We do not see empty figures and outlines; we do not move in straight lines. Everywhere we are surrounded by dapple; the
196 61 17MB
English Pages 328 Year 2008
Table of contents :
Contents
Figures
Plates
Preface: The Great Divide
Acknowledgments
Introduction: Outlines
Chapter 1: Step-by-Step: Geography’s Myth
Chapter 2: Dark with Excess of Bright: Mapping the Coastlines of Knowledge
Chapter 3: Drawing the Line: Putting Spatial History into Practice
Chapter 4: The Interpretation of Dreams: Mobilizing the Papunya Tula Painting Movement, 1971–1972
Chapter 5: Making Tracks: Interpreting a Ground Plan
Chapter 6: Solutions: Storyboarding a Humid Zone
Chapter 7: Trace: A Running Commentary on Relay
Chapter 8: Dark Writing: The Body’s Inscription in History’s Light
Conclusion: Linings
Bibliography
Index