China’s role in the history of world animation has been trivialized or largely forgotten. In Animated Encounters Daisy Y
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English Pages 276 [275] Year 2019
Table of contents :
Contents
Series Editor’s Preface
Acknowledgments
Introduction: Animated Encounters: Chinese Animation in Motion
1. An Animated Wartime Encounter: Princess Iron Fan and the Chinese Connection in Early Japanese Animation
2. Mochinaga Tadahito and Animated Filmmaking in Early Socialist China
3. Inter/National Style and National Identity: Ink-Painting Animation in the Early 1960s
4. Animals, Ethnic Minorities, and Villains in Animated Film during the Cultural Revolution
Epilogue: Television and Animated Encounters in Postsocialist China
Appendix 1: Animated Films by Mochinaga Tadahito
Appendix 2: Leaders of the Shanghai Animation Film Studio
Appendix 3: Major Publications on Chinese Animation
Notes
Bibliography
Index
About the Author