Art, Aesthetics and International Justice 1032605898, 9781032605890

Table of contents :
Cover
Endorsement Page
Half Title
Title Page
Copyright Page
Dedication
Table of Contents
List of Illustrations
Chapter 1 Introduction
International justice 2.0
Limitations of an outcome-oriented approach to international justice
Two reasons for choosing art and aesthetics to contemplate international justice 2.0
International criminal justice and aesthetics
State of the art
Structure of the book
Conclusion
Bibliography
Chapter 2 Philosophical foundations of universality and the role of aesthetics in building international justice 2.0
Introduction
Two problems with the centrality of state in global justice discourses
The moment of consensus
Theories of art and aesthetics
Natural law theory in a nutshell
The universal source of authority and natural law theory
Conclusion
Bibliography
Chapter 3 Re-thinking the mode of expression in international justice
Introduction
Three reasons language matters in building international justice 2.0
The Rig Veda and the role of imagination in exploring the language of international justice
Four levels of speech and international justice
Case study: the origins of the ICTY
Conclusion
Bibliography
Chapter 4 International justice as a ritual: Anthropological and sociological accounts
Introduction
Legal and social identities of international law and solidarity
Symbolic rituals
Aesthetics and rituals
Conclusion
Bibliography
Chapter 5 The role of art and aesthetics in the practice of symbolic and creative reparations at the ICC and IACtHR
Introduction
Legal frameworks for reparations at the ICC and IACtHR contrasted
Distinctive features of symbolic reparations at the IACtHR
Conclusion
Bibliography
Chapter 6 Observe – build – play – repeat: The new method of international justice 2.0
Introduction: going beyond the instrumentalisation of art
The method grounded in aesthetics: overview
The method grounded in aesthetics: case study of citizenship
Conclusion
Bibliography
Index

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