THE W A L L S

. 134

1.

How t o c u t t h e w a l l p a p e r ..........................................................

2.

How t o

a p p ly th e p a s te

3.

How t o

a p p ly th e p a p e r to

134

............................................ 1 3 4 t h e w a l l ................................ 135

HOW TO APPLYTHE1F I N I S H 1M A T E R IA IS ............................................... 1 3 9 1.

How t o

a p p l y i n l a i d w o o d w o r k .............................................13 9

2.

How t o

a p p ly g l a s s

3.

How t o

a p p ly k i t c h e n a n d b a th ro o m t i l e b o a r d

4.

How t o

a p p ly p l a s t i c

3.

How t o

a p p l y m e t a l t i l e ............................................................1 4 1

b lo c k s

....................................... 13 9 .

. 140

t i l e .......................................................140

RESERVE SHELF............................................................................................................... 143

LIST OF FIGURES FIGURE

PAGE

1.

FRAMING B R A C E ................................................................................................. 1 8

2.

CORNER P O S T .................................................................

3.

ROOF F R A M I N G ................................................................................................. 20

4.

ROOF R A F T E R ...................................................................................................... 22

5.

F IR E P L A C E ............................................................................................................ 29

6.

SLAB F L O O R ................................................................................

7.

PLUMBING S Y S T E M ............................................................................................ 39

8.

WIRING P IC T O R A L ............................................................................................40

9.

RADIANT HEATING S Y S T E M ....................................................................... 4 1

10.

BATTER BOARD SET U P .................................................................................. 47

11.

HEARTH CONSTRUCTION..................................................................

19

34

.

.

77

12.

KITCHEN WORK TABLE AND C A B I N E T ................................................ 1 1 0

13.

HARDWOOD FLOOR CONSTRUCTION...........................................................1 2 3

14.

FOLDED WALLPAPER

................................................................................. 1 3 6

PART 1.

CREATION

To h a v e a h o u s'e y o u do n o t s i m p l y s t a r t t o b u i l d . You m u s t f i r s t

c r e a t e t h e h o u se i n y o u r m in d , an d t h i s

c r e a t i o n l e a d s t o t h e d e s i g n i n g o f t h e h o u s e on p a p e r . T h is c r e a t i o n i s

b a s e d on m any t h i n g s ,

life

t h e p l a c e w here yo u w is h t o

o c c u p a tio n ,

such a s y o u r liv e ,

th e

s i z e o f y o u r p r o p o s e d f a m i l y a n d t h e m an y b u i l d i n g re g u la tio n s in your a re a . we w i l l

t a k e up i n

T h e s e t h i n g s a n d m any m o re

p a rt 1 of our c o u rse.

A t th e c o n c lu sio n of p a r t 1 o f t h i s h av e a c o m p lete

c o u rse you w i l l

s e t o f b lu e p r in te d p la n s f o r y o u r houses

CHAPTER 1 HOW TO DESIGN THE FLOOR PLANS A.

MOTIVATION: 1.

2.

R e w a r d s t h a t come f r o m g o o d f l o o r p l a n s .

LOWER HEATING COSTS:

By l o c a t i n g ro o m s t o m ak e

th e g r e a te s t p o ss ib le

use o f th e su n .

COMFORTABLE LIVING: y o u r house to

From a r r a n g i n g t h e ro o m s o f

ta k e a d v a n ta g e o f w in d s,

and such c o n d itio n s

breezes

a s t h e w e a t h e r may b r i n g t o

your lo c a tio n . 3.

FREEDOM FROM LEGAL ENTANGLEMENTS: p l a n s so a s t o

4.

By d r a w i n g y o u r

co n fo rm w i t h t h e l o c a l

PLEASURABLE HOUSEWORK:

b u ild in g code

A r r a n g i n g t h e ro o m s f o r

th e g r e a t e s t am ount o f c o n v e n ie n c e and s t e p s a v in g m akes h o u se w o rk a c t u a l l y a p l e a s u r e . 5.

REDUCED LABOR IN BUILDING:

A good s e t o f f l o o r

p l a n s m akes b u i l d i n g r u n s m o o th ly . B.

DIRECTIONS:

H e lp fu l h i n ts in lo c a tin g th e v a rio u s

room s o f y o u r h o u s e . 1.

How t o l o c a t e a.

t h e l i v i n g ro o m .

Draw t h e l i v i n g (1)

ro o m f a c i n g s o u t h .

D u r i n g t h e sum m er t h e s u n i s h i g h i n t h e sk y and th e l i v i n g

room w i l l b e a l m o s t

d i r e c t l y u n d e rn e a th a t a l l

tim e s.

(2 )

D u r i n g t h e w i n t e r t h e s u n i s lo w i n t h e s k y a n d t h e l i v i n g ro o m g e t s t h e d i r e c t warm, s u n r a y s .

(3)

Some c o m p r o m is e m ay h a v e t o t h e v iew i s

P la c e th e l iv i n g

b e m ad e w h e n

a fa c to r. room s o t h a t i t

opens in to

an e n t r a n c e h a l l o r m ain h a llw a y . C o n stru c t th e l iv i n g

room r e c t a n g u l a r i n s h a p e .

D i m e n s i o n t h e ro om a c c o r d i n g t o y o u r n e e d s . (A room o f 14* x 2 0 ’ i s a b o u t a v e r a g e . ) D raw t h e l i v i n g room so t h a t i t a c c e s s ib le to to lo c a te

i s re a d ily

th e d in n in g a r e a ,

th e k itc h e n .

L o c a te t h e k i t c h e n i n a c o rn e r o f y o u r h o u s e . (1)

T h i s g i v e s two w a l l s f o r l i g h t i n g .

(2)

C ro ss v e n ti l a t io n

i s o b ta in e d in th is

m anner. D e s i g n t h e room i n a - r e c t a n g u l a r f o r m . (1 )

Y o u r e q u i p m e n t w i l l d e t e r m i n e i n some m anner t h e d im e n s io n .

(2)

G e n e ra lly sp e a k in g th e k itc h e n sh o u ld h a v e a b o u t 93 s q u a r e f e e t f o r t h e a v e r a g e s i x o r s e v e n ro o m h o u s e .

L o c a t e t h e room so t h a t i t s

exposure i s n o r th ­

e a s t o r n o rth w e st i s p o s s ib le .

d.

A r r a n g e t h e ro o m s o t h a t t h e b r e e z e o r p r e v a i l ­ in g w in d i s

used in th e

sum m er, a n d t h e s u n s h i n e

in th e w in te r. e.

D e sig n a s l i t t l e

How t o

lo c a te

door space as p o s s ib le .

t h e d i n i n g ro o m .

a.

D e sig n t h e s i z e a c c o rd in g t o y o u r n e e d s .

b.

D raw t h e d i n i n g ro o m i n a r e c t a n g u l a r s h a p e .

c.

A rrang e a s o u th e rn o r s o u th e a s te r n if

d.

exposure

p o ss ib le .

D i m e n s io n t h e room s i z e i n a b o u t 11 X 1 4 .

th e p ro p o rtio n o f

(T h is i s n o t an a b s o lu te t h in g ,

b u t k e e p t h e ro o m d i m e n s i o n s c l o s e . ) e.

L o c a t e t h e d i n i n g ro o m a d j a c e n t t o t h e k i t c h e n .

How t o l o c a t e a.

D e sig n th e

th e b ed ro o m s. s i z e a n d num ber o f b ed ro o m s,

a c c o rd in g to y o u r fa m ily n e e d s . b.

Draw o n e b e d ro o m l a r g e r t h a n t h e o t h e r s t o s e r v e a s a m a s te r b ed ro o m .

c.

L o c a te t h e g u e s t bed ro o m , i f

you h a v e o n e , t o

h ave th e b e s t v ie w . d.

D e s i g n t h e ro o m s a b o u t 14 0 t o 1 8 0 s q u a r e f e e t .

How t o

l o c a t e t h e b a th ro o m .

a.

D e s i g n t h e room s o t h a t i t

opens o f f a h a llw a y .

b.

D raw n o room w i t h d i r e c t c o n n e c t i o n .

c.

L o c a t e t h e b a t h r o o m on t h e sam e f l o o r a s t h e

bed ro o m s. d.

D e sig n t h e e x p o s u re to s u i t t h e g e n e r a l d e s ig n of th e h o u se.

( T h i s room, d o e s n o t u s e a n y o f

t h e s o l a r h e a t i n g o r c o o lin g m e th o d s so i t s e x act lo c a tio n i s not im p o rta n t.) How t o l o c a t e a.

th e u t i l i t y room s.

D e s ig n s t o r a g e room s, o r u t i l i t y p la c e to

ro om

a t any

co n fo rm w i t h t h e g e n e r a l d e s i g n

of

th e b u ild in g . b.

Draw a d e n , i f th a t i t

you h av e o n e , a t su ch a p la c e

can ta k e a d v a n ta g e o f a l l th e su n and

b reezes. W h e re t o go f o r f u r t h e r a s s i s t a n c e . a.

R eserv e S h e lf

(L is te d in f u l l

a t th e end o f

t h i s p r o j e c t a n d c i t e d h e r e by c o d e n u m b e r s to save sp a c e ): 2 5 i 7 6 -1 2 6 ; 9 :1-40; 211;

7 :e n tire

10;

11;

1 9 0 -2 3 5 ;

5:36-47;

book;

1 2 :1 -9 3 ;

1 8 :1 4 -1 5 , 2 0 -21;

2 2 :8 3 -1 0 0 ,

b.

1 :1 - 2 3 ;

297-311;

8 :e n tire 1 3 :4 2 -8 0 ;

2 0 :5 0 -5 3 ;

2 3 :2 3 -2 5 ,

book; 1 5 :2 0 2 -

2 1 :6 2 -1 2 5 ;

34, 5 4 -82 ;

24:

2 5 :3 2 9 -4 0 4 .

O b se rv in g v i s i t s

to t h e h o u s e s o f f r i e n d s and

n e ig h b o rs . c.

6 : 1 1 , 16,

A ny m a g a z i n e o n a r c h i t e c t u r e .

C.

ACTIVITY ASSIGNMENTS: Laboratory work in floor plan d e sig n in g . 1.

D e sig n th e

f l o o r p l a n s f o r y o u r h o u s e on a n o r t h ­

e a st co rn er l o t . 2.

D e s i g n t h e f l o o r p l a n s f o r y o u r h o u s e on a n o r t h ­ w est co rn er l o t .

3.

D e sig n th e f l o o r p l a n s f o r y o u r h o u se on a s o u t h ­ e a st co rn er l o t .

4.

D e s ig n t h e f l o o r p l a n s f o r y o u r h o u se on a s o u t h ­ w est c o rn e r l o t .

$.

D e sig n t h e f l o o r p l a n s f o r y o u r h o u se a ssu m in g a m id d le o f t h e b lo c k l o t f a c i n g i n any d i r e c t i o n .

D.

EVALUATION: use in 1.

S a m p le e v a l u a t i o n i n s t r u m e n t s f o r p o s s i b l e

c h e c k in g f l o o r p la n d e s i g n i n g .

TRUE-FALSE:

P la c e an X i n th e c o r r e c t s p a c e f o r

tru e o r f a ls e . T a.

F

( ) ( )

It is

b e s t t o l o c a t e t h e d i n i n g room

fa c in g so u th . b.

( ) ( )

The f r o n t d o o r s h o u l d o p e n d i r e c t l y in to

c.

( ) (

)

th e liv in g

ro o m .

Y o u r d i n i n g ro o m s h o u l d be a b o u t 2 4 ’ X 34*.

d.

C ) ( ) T he d i n i n g ro o m s h o u l d be l o c a t e d s o

th a t i t e.

(

) (

)

i s n e x t to th e k itc h e n ,

W indow s p a c e i n t h e k i t c h e n s h o u l d be on one s i d e o n ly .

f.

(

) (

)

The k i t c h e n s h o u ld be r e c t a n g u l a r i n s tru c tu re .

g.

(

) C )

L o c a te th e k i tc h e n so t h a t i t s is

h.

(

) (

ex p o su re

so u th i f p o s s ib le .

} The s i z e o f y o u r e x p e c t e d f a m i l y s h o u ld d e t e r m i n e t h e n u m b e r o f b e d ro o m s i n your house.

i.

£ ) (

)

It is

b e st to lo c a te

th e k itc h e n n ex t

t o t h e l i v i n g ro o m i f j.

(

) (

)

p o ss ib le ,

A l l t h e b e d ro o m s s h o u l d b e d r a w n t h e sam e s i z e .

BEST ANSWER:

P la c e t h e num ber o f t h e c o r r e c t

answ er in th e p a re n th e s e s . a.

( )

When d e s i g n i n g t h e b a t h r o o m y o u s h o u l d : (1 ) L o c a te i t

j u s t o f f t h e m a s t e r b e d ro o m

w ith an e n tr a n c e .

(2)

c o rn e r of th e h o u se.

w ay.

is

in a

(3 ) L o c a te i t

o n l y on t h e e a s t s i d e . so t h a t i t

Put i t

(4 ) P l a c e i t

a c c e s s i b l e from a h a l l ­

(50 L o c a t e i t

b e tw e e n t h e l i v i n g

ro o m a n d d i n i n g r o o m . b.

( )

When p l a c i n g t h e u t i l i t y

ro o m y o u s h o u l d :

(1) L o c a te i t (2 ) P u t i t ( 3 ) Draw i t

a n y p la c e i t

c.

( ) When

c a n be w o r k e d i n .

o n ly w ith s o u th e rn e x p o su re .

(4 ) D e sig n i t tio n .

in one c o rn e r o f y o u r h o u se .

so t h a t i t h a s c r o s s v e n t i l a ­

(5) L o c a te i t

d e s i g n i n g y o u r l i v i n g ro o m i t

t o : (1 ) D e sig n i t ( 2 ) D raw i t Make i t

(1 )

best

in a r e c ta n g u la r fo rm .

in th e

s h a p e o f an L . ( 5 ) Make i t

p e n d in g on w h a t s p a c e i s ( ) When

is

i n th e shape o f a s q u a r e .

c u rv ed w a l ls .

d.

on t h e se c o n d f l o o r .

(3)

(4) D e sig n

any shape d e­

l e f t o v er.

d e s i g n i n g y o u r b ed ro o m s y o u s h o u l d : D e s i g n a s m an y b e d ro o m s a s y o u h a v e

t h e m o n ey t o b u i l d .

( 2 ) Draw tw o b e d r o o m s .

( 3 ) D e s i g n a s m an y b e d ro o m s a s b a t h r o o m s . ( 4 ) D e c i d e t h e n u m b e r o f b e d ro o m s n e e d e d a c c o rd in g to your p ro p o se d fa m ily .

(5 )

D e c i d e t h e n u m b e r o f b e d ro o m s a c c o r d i n g to th e a d v ic e o f a u t h o r i t i e s on th e s u b t

je c t. RATING- SCALE:

P la c e an X i n th e

sp a ce s a c c o rd in g

to y o u r p r e s e n t acc o m p lish m e n t. a.

(

} D raw n a l l f l o o r p l a n s c o m p l e t e .

b.

(

) D e sig n ed y o u r l i v i n g

c.

(

) L o c a te d y o u r k i t c h e n i n one c o rn e r

fa c in g so u th . o f th e

house. D e s i g n e d y o u r ro o m s r e c t a n g u l a r i n

shape.

P la c e d t h e b a th ro o m w i t h a n o p e n in g t o a h a llw a y . D e s i g n e d o n e m a s t e r b e d ro o m . G iv e n y o u r b edroom s i n t h e v i c i n i t y o f 140 t o 180 s q u a r e f e e t . D e s i g n e d y o u r d i n i n g ro o m s o t h a t i t

is

r e a d ily a c c e s s ib le to th e k itc h e n . D raw n t h e b a t h r o o m a s c l o s e t o t h e

bed­

ro o m s a s p o s s i b l e . L o c a te d th e u t i l i t y

room g i v i n g p r i o r i t y

to a l l t h e o t h e r room s.

10 CHAPTER 2 HOW TO DESIGN THE ELEVATION PLANS A.

MOTIVATION: 1.

A d v a n ta g e s o f good e l e v a t i o n p l a n s .

BETTER LIGHTING:

T hrough, s k i l l f u l p la c e m e n t o f

w in d o w s. 2.

EASIER ROOM ADDITIONS:

As t h e f a m i l y grow s y ou

may n e e d t o a d d a b e d r o o m . 3.

EARLIER BUILDING DATE: w ill

4.

The b u i l d i n g c o m m issio n

*0K* a g o o d s e t o f p l a n s q u i c k l y .

INCENTIVE TO BUILD:

A v iew o f t h e en d m akes t h e

b e g i n n i n g se em e a s y . B.

DIRECTIONS:

S u g g e stio n s to h e lp you d e s ig n th e

p la n

v iew s f o r y o u r h o u s e . 1.

How t o d e s i g n t h e f r o n t e l e v a t i o n . a.

D raw i n (1)

th e s to ry h e ig h t o r h e ig h ts .

C o n su lt yo u r b u ild in g

c o d e f o r m inim um

a llo w a b le d is ta n c e s . (2 )

In k in th e f l o o r l in e

from t h e b e g in n in g .

b.

D raw i n

th e grade l i n e .

c.

Draw i n

t h e c e n t e r l i n e f o r w in d o w s.

d.

Lay o u t

th e c o rn e rs o f th e h o u se.

e.

Draw t h e f r o n t d o o r o n t h e p l a n . (1 )

I t i s n o t n e c e s s a r y t o go t o

any g re a t

le n g th h e re in d e sig n in g th e d o o r,

sim p ly

u se o v e r a l l d im e n sio n s. (2)

C o n s u l t y o u r f l o o r p l a n s a n d m ake c e r t a i n th e f r o n t door e n te r s i n to

th e

co rrect

room . f.

D raw f i n i s h

sy m b o l-o n t h e w a l l i f

d e sire d .

(S in c e you a r e g o in g to b u ild th e h o u se i t is not e s s e n tia l.) g.

D raw n e c e s s a r y s e c t i o n s t o t h e s i d e .

How t o d e s i g n t h e r e a r e l e v a t i o n . a.

D raw i n t h e h e i g h t o r h e i g h t s o f t h e f l o o r l e v e l s

b.

D raw t h e g r a d e l i n e .

c.

D ra w , u s i n g t e c h n i q u e u s e d i n t h e f r o n t e l e v a t i o n

How t o a.

d e sig n th e s id e

e le v a tio n s .

D e sig n b o th s id e e l e v a t i o n s . a le ft

(A r i g h t s i d e a n d

s i d e fro m t h e f r o n t . )

b.

L o c a te w in d o w s.

(C o n su lt th e f l o o r p la n .)

c.

Draw i n t h e g r a d e l i n e .

d.

In k in th e f lo o r l i n e .

e.

Draw o n l y t h e o u t s i d e v i e w s .

(Do n o t i n c l u d e

i n t e r i o r p a r t i t i o n s .) f.

A p p ly t h e

s i d i n g sy m b o l.

(A s m a l l p a t c h w i l l

d o .) How t o a.

d e s i g n t h e c u t a w ay o r

S e c tio n *

v ie w s.

Draw a t l e a s t o n e s e c t i o n v i e w l o o k i n g i n b o th t h e f r o n t and s i d e .

12 b.

In c lu d e i n th e v ie w s th e f o u n d a tio n w a lls and fo o tin g .

c.

Ink in th e f l o o r l i n e .

d.

D raw i n t h e g r a d e l i n e .

(O n ly fro m t h e f o u n d a ­

tio n w a ll o u tw a rd .) e.

D raw i n t h e s y m b o l s i f in p a rtic u la r to

5,

d e sire d .

(T h is a p p li e s

th e fo u n d a tio n .)

How t o d e s i g n t h e n e c e s s a r y g a r a g e v i e w s . a.

D e s i g n no f l o o r p l a n s i n c e i t

is

to

be a s l a b

in a l l cases. b.

D e sig n enough s p a c e f o r w o rk in g i f to

c.

a s a w orkshop.

Draw tw o e l e v a t i o n s . is

d.

use i t

you in te n d

(M ore i f

d e s i r e d b u t tw o

s u ffic ie n t.)

D ra w , u s i n g sam e t e c h n i q u e a s y o u d i d w i t h t h e house p la n s .

e.

D e s i g n a m inim um o f 1 0 ’ x 18* f o r a s i n g l e c a r g arag e.

(S in g le

c a r g arag es a re d e f i n i te l y n o t

r e c o m m e n d e d .) f.

D e s i g n a m inim um o f 2 0 ’ x 2 2 | *

f o r a tw o c a r

g arag e. g. 6.

D raw s y m b o l s o n p l a n i f

W h e re t o a.

d e sire d .

go f o r f u r t h e r a s s i s t a n c e .

R eserv e S h e l f : 1 7 :7 3 -7 5 ;

5 :4 8 -7 8 ;

1 8 :2 2 -3 7 , 138;

6 :7 6 -1 2 6 ; 1 9 :8 0 -9 4 ;

1 6 :1 2 1 -1 2 4 ; 2 0 :2 4 -3 0 ,

13 5 0 -53;

2 2 :2 4 5 ,

3 21-346, 501;

2 3 :2 6 -2 9 ;

24:

235-2 49 . C.

ACTIVITY ASSIGNMENTS:

-P ro je c ts In e le v a tio n p la n

d e sig n in g . 1.

D e sig n a c o m p lete s e t o f e l e v a t i o n p la n s f o r your house.

2.

D e sig n a co m p lete s e t o f e l e v a t i o n p l a n s

fo r th e

c la s s p ro je c t house. D.

EVALUATION:

S a m p l e s o f e v a l u a t i o n i n s t r u m e n t s t h a t m ay

be u se d i n r e l a t i o n 1.

TRUE-FALSE:

to your d e sig n in g e le v a tio n

p la n s.

P la c e an X i n th e c o r r e c t sp a c e f o r

tru e o r fa ls e . T a.

F

( ){ )

When d r a w i n g e l e v a t i o n p l a n s i t

is

a d v is a b le to in k in th e f l o o r l i n e . b.

( )( )

W indow s s h o u l d h a v e a c e n t e r l i n e d ra w n t h r o u g h t h e m .

c.

( )( )

A c o m p l e t e s e t o f p l a n s i n c l u d e s tw o e le v a tio n v ie w s.

d.

()(,*)

The r e a r e l e v a t i o n p la n i s

an u n n eces­

s a r y d ra w in g . e.

( )( )

P a rtitio n s

s h o u l d be i n c l u d e d i n t h e

s i d e v iew s o n ly ,

f.

( )C )

S i d i n g sy m b o ls a r e a b s o l u t e l y n e c e s s a r y ,

g.

( } ( )

It is

good p r a c t i c e

to

show o n l y a s m a l l

p o r t i o n o f t h e sy m b o l w hen y o u u s e sy m b o ls. h.

( } ( )

Two s e c t i o n v i e w s a r e n e c e s s a r y w i t h a c o m p le te s e t o f p l a n s .

BEST ANSWER:

P la c e th e num ber o f t h e

c o r r e c t answ er

in th e p a re n th e se s. a.

( ) When d r a w i n g i n t h e h e i g h t s to r y you sh o u ld :

( 1 ) Make i t

y o u r h e a d p l u s tw o f e e t . b e s t ju d g m e n t. houses. code. b.

of your f i r s t a s h ig h a s

(2 ) U se y o u r

( 3 ) A s k p e o p l e who own

(4 ) C o n s u lt y o u r l o c a l b u i ld i n g ( 5 ) D raw a l l c e i l i n g s t e n f e e t h i g h .

( } When d e s i g n i n g y o u r g a r a g e

you sh o u ld :

{1} D raw t h e f o u r e l e v a t i o n s . tw o e l e v a t i o n s .

( 2 ) Draw

( 3 ) Draw f o u r e l e v a t i o n s

p l u s tw o s e c t i o n s .

( 4 ) D raw tw o e l e v a t i o n s

p l u s tw o s e c t i o n s .

( 5 ) Draw s e c t i o n s o n l y ,

RATING SCALE:

P la c e an X in th e

sp aces t h a t you

h av e c o m p le te d . a.

( )

D e sig n e d a c o m p lete s e t o f e l e v a t i o n p l a n s .

b.

( )

Inked i n a l l f l o o r l i n e s .

c.

( )

D raw n i n a l l

d.

( )

D e sig n ed a c c o rd in g to t h e l o c a l b u i ld i n g code.

g rad e l i n e s .

15 e.

( ) P u t c e n t e r l i n e s t h r o u g h t h e w in d o w s.

f.

( ) In c lu d e d fo u n d a tio n in s e c tio n s .

g.

( ) C o n su lte d f l o o r p la n s f o r e x a c tn e s s .

16 CHAPTER 3 HOW TO DESIGN THE FRAMING PLANS A.

MOTIVATION:

B e n e f i t s t h a t a c c r u e from s k i l l f u l l y

draw n f r a m in g p l a n s . 1.

REDUCED LIKELIHOOD OF DISASTER: fra m in g m e e ts f i r e

2.

ADAPTABILITY:

W ell d e s ig n e d

and e a r th q u a k e c h a l l e n g e .

Good d e s i g n i n g m e a n s a d d - o n s ' a r e

sim p le . 3.

STURDY HOUSE:

T he f r a m i n g d e s i g n d e t e r m i n e s t h e

d eg ree o f s t u r d i n e s s . B.

DIRECTIONS:

Some p o i n t e r s i n t h e d e s i g n i n g o f

fra m in g p l a n s , 1.

How t o

d e s ig n th e f l o o r fra m in g .

a.

Draw t h e

e x a c t num ber o f tim b e r s t o

be u se d .

b.

D raw t h e f r a m i n g a t a £** e q u a l 1* s c a l e .

c.

D e sig n 2 ” X 6 " f l o o r j o i s t s

fo r sin g le sto ry

house. d.

D e sig n 2 ” X 8 " f l o o r j o i s t s

e.

D raw t h e

jo is ts

f o r tw o s t o r y h o u s e .

16” on c e n t e r ,

(A lig n th e

j o i s t s w i t h t h e fra m in g w here p o s s i b l e . )

2.

f .

D e sig n s p l i c e s

g.

D raw t h e p l a n s w i t h t h e

How t o a.

so t h a t t h e y o c c u r o v e r a g i r d e r . b u ild in g code a t h a n d .

d e s ig n th e w a ll fra m in g .

D e sig n s tu d d in g 1 6 ” a p a r t on c e n t e r .

b.

D raw b r a c i n g a c c o r d i n g t o t h e b u i l d i n g of your a re a.

code

(S in k b ra c e s f l u s h w ith s tu d s

a s sh o w n i n F i g u r e 1 . ) c.

D e sig n c o r n e r p o s t u s in g t h r e e

2 I

4s.

(S ee

F ig u re 2 .) d.

D raw d o u b l e s t u d d i n g a r o u n d a l l o p e n i n g s .

e.

D raw f i r e

f.

Draw d o u b l e c a p o f 2 X 4 s .

Hovtf t o a.

sto p s re g a rd le s s o f b u ild in g

d e sig n th e c e ilin g

Draw c e i l i n g

codes.

fra m in g .

jo is ts of 2 X 6 .

(T h ere a r e

w h e r e 2 X 4 s w i l l do b u t c o n s u l t t h e

cases

b u ild in g

code. ) b.

D e sig n t h e j o i s t s th e ro o f r a f t e r s

s o t h a t t h e y come f l u s h w i t h and th e o u ts id e

stu d d in g .

(S e e F i g u r e 3*) c.

D e sig n t h e j o i s t s

fa ste n e d to th e ro o f r a f t e r s

and th e cap. d.

D raw a l l

s p lic e s over p a r titio n s .

e.

Draw c r o s s b r i d g i n g a c c o r d i n g t o t h e

b u ild in g

code. f.

L o c a te j o i s t s one s tu d w id th o f f t h e w a ll stu d d in g .

How t o

d e sig n th e ro o f fra m in g .

a.

D e sig n r a f t e r s

b.

D raw r a f t e r s

le n g th g iv in g o v erh an g .

d i r e c t l y o v e r w a ll stu d d in g .

F/GUFE /. FRAMING BRACE

19

icPt

FIGURE' 2 . CORNER P O S T

F/GURE 3. . ROOF F R A M IN G

21 c.

d.

D e sig n th e r a f t e r s

so t h a t th e y a r e

to th e

c a p by u s i n g a n o t c h i f

hang*

(S ee F i g u r e 4 . )

D e sig n r o o f r i s e

to

fa ste n e d

you w ant o v e r­

co n fo rm w i t h t h e a r e a i n

w h ic h you l i v e a n d y o u r p e r s o n a l t a s t e . (1)

F la t,

o r a lm o st f l a t ,

ro o fs are a lrig h t

i n a r e a s w here t h e r e i s no h e av y snow s. (a)

T h is r e q u i r e s heavy ro o f g i r d e r s o r jo is ts .

(2)

A th irty

d e g re e g a b le ro o f i s

about th e

c h o ic e , o f t h e m a s s e s . e.

Draw r a f t e r s

of 2 X 6 u n le ss

b u ild in g code

d ir e c ts o th e rw ise . f.

D e sig n r a f t e r s

to a tta c h to

c e ilin g

j o i s t s and

th e p l a t e . g. 5.

D e sig n d o u b le r a f t e r s a ro u n d a l l o p e n in g s .

W h e re t o g o f o r f u r t h e r a s s i s t a n c e . a.

R eserv e S h e lf : 24 8 -2 5 1 ; 1 6 -19;

2 :6 5 ,

6 :3 5 ;

11;

2 2 :2 2 8 -2 2 9 ,

2 4 :4 9 -6 3 , 7 7 -8 2 , G.

ACTIVITY ASSIGNMENTS:

234,

235,

241, 245,

1 4 :7 2 2 -7 2 3 ; 506;

2 3 :8 3 -1 4 4 ,

P r o je c ts in d e sig n in g ro o f

D e sig n th e r o o f fra m in g f o r y o u r h o u s e .

IB :

300- 3 2 1 ;

257.

fram es. 1.

1 5 :2 0 ;

247,

F/GURE 4. ROOF RAFTER

2.

D e sig n a r o o f fra m in g d ra w in g f o r t h e c l a s s p r o j e c t house.

D.

EVALUATION:

S a m p le s o f e v a l u a t i o n i n s t r u m e n t s t h a t

may b e e m p lo y e d r e g a r d i n g y o u r d e s i g n i n g r o o f f r a m i n g . 1.

TRUE-FALSE:

P la c e an X i n th e c o r r e c t space f o r

tru e o r f a ls e . T

F

a.

( )

( ) A ll stu d d in g

s h o u ld be 2 X 8 s .

b.

( )

C ) F lo o r j o i s t s

s h o u l d n e v e r b e m o re t h a n

one f o o t a p a r t . c.

( )

C ) A sc a le of

d.

( )

( ) M o st b u i l d i n g c o d e s

e q u a l 1* i s

sa tis fa c to ry .

re q u ire flo o r j o i s t s

t o be 1 8 " a p a r t . e.

{ ) ( ) F r a m i n g p l a n s s h o u l d show a l l

th e tim b e rs

used. f.

{) ( ) J o is ts

sh o u ld be a lig n e d w ith

g.

( ) ( } F lo o r j o i s t s p lic e s

stu d s.

s h o u ld be p la c e d

o n ly o v er g i r d e r s . h.

( ) ( )

The s tu d d in g b r a c i n g s h o u ld be f l u s h w ith th e o u ts id e o f th e s tu d s .

2.

BEST ANSWER:

P la c e th e num ber o f th e b e s t an sw er

in th e p a re n th e s e s. a.

C )

W hen d e s i g n i n g t h e c e i l i n g

s h o u ld :

j o i s t s you

Cl) U s e 2 X 8 s o n l y .

( 2 ) D raw

24 w ith 2 X 1 0 s.

(3 ) U se o n ly 2 X 6 s .

C o n su lt b u ild in g ( 5 ) U se t h e

(4)

code f o r c o r r e c t s i z e .

same s i z e a s y o u r n e i g h b o r s

house. b.

( }

In d e s ig n in g w a l l fra m in g you s h o u ld : (1)

D e sig n th e s t u d s 16 ” a p a r t c e n t e r t o

c e n te r.

(2) D e sig n t h e

c e n te r to

c e n te r.

stu d s 18” a p a rt

(3 ) D e sig n a 1 6 ” sp a c e

b e tw e e n t h e s t u d s .

(4 ) D e sig n t h e s t u d s

w i t h an 1 8 ” s p a c e b e tw e e n th e m . th e

( 5 ) Draw

stu d s a re a so n a b le d is ta n c e a p a r t.

EATING 3CAIJ!:

4

P la c e an X i n t h e s p a c e s f o r w h ic h

you q u a li f y . a.

( )

You h a v e d ra w n a c o m p l e t e s e t o f f r a m i n g p la n s.

b.

( )

Y our s tu d d in g i s 16” a p a r t c e n te r to c e n te r,

.c.

( )

Y ou h a v e d r a w n t h e f l o o r a n d c e i l i n g 16” a p a rt c e n te r to

d.

‘(

)

( )

c e n te r.

Y o u r f r a m i n g p l a n s show d o u b l e s t u d d i n g o r ra fte rs

e.

jo is ts

or jo is ts

a ro u n d a l l o p e n in g s .

You h a v e d r a w n y o u r s p l i c e s a l l o v e r su p p o rts.

f.

{ )

Y our s c a le i s

5" e q u a l l f .

g.

( )

You h a v e d e s i g n e d f i r e

s to p s a c c o rd in g to

th e lo c a l b u ild in g code.

25 Jti.

( ) Y o u r w a l l f r a m i n g p l a n s sh o w t h e b r a c e s c o u n te r sunk,

i.

( ) You h a v e d e s i g n e d t h e r o o f r a f t e r s a g a in s t th e c e ilin g

j.

up

jo is ts ,

( ) Y o u r p l a n s show e x a c t n u m b e r o f t i m b e r s

to

be u se d i n t h e c o n s t r u c t i o n o f y o u r h o u s e .

CHAPTER 4 . HOW TO DESIGN THE FIREPLACE A.

MOTIVATION;

A d v a n t a g e s t h a t may r e s u l t f r o m a w e l l

d e sig n e d f i r e p l a c e . 1.

PLEASANTER EVENINGS AT HOME:

F rom a b e a u t i f u l

e ffic ie n t fire p la c e . 2.

DISTINCTIVENESS:

A good f i r e p l a c e ad d s t h a t

e lite

to u c h . 3.

A MORE BEAUTIFUL LIVING ROOM:

A fire p la c e

d i s t i n g u i s h e s a ’ h o m e 1 f r o m a ’h o u s e ' . B.

DIRECTIONS: 1.

How t o a.

S u g g e s tio n s on th e d e s ig n in g o f a d e sig n th e

e le v a tio n v ie w s.

D e sig n th e f i r e p l a c e lo n g .

fire p la c e .

from f i v e t o e i g h t

(T h e a c t u a l l e n g t h d e p e n d s u p o n

feet th e

s iz e ro o m .) b.

Draw t h e f i r e p l a c e a b o u t s i x t o p ro je c te d in to th e s iz e

c.

t h e ro o m .

e ig h te e n in c h e s

(A g a in d e p e n d in g u pon

o f l i v i n g ro o m .)

D e sig n t h e d i s t a n c e

from t h e f l o o r l i n e t o

th e

m a n te l ab o u t f iv e f e e t . d.

D e sig n th e e l e v a t i o n s i n stu c c o

c o v e rin g .

b ric k o r b ric k w ith

(T h is depen d s upon th e t a s t e

o f t h e home o w n e r . )

e.

D e sig n th e f i r e p l a c e n e a r t h e m id d le o f th e w a l l t o w h ic h i t

is

a tta c h e d .

How t o d e s i g n t h e p l a n v i e w s . a.

D e s i g n t h e t o p o f t h e c h im n e y w i t h a d o u b l e f l u e .

b.

D e s ig n a p l a n a t f l o o r l e v e l sh o w in g c r a d l e .

c.

Draw f l u e o p e n i n g s a c c o r d i n g t o w h a t t h e l o c a l l u m b e r o r m a s o n a r y y a r d s c a r r y i n t h e w ay o f flu e t i l e . 8|"

d.

(D e sig n a r e c t a n g u l a r t i l e

about

x 13” .)

D e sig n h e a r t h e l e v a t i o n a t l e a s t 2 |*

in to

th e

room . How t o d e s i g n t h e a.

s e c tio n v ie w s.

D e sig n a s e c t i o n

ru n n in g fro m to p t o

b o tto m

about \ th ro u g h .

b.

(1)

D raw b a s e 8 "

fo o tin g .

(2)

D raw w a l l 9 "

to h e a rth .

(3)

D raw w a l l o f

c h im n e y l+n t h i c k .

(4)

Draw t h e

(5)

Draw 4 ” b a s e

t h r o a t 6” w id e . fo r h e a rth .

D e sig n a s e c t i o n o f t h e c h im n e y ., sa fe ty 2" i s

d i s t a n c e fro m h o u s e . s a tis fa c to ry

(Show 4 ”

I n some e a s e s

b u t you sh o u ld c o n s u l t t h e

b u ild in g code to be c e r t a i n .) c.

Draw a s e c t i o n t h r o u g h t h e h o riz o n ta lly .

f i r s t flo o r,

28 d. 4.

See F ig u r e 5 .

W h ere t o g o f o r f u r t h e r a s s i s t a n c e . a.

R eserv e s h e lf : 2 6 , 51,

52;

2 2 :3 9 4 ; 140, C.

2 :6 5 -6 7 ,

1 5 : 88- 100, 115,

2 3 :3 0 -3 2 1 ;

250,

2 3 1 -2 3 3 ,

247;

6 :1 7 ,

117, 168, 1 9 8 ;

2 4 :1 8 , 19, 26- 28, 138,

2 6 0 -2 6 3 .

ACTIVITY ASSIGNMENTS:

P r o je c ts in

th e d e sig n in g o f

fire p la c e s. 1.

D e sig n a c o m p lete

s e t of f ir e p la c e p la n s

fo r your

house. 2.

D e sig n a c o m p le te

set of fire p la c e

p la n s f o r th e

c la s s p ro je c t house. D.

EYALUATIQN:

* S a m p le s o f e v a l u a t i o n t e c h n i q u e s t h a t

may b e a p p l i e d t o 1.

TRUE-FALSE:

th is

se c tio n .

P la c e an X in th e

c o rre c t space f o r

tru e or fa ls e . T a.

F

( )( )

A fire p la c e

s h o u ld be l o c a t e d i n th e

l i v i n g ro o m i n t h e )( )

One d r a w i n g i s

c o r n e r o f th e room .

b.

(

enough f o r a f i r e p l a c e .

c.

( )( )

B r i c k s may be u s e d f o r f l u e

d.

( )( )

I t i s p e r m i s s i b l e t o h a v e m ore t h a n one

lin in g .

h e a r t h f r o m t h e same c h i m n e y . e.

( ) (' )

The m a n t e l s h o u l d b e a b o u t f i v e from t h e f l o o r l i n e .

feet

29

ASH

D U M P

F I G U R E -5. FIREPLACE

A

30 2.

BEST ANSWER:

P la c e th e

c o r r e c t num ber f o r th e

b e s t answ er in th e p a re n th e s e s . a.

C )

W hen d e s i g n i n g a f i r e p l a c e y o u s h o u l d : (1)

D e sig n th e f i r e p l a c e

w ish e s o f your fa m ily . fire p la c e

a c c o rd in g to th e (2 ) D e sig n t h e

a c c o rd in g to th e s iz e o f y o u r

l i v i n g room . your lo c a tio n .

(3 ) D e sig n a c c o r d in g t o (4 ) D e sig n a c c o rd in g to

t h e num ber o f e x p e c te d f a m i l y m em bers. (5)

D e s i g n a c c o r d i n g t o t h e w ay y o u r

house fa c e s . 3.

RATING SCALE:

P l a c e an X i n e a c h s p a c e f o r w h ic h

you q u a li f y . a.

( )

Y ou h a v e d r a w n a c o m p l e t e s e t o f f i r e p l a c e p la n s.

b.

C )

Y o u r p l a n s show a s e p a r a t e

f o o tin g f o r th e

fire p la c e . c.

( )

Y our p l a n s co n fo rm w ith t h e l o c a l

b u ild in g

code. d.

f )

Y ou h a v e l o c a t e d y o u r f i r e p l a c e

in th e

a p p r o x im a te c e n t e r o f one s i d e o f t h e room , e.

( )

Your p la n s c a l l f o r r e c t a n g u l a r f lu e l i n i n g .

31 CHAPTER 5 HOW TO DESIGN THE FOUNDATION PLANS A.

MOTIVATION: 1.

2.

R ew ards

o f w e ll d e sig n e d fo u n d a tio n p l a n s .

REDUCED BUILDING DELAY: F o u n d a t i o n s m u s t b e in sp e c te d b efo re

you can b u ild f u r t h e r ,

m ean a good f a s t

b e g in n in g .

REDUCED DEPRECIATION:

F rom t e r m i t e

good p la n s

p ro o f fo u n d a tio n

p la n s. 3.

MINIMUM HOUSE SETTLING:

From t h o u g h t s g i v e n t o

f o o tin g and w a ll d im e n sio n s. 4.

EASY CONSTRUCTION: tro u b le in th e

B.

DIRECTIONS:

No e r r o r s i n

t h e p l a n s m ea n n o

b u ild in g .

Some h e l p f u l h i n t s o n how t o

d e sig n th e

fo u n d a tio n . 1.

How t o d e s i g n t h e f o o t i n g . a. b.

D e sig n a c o n c r e te f o o t i n g . D e sig n t h e

f o o tin g s a s deep a s th e fo u n d a tio n

w a lls a re w id e .

(C o n su lt b u ild in g

c o d e .)

c.

D raw b e l o w t h e f r o s t l i n e .

d.

D e s i g n m in im u m d i m e n s i o n s o f y o u r l o c a l b u i l d ­ in g code p ro v id e d y o u r g ro u n d i s

e.

firm .

D raw f o o t i n g a s o n e w i t h t h e w a l l s i f a s l a b f l o o r o r s m a ll one s t o r y h o u s e .

2.

How t o

d e sig n th e fo u n d a tio n w a lls .

you

use

D e sig n th e w a l l s a t l e a s t s i x in c h e s t h i c k re g a rd le ss

of b u ild in g code.

D raw a c c o r d i n g t o t h e l o c a l b u i l d i n g c o d e . I f you a r e n o t u s i n g a s l a b f l o o r draw t h e f o u n d a tio n a t l e a s t 18° above th e g ro u n d . D e sig n th e v e n t h o le s i n

th e w a lls a c c o rd in g

to th e lo c a l code. D raw t h e

anchor b o lts s ix f e e t a p a rt and n o t

m ore t h a n tw e lv e i n c h e s fro m a n y c o r n e r .

(T h is

w i l l m eet m ost any b u ild in g c o d e .) to

d e s ig n th e p i e r s and s u p p o r ts .

D e sig n p i e r s a c c o rd in g to

th e lo c a l b u ild in g

code. D raw w o o d e n p i e r s o n l y i n

d ire

em ergency.

D e s ig n a f o o t i n g f o r t h e p i e r b e lo w t h e f r o s t lin e . Draw t h e p i e r s a m inim u m o f f o u r t e e n i n c h e s sq u are. Draw a t e r m i t e to

s h i e l d on th e to p o f p i e r ,

d e sig n th e g a rag e a n d /o r s la b f l o o r .

D e sig n th e s l a b

f o r th e house a t l e a s t s i x

in c h e s above th e grou nd l i n e . D raw t h e s l a b a c c o r d i n g t o

b u ild in g code b u t

a t l e a s t tw e lv e in c h e s t h ic k f o r th e h o u se . Draw f o u r i n c h c o n c r e t e g a r a g e s l a b .

d.

D e s i g n s l a b o n t h e h i g h e s t s p o t on t h e l o t . (1)

A s l a b f l o o r i n a lo w l o t i s w e t m o s t a l l th e tim e .

(2) e. 5.

See F ig u r e 6 f o r a n e x a m p le .

R eserv e s h e l f :

2 :2 2 5 ,

243;

6 :5 0 ;

136;

2 4 :3 8 -4 0 , 4 9 .

ACTIVITY ASSIGNMENTS: d e sig n in g 1.

n ecessary .

W h ere t o g o f o r f u r t h e r a s s i s t a n c e . a.

C.

. B u i l d up i f

1 5 :2 9 ,

228,

3 1-35;

W ork t o

229,

231,

2 4 0 , 2 42

1 6 :2 5 -3 1 ;

2 2 :1 1 3 -

do f o r f o u n d a t i o n

p ro .ie o t.

D e sig n a s e t o f p la n s f o r t h e f o u n d a tio n o f y o u r house.

2.

D e sig n a s e t o f p l a n s

f o r th e fo u n d a tio n o f th e

c la s s p ro je c t house. D.

EVALUATION:

S a m p l e s o f som e t y p e s o f c h e c k - u p s w h i c h

may b e u s e d i n c o n j u n c t i o n w i t h t h i s 1.

TRUS-FALSE:

se c tio n .

P la c e an X i n t h e c o r r e c t sp a c e f o r

tru e or fa ls e . T a.

F

( ) ( )

F o o t i n g s s h o u l d b e m ad e o f p o u r e d c o n c re te .

b.

( ) ( )

F o u n d a tio n w a l l s c an be o f m aso n ry a s w e ll a s poured c o n c re te .

gvis



N.

yoou

*1

CN

u.

05

c.

(

)(

) T he f o o t i n g

s h o u l d be d r a w n b e lo w t h e

fro st lin e . d.

(

)(

) S la b f l o o r s sh o u ld have no f o o t in g .

e.

(

)(

) A n c h o r b o l t s s h o u l d be draw n f o u r f e e t a p a rt.

f.

(

)(

) A n c h o r b o l t s s h o u l d be d ra w n n o g r e a t e r d i s t a n c e th a n tw e lv e in c h e s fro m any c o rn e r.

g.

(

)(

) V ent h o le s

s h o u l d be d ra w n i n t h e

fo u n d a tio n w a ll. h.

(

) C ) Y ou s h o u l d u s e w o o d e n p i e r s r a t h e r t h a n th o se of c o n c re te .

i.

(

)(

) C o n c re te p i e r s

s h o u l d b e n o t m o re t h a n

n in e in c h e s s q u a re , j.

t

)(

) F o o tin g s a re u n n e ce ssa ry f o r p i e r s .

BIST ANSWER:

P la c e t h e num ber o f t h e b e s t an sw er

in th e p a re n th e s e s. a.

{ )

When d r a w i n g t h e g a r a g e f l o o r y o u s h o u l d : (1)

Make t h e

s l a b 8 i n c h e s t h i c k m in im u m .

(2 )

Make t h e

s l a b 4 i n c h e s t h i c k m axim um .

(3)

Make a 6

in c h s la b .

sla b . b.

(

)

( 4 ) Make a 1 2 i n c h

( 5 ) Make a 2 i n c h s l a b .

T he b e s t w ay t o

d e sig n p ie r s i s :

wooden p i e r s 3 i n c h e s a c r o s s .

(1 ) D e sig n

(2 ) D e sig n

c o n c r e t e p i e r s f o u r t e e n i n c h s q u a r e m in im u m .

(3)

D e s ig n wooden p i e r s

in c h e s in

e ro sse c tio n .

fo u rte e n sq u are (4 )

D e sig n c o n c r e te

(5 )

D e sig n c o n c r e te

p ie r s 3 in c h e s

sq u are.

p ie rs

3 sq u are

in c h e s.

P la c e an

H i n t h e s p a c e f o r w h ic h

RATING SCALE: you q u a li f y . a.

()

You h a v e d r a w n a c o m p l e t e s e t o f f o u n d a ­ tio n

b.

()

p la n s.

Y o u r p l a n s w e re draw n w i t h t h e b u i l d i n g c o d e a s a m inim u m g u i d e ,

e.

()

You d i m e n s i o n e d t h e

anchor b o lts s ix f e e t

a p a r t and tw e lv e in c h e s fro m c o r n e r s . d.

{)

Y our p la n s in c lu d e a g a ra g e s i x in c h s l a b .

e.

()

Y ou h a v e a n e i g h t e e n i n c h d i s t a n c e th e g ro u n d and th e

b e tw e e n

b o tto m o f y o u r f l o o r ,

if

o th e r th a n s la b , f.

C)

Y ou h a v e d ra w n t h e

vent h o le s in to your

fo u n d a tio n w a lls . g.

()

Y ou h a v e d r a w n c o n c r e t e p i e r s w h e r e n e c e s s a r y .

h.

()

Y ou h a v e i n d i c a t e d a t e r m i t e s h i e l d .

i.

()

You h a v e d e s i g n e d y o u r f o o t i n g s b e l o w t h e fro st lin e .

37 CHAPTER 6 HOW TO DESIGN THE U TILITY PLANS A.

MOTIVATION:

A d v a n tag e s of d e s ig n in g good u t i l i t y

p la n s. 1.

GREATER CONVENIENCE:

By l o c a t i n g t h e e l e c t r i c

o u t l e t s and w a te r f a u c e ts in u s a b le p la c e s . 2.

CONFORMITY:

Good p l a n s h a v e n o t r o u b l e w i t h t h e

lo c a l b u ild in g co d es. 3.

HEALTHIER EYES:

By d r a w i n g l i g h t i n g o u t l e t s

w h e r e t h e y w i l l do t h e m o s t g o o d . 4.

EASIER INSTALLATION: jo b s a t b e s t,

W irin g and p lu m b in g a r e to u g h

w i t h c l e a r p l a n s t h e j o b i s m ad e

e a sie r. B.

DIRECTIONS: u tility 1.

K ey p o i n t s

to g u id e you i n d ra w in g t h e

p la n s.

How t o

d e s i g n t h e p lu m b in g s y s te m .

a.

D e sig n p i c t o r i a l v ie w s .

b.

D raw t h e p l a n s e x a c t l y a s t h e b u i l d i n g c o d e in d ic a te s.

(M ost b u i l d i n g

codes are v ery

s t r i c t on p lu m b in g m a t t e r s . ) c.

D e s i g n a s m an y s h o r t c u t s a s p o s s i b l e . try

d.

(Do n o t

t o m ake t h e d r a w i n g b e a u t i f u l . )

Draw a l l l i n e d r a w i n g s t h e to i n d ic a te ty p e .)

sam e.

(Do n o t t r y

e. f . 2.

Draw t h e

se p tic

ta n k c o n n e c tio n s i f

S e e F i g u r e 7 f o r s a m p le d r a w in g .

How t o d e s i g n t h e w i r i n g a.

you u se o n e .

D e sig n t h e

sy ste m .

sy ste m u s in g th e l o c a l b u i l d i n g

as a g u id e .

code

(T he c o d e s a r e v e r y s t r i c t on

w irin g s y s te m s .) b.

Draw a l l l i n e

d ra w in g s.

(Do n o t i n d i c a t e t h e

d i f f e r e n t t y p e w i r e s by l i n e s ; c.

D e sig n a p i c t o r i a l d ra w in g f o r a t l e a s t one room .

d.

(S ee F i g u r e 8 . )

D raw t h e l i v i n g r o o m w i t h a t l e a s t t h r e e w a l l o u tle ts.

e.

use n o te s .)

(On t h e

b a s e b o a rd .)

D e s i g n t h e b a t h r o o m o u t l e t s a s f a r aw ay fro m , th e tu b a s p o s s ib le .

f. 3.

D e s ig n m ore t h a n enough o u t l e t s .

How t o d e s i g n t h e h e a t i n g a.

D e sig n th e h e a t in g

sy ste m .

sy ste m u s in g th e b u i l d i n g

code a s a g u id e . b.

Draw a s m any v i e w s a s a r e n e c e s s a r y t o y o u .

c.

D e sig n r e g i s t e r s up sy ste m i s

d. 4.

by l o c a t i o n o n l y .

(T h e h o o k ­

a p lu m b in g a c t i o n . )

D e s i g n r a d i a n t h e a t i n g a s sho w n i n F i g u r e 9 .

I h e r e t o go f o r f u r t h e r a s s i s t a n c e . a.

R eserv e s h e l f : 28,

2 :7 3 ,

241,

247;

52, 60, 1 2 1-129, 1 4 0-151,

1 1 :1 9 -2 1 ;

251;

15:

2 2 :3 5 5 -3 7 0 ;

F /G Uft£ 7. PLUM&tNG S Y S T E M

F/GURE 6. W/R/A/G P /C TORAL

41

F/GURE S RAD/ANT HBA T/A/G

3 X3 T £ M

42 2 4 :2 5 , 0.

49,

205-2 07 .

ACTIVITY ASSIGNMENTS: of u tility 1.

L a b o r a t o r y w o r k i n " th e d e s i g n i n g ;

p la n s.

D e sig n a c o m p lete

set of u tility

p la n s f o r your

house. 2.

D e sig n a c o m p le te s e t o f p la n s f o r t h e

c la ss

p ro je c t house. D.

EVALUATION: to u t i l i t y 1.

S a m p l e s o f c h e c k - u p s w h i c h m ay b e a p p l i e d p la n n in g .

TRUE-FALSE:

P la c e an X in

th e c o rre c t

space f o r

tru e or fa lse . T a.

F

( )( )

It

i s b e s t t o draw p i c t o r i a l v ie w s o f

t h e p lu m b in g s y s te m . b.

(

)( )

It

i s n e v e r w ise to

draw a p i c t o r i a l

p la n o f t h e w ir in g sy s te m . c.

( ) ( )T h e l o c a l b u i l d i n g c o d e s h o u l d b e t h e r e f e r e e i n any d i s p u te c o n c e rn in g th e p la n n in g o f th e house w ir in g .

d.

(

)( )

It

i s n o t w i s e t o m ake p l u m b i n g p i p e

go a n y o t h e r w a y t h a n up o r s t r a i g h t acro ss. 2.

BEST ANSWER:

P l a c e t h e num ber o f t h e

in th e p a re n th e s e s.

b e s t answ er

43 a.

(

)

When d r a w i n g w i r i n g p l a n s y o u s h o u l d : (1 )

Draw o n l y l i n e d r a w i n g s .

p i c t o r i a l d ra w in g s .

( 3 ) Draw b o t h t y p e s .

( 4 ) .D raw n o p l a n s - u s e n o t e s . b u ild in g 3.

RATING SCALE:

( 2 ) D raw o n l y

(5 ) H ave th e

c o m m i s s i o n d ra w t h e m f o r y o u .

P la c e an X in

e a c h s p a c e f o r w h ic h

you q u a lif y . a.

(

You h a v e c o m p l e t e d a s e t o f w i r i n g d r a w i n g s . Y ou h a v e c o m p l e t e d a s e t o f p l u m b i n g d r a w ­

b.

in g s.

c.

(

Y ou h a v e u s e d t h e b u i l d i n g c o d e a s a l a s t w ord a u t h o r i t y .

d.

(

Y our p la n s in c lu d e p i c t o r i a l d ra w in g s.

©.

(

You h a v e d r a w n a c o m p l e t e s e t o f h e a t i n g p la n s.

44

PART 2 . An i d e a i s a c tio n i t

ERECTION

o n ly a s go o d a s t h e a c t u a l am ount o f

fo ste rs.

Y our p la n s th e n a re

u n t i l you hav e s t a r t e d

ju st

s o m uch p a p e r

c o n stru c tio n of your h o u se.

In th is

c o n s t r u c t i o n t h e r e a r e m any w ays o f d o in g t h i n g s t h a t c a n sa v e you m oney, tim e and e n e r g y .

T h e s e t h i n g s we t a k e u p

in p a rt 2 o f our co u rse. A t th e c o n stru c te d ,

c o n c lu sio n o f p a r t 2 of ou r c o u rse you w i l l have e ith e r a c tu a lly ,

house, your ho u se.

o r th ro u g h o u r c la s s p r o je c t

45 CHAPTER 7 HOW TO LAY THE FOUNDATION A.

MOTIVATION;

R ew ards t h a t

come f r o m h a v i n g a g o o d

fo u n d a tio n , 1.

SAFETY:

The e n t i r e h o u s e i s no

s a f e r th a n i t s

fo u n d a tio n . 2.

ATTRACTIVE HOME:

W ith a good f o u n d a t i o n ,

crack s a re n o t l i k e l y 3.

MONEY SAVED:

to

u g ly

appear in your w a lls .

C o stly r e p a ir h i l l s

on th e e n t i r e

house a re red u ced o r e lim in a te d . 4.

MENTAL SECURITY:

F ro m t h e k n o w l e d g e t h a t y o u h a v e

a good s a f e h o u se . B.

DIRECTIONS: 1.

How t o a. b.

T h e b e s t w ay t o

la y th e fo u n d a tio n .

c le a r th e la n d .

S a v e a s m any t r e e s a s p o s s i b l e . C o n ta c t l o c a l d e a le r i n

fire w o o d .

o f t e n h a v e y o u r t r e e s re m o v e d f r e e m ak e a l i t t l e c.

d. 2.

(Y ou c a n and even

m o n ey on t h e s i d e . )

C l e a r a r e a o f a l l deadw ood an d s tu m p s . (1)

H ire a b u lld o z e r i f

(2)

D e a d w ood i s

n ecessary .

an e x c e l l e n t t e r m i t e m a g n e t.

B urn a l l l o o s e t w i g s ,

u n d erb ru sh and

How t o l a y o u t t h e b u i l d i n g s .

t a l l g rass.

a.

L o c a te th e c o r n e r s f i r s t .

(If i t

i s n ecessary

' to have your l o t su rv ey ed have th e su rv ey o r lo c a te th e c o rn e rs f o r y o u .) b.

S ta k e in (1)

th e

b a tte r b o ard s.

You c a n u s e t h e s e co rn ers i f

3.

lo c a te

th e b u ild in g

you h a v e t o do i t

(2 )

Be c e r t a i n

(3 )

E x p la in e d i n F ig u re 1 0 .

How t o a.

to

y o u rse lf.

th e y a re l e v e l .

p erfo rm th e n e c e s s a ry e x c a v a tio n .

H ire a pow er sh o v e l i f you a re t o have a b a se m e n t. (1 )

Be o n h a n d w h e n t h e p o w e r s h o v e l i s a t w ork a n d s a v e t h e t o p s o i l .

(2)

See th a t a l l sam e t i m e .

e x c a v a tio n i s

done a t

I f you have to have th e sh o v el

back a second tim e th e c o s t i s b.

S e c u re a good w h e e lb a rro w i f a basem ent i n (1)

Buy o n e i f

th e

d o u b le .

y o u do n o t h a v e

your house. you p o s s ib ly

you can u se i t

can a f f o r d i t ,

th ro u g h o u t th e

as

b u ild in g

p ro cess. (2)

L ay p la n k s on s o f t g ro u n d f o r w h e e lb a rro w tra c k s.

4.

How t o p o u r t h e c o n c r e t e f o o t i n g .

47

L IN E

PLUM B

F / G U R E /O. BATTER BOARD S E T UP

BOB

48 a.

D ig t h e f o o t i n g t r e n c h . (1)

Do t h i s

by h a n d a n d k e e p c o r n e r s s q u a r e .

b.

U se 2 X 4 s f o r i n s i d e t o p g u i d e .

c.

Pour th e c o n c re te a l l (1)

U n le ss i t

is

i n one o p e r a t i o n .

im p o s sib le , have th e c o n c re te

d e l i v e r e d t o y o u by a r e a d y - m ix com pany. (2)

I f y ou m u st m ix i t f e e t lo n g ,

f o u r f e e t w id e and a b o u t s i x

in c h e s h ig h , (3 )

y o u r s e l f u s e a box s i x

and m ix i t

w ith a h o e.

U se t h e f o l l o w i n g m i x t u r e : h a lf g a llo n s o f w a te r to cem en t,

tw o a n d t h r e e

fiv e

and one

one s a c k o f

f o u r t h s c u b ic

feet

o f sand and f o u r c u b ic f e e t o f sm a ll p e b b le s. (a ) A cem ent sa c k h o ld s a p p ro x im a te ly one c u b ic f o o t . (4)

S et a g reased 2 X 4 it

is

s till

in to

th e cem ent w h ile

p ly a b le f o r fo u n d a tio n w a ll

l o c k u n l e s s you p o u r t h e e n t i r e f o o t i n g a n d w a l l a t t h e sam e t i m e . 5.

How t o p o u r t h e f o u n d a t i o n w a l l s . a.

S e c u re fo rm s f ir m ly . (1)

I f you h av e a basem ent u se 2 X 4s o r 2 X 6 s .

(2 )

If

y o u do n o t h a v e a b a s e m e n t u s e 1 X 6 s

will e h e a n b e u s e d l a t e r

as su b -flo o rin g

o r sh e a th in g , b.

B u i l d w in d o w a n d v e n t i l a t i o n

h o le s in to

th e

form s. How t o a.

i n s e r t th e an ch o r b o lts .

P la c e in to tim e t o

b.

ru st i f

you use seco n d hand

( T h e s e b o l t s a r e OK a n d t h e y s a v e a

little How t o

cem ent h a s

set a little .

S crap e o f f a l l b o lts .

a.

th e cem ent o n ly a f t e r th e

m o n e y .)

s e t th e g i r d e r .

S et th e p ie r s in p la c e c a r e f u lly . (1)

T h e y c a n be p u r c h a s e d a l r e a d y m ade w i t h redw ood b lo c k i n s t a l l e d .

(2)

You c a n s a v e a s m a l l a m o u n t o f m o n e y b y b u i l d i n g fo rm s a n d m ak in g th em y o u r s e l f , b u t t h i s , i s n o t recom m ended.

b.

S e t in p la c e th e g i r d e r o n ly a f t e r th e fo u n d a ­ tio n fu lly

is

s e t and d r y .-

(C o n su lt b l u e p r i n t s

carer

f o r b u ild in g code r e q u ir e m e n ts .)

How t o l a y a s l a b f l o o r . a.

B u ild a f o o tin g and fo u n d a tio n w a ll i n m a n n e r a s y o u w o u l d w i t h a w ood f l o o r ,

b.

Lay a s i x in c h l a y e r o f g r a n u l a r f i l l .

th e

sam e

Cover f i l l

w ith one h a l f in c h c o a t in g o f g r o u t ,

(ohe p a r t cem ent to t h r e e

p a rts

sa n d .)

A p p l y mop c o a t o f h o t a s p h a l t . Lay f i f t e e n pound f e l t c o v e r i n g o v e r h o t a sp h a lt.

( A llo w s e v e r a l i n c h e s o v e r l a p p i n g . )

A p p ly se co n d c o a t o f a s p h a l t and f e l t

if

b u ild ­

in g code r e q u i r e s . A p p ly r i g i d

in su la tio n .

(1)

At l e a s t one in c h t h i c k .

(2 )

B rin g i n s u l a t i o n up th e s i d e

o f th e

fo u n d a tio n w a ll and w e ll o v e r. (3)

E x te n d th e in ch e s in to

in su la tio n

a t l e a s t e ig h te e n

th e f l o o r from t h e w a l l .

P our th e s la b u sin g th e fo llo w in g m ix tu re : p art

c e m e n t t o tw o a n d o n e f o u r t h p a r t s

one

sand to

th re e p a rts g ra v e l. (1)

G rav el n o t to

b e m o re t h a n o n e i n c h i n

d ia m e te r. (2)

Make c e r t a i n m e t a l r e i n f o r c e m e n t i n down b e fo re p o u rin g th e

c e m en t.

u s u a l l y g o v e r n e d by t h e

T he s i z e i s

b u ild in g code.

I n s t a l l m e ta l c li p s b e fo re s la b h a rd e n s i f

you

a r e g o in g to i n s t a l l a w ooden f l o o r . W ire h e a t i n g

c o p p er tu b in g to th e

ste e l re in ­

fo rc e m e n t b e fo re p o u rin g c o n c re te i f

you are

g o in g to have r a d i a n t h e a t i n g . (1 )

U nder th e s e tio n

c o n d itio n s th e r i g i d

in su la ­

sh o u ld e x te n d a t l e a s t t h r e e

feet

u n d e r t h e f l o o r i n g fro m t h e w a l l . 9.

W h e re t o go f o r f u r t h e r a s s i s t a n c e .

a.

R eserv e s h e l f : 243;

6 :5 0 ;

2 4 :3 8 -4 0 , C.

2 :2 2 5 ,

1 5 :3 9 ,

228, 229,

231,

6 3 -7 3 , 101;

240,

2 2 :1 1 3 -1 3 6 ;

49.

ACTIVITY ASSIG3SMENT:

P r o je c t in house fo u n d a tio n

b u ild in g . 1.

L a y t h e f o u n d a t i o n f o r y o u r own h o m e.

2.

H e lp th e o t h e r s t u d e n t s i n y o u r c l a s s l a y t h e fo u n d a tio n f o r th e p r o je c t h o u se.

D.

EVALUATION:

S a m p le s o f c h e c k - u p s t o

c o n n e c tio n w ith y o u r a b i l i t y 1.

TRUE-FALSE: if

th e

sta te m e n t i s

space i f T a.

P la c e an X i n tru e ,

you th in k th e

in

be u s e d i n

th is m a tte r.

th e space under T and an X in th e F

sta te m e n t i s

fa lse .

F

C ) C ) When c l e a r i n g t h e l a n d y o u s h o u l d s a v e a s m an y t r e e s a s p o s s i b l e .

b.

(

) ( ) If it

24 2

i s n e c e s s a ry to h ir e

d o z e r, you sh o u ld ru n i t

a b u ll­ y o u rse lf.

g

. ( )(

)

You s h o u l d b u r n a l l

th e tw ig s in

th e a re a . d.

( ) ( )

You s h o u l d b e o n h a n d i f

you h i r e

a pow er s h o v e l . e.

(

)( }

When d i g g i n g t h e f o o t i n g

tre n c h i t

i s n o t n e c e s s a r y t o s p e n d m u ch t i m e k e e p in g th e s id e s f.

(

)( )

C o n c re te sh o u ld

s tra ig h t.

be p o u r e d a l l

i n one

o p e ra tio n . g.

(

){ )

A g reased 2 X 4 i s fo o tin g to

BIST ANSWER:

s a tis fa c to ry fo r

a

f o u n d a tio n lo c k fo rm .

P la c e th e num ber o f th e b e s t an sw er

in th e p a re n th e s e s . a.

( )

T he b e s t f o r m

b o ard s f o r b ra c in g a

s to r y house fo u n d a tio n a re (2) 1 I

6s

(3 ) 1 2 8 s

(4 )

(1) 2 I

sin g le

2 X 4s 6s

(5)

2 X 8s. b.

( )

W hen c l e a r i n g H ire

th e la n d you sh o u ld :

som e o n e t o

c h o p down a l l t h e

(1) tre e s.

( 2 ) C hop down a l l t h e t r e e s y o u r s e l f . H ire a b u lld o z e r f o r c le a r in g a l l (4)

(3)

th e t r e e s .

Chop down a s f e w t r e e s a s i s n e c e s s a r y

f o r c o n s tru c tio n of th e h o u se . a ll tre e s re g a rd le ss.

(5 ) Leave

RATING SCALE:

P l a c e an X i n

e a c h s p a c e f o r w h ic h

you q u a l i f y . a.

( )

You h a v e c l e a r e d t h e l o t o f o n l y t h e t r e e s t h a t i n t e r f e r e w ith th e c o n s tr u c tio n o f th e ho u s e .

b.

{ )

You h a v e b u r n e d o f f a l l

e.

{ )

You h a d t h e if

d.

( )

e x cess dead g r a s s ,

su rv ey o r lo c a te

th e

c o rn ers,

one w as a v a i l a b l e .

You d u g t h e f o u n d a t i o n t r e n c h e s w i t h stra ig h t v e rtic a l

e.

( )

f.

( }Y o u r i n s e r t e d

sid e s.

You p o u r e d t h e c o n c r e t e a l l

d ista n c e s.

i n one o p e r a t i o n .

anchor b o lts are th e re q u ire d

54 CHAPTER 8. HOW TO ERECT THE FRAMEWORK A.

MOTIVATION:

B e n e f i t s t h a t m ay r e s u l t

fro m a w e ll

c o n s t r u c t e d f r a m e w o r k .. 1.

EASE OF INSULATING WALLS: w ill f i t

c o rre c tly

R eadym ade in s u la tio n

in sta lle d

stu d d in g .

2.

STURDY HOUSE:

F ram ew ork i s t h e k e y t o s t u r d i n e s s .

3.

REDUCED LABOR IN FUTURE WALL ADDITIONS:

A n o th e r

ro o m i n t h e f u t u r e m e a n s p r e s e n t f r a m e w o r k m u s t be c o r r e c t . B.

DIRECTIONS:

H e lp fu l h i n t s

in e r e c tin g th e

fram ew ork

of your h o u se. 1.

How t o f a s t e n t h e a.

F it th e

sill

to th e fo u n d a tio n .

s i l l w ith c a r e - i t i s th e key to

a good

fram ew ork. b.

Lay a t h i n

c o at o f m o rta r o v er th e to p o f th e

fo u n d a tio n to

2.

em bed t h e s i l l .

c.

Coat th e

s i l l . w i t h w h ite le a d .

d.

A p p ly c r e o s o t e o r a n t i - t e r m i t e

e.

F a s te n b o l t n u t s f i r m l y and l e v e l s i l l .

s h ie ld .

How t o i n s e r t f l o o r j o i s t s . a.

A p p ly h e a d e r an d e n d j o i s t

f lu s h w ith th e o u t­

sid e of th e s i l l . (1 )

S p ik e i n t o

p la c e w ith 10 penny n a i l s .

b.

In se rt flo o r jo is ts . (1 )

R est d ire c tly

on t h e g i r d e r i f

(2 )

B u ild up g i r d e r i f

p o ss ib le .

n e c e s s a r y w i t h re d w o o d

b lo c k s. (3 )

T oe n a i l

jo is ts

( a ) M ake c e r t a i n

to g i r d e r o r b lo c k . a ll

(b ) O v e rla p j o i s t s

a re le v e l.

and n a i l to g e th e r .

(4 )

A p p ly b r i d g i n g a s p e r b u i l d i n g c o d e .

(5 )

Buy s p e c i a l s l o t t e d u sin g

3.

jo is ts

How t o l a y t h e

b lo c k s i f

you a re

c o n c re te b ric k s to b u ild w ith . su b -flo o rin g .

a.

A p p ly s u b - f l o o r i n g d i a g o n a l l y .

b.

N a il s u b -flo o rin g a t

each p o in t o f i n te r s e c t i o n

w ith a f lo o r j o i s t . c.

T r im s u b - f l o o r i n g f l u s h w i t h t h e e n d a n d h e a d e r jo is ts .

4.

How t o

i n s t a l l th e

w a ll fra m in g .

a.

N a i l s o l e down l i g h t l y .

b.

P la c e p l a t e on

t o p o f s o l e a n d m ark w i t h a

p e n c il exact lo c a tio n c.

Gut a l l flo o rin g

d.

f o r w a ll stu d d in g .

s tu d d in g a t one tim e .

(U s e t h e s u b ­

a s a w ork b e n c h )

F i t one s e c t i o n o f w a ll fra m in g a t a tim e . (1 )

N a il th e th e s o le .

s tu d d in g b e tw e e n t h e p l a t e

and

(2)

H o i s t t h e s e c t i o n i n p l a c e and. n a i l

d ire c t­

ly to th e s u b -flo o rin g . (3)

U se te m p o r a r y b r a c i n g u n t i l a l l

se c tio n s

a r e up i n p l a c e . (4 ) e.

F ix s o le p e rm a n e n tly .

U s e e x a c t l y t h e sam e m e t h o d f o r a s l a b except su b -flo o rin g i s

f.

flo o r

o m itte d .

A p p ly m o r t a r on t o p o f f o u n d a t i o n i f

you a r e

m ak in g w a l l s o f c o n c r e t e b l o c k s . (1)

Make c e r t a i n

each b r ic k i s

(2)

Be p r e c i s e a n d s e e t h a t a l l

le v e l. b lo c k s a re

flu sh .

5.

(3 )

Buy a n d i n s t a l l p r e c a s t l i n t e l s .

(4)

I n s t a l l p r e c a s t w in d o w s i l l s .

W here t o a.

go f o r f u r t h e r a s s i s t a n c e .

R eserv e s h e l f : 2 5 1 ;4 : 3 0 , 6 :3 5 ;

0.

1 5 :1 2 0 ,

ACTIVITY ASSIGNMENT:

303,

234,

304,

1 2 6 -1 4 0 ;

235, 241-2 45,

317,

319,

1 6 :1 1 8 -1 2 0 ;

P r o je c t in b u ild in g

1.

E re c t y o u r h o u se fra m in g .

2.

H e lp t h e s t u d e n t s i n y o u r c l a s s e r e c t fo r

D.

210,

2 :6 $ ,

321,

247458;

2 4 :4 9 -7 4 .

w a ll s e c tio n s .

th e fra m in g

th e c la s s p r o je c t h o u se .

EVALUATION:

S a m p le o f som e e v a l u a t i o n t e c h n i q u e s w h i c h

m ay be a p p l i e d t o

t h e fram ew ork e r e c t i o n

se c tio n .

TRUE-FALSE:

P la c e an X in th e

c o rre c t space f o r

tru e o r f a ls e . T a.

(

F )(

)

T he

sill

s h o u ld be l a i d d i r e c t l y on

to p o f th e fo u n d a tio n . b.

(

)(

)

Y ou

sh o u ld s p ik e th e h e a d e rs i n to

p l a c e w i t h 10 p e n n y n a i l s . c.

(

)(

)

Y ou

sh o u ld p la c e th e f l o o r j o i s t s

d ire c tly d.

( )(

)

on t h e g i r d e r i f

When u s i n g c o n c r e t e b l o c k s i t to c h ip out h o le s f o r th e fit

e.

(

)(

)

p o ss ib le .

The

is best

j o i s t s to

in to . b u i l d i n g co d e s h o u ld be t h e g u id e

f o r b rid g in g . f.

(

)(

)

T he

rough, o r s u b - f lo o r in g ,

s h o u l d be

a p p lie d d ia g o n a lly . BEST ANSWER:

P l a c e t h e num ber o f t h e b e s t a n sw e r

in th e p a re n th e s e s . a.

( )

When i n s t a l l i n g

th e w a ll fra m in g you sh o u ld

( 1 ) F ra m e t h e h o u s e o n e s t u d a t a t i m e . ( 2 ) Fram e t h e h o u s e by b u i l d i n g s e c t i o n s an d p u t t i n g th em u p .

( 3 ) F ra m e t h e h o u s e

by b u i l d i n g t h e e n t i r e w a l l t h e n p u t i n p o sitio n .

(4 ) Fram e t h e h o u s e a c c o r d i n g

t o am ount o f lu m b e r y o u h a v e on h a n d .

b.

( )

When f a s t e n i n g t h e s i l l you s h o u ld :

to

th e

(1 ) Lay a t h i n

fo u n d a tio n

la y e r o f m o rta r

on t o p o f t h e f o u n d a t i o n b e f o r e i n s t a l l i n g s ill.

(2 ) Lay t h e s i l l

d ire c tly

on t h e

fo u n d a tio n th e n a t h in la y e r o f m o rta r over th e s i l l . on th e (4)

( 3 ) L ay t h e

fo u n d a tio n sk ip p in g th e m o rta r.

Lay c r e o s o t e l a y e r on t o p o f t h e

fo u n d a tio n th e n s i l l c.

{ )

s i l l d ire c tly

d ire c tly

on t o p .

To m ak e t h e h o u s e t e r m i t e p r o o f y o u s h o u l d : (1)

Put a tin

s h e e t under th e

sill.

A p p ly c r e o s o t e t o t h e f r a m in g . te rm ite

(2)

(3) P u t

s h i e l d s on t h e f o u n d a t i o n .

(4 )

P u t c re o s o te on in s id e o f th e fo u n d a tio n w a ll. RATING SCALE:

P la c e an X in

e a c h s p a c e f o r w h ic h

you q u a lif y . a.

( )

C o n s tru c te d th e fra m in g on y o u r h o u se .

b.

( }

In s ta lle d a n ti-te rm ite

c.

( )

A p p lie d a t h i n l a y e r o f m o r ta r u n d e r th e s ill

s h ie ld s .

b efo re f a s te n in g to fo u n d a tio n .

d.

( )

N a ile d th e s u b -flo o rin g d ia g o n a lly .

e.

( )

T rim m ed t h e

s u b -flo o rin g flu s h w ith

th e

header jo is ts . f.

( )

In sta lle d

fra m in g one s e c tio n

a t a tim e .

59 CHAPTER 9 HOW TO BUILD THE ROOF A.

MOTIVATION:

A d v a n ta g e s o f b u i l d i n g a good r o o f .

1.

BETTER HEALTH:

A l e a k y r o o f m ay c a u s e c o l d s .

2.

COMFORTABLE LEISURE:

A good ro o f w i l l g iv e m e n ta l

a s w e ll a s p h y s ic a l c o m fo rt. B.

DIRECTIONS: 1.

How t o

K ey p o i n t s i n r o o f b u i l d i n g . fram e th e r o o f .

a.

A p p ly c e i l i n g

b.

Make

s ta rt.

a m a s te r r a f t e r .

(1 )

U s e t o m ake a l l t h e r a f t e r s a t o n c e .

(2 )

C a r p e n t e r s s q u a r e c a n s o l v e t h e m a th e m a ­ tic s

c.

j o i s t s p e r m a n e n t l y fro m t h e

fo r you.

P u t th e r a f t e r s up i n p a i r s . (1)

T h ere w i l l be a s l i g h t g a p a t t h e to p w h ic h i s

f o r th e rid g e to

be i n s t a l l e d

la te r. (2)

U se 2 l 6 d n a i l s f o r f i x i n g r a f t e r rid g e

(3 )

to

b o ard .

U se 5 10d n a i l s t o n a i l r a f t e r t o

c e ilin g

jo is t. (4 ) d.

T o e - n a i l r a f t e r t o p l a t e w i t h 2 lO d n a i l s .

U se t e m p o r a r y b r a c e s a c r o s s r a f t e r s r o o f i n g h a s been a p p l i e d .

u n til

How t o a p p l y r o o f b o a r d s . a.

A p p ly s h e a t h i n g ,

s ta g g e rin g th e

jo in ts

so t h a t

n o t m o r e t h a n tw o come o n o n e r a f t e r . b.

N a i l b o a r d s t o r a f t e r s w i t h 2 8d n a i l s m ak in g c e rta in

c.

b o a rd s a re t i g h t

to g e th e r.

Lay r o o f b o a rd s h o r i z o n t a l l y an d th e n t r i m a l l a t once.

d.

L e a v e a b r e a k b e tw e e n t h e

ro o fin g b o ard s i f

you

u s e w ooden s h i n g l e s . How t o i n s t a l l a s p h a l t s h i n g l e s . a.

b.

Read m a n u f a c tu r e r s i n s t r u c t i o n s

c a re fu lly fo r

th e num ber an d k in d o f n a i l s to

use.

C over ro o f b o a rd s w ith r o o f in g f e l t . (1 )

Leave s i x in c h e s o v e rla p p in g f o r each strip

(2)

of fe lt.

M ake c e r t a i n t h e t o p s t r i p g o e s o v e r t h e rid g e .

(3) c.

T a c k down l i g h t l y

i n a few s p o t s .

Tack a c o u rse o f s h in g le s a lo n g th e e a v e . th e s h in g le s

(L et

e x te n d t h r e e q u a r t e r s o f a n in c h

a t th e g a b le e n d s .} d.

A p p ly t h e s h i n g l e s i n c o u r s e s fro m t h e e a v e s .

e.

Cap t h e r i d g e w i t h w o od s h i n g l e s , o r m e ta l.

r o l l ro o fin g ,

How t o

a t t a c h wood, s h i n g l e s .

a.

Lay a d o u b le c o u rs e o f s h i n g l e s

b.

A rran g e

each sh in g le

a t th e

j o i n t so t h a t i t

eaves. is

covered

w i t h a t l e a s t o n e a n d one., h a l f i n c h e s o f t h e w id th o f th e s h in g le above i t . c.

S pace d ry s h in g le s one q u a r t e r in c h a p a r t .

d.

Space w et o r g re e n s h in g le s one e ig h th in c h a p a rt.

e.

U s e 3& n a i l s

f o r 24 in c h s h i n g l e s ,

16 o r 18 i n c h s h i n g l e s .

4d n a i l s f o r

(U s e 2 n a i l s

f o r each

s h in g le .) How t o

a p p ly a s b e s to s s h i n g l e s .

a.

B u ild n e c e s s a ry s c a f f o l d i n g .

b.

A p p l y 15 p o u n d a s p h a l t r o o f i n g f e l t .

c.

E x te n d s p e c i a l s t a r t e r c o u r s e one in c h beyond th e e av e s.

d.

U se one and one q u a r t e r i n c h g a lv a n iz e d n a i l s . (1)

D r i v e t h r o u g h r e a d y m ad e h o l e s .

(2 )

U se e x tre m e c a r e i n n a i l i n g a s t h e are

sh in g le s

b rittle .

e.

Do n o t w a l k on t h e

f.

S co re w ith a sh a rp in s tru m e n t and b re a k n ecessary to

sh in g le s.

cut sh in g le s.

W h e re t o g o f o r f u r t h e r a s s i s t a n c e .

when

62 a.

R e serv e s h e l f : 251;

4 :3 6 ,

8 5 , 87,

216^2 2 2 , 3 2 6 ;

56, 99, H I , 222, 223;

2 :6 0 -6 8 ,

116,

247, 248,

6 : 30- 4 0 , 6 2 ;

194 -19 9;

2 0 :4 7 ;

241,

1 8 :7 5 -9 5 ,

2 2 : 1 6 0 , 20 0-2 67 ;

1 5 :5 4 -

126- 130, 2 4 :7 4 -7 9 ,

276- 280. C.

ACTIVITY ASSIGNMENT: 1.

A p p ly t h e r o o f i n g t o y o u r h o u s e .

2.

H e l p t h e m e m b e rs o f y o u r c l a s s a p p l y t h e r o o f i n g to

D.

P r o ,j e 01 i n r o o f i n g .

th e c la s s

EVALUATION: m ay be 1.

S a m p le s o f e v a l u a t i o n i n s t r u m e n t s t h a t

used i n

c o n n e c tio n w ith th e r o o f in g s e c t i o n .

TRUE-FALSE: tru e

P la c e an X in th e c o r r e c t sp ace f o r

or fa lse . T

a.

p ro je c t house.

F

( ).{

)

A ll th e r a f t e r s

s h o u l d be c u t a t t h e

sam e t i m e . b.

C) { }

You s h o u l d p u t u p t h e r a f t e r s

c.

() { )

R a f te r s sh o u ld be t o e - n a i l e d

in p a irs . to

th e

p la te . d.

() ( )

R oof b o a rd s s h o u ld be a p p li e d d i a g o n a l l y .

e.

() { )

F o r wooden s h i n g l e s t h e be a p p l i e d s o l i d

f.

{) { )

A ll

sh e a th in g

one r a f t e r .

s h e a th in g sh o u ld

and t i g h t .

jo in ts

s h o u ld be p u t on

g.

( ) C

)

A s p h a lt s h i n g l e s s h o u ld be a p p li e d d ire c tly

h.

C) (

)

to th e

sh e a th in g .

A ll sh in g le s

s h o u l d be a p p l i e d

rid g e to

eaves.

th e

from t h e

i.

( ) (

)

Wood r i d g e

caps are n ev er s a tis f a c to r y ,

j.

C) (

)

Y ou s h o u l d p l a c e w e t s h i n g l e s o n e i n c h a p a r t to a llo w

BEST ANSWER:

f o r e x p a n sio n .

P l a c e t h e num ber o f t h e b e s t a n sw er

in th e p a re n th e s e s . a.

(

)

When a p p l y i n g t h e c e i l i n g

j o i s t s you sh o u ld :

(1)

A p p l y th e m o n e a t a t i m e .

th e

jo is ts

in p a irs .

(2 ) A p p ly

( 3 ) A p p l y th e m t o o n e

sid e of th e ro o f a t a tim e .

(A) A p p l y

th em a t ran d o m . RATING SCALE:

P la c e an X in

each s p a c e f o r w h ic h you

q u a lify . a.

c

b.

( }

You a p p l i e d t h e r a f t e r s

.

{ )

You d i d n o t w a l k on t h e s h i n g l e s .

d.

f )

You p u t 1$ p o u n d f e l t u n d e r a s p h a l t o r

c

)

You h a v e c o m p l e t e d t h e r o o f o n y o u r h o u s e .

a sb e sto s sh in g le s i f e.

c

)

.

( )

y ou u se th em .

You l e f t a s p a c e b e t w e e n t h e if

f

in p a irs .

ro o f b o ard s

y o u i n s t a l l e d w o od s h i n g l e s .

You t o e - n a i l e d

th e r a f t e r s to th e p l a t e .

64 g.

( )

Y ou a p p l i e d t i i e s h i n g l e s f r o m t h e e a v e s u p .

h.

(

Y ou u s e d a m a s t e r r a f t e r t o

)

ra fte rs.

cut your

CHAPTER 1 0 HOW TO PLUMB YOUR HOUSE A.

MOTIVATION: 1.

V a lu e s o f c o r r e c t l y

MORE CQNYEHIENCES:

In sta lle d

p lu m b in g .

Im p ro p e r p lu m b in g m eans

ro u g h in g -it. 2.

LOWER UTILITY B IL L S :

Good p l u m b i n g m e a n s no l e a k y

g as o r w a te r p ip e s . B.

DIRECTIONS: 1.

How t o a.

T e c h n i q u e s f o r home p l u m b e r s . buy t h e c o r r e c t ty p e

C o n su lt th e l o c a l w a te r tio n

o f p ip e . d e p a rtm e n t f o r in fo rm a

re g a rd in g m a te r ia l of p ip e to u se in

your a re a .

(T h is w i l l d ep en d upon th e s o i l

c o n d itio n .) 2.

How t o a.

c u t p ip e and tu b in g .

P u rc h a s e a p ip e - v ic e and c u t t e r and d ie

b.

and a s to c k

fo r th re a d in g .

Cut g a lv a n iz e d p ip e p r o p e r ly and i t

c a u s e s no

tro u b le . c.

Cut and t h r e a d

b ra ss p ip e w ith c a re

a s you

w o u ld g a l v a n i z e d p i p e . d.

B u i l d a s i m p l e w ood j i g

a n d u s e a h a c k saw i f

you a r e u s in g c o p p e r tu b in g . e.

Cut c a s t ir o n

s o i l p ip e w ith a c o ld

a lo n g a sc o re d l i n e .

c h is e l

66 (1)

Make j o i n t s

u s i n g oakum p a c k i n g , p a c k e d

w ith a c a u lk in g i r o n . (2 ) 3.

Pour h o t le a d in n e x t and pack.

How t o m ake s o l d e r j o i n t s . a.

C lea n th e

jo in in g p a rts

c o m p le te ly .

b.

U s e a f l u x on b o t h t h e f i t t i n g

e.

H eat th e

and th e

jo in t w ith a to rc h u n t i l th e

tu b in g , flu x

b o ils . d. 4.

A p p ly s o l d e r t o t h e

How t o m ak e f l a r e

jo in t.

jo in ts.

a.

U se e x t r e m e c a r e n o t t o s p l i t f l a n g e .

b.

Buy o r b o r r o w a f l a r i n g

t o o l an d a m onkey

w r e n c h , a n d u s e t h e m t o m ak e t h e j o i n t s . 5.

How t o i n s t a l l a.

Buy a l a r g e

th e w a te r ta n k . enough w a te r ta n k to h a n d le a l l

y o u r know n n e e d s a n d a l i t t l e b.

m o re.

Hook up t h e t a n k to t h e o u t l e t f o l l o w i n g m a n u fa c tu re rs d ir e c tio n s i f

you i n s t a l l i t

y o u rse lf. e.

A sk t h e its

c o m p a n y f r o m whom y o u b u y t h e t a n k , i f

new , t o hook i t

ch arg e f o r t h i s 6.

up f o r y o u .

( T h e r e i s no

s e r v i c e .)

How t o m ake t h e s e w e r . a.

E x te n d th e

c a s t iro n

s o i l p ip e a t l e a s t f i v e

f e e t beyond th e h o u se.

b.

F rom f i v e is

th e ta n k a c h e a p e r c la y p ip e

a lrig h t.

c.

I n s t a l l a copper w asher in

d.

T he c i t y you a re

7.

fe e t to

How t o a.

c o u n ty w i l l ho o k up f o r y ou i f

c o n n e c tin g to

a m ain d i s p o s a l l i n e .

b u ild th e n e c e ssa ry w e lls .

L in e y o u r w e ll w ith r o c k s o r c o n c r e te b lo c k s if

b.

or

each j o i n t .

you d ig th e w e ll.

H i r e t h e w ork d o n e i f

you d r iv e

a w e ll a s i t

r e q u i r e s s p e c i a l e q u ip m e n t. 8.

Where t o go f o r f u r t h e r a s s i s t a n c e . a.

R eserv e s h e l f : 151, 152, 508;

C.

163, 391;

241;

4 :1 2 1 , 148 ,

1 6 :1 9 2 -1 9 9 ;

2 2 :4 1 5 , 428,

2 4 :2 2 -2 5 .

ACTIVITY ASSIGNMENT: 1.

2 :6 5 , 72,

P r o je c t i n plum bing.

D ig t h e n e c e s s a r y w e l l s an d i n s t a l l t h e p lu m b in g in your h o u se.

2.

H e lp t h e s t u d e n t s i n y o u r c l a s s w e lls and i n s t a l l

d ig th e n e c e s s a ry

t h e p lu m b in g i n th e

c la s s p ro je c t

house.

D.

EVALUATION:

L a b o ra to ry perfo rm an ces t h a t may be used

f o r t h i s , th e plum bing s e c t i o n . 1.

TRUE-FALSE:

S a m p le s o f w ays i n w h ic h y o u r m a s te r y

o f g o o d p l u m b i n g m ay be c h e c k e d .

68 T a.

F

( ) ( )

P lu m b in g p i p e

c an be c u t s u c c e s s f u l l y

w ith a h a c k saw . b.

( ) ( )

B rass p ip e

c a n n o t be th r e a d e d e x c e p t

by t h e f a c t o r y . c.

( ) ( )

C ast iro n

s o i l p ip e sh o u ld be c u t w ith

a h a ck saw . d.

(

) ( )

Y ou s h o u l d o akum p a c k i n g f o r c o p p e r tu b in g o n ly .

e.

£ ) ( )

T he s o l d e r i n g i r o n h a s no p l a c e i n y o u r p lu m b in g p l a n s .

f.

( ) ( )

It is is

2.

BEST ANSWER: in th e a.

(

to o

b e tte r to b ig

buy a w a te r ta n k t h a t

th a n to o

sm a ll.

P la c e th e num ber o f th e b e s t answ er

p a re n th e se s. )

When c u t t i n g use:

c a st iro n

(1) A h a c k saw .

(3) A sto c k and d i e .

s o i l p ip e you s h o u ld (2 ) A c o ld c h i s e l . ( 4 ) A b lo w t o r c h .

(5 ) A k n i f e . b.

( )

To f i n d o u t w h a t k i n d o f s o i l p i p e t o u s e f o r y o u r sew er you sh o u ld : th e

b u i l d i n g c o m m issio n .

lo c a l b u ild in g

(2)

c o n tra c to rs.

th e l o c a l w a te r d e p a rtm e n t. t h e p ip e com pany. a rc h ite c t.

(1)

C o n su lt

C o n su lt th e (3 ) C o n su lt (4 ) C o n s u lt

(5) C o n su lt th e n e a r e s t

RATING SCALE:

P la c e X i n each sp a ce f o r w hich you

q u a lify . a.

()

In sta lle d a ll

plum bing i n y o u r h o u s e .

b.

(}

A p p l i e d oakum, p a c k i n g t o t h e s o i l p i p e .

c.

(

P o u r e d h o t l e a d o v e r oaku m p a c k i n g .

d.

(

C leaned a l l

e.

(

A pplied flu x to

jo in ts

before fix in g .

both p a r t s o f a s o ld e r

jo in t. " f.

( )

E x ten d ed s o i l p ip e a t l e a s t f i v e beyond th e h o u s e .

feet

70 CHAPTER 11 HOW TO APPLY THE EXTERIOR SIDING A.

MOTIVATION: 1.

G ains t h a t a c c ru e from g o o d .s id in g .

ESTEEM OF FRIENDS AND NEIGHBORS:

You a r e j u d g e d

by t h e l o o k s o f y o u r r e s i d e n c e . 2.

LONG RANGE ECONOMY:

Good s i d i n g

co rrectly in sta lle d

o r a p p lie d w i l l n o t need r e p la c in g . B.

DIRECTIONS: o f th e 1.

P ractical

su g g estio n s fo r th e

ap p licatio n

s i d i n g on y o u r h o u s e .

How t o a p p l y s h e a t h i n g . a.

A pply 1 X 6 ,

1 X8 ,

wood s h e a t h i n g .

o r 1 X 10 i f

( L e ft o v e r boards from t h e

fo u n d a tio n fram ing i s

sa tisfa c to ry .)

b.

P u t s h e a t h i n g on d i a g o n a l l y o n l y .

c.

N ail a t

each i n te r s e c t i o n w ith a s tu d .

2 8d n a i l s d.

you a re u sin g

at

(Use

each p o i n t . )

F o llo w p r i n t e d i n s t r u c t i o n s from t h e m a n u fa c t­ urer i f

you use an i n s u l a t i o n

sheath in g .

(Not

recommended a s you n e e d a d d i t i o n a l i n s u l a t i o n i n alm ost every c a s e .) 2.

How t o i n s t a l l i n s u l a t i o n . a.

P lace r o l l ,

o r b lan k et in s u la tio n

betw een th e

stu d d in g and f a s t e n w ith a s p e c ia l s ta p lin g

m ach in e.

(Som etim es f u r n i s h e d w i t h t h e

in su la tio n .) Use t h e n a i l i n g

f l a n g e on b a t i n s u l a t i o n and

n a il to th e stu d d in g . Pour th e lo o s e f i l l o r g r a n u la r type i n s u l a t i o n betw een t h e s t u d d i n g .

(T his ty p e r e q u i r e s a

vapor b a rr ie r paper ag ain st th e w a lls . ) H ail in su la tio n

board d i r e c t l y

to stu d d in g .

(N ot recommended e i t h e r f o r a s h e a t h i n g o r a n in su la tio n .) Pour a lo o se f i l l

d ir e c tly in to th e h o les i f

you u se a c o n c r e te b r i c k . b o a rd on t h e i n s i d e i s

also

clim ate in your a re a i s t o a p p l y wood o u t s i d e In sta ll

(An i n s u l a t i o n a d v isab le i f

cold i n

th e

the w in te r.)

covering.

fro m b o t t o m up r e g a r d l e s s o f t h e t y p e

o f wooden s i d i n g .

(The t y p e you u s e i s n o t h i n g

m ore t h a n a m a t t e r o f t a s t e . ) F inish (1)

c o rn e rs i n any o f s e v e r a l ways.

C orner b o a rd s.

( R e com m e n ded b e c a u s e t h e

s i d i n g may v a r y a l i t t l e (2)

M etal c a p s,

a t th e en d s.)

o r corner p la te s .

(In d iv id u a l

caps one r e q u i r e d f o r each c o n n e c t i o n .) (3)

M itered

jo in t.

work r e q u i r e d .)

(Not recom m ended,

p recisio n

72 e.

A pply s i d i n g

e v e n w i t h t h e t o p o f t h e w in d o w

fram in g . 4.

How t o

ap p ly stu c c o w all s id in g .

a.

A pply b u i ld i n g p a p e r o v e r s h e a t h i n g .

b.

I n s t a l l m e ta l rein fo rce m en t la th e w ith f u r r in g n a ils.

c.

A pply f i r s t

c o a t 5 /8 in c h e s t h i c k o f one p a r t

P o r tla n d - c e m e n t to f o u r p a r t s f i n e

san d and

add t e n p e r c e n t h y d ra te d lim e . d.

P u t o n s e c o n d c o a t two d a y s l a t e r 1 / 2 i n c h t h i c k u s i n g t h e same m i x t u r e a s t h e

e.

A pply th e f i n i s h

first

co at.

c o a t one week l a t e r and use

a m ix t u r e o f one p a r t

c em en t t o two a n d o n e

h a l f p a r t s v e ry f i n e sand and t e n p e rc e n t h y d ra te d lim e. f .

P u t s t u c c o on m asonry w a l l s i n t h e a s wood.

sa m e m a n n e r

(You n e e d n o b u i l d i n g p a p e r o r m e t a l

rein fo rce m en t.) 5.

W here t o go f o r f u r t h e r a s s i s t a n c e . a.

R eserve s h e l f : 16:125,

C.

2:119-121;

197-199;

ACTIVITY ASSIGNMENT:

24:70, 71,

4:211-, 86,

A pply t h e o u t s i d e

6:42;

110.

P ro .ject in th e a p p l i c a t i o n o f t h e

ou tsid e s id in g . 1.

325;

sid in g to your house.

73 2.

H e lp p u t on t h e

s id in g of t h e p r o j e c t house a t

y o u r school* D.

EVALUATION:

S a m p l e s o f e v a l u a t i o n t e c h n i q u e s t h a t may

be u s e d . 1.

TRUE-FALSE:

P la ce an X in th e

correct

space f o r

tru e or fa lse . T a.

(

F ) ( ) W a ll s h e a t h i n g s h o u l d be p u t on h o rizo n tally .

b.

(

) ( ) S h e a t h i n g s h o u l d be n a i l e d a t e a c h in te r s e c t i o n w ith a stu d .

c.

( ) ( ) You s h o u l d n e v e r u s e 1 X 6 s f o r s h e a t h ­ in g .

d.

(

) C ) 2 X 4s a re s a t i s f a c t o r y

fo r sh eath in g .

e.

(

) ( ) L e f t o v e r b o a rd s from t h e b r a c i n g o f th e f o u n d a tio n can s a t i s f a c t o r i l y

be

used as sh e a th in g . f.

( } ( ) B at i n s u l a t i o n s h o u l d be n a i l e d d i r e c t l y to th e stu d d in g .

g.

(

} ( ) Loose f i l l

or g ran u lar in su la tio n i s

n e v e r u sed s a t i s f a c t o r i l y w i t h cement blocks. h.

( ) ( ) You s h o u l d i n s t a l l

s i d i n g from t h e t o p

o f t h e house dow nw ard..

BIST ANSWER:

P l a c e t h e number o f th e b e s t answ er

in the p aren th eses. a.

( )

When y o u a r e a p p l y i n g woo d s i d i n g t o y o u r h o u s e you s h o u ld : t o p down.

(1)

I n s t a l l from th e

(2) I n s t a l l from t h e l e f t

to th e r i g h t .

(3)

sid e to th e l e f t . b ottom up.

(5)

sid e

I n s t a l l from th e r i g h t (4)

I n s t a l l from th e

I n s t a l l in a d iagonal

m anner. RATING SCALE:

P l a c e an X i n each o f t h e 's p a c e s f o r

w hich you q u a l i f y . a.

( )

You a p p l i e d t h e s t u c c o in th ree

b.

( )

p a r t of your house

co ats,

You a p p l i e d t h e woo d s i d i n g , i f

any,

from

th e bottom up. c.

( )

You u s e d o n e i n c h s h e a t h i n g b o a r d s .

d.

( }

You a p p l i e d t h e s h i n g l e s e v e n w i t h t h e t o p o f y o u r w indow s.

e.

( )

Y ou h a v e c o m p l e t e l y f i n i s h e d t h e e x t e r i o r sid in g of your house.

75 CHAPTER 12 HOW TO BUILD THE FIREPLACE A.

MOTIVATION: 1.

b e h a d f r o m a good, f i r e p l a c e .

DECREASED LIKELIHOOD OF DISASTER: firep lace

2.

A dvantages to

i s no f i r e

MORE ROMANCE:

A w ell

co n stru cted

hazard.

Ah! a r o a r i n g

f i r e i n th e dead o f

w in ter. 3.

B.

MORE DIGNITY:

A d e c o r a te d m a n te l le n d s an a i r o f

d ig n ity to th e

e n tire house.

DIRECTIONS:

M ethods f o r c o n s t r u c t i o n o f a good

firep lace. 1.

How t o l a y o u t t h e b a s e . a.

L ay a f o o t i n g f o r t h e f i r e p l a c e i n d e p e n d e n t o f th e house f o u n d a tio n ,

b.

2.

3.

Make t h r e e

w a lls e ig h t inches

fro n t w all

fo u r inches th ic k .

e.

M ortar th e

d.

Buy s p e c i a l f i r e p l a c e b r i c k s .

How t o i n s t a l l

t h i c k and the

jo in ts w ith g re a t c a re ,

th e ash p i t

door.

a.

P u rch ase a door co m p lete ly assem bled.

b.

M o rta r fram e i n t o

How t o a.

p o sitio n secu rely .

b u i l d t h e chim ney w a l l .

M ortar c o n c re te tio n w a lls,

if

b l o c k s t h e same a s f o r f o u n d a ­ you use b lo c k s .

b.

Mix a o n e p a r t p o r t l a n d c e m e n t t o t h r e e p a r t s fin e

sand m o rta r f o r

them . c.

red b r i c k s ,

if

you use

(Add t e n p e r c e n t h y d r a t e d l i m e . )

W et b r i c k s o r b l o c k s b e f o r e p u t i n g t h e m i n t o p o sitio n .

4.

d.

Use a t h r e e

e.

Use t h e

How t o l i n e

e ig h ts in ch m o rtar j o in t .

stru c k m o rtar j o i n t . the f lu e .

a.

L ine t h e f l u e w ith a f i r e - c l a y l i n i n g .

b.

B u ild a c c o rd in g to

t h e b u i l d i n g code o f

your

area. c.

A pply a r e c t a n g u l a r r a t h e r th a n a c i r c u l a r lin in g .

5.

How t o

cap th e

chim ney.

a.

B u ild th e n e c e s s a ry s c a f f o l d i n g s o l i d .

b.

A pply cap and b a se f l a s h i n g

carefu lly .

(Use

a fo u r inch o v e rla p .) c.

S ecure a w a ter t i g h t

cap.

(Use a w a t e r p r o o f

c o n c re te .) 6.

How t o

b u ild th e h e a rth .

a.

Pour h e a rth le v e l w ith th e f lo o r .

b.

B u ild acco rd in g to th e lo c a l b u ild in g code.

c.

In sta ll

th e dam per.

in stru ctio n d.

(Follow th e m a n u fa c tu re rs

to th e l e t t e r . )

See F ig u re 11.

H / G U R E //. HEARTH. CONS T R U C T / O N

78 7.

W here t o go f o r f u r t h e r a s s i s t a n c e . a.

C.

R eserve s h e l f : 17,

26,

51,

29,

138-142,

4*.142, 1 4 3 ,

52;

ACTIVITY ASSIGNMENTS:

16:11-20,

317-320, 442; 88;

22:394;

6: 24:28,

260-263. P ro je c t in th e b u ild in g of a

firep lace. 1.

B u ild th e f i r e p l a c e i n y o u r h o u se .

2.

H elp th e o t h e r s tu d e n ts b u ild th e

fire p la c e in th e

p ro jec t house. D.

EVALUATION: 1.

S am ples of e v a l u a t i n g t e c h n i q u e s .

TRUE-EALSE:

P l a c e an X i n t h e c o r r e c t s p a c e

for

tru e or fa ls e . T a.

C ) C

F ) You s h o u l d n o t u s e o r d i n a r y b u i l d i n g b rick s fo r your fire p la c e .

b.

{ ) (

) You s h o u l d u s e a m i x t u r e o f sa n d t o one p a r t

six p a rts

cem ent f o r chim ney

b rick m o rta r. c.

( )(

) You

should l i n e

th e flu e w ith

rectan g u lar lin in g . d.

( )(

) You

s h o u ld n o t c a p t h e chim ney.

e.

( )(

) You

s h o u l d make t h e h e a r t h l e v e l

w ith th e flo o r. f.

( )(

) You

sh o u ld f o llo w th e b u ild in g code w ith

extrem e c a r e

in the m a tte r.

BEST ANSWER:

P l a c e t h e number o f t h e b e s t a n sw e r

in th e p a re n th e se s, a.

( }

When l a y i n g t h e (1)

Lay a s e p a r a t e

and f i r e p l a c e . (3)

firep lace

base you sh o u ld :

f o o tin g f o r th e house

(2 ) Lay t h e f o o t i n g s a s o n e .

XJse t h e sa m e f o o t i n g .

(4) B u ild no f i r e ­

place fo o tin g . b.

( )

When y o u b u i l d t h e h e a r t h y o u s h o u l d :

(1)

Make t h e h e a r t h l e v e l w i t h t h e f i n i s h e d flo o r.

( 2 ) Make t h e h e a r t h h i g h e r b y o n e

inch than the f in is h e d f l o o r . th e h e a rth th e flo o rin g .

same l e v e l a s t h e r o u g h

( 4 ) Make t h e h e a r t h l o w e r t h a n

th e rough f l o o r i n g .

( $ ) Make t h e h e a r t h

any l e v e l th a t p le a s e s th e RATING SGAEE:

( 3 ) Make

eye.

P la c e an X i n each o f th e sp aces f o r

w hich you q u a l i f y . a.

C)

You h a v e c o m p l e t e d y o u r f i r e p l a c e .

b.

()

You h a v e m ade t h e w a l l s e i g h t i n c h e s

th ick

except th e f r o n t w a ll. c.

( )

Y ou w e t t h e b r i c k s b e f o r e p u t t i n g i n t o p o sitio n .

d.

( )

You l i n e d t h e f l u e w i t h r e c t a n g u l a r l i n i n g .

e.

()

Yo u u s e d t h r e e

f .

()

You m a d e t h e h e a r t h l e v e l w i t h t h e f i n i s h e d flo o r.

e ig h ts m o rta r j o in t s .

80 CHAPTER 13 HOW TO INSTALL WINDOWS AND DOORS A.

MOTIVATION:

G o a l s w h i c h may b e a c h i e v e d b y t h e p r o p e r

in stallatio n

o f windows an d d o o r s .

1.

LESS NOISE:

C o r r e c t l y i n s t a l l e d windows and d o o r s

do n o t r a t t l e . 2.

GREATER COMPORT: do n o t l e t

3.

in

P r o p e r l y s e a l e d w indow s and d o o r s

th e w eather and m o is tu re .

REDUCTION IN PESTS: e tc .

The num ber o f f l i e s ,

i n your house i s

m osquitos

r e d u c e d o r e l i m i n a t e d when

t h e windows and d o o r s a r e p r o p e r l y i n s t a l l e d . •B.

DIRECTIONS:

Key p o i n t s i n

the i n s t a l l a t i o n

of the

w indow s a n d d o o r s . 1.

How t o a s s e m b l e w i n d o w f r a m e s . a.

F i t them t o g e t h e r , i f

you use th e

'k n o c k -d o w n *

type. (1)

A ll th e p a rts are

c u t and you sim p ly p u t

them t o g e t h e r . (2) b.

T h e s e c a n be p u r c h a s e d a t

B u ild th e fram es y o u rs e lf i f (T his i s

th e lu m b er y a rd .

p e n n ie s co u n t.

d e f i n i t e l y n o t recommended, due t o

the

s k ill in v o lv e d .) c.

Buy t h e f r a m e s a l r e a d y m ade f r o m t h e l u m b e r yard i f

you l i k e .

(T h is i s

t h e e a s y way o u t ,

but i t How t o a.

co sts

se a l the

a little

more m o n e y .)

jo in ts a g a in st th e w eath er,

Coat t h e p a r t s w i t h w h ite l e a d ,

How t o

before

fittin g .

f i x window f r a m e s i n o p e n i n g .

a.

P a in t th e fram es w ith w h ite

b.

L eave no a i r

lead .

s p a c e betw een s t u d d i n g and the

fram e. c.

Check plu m n ess c a r e f u l l y .

d.

A pply an e i g h t o r t e n i n c h w id e s t r i p i n g p a p e r betw een th e fram e and t h e and l e t i t

e.

lap over th e sh e a th in g .

How t o

av o id jam in g .)

i n s t a l l t h e window s a s h .

Buy s a s h e s w i t h t h e g l a s s a l r e a d y i n s t a l l e d if

you l i k e ,

and sim p ly p u t them i n p l a c e .

(T h e s e c a n be p u r c h a s e d a t b.

(Be

sin k th e n a i l heads b en eath th e su rfa c e

o f t h e wood t o

a.

stu d d in g

N a i l t h e f r a m e i n p l a c e w i t h 8d n a i l s . sure to

of b u ild ­

y o u r lum ber y a r d . )

Buy t h e p a r t s a n d p u t t h e g l a s s i n y o u r s e l f , if (1)

p en n ies

co u n t.

Buy t h e g l a s s o n e s i x t e e n t h o f sm a lle r th an th e

an in c h

o p en in g w here i t i s

be p l a c e d . (2)

Buy A o r B g r a d e

g lass.

(3)

P a in t the e n t i r e sa sh b efo re i n s t a l l i n g

to

the g la s s . (4)

(5)

A pply a t h i n

c o a t o f p u tty and s e t t h e

g la ss g en tly

in to p lace.

In sta ll

g la z ie r p o in ts.

(Use f i v e

on each

sid e .) (6)

A pply a t r i a n g u l a r s t r i p o f p u t t y

a ll

around th e edge. (7)

A llow th e

p u t ty to

d r y f o r tw o d a y s b e f o r e

p a in tin g . How t o i n s t a l l

th e door s i l l .

a.

sill

E x ten d th e

above th e f lo o r in g ,

hardw ood f o r y o u r f l o o r s , th ick n ess b.

you use

d is ta n c e o f the

o f th e hardw ood.

Make t h e s i l l flo o r i f

th e

if

f l u s h w ith the s u r f a c e o f th e

y o u u s e some m a t e r i a l s u c h a s

lin o leu m . How t o a.

i n s t a l l th e door fram es.

I n s t a l l in th e

sa m e m a n n e r t h a t y o u i n s t a l l e d

t h e w indow a s f a r a s p r e c a u t i o n i s b.

Pack in i n s u l a t i o n

concerned.

betw een t h e fram e and th e

stu d d in g . c.

Hang d o o r s l a s t . damaged i f

(They w i l l v e r y l i k e l y

hung a t t h i s p o i n t . )

Where t o go f o r f u r t h e r a s s i s t a n c e .

be

a.

R eserve 184,

2:28,

212-241;

30-40, 117; C.

sh elf:

46,

40,

6 3 , 6 7 , 143-160, 177,

4:24 7 -2 5 4 ,

63, 75;

20:40-42;

ACTIVITY ASSIGNMENTS:

394, 440;

15:45-87,

22:232-382;

6 :17,

20,

101-170;

16:113-

24:83-87,

244-246.

Some l e a r n i n g e x p e r i e n c e s i n

th e

i n s t a l l a t i o n o f d o o rs and w in d o w s. 1.

In sta ll

2.

H elp t h e

t h e d o o r s an d windows i n y o u r h o u s e . s tu d e n ts i n y o u r c l a s s w ith th e d oor and

w i n d o w w o r k on t h e c l a s s p r o j e c t h o u s e . D.

EVALUATION:

S a m p l e s o f e v a l u a t i o n i n s t r u m e n t s t h a t may

be u s e d t o c h e c k y o u r a b i l i t y

to

p ro p erly i n s t a l l

doors

and w indow s. 1.

TRUE-FALSE: tru e

th e c o rr e c t space fo r

or fa lse . T

a.

P l a c e an I i n

( )

F ( ) You

s h o u l d b u i l d t h e window f r a m e s

y o u r s e l f from t h e g ro u n d up . b.

( )

(

) You

should coat

t h e window p a r t s w i t h

w h ite le a d befo re i n s t a l l i n g . c.

( }

(

) You

s h o u l d buy t h e window s a s h e s a l r e a d y

made. d.

( )

(

) It

i s w ise

fo r you to put th e g la s s

t h e windows y o u r s e l f .

in

e.

()

When b u y i n g g l a s s y o u s h o u l d b u y i t

the

e x a c t s iz e a s th e opening f o r i t . f.

()

A o r B grade g la s s

is not satisfac to ry

f o r o r d in a r y use in th e house.

BEST ANSWER:

P la c e th e number of th e b e s t answ er

in th e p a r e n th e s e s . a.

()

When i n s t a l l i n g (1)

In sta ll

flo o rin g .

th e door s i l l

th e s i l l

f l u s h w ith the

(2) E x te n d th e

fin ish ed flo o rin g .

b.

(}

sill

above th e

(4) E x ten d th e

below t h e f i n i s h e d f l o o r i n g .

When b u y i n g w i n d o w s y o u s h o u l d : t h e window i n t a c t . sep arate (3)

fin ish ed

(3) E x ten d th e s i l l

below t h e r o u g h f l o o r i n g . sill

you should:

( 2 ) Buy t h e p a r t s

and a sse m b le th e

Buy t h e

( 1 ) Buy

e n tire

stru ctu re.

f r a m e s a l r e a d y made a n d i n s t a l l

th e g la s s y o u rs e lf.

( 4 ) Buy o n e w i n d o w

com plete u se a s p a t t e r n

and b u ild t h e r e s t

y o u rself.

RATING SCALE:

P la c e an X i n each o f th e sp a c e s f o r

w hich you q u a l if y . a.

()

You h a v e i n s t a l l e d a l l y o u r w i n d o w s .

b.

C)

C oated e ac h s a s h w ith w h ite l e a d b e fo re in stallin g .

c.

()

In s ta lle d g la z ie r p o in ts in a l l

sid es of

w indow s. Set th e s i l l Packed in S tored th e

above th e

in su latio n

flo o r.

under the

d oor fram e

doors in a s a fe p la c e ,

h a v e t h e m on h a n d .

if

you

86 CHAPTER 1 4 HOW TO INSTALL THE WIRING A.

MOTIVATION:

Rew ards t h a t

come f r o m h a v i n g t h e w i r i n g

c o rrectly in s ta lle d . 1.

REDUCED LIKELIHOOD OF A F I R E :

F a u lty w irin g i s th e

c a u s e o f m an y h o u s e s b u r n i n g t o 2.

BETTER V I S I O N :

As

when and w here y o u 3.

LESS INTERRUPTIONS: or c irc u it

B.

DIRECTIONS:

th e ground.

a re s u lt of p len ty of

lig h t

need i t . Fewer t r i p s t o

th e fuse

box

breaker.

Key p o i n t s r e g a r d i n g t h e w i r i n g o f y o u r

house. 1.

How t o a.

i n s t a l l the r ig id

Cut t h e t u b i n g

co n d u it.

to th e

is purchased in

size d esired .

(1)

It

(2)

T u b in g can be c u t w i t h h a c k s a w .

b.

Remove b u r r s .

c.

Thread t u b in g . (1)

10 f t .

len g th s.

(Use a n o r d i n a r y m e t a l f i l e . )

You w i l l n e e d s p e c i a l c u t t i n g d i e s a v a i l ­ a b le a t th e hardw are s t o r e .

(2)

Do n o t t r y

to th r e a d th e

tu b in g w ith the

d i e s you u se d f o r p lu m b in g .

(T h ese plum b­

in g d ie s are ta p e r e d .) d.

Bend t u b i n g w h e re n e c e s s a r y .

(Buy o r b o r r o w

an in e x p e n s iv e e.

In sta ll

the tu b e .

every fiv e f .

co n d u it bender f o r t h i s

p u rp o se.)

(F or su p p o rt use p ip e s t r a p s

fe e t.)'

R un t h e w i Y e s t h r o u g h t h e t u b i n g . need an in e x p e n s iv e f i s h

( Y ou w i l l

tape f o r

th is

opera­

(T h is i s

cheaper

tio n . ) How t o a p p l y a r m o r e d c a b l e .

th an th e r i g i d ty p e e x p la in e d above, sa tisfy

a ll

b u ild in g

but w ill not

codes w hereas th e r i g i d

tu b in g

w i l l .) a.

Cut f i v e

e ig h th s h o les in

j o i s t s w here n e c e s s a r y ele ctric (1)

t h e s t u d d i n g and

fo r the p a th o f th e

c irc u it.

D r i l l the h o le s in

th e approxim ate c e n te r

of th e board. (2) b.

D r ill th e h o le s a t a s lig h t an g le.

Cut c a b le where n e c e s s a r y w i t h a h a c k sa w . (1)

Make t h e

cut

(2)

Make c e r t a i n

a t a s lig h t an g le. y o u do n o t damage t h e w i r e s .

c.

Ru n t h e c a b l e t h r o u g h t h e h o l e s .

d.

S ta p le the

cable every

to

th e j o i s t o r stu d d in g .

(1)

S tap le

f o u r f e e t minim um.

(2)

S t a p l e n o t m ore th a n one f o o t from e ach o u tle t.

(3)

There i s

a s p e c i a l s t a p l e m achine a v a i l a b l e

fo r th is o p eratio n e.

P lace a n ti- s h o r t

f.

In sta ll box.

if

you w i s h t o u s e i t .

b u s h i n g on t h e e n d s .

co n n ectio n s

(These a r e

and f a s t e n t o

the o u tle t

s p e c ia l f i t t i n g s , fo llo w th e

in stru c tio n sheet

that

comes w i t h e a c h on e a n d

s e c u r e a good m e c h a n ic a l a s w e l l a s e l e c t r i e a l c o n n e c tio n .) How t o i n s t a l l n o n m e t a l l i e

cab le.

(T h is c a b le i s

c h e a p e r t h a n e i t h e r o f t h e o t h e r two b u t i s n o t recom m ended.) a.

In sta ll (1)

a s you would i n s t a l l a rm o re d c a b l e .

Support w ith m etal s tr a p s r a th e r th an sta p le s.

(2)

M ost b u i l d i n g co des w i l l n o t p e r m it t h i s type c a b le .

(3)

Do n o t u s e i n damp p l a c e s o r u n d e r t h e ground l i n e

reg ard less

of th e b u ild in g

code i n y o u r a r e a . b.

F asten to o u tle t fl)

Use a s p e c i a l f i t t i n g electrical

(2)

box.

sto re.

F asten th e t h i r d th e o u tle t

a v a i l a b l e a t any

box i f

(n o n in su la te d ) w ire to y o u r b u i l d i n g code

r e q u ir e s th e th r e e w ire type w irin g . How t o

o b tain th e c o rre c t

siz e w ire.

a.

Buy N o . 1 4 w i r e f o r g e n e r a l p u r p o s e c i r c u i t . (1)

For lig h ts ,

rad io s,

e tc .

(2)

U n le s s you use a c i r c u i t

breaker,

put a

15 a m p . f u s e i n t h e c i r c u i t . (3) b.

Maximum s a f e t y l o a d h e r e i s

1 7 25 w a t t s .

P u r c h a s e N o . 12 w i r e f o r a p p l i a n c e (1)

F o r k itc h e n and w orkshop.

(2)

C o n n e c t a 20 a m p . f u s e

in th is

u n le s s you are u sin g a c i r e u i t (3) c.

Maximum s a f e l o a d h e r e

is

c irc u it breaker.

2300 w a t t s .

I n s t a l l No. 6 w ire f o r e l e c t r i c (1)

c ire u it.

sto v e,

T h i s r e q u i r e s a s p e c i a l t h r e e way 220 v o l t e irc u it.

(2)

There

a r e on t h e m a r k e t 110 v o l t

sto v es,

but t h e s e a r e n o t recom m ended. d.

Buy N o . 4 w i r e f o r s e r v i c e w i r e s .

How t o a t t a c h e n t r a n c e w i r e s t o a.

L o cate th e p o s itio n (1)

th e house.

of th e s e r v ic e w ire e n tra n c e .

T h is p o s itio n w i l l

be d e t e r m i n e d by t h e

l o c a t i o n o f th e power l i n e s £2)

in your a re a .

C o n s u l t t h e l o c a l po w er company f o r t h i s p o sitio n .

b.

I n s t a l l th e m eter o u ts id e th e house i f (E nclose m e ter i n

p o ssib le.

some k i n d o f a b o x t o k e e p

i d l e h a n d s and t h e w e a t h e r o f f o f i t . )

90 c.

In sta ll

s e r v i c e i n s u l a t o r s on t h e o u t s i d e o f

the house. (1)

These se rv e a s a base f o r running in to

(2)

th e power l i n e s

the house.

P l a c e s i x i n c h e s a p a r t and f a s t e n s o l i d l y to th e house.

d.

Run t h e w i r e s i n t o

th e house th ro u g h a co n d u it

o r by s p e c i a l s e r v i c e e n t r a n c e e.

In sta ll free,

sp ecial

fittin g s.

(These are m o is tu re

come i n m a n y v a r i e t i e s

t h e m e th o d you u s e t o

cab le.

and depend upon

b r i n g t h e s e r v i c e w ires'

in to th e h o u s e .) 6.

How t o a.

place m eters.

Buy a p u l l o u t t y p e o f m a i n s w i t c h b o x . (1)

L o c a te where i t

is

(In th e basem ent i f (2)

W ith t h i s to

b.

rea d ily accessib le. you have o n e .)

t y p e box you n e e d n o e l e c t r i c i a n

in stall i t

f o r you.

Run w i r e s f r o m m e t e r t o

sw itch

box,

or c irc u it

breaker. c. 7.

I n s ta ll proper fu ses.

How t o i n s t a l l

th e o u t le t

boxes.

a.

Make s p l i c e s o f w i r i n g ONLY i n o u t l e t

b.

Purchase boxes w ith

c.

I n s t a l l m etal

strip s

boxes.

clam ps a t t a c h e d . b etw een s tu d d in g f o r base

to a tta c h d.

th e o u tle t

Hook up t h e w i r e s a r o u n d t h e t e r m i n a l in the d ire c tio n

8.

How t o a.

boxes t o ,

a ttach

screw

of th e tu r n of th e screw .

sw itch es.

In s ta ll p u ll

chain sw itc h es i n

c l o s e t s and

b asem en ts. b.

Buy t o g g l e s w i t c h f o r t h e

room s.

(B utton

s w i t c h e s n o t recom m ended.) c.

A ttach w ires to let

d.

sw iteh d i r e c t l y

from t h e o u t ­

box.

F a s t e n t h e s w i t c h on t o p o f t h e o u t l e t

b o x by

th e fla n g e s p rovided f o r th e purpose. e.

Screw in t h e c o v e r p l a t e .

(These co ver

p lates

come i n m a n y s i z e s a n d c o l o r s a n d s e r v e

only a

d eco rativ e p u rp o se .) 9.

W here t o go f o r f u r t h e r a s s i s t a n c e . a.

R eserve 446;

C.

sh elf:

16:310;

ACTIVITY ASSIGNMENTS:

22:442,

508;

24:207,

4:407, 263.

P r o je c t in w ire i n s t a l l a t i o n .

1.

I n s t a l l th e w irin g in your house.

2.

H elp th e o t h e r s tu d e n ts i n y o u r c la s s i n s t a l l w irin g in th e c la ss

D.

2 :7 3 , 136, 141, 154;

EVALUATION: 1.

th e

p ro je c t house.

S a m p l e s o f some e v a l u a t i o n t e c h n i q u e s .

TRUE-FALSE:

P la c e an X i n

the

c o rre c t space f o r

tru e

or false. T

a.

F

(' ) . ( )

I t i s n o t necessary to b u ild in g tio n

b.

( ) ( )

c o n su lt th e lo c a l

code i n r e g a r d to th e i n s t a l l a ­

o f t h e ’w i r i n g i n y o u r h o u s e .

R ig id co n d u it i s n o t

sa tisfa c to ry fo r

sm all h o u se s. c.

( ) ( )

N o n m etallic cab le i s

b e t t e r than

arm ored c a b le f o r any g iv e n u se . d.

( ) ( )

The b u i l d i n g c o d e s w i l l n e v e r a c c e p t a n arm ored c a b le .

e.

( ) ( )

Yo u s h o u l d c o n s u l t t h e au th o rity in

e le c tric

power

your neighborhood to

fin d

o u t w here t o p u t t h e m ain s w itc h i n your house. f.

( ) ( )

It

is

b e st to have th e m e te r i n s i d e the

house. BEST ANSWER:

P la c e th e number of th e b e s t answ er

in th e p a re n th e s e s. a.

( )

The e l e c t r i c (1) No. 2 . 12.

b.

(

}

stove

( 2 ) N o . 3-

(2)

(3) No. 6 .

(4) No.

(5) No. 1 .

When i n s t a l l i n g is

sh ould have w ire s i z e :

th e m e te r in your house i t

best to i n s t a l l i t : In th e h a l l .

(1)

(3) In th e

In th e k itc h e n . u t i l i t y room .

(4)

On- t h e

back p o rc h .

(5)

J u s t o u tsid e

th e house. RATING SCALE:

P la ce an X in

each o f th e spaces

f o r w hich you q u a l i f y . a.

( )

You h a v e c o m p l e t e d t h e w i r i n g o f y o u r house.

b.

()

You h a v e l o c a t e d t h e m e t e r o u t s i d e .

c.

()

You i n s t a l l e d p u l l

chain sw itc h es in th e

d a rk room s. d.

()

You i n s t a l l e d n o p u s h b u t t o n s w i t c h e s .

e.

()

Yo u b u i l t a c o v e r p r o t e c t o r f o r t h e m e t e r

f.

()

Yo u i n s t a l l e d room s.

to g g le sw itch es f o r th e

CHAPTER 15 HOW TO INSTALL THE HEATING SYSTEM A.

MOTIVATION:

R ew ards t h a t

come f r o m h a v i n g a g o o d h e a t

in g sy stem c o r r e c t l y i n s t a l l e d . 1.

LESS COEDS:

U n h e a t e d rooms b r e e d c o l d s .

2 ..

GREATER COMFORT:

A co rrectly

in stalled

h eatin g

sy s te m k e e p s room s c o r r e c t l y h e a t e d a t a l l t i m e s . 3.

CLEANER HOUSE:

I n c o r r e c t l y i n s t a l l e d h e a t e r s may

sm uge-up t h e w a l l s . B.

DIRECTIONS:

H in ts

fo r i n s t a l l a t i o n of th e h e a tin g

sy stem . 1.

How t o

set

h ole in

furnace.

a.

Make a

b.

Set fu rn ace in

p lace.

c.

A ttach

gas lin e

d.

T hink b e f o r e you i n s t a l l t h i s t y p e . a lrig h t

2.

up a warm a i r

u n it to

th e f l o o r f o r the r e g i s t e r .

or o th er fu el

lin e . (It is

f o r s m a l l h o m e s i n w arm c l i m a t e s . )

How t o i n s t a l l a g r a v i t y w a r m - a i r s y s t e m . a.

Make h o l e i n t h e f l o o r f o r t h e *t o

b.

furnace u n it

be p l a c e d .

I n s t a l l t h e m e t a l d u c t s t o e a c h room o f t h e house.

(C old and h o t a i r )

c.

A ttach u n it to

d.

Buy t h i s

type

f u e l supply. in p re fe re n c e to th e above.

How t o i n s t a l l

a f o r c e d w a rm -a ir sy stem .

a.

B u ild fu rn ac e

seat.

b.

P lace

c.

I n s t a l l th e d u cts.

d.

Hook up t h e e l e c t r i c

e.

In sta ll

furnace in p o s itio n .

th is

blow er.

system f o r b e s t a l l a ro u n d

perform ance. How t o p u t i n w ith s la b flo o r is a.

ra d ia n t h eatin g .

f lo o r s only,

fo r houses

and m u st be done b e f o r e t h e

co m p leted .)

W i r e t h e h e a t i n g p a n e l s down t o forcem ent b efo re p o uring th e

b.

(T h is i s

Pour a t

lea st

th e m etal r e i n ­

top s l a b .

th re e in ch e s o f c o n crete over the

p an els. c.

Space th e tu b in g n in e in c h e s a p a r t i f you u se one h a l f

d.

Space th e

inch tu b in g . tu b in g one f o o t a p a r t

e ith e r th ree e.

i f you use

q u a r t e r in c h o r one in c h tu b in g .

H andle th e tu b in g w ith c a re

and t r y t o have i t

p erfectly f la t. f.

S o ld er

jo in ts at

a ll p o in ts.

g.

T e st com pleted p a n e lin g and see t h a t i t

is

tig h t. h.

H a v e a p l u m b e r o r h e a t i n g e x p e r t come t o house and t e s t

th e f i n a l

job f o r p r e s s u r e

the

*

i.

96

l e a k s up t o

two h u n d r e d p o u n d s p e r s q u a r e i n c h ,

In sta ll

b o ile r.

(1)

th e

( 9 6 , 0 0 0 BTU r e c o m m e n d e d )

Put th e b o ile r in to p o sitio n

before

ap p ly in g th e f i n i s h to th e w a lls in s id e . (2)

A tta c h d r a in and sto p

(3)

Bo n o t f i n i s h an e x p ert in

the

and w a s te v a l v e s .

job w ith o u t c o n s u ltin g

th e f i e l d

have p ro p e rly i n s t a l l e d 5.

to see t h a t you th e sy stem .

W here t o go f o r f u r t h e r a s s i s t a n c e . a.

R eserve s h e lf : 241;

4 :390,

2:79>

440;

SO, 1 2 2 ,

6:1 3 ;

153,

16:10$;

171,

237,

24:198-203,

26 $. 0.

ACTIVITY ASSIGNMENT:

P r o j e c t i n h e a tin g sy stem

in sta lla tio n . 1.

I n s t a l l th e

h e a tin g sy stem i n y o u r h o u se.

2.

H elp t h e o t h e r s tu d e n ts o f h e a t i n g system i n t h e

D.

EVALUATION: a b ility 1.

in

i n s t a l l the

c la s s p r o je c t house.

Sam ple e v a l u a t i o n th is

your cla ss

in s tru m e n ts f o r c h eck in g

sectio n .

TRUE-FALSE:

P la c e an X i n th e c o r r e c t space f o r

tru e or fa lse . T a.

(

F ) (

)R a d i a n t h e a t i n g i s

th e best h e a tin g

system you can i n s t a l l

f o r hardw ood

flo o rs. b.

{ ) (

)

You s h o u l d c a l l i n a n e x p e r i e n c e d plum ber to i n s p e c t y o u r f i n a l

job o f

plum bing. c.

( ) (

)

In r a d i a n t h e a tin g you sh o u ld space th e tu b in g about nine in c h e s a p a rt.

BEST ANSWER: in a.

P l a c e t h e number o f t h e b e s t answ er

the p a re n th e s e s. ( ) When p o u r i n g c o n c r e t e tubes,

you should:

s ix in ch es th ic k .

over th e h e a tin g (1) P our th e c o n c r e te

(2) P o u r th e

one i n c h o v e r t h e t u b e s . co n crete

Pour th e

the

co n crete.

RATING- SCALE:

(3) P our th e

th r e e in c h e s o v e r the

(4)

co n crete

tu b es.

c o n c re te tw elv e in c h e s

P la c e an X i n

over

each of th e spaces fo r

w hich you q u a l i f y . a.

( ) You

have i n s t a l l e d

co m p letely your h e a tin g

system . b.

( ) You

have used t h e b u i l d i n g

code a s a l a s t

w ord. c.

( ) You

have poured th re e in c h e s o f c o n c re te

over the ra d ia n t h e a tin g tu b e s , i f have a sla b f lo o r .

you

98 d.

(

)

You h a v e c a l l e d a g o o d e x p e r i e n c e d p l u m b e r to

check your f i n a l i n s t a l l a t i o n .

99 CHAPTER 1 6 HOW TO APPLY INTERIOR WALL F I N I S H A.

MOTIVATION: 1.

2.

R esu lts of w ell b u ilt w a lls .

REDUCTION OF HOUSE WORK: no c r a c k s w h ere d i r t

can c o l l e c t .

CHEERFUL HOUSEHOLD:

P leasan t

im press th e 3.

EASE OF DECORATION:

DIRECTIONS:

leav es

surroundings ten d to

o ccu p an ts.

made e a s y i f B.

Smoothf i n i s h w ork

P a in tin g and w a llp a p e r in g

th e w a lls are

sm ooth.

M ethods o f i n s t a l l i n g

th e

in te r io r w all

fin ish . 1.

How t o a.

in stall

th e p l a s t e r

base.

N a il board l a t h h o r i z o n t a l l y to c eilin g (1)

jo ists.

T h i s t y p e i s n o t recom m ended u n l e s s p en n ies are

(2)

s tu d d in g and

Wood l a t h

im p o rtan t.

is

purchased in

b u n d les o f 100

each. (3)

T he l a t h

comes i n

w id th s and f o r t y b.

N ail p la ste rb o a rd (1)

to

one an d one h a l f i n c h e ig h t in ch es lo n g .

stu d d in g lo n g sid e

T h is base has a p l a s t e r c o re and i s

up. fire

re sista n t. (2)

I s so ld

in

s h e e ts from 16” X 32” and u p .

c.

N ail m etal la th (1)

Comes i n

(2)

Leave th r e e

to

the

sheets

stu d d in g sh o rt sid e

up.

27" X 96” .

e i g h t h s in c h s p a c e betw een each

sh eet• (3)

U s e 3d n a i l s .

(4)

Do n o t a l l o w e n d s t o g o u n s u p p o r t e d .

How t o a.

p l a s t e r t h e w a l l s and c e i l i n g s .

A pply th e s c r a t c h c o a t. Cl)

U se a m i x t u r e o f two p a r t s

s h a rp sand and

o n e p a r t gypsum p l a s t e r . (2)

Do n o t b u y r e a d y m i x e d f o r t h e f i r s t

tw o

co ats. (3)

A pply w i t h f o r c e t o through th e h o le s

b.

(4)

Cover to

(3)

Score the p l a s t e r .

A pply th e (1)

push th e p l a s t e r in th e l a t h .

a d e p th o f one f o u r t h

in ch .

brown c o a t .

Put th is

c o a t on a f t e r th e f i r s t

coat has

hardened. (2)

A pply w ith enough f o r c e t o f o r c e th e p la s te r in to first

(3) c.

scored l i n e s

of th e

co at.

B u ild to d e s ir e d t h i c k n e s s .

A pply t h e f i n i s h (1)

th e

co at.

Buy f i n i s h c o a t p l a s t e r i n r e a d y - m i x e d

101 pa c k a g e s . (2)

A pply s e v e r a l t h i n l a y e r s .

(3)

Trow el th e

fin ish

if

you a re g o in g t o u se

w all paper. 3.

How t o a p p l y d r y w a l l m a t e r i a l s . a.

N a i l gypsum p l a s t e r (1)

A v a ila b le in

board i n t o p la c e u n ifo rm ly .

s h e e ts t h a t are

w ide and from s i x to (2)

(3)

tw elv e f e e t lo n g .

F o rce sw eedish p u t ty i n t o th e

four f e e t

th e

j o i n t s w here

s h e e t s come t o g e t h e r .

May b e p u t o n c u r v e d s u r f a c e s

by s c o r i n g

th e back.

b.

(4)

Cover i n t e r s e c t i o n s w i t h c l o t h t a p e .

(5)

P u tty to flu sh n ess

N a il w a ll board to

and sand t o f i n i s h .

stu dd in g .

(1)

A v a i l a b l e i n s i z e s 4* x 1 2 f .

(2)

Do n o t u s e i n

(3)

T reat

jo in ts

bathroom o r k i t c h e n . i n t h e same m a n n e r a s p l a s t e r

board. c.

d.

N a il co m p o sitio n board t o

stu d d in g .

(1)

S tandard s iz e i s

4 f X 12’ .

(2)

I d e a l f o r bathroom and k i t c h e n .

A p p ly plyw ood w i t h g l u e and n a i l s . (1)

S tan d ard s iz e i s

(2)

Use any j o i n t .

4 1 X S '. (B utt j o i n t i s

U N lvE R S iT * OF SOUTHERN CALIFORNIA LIBRARY

recom m ended.)

102 e.

N ail asb esto s

board w ith

care d ir e c tly

to th e

stu d s or jo is ts .

4.

The s t a n d a r d s i z e

(2)

May be u s e d f o r e x t e r i o r w o r k a l s o .

W here t o a.

0.

(1)

is

4* X 8 * .

go f o r f u r t h e r a s s i s t a n c e .

R eserve s h e lf :

4:8 3 -3 6 ,

424, 466;

6:20,

144, 412;

23:131-136,

ACTIVITY ASSIGNMENTS:

259,

30, 42;

262,

16:103;

334,

337,

22:100,

218-221.

P ro je c ts in th e

ap p licatio n

of

i n t e r i o r w all f i n i s h . 1.

A p p l 3r t h e i n t e r i o r w a l l f i n i s h

2.

H elp th e o th e r s tu d e n ts in th e c l a s s p l a s t e r w a lls of th e

3.

EVALUATION: 1.

th e

p ro je c t house.

H elp th e o t h e r s tu d e n ts a p p ly th e d ry f i n i s h th e c e ilin g

D.

c la ss

to your house.

to

of th e p ro je c t house.

M ethods o f e v a l u a t i o n i n t h i s s e c t i o n .

TRUE-FALSE:

P la c e an X i n th e

c o rr e c t space

for

tru e or fa lse . T a.

F

( ) ( )

I f you use

wood l a t h

you s h o u l d n a i l i t

to th e stu d d in g h o r i z o n t a l l y . b.

( ) f )

You s h o u l d u s e wood l a t h

if

it

is

at

a ll p o ssib le , e.

( ) C )

You s h o u l d n a i l p l a s t e r b o a r d d i r e c t l y

to th e stu d d in g . d.

( ) (

) You

should n a i l m e ta l l a t h

stu d d in g sh o rt e.

( ) (

) You

to th e

sid e up.

should ap p ly p l a s te r i n th re e

courses. f.

( ) (

) You

s h o u l d make th e

brown c o a t o f

p l a s t e r 1" t h i c k . BEST ANSWER:

P l a c e t h e number o f th e

b e st answ er

in the p a re n th e s e s . a.

( )

When p l a s t e r i n g (l)

A p p ly t h e brown c o a t f i r s t .

a 2 in ch

coat f i r s t .

coat f i r s t . b.

( )

your w a lls you sh o u ld : (2) A pply

(3) A pply a s c r a t c h

(4) A pply a l l

at once.

When a p p l y i n g g y p s u m b o a r d y o u s h o u l d : (1) G lue i n t o p o s i t i o n d i r e c t l y t o s t u d s . (2) N a i l i n t o

p o sitio n d ire c tly to

(3) G lue o v e r a wooden s h e a t h i n g .

stu d s. (4) N a i l

o v e r wooden s h e a t h i n g . RATING SCALE:

P la c e an X in the

s p a c e s f o r w hich

you q u a l i f y . a.

( )

You h a v e i n s t a l l e d a l l y o u r i n t e r i o r f i n i s h .

b.

( )

You

a p p lie d th e th re e

your w all, c.

( )

if

c o a ts of p l a s t e r to

you use p l a s t e r .

You h a v e u s e d t h e l o c a l b u i l d i n g c o d e a s a g u id e.

104 CHAPTER 17 HOW TO BUILD THE STAIRS A.

MOTIVATION:

Rew ards t h a t

come f r o m b u i l d i n g y o u r

sta irs w ell. 1.

LESS I N J U R I E S :

F au lty s t a i r s

cause a m ajo r p o rtio n

o f Lome a c c i d e n t s . 2.

REDUCED UPKEEP;

W ell b u i l t

sta irs w ill

p robably

never need re p la c in g . B.

DIRECTIONS:

Some h e l p f u l h i n t s

in th e b u ild in g of

sta irs. 1.

How t o b u i l d t h e l a n d i n g . a.

Saw 2 1 8 ?

boards in to

len g th

d e sired .

(Make

double t h i c k n e s s . ) b.

P o u r cem ent l a n d in g u s in g r o c k s i n t h e

bottom .

c.

N a i l wood l a n d i n g b o a r d s t o t h e

boards.

2 I

(The s i z e l a n d i n g b o a r d s d e p e n d upon t h e u s e of the la n d in g .) 2.

How t o m a k e t h e s t r i n g e r s . a.

Saw 2 X 12 b o a r d s t o d e s i r e d l e n g t h s .

(Two

f o r each s e t o f s t a i r s . ) b.

Cut th e

c.

N a i l 1 X 12 t o s t u d d i n g , strin g er

3.

tread

and r i s e r n o tc h e s i n

base m o ld in g .

How t o m a k e t h e t r e a d s .

th e

2 X 12.

i f w all s t a i r s ,

for

a.

Cut t h e t r e a d s i n t o

c o rre c t le n g th using

2 X 12 s t o c k .

4.

b.

Cut t o 10 a n d 3 /4 i n c h e s w i d e .

c.

Round o f f

d.

F ix to

one l e n g t h e d g e .

s trin g e rs w ith n a ils o r

g lu e.

How t o m ak e t h e r i s e r s . a.

Cut d e s i r e d

b.

N ail to

le n g t h from 2 X

strin g ers.

sto ck .

(four n a ils

per ris e r is

a lrig h t.) 5*

How t o b r a c e t h e a.

Cut 2 X 4 (1)

sta irs.

(F o r wooden s t a i r s

o n ly .)

sto ck f o r braces.

C u t one p i e c e e a c h f o r f l o o r t o t r e a d su p p o rt.

(2) b.

C ut l e n g t h o n e i n c h below t r e a d s .

F ix to th e f lo o rin g in

th e

same m a n n e r a s a

w all. c.

N ail 2 X 4

s u p p o r t s t h r o u g h t h e 1 X 12 and i n t o

t h e 2 X 12 s t r i n g e r s .

6.

d.

F ix cro ss

e.

B u ild f i r e

f.

Pour co n crete ste p s,

W here t o a.

bracing every fiv e stop as b rac in g .

t h e r e f o r e no

bracing needed.

go f o r f u r t h e r a s s i s t a n c e .

R eserve s h e l f : 378,

step s.

425;

24:128-137,

6 :2 6 ;

2:64, 176,

177,

16:136-139;

258-261.

247; 22:253,

4 :291-293, 397;

106 C.

ACTIVITY ASSIGNMENTS: th is

do i n c o n j u n c t i o n w i t h

assig n m en t.

1.

B u ild th e s te p s n e c e s s a r y f o r y o u r h o u s e .

2.

H elp th e o t h e r s tu d e n ts b u ild th e s t e p s n e c e s s a r y f o r the

D.

Work t o

c la ss p ro je c t house.

EVALUATION: S a m p l e s o f may b e a p p l i e d t o s t a i r 1.

TRUE-FALSE:

some t y p e s o f

check-ups t h a t

b u ild in g .

P la c e an X i n th e c o r r e c t

space f o r

tru e or fa lse . T a.

(

F ) { )

C oncrete la n d in g s

s h o u l d be p u r e

sand

and c e m e n t. b.

( ) (

) Yo u

s h o u l d make s t r i n g e r s

out of 2 X 4s.

c.

( ) (

) You

should n a i l s t r i n g e r s d i r e c t l y

to

stu d d in g .

2.

d.

( ) (

) You

should c u t a l l th e t r e a d s a t on ce.

e.

C) (

5 You

s h o u l d make a l l t h e r i s e r s a t o n c e .

f .

( 5 (

) You

s h o u ld n e v e r b r a c e wooden s t a i r s .

BEST ANSWER:

P la c e t h e number o f t h e

b e st answ er

in th e p a re n th e se s. a.

[

) When

bracing th e s t a i r s

Use o n l y 4 X 8 s . 2 X 12s. b.

(

you s h o u l d :

(2 ) Use 2 X 4 s .

(1) (3)

Use

(4 ) Use 4 X 1 2 s .

) When b u i l d i n g t h e

sta irs

you

sh o u ld :

(1)

In sta ll

the

the r i s e r s first. RATING SCALE: you a re a.

()

(4)

strin g ers first.

first.

(3)

(2)

I n s t a ll th e

In sta ll tread s

I n s t a l l th e lan d in g f i r s t .

P la ce an X in

e ac h sp ace f o r w hich

q u a lifie d . You

have f in is h e d th e

sta irs

fo r your

house. b.

()

You

cu t a l l th e r i s e r s a t once.

c.

{)

You

cut a l l the tre a d s a t once.

d.

()

You

used th e l o c a l b u ild in g

guide throughout a l l

th e

code f o r

b u ild in g .

a

108 CHAPTER 1 8 HOBSf TO BUILD FIXED FURNITURE A.

MOTIVATION: 1.

A d v a n tag e s from w e l l b u i l t

ECONOMY OF SPACE:

Your b u i l t - i n

fix ed f u r n itu r e .

fu rn itu re

occupies

e x a c t sp ace needed w h ile com m ercial ite m s o f t e n co n ta in 2.

an e x t r a draw o r d o o r .

REDUCED COST OF FURNISHINGS: u n n e c e s s a ry - you keep th e

3.

SATISFACTION:

Heavy f u r n i s h i n g

b ills

com m ission.

You g e t e x a c t l y w h a t y o u w a n t w i t h

tailorm ad e fu rn itu re . 4.

LESS MAINTENANCE:

Fewer s u r f a c e s exposed and l e s s

e d g e s t o be c h ip p e d . B.

DIRECTIONS:

Key g u i d e p o i n t s i n t h e b u i l t - i n

fu rn itu re

co n stru ctio n . 1.

How t o m a k e k i t c h e n c a b i n e t s . a.

Make t h e f r a m e f r o m 1 X 2 s le ft

(You w i l l h a v e some

over very l ik e ly .)

b.

Cover th e to p and s id e s w ith

c.

N ail b a tte n

s t r i p s on t h e i n n e r f a c e s o f t h e

tw o s i d e s f o r s h e l f s u p p o r t s . shelves is

plyw ood.

a m atter of ta s te ,

(The num ber o f th ree is

about

a v e ra g e .) d.

I n s t a l l cab in et

so t h a t t h e b o tto m i s

52” to 60” above th e ground.

from

(1)

T h e h e i g h t o f t h e woman o f t h e h o u s e w i l l d eterm in e th e ex act h e ig h th .

(2)

If

a t a l l p o ss ib le p lace

w ill

c a b i n e t so t h e r e

be n o s t a n d i n g o n c h a i r s t o r e a c h

th e to p s h e lf . How t o

b u i l d k i t c h e n work t a b l e s .

a.

B u ild t h e fram e from 1 X 2s

b.

Cover th e

c.

I n s t a l l th e to p base of th ree

s i d e s w i t h t h r e e q u a r t e r in c h plyw ood.

o r w hite p in e .

q u a r t e r plyw ood

(S in ce a hard f i n i s h i s

l a i d , m o s t a n y w ood i s i t w ill w ith stan d d.

(30" from t h e f l o o r . )

t o be

s a tis f a c to r y provided

th e w e ig h t.)

Cover t h e t o p w i t h s t a i n l e s s hardboard o r lin o leu m .

steel,

p o rcelain ,

(These a r e l i s t e d

in

th e o rd er o f p re fe re n c e .) e.

A pply m e ta l m o ld in g a ro u n d th e

f.

Put a p ro tec tiv e

ta b le to p.

coat of p ain t o r a p ro te c tiv e

c o v e r o f some s o r t o v e r t h e c a b i n e t i m m e d i a t e l y . g.

See F ig u r e 12 f o r p ro p o se d c a b i n e t and

tab le.

How t o m a k e b e d r o o m c l o s e t s . a.

B u ild t h e fram e o u t o f 1 X 2 s . (1)

A fram ew ork i s if

not a b so lu te ly necessary

th e c lo set i s

sm a ll and the

a m in i m u m o f t h r e e (2)

2 X 4s are

sid in g is

q u a rte r in ch b oards.

a lrig h t i f

you a re

o v ersu p p lied

110

K/TCHEN

E /G U R E WORKTABLE

/ Z. AMD

CABINET

Ill w i t h them . b.

B u ild th e

s h e lv e s from t h r e e q u a r t e r in c h

sto ck . c.

I n s t a l l shelves

d.

B u ild th e

as you w ould i n

cab in ets.

d o o rs and c o v e rin g from t h r e e

q u a r t e r i n c h s t o c k o r plyw ood. e. 4.

C o n s t r u c t t o o much s p a c e r a t h e r t h a n t o o l i t t l e .

How t o m a k e b u i l t - i n a.

C o n stru ct th e (1)

It

is

bookcases.

s h e lv e s 8” deep and 8” h ig h .

a p e r s o n a l m a t t e r how b i g t o m a k e

some o f t h e (2) b.

s h e lv e s - th e 8" i s

Three q u a r t e r . i n c h

B u ild th e d esire.

sto ck i s

bookease th e le n g th

stan d ard .

sa tisfac to ry .

and h e i g h t h you

(The d i m e n s i o n w i l l v a r y g r e a t l y w i t h

d ifferen t fa m ilie s.) c.

S ink th e

bookcase i n t o th e w a ll to

s u it your

own f a n c y . (1)

I f the

bookcase i s

w a ll o f th e in to (2) 5.

room i t w i l l

the o th e r

P lace i t

to be f l u s h w i t h th e have to

ex ten d

sid e.

opp o site a u t i l i t y

room o r c l o s e t .

W h e r e t o go f o r f u r t h e r a s s i s t a n c e . a.

R eserve s h e lf : 4:297, 470;

2 :52,

55,

183,

2 98, 360- 363, 367-369, 16:1 4 1 -1 4 3 ,

226- 2 3 6 ;

210-212, 378-379,

24:144,

218; 405,

149.

112 C.

ACTIVITY ASSIGNMENTS: m aster the

L a b o r a t o r y w ork t o h e l p y o u •

cab inet-m aker te c h n iq u e .

1.

B u ild th e f ix e d f u r n i t u r e

2.

H elp th e o t h e r s tu d e n ts

in your house.

in th e

c la ss co n stru ct

th e fix ed f u r n itu r e in th e c la s s p r o je c t house. D.

EVALUATION: to t h i s 1.

S a m p l e s o f c h e c k - u p s w h i c h may b e a p p l i e d

p ro ject.

TRUE-FALSE:

P l a c e an X i n t h e

c o rre c t space fo r

tru e or fa lse . T a.

F

C }f )

A wooden t a b l e

is

sa tisfac to ry for a

k i t c h e n work t a b l e . b.

( ) ( )

M e t a l m o ld in g s h o u l d be u se d a r o u n d a l l k i t c h e n work t a b l e s .

c.

( )( )

The h e i g h t h o f t h e w ork t a b l e th ree

d.

(

)( )

f e e t in a l l

A sta in less

steel

sa tisfa c to ry

s h o u l d be

cases. t a b l e t o p i s m ore

to th e average person th an

one o f lin o le u m . e.

( )( )

It

is

som etim es a d v i s a b l e t o

b u ild a

bedroom c l o s e t w i t h o u t a fra m e w o rk . f.

( )C )

A b u ilt-in

b o o k c a s e s h o u l d a lw a y s be

flu s h w ith th e w all in th e lo cated .

room i t

is

g.

(

) (

)

Bookcase s h e l v e s

s h o u l d be b u i l t w i t h

y o u r own b o o k s a s a g u i d e f o r d i m e n ­ sions . h.

(

) (

)

Though b u i l t - i n b etter

it

fu rn itu re

is

i s a lw a y s m ore e x p e n s iv e

t h e f u r n i t u r e you buy i n t h e i.

(

) (

)

o ften

The o n e g r e a t d r a w b a c k t o fu rn itu re is

th at i t

than

sto res.

b u ilt-in

t a k e s up more

room t h a n r e g u l a r c o m m e rc ia l f u r n i t u r e , j.

(

) (

)

You s h o u l d n e v e r p u t m o r e t h a n tw o shelves

BEST ANSWER:

in

a k itch en

cab in et.

P la c e th e number o f th e

b e st answ er in

p aren th eses. a.

(

}

When b u i l d i n g b u i l t - i n (1)

H i r e a c a b in e tm a k e r and g i v e him v e r b a l

h elp . (3)

(2)H ir e

carp en ter (

)

a c a r p e n t e r t o do

Do a l l t h e w o r k y o u r s e l f ,

a d v ice.

b.

(4)

best to :

fin ish i t

(1)

t h e w ork.

b u t ta k e any

B u ild th e fram ew ork and h ave a

When i n s t a l l i n g

feet

f u r n i t u r e you sh o u ld :

f o r you.

a k i t c h e n w ork t a b l e

B u ild th e to p o f th e

from t h e f l o o r .

is

tab le four

(2) B u ild th e to p

two a n d one h a l f

f e e t from th e f l o o r .

Make t h e t o p t h e

d istan ce

e q u a l to th e d i s t a n c e

it

(3)

from t h e f l o o r

from t h e f l o o r to y o u r

e lb o w w i t h arm s s t r a i g h t dow n. s tr u c t the ta b le

(4)

Con­

top e x a c tly th e h e ig h th

of your w a is t. c.

{ )

When p u t t i n g t h e t o p o n t h e w o r k t a b l e fo r th e k itch en th e best m a te ria l to is:

(1) L in o leu m .

S ta in le ss d.

( )

steel.

(2) Hardwood.

(3)

(4) P o r c e la in t i l e .

When m a k i n g c l o s e t s y o u s h o u l d : th e

use

( 1 ) Make

e x a c t amount o f s p a c e you t h i n k you

w ill need.

(2)

B u ild a l i t t l e

you f i g u r e you w i l l

ever need.

m ore t h a n (3) C o n su lt

y o u r l o c a l c a b i n e t d e a l e r f o r t h e amount you w i l l n e e d .

( 4 ) A s k some o f y o u r f r i e n d s

how much y o u w i l l n e e d , RATING SCALE:

P l a c e an X i n e a c h sp a c e f o r w hich

you q u a li f y . a.

( )

C om pleted a l l

th e

c a b i n e t w ork i n y o u r

house. b.

( )

C om pleted a l l t h e

bookcases in your house.

c.

( )

C om pleted a l l t h e

c lo sets

d.

( )

Made e x t r a

e.

( )

In sta lled

b u ilt-in a steel

in your h o u se .

equipm ent.

t o p on t h e k i t c h e n w o r k

tab le. f.

( )

C onsulted th e the c a b i n e t s .

' L a d y ’ a s t o ho w h i g h t o m a k e

115 g.

(

) M easured y o u r books f o r h e ig h th of bookcase sh elv es.

h.

( ) B u ilt th e top of

t h e work t a b l e t h r e e f e e t

from th e f l o o r . i.

( ) Made m o r e c l o s e t

s p a c e than, you f i g u r e you

need. j .

( ) Put a p ro te c tiv e

c o a t i n g on t h e c a b i n e t w o rk .

CHAPTER 1 9 HOW TO INSTALL THE TRIM A.

MOTIVATION:

V a l u e s y o u may e x p e c t f r o m t h e c o r r e c t

in stallatio n

of trim .

1.

EASIER WINDOW INSTALLATION:

If a ll

trim

is

co rrectly

f i x e d t h e -windows n e e d n o a t t e n t i o n . 2.

EASE OF DOOR HANGING:

If

t h e d o o r jam bs a r e p r o p e r l y

i n p l a c e you w i l l a v o id a l a b o r jam . 3.

ERRORS CORRECTED:

The s k i l l f u l

c o v e r up c e r t a i n m i s t a k e s estim ates, B.

DIRECTIONS:

can

e sp e c ia lly in len g th

e tc .

G uiding p r i n c i p l e s and te c h n iq u e s f o r

th e

in stallatio n

1.

How t o i n s t a l l a.

use o f t r im

of trim . d o o r jam bs.

P u rc h ase th e one and th r e e

e ig h ts

jam b f r o m t h e

lu m b er y a rd . b.

P ain t th e

jam bs im m e d ia te l y w i t h a p r i m e r .

( I f you i n t e n d

to

sta in th e

jam bs, p a i n t th e

back o f th e t r i m 'o n l y . ) c.

A ssem ble t h e

th ree p ie c e s of th e

d.

N ail header to

e.

C ut a p i e c e o f wood t o

the sid e

betw een t h e s i d e th is

jam bs. fit

jam bs a t

a s a guide a t th e

jam b.

th e

exact d ista n c e

the h ead er.

b o tto m .)

(Use

f.

F i x jam bs a b s o l u t e l y plum b. alo ng th e

2.

How t o i n s t a l l a.

s i d e s when n e c e s s a r y . ) door casin g s.

P u rc h ase th e tr im a t th e w id th t h a t you d e s i r e . (1)

T h is is a m a tte r of t a s t e .

(2)

I f you have m is f ig u r e d a t of w all to door,

A pply u s in g a sq u a re c u t sk ille d

th e co n n ectio n

you may n e e d a t r i m o f

s u f f i c i e n t w idth to b.

(Use wooden w ed ges

and p r e f e r i t ,

cover your m istak e. jo in t.

( I f you a re

a m itered

jo in t is

g o o d .) c.

P a i n t w i t h a prim e c o a t .

d.

H ail in p lace leav in g the

3.

betw een t h e

ja m b a n d t h e b e g i n n i n g o f t h e

edge o f

casin g .

How t o i n s t a l l w i n d o w t r i m s . a.

I n s ta ll th e sto o l f i r s t .

(N ail to

s u b s ill or

r o u g h f ramewo r k . ) b.

Put the

sid e casin g s in p la c e .

care here

(Use

the

as w ith th e door c a s in g s .)

c.

I n s t a l l th e head c a sin g n e x t.

d.

P ut the

apron in p la c e and n a i l .

so t h a t

it

is

(Cut a p ro n

flu s h w ith th e o u ts id e of th e

c a sin g s.) e.

sa m e

T e st each p a r t

f o r l e v e l and plum bness.

118 4.

How t o a.

In sta ll

baseboards.

Buy b a s e b o a r d s f r o m t h e l u m b e r c o m p a n y s i x in c h e s w ide.

( I t comes i n v a r i o u s s i z e s

but

s i x in c h e s i s m ost w id e ly u s e d .) b.

Cut b o a rd s so

th a t th e only j o i n t s o ccu r in

th e

corners i f p o ssib le . c.

Groove o r saw t h e b o a r d s w i t h a r a b b e t e d

d.

Back p rim e t h e

e.

N a il d i r e c t l y to w all stu d d in g .

f.

Use 8d e a s i n g n a i l s .

(2)

Two n a i l s n e e d e d a t

each s tu d .

(If

th is is

flo o rin g is

used,

use i t

a f t e r the

dow n.)

W h ere t o g o f o r f u r t h e r a s s i s t a n c e . a.

R eserve s h e l f : 16:3 08 -3 10 ;

ACTIVITY ASSIGNMENTS:

4:418,

22:345;

448;

6 :3 0 , 37, 48;

24:15,

16.

P ro je c t in in s t a l l a t i o n

1.

I n s ta ll th e trim

2.

H e lp t h e c l a s s m em bers i n s t a l l

of trim .

in your house. th e trim

in th e

c la s s p ro je c t house. D.

EVALUATION:

S a m p l e s o f some e v a l u a t i o n t e c h n i q u e s

w h i c h may be a p p l i e d 1.

it.

A p p ly sh o e m old f l u s h a g a i n s t b o t h f l o o r an d

fin ish ed

0.

base b oard b e fo re i n s t a l l i n g

(1)

baseboard.

5.

jo in t.

TRUE-FALSE:

to trim i n s t a l l a t i o n .

P la c e an X i n th e

c o rre c t space

for

tru e

or false. T

a.

F

{ )(

)

T rim i n s t a l l a t i o n in stallatio n

b.

( )(

)

d ire c tly

e f f e c ts th e

o f window s i n y o u r h o u s e .

B a s e b o a r d s s h o u l d be a p p l i e d d i r e c t l y to th e su b -flo o rin g .

c.

(

)(

)

It

is

b e s t t o b u i l d y o u r own w i n d o w

casin g s. d.

(

)C )

The s t o o l i s n a i l e d d i r e c t l y t o

the

su b sill. e.

( )(

)

The w i n d o w c a s i n g i s n a i l e d th e edge o f t h e

BEST ANSWER:

flu sh w ith

jam b.

P la c e t h e number o f t h e b e s t answ er

in th e p aren th eses. a.

( ) When a p p l y i n g t h e (1)

Put i t

and th e

s h o e m old you s h o u l d :

f lu s h w ith b o th th e

flo o r.

(2) Leave a

space a t th e f l o o r base, a ir a

space a t a ir

baseboard in a i r

(3) Leave a

th e b a se b o a rd end.

space a t

(4) Leave

both t h e b a seb o a rd and,

th e f l o o r . b.

( } The b a s e b o a r d (2} M i t e r .

c.

(

j o i n t i s m ade: (3) R ab b eted .

) When i n s t a l l i n g (1) S t a i n t h e

(1) B u t t. (4)

C urved.

d o o r jam bs you s h o u ld : jam bs b e f o r e p u t t i n g

in to

120 p o sitio n ,

reg ard less

of th e

fin al

fin ish .

(2) A pply th e enam el b e f o r e i n s t a l l i n g . (3) P u t p r i m e r on a f t e r i n s t a l l i n g . Prim e b e f o r e i n s t a l l i n g .

(4)

121 CHAPTER 20 HOW TO LAY THE FLOORING A.

MOTIVATION;

G o a l s w h i c h y o u m ay a c h i e v e i f

you have

good f l o o r i n g e x p e r t l y p u t i n t o y o u r L o u s e . 1.

CLEANER FLOORS:

Good f l o o r i n g w e l l l a i d h a s n o

cracks fo r d i r t . 2.

ANT I -SQUEAK FLOORS:

I f p ro p erly la id th e

flo o r

w i l l n o t g i v e t h e m addening s q u e a k . 3.

ADMIRATION OF NEIGHBORS AND FRIENDS:

Av i s i t o r

c a n n o t h e lp n o t i c e what he i s w a lk in g on. 4.

HEALTHIER CHILDREN:

B ab ies spend a g r e a t p a r t o f

t h e i r tim e on th e f l o o r . B.

DIRECTIONS:

S u g g estio n s th a t w ill

a sa tisfac to ry 1.

How t o a.

enable you to have

flo o r.

l a y wood f l o o r i n g .

P u t down h a r d w o o d f l o o r i n g a f t e r a l l o t h e r work i s (1)

fin ish ed .

Have i t

d e li v e r e d from t h e lum ber y a rd

t h e day you use i t . (2) b.

Do n o t s t o r e n e a r a n y t y p e o f m o i s t u r e .

Lay t h e f l o o r i n g (If

th is

p o ssib le.

i s n o t p o s s ib le h e a t th e house w ith

the fu rn ace c.

in dry h o t w eath er i f

b e fo re you l a y t h e f l o o r i n g . )

C lean s u b - f l o o r i n g th o ro u g h ly .

d.

D rive in to th e

su b -flo o rin g a ll n a ils .

(C ounter

sink the n a i l s . ) e.

f.

C o v e r s u b - f l o o r i n g w i t h 15 p o u n d a s p h a l t f e l t . (1)

Lay t h e p a p e r w a l l t o w a l l .

(2)

A llow f o u r i n c h o v e r l a p p i n g .

Lay t h e f i r s t

course a g a in s t th e w a ll w ith th e

tongue edge f a c i n g o u t .

(Lay a lo n g t h e l o n g e s t

d im e n s io n o f t h e room ..) g.

N ail f i r s t F igure

h.

course s t r a i g h t th ro u g h .

(See

1 3 .)

N a i l o t h e r c o u rs e s th ro u g h t h e tongue a t an a n g le . (1)

The e x a c t s i z e o f n a i l determ in ed

by t h e s i z e

(2)

N ail to

(3)

See F ig u re 1 3 .

to u s e w i l l be o f boards u se d .

su b -flo o rin g a t a

How

to la y lin o leu m .

a.

C lean s u b - f l o o r i n g a s f o r wood.

b.

N ail d ire c tly la y e r of th ree

c. d.

Pound i n t o

over th e

s lig h t an g le.

s u b - f l o o r i n g a com plete

e i g h t h plyw ood.

t h e plyw ood a l l

exposed n a i l s .

C em ent, w i t h s p e c i a l l i n o l e u m c e m e n t, a

felt

b a s e to t h e plyw ood. e .-

Remove a l l b u l g e s , from t h e

felt.

bubles o r o th e r i r r e g u l a r i t i e s

125

ft

*

flo

om e