Compiled by two skilled librarians and a Taiwanese film and culture specialist, this volume is the first multilingual an
1,203 82 4MB
English Pages 592 [585] Year 2016
Table of contents :
Contents
Acknowledgments
Introduction
1. Reference Materials
1.1 Bibliographies and Filmographies
1.2 Indexes
1.3 Dictionaries
1.4 Directories
1.5 Encyclopedias
1.6 Catalogs, Guides, Handbooks, Factfinders, and Manuals
2. Film History
2.1 General
2.2 Special Regions, Periods, and Events
2.2.1 Ximending (Ximenting), 1896–
2.2.2 Hsinchu (Xinzhu), 1900–
2.2.3 Kaohsiung (Gaoxiong) and Southern Taiwan, Including Pingtung (Pingdong or P’ing-tung), Tainan (T’ai-nan), and Chiayi (Jiayi or Chia-i), 1900–
2.2.4 Keelung (Jilong or Chi-lung), 1908–
2.2.5 Taichung (Taizhong or T’ai-chung), 1910–
2.2.6 Taipei (Taibei), 1950–
2.2.7 Japanese Colonial Period, 1895–1945
2.2.8 Early Period After Taiwan Retrocession, 1945–1949
2.2.9 Taiwanese-Dialect Film, 1955–1982
2.2.10 Mandarin Film, 1963–1970
2.2.11 Healthy Realism Film, 1963–1980
2.2.12 Contemporary Taiwan Film, 1980–
2.2.12.1 Taiwan New, New-New, and Post-New Cinema, 1982–
2.2.13 February 28 Incident, 1947
2.2.14 August 23, The Second Taiwan Strait Crisis, 1958
2.2.15 Ten Worst Films Incident, 1977
2.2.16 May 20 Incident, 1988 and Social Movement Documentary, 1980s–1990s
2.3 Film Institutions and Studios
2.3.1 China Motion Picture Studio (Zhongguo Dian Ying Zhi Pian Chang/Zhong zhi ), 1933–
2.3.2 Xin hua Film Corporation (Xinhua Ying Ye Gong Si), 1935–1984
2.3.3 Taiwan Provincial Film Production Studio (Taiwan Sheng Dian Ying She Zhi Chang / Taiwan Sheng Zheng Fu Xin Wen Dian Ying Zhi Pian Chang / Taiwan Dian Ying Zhi Pian Chang / Taiwan Dian Ying Wen Hua Shi Ye Gu Fen You Xian Gong Si /Tai ying or Tai zhi), 1945–1999
2.3.4 Asia Film Corporation (Yazhou Ying Ye Gong Si), 1952–
2.3.5 Union Film Co., Ltd. (Lian Bang Ying Ye You Xian Gong Si /Lian bang), 1953–1980
2.3.6 Central Motion Picture Corporation (Zhong Yang Dian Ying Shi Ye Gu Fen You Xian Gong Si / Zhong ying), 1954–
2.3.7 Tiensheng and Tienhua Film Company (Tian Sheng, Tian Hua Ying Ye Gong Si), 1960–1978
2.3.8 Grand Motion Pictures Co., Ltd. (Guo Lian Dian Ying Gong Si / Guo lian), 1963–1967
2.3.9. First Motion Pictures Co., Ltd (Di Yi Ying Ye Ji Gou You Xian Gong Si ), 1967–
2.3.10 Chinese Taipei Film Archive (Cai Tuan Fa Ren Guo Jia Dian Ying Zi Liao Guan), 1991–
2.3.11 Taiwan Film and Culture Association (Taiwan Dian Ying Wen Hua Xie Hui), 2001–
3. Specific Film Genres
3.1 “A,” Restricted, and Pornographic Films
3.2 Animated Films
3.3 Anti-Communist Films
3.4 Art Films
3.5 Children’s Films
3.6 Comedy Films
3.7 Commercial Films and MTVs
3.8 Documentary Films
3.9 Ethnographic Films
3.10 Homosexual, Gay, and Lesbian Films
3.11 Horror and Ghost Films
3.12 Independent Films
3.13 Literary Films
3.14 Martial Arts and Kung Fu Films
3.15 Opera and Drama Films
3.16 Musical Films
3.17 Science and Education Films
3.18 Short Films
3.19 Teenage-Campus Films
3.20 Qiongyao’s Melodrama Films
4. Film Reviews
4.1 General Reviews
4.2 Individual Film Reviews
5. Film Theory and Technique
5.1 General
5.2 Acting
5.3 Aesthetics
5.4 Cinematography
5.5 Cultural Criticism
5.6 Dialogue
5.7 Directing
5.7.1 Montage and Editing
5.8 Film Grammar
5.9 Film Movements and Theory
5.9.1 Healthy Realism
5.9.2 Taiwan New Cinema
5.10 Historiography
5.11 Music and Soundtrack Composition
5.12 Postcolonial Theory
5.13 Scenery and Set Design
5.14 Screenplay Writing
5.15 Special Effects
6. Interdisciplinary Studies
6.1 Comparative Film Study
6.1.1 Films in Taiwan, Hong Kong, and Mainland China
6.1.2 Films in Taiwan and Japan
6.1.3 Films in Taiwan and Korea
6.1.4 Taiwan and Bollywood Films
6.1.5 Taiwan and Hollywood Films
6.2 Film and Aboriginal People
6.3 Film and Animals
6.4 Film and Anthropology
6.5 Film and Archives
6.6 Film and Colonialism
6.7 Film and Drama and Opera
6.8 Film and Economics
6.9 Film and Education
6.10 Film and Environmental Protection
6.11 Film and Ethnology
6.12 Film and Globalization
6.12.1 Foreign Laborers
6.13 Film and Hakka
6.14 Film and Law
6.15 Film and Literature
6.16 Film and Mainland Chinese
6.17 Film and Management
6.18 Film and Medicine and Mental Illness
6.19 Film and Music
6.20 Film, Nationalism, Nationality, Identity, and Localization
6.21 Film and Newspaper and Journals
6.22 Film and Painting
6.23 Film and Patients
6.24 Film and Politics
6.25 Film and Psychology
6.26 Film and Railway
6.27 Film and Religion
6.28 Film and Sexuality and Homosexuality
6.29 Film and Sociology: Area, Audience / Family, City, Culture, and Society
6.30 Film and Technology
6.31 Film and Television, Internet, and Multimedia
6.32 Film and Videotape
6.33 Film and Women
6.34 Film and Youth
7. Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers and Song Lyric Writers, and Screenwriters (Including Biographies and Autobiographies)
7.1 General
7.2 Producers and Directors
7.2.1 General
7.2.2 Individual Producers and Directors
7.3 Actors and Actresses
7.3.1 General
7.3.2 Individual Actors and Actresses
7.4 Cinematographers
7.4.1 General
7.4.2 Individual Cinematographers
7.5 Critics and Scholars
7.5.1 General
7.5.2 Individual Critics and Scholars
7.6 Music and Song Composers and Song Lyric Writers
7.6.1 General
7.6.2 Individual Music and Song Composers and Song Lyric Writers
7.7 Screenwriters
7.7.1 General
7.7.2 Individual Screenplay Writers
8. Film Stories, Screenplays, and Scripts
9. Film Technology
9.1 General
9.2 Digital Filmmaking
9.3 Movie Cameras, Projectors, and Related Equipment
9.4 Movie Content Management
9.5 Movie Sound Recording
10. Others
10.1 Film Artifacts
10.2 Film Censorship
10.3 Film Copyright, Piracy, and Intellectual Property
10.4 Film Distribution
10.5 Film Education
10.6 Film Festivals and Awards
10.6.1 Asia Pacific Film Festival, 1953–
10.6.2 Golden Horse Film Festival and Awards, 1962–
10.6.3 Golden Harvest Awards for Outstanding Short Films, 1978–
10.6.4 Women Make Waves Film Festival, 1993–
10.6.5 Taipei Film Festival and Awards, 1998–
10.6.6 Taiwan International Documentary Festival, 1998–
10.6.7 Taiwan International Ethnographic Film Festival, 2001–
10.6.8 Taiwan International Animation Festival, 2003–
10.6.9 New Talents, Young Cinema Film Festival, 2004–
10.7 Film Industry
10.8 Film Investment
10.9 Film Law, Policy, Regulation, and Legal Cases
10.10 Film Market, Marketing, and Box Office
10.10.1 Trailers
10.11 Film Music and Songs
10.12 Film Posters
10.13 Film Production and Management
10.13.1 Digitization, Preservation, and Restoration
10.13.2 Independent Filmmaking
10.14 Film Propaganda
10.15 Film Screen Quota
10.16 Film Stills
10.17 Film Subsidies
10.18 Film Subtitles
10.19 Film and Movie Theaters
Bibliography
Subject Index
Author Index
Title Index
An Annotated Bibliography For Taiwan Film Studies 台 灣 電 影 研 究 書 目 提 要
An Annotated Bibliography For Taiwan Film Studies 台 灣 電 影 研 究 書目提 要
◼
Edited by Jim Cheng, James Wicks, and Sachie Noguchi
COLUMBIA UNIVERSITY PRESS
NEW YORK
Columbia University Press wishes to express its appreciation for assistance given by the Taiwan Ministry of Culture in the publication of this book. The editors are grateful for support for this project from the Fulbright Scholar Program; the Ministry of Culture, Republic of China in Taiwan; and Columbia University Libraries/Information Services. Columbia University Press Publishers Since 1893 New York Chichester, West Sussex cup.columbia.edu Copyright © 2016 Columbia University Press All rights reserved Library of Congress Cataloging-in-Publication Data Names: Cheng, Jim. | Wicks, James, 1975– | Noguchi, Sachie. Title: An annotated bibliography of Taiwan film studies / edited by Jim Cheng, James Wicks, and Sachie Noguchi. Description: New York : Columbia University Press, 2016. | In English and Chinese. | Includes index. Identifiers: LCCN 2015037161 | ISBN 9780231173827 (cloth : alk. paper) | ISBN 9780231540339 (electronic) Subjects: LCSH: Motion pictures—Taiwan—Bibliography. | Motion picture industry—Taiwan—Bibliography. | Film criticism—Taiwan—Bibliography. Classification: LCC Z5784.M9 C53 2016 PN1993.5.T28 | DDC 016.791430951249—dc23 LC record available at http://lccn.loc.gov/2015037161
Columbia University Press books are printed on permanent and durable acid-free paper. This book is printed on paper with recycled content. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 Cover design: Diane Lugar References to websites (URLs) were accurate at the time of writing. Neither the author nor Columbia University Press is responsible for URLs that may have expired or changed since the manuscript was prepared.
To Kathy, Justin, and Nick for our time in Taiwan; Andrea Gay, Charles, Mary, and Dr. Ragen; and Doubles and Stan and Peggy Denton for supporting and accepting me as your friend and family member
Contents
Acknowledgments Introduction
1
Reference Materials 1.1 1.2 1.3 1.4 1.5 1.6
2
Bibliographies and Filmographies Indexes Dictionaries Directories Encyclopedias Catalogs, Guides, Handbooks, Factfinders, and Manuals
1
3 3 8 9 11 11 12
Film History
17
2.1 2.2
17 40 40 40
General Special Regions, Periods, and Events 2.2.1 Ximending (Ximenting), 1896– 2.2.2 Hsinchu (Xinzhu), 1900– 2.2.3 Kaohsiung (Gaoxiong) and Southern Taiwan, Including Pingtung (Pingdong or P’ing-tung), Tainan (T’ai-nan), and Chiayi (Jiayi or Chia-i), 1900– 2.2.4 Keelung (Jilong or Chi-lung), 1908– 2.2.5 Taichung (Taizhong or T’ai-chung), 1910– 2.2.6 Taipei (Taibei), 1950– 2.2.7 Japanese Colonial Period, 1895–1945 2.2.8 Early Period After Taiwan Retrocession, 1945–1949 2.2.9 Taiwanese-Dialect Film, 1955–1982 2.2.10 Mandarin Film, 1963–1970 2.2.11 Healthy Realism Film, 1963–1980 2.2.12 Contemporary Taiwan Film, 1980– 2.2.12.1 Taiwan New, New-New, and Post-New Cinema, 1982– 2.2.13 February 28 Incident, 1947 2.2.14 August 23, The Second Taiwan Strait Crisis, 1958 2.2.15 Ten Worst Films Incident, 1977 2.2.16 May 20 Incident, 1988 and Social Movement Documentary, 1980s–1990s
2.3
xv
42 45 45 46 47 55 56 60 61 63 73 90 90 90
3
Specific Film Genres 3.1 3.2 3.3
91
vii
Film Institutions and Studios 2.3.1 China Motion Picture Studio (Zhongguo Dian Ying Zhi Pian Chang/Zhong zhi ), 1933– 2.3.2 Xin hua Film Corporation (Xinhua Ying Ye Gong Si), 1935–1984 2.3.3 Taiwan Provincial Film Production Studio (Taiwan Sheng Dian Ying She Zhi Chang / Taiwan Sheng Zheng Fu Xin Wen Dian Ying Zhi Pian Chang / Taiwan Dian Ying Zhi Pian Chang / Taiwan Dian Ying Wen Hua Shi Ye Gu Fen You Xian Gong Si /Tai ying or Tai zhi), 1945–1999 2.3.4 Asia Film Corporation (Yazhou Ying Ye Gong Si), 1952– 2.3.5 Union Film Co., Ltd. (Lian Bang Ying Ye You Xian Gong Si /Lian bang), 1953–1980 2.3.6 Central Motion Picture Corporation (Zhong Yang Dian Ying Shi Ye Gu Fen You Xian Gong Si / Zhong ying), 1954– 2.3.7 Tiensheng and Tienhua Film Company (Tian Sheng, Tian Hua Ying Ye Gong Si), 1960–1978 2.3.8 Grand Motion Pictures Co., Ltd. (Guo Lian Dian Ying Gong Si / Guo lian), 1963–1967 2.3.9. First Motion Pictures Co., Ltd (Di Yi Ying Ye Ji Gou You Xian Gong Si ), 1967– 2.3.10 Chinese Taipei Film Archive (Cai Tuan Fa Ren Guo Jia Dian Ying Zi Liao Guan), 1991– 2.3.11 Taiwan Film and Culture Association (Taiwan Dian Ying Wen Hua Xie Hui), 2001–
“A,” Restricted, and Pornographic Films Animated Films Anti-Communist Films
91
91 91
92 92
92
93
95
95
95
96
96
97 97 97 101
Contents
3.4 3.5 3.6 3.7 3.8 3.9 3.10 3.11 3.12 3.13 3.14 3.15 3.16 3.17 3.18 3.19 3.20
4
5
101 102 102 102 103 112 113 116 117 119 119 123 124 125 125 126 126
Film Reviews
129
4.1 4.2
129 147
General Reviews Individual Film Reviews
Film Theory and Technique
169
5.1 5.2 5.3 5.4 5.5 5.6 5.7
169 173 174 177 178 178 178 180 180 180 180 181 189 189 190 191 192 194
5.8 5.9
5.10 5.11 5.12 5.13 5.14 5.15
6
Art Films Children’s Films Comedy Films Commercial Films and MTVs Documentary Films Ethnographic Films Homosexual, Gay, and Lesbian Films Horror and Ghost Films Independent Films Literary Films Martial Arts and Kung Fu Films Opera and Drama Films Musical Films Science and Education Films Short Films Teenage-Campus Films Qiongyao’s Melodrama Films
General Acting Aesthetics Cinematography Cultural Criticism Dialogue Directing 5.7.1 Montage and Editing Film Grammar Film Movements and Theory 5.9.1 Healthy Realism 5.9.2 Taiwan New Cinema Historiography Music and Soundtrack Composition Postcolonial Theory Scenery and Set Design Screenplay Writing Special Effects
Interdisciplinary Studies
195
6.1
195
6.2 6.3 6.4 6.5 6.6
Comparative Film Study 6.1.1 Films in Taiwan, Hong Kong, and Mainland China 6.1.2 Films in Taiwan and Japan 6.1.3 Films in Taiwan and Korea 6.1.4 Taiwan and Bollywood Films 6.1.5 Taiwan and Hollywood Films Film and Aboriginal People Film and Animals Film and Anthropology Film and Archives Film and Colonialism
6.7 6.8 6.9 6.10 6.11 6.12 6.13 6.14 6.15 6.16 6.17 6.18 6.19 6.20 6.21 6.22 6.23 6.24 6.25 6.26 6.27 6.28 6.29 6.30 6.31 6.32 6.33 6.34
7
Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers and Song Lyric Writers, and Screenwriters (Including Biographies and Autobiographies) 7.1 7.2
7.3
7.4
7.5 196 218 222 222 223 229 231 232 232 232
7.6
7.7
viii
Film and Drama and Opera Film and Economics Film and Education Film and Environmental Protection Film and Ethnology Film and Globalization 6.12.1 Foreign Laborers Film and Hakka Film and Law Film and Literature Film and Mainland Chinese Film and Management Film and Medicine and Mental Illness Film and Music Film, Nationalism, Nationality, Identity, and Localization Film and Newspaper and Journals Film and Painting Film and Patients Film and Politics Film and Psychology Film and Railway Film and Religion Film and Sexuality and Homosexuality Film and Sociology: Area, Audience/ Family, City, Culture, and Society Film and Technology Film and Television, Internet, and Multimedia Film and Videotape Film and Women Film and Youth
General Producers and Directors 7.2.1 General 7.2.2 Individual Producers and Directors Actors and Actresses 7.3.1 General 7.3.2 Individual Actors and Actresses Cinematographers 7.4.1 General 7.4.2 Individual Cinematographers Critics and Scholars 7.5.1 General 7.5.2 Individual Critics and Scholars Music and Song Composers and Song Lyric Writers 7.6.1 General 7.6.2 Individual Music and Song Composers and Song Lyric Writers Screenwriters 7.7.1 General 7.7.2 Individual Screenplay Writers
234 236 238 241 242 243 248 248 249 249 254 255 255 255 258 262 263 263 263 274 275 275 275 278 291 291 294 294 299
301 301 307 307 313 347 347 350 357 357 358 360 360 360 362 362 362 363 363 363
Contents
8
9
Film Stories, Screenplays, and Scripts
369
Film Technology
401
9.1 9.2 9.3
401 401
9.4 9.5
General Digital Filmmaking Movie Cameras, Projectors, and Related Equipment Movie Content Management Movie Sound Recording
10 Others 10.1 Film Artifacts 10.2 Film Censorship 10.3 Film Copyright, Piracy, and Intellectual Property 10.4 Film Distribution 10.5 Film Education 10.6 Film Festivals and Awards 10.6.1 Asia Pacific Film Festival, 1953– 10.6.2 Golden Horse Film Festival and Awards, 1962– 10.6.3 Golden Harvest Awards for Outstanding Short Films, 1978– 10.6.4 Women Make Waves Film Festival, 1993– 10.6.5 Taipei Film Festival and Awards, 1998– 10.6.6 Taiwan International Documentary Festival, 1998–
10.7 10.8 10.9 10.10
403 404 405
10.11 10.12 10.13
407 407 408
10.14 10.15 10.16 10.17 10.18 10.19
411 412 414 414 415 415
10.6.7 Taiwan International Ethnographic Film Festival, 2001– 10.6.8 Taiwan International Animation Festival, 2003– 10.6.9 New Talents, Young Cinema Film Festival, 2004– Film Industry Film Investment Film Law, Policy, Regulation, and Legal Cases Film Market, Marketing, and Box Office 10.10.1 Trailers Film Music and Songs Film Posters Film Production and Management 10.13.1 Digitization, Preservation, and Restoration 10.13.2 Independent Filmmaking Film Propaganda Film Screen Quota Film Stills Film Subsidies Film Subtitles Film and Movie Theaters
421 422 423 423 431 432 437 443 443 446 448 454 456 458 459 459 459 461 462
Bibliography
465
418 Subject Index
467
418 419
Author Index
487
420
Title Index
511
ix
۵࠷
ሜهൠܾ
2.3
xv
ӇؙҚภйߵӇءؙәྃ 2.3.1
ೀཿ
1
2
1
ࢧޞڣࡢ֞ߎ۾:
2.3.2
Јؙܓԍޅ, 1935–1984
91
ཅஹӇؙ३ྃ (ཅ)ؙ, 1945–1999
92
3
2.3.4
ਐರؙԍޅ, 1952–
92
ࡀᕹؙϩࡳԍࡀ( ޅᕹ), 1953–1980
92
Ѕ႑ӇؙѨ੦ڤϩࡳԍޅ (Ѕ)ؙ, 1954–
93
1.1
ڣ۵٤ϴйߵӇؙә۵٤ϴ
3
1.2
8
2.3.6
1.3
ܒ୬ਹ
9
1.4
сժϪӜ࠷
11
1.5
॓ښҪڣ
11
1.6
۵࠷, Ѳೠ, ۪܋, մᅹ
12
2.3.7
ϳТ, ϳؙܓԍޅ, 1960–1978
95
2.3.8
лࡀӇؙԍ( ޅлࡀ), 1963–1967
95
2.3.9
ҷϣؙҚภϩࡳԍޅ, 1967–
95
2.3.10 ֚ࣗϪлрӇࢧޞؙఖ, 1991–
96
2.3.11 ཅஹӇؙҹ٩Ͼ, 2001–
96
17
2.1
ᆩׁ
17
2.2
ئӡϡс߅䩟႓ݫ䩟Ѩխ
40
3
ϤӎϡӇؙढࡿ䩟Ղᄖ
97
3.1
A ә/ࡳءٜӇؙ/єաӇؙ
97
3.2
ҁޫӇؙ
97
3.3
ބӇؙ
101
42
3.4
ਲफӇؙ
101
45
3.5
ճুӇؙ
102
ӍঁӇؙ
102
2.2.1
՝՞, 1896–
40
2.2.2
Јኵ, 1900–
40
2.2.3
ҙйߵݡஹ۪ח, د၉ ๔ֆ, ۪ݡ, ဓच, 1900– ऴᇐ, 1908–
2.2.4
91 91
2.3.3 2.3.5
Ӈؙࣵ
ЅлӇؙ३әྃ (Ѕ३), 1933–
2.2.5
ཅЅ, 1910–
45
3.6
2.2.6
ཅܚ, 1950–
46
3.7
࠱ӇؙӿٸӀӇ؆
102
֮࠷Ӈؙ
103
2.2.7
яӆᜊھЖ, 1895–1945
47
3.8
2.2.8
ཅஹׇՉ, 1945–1949
55
3.9
ھఓ௨Ӈؙ
112
ཅܭӇؙЖ, 1955–1982
56
3.10 ӎԛߧӇؙ
113
2.2.10 лܭӇؙЖ, 1963–1970
60
3.11 ౦࿙, Ӈؙ
116
2.2.11 ࣉӢҰचӇؙЖ, 1963–1980
61
3.12 ߹ݻӇؙ
117
2.2.12 ԄڊཅஹӇؙ, 1980–
63
3.13 ҹਲӇؙ
119
3.14 ۋਜ਼, ેཱུӇؙ
119
2.2.9
2.2.12.1 ཅஹЈӇؙ, ЈЈӇؙ, ћЈӇؙ, 1982– 2.2.13 ԏ. ԏࡂ Ѩխ, 1947
73
3.15 ۚঁӇؙ
123
90
3.16 ٸӀঁӇؙ
124
2.2.14 ࡂ. ԏѧ ᛤڕ, 1958
90
3.17 ॓ڌӇؙ
125
2.2.15 ϽзಉәѨխ, 1977
90
3.18 ߦӇؙ
125
2.2.16 ٚ. ԏജѨխ, 1988 , йߵघϾ ػҁ֮࠷ә, 1980s–1990s.
3.19 ࡇݙ, ࡩޥӇؙ
126
91
3.20 ᬆᴽйԷєঁڞӇؙ
126
xi
Contents
4
5
Ӈںؙ߰
6.15 Ӈؙӿҹѹ
249
4.1
ᆩׁ
129
6.16 Ӈؙӿ֔Ϫ
254
4.2
ں߰ݻ
147
6.17 Ӈؙӿ܉ԑ
255
6.18 Ӈؙӿࣦѹ, ࠴ظؘ
255
6.19 ӇؙӿٸӀ
255
Ӈؙԑںӿಌ
169
6.20 Ӈؙӿлఓ, گӎ, ӆग٩
258
5.1
ᆩׁ
169
6.21 Ӈؙӿڻᑂ, ௨
262
5.2
Ӈؙԣࠟ
173
6.22 Ӈؙӿዻޫ
263
5.3
ӇؙѤѹ
174
6.23 Ӈؙӿ࠴Ϫ
263
5.4
Ӈؙؙ
177
6.24 Ӈؙӿू
263
5.5
Ӈؙҹ٩߰
178
6.25 ӇؙӿКԑѹ
274
5.6
ӇؙхՁ
178
6.26 ӇؙӿੌѬ
275
5.7
Ӈؙ࣒ࠟ
178
6.27 Ӈؙӿᅓڌ
275
180
6.28 Ӈؙӿԛኍ, ӎԛߧ
275 278
5.7.1.
6
129
ྤѿ࡞/යফ
5.8
Ӈ֚ܭؙ
180
5.9
ӇػؙҁߵԷԑں
180
6.29 ӇؙӿघϾѹ (с, ੁ, р, صڵ, ҹ٩, घϾ)
291
5.9.1
ࣉӢҰच
180
6.30 Ӈؙӿफ
5.9.2
ཅஹЈӇؙ
181
6.31 ӇؙӿӇ؆, ӻ౪, Є෪Ղ
291
5.10 Ӈؙѹ
189
6.32 Ӈؙӿ࠷ؙծ
294
5.11 ӇٸؙӀӿࡶॽܮӑ
189
6.33 Ӈؙӿѽԛ
294
5.12 Ӈؙњᜊھԑں
190
6.34 Ӈؙӿݙվё
299
5.13 ӇؙѡߵԾ३ӑ
191
5.14 Ӈঁؙӆӑ
192
5.15 Ӈئؙ
194
ቄѹ॓୳ૢ 6.1
7
195
ԝࢺӇૢ୳ؙ
195
6.1.1
ཅஹ䩟ܫ୯, ϽӇؙԝࢺ୳ૢ
196
6.1.2
ཅஹяӆӇؙԝࢺ୳ૢ
218
6.1.3
ཅஹठлӇؙԝࢺ୳ૢ
222
6.1.4
ཅஹմᒀᩕӇؙԝࢺ୳ૢ
222
6.1.5
ཅஹϮᒀᩕӇؙԝࢺ୳ૢ
223
6.2
Ӈؙӿ֍֙ھ
229
6.3
Ӈؙӿҁ
231
6.4
ӇؙӿϪढѹ
232
6.5
Ӈؙӿးଈ
232
6.6
ӇؙӿᜊھҰच
232
6.7
Ӈؙӿۚঁ
234
6.8
ӇؙӿҬ௵
236
6.9
Ӈؙӿڌड़
238
6.10 Ӈؙӿࢰ॒ࣆخ
241
6.11 Ӈؙӿھఓѹ
242
6.12 ӇؙӿҪܧ٩
243
6.12.1 ֔ጭఫ֞
248
6.14 Ӈؙӿ֚ಋ
249
ᆩׁ
301
7.2
ӇءؙәϪӿ࣒ࠟ
307
7.4
7.5
7.6
7.7
8
xii
301
7.1
7.3
248
6.13 Ӈؙӿۺр
ӇءؙәϪ䩟࣒ࠟ䩟ࠟ䩟ؙؓ䩟߰ںр䩟 ѹٸٷӀӿॽܮӑܮٷ୬ӑঁٷӑр 䩛د၉֮ةӿІة䩜
7.2.1
ᆩׁ
307
7.2.2
ϫӇءؙәϪӿ࣒ࠟ
313
Ӈؙࠟ
347
7.3.1
ᆩׁ
347
7.3.2
ϫӇؙࠟ
350
Ӈؙؙؓ
357
7.4.1
ᆩׁ
357
7.4.2
ϫӇؙؙؓ
358
Ӈںؙ߰рӿѹٷ
360
7.5.1
ᆩׁ
360
7.5.2
ϫӇںؙ߰рӿѹٷ
360
ӇٸؙӀ, ॽܮ, ܮ୬ӑٷ
362
7.6.1
ᆩׁ
362
7.6.2
ϫӇٸؙӀ, ॽܮ, ܮ୬ӑٷ
362
Ӈঁؙӑр
363
7.7.1
ᆩׁ
363
7.7.2
ϫӇঁؙӑр
363
ӇݞؙѨঁӆйߵдӰঁӆ
369
Contents
9
Ӈؙफ
401
10.7 Ӈؙ֞
423
9.1
ᆩׁ
401
10.8 Ӈޞۄؙ
431
9.2
ُڸӇؙ३ӑ
401
10.9 Ӈؙ֚ಋ, ӡ, ᏺѨଈխ
432
9.3
ӇؙؙҚ䩟ӵྱҚ䩟йߵԷјއޗ
403
9.4
Ӈ܉ُࣞبֶؙԑ
404
9.5
Ӈٸ࠷ؙ
405
10.10 ӇصؙԾ, ॺઍ, ࠚܯ 10.10.1 ӇؙәՐ 10.11 ӇٸؙӀӿॽܮ
437 443 443
10.12 Ӈڻؙ
446
10.13 Ӈؙ३ӑӿ܉ԑ 10.13.1 ُ֧٩, ࡖخ, 10.13.2 ߹ݻӇؙ३ӑ 10.14 Ӈؙୌة
448 454 456 458
10.15 Ӈؙϼྱࡈ
459
10.16 Ӈؕঁؙ
459
10.17 Ӈؙਣࡾؖ
459
10.18 Ӈ௷ܒؙ
461
10.19 Ӈࡨؙ, ڵؙ
462
10 Էؚ
407
10.1 Ӈؙҹ
407
10.2 Ӈؙഛݓ
408
10.3 Ӈؙؗ, ೆ, Ҍࡦݗ
411
10.4 ӇؙчҲ
412
10.5 Ӈڌؙड़
414
10.6 ӇڞؙӿӇؙ؉
414
10.6.1 ਐѿࣁؙ, 1953–
415
10.6.2 ࣁؙެؖ, ެؖ؉, 1962–
415
10.6.3 ཅஹлগѽԛࣁؙ, 1993–
418
10.6.4 ཅܚӇڞؙ, 1998–
418
10.6.5 ཅஹлগઔ࠷әࣁؙ, 1998–
419
10.6.6 ཅஹлগھఓ௨ࣁؙ, 2001–
420
10.6.7 ཅஹлগҁޫࣁؙ, 2003–
421
10.6.8 Ј࣒ࠟ Tailly High ࣁؙ, 2004–
422
xiii
ڣߎ۾۵
465
Ұ֤
467
ϪӜ
487
֤Ӝ
511
Acknowledgments
I would first like to acknowledge my two co-authors, Professor James Wicks (author of Transnational Representations: The State of Taiwan Film in the 1960s and 1970s) and Dr. Sachie Noguchie, who joined me to work on this book in 2012. For the last three years we have worked together closely. It is with heartfelt gratitude that I thank them for their hard work and many contributions. They made the completion of this book possible. Second, I would like to thank Jennifer Crewe, president and director of Columbia University Press, Rebecca L. Edwards, senior project manager at Cenveo Publisher Services, and Jonathan Fiedler, editorial assistant at the press. Without their support, this book would not have been published. It is not easy to write and publish academic books, which need not only intelligence and knowledge but more importantly time and money. For those last two not-so-intellectual or academic yet critical elements, I need to thank first the Fulbright Scholar Program, which provided me with the Fulbright Senior Research Award in 2009 (the award allowed me to go to Taiwan to conduct my research), and Brian Schottlaender, university librarian at UCSD (University of California, San Diego) for allowing me to take a three-month sabbatical in Taiwan to work on the book. I am also deeply grateful to the Ministry of Culture, Republic of China in Taiwan and Columbia University Libraries/Information Services that provided subsidies to publish the book, specifically,
Jim Neal, former vice president and university librarian at Columbia University Libraries/Information Services and Ms. Susan Yu, director of the Taipei Cultural Center of the Taipei Economic and Cultural Office in New York. Six years ago, when I first landed in Taiwan as a Fulbright Scholar, it was professor Hseu-hua Chen, director of NTU (National Taiwan University) library, who helped me and my family settle smoothly at the NTU campus and provided me with easy access to NTU’s collection. I am grateful for the hospitality and support of Dr. Gu Min, director of the National Central Library, and his staff, as well as Dr. Lee Tien-yang, director of Chinese Taipei Film Archive, and his staff. They made my research in their library extremely productive and memorable. For that I am eternally grateful to these colleagues in Taiwan. Because I have worked in the library as a graduate student assistant, library support staff, and librarian, I know how much work goes on behind the scenes to make library users happy. I would like to take this opportunity to salute the library staff members at UCSD and Columbia University libraries in the circulation and interlibrary loan department for helping me retrieve numerous books for this project. Last, but certainly not least, I want to express my gratitude to the “anonymous” book reviewers, whose objective reviews and intelligent suggestions have made this book not only possible but better.
xv
An Annotated Bibliography For Taiwan Film Studies 台 灣 電 影 研 究 書 目 提 要
Introduction
COVERAGE
Note:
An Annotated Bibliography For Taiwan Film Studies is the second volume in a three-volume series. It covers materials, including monographs, conference proceedings, theses, unpublished scripts, and screenplays that relate to Taiwan film studies from 1895 to 2013. Vol. 1., An Annotated Bibliography For Chinese Films Studies, focuses on film studies in mainland China and was published in 2004 by Hong Kong University Press. Vol. 3 will cover film studies materials related to Hong Kong. Books relating to both Taiwan and mainland China or Hong Kong will be included in all three volumes. Journal articles, Chinese translations of works originally published in other languages, and film studies materials unrelated to Taiwan are not included.
Describes the adaptation of a stage drama into a film. Contains interviews with the producers of The Peach Blossom Land (1992) and film reviews. Includes a list of the film’s cast and crew and an account of the director’s film production logistics. CTFAL Chi Within each section, entries are listed alphabetically according to the first line. Following Anglo-American Cataloging Rules, Second Edition (AACR2), authors will be listed first (see Example 1), unless there are more than three authors listed. When there are two or three authors listed for the same work, the first author will appear on the first line. The title will be listed first when there is no author, when there are more than three authors, or when there is only an editor. In such cases, the principle author or editor (if any) will be listed after the title in the following fashion.
ENTRIES Each entry includes the following information: entry number, author, title, publication, page count, ISBN, series title, note, resource, and language code. All Chinese and Japanese entries are presented with both romanized and Chinese or Japanese character entries for author, editor, and title. The use of traditional or simplified Chinese characters for each Chinese entry depends on the characters used in the original source material. Where English translations of the titles are included, the translations appear exactly as provided in the original Chinese texts. Works in other languages are only presented with standard romanized entries.
Example 2:
0089 Dian ying, dian ying ren, dian ying kan wu / Li Youxin bian. Ӈؙ, ӇؙϪ, Ӈؙᑂ / ଽෂЈഹ. Taibei: Zi li wan bao she, 1986. 209 p. Series title: Dian ying wen xuan; 2 Ӈؙҹק, 2 Zi li cong shu, 27 І߹ᜣڣ, 27 Note: An insightful history of Taiwan New Cinema. Originally published in various journals, books, film reviews, and newspapers, this collection of articles and essays focuses on film critiques from the early period of Taiwan New Cinema. The most unique and important aspect of this book is the editor’s insightful comments, interpretations, and background information provided after each article or essay. Includes film stills. WorldCat Chi
Example 1:
0813 Yan, Hongya. Ἡਐ. Wo an lian de Taohuayuan / Honghong (Yan Hongya), Yuehui (Lin Yuehui) bian zhu. ϢମߧϡಱՐ / (Ἡਐ), ֊ (֊) ഹЯ. Taibei: Yuan liu, 1992. 216 p. ISBN 9573216310 Series title: Dian ying guan; 27 Ӈؙఖ; 27
Each entry is numbered; the number is listed at the beginning of the entry. If an entry covers more than one subject area, it will appear in all related subject areas.
1
Introduction
INDEXES
LANGUAGE CODES
This volume contains three indexes: 1. Subject Index: alphabetically arranged subjects and subsubjects with matching entry numbers. 2. Author Index: alphabetically arranged individual author, editor, and corporate author names with matching entry numbers. 3. Title Index: alphabetically arranged titles and parallel titles (such as the translated titles) with matching entry numbers.
The following language codes are used in this volume: Chi = Chinese Eng = English Fre = French Ger = German Ita = Italian Jpn = Japanese Kor = Korean Slo = Slovenian Spa = Spanish Rus = Russian Uig = Uigur
RESOURCE CODES The following resource codes are used in this volume: AIRITI = Airiti Library, online catalog at: http://www.airitilibrary. com/Home/Index. BAS = Bibliography of Asian Studies catalog at: http://ets.umdl. umich.edu/b/bas, licensed access provides online access to the bibliography index of journal articles, book chapters, and books in Asian Studies. (FT) = Online Full-text available. CTFAL = Chinese Taipei Film Archive Library, online catalog at: http://www.ctfa.org.tw/index.php. DuXiu = A commercial Chinese E-book database developed by SuperStar Digital Library in Beijing, licensed access at: http:// edu.duxiu.com/. NCL = National Central Library, online catalog at: http://www .ncl.edu.tw/. NCLAAC = National Central Library Arts and Audiovisual Center, which has its online catalog merged with the online catalog of NCL at: http://aleweb.ncl.edu.tw/. NCL/NDLTD = National Central Library/National Digital Library of Theses and Dissertations in Taiwan at: http://ndltd .ncl.edu.tw/cgibin/gs32/gsweb.cgi/login?o=dwebmge. NTUL = National Taiwan University Library, online catalog at: http://tulips.ntu.edu.tw/search/. ProQuest = Online database provider at: http://www.proquest.com /en-US/, licensed access provides full-text access of e-books, journals, and dissertations. Wanfang = A comprehensive online Chinese database at: http:// c.g.wanfangdata.com.cn, licensed access provides full-text access of e-books, journals, and dissertations. WorldCat = OCLC WorldCat, public access at: http://www .worldcat.org/; however, the author used access provided by the institution that paid the membership fee.
ROMANIZATION AND NAME SPELLING The bibliography is arranged according to the Roman alphabet order. Chinese romanization is based on the Pinyin system and follows the Chinese Romanization Guidelines issued by LC (Library of Congress) in 2000 (at http://www.loc.gov/catdir /pinyin/romcover.html); this standard has been adopted by most of the academic libraries in the world, including the National Taiwan University Library in Taiwan. There are some differences between the LC Pinyin standard and the official Pinyin standard issued by the Chinese government in mainland China in 1957. In the LC Pinyin system, in general, a space is placed between each romanized character except in geographical and personal names: for example, the Chinese word for “film” is “dian ying” in the LC Pinyin system, while the Chinese words for “Republic of China” are Zhonghua Minguo.” Regarding personal names, unless the person’s name is already established in English publications, such as Ang Lee and Hou Hsiaohsien, Pinyin will be used, for example: Li Xing. The name index at in the end of the book presents names in their different forms.
SIMPLIFIED AND TRADITIONAL CHINESE CHARACTERS This bibliography uses both traditional and simplified Chinese characters depending on the characters used in the original source material. The authors strongly believe that, as a reference tool, this bibliography should match the original materials as closely as possible.
2
1 Reference Materials
1.1
BIBLIOGRAPHIES AND FILMOGRAPHIES
Taibei Shi: Yuan liu chu ban shi ye gu fen you xian gong si, 2002. 2 v. (1123 p.) ISBN 9573245280; 9573243040 Note: A two-volume filmography of representative international films organized by genre: Vol. 1: Gangster and Crime, Horror and Thrillers, Musicals, Romance; Vol. 2: Action and Adventure, Comedies, Science Fiction, and War/History. Each film is presented in two parts: film details (year, runtime, actors and actresses, etc.) followed by a brief review. WorldCat Chi Eng
0001 Bai nian Zhongguo dian ying jing xuan / Chen Jingliang, Zou Jianwen zhu bian. ښёЅмӈ שؘؙ/ ವ݊䩟ểࠃҹҰ൜. Beijing: Zhongguo she hui ke xue chu ban she, 2005. 8 v. ISBN 7500452500 Note: A filmography of 800 films selected from a collection of more than 6,000 films in the Beijing Film Archive. Organized into four parts; each part contains two volumes. Ten Taiwan films are included in Part 3 (1979–1989), and five Taiwan films are included in Part 4 (1990–2004). Each volume presents a film chronology and film title index organized alphabetically in Pinyin. WorldCat Chi
0004 Eberhard, Wolfram, 1909– ዐᓱܓ, 1909– The Chinese silver screen; Hong Kong and Taiwanese motion pictures in the 1960s = Zhongguo dian ying ti yao : yi jiu liu ling nian Taiwan, Xianggang de ying pian. The Chinese silver screen; Hong Kong and Taiwanese motion pictures in the 1960s = ЅлӇؙ٤ϴ; ϣ॰ࡏജёݡஹ,ܫ୯ϡؙә. Taipei: Orient Cultural Service, 1972. 241 p. Series title: Asian folklore and social life monographs; v. 23 Yazhou min su, she hui sheng huo zhuan kan, di er shi san ji ਐರھཞ.घϾТ҅֟ᑂ, ҷԏѧফ Note: A rare, early English work on Taiwan and Hong Kong films screened in Taiwan during the 1960s. The text focuses on the relationship between film and Chinese society, folktales, legends, myth, opera, novels, and short stories. The introduction’s subtitle is “Family and Social Problems in Chinese Films Shown in Taiwan.” Includes abstracts of 329 films (pp. 41–223); film titles, presented in both Wade-Giles and Chinese characters, are followed by a synopsis and a note regarding screening locations and dates. Rather than using page numbers, the book’s general index references the text’s 329 film abstracts by their respective, sequentially assigned numbers. The quality of the book’s paper, printing, editing, translation, and organization is very poor. WorldCat Eng Chi
0002 Cheng, Jim. An Annotated Bibliography for Chinese Film Studies = Zhongguo dian ying yan jiu shu mu ti yao. An Annotated Bibliography for Chinese Film Studies = Ѕмӈ୳ؙ ૢڪ۵٤ϴ. Hong Kong: Hong Kong University Press, 2004. 404 p. ISBN 9622097030 Note: A comprehensive annotated bibliography focusing on film studies in mainland China from 1920 to 2003. A section entitled “Films in China, Hong Kong, and Taiwan, within “Chapter 6: Interdisciplinary Studies,” describes works that compare films produced in mainland China, Hong Kong, and Taiwan. Includes a bibliography, as well as subject, author, and title indexes. WorldCat Eng Chi Fre Ger Ita
Jpn
Kor
Spn
Rus
Uig
0003 Dian ying zhi nan = Movie guide / Liao Jinfeng bian. Ӈ = ۪܋ؙMovie guide / ᴰؖངഹ.
3
Reference Materials
0005 0005
0008
Er shi shi ji de dian ying: shi jie dian ying jing dian: 1900–2000 = Films of the century: 1900–2000 / Wu Guanping zhu bian. ԏԒઓϡӈؙ䩭Ԓ֎ӈؙҮਹ䩭1900–2000 = Films of the century: 1900–2000 / ྴഃכҰ൜. Beijing: San lian shu dian, 2002. 607 p. ISBN 7108016427 Note: A filmography of 260 selected films representing world film history, including 11 Taiwan films produced from 1963 to 2000. Each film is presented with a brief introduction, synopsis, commentary, and director biography. Includes a film title index and bibliography. WorldCat Chi
Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming ; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. ઔ࠷ݡஹ: ݡஹઔ࠷ә୳ૢڣ۵ӿҹຶקओ / Ұഹפቾᴧ, ଽѬҴ ; వҲഹফᖻҹ, ठ᯾ঌ, פቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570265478 (v. 1); 9570262486 (v. 2) Series title: Taiwan dian ying shi liao cong shu ݡஹӇؙࢧᜣڣ Note: This is the first and most comprehensive bibliography and collection of essays on Taiwan film documentaries. Vol. 1 covers the colonial period and includes 65 essays and articles written by three contemporary Taiwan scholars as well as colonial-era Japanese authors whose articles were initially published in Japanese before being translated into Chinese for the purposes of this book. Contains eight parts: (1) Film history; (2) Documentary, news, and education films; (3) Film show activities; (4) Film propaganda; (5) Film censorship; (6) Film affairs; (7) Film reviews and introduction; and (8) a Bibliography of Taiwan documentary film studies during the colonial period that includes monographs (in both Chinese and Japanese), dissertations, and journal articles (in both Chinese and Japanese, dated and undated). There is also a bibliography at the end of the book. Vol. 2 covers Taiwan documentary film studies after 1945 and includes 81 essays, articles, interviews, film reviews, and news reports. Similar to Vol. 1, it also contains eight parts: (1) Anthropology films; (2) Introduction and review of Taiwan documentary films; (3) Theory and aesthetics of documentary film; (4) Documentary film and social movements; (5) Documentary and indigenous people; (6) Documentary film directors and workers; (7) Documentary film history and analysis; and (8) a Bibliography of Taiwan documentary film studies after 1945, which is organized under the following subjects: anthropology films, Chinese (including Hong Kong) documentary films, review and introduction to Taiwan documentary films, review and introduction to foreign documentary films, documentary filmography and others, documentary film theory and aesthetics, documentary films and social culture, documentary film and social movements, documentary film and indigenous people, documentary film directors and workers (domestic), documentary film directors and workers (abroad), documentary film history (domestic), and documentary film history (abroad). The materials collected in the bibliography include monographs, dissertations, journal and newspaper articles, handbooks, and manuals. WorldCat Chi
0006 Er shi shi ji Zhongguo wen yi tu wen zhi, dian ying juan / Chen Shaozhou zhu bian. ԏԒઓЅмҹ֘ҹ䩟ӈؙඵ / ವվዲҰ൜. Shenyang: Shenyang chu ban she, 2002. ISBN 7544115283 Note: A pictorial filmography of 100 representative films selected from more than 20,000 films produced in mainland China, Hong Kong, and Taiwan during the twentieth century. Seven Taiwan films are highlighted: Home, Sweet Home (dir. Bai Jingrui, 1970), Outside the Window (dir. Song Cunshou, 1973), Execution in Autumn (dir. Li Xing, 1972), Story of a Small Town (dir. Li Xing, 1979), Madam Yu Ching (dir. Chang Yi, 1984), A City of Sadness (dir. Hou Hsiao-hsien, 1989), and Crouching Tiger, Hidden Dragon (dir. Ang Lee, 2000). Includes photos, film stills, and posters. WorldCat Chi
0007 Fei ju qing pian quan pian mu (Dian ying zi liao ku gui hua an fu jian) / Ji hua zhi xing dan wei: Guo jia dian ying zi liao guan; ji hua zhu chi ren: Li Daoming. ۘঁєәҪә۵ (Ӈࢧޞؙఖଈปխ) / ޫذవҲ֧: лр Ӈࢧޞؙఖ; ޫذҰفϪ: ଽѬҴ. Taibei: Guo jia dian ying zi liao guan, 2002. 2 v. (1373 p.) Note: Chinese Taipei Film Archive’s Film Catalog/Filmography of “non-feature films” (literal translation); however, some of the films listed are not housed in the archive. The catalog is divided into twenty main categories. Films that do not fit within these categories are listed under “Others.” Each film entry is presented with the following information: a sequence number, archive index code, title, director, format, language, genre, studio, runtime, condition, production date, source, poster, and location. Because this is a catalog for internal use only and contains no index, it is difficult to search films by title or director. Primarily includes films produced in Taiwan. CTFAL Chi
4
Bibliographies and Filmographies
0014 Taiwan dian ying yan jiu ji wen xian chu ban gai kuang / Lu Feiyi bian zhu; Wang Rong bian ji. ݡஹӇߵૢ୳ؙҹຶоؗมୄ / ᡭۘډഹЯ; ࣼᕣഹফ. Taibei: Zhonghua Minguo dian ying nian zhi wei hui, 1994. 244 p. Note: An introduction to Taiwan film studies and publications, including a categorized bibliography of Taiwan film studies from 1949 to 1993. CTFAL Chi
0009 Ju qing pian quan pian mu (Dian ying zi liao ku gui hua an fu jian) / Ji hua zhi xing dan wei: Guo jia dian ying zi liao guan; ji hua zhu chi ren: Li Daoming. ঁєәҪә۵ (Ӈࢧޞؙఖଈปխ) / ޫذవҲ֧: лрӇ ࢧޞؙఖ; ޫذҰفϪ: ଽѬҴ. Taibei: Guo jia dian ying zi liao guan, 2002. 727 p. Note: Chinese Taipei Film Archive’s Film Catalog/ Filmography of feature-length fictional films; however, some of the films listed are not housed in the archive. The catalog is organized by film production date (1927–2002). Films without an associated production date are listed under the category “Others.” Each film entry is presented with the following information: a sequence number, archive index code, title, director, format, language, genre, studio, runtime, condition, production date, source, poster, and location. Because this is a catalog for internal use only and contains no index, it is difficult to search films by title or director. Includes films produced in Taiwan, Hong Kong, and mainland China (mainly films produced in China before 1949). CTFAL Chi
0012 Lu, Feiyi. ᡭۘډ. Taiwan dian ying yan jiu ji wen xian chu ban gai kuang: fu lu Taiwan dian ying yan jiu wen xian fen lei mu lu (1949–1993) / Lu Feiyi bian zhu; Wang Rong bian ji. ݡஹӇߵૢ୳ؙҹຶоؗมୄ: ป࠷ݡஹӇૢ୳ؙҹຶдढ۵࠷ (1949–1993) / ᡭۘډഹЯ; ࣼᕣഹফ. Taibei: Zhonghua Minguo dian ying nian zhi wei hui, 1994. 236 p. Series title: Dian ying zi liao cong shu; 2 Ӈࢧޞؙᜣ ;ڣ2 Note: An introduction to Taiwan film studies and publications, including a categorized bibliography of Taiwan film studies from 1949 to 1993. CTFAL Chi
0010 Li, H. C. Chinese cinema: five bibliographies. Hong Kong: Studio 8, 2003. 1 v. (various paginations) Note: Contains five bibliographies of English publications on Chinese cinema originally published separately in various journals: (1) “Chinese electric shadows: a selected bibliography of materials in English”; (2) “More Chinese electric shadows: a supplementary list”; (3) “Chinese electric shadows III: and the ship sails on”; (4) “Hong Kong electric shadows: a selected bibliography of studies in English”; and (5) “Hong Kong electric shadows II: recent English publications on Hong Kong Cinema.” All five bibliographies are organized by format: “Books, Articles, Interviews, Literary Sources, Film Programs.” Taiwan cinema materials that are not specified under any particular category can be found in the first three bibliographies, including interesting film programs that are difficult to locate elsewhere, such as a “New Films from Taiwan” program, hosted by the American Film Institute in Washington, D.C., in 1986, with an introduction by Derek Elley. Because this is not an official publication (with no ISBN), but rather a simple combination of five separate bibliographies, there is no index in the volume. The only library that holds the book is Hong Kong University of Science and Technology. WorldCat Eng
0013 Shi jie dian ying jian shang ci dian / Zheng Xuelai zhu bian. Ԓ֎ӈؙპೄਹ / ችઞϱҰ൜. Fuzhou: Fujian jiao yu chu ban she, 1991. 876 p. ISBN 7533406648, 9787533406646 Note: A filmography of 200 representative world films produced from 1916 to 1989. Includes very few Taiwan films, such as Hou Hsiao-hsien’s A City of Sadness (1989). Organized by film production year, each film entry contains the title in both its original language and Chinese translation followed by three parts: an introduction, plot, and commentary. The table of contents lists the films without their production dates and locations. Includes a film title index, organized by the number of Chinese character strokes, at the end of the volume. Duxiu Chi
0014 Shi jie dian ying jian shang ci dian (xu bian) / Zheng Xuelai zhu bian. Ԓ֎ӈؙპೄਹ䩛۟൜䩜 / ችઞϱҰ൜. Fuzhou: Fujian jiao yu chu ban she, 1993. 844 p. ISBN 7533414330 Note: A filmography of 180 representative world films produced from 1916 to 1993. This second edition of the book complements the first edition. Includes two Taiwan films: Li Xing’s My Native Land (1980) and Edward Yang’s A Brighter Summer Day (1991).
0011 Lu, Feiyi. ᡭۘډ.
5
Reference Materials
0015 Organized by film production year, each film entry contains the title in both its original language and Chinese translation followed by three parts: an introduction, plot, and commentary. The Table of Contents lists the films with their production dates and locations; Taiwan films are listed under “China” as their production location. Includes a film title index, organized by the number of Chinese character strokes, at the end of the volume. WorldCat Chi
0017 Taiwan di qu ji lu pian pian mu zi liao ku ji lu pian li shi ji ji lu zi shen ying ren kou shu li shi ji hua di yi nian cheng guo bao gao / Li Daoming deng ݡஹс߅ઔ࠷әࢡ۵ࢧޞᆞઔ࠷әࣵߵઔ࠷ؙٹޞϪטࣵ ޫذҷϣёюҝ ݍڻ/ ଽѬҴҳ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1998. Note: Author Jim Cheng noticed this title in the bibliography of a book but could not locate the actual text at the three major libraries housing film materials in Taipei (NCL, NTU, and CTFA). Chi
0015 Shi jie dian ying jian shang ci dian (san bian) / Zheng Xuelai zhu bian. Ԓ֎ӈؙპೄਹ䩛ѧ൜䩜 / ችઞϱҰ൜. Fuzhou: Fujian jiao yu chu ban she, 1995. 861 p. ISBN 7533420187 Note: A filmography of 171 representative world films produced from 1912 to 1994. This third edition of the book complements the previous two editions. Includes four Taiwan films. Organized by film production year, each film entry contains the title in both its original language and Chinese translation, followed by three parts: an introduction, plot, and commentary. Table of Contents lists the films with their production dates and locations; Taiwan films are listed under “China Taiwan” as their production location, but Hong Kong films have only “Hong Kong” as their production location. Includes a film-title index, organized by the number of Chinese character strokes, at the beginning of the volume. Duxiu Chi
0018 Taiwan di qu ji lu pian pian mu zi liao ku ji lu pian li shi ji ji lu zi shen ying ren kou shu li shi ji hua di er nian cheng guo bao gao / Li Daoming deng ݡஹс߅ઔ࠷әࢡ۵ࢧޞᆞઔ࠷әࣵߵઔ࠷ؙٹޞϪטࣵ ޫذҷԏёюҝ ݍڻ/ ଽѬҴҳ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1999. Note: Author Jim Cheng noticed this title in the bibliography of a book but could not locate the actual text at the three major libraries housing film materials in Taipei (NCL, NTU, and CTFA). Chi
0019 Taiwan dian ying mu lu, 2003–2004: ju qing pian ji lu pian dong hua pian shi yan pian / Zhou Beiji ce hua; Chen Sufen wen zi bian ji. ݡஹӇؙ, 2003–2004: ঁєәઔ࠷әҁޫәӢࡐә / رᲅᮮ೫; ঈᐇҹܒഹফ. Taibei: Xing zheng yuan xin wen ju, 2005. 97 p. ISBN 9570187980 Note: A filmography of 97 Taiwan films produced or in production from 2003 to 2004. Organized by feature films, documentaries, animation, shorts, experimental film, and in production. Each film entry includes credits, copyright holder’s contact information, and a synopsis. Includes a film title index in English and Chinese. NCL Chi Eng
0016 Shi jie dian ying jian shang ci dian (si bian) / Zheng Xuelai zhu bian. Ԓ֎ӈؙპೄਹ䩛ף൜䩜 / ችઞϱҰ൜. Fuzhou: Fujian jiao yu chu ban she, 2003. 994 p. ISBN 7533431111, 9787533431112 Note: A filmography of 183 representative world films produced from 1912 to 1995. This fourth edition of the book complements the previous three editions. Includes twelve Taiwan films. One of the Taiwan films, Dragon Gate Inn (1967) directed by King Hu, is mistakenly labeled as a Hong Kong production. Organized by film production year, each film entry contains the title in both its original language and Chinese translation, followed by three parts: an introduction, plot, and commentary. The Table of Contents lists the films with their production dates and locations; Taiwan films are listed under “China Taiwan” as their production location, and Hong Kong films are listed with “China Hong Kong” as their production location. Includes a film title index, organized by the number of Chinese character strokes, at the beginning of the volume. Duxiu Chi
0020 Taiwan dian ying ying pian sheng chan tong ji, fu: song jian ying pian ji duan pian pian mu (1949–1993) / Xing zheng yuan xin wen ju Zhonghua Minguo dian ying nian zhi wei hui. ݡஹӇؙؙәТذࢃݗ, ป: ؟ഛؙә᠕ߦәә۵ (1949–1993) / ҲूࡨЈࢨЅھܓлӇؙёవణϾ. Taibei: Xing zheng yuan xin wen ju Zhonghua Minguo dian ying nian zhi wei hui, 1994. 2 v. (950 p.) Note: A complete filmography and statistical record of Taiwan films submitted to the government for censorship approval from 1949 to 1993. Includes 3,478 fictional films, 2,227 news and documentary films, and 323 short films. The filmography is organized by film title.
6
Bibliographies and Filmographies
0025
Although the text is primarily based on films submitted for government approval, the text includes a few additions from other resources. In principle, the text only lists films produced in Taiwan; however, jointly produced Taiwan and Hong Kong films are also included. CTFAL Chi
0023 Taiwan song jian ying pian ji duan pian pian mu (1949–1994) / Lu Feiyi zhu bian. ݡஹ؟ഛؙә᠕ߦәә۵ (1949–1994) / ᡭۘډҰഹ. Taibei: Xing zheng yuan xin wen ju Zhonghua Minguo dian ying nian zhi wei hui, 1994. 472 p. Series title: Dian ying zi liao ku cong shu; 5 Ӈࢧޞؙᆞᜣ ;ڣ5 Note: This is a complete filmography and statistical record of Taiwan films submitted to the government for censorship approval from 1949 to 1994. Includes 3,500 fictional films, 2,227 news and documentary films, and 342 short films. The filmography is organized by film title and is based primarily on film applications submitted to the government. Beginning in 1950, every film produced in Taiwan required state approval. Contains statistical charts of Taiwan film production from 1949 to 1994, a filmography of the films submitted for censorship approval from 1949 to 1993 with an accompanying index, and a filmography of the films submitted for government approval in 1994, divided into the following categories: Taiwan, Hong Kong, Other, and Short films. CTFAL Chi
0021 Taiwan dian ying zhen gui ying xiang shi liao mu lu (Di yi ji 35 nian– 58 nian) / Taiwan dian ying wen hua gong si. ݡஹӇੵؙਰؙՌࢧ۵࠷ (ҷϣফ 35ё58ё) / ݡஹӇؙҹ٩ԍ ޅ. Taibei: Taiwan dian ying wen hua gong si, [1969] 90 p. Note: A filmography, organized by film production date, of news and documentary films distributed by Taiwan dian ying wen hua gong si (Taiwan Film Culture Company) from 1945 to 1969. CTFAL Chi
0022 Taiwan sheng dian ying zhi pian chang ying pian zong mu lu / Zong bian ji Yu Ruji. ݡஹӇؙ३әྃր۵࠷ / րഹফҒࡵ. Taizhong Xian Wufeng xiang: Taiwan sheng dian ying zhi pian chang, 1984. 2 v. (560 p.) Note: A filmography of films produced by Taiwan Sheng dian ying zhi pian chang (Taiwan Provincial Film Production Studio) from 1945 to 1984. Includes a history of the studio, film distribution map, list of awardwinning films, and a studio organization chart. The filmography is organized by production date under the following categories: (1) Feature Films (16 titles), including introduction, credits, synopsis, film stills, posters, and photos; (2) Social Education Films containing plots (47 titles), including film title, runtime, production date, language, and official sponsors; (3) Social Education Films not containing plots (79 titles), including film title, runtime, production date, language, and official sponsors; (4) News Films for Domestic Distribution (1,317 titles), including film title, runtime, production date, and color information; (5) News Film for Overseas Chinese Distribution (180 titles), including film title, runtime, production date, and color information; (6) News Film for Overseas Distribution (121 titles), including film title, runtime, production date, language, and color information; (7) News Film for Domestic Countryside Distribution (146 titles), including film title, runtime, production date, and color information; (8) Short Television Films (1,095 titles), including film title, runtime, production date, and television channel; (9) Documentary Films (303 titles), including film title, runtime, production date, language, color information, and official sponsors. Text does not include an index. WorldCat Chi
0024 Taiwan xin wen / ji lu pian pian mu / Ji hua zhi xing dan wei: Guo jia dian ying zi liao guan; Ji hua zhu chi ren: Li Daoming, Lu Feiyi; gong tong zhu chi ren: Zhang Changyan, Wang Weici. ݡஹЈࢨ / ઔ࠷әә۵ / ޫذవҲ֧: лрӇࢧޞؙఖ; ޫذҰ فϪ: ଽѬҴ, ᡭۘ ;ډӎҰفϪ: פቾ, ࣼ໓፦. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1999. 648 p. Note: A filmography of Taiwan news and documentary films produced from 1945 to 1998. Each entry in the filmography contains general information, including a film synopsis and current film location. Because the filmography has no index and is organized by production date or by institution name, it is difficult to search for film titles, directors, producers, or film content. CTFAL Chi
0025 Taiwan xin wen / ji lu pian pian mu / Ji hua zhi xing dan wei: Guo jia dian ying zi liao guan; Ji hua zhu chi ren: Wang Weici, Li Daoming, Zhang Changyan, Lu Feiyi. ݡஹЈࢨ / ઔ࠷әә۵ / ޫذవҲ֧: лрӇࢧޞؙఖ; ޫذҰ فϪ: ࣼ໓፦, ଽѬҴ, פቾ, ᡭۘډ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2000. 2 v. (736 p.) Note: The most comprehensive filmography of Taiwan news and documentary films produced from 1907 to 1999. Divided into two parts: (1) Part One: Colonial Period, organized by film production date; and (2) Part 2: After Taiwan Retrocession, organized according to the seventeen institutions that housed the films. Each entry
7
Reference Materials
0026 in the filmography consists of detailed information, including a synopsis, current film location, copyright holder, source, record code, name of person recording the film information, and date. Because the filmography has no index and is organized by production date or by institution name, it is difficult to search for film titles, directors, producers, or film content. CTFAL Chi
0029 Zhonghua Minguo dian ying ying pian shang ying cong mu: min guo 38 nian zhi 71 nian / Bian zhe Liang Liang, bian ji Zha Zhiyao. ЅھܓлӇؙؙәϼྱր۵:ھлѧࡂё۠ࢳϣё / ഹٷᅯ મ,ഹফݓҏ. Taibei: Zhonghua Minguo dian ying shi ye fa zhan ji jin hui dian ying tu shu guan chu ban bu, 1984. 2 v. Note: A filmography of films screened in Taiwan from 1949 to 1982. Organized chronologically starting with the first public screening of films in Taipei’s movie theaters. Dates are based on movie advertisements published in two Taiwan newspapers: the Central Daily and Union Daily. Information includes film title, genre, studio, director, cast, workers, screening dates, and notes. The index of film titles is organized by the year each film screened in theaters in Taipei and by the number of the Chinese character strokes in each film title. WorldCat Chi
0026 Ying hua zong mu lu. ྱޫր۵࠷. Taizhong: Taizhong zhou xue xiao ying hua lian meng, [n.d.] Note: Author Jim Cheng noticed this title in the bibliography of a book but could not locate the actual text at the three major libraries housing film materials in Taipei (NCL, NTU, and CTFA). The text appears to be a filmography compiled during the Japanese colonial period in Taiwan. [Jpn]
0027 1.2
Ying san bai / Dou Jiangming zhu bian. ؙѧ ښ/ 扻ҴҰ൜. Shanghai: Fudan da xue chu ban she, 2006. 342 p. ISBN 7309048431 Note: Shu Qi and Luo Ka, two film critics, directors, and scholars from Hong Kong, present the 100 best films from mainland China, Hong Kong, and Taiwan; the 100 best actors and actresses with accompanying biographies; and the 100 best film directors in Chinese film history. Luo Ka admits in the postscript that the authors focused only on Taiwan’s standard, often-cited titles and film personnel. The book also includes a collection of essays that cover 100 years of Chinese film history, including an essay by Taiwan film critic Huang Ren (pp. 28–59) that deals with Taiwan’s early film history from 1907 to 1964, and an essay by August Palmer (pp. 99–152) that considers the interactions among Hong Kong New Wave films, New Taiwan films, and mainland China fifth-generation films from 1979 to 1999. Endnotes are included at the end of each essay. Includes both a bibliography and a chronology. WorldCat Chi
INDEXES
0030 Goble, Alan. The International Film Index 1895–1990 / edited by Alan Goble. London: Bowker-saur, 1991. 2 v. ISBN 0862916232 Note: Covers 182,456 films and 24,688 world film directors. Contains numerous mistakes relating to Taiwan film titles and directors’ names. Vol. 1, “Film Titles” uses Chinese romanized (WadeGiles) titles as the proper titles for films produced in Taiwan but also uses English translations of the titles as a reference. For example, Hou Hsiao-hsien’s Pei-Ch’ing Cheng-Shih is used as a proper title while the English title, A City of Sadness, is provided as a reference title. Vol. 2, “Directors’ Filmography and Indexes” is categorized in four parts: (1) Directors’ filmography, (2) Directors by country, (3) Directors of animated film, and (4) Selected bibliography. Forty-nine film directors are listed under “Taiwan” and each director’s films are listed in a corresponding filmography; for example, Hou Hsiao-hsien is presented with seven films, produced from 1983 to 1989, in his filmography. However, famous Taiwan director Li Xing (1930–) is listed as a Hong Kong film director, his name is misspelled “Li Hsin, 1931–,” and his limited filmography contains only works produced from 1965 to 1982. WorldCat Eng
0028 Zhong yang dian ying gong si ying pian mu lu = Guide to motion pictures / Zhong yang dian ying shi ye gu fen you xian gong si. Ѕ႑Ӈؙԍؙޅә۵࠷ = Guide to motion pictures / Ѕ႑ӇؙѨ ੦ڤϩࡳԍޅ. Taibei: Zhong yang dian ying shi ye gu fen you xian gong si, 1982. 2 v. Note: A filmography of films produced by Zhong ying (Central Motion Picture Corporation). Includes film stills and photos. WorldCat Chi
0031 Ka fei shi guang, suo yin / Lao Jiahua deng. ౹Жׇ, / ҡဓܓҳ. Taibei: San shi duo mei ti wang lu go fen you xiang gong si, 2004. 189 p.
8
Dictionaries
Note:
0038 A special publication for Hou Hsiao-hsien’s 2003 film Ka fei shi guang (Café Lumière). The literal translation of the film is “coffee time.” Commissioned by the Japanese film studio, Shochiku; includes the film’s background story, credits, and an index. CTFAL Chi
Westport, CT: Greenwood Press, 1993. 342 p. ISBN 0313291233 Note: A dictionary of 3,400 acronyms and abbreviations commonly used in the film, television, and video industries, including a few used in Taiwan. Under “Country Index” a Taiwan entry contains five acronyms and abbreviations. Includes Full Name, Subject/Theme, and Country indexes. WorldCat Eng
0032 MacCann, Richard Dyer. The new film index: a bibliography of magazine articles in English, 1930–1970 / by Richard Dyer MacCann and Edward S. Perry. With special editorial assistance by Mikki Moisio. New York: Dutton, 1975. 522 p. ISBN 0525165541 Note: Includes a brief section on “China, Taiwan, Hong Kong,” under the “Film History” heading (pp. 212–213). WorldCat Eng
1.3
0036 Slide, Anthony. The international film industry: a historical dictionary. New York: Greenwood Press, 1989. 423 p. ISBN 0313256357 Note: This dictionary presents limited and often-biased information about the Chinese film industry. For example, under the “Taiwan” entry (pp. 345–346), the influence of Japan during the colonial period (1895–1945) is not mentioned, and the explanation that Taiwan’s film industry originated in mainland China is, at the least, incomplete. The text, however, does provide interesting statistics regarding the overall state of the Taiwan film industry. For example, at the time of the book’s publication 450 movie theaters were in Taiwan, the cost of producing a film in Taiwan was $100,000, and the output of Taiwan’s annual feature films decreased from 250 at the beginning of the 1980s to 150 by the end of the 1980s; also, after Japan severed diplomatic relations with Taiwan in the mid-1970s, Japanese films were banned in Taiwan. Includes an index and a bibliography under each entry. WorldCat Eng
DICTIONARIES
0033 Cowie, Peter. International film guide 1988. London: Tantivy Press, 1987. Note: The entry “Taiwan” (pp. 328–333) includes a general introduction to Taiwan films. WorldCat Eng
0034 Dian ying ci dian / Zong bian ji Xu Ligong deng ӇؙᏰਹ / րഹফጝ߹ۋҳ. Taibei: Guo jia dian ying zi liao guan, 1999. 312 p. ISBN 9579904804 Note: A general English–Chinese film dictionary organized alphabetically in English. Presents general film–related terms (such as film history, titles, directors, studios, actors and actresses, technology, theory) followed in Chinese with the term’s translation, interpretation, and historical information. Three directors of the Chinese Taipei Film Archive in Taiwan (Hsu Li-kong 1978–1989, Jing Yingrui 1989–1996, and Huang Jianye 1996–2000) spent ten years (1989–1999) completing the book. It represents the highest standard of international film studies in Taiwan. However, very few Taiwan film related subjects, such as Taiwan director Hou Hsiao-hsien and his films, are mentioned in the book, and none of the Taiwan film–related subjects are treated as formal entries. Includes both Chinese and English subject, name, and film title indexes. WorldCat Eng Chi
0037 Taiwan ying shi ge ren wu zhi 1950–1965 / Yao Liqun deng zhuan bian. ݡஹؙ؆ܮϪ௨ 1950–1965 / ߹ळҳ᫃ഹ. Taibei: Xing zheng yuan xin wen ju, 2008. 207 p. ISBN 19789860134841 Note: A biographical dictionary of 33 of Taiwan’s distinguished actors and actresses in the film, television, and singing/opera professions active from 1950 to 1965. Organized by the number of the Chinese character strokes in each name, entries contain a biography and filmography. Includes photos, screen shots, film stills, bibliography, and introduction of the contributors. CTFAL Chi
0038 Ying san bai / Dou Jiangming zhu bian. ؙѧ ښ/ 扻ҴҰ൜. Shanghai: Fudan da xue chu ban she, 2006. 342 p. ISBN 7309048431
0035 International film, television and video acronyms / edited by Matthew Stevens.
9
Reference Materials
0039 Note:
Shu Qi and Luo Ka, two film critics, directors, and scholars from Hong Kong, present the 100 best films from mainland China, Hong Kong, and Taiwan; the 100 best actors and actresses with accompanying biographies; and the 100 best film directors in Chinese film history. Luo Ka admits in the postscript that the authors focused only on Taiwan’s standard, often-cited titles and film personnel. The book also includes a collection of essays that cover 100 years of Chinese film history, including an essay by Taiwan film critic Huang Ren (pp. 28–59) that deals with Taiwan’s early film history from 1907 to 1964, and an essay by August Palmer (pp. 99–152) that considers the interactions among Hong Kong New Wave films, New Taiwan films, and mainland China fifth-generation films from 1979 to 1999. Endnotes are included at the end of each essay. Includes both a bibliography and a chronology. WorldCat Chi
and includes 2000 films that were labeled as “politically reactionary films.” In the preface, the publisher gives credit to the contributions made by Li Hang, Huang Ren, and Liang Liang in Taiwan, and Yu Muyun in Hong Kong. Contains a comprehensive index organized under fourteen category titles. WorldCat Chi
0041 Zhongguo dian ying dian shi ming ren lu / Zhu bian Huang Ren deng. ЅлӇؙӇ؆ӜϪ࠷ / Ұഹࢶწҳ. Taibei: Jin ri dian ying za zhi she, 1982. 719 p. Note: Contains more than 2,000 film and television personnel in Taiwan and Hong Kong, each with an accompanying photo, biography, chronology, and production list. Organized by the number of Chinese character strokes in each name. Appendix includes the following lists: films in international film festivals, Golden Horse Award winners, Golden Bell Award winners, R.O.C. Film Production Association Members, R.O.C. Film and Drama Association Trustee and Members, Taiwan Provincial Film and Drama Commerce Members, Taipei Film and Drama Commerce Members, and a Name Index. CTFAL Chi
0039 Zhong wai ying shi da ci dian = Dictionary of cinema and teleplay / Wang Liu zhu bian. Ѕؙ֔؇Ͻਹ = Dictionary of cinema and teleplay / ᑓԵҰ൜. Beijing: Zhongguo guang bo dian shi chu ban she, 2001. 1025 p. ISBN 7504335320 Note: Presents more than 3,000 entries covering Chinese (mainland China, Hong Kong, and Taiwan) and foreign films and television shows. It aims to cover as many subjects as possible, including some areas that have not been covered by similar dictionaries, such as a list of film- and television-related journals and newspapers. The coverage of Taiwan film and television, however, is incomplete and misleading because its editorial board and contributors do not include recognized Taiwan film and television experts. For example, important Taiwan film director and scholar, Wang Sushang, is not mentioned in the book. Includes a general term index organized according to the Pinyin alphabetic order. WorldCat Chi
0042 Zhongguo dian ying dian shi yi shu jia ci dian = Dictionary of Chinese film-TV artists / Zhu bian Wang Yunman. Ѕмӈؙӈ؇भр୫ਹ = Dictionary of Chinese film-TV artists / Ұ൜ࣼ࠭㓧. Nanning: Guangxi ren min chu ban she, 1991. 767 p. ISBN 7219018495 Note: A dictionary containing more than 1,500 entries of selected film and television personnel in mainland China, Hong Kong, and Taiwan through 1990. Many important film directors, such as Bai Ke, Zong You, Wang Tung, and Wang Jujin, are not included in the book; thus, this is not a good reference source for Taiwan film artists. Organized by the number of Chinese character strokes in each artist’s surname. WorldCat Chi
0040 Zhongguo dian ying da ci dian = China cinema encyclopedia / Zhu bian Zhang Junxiang, Cheng Jihua. ЅмӈؙϽਹ = China cinema encyclopedia / Ұ൜צẰፖ䩟 ࡄ ࡵܗ. Shanghai: Shanghai zi shu chu ban she, 1995. 1509 p. ISBN 7532603261 Note: A relatively comprehensive and objective Chinese film dictionary covering mainland China, Hong Kong and Taiwan; however, some films and their production studios under Japanese control during the Second Sino-Japanese War in mainland China are deliberately omitted. Includes a first word index arranged by Pinyin, and a subject index arranged by stroke number. Contains 6,139 entries, including films that received domestic film awards and international film awards,
0043 Zhongguo dian ying yan yuan ci dian / Zhongguo dian ying ping lun xue hui, Hubei sheng dian ying ping lun xue hui bian zhu; zhu bian Cheng Shu’an; fu zhu bian Lie Fu, Liang Liang, Dai Lixin. Ѕмӈؙࠟ୫ਹ / Ѕмӈڹؙ߯ѺϿ䩟 ܚӈڹؙ߯ѺϿ൜ Я 䩮 Ұ൜ࡄஔԥ䩟ైҰ൜࠶⅃䩟 ᅯમ䩟 ඕ߹Ј. Beijing: Zhongguo guang bo dian shi chu ban she, 1993. 501 p. ISBN 7504320609 Note: A biographical dictionary of more than 1,100 Chinese film actors and actresses in mainland China, Hong Kong, and Taiwan. Organized by the number of Chinese character strokes in the names. The editor admits, in the preface, that many Taiwan and Hong Kong film
10
Directories / Encyclopedias
0048 1.5
actors and actresses are not included because of limited contact with Taiwan’s film industry. Interestingly, Taiwan film actress Jiang Qing (1946–) is included in the book; however, the mainland China film actress Jiang Qing (1914–1991) is not included in the book because, as Chinese Communist Party Chairman Mao Zedong’s wife, her later political involvement led the editor to exclude her from the book. Includes a name index based on the number of Chinese character strokes in each name, a name index based on Pinyin names in alphabetical order at the beginning of the book, two lists of mainland China and Taiwan film actors and actresses who won awards abroad, and three lists of film actors and actresses who won any of the three domestic film awards in both mainland China and Taiwan. WorldCat Chi
1.4
ENCYCLOPEDIAS
0046 Palmer, Bill, 1947– The encyclopedia of martial arts movies / Bill Palmer, Karen Palmer, and Ric Meyers. Metuchen, NJ: Scarecrow Press, 1995. 465 p. ISBN 0810830272 (acid-free paper) Note: Provides 3,281 entries on martial arts films produced mainly in Hong Kong, Taiwan, Japan, the United States, and China with film information, including the title, cast, director, producer, film studio, runtime, and availability. The major problems with the text are as follows: only English translations are used for all nonEnglish films, and the names of Chinese cast members are often romanized in nonstandard ways. For example, famous Chinese martial arts film star Jet Li is presented as “Li Lianjie,” which is the standard Pinyin romanization system of his name, or “Li Lien-chieh,” his name in the standard Wade-Giles romanization system. However, Jet Li’s name, in this work, is “Li Lin-jei.” Jet Li’s popular, nonstandard English name, “Jat Lee,” is provided in the aliases section. Includes bibliographical references (p. 417), aliases, and a name index. WorldCat Eng
DIRECTORIES
0044 Pai Taibei: ying shi kan jing zhi nan = Taipei cinema location guide / Rao Zijuan zhu bian. ܚݡޛ: ؙ؆ = ۪܋Taipei cinema location guide / ᓔཎᥱ Ұഹ. Taibei: Taibei shi dian ying wei yuan hui, 2009. 199 p. ISBN 9789868468603 Note: A bilingual (Chinese and English) guidebook to Taipei’s cultural areas, scenic spots, and filming sites. Important information is included in the appendix, including Production Subsidies in Taipei, Directions for Funding Foreign Motion Picture Production Enterprises to Produce Motion Pictures in Taiwan, Regulations Governing Tax Credit for Businesses Investing in Motion Picture Production Enterprises for the Production of Domestically Produced Motion Pictures, Current Preferential Taxation Policies on Films, and Directory of Motion Picture Industry in Taiwan. NTUL Chi Eng
0047 Shi jie dian ying bai ke quan shu / Yang Haiming deng bian yi. Ԓ֎ӈ॓ښؙҪ ڪ/ Ҵҳ൜ፈ. Beijing: She hui ke xue wen xian chu ban she, 1993. 820 p. ISBN 7800502031; 9787800502033 Note: A text translated primarily from the Russian-language Encyclopedia of the Cinema, published in 1986 by the Soviet Encyclopedia Press. Entries for lesser Soviet and Eastern Block personalities have been deleted and thorough coverage of film personalities from mainland China, Hong Kong and Taiwan have been added. However, the only fourth- and fifth-generation directors, actors, and actresses included from mainland China are those who won Golden Rooster Awards or Hundred Flowers Awards. Duxiu Chi
0045 0048
Zhonghua Minguo dian ying dao yan xie hui hui yuan ming dan = Directory/ Directors Guide of Taiwan, R.O.C. / Bian ji: Tang Mingzhu deng. ЅھܓлӇؙ࣒ࠟϾϾӜ = Directory / Directors Guide of Taiwan, R.O.C. / ഹফ: ࿔Ҵҳ. Taibei: Zhonghua minguo dian ying dao yan xie hui, 1996. 112 p. Note: A member’s directory of the R.O.C. Film Directors Association organized by the number of the Chinese character strokes in the names. Each entry includes the member’s photo, brief resume, film list, and a related film still, but no contact information is provided. CTFAL Chi
Zhang, Yingjin. Encyclopedia of Chinese film / Yingjin Zhang and Zhiwei Xiao; with additional contributions from Ru-shou Robert Chen . . . [et al.]; edited by Yingjin Zhang. London; New York: Routledge, 1998. 475 p. ISBN 0415151686 Note: Includes six historical essays on the film traditions in China, Hong Kong, and Taiwan, including “Taiwan cinema” by Ru-shou Robert Chen (pp. 47–63), which divides Taiwan film history into five parts: (1) Early formation, 1901–45; (2) Destruction and restoration,
11
Reference Materials
0049 1945–59; (3) Revitalization and decay, 1960–70s; (4) Taiwan New Cinema, 1980s; and (5) Recent developments, 1990s, as well as a further reading list at the conclusion of each section. It is a brief, yet in-depth, summary of Taiwan film history with statistical data to support the author’s points. The essay “Transnational cinema: mainland China, Hong Kong and Taiwan” by Yingjin Zhang (pp. 63–65) provides an outline of the relationship between mainland China, Hong Kong, and Taiwan within film studies and includes a further reading list. Contains bibliographical references (pp. 397–411); three indexes (Title Index, Name Index, and Studio Index); and a glossary in Pinyin romanization, Chinese characters, and English. WorldCat Eng Chi
1.6
Chinese Taipei Film Archive in June 2008. Includes an evaluation report on the condition of movies housed in the Chinese Taipei Film Archive. CTFAL Chi
0052 Chambers film factfinder. Edinburgh: Chambers, 2006. 474 p. ISBN 9780550101976, 0550101977 Note: An international film factfinder. Consists of five parts: Part 1: People in Film; Part 2: Film Categories and Genres; Part 3: Film-Producing Countries; Part 4: Notable Films; and Part 5: Film Reference. Contains Taiwan cinema facts. Includes a glossary of film related terms and an index of film titles. WorldCat Eng
0053
CATALOGS, GUIDES, HANDBOOKS, FACTFINDERS, AND M ANUALS
Davis, Darrell Williams. East Asian screen industries / Darrell Williams; Emilie Yueh-yu Yeh. London: British Film Institute, 2007. 192 p. ISBN 9781844571802 (hbk.); 1844571807 (hbk.); 9781844571819 (pbk.); 1844571815 (pbk.) Note: East Asian Screen Industries is situated at the forefront of current trends in film studies. It recognizes the continuing importance of national policy and identity in the production of the film image, but it also observes the regional connections between Korea, Japan, China, Taiwan, and Hong Kong that must be factored into a present-day consideration of film in the region. Specifically, Davis and Yeh focus on the ways deregulation, that is the abandonment of protectionist measures such as government-imposed quotas and tax barriers, has led to the influx of Hollywood film in East Asia. This, in turn, challenged local industries, but also provided an opportunity for various film industries to restructure and reconsider industrial practices in a make or break effort to maintain their vitality despite the obstacles—be they institutional, economic, or political. Davis and Yeh describe East Asia’s vibrant and energetic market with a series of case studies and examples. Their close readings of key films and examples of key film personnel are concise and informative. Thus, this text reads as a current who’s who and what’s what of the East Asia cinema industry; yet, as the book also makes clear, the authors recognize that the film industry changes quickly. WorldCat Eng
0049 2008 ying yin shu wei hua gong zuo shou ce / Pan Xiuling, Liu Xinmei, Wang Zupei bian. 2008 ُ֧ٸؙ٩֞ӑѲೠ / ᕤ㆑ᦚ, ಶᄮ, ࣼྥⳍഹ. Taipei: Guo jia dian ying zi liao guan, 2008. 62 p. Note: A technical manual for the audio and video (AV) digitalization process in Taiwan based on the Digital Archive Workshop hosted by the Chinese Taipei Film Archive. CTFAL Chi
0050 2008 dian ying tu wen bao cun wei hu shou ce / Xu Changye, Chen Yingjie, Xiao Yixia bian. 2008 Ӈؙ֖ҹࣆۆࡖخѲೠ / ጝቾ, ᙀ, ᖆ࣊ᎇഹ. Taibei: Guo jia dian ying zi liao guan, 2008. 68 p. Note: A technical manual for the preservation and conservation of film-related pictorial and print materials. Divided into five categories: Picture, Photograph, Film, Word, and Object. Publication based on the Digital Archive Workshop hosted by the Chinese Taipei Film Archive in 2008. Includes a bibliography. CTFAL Chi
0051
0054
2008 nian ying pian yu fang xing bao hu shou ce / Xie Lihua deng bian. 2008 ёؙәভࣃԛࣆخѲೠ / ܓܡهҳഹ. Taibei: Guo jia dian ying zi liao guan, 2008. 64 p. Note: A technical manual for the preservation and conservation of movies, based on the AV Copyright and Film Management Practice Workshop hosted by the
Di wu shi yi jie Ya Tai ying zhan jie mu shou ce = The 51st AsiaPacific Film Festival / Zhu ban dan wei Zhonghua Minguo dian ying xi ju xie hui, Taibei shi zheng fu. ҷٚϣโਐѿڞࣁؙ۵Ѳೠ= The 51st Asia-Pacific Film Festival / Ұ֧ދЅھܓлӇঁؙۚϾ, ूصܚݡ. Taibei: The 51st Asia-Pacific Film Festival, 2006. 70 p.
12
Catalogs, Guides, Handbooks, Factfinders, and Manuals
Note:
0061
A bilingual (Chinese and English) program guide to the 51st Asia-Pacific Film Festival hosted by the R.O.C. Film & Drama Association and the Taipei Municipal Government from November 14 to 24, 2006. Includes film symposium program, film festival program, schedule, and synopses of the festival films, including nine Taiwan films. NTUL Chi Eng
0058 Films very well made in Taiwan, 1994 / edited by Peggy Chiao, Jean Yeh, Theresa Ma. Taibei: Government Information Office, 1994. 16 p. Note: A film catalog of Taiwanese films produced in 1994. Published by the Government Information Office (GIO) to promote Taiwan films globally. WorldCat Eng
0055 Di yi jie min zu zhi ying zhan xun yan ji “Ying xiang zhong de zu qun wen hua” yan xi ying yan xi shou ce / Taiwan min zu zhi ying xiang xue hui. ҷϣโھఓ௨ࣁؙ፶ࠟ᠕ “ؙՌЅϡఓळҹ٩”୳܄୳ॺ܄Ѳೠ / ݡஹھఓ௨ؙՌѹϾ. Taibei: Taiwan min zu zhi ying xiang xue hui, 2002. 38 p. Note: A manual for the Ethnic Culture in Film Images study camp hosted by the Taiwan Association of Visual Ethnography during the first Taiwan International Ethnographic Film Festival Touring Exhibition from April 13 to June 2, 2002. Includes a collection of articles by Taiwan scholars on ethnographic films shown during the festival, a study camp program and schedule, and synopses (in both Chinese and English) of sixteen films shown during the festival and study camp, including four Taiwan films. NTUL Chi Eng
0059 Guang ying ji xing: Gaoxiong xian ying shi kan jing shou ce = Journey to cinema: a guide book for film-makers on locations in Kaohsiung county / Zhou Jiarong zhu bian; Huang Zhengyue she ying. ׇؙઔҲ: ҙؙ້؆ Ѳೠ = Journey to cinema: a guide book for film-makers on locations in Kaohsiung county / رрึҰഹ; ࢶ Ԝៈؙ. Gaoxiong: Gaoxiong xian zheng fu, 2009. 183 p. ISBN 9789860191172 Note: A bilingual, pictorial guidebook prepared by the Kaohsiung County Government for filmmakers who may want to choose Kaohsiung as their film’s setting. Presents comments from directors who have used Kaohsiung’s natural, historical, and cultural landmarks in their films. Includes directions for Kaohsiung County Film Subsidies and Kaohsiung County Accommodation Information. CTFAL Chi Eng
0056 0060
Di er jie wen hua zi chan ji lu pian xun hui guan mo yan xi ying: chu jie ke cheng xue yuan shou ce / Ce hua Xing zheng yuan wen hua jian she wei yuan hui. ҷԏโҹ٩ݗޞઔ࠷ә፶፯ಎ୳ॺ܄: २႓ࠆࡄѹѲೠ / ೫ Ҳूࡨҹ٩ࠃޗణϾ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1998. 133 p. Note: A study manual for students of the Second Cultural Heritage Documentary Film Exhibit and Study Camp, sponsored by the Council on Cultural Affairs, Executive Yuan in Taiwan in 1997. Includes an introduction to the program, lecturers, related papers, curricula, synopses of related films, and a result report of the Second Cultural Heritage Documentary Film Exhibit and Symposium by Wang Weici, organizer of the exhibit and symposium. CTFAL Chi
Li, Daoming. Crossing waves: documenting Taiwan in the 1990s / Li Daoming, Mao Yiling. Taibei: Xing zhen yuan wen hua jian she wei yuan hui. Note: A manual prepared for the “Crossing Waves: Documenting Taiwan in the 1990s” exhibition of Taiwan films, which toured the University of California–Los Angeles, the University of California–Berkeley, and Harvard in 1999. Organized by the Chinese Taipei Film Archive. CTFAL Eng
0061 Li, Youning (Lee, You-ning), 1951– ଽᏖો. Ru he pai she dian ying: dian ying qi hua zhi zuo shi zhan shou ce (di san ban). ҒޛحӇؙ: Ӈؙఌ३ӑӢڕѲೠ (ҷѧ)ؗ. Taibei: Shan zhou chu ban she, 2010. 431 p. ISBN 9861202587, 9789861202587 Series title: Dian ying chuang zuo gai nian shu; 1 Ӈࡶؙӑม݉ ;ڣ1 Note: The third edition of the original book, first published in 2000 with many additions and updates. From the local Taiwan perspective, this is the most comprehensive and practical handbook on film production in Taiwan. The author combines his experiences both as a film director and as educator.
0057 Di san jie wen hua zi chan ji lu pian xun hui guan mo cheng guo bao gao / Wang Weici zhu chi ce hua. ҷѧโҹ٩ݗޞઔ࠷ә፶፯ಎюҝ ݍڻ/ ࣼ໓፦Ұف೫. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1999. Note: Author Jim Cheng found this title in the bibliography of the Third Cultural Heritage Documentary Film Exhibit and Study Camp report; however, he could not locate the actual text at the three major libraries housing film materials in Taipei (NCL, NTU, and CTFA). Chi
13
Reference Materials
0062 The appendix includes a bibliography, film-related institutions and organizations, websites, training classes, casting agencies, equipment rentals, related laws, regulations, sample forms, contracts, and budget information. WorldCat Chi
0064a Rojas, Carlos. The Oxford Handbook of Chinese Cinemas / edited by Carlos Rojas and Eileen Cheng-yin Chow. 709 p. ISBN 9780199765607; 019976560X New York: Oxford University Press, 2013. Note: This volume includes thirty-three essays written by leading researchers in the field of Chinese cinema, divided into three parts: (1) Part I describes the history of Chinese cinema from its beginnings on the mainland to contemporary Hong Kong, Taiwan, and China coproductions; (2) Part II features the study of Chinese cinema’s techniques and aesthetic influences such as Chinese opera and martial arts, and political influences such as “Maoist film”; (3) Part III focuses on Chinese film production, distribution, and reception. Includes “Taiwan New Cinema: Small Nation with Soft Power” by Song Hwee Lim (pp. 152–169). WorldCat Eng
0062 “Ling yi zhong qing ting”—jia ting jiao yu dian ying xin shang tao lun shou ce / Zuo zhe Hong Pinli, Zhu Liying. “ࡔϣ҆ԯ”—рڌड़Ӈؙಶक़ںѲೠ / ӑٷᖻԘᰆ, ᗌው߭. Taibei: Taiwan di qu jia ting jiao yu zhong xin, 1996. 133 p. Series title: Jia ting jiao yu zhong xin zhuan ye xi lie gong zuo shou ce; PF1012 рڌड़ࠔעЅК֟࠶ڍѲೠ; PF1012 Note: A handbook for Taiwan families who wish to use films for educational purposes in the home. Recommended films are organized by subject and time period. Each film is accompanied by credits, a synopsis, suggested discussion topics, and related reading materials. CTFAL Chi
0065 Roth Li, Gertraude. Films for Chinese studies / compiled by Gertraude Roth Li, Marie Saulino Lew. Honolulu, HI: University of Hawaii, Center for Chinese Studies, 1988. 191 p. Note: A catalog of films related to Chinese studies, including Taiwan films, collected by five libraries in Honolulu. WorldCat Eng
0063 New films from Taiwan / American Film Institute; Coordination Council for North American Affairs (New York, NY); Ford Aerospace & Communications Corporation. Washington, DC: American Film Institute, 1988. 13 p. Note: A program handout and guide for a 1988 tour of six feature films from Taiwan in the United States, presented by the American Film Institute. Includes credits, synopses, and stills of the six films. WorldCat Eng
0066 Taiwan guo ji ji lu pian shuang nian zhan te kan. ݡஹлগઔ࠷әדёࣁئᑂ. Taibei: Taiwan guo ji ji lu pian shuang nian zhan ri xing wei yuan hui, 1998. Note: Author Jim Cheng noticed this document, a program for the government-sponsored Taiwan International Documentary Film Festival in 1998, but could not locate the actual text at the three major libraries housing film materials in Taipei (NCL, NTU, and CTFA). Chi Eng
0064 Pai Taibei: ying shi kan jing zhi nan = Taipei cinema location guide / Rao Zijuan zhu bian. ܚݡޛ: ؙ؆ = ۪܋Taipei cinema location guide / ᓔཎᥱҰ ഹ. Taibei: Taibei shi dian ying wei yuan hui, 2009. 199 p. ISBN 9789868468603 Note: A bilingual (Chinese and English) guidebook to Taipei’s cultural areas, scenic spots, and filming sites. Important information is included in the appendix, including Production Subsidies in Taipei, Directions for Funding Foreign Motion Picture Production Enterprises to Produce Motion Pictures in Taiwan, Regulations Governing Tax Credit for Businesses Investing in Motion Picture Production Enterprises for the Production of Domestically Produced Motion Pictures, Current Preferential Taxation Policies on Films, and Directory of Motion Picture Industry in Taiwan. NTUL Chi Eng
0067 Xuan pian zhi nan: 200 bu zui shou huan ying de dian ying / Wang Zhicheng, Chen Yaoxing, Wen Tianxiang, Hong Hong zhu. קә۪܋: 200חзիӨࣽϡӇ ؙ/ ࣼю, ࣱ, ࢨϳፖ, Я. Taibei: Di mao guo ji chu ban gong si, 1996. 239 p. ISBN 9578897383 Note: A family guide for selecting international films, videos, or movies shown on cable television. Organized by film genre and country. Taiwan films are listed under the genres “Literary” and “Comedy.” Includes English and Chinese indexes. CTFAL Chi
14
Catalogs, Guides, Handbooks, Factfinders, and Manuals
0069
0068
0069
Ying ye shou ce / Taibei shi ying pian shang ye tong ye gong hui. ؙѲೠ / ࠱ؙصܚݡӎԍϾ. Taibei: Taibei shi ying ye shang ye tong ye gong hui, [1952] 70 p. Note: A handbook for the Taipei Municipal Film Distributors Association. Includes Film Distributors Association and Film Drama Association bylaws, regulations for film censorship, theater management, film business registration, and application procedures for wiring foreign currency used for filmmaking. CTFAL Chi
Zhou, Liming. رሑҴ. Hua yu pian die zhong die / Zhou Liming, Liang Liang zhu. ܬܗәᖦЅᖦ / رሑҴ䩟ᅯમЯ. Guangzhou: Hua cheng chu ban she, 2006. 433 p. ISBN 7536047037 (pbk.), 9787536047037 (pbk.) Series title: Raymond Zhou’s Film Guide Hua yu dian ying 2000 bu “Die zhong die” xi lie; di 3 juan ܬܗӈؙ2000”חᖦЅᖦ”࠶ڍ䩮 ҷ3ඵ Note: A Chinese film (DVD) guide with more than 2,000 film reviews of representative films from Taiwan, Hong Kong, and mainland China. WorldCat Chi
15
2 Film History
2.1
GENERAL
Series title: Wen ke zhi shi ҹ॓Ҍࡧ Note: A general introduction to the films and television series of mainland China and Taiwan. WorldCat Chi
0070 2007 Taizhong xue yan tao hui: dian ying wen hua pian lun wen ji / Cai tuan far en Taiwan dian ying wen hua xie hui zhu bian. 2007ݡЅѹ୳क़Ͼ: Ӈؙҹ٩ࢡںҹओ / ֚ࣗϪݡஹӇؙҹ٩ ϾҰഹ. Taizhong: Taizhong shi wen hua ju, 2007. 225 p. ISBN 9789860116786 Note: Published conference proceedings from a film symposium cohosted by the Taichung Municipal Government and Taiwan Film and Culture Association in 2007. The sixteen papers and eight lectures in the book focus on the relationship between Taichung and film. Includes a symposium program and an introduction to the presenters. NTUL Chi
0073 Cai, Hongsheng, 1940– ᓥᖻل, 1940–. Tai Gang dian ying yu ming xing. ݡ୯ӈؙԁҴլ. Beijing: Zhongguo wen lian chu ban she, 1992. 223 p. ISBN 7505917412, 9787505917415 Note: An introduction to the cinemas of Taiwan and Hong Kong and their movie stars. WorldCat Chi
0074
0071
Chen, Feibao. ವٟն. Taiwan dian ying shi hua. ݡළӈؙҦ. Beijing: Zhongguo dian ying chu ban she, 1988. 517 p. ISBN 7106000914 Note: Covers Taiwan film history from 1895 to 1985 by dividing Taiwan Film History into the following: (1) Japanese occupation period (1895–1945), (2) After liberation from Japanese rule (1945–1954), (3) Starting period (1955–1961), (4) Taiwanese-dialect film (1955– 1962), (5) Golden age (1963–1969), (6) The 1970s (1970–1979), and (7) Since 1980 (1980–). Includes a chronology of Taiwan film history, a list of Golden Horse Award recipients, a record of Taiwan films that participated in international film festivals from 1945 to 1985, and a bibliography. It is the first representative academic work on Taiwan film history written by a mainland Chinese scholar. See also the revision of this text with the same title, published in 2008. Duxiu Chi
Ajia eiga = Asian movie / Yomota Inuhiko hen. 䬑䬧䬑ྱࡌ = Asian movie / ףҤ೧ᐴᴦഹ. T䲖ky䲖: Sakuhinsha, 2003. 190 p. ISBN 4878935391 Series title: Shis䲖-dokuhon; 9 ڽЂ媠ӆ; 9 Note: A general introduction to Asian film history, including mainland China, South Korea, Taiwan, and Hong Kong. Presents brief biographies of six Taiwan film directors: Hou Hsiao-hsien (1947–), Edward Yang (1947–2007), King Hu (1931–1997), Tsai Ming-liang (1957–), Ang Lee (1954–), and Wu Nien-chen (1952–). Includes index and bibliography (pp. 181–190). WorldCat Jpn
0072 Bai wan ge wei shen me: dian ying dian shi ju / Zhu bian: Wang Yunman; Fu zhu bian: Zhu Xiao’ou, Lin Yi. ݚښϬЋѮА䩭ӈؙӈ؇ঃ / Ұ൜䩭ࣼ࠭㓧䩮ైҰ൜䩭ᗌЩᾤ䩟 ᗥ. Guilin: Li Jiang chu ban she, 1990. 2 v.
17
Film History
0075
Includes a Chinese abstract, bibliography, and statistics charts. NCL/NDLTD Chi
0075 Chen, Feibao. ವٟն. Taiwan dian ying shi hua: xiu ding ban. ݡළӈؙҦ: ๒ؗ. Beijing: Zhongguo dian ying chu ban she, 2008. 561 p. ISBN 7106000914 Note: The revised edition of the same book published in 1988. The preface reveals that the author started his research on Taiwan films in 1980 in the first academic research institution of its kind in mainland China, the Taiwan Research Center of Xiamen University. After the first edition of the book was published in 1988, the author was able to visit Taiwan several times to locate additional academic research materials and meet with Taiwan film colleagues and counterparts. This led to significant changes and additions in this revised edition. The beginning period of Taiwan film history under the Japanese rule starts in 1896 instead of 1895; the Taiwanese-dialect film period ends in 1972 instead of 1962; and the golden age of Taiwan film starts in 1960 instead of 1963. Chapter 7: Taiwan New Cinema (1982–1987), Chapter 8: Taiwan Film since 1990 (1990–2004), and Chapter 9: New generation of Taiwan film directors and their film arts (1987–2004) are all new additions to the book. Except for the footnotes, there is no bibliographical information. WorldCat Chi
0078 Chen, Mo. ವၢ. Bai nian dian ying shan hui. ښёӈؙరҘ. Beijing: Zhongguo jing ji chu ban she, 2000. 474 p. ISBN 7501749019 Series title: Bai nian Zhongguo cong shu: 1901–2000 ښёЅмᜥڪ: 1901–2000 Note: The author selects a significant film event in Chinese film history as the focal point for each of the book’s 120 short essays that provide brief yet detailed perspectives on Chinese film history from 1900 to 1999. Starting in Chapter 6, which covers the period from 1949 to 1959, essays related to Hong Kong and Taiwan films are intermixed with other essays related to mainland China. Essays 49, 66, 67, 75, 76, 96, 97, 98, and 113 deal with different periods of Taiwan film history from 1949 to 1999. Includes bibliographical information. WorldCat Chi
0079 Chen, Mo. ၢ. Bai nian dian ying shan hui = Film retrospect of a century. ښёӇؙమҘ = Film retrospect of a century. Taibei: Feng yun shi dai chu ban you xian gong si, 2006. 394 p. ISBN 9861462783 Series title: Feng yun dian ying xi lie գࠥӇ࠶ڍؙ Note: This is the slightly revised edition of the author’s work published in mainland China in 2000. The author selects a significant film event in Chinese film history as the focal point for each of the book’s 120 short essays that provide brief yet detailed perspectives on Chinese film history from 1900 to 1999. Starting in Chapter 6, which covers the period from 1949 to 1959, essays related to Hong Kong and Taiwan films are intermixed with other essays related to mainland China. Essays 49, 66, 67, 75, 76, 96, 97, 98, and 113 deal with different periods of Taiwan film history from 1949 to 1999. Includes bibliographical information. WorldCat Chi
0076 Chen, Feibao. ವٟն. Taiwan dian ying shi jian bian. ݡළӈؙߢഹ. Xiamen: Xiamen da xue Taiwan yan jiu suo, 1983. 238 p. Note: This is the earliest work on Taiwan film studies by a mainland Chinese scholar. It divides Taiwan film history into five periods: Japanese occupation (1895– 1945), after retrocession (1946–1960), the 1960s (1961–1970), the 1970s (1971–1980), and the 1980s. Includes a bibliography and an appendix on the Taiwan film industry (organizations, education, and movements during the 1950s and the 1960s). Duxiu Chi
0077 Chen, Guanhua (Chen, Kuan-Hua). ഃṡ. Taiwan dian ying tui guang ce lue yan jiu = A study of promotion strategies among Taiwan cinema. ݡஹӇؙԐܰ೫ଯ୳ૢ = A study of promotion strategies among Taiwan cinema. 197 leaves. Note: Thesis (M.A.)—National Chengchi University, 2005. Presents the marketing strategies and promotion of Taiwan cinema during six different time periods: 1895–1945, 1945–1959, 1960–1969, 1970–1979, 1980–1989, and 1990–.
0080 Chen, Mo. ၢ. Zhongguo wu xia dian ying shi. ЅлેཱུӇؙ. Taibei: Feng yun shi dai chu ban gu fen you xian gong si, 2006. 332 p.
18
General
0085
ISBN 9861462740 Series title: Feng yun dian ying xi lie գࠥӇ࠶ڍؙ Note: A comprehensive work on Chinese martial arts film history. Divides the development of Chinese martial arts films into five periods: (1) the first period in Shanghai in the 1920s and 1930s; (2) a shift to Hong Kong in the 1940s and 1950s; (3) Hong Kong, and later in Taiwan, in the 1960s and 1970s; (4) a cooperative period between Hong Kong and mainland China in the 1980s and 1990s; and (5) the trend towards globalization and further cooperation between Hong Kong, Taiwan, and mainland China, using Ang Lee’s film Crouching Tiger, Hidden Dragon (2000) as an example. In the postscript, the author admits that his knowledge of Hong Kong and Taiwan martial arts films, specifically during the mid-1960s to the early 1980s period, is limited and thus apologizes for any missing or oversimplified parts in this section of the book. NTUL Chi
essay by Mary Farquhar and Chris Berry: “Shadow Opera: Toward a New Archaeology of the Chinese Cinema,” which states: “If civilized plays are cinema’s stepmother, then opera is the mother in terms of first film productions, whether on the mainland (1905) or in Hong Kong (1909). Opera films were also the first productions in major regional language films, Cantonese (1933) and Taiwanese (1954)” (p. 51). Other Taiwan film or related comparative film studies essays include Meiling Wu’s “Postsadness Taiwan New Cinema: Eat, Drink, Everyman, Everywoman,” Emilie Yuehyu Yeh’s “Poetics and Politics of Hou Hsiao-hsien’s Films,” Sheldon H. Lu’s “Crouching Tiger, Hidden Dragon, Bounding Angeles: Hollywood, Taiwan, Hong Kong, and Transnational Cinema,” Darrell W. Davis’s “Borrowing Postcolonial: Wu Nien-chen’s Dou-san and the Memory Mine,” and Shao-ying Shen’s “Locating Feminine Writing in Taiwan Cinema: A Study of Yang Hui-shan’s Body and Sylvia Chang’s Siao Yu.” Includes filmography, Chinese glossary, bibliography, notes on contributors, and an index. WorldCat Eng
0081 The Chinese cinema book / edited by Song Hwee Lim; Julia Ward. New York: Palgrave Macmillan; London: British Film Institute, 2011. 218 p. ISBN 9781844573448, 1844573443, 1844573451, 9781844573445 Note: An essential collection of China film studies essays that provides informed insights into leading film theories, including an essay by Chris Berry on transnational film studies and the historical-material conditions of filmmaking in China, Hong Kong, and Taiwan. The text is divided into the following sections: Territories, Trajectories, Historiographies; Early Cinema to 1949; The Forgotten Period: 1949–80; The New Waves; and Stars, Auteurs and Genres. Includes “Healthy Realism in Taiwan, 1964–80: Film Style, Cultural Policies, and Mandarin Cinema” by Guo-Juin Hong, and “Taiwan New Cinema and Its Legacy” by Tonglin Lu. WorldCat Eng
0083 The cinema of small nations / edited by Mette Hjort, Duncan Partie. Bloomington: Indiana University Press, 2007. (Originally published in Edinburgh: Edinburgh University Press, 2007.) 250 p. ISBN 9780253351975, 0253351979, 97802532202103, 0253220106 Note: An introduction to the cinema of twelve nations, including an introduction to Taiwan cinema by James Udden. Includes a bibliography and an index. WorldCat Chi
0084 A companion to Chinese cinema / edited by Yingjin Zhang. Malden, MA: Wiley-Blackwell, 2012. 684 p. ISBN 9781444330298 (hbk.: alk. paper), 1444330292 (hbk.: alk. paper) Note: An essential collection of academic essays on Chinese cinema in mainland China, Hong Kong, and Taiwan by established scholars, including the following essays focusing on Taiwan cinema: “Gender Negotiation in Song Cunshou’s Story of Mother and Taiwan Cinema of the Early 1970s” by James Wicks and “Second Coming: The Legacy of Taiwan New Cinema” by Darrell William Davis. Includes a significant filmography, bibliography, and index. WorldCat Eng
0082 Chinese-language film: historiography, poetics, politics / edited by Sheldon H. Lu and Emilie Yueh-yu Yeh. Honolulu: University of Hawai’i Press, 2005. 413 p. ISBN 0824828135 (alk. paper), 9780824828691 (pbk.: alk. paper), 0824828690 (pbk.: alk. paper) Note: This edited volume “covers the cinematic traditions of mainland China, Taiwan, Hong Kong, and the Chinese diaspora from the beginning of Chinese film history to the present moment” (p. 2). Part I, Historiography, Periodization, Trends includes articles that either address Chinese film history broadly or different significant movements within Chinese cinema; Part II, Poetics, Directors, Styles provides “lucid, synchronic, structural(ist), transhistorical accounts of the poetics and aesthetics of Chinese film as an integral part of world cinema” (p. 15). Interesting studies include the
0085 Coppola, Antonie. Le cinema asiatique: Chine, Coree, Japon, Hong Kong, Taiwan. Paris: L’Harmattan, 2004. 487 p. ISBN 2747560546, 9782747560542
19
Film History
0086 Note:
An introduction to the cinemas of China, Korea, Japan, Hong Kong, and Taiwan. Includes a bibliography and an index. WorldCat Fre
0090 Dian ying sui yue zong heng tan / Zhu bian Zhong Qiao. Ӈ֊ۈؙ྾ืড / Ұഹ߀ᑑ. Taipei: Guo jia dian ying zi liao guan, 1994. 2 v. (707 p.) Series title: Taiwan dian ying shi liao cong shu ݡஹӇؙࢧᜣڣ Note: A government-sponsored, oral history project on Taiwan film history. Twenty Taiwan film directors, screenplay writers, producers, cinematographers, actors and actresses—their film careers primarily covering the 1950s to 1990s—are introduced and interviewed. Accompanied with brief biographies, recorded interviews, and a filmography. Includes a bibliography. NTUL Chi
0086 Da jia lai kan lao dian ying: dian ying zi liao guan bao hu ying pian cheng guo xun hui zhan / Dian ying zi liao guan. ϽрϰЃҡӇؙ: Ӈࢧޞؙఖؙࣆخәюҝ፶፯ࣁ / Ӈࢧޞؙఖ. Taibei: Dian ying zi liao guan, 1992. 76 p. Note: An introduction to a touring exhibition of restored films presented by the Chinese Taipei Film Archive. WorldCat Chi
0087 Dalla Gassa, Marco. Il cinema dell’Estremo Oriente: Cina, Corea del Sud, Hong Kong, Taiwan dagli anni Ottenta a oggi / Marco Dalla Gassa, Dario Tomasi. [Torin, Italy] : UTET universita, 2010. 511 p. ISBN 9788860082756, 8860082757 Note: A work on East Asian cinema, including the cinemas of China, Hong Kong, and Taiwan. Includes a bibliography and an index. WorldCat Ita
0091 Du, Yunzhi, 1923– ᖯࠥҏ, 1923– Zhongguo de dian ying. ЅлϡӇؙ. Taibei: Huang guan chu ban she, 1978. 266 p. Note: A collection of essays on Chinese film history, focusing mainly on Taiwan and Hong Kong film history. The most interesting and important essays in the book include the following topics: the relationship between R.O.C.’s leader Chiang Kai-shek and film production, the history of Chinese documentary and news film development, the relationship between Chinese film and Peking opera, a review of the Taiwan film industry, an analysis of the psychology of film audiences, martial arts film and martial arts–magic spirit films (wuxia shenguai pian), a fifty-year history of the Shao family’s involvement in Chinese film production, and an account of female movie stars and female spies in the real world. Includes film stills, posters, and photos; a list of 100 important Chinese films; and a chronology of Chinese film history (1896–1978). But there is no bibliographical information or index. WorldCat Chi
0088 Dian ying de guo qu xian zai wei lai / Yin Taipeng, Li Chunsheng deng bian. ӇؙϡОЧѳϨ۔ϰ /ẚ᧨ݡ., ଽࡇТҳഹ. Taibei: Da zhong chuan bo xi, Zhangguo wen hua xue yuan, 1978. 120 p. Series title: Da zhong chuan bo cong shu; 3 Ͻੁةᜣ ;ڣ3 Note: Includes a bibliography. CTFAL Chi
0089 Dian ying, dian ying ren, dian ying kan wu / Li Youxin bian. Ӈؙ, ӇؙϪ, Ӈؙᑂ / ଽෂЈഹ. Taibei: Zi li wan bao she, 1986. 209 p. Series title: Dian ying wen xuan; 2 Ӈؙҹ ;ק2 Zi li cong shu; 27 І߹ᜣ ;ڣ27 Note: An insightful history of Taiwan New Cinema. Originally published in various journals, books, film reviews, and newspapers, this collection of articles and essays focuses on film critiques from the early period of Taiwan New Cinema. The most unique and important aspect of this book is the editor’s insightful comments, interpretations, and background information provided after each article or essay. Includes film stills. WorldCat Chi
0092 Du, Yunzhi, 1923– ᖯࠥҏ, 1923– Zhongguo dian ying qi shi nian. ЅлӇࢳؙё. Taibei: Zhonghua minguo dian ying tu shu guan chu ban bu, 1986. 450 p. Series title: Ying tu cong shu ؙ֖ᜣڣ Note: According to the author’s postscript, this work is not a formal Chinese film history, but rather a collection of anecdotes related to Chinese film history. Taiwan film history-related anecdotes begin in Chapter 53 (pp. 382– 389) with a discussion of Japanese colonial film history
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0098 in Taiwan, and end in Chapter 57 (pp. 412–418) with a consideration of the rise of Taiwanese-dialect films and a history of Li Han-hsiang’s Guolian film studio in Taiwan. Includes film stills, posters, and photos. WorldCat Chi
during the Japanese colonial era and the early years of Nationalist rule, including the February 28 Incident, and ends with Ang Lee’s film Eat Drink Man Woman (1994) to touch on the lives of nonlocal (wai sheng ren) Taiwanese living in Taiwan. WorldCat Jpn
0093 0096
Du, Yunzhi, 1923– ᖯࠥҏ䩟1923– Zhongguo dian ying shi. ЅлӇؙ. Taibei: Taiwan shang wu yin shu guan, 1972. 3 v. Note: A history of Chinese film from 1896–1971 written by Taiwan film scholar Du Yunzhi. It represents a different perspective on Chinese film history from those found in works by mainland Chinese scholars. Although the table of contents in Vol. 3 states that the coverage date of the volume is from 1951 to 1971, in reality, it covers Taiwan film history from the first film showing in Taiwan in 1901 to the 1960s. Note that different dates are assigned to the first film shown in Taiwan in later film histories; for example, Huang Ren and Wang Wei’s Taiwan dian ying bai nian shi huo (2004) states that the first film showing in Taiwan occurred in the year 1899. Includes film stills, posters, photos, and a bibliography (pp. 209–210). WorldCat Chi
Gaoxiong dian ying ji shi = Kaohsiung cinema memorandum / Cai fang zhuan wen Lin Meixiu, cong bian ji Zheng Deqing. ҙӇؙઔѨ = Kaohsiung cinema memorandum / ൵භ᫃ҹѤ ഫ, րഹফቼख़দ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2003. 143 p. ISBN 9570149795 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 1 ҙصӇڣؙ֖ఖӇؙᜣ ;ڣ1 Note: Documents the relationship between Kaohsiung City and cinema, which began in 1900 according to the book. Presents descriptions of Kaohsiung’s film history, film scenes shot in Kaohsiung, film events, and film artists and related personnel from Kaohsiung. Includes a List of Films that used Kaohsiung as Setting; List of Kaohsiung Film Theatres; Kaohsiung Film Show Interpreters (benshi) during the colonial period; and photos, film stills, and posters. NTUL Chi
0097
0094
Gong Jianong cong ying sheng ya yu ju zhao quan ji: dian ying tu zhi / zuo zhe Gong Jianong, Huang Ren. ₳⅒హԩؙТᄇӿঁؕҪओ䩭Ӈؙ֖௨ / ӑ⅒₳ٷహ, ࢶწ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui: Guo jia dian ying zi liao guan, 1995. 212 p. ISBN 9570063505 Note: A unique pictorial autobiography of Gong Jianong (1902–1993), a film star in both mainland China and Taiwan. It consists of more than one hundred photos and screen shots that align with Mr. Gong’s autobiography, which involves nearly all of the most famous actors, actresses, directors, and producers in both mainland China and Taiwan during Mr. Gong’s life. Includes a biography, memorial articles, and filmographies. The appendix includes a chronologically organized list of film personnel and events mentioned in the autobiography; each entry is accompanied by a matching photo, biography, or event description. CTFAL Chi
Du, Yunzhi, 1923– ᖯࠥҏ䩟1923– Zhonghua Minguo dian ying shi. ЅھܓлӇؙ. Taibei: Xing zhen yuan wen hua jian she wei yuan hui, 1988. 2 v. Note: Based on the author’s earlier work, Zhongguo dian ying shi published in 1972, with a reorganization of the chapters, addition of new materials, and expansion of coverage through 1983. Taiwan film history is covered from Chapters 19 to 27, except for Chapter 22 and 24, which are dedicated to Hong Kong films. Includes film stills, posters, and photos, and bibliographic information at the end of each chapter. WorldCat Chi
0095 Fujii, Sh䲖z䲖, 1952– ᗳቯѧ, 1952– Ch䲚goku eiga o yomu hon. Ѕмྱࡌ䬃媠䫱ӆ.
0098
T䲖ky䲖: Asahi Shinbunsha, 1996. 225 p. ISBN 4022569484 Note: Chapters 5 and 6 deal with Taiwan film. Begins with Hou Hsiao-hsien’s film A City of Sadness (1989) and an accompanying reflection on Taiwan’s film history
Gu, Jitang. ࣲߓஇ. Taiwan de dian ying yu ming xing / Gu Jitang bian zhu. ݡළϡӈؙԁҴլ / ࣲߓஇ൜Я. Chengdu: Sichuan wen yi chu ban she, 1989.
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Film History
0099 268 p. ISBN Note:
0101 7541103330 A general introduction to Taiwan film and its stars, including a history of the Golden Horse Awards, genres, and trends of Taiwan cinema. Duxiu Chi
Huang, Xianwen. ࢷຸҹ. Dong fang dian ying = East film ևҤӈ = ؙEast film. Wuhan: Hubei mei shu chu ban she, 2005. 162 p. ISBN 7539416491 Note: Published as instructional material for the college level, this text covers the Asian region and the following countries: China, Taiwan, Hong Kong, Japan, Vietnam, South Korea, Iran, India, and Pakistan. Chapter 2 (pp. 36–53) focuses on Taiwan films. Includes endnotes for each chapter and a bibliography at the end of the book. WorldCat Chi
0099 Hong, Guo-Juin. Taiwan cinema: a contested nation on screen. New York, NY: Palgrave Macmillan, 2011. 246 p. ISBN 0230111629, 9780230111622 Note: This is the first English work to cover the entire history of Taiwan cinema. It is divided into two parts: Part I: Genres, which deals with the following time periods: Pre-1945, 1955–1970, 1964–1980, and 1980–1982; and Part II: Style, which starts with the time period of 1982–1986, and then concludes with two chapters that describe the current film landscape in Taiwan: “Island of No Return: Cinematic Narration as Retrospection in Wang Tung’s Taiwan Trilogy and Beyond” and “Anywhere but Here: the Postcolonial City in Tsai Ming-Liang’s Taipei Trilogy.” With rich historical materials and close analysis based on cinematic case studies, the work focuses on the theme “A contested nation on screen.” Includes a bibliography and an index. WorldCat Eng
0102 Huang, Ren, 1925– ࢶწ, 1925– Guo pian dian ying shi hua: kua shi ji hua yu dian ying chuang yi de xian xing zhe. ләӇؙҧ: ቄԒઔܭܓӇࡶؙҺϡҲٷ. Taibei: Taiwan shang wu ying shu guan gu fen you xian gong si, 2010. 462 p. ISBN 9789570524819, 957052481 Series title: Xin wan you wen ku = New variety Јݛϩҹᆞ = New variety Note: An introduction to the front-runners of Chinese film production in the twentieth and twenty-first centuries in China, Hong Kong, and Taiwan. WorldCat Chi
0100 Hua yu dian ying li shi yan tao hui lun wen ji = Symposium on Chinese film history / Zhu ban dan wei: Cai tuan far en guo jia dian ying zi liao guan. ܭܓӇؙࣵ୳क़Ͼ = Symposium on Chinese film history / Ұދ ֧: ֚ࣗϪлрӇࢧޞؙఖ. Taibei: Guo jia dian ying zi liao guan, 2003. Various pagination. Note: Conference proceedings from the Symposium on Chinese Film History held in Taiwan, December 11–12, 2003. Includes the symposium program and thirteen papers presented by scholars from Taiwan, Hong Kong, mainland China, and Japan. Papers related to Taiwan film history include Huang Ren’s “My Experience on Writing Taiwanese Film History,” Misawa Mamie’s “Hybridized Nativization Through Divided Routes of Cinema Popularization in Colonial Taiwan,” Huang Ren’s “The Beginning of Film Cultural Exchanges of Mainland China and Taiwan,” Zeng Xiba’s “The Sixties in Taiwan Cinema,” Huang Jianye’s “The Golden Age of Taiwan New Cinema in the 1980s,” and Li Yongquan’s “The Overview of Taiwan Cinema in the 1990s.” Only the paper titles are translated into English. The appendix includes a Chronicle of Film Exchanges between mainland China and Taiwan. CTFAL Chi
0103 Huang, Ren, 1925– ࢶწ, 1925– Riben dian ying zai Taiwan. яӆӇؙϨݡஹ. Taibei: Xiu wei zi xun ke ji chu ban, 2008. 314 p. ISBN 9789862211205 Series title: Mei xue yi shu lei; PH0015 Ѥѹਲफढ; PH0015 Note: This is a comprehensive work on the influence of Japanese films in Taiwan. It is divided into two major parts: Part 1: Japanese Directors Who Influenced Taiwan Film-Making; Part 2: Influence of Japanese Films in Taiwan. The appendix includes lists of Japanese films shown in Taiwan from 1915 to 1945 (selected) and from 1950 to 1972. Includes a bibliography. NTUL Chi
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0108
0104
0106
Huang, Ren, 1925– ࢶწ, 1925– Taiwan dian ying bai nian shi hua / Huang Ren, Wang Wei bian zhu. ݡஹӇښؙёҧ/ࢶწ,ࣼଂഹЯ. Taipei: Zhonghua ying ping ren xie hui, 2004. 2 v. Note: A comprehensive and objective text on Taiwan film history. Significant achievements of the work include (1) the discovery that the first film screening in Taiwan occurred in 1899, differing from scholars who claim the first screening occurred in 1901; (2) a detailed description of Taiwan film artists’ activities and achievements during the colonial period in both Taiwan and mainland China; (3) Taiwan film history from multiple perspectives; (4) the authors maintain an objective stance while approaching politically charged issues, such as the Japanese influence on Taiwan cinema, propaganda films in Taiwan, and the Nationalist government’s censorship system; and (5) the text includes important filmographies in some of its chapters. Shortcomings of the work include (1) poor editing—for example, multiple typos, such as on page 19, when the date of the first feature film made in Taiwan, by the Japanese, is written as 1902 instead of 1922; and Chapter 12 starts on p. 331, but the table of contents notes that it starts on p. 329; (2) poor content organization—for example, Chapters 11–21 in Vol. 2 are not connected cohesively; and (3) the text does not contain a complete bibliography, filmography, or indexes, except for inconsistent bibliographical materials included at the end of selected chapters. Thus, it is difficult to recommend this text as reference material, even though it contains important historical information. Includes some bibliographic information at the end of selected chapters; and film stills, posters, and photos. WorldCat Chi
Il nuovo cinema taiwanese: Pesaro, 11–19 guijno, 1988 / Mostra internazionale del nuovo cinema. Pesaro: Mostra internazionale del nuovo cinema, 1988. 130 p. Note: A photo album of a Taiwanese cinema exhibition held during an international cinema conference in Pesaro, Italy, June 11–19, 1988. WorldCat Ita
0107 Ji lu Taiwan: Taiwan ji lu pian yu xin wen pian ying ren kou shu / zhu bian Li Daoming, Wang Weici; zhi xing bian Wu Yuexiu, Zhang Qinyun. ઔ࠷ݡஹ: ݡஹઔ࠷әӿЈࢨәؙϪט / ҰഹଽѬҴ, ࣼ໓፦; వҲഹফྶៈ, פቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo Cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570261749 (v. 1), 9570261757 (v. 2) Note: This is the print version of Taiwan Documentary Film Oral History Project, which began in 1997 and was carried out for three years. Vol. 1 includes interviews of nineteen documentary and news filmmakers from Zhongying (Zhongguo dian ying zhi pian chang), Taiying (Taiwan dian ying zhi pian chang), and Xin wen ju (Information Office); Vol. 2 consists of interviews of nineteen documentary film makers from four television documentary series and Taiwan’s independent filmmaking field. Each interview includes a photo and a brief biography of the interviewee. NTUL Chi
0108 Jiao, Xiongping (Chiao, Peggy). ဖ๔. Shi dai xian ying: Zhong xi dian ying lun shu. Жؙࣶڊ: Ѕ՝Ӈںؙ. Taibei: Yuan liu chu ban gong si, 1998. 308 p. ISBN 9573234270 Series title: Dian ying guan; 78 Ӈؙఖ; 78 Note: A collection of essays organized into five categories: China, Hong Kong, Taiwan, Asia, and Film Theory. In the Taiwan segment, the author reviews Taiwan film history from the 1950s to 1990s, and explores Taiwan film’s “mainland complex.” In the Asia section, the future of Chinese and Asian films is discussed, and the work of Hou Hsiao-hsien is selected as a case study for the interaction of Taiwan film with other world film industries. Includes a filmography organized by subject. CTFAL Chi
0105 Huang, Ren, 1925– ࢶწ, 1925– Taiwan ying ping liu shi nian: Taiwan ying ping shi hua = 60 years of film critique in Taiwan. ݡஹࡏؙ߰ё: ݡஹؙ߰ҧ = 60 years of film critique in Taiwan. Taibei: Ya tai tu shu chu ban she, 2004. 269 p. ISBN 986780919X Series title: Taiwan dian ying yan jiu cong shu; 12 ݡஹӇؙ傘ૢᜣ ;ڣ12 Note: A work that documents the history of film reviews in Taiwan, divided into the following historical delineations: Japanese colonial period (1916–1945), the 1940s, the 1950s, the 1960s, the 1970s, and after the 1980s. Contains many firsthand historical records based on the author’s personal experiences; unfortunately, there is no index. Includes the contents of Film Commentary, no. 1–17 (1977–1987), when the author was chief editor of the journal. WorldCat Chi
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Film History
0109
interviews of sixteen Taiwan film directors; and Part 3: Legendaries of Taiwan Cinema, including biographies and interviews of twenty-two legendary figures in Taiwan cinema, such as novelist and director Huang Chunming, screenwriter Chu T’ien-wen, composer and singing star Cai Zhennan, and actress Yang Guimei. Includes photos, film stills, and posters; a chronology of Taiwan film history, 1895–1998; and a bibliography. WorldCat Chi
0109 Jiao, Xiongping (Chiao, Peggy). ဖ๔. Ying xiang Zhongguo. ྱࢣЅм. Shanghai: Fudan da xue chu ban she, 2005. 330 p. ISBN 7309047648; 9787309047646 Series title: Ying, Xiang cong shu ؙ䩟ড়ᜥڪ Note: An introduction to the history of Chinese cinema in China, Hong Kong, and Taiwan. Includes bibliography. WorldCat Chi
0112 Koyama, Sabur䲖, 1952– Щځѧᅦ, 1952– Taiwan eiga: Taiwan no rekishi, shakai o shiru madoguchi / Koyama Sabur䲖 hencho.
0110
ݡළྱࡌ: ݡළ䫟䖉ί घϿ䬃Ҍ䫼凵 ט/ ЩځѧᅦഹЯ.
Kawase, Ken’ichi. ඇⰗϣ.
Kyoto: K䲖y䲖 Shob䲖, 2008. 233 p. ISBN 9784771020207 Note: A collection of eleven chapters by various film scholars that deal with Japanese colonialism and the formation of modern Taiwan society and film, politics and Taiwan’s modern cinema, the KMT (Taiwan’s Kuomintang Party) government and Taiwan film, Shanghai’s film influence on Taiwan film development, Taiwan and Hong Kong film exchange, the Taiwanese-dialect film era (1955– 1961), Taiwan film reviews and publications after World War II, and Taiwan film policy and censorship. Includes endnotes at the end of each essay and biographies of the contributors at the end of the book, but there is no index. WorldCat Jpn
Taiwan eiga e no sh䲖tai: ichiya ni shite Ch䲚gokujin ni natta t䲖san (t䲖san). ݡළྱࡌ䫩䫟ۉ: ϣ١䫜䫈䫗ЅмϪ䫜䫛䫔䫐Єᇤ (䫆䬄). Nara-ken Kashihara-shi : T䲖y䲖 Shis䲖 Kenky䲚jo ; Ŕsaka-fu Suita-shi : hatsubai Birejji Puresu, 1998. 94 p. ISBN 493859854X, 9784938598549 Note: The text begins with an introduction to the film director Wu Nien-chen and his film T䲖san = A Borrowed Life followed by introductions to five additional leading figures in Taiwan cinema: Wang Tung, Liao Hsiang-hsiung, Lin Cheng-sheng, Tsai Ming-liang, Hou Hsiao-hsien, and their films. Contains “A Brief History of Taiwan Cinema,” which includes Taiwan Film during Japanese Occupation (1895–1945), Taiwan Cinema After World War II (1945–1969), the World’s Orphan Era (1970s), and The Era of Taiwan New Cinema (1980s–1990s). Includes photos, stills, posters, and bibliography. WorldCat Jpn
0113 Kramer, Stefan. Chungguk yonghwasa / Stefan Kramer chium, Hwang Chin-ja omgim. Soul Tukpolsi: Isan, 2000. 383 p. ISBN 8987608166; 9788987608167 Note: The Korean translation of author Stefan Kramer’s work: Geschichte des Chinesischen films. An introduction to the history of Chinese cinemas in China, Hong Kong, and Taiwan. Includes a filmography, a bibliography, and an index. WorldCat Kor
0111 Kawase, Ken’ichi. ඇⰗϣ. Taiwan dian ying xiang yan: bai nian dao lan / zhu zhe Chuanlai Jianyi ; Zhong yi Li Changchuan. ݡஹӇؙ⡕ᑱ : ښё࣒ऋ / ЯٷඇⰗϣ ; Ѕፆଽة. Taibei: Nan tian shu ju, 2002. 165 p. ISBN 9576386012 Note: A Chinese translation of the revised version of Taiwan eiga e no sh䲖tai = ݡළྱࡌ䫩䫟 ۉwritten by Kawase Ken’ichi and published in Japan in 1998. Consists of three parts: Part 1: A Brief History of Taiwan Cinema, including Taiwan Film during Japanese Occupation (1895–1945), Taiwan Cinema After World War II (1946–1970), the Isolated Taiwan Cinema (1970–1979), and the Era of Taiwan New Cinema (1980–1990); Part 2: Taiwan Film Directors, including biographies and
0114 Kramer, Stefan. Geschichte des Chinesischen films. Stuttgart: Metzler, 1997. 313 p. ISBN 3476015092; 9783476015099 Note: An introduction to the history of Chinese cinemas in China, Hong Kong, and Taiwan. Includes filmography (pp. 271–286), bibliographical references (pp. 287–300), and indexes. WorldCat Ger
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0119 ISBN Note:
0115 Kua shi ji Taiwan dian ying shi lu = The chronicle of Taiwan cinema, 1898–2000 / Wang Wei deng zhuan wen zhuan shu, Huang Jianye zong bian ji. ቄԒઔݡஹӇؙӢ࠷ = The chronicle of Taiwan cinema, 1898– 2000 / ࣼᬕҳ֟ҹ᫃, ࢶࠃրഹফ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui; Cai tuan fa ren guo jia dian ying zi liao guan, 2005. 3 v. (1401 p.) ISBN 9860011141 (v. 1), 986001115x (v. 2), 9860011168 (v. 3) Note: A comprehensive, three-volume review of Taiwan cinema from 1898 to 2000. Includes essays on Taiwan film studies by seventeen scholars as well as a chronological report of Taiwan cinema. Appendix includes Golden Horse Award Winning List, Golden Harvest Award Winning List, Best Screenplay Award Winning List, Film Titles (in original languages and Chinese translation), Names (in original languages and Chinese translation), and a bibliography. The text is packaged with a CD-ROM version. NTUL Chi
7301084382 Starting in Part 3: Separate Country and Home Dreams (1949–1979) and ending in Part 4: Combined Cultural Interpretation (1979–2004), the author explores the history of Chinese film culture from three perspectives: mainland China, Taiwan, and Hong Kong. At the beginning of these two parts the author presents a summary chapter to cover the relationship between the three areas. Includes a bibliography and name and film indexes. WorldCat Chi
0118 Li, Tianduo. ଽϳ⟢. Taiwan dian ying, she hui yu li shi = Taiwanese cinema, society and history. ݡஹӇؙ, घϾӿࣵ= Taiwanese cinema, society and history. Taibei: Ya tai tu shu chu ban she, 1997. 269 p. ISBN 9579856117 Series title: Taiwan dian ying yan jiu cong shu ݡஹӇૢ୳ؙᜣڣ Note: As the author states in the preface, this work attempts to situate the development of Taiwan cinema within political, economic, and cultural structures over the past 100 years to identify recurrent patterns. It consists of Part 1: Taiwan Cinema during Colonial and PostColonial Period; Part 2: Taiwan Cinema under the Authoritative System; and Part 3: Taiwan Cinema in the Post-Authoritative System Era. Includes a bibliography of both Chinese and English materials, charts of Film Censorship Statistics of the Taiwan Colonial Administration (1927–1940), the Films Adapted from Qiong Yao’s Novels, Brief Introduction of Taiwan New Cinema Directors, a Quantitative Comparison Between Mandarin Films and Taiwan New Cinema (1982–1989), Taiwan Film Production (1968–1992), Statistical Record of Taiwan Film Language (1949–1993), Statistical Record of the Taiwan Entertainment Industry (1961–1983), Annual Expenditure of Taiwan Population on Entertainment (1951–1993), and the 10 Best Box Office Mandarin Films in Taiwan (1957–1994). WorldCat Chi
0116 Lent, John A. The Asian film industry. Austin: University of Texas Press, 1990. 309 p. ISBN 0292704216 (cloth), 0292704224 (pbk.) Note: As the author states in the preface, the outline of the book “combine[s] historical and contemporary perspectives, primarily of the Asian film industries, carried out in a case-study, problem-oriented approach.” The book is organized by region: East, Southeast, and South Asia. The section dealing with the Taiwan film industry begins with the author’s interview with film director Chen Kun-hou in 1986. “Historical Background” reviews the history of Taiwan’s film industry, beginning during the Second Sino-Japanese War when occupying Japanese forces established the Taiwan Motion Picture Association and Taipei News Picture Association, which transitioned in 1945 to form the first film studio in Taiwan: Taiwan Film Studio. Finally, “Contemporary Scene” outlines the following: Production, Directing, Acting, Scriptwriting, Distribution and Exhibition, Regulation, Impact of Videocassettes, Genres and Themes of Films, and Professionalism. Includes a bibliography, interviews, and subject, film, and name index. WorldCat Eng
0119 Li, Yongquan (Lee, Yungchuan), 1953– ଽᄈ, 1953– Taiwan dian ying yue lian = Taiwanese cinema: An illustrated history. ݡஹӇؙ་ऋ = Taiwanese cinema: An illustrated history. Taibei: Yu shan she, 1998. 110 p. ISBN 9579361916 Series title: Ying xiang, Taiwan; 19 ؙՌ, ݡஹ; 19
0117 Li, Daoxin. ଽѬЈ. Zhongguo dian ying wen hua shi (1905–2004) = History of Chinese film culture. Ѕмӈؙҹ٩ (1905–2004) = History of Chinese film culture. Beijing: Beijing da xue chu ban she, 2005. 676 p.
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0120 Note:
An illustrated history of Taiwan cinema from 1900– 1997, this is a short and nonacademic work; however, the author’s frank and objective attitude toward many sensitive subjects makes the text noteworthy. His comments on Taiwan cinema during the February 28 Incident in 1947, authoritarian film censorship, martial law, the rise and decline of Taiwanese-dialect cinema, political propaganda films, social realism films adapted from mainland Chinese scar literature during the 1970s, the controversies of Taiwan New Cinema, and other topics are inspiring and refreshing. Includes photos, film stills, and posters. WorldCat Chi
0122 Liu shi nian dai guo pian ming dao ming zuo xuan / zhu bian Cai Guorong. ࡏёڊләӜ࣒Ӝӑ ק/ Ұഹᓥлึ. Taibei: Zhonghua Minguo dian ying shi ye fa zhan ji jin hui, 1982. 191 p. Note: The 1960s was a significant era for Mandarin films produced by both Hong Kong and Taiwan film studios as they boasted box office records in both places. This book provides an overview of this “golden era” for Mandarin film. It consists of three chapters: Chapter 1: Time and Space, which provides background information, Chapter 2: Directors and Products, which reviews the most representative directors and their films, and Chapter 3: Figures and Events, which delivers biographical information on the most important film producers, directors, actors and actresses during the 1960s, and a chronology. NTUL Chi
0120 Li, Youning (Lee, You-ning), 1951– ଽᏖો. Dian ying de gu shi. ӇؙϡݞѨ. Taibei: Chu ban jia wen hua shi ye you xian gong si, 1977. 212 p. Series title: Chu ban jia cong shu; 25 оؗрᜣ ;ڣ25 Note: A collection of essays on the history of World cinema; the last essay, “A Brief History of Chinese Cinema,” (pp. 153–181) discusses Taiwan cinema history from 1901 to 1976. Includes a bibliography and lists of Taiwan films that received awards in Asian Film Festivals (1956–1976) and the Golden Horse Awards (1st–13th). WorldCat Chi
0123 Liu, Xiancheng (Liu, Hsien-cheng). ѳю. Taiwan dian ying, she hui yu guo jia = Taiwanese cinema, society and state. ݡஹӇؙ, घϾӿлр = Taiwanese cinema, society and state. Taibei: Yang zhi wen hua, 1997. 194 p. ISBN 9579856109 Series title: Taiwan dian ying yan jiu cong shu; 1 ݡஹӇૢ୳ؙᜣ ;ڣ1 Note: Focuses on the period of Taiwan film history after Taiwan retrocession in 1945, and the relationship between film, society, and the state. Includes a bibliography. NTUL Chi
0121 Liang, Liang, 1954– ᅯમ, 1954– Lun liang an san di dian ying. ںҔѧсӇؙ. Taibei: Mao lin chu ban she, 1998. 350 p. ISBN 9579860955 Series title: Dian ying lun tan ӇںؙႫ Note: Recognizing that a similar problem affects Taiwan, Hong Kong, and mainland China, namely declining domestic film markets and an increasing quantity of films from Hollywood, the author provides a general overview of film production history in Taiwan (1945– 1991), Hong Kong (1896–1995), and mainland China (1946–1994); analyzes current film production trends and problems; and provides suggestions for cooperation between Taiwan, Hong Kong, and China. It is divided into four parts: Taiwan, Hong Kong, mainland China, and Combined Studies. CTFAL Chi
0124 Liu, Xiancheng (Liu, Hsien-cheng). ѳю. Yi jiu liu ling nian dai guo jia ji qi jie ru Taiwan dian ying shi ye zhi yan jiu = Study on the state apparatus’ involvement in Taiwan’s film industry in the 1960’s. ϣ॰ࡏ0 ёڊлрೀՊݡஹӇؙѨҏ୳ૢ = Study on the state apparatus’ involvement in Taiwan’s film industry in the 1960’s. 172 leaves. Note: This master’s thesis from Fu Jen Catholic University researches the state’s involvement with Taiwan’s three state-run film studios by considering how (1) cultural policy controlled the content and performance of this artistic form, (2) laws and the political system regulated and institutionalized the shape of the film industry, (3) the state’s taxation system regarded the film industry as a business, and (4) film, under the state’s educational system, was a necessary propaganda apparatus used to maintain national identity.
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0128 Includes Chinese and English abstracts and a bibliography. NCL/NDLTD Chi
As a groundbreaking work, the author provides a vast amount of firsthand information about Taiwan film history from 1901 to 1961, including dates, names, and events related to the Taiwan film. As an academic work, however, it is weak in terms of theoretical analysis and objectivity due to the limits of the overall political and academic environment during the time. Moreover, in 1992, Lee Daw-ming, a Taiwan scholar, found out that Lu had copied part of Chapter 3 from Japanese scholar Sai Ichigawa’s work: Ajia eiga no s䲖z䲖 oyobi kensetsu (Creation and Building of Asian Films) in Chapter 1, Taiwan Film During the Japanese Occupation Period within the Taiwan film history part of his work. Lee’s discovery was published in the article: “Dian ying shi ru he lai dao Taiwan de” (How did film come to Taiwan?) in the journal Dian ying xin shang (Film Appreciation), no. 9/10 (September/ October 1993), p. 107. The preface includes an introduction of the author written by You Mijian. The appendix includes the author’s photo collection (pp. 536–542), an essay on Taiwanese-dialect film (pp. 543–544), and the author’s resume (pp. 576). WorldCat Chi
0125 Lu, Feiyi. ᡭۘډ. Taiwan dian ying: zheng zhi, jing ji, mei xue (1949–1994). ݡஹӇؙ: ू,Ҭ௵,Ѥѹ (1949–1994). Taibei: Yuanliu chu ban gong si, 1998. 476 p. ISBN 9573235943 Series title: Dian ying guan; 81 Ӈؙఖ; 81 Note: This essential book studies Taiwan film history from political, economic, and aesthetic perspectives. Taiwan film history is divided into the following time periods: 1949, 1950–1954, 1955–1959, 1960–1964, 1965–1969, 1970–1974, 1975–1979, 1980–1984, 1985– 1989, and 1990–1994. Politically, the author focuses on government policy, processes, laws, and regulation of Taiwan film production; economically, based on the text’s political analysis, the author explores how film resources were allocated and policy control was instituted in Taiwan film production and the interrelationship between film production, distribution, and competition; and aesthetically, following the political and economic studies of Taiwan film history, the author explains artistic styles and trends in Taiwan by analyzing major film productions and film artists over the past forty years (before 1998). Includes a bibliography and statistical charts. All related statistical information can be found in the Database of Taiwan Cinema at http://cinema.nccu.edu.tw. NTUL Chi
0127 Made in China. Paris: Cahiers du cinema, 1999. 97 p. Note: A general introduction to Chinese film history in China, Hong Kong, and Taiwan. Includes a bibliography. WorldCat Fre
0128 Monma, Takashi, 1964– ՞Ҽਰ, 1964– Ajia eiga ni miru Nihon. 䬑䬧䬑ྱࡌ䫜䫰䫼яӆ.
0126 Lu, Sushang, 1915–1970. पϼ, 1915–1970. Taiwan dian ying xi ju shi = A history of cinema and drama in Taiwan. ݡஹӇঁؙۚ = A history of cinema and drama in Taiwan. Taibei: Yin hua chu ban she, 1961. 577 p. Note: This is the earliest known academic work on Taiwan film and opera/drama history written by a Taiwanese scholar. The first part of the book, Taiwan Film History (pp. 1–156), contains Chapter 1: Taiwan Film During the Japanese Occupation Period, Chapter 2: Taiwan Film after Retrocession, Chapter 3: International Cooperation in Film Production, Chapter 4: Introduction of Taiwan Film Studios, Chapter 5: Official Film Advisory and Censorship Functions, Chapter 6: Nongovernmental Film Organizations, Chapter 7: Film Education and Workshops, Chapter 8: Film Related Publications, Chapter 9: Film Theory and Critics, and Chapter 10: Film Industry and Theatres.
T䲖ky䲖: Shakai Hy䲖ronsha, 1995–1996. 2 v. ISBN 4784509410 (v. 1), 9784784509416 (v. 1), 4784509429 (v. 2), 9784784509423 (v. 2) Series title: Furikushonaru firumu-dokuhon; 1–2 䭄䭙䬞䬦䭖䬹䭚ί䭄䬒䭚䭏媠ӆ; 1–2 Note: Includes two parts: Part 1: Cinemas of China, Taiwan, and Hong Kong; and Part 2: Cinemas of South and North Korea, and Southeast Asia. Contains bibliographies on pages 264–280 in Vol. I and on pages 334–348 in Vol. II, as well as lists of videos and laserdiscs on pages 281–285 in Vol. I and on pages 349–350 in Vol. II. WorldCat Jpn
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0129 ISBN Note:
0129 Muller, Marco. Taiwan: nuove ombre elettriche. Venezia: Marsilio, 1988. 190 p. ISBN 8831750992, 9788831750998 Note: A work on Taiwan cinema. WorldCat
4544020999, 9784544020991 Covers more than 100 years of Chinese film history from 1896 to 2006. Chapter 12 (pp. 283–327) deals with Taiwan film history. Includes a name index. WorldCat Jpn
0134
Ita
Sat䲖, Tadao, 1930–
0130
ᩊᗳᇝԲ, 1930– Shirarezaru eiga o motomete. Ҍ䫺䫽䫇䫼ྱࡌ䬃ؒ䫲䫗.
Novi novi tajvanski film: retrospektiva / [Peggy Chiao, Jurij Meden, Vlado Skafar; Borut Cajnko]. Ljubljana: Slovenska kinoteka, 2000. [19 p.] Series title: Zbirka Kinotecni katalog; leto 6, st. 5 Note: A brief review of Taiwan film history. WorldCat Slo
T䲖ky䲖: Gendai Shokan, 1999. 294 p. ISBN 4768476902, 9784768476901 Note: An introduction to Asian cinema, including the cinemas of Japan and Taiwan. WorldCat Jpn
0131 Perspectives on Chinese cinema / edited by Chris Berry. London: BFI Publishing, 1991 [2nd, expanded ed.] 234 p. ISBN 0851702716 (hbk.), 0851702724 (pbk.) Note: An early collection of scholarly work on Chinese cinema. As the editor notes in the introduction, the book does not satisfy the editor’s desire to present reliable English-language histories of Chinese cinema before 1949, Taiwanese cinema, Hong Kong cinema, in-depth studies on the emergent Taiwanese New Wave (Taiwan New Cinema), Hong Kong popular cinema, and classic mainland films. The essay “The Distinct Taiwanese and Hong Kong Cinemas” by Chiao Hsiung-Ping provides a comparative study of Taiwan and Hong Kong cinema from a historical perspective. Includes a bibliography at the end of each essay, two appendixes (Appendix 1: Major Directors and Appendix 2: Chronology), and an index. WorldCat Eng
0135 Sha, Rongfeng, 1921– ึ, 1921– Bin fen dian ying si shi chun: Sha Rongfeng hui yi lu. ᠷӇࡇףؙ: ึҘশ࠷. Taibei: Guo jia dian ying zi liao guan, 1994. 248 p. ISBN 9579987408 Series title: Taiwan dian ying shi liao cong shu; 1 ݡஹӇؙࢧᜣ ;ڣ1 Note: The autobiography of Sha Rongfeng, one of the major film producers in Taiwan. Sha was involved with the Taiwan film industry for more than forty years and founded several film distribution companies and studios, such as Lian Bang Ying Ye Gong Si (Union Film) in 1953, and he produced many important films, such as Longmen Ke Zhan (Dragon Gate Inn, dir. King Hu) in 1967. Includes a chronology, appendix of films produced or distributed by Sha’s companies, and a Chinese film title and name index. NTUL Chi
0132 Rayns, Tony. Electric shadows: 45 years of Chinese cinema / Tony Rayns, Scott Meek. London: British Film Institute, 1980. 1 v. (various pagination) Note: A study of Chinese film history from 1934 to 1979. Includes biographical information about Chinese film actors, actresses, directors, and producers; a bibliography; and indexes. WorldCat Eng
0136 Shi duo san luo de guang ying: Hua yu dian ying de li shi, zuo zhe yu wen hua zai xiang / Liu Xiancheng bian. ༺␜્ϡׇؙ: ܭܓӇؙϡࣵ, ӑٷӿҹ٩Ӑѳ / ѳюഹ. Taibei: Ya Tai tu shu, 2001. 390 p. ISBN 9578264836 Series title: Taiwan dian ying yan jiu cong shu; 7 ݡஹӇૢ୳ؙᜣ ;ڣ7 Note: A collection of essays focusing on Chinese film history, including the film histories of mainland China and Taiwan. Includes a bibliography. NCL Chi
0133 Sat䲖, Tadao, 1930– ᩊᗳᇝԲ, 1930– Ch䲚goku eiga no 100-nen. Ѕмྱࡌ䫟100ё. T䲖ky䲖: Nigensha, 2006. 341 p.
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0141 Unfortunately, apart from a short bibliography, there is no index for the incredibly rich film-related materials, particularly the photographical materials, from Taiwan, Hong Kong, and mainland China. WorldCat Chi Eng
0137 Shi guang liu ying—Gaoxiong shi dian ying tu shu guan cang wen wu zhuan ji er = Time flow & steaming shadow / Lan Zuwei zhuan gao; Chen Yixuan ying wen fan yi. ЖׇԵ—ؙҙصӇڣؙ֖ఖেҹ֟ফԏ = Time flow & steaming shadow / ঢྥ᫃፻; ፐ߭ҹࢬፆ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2008. 249 p. ISBN 9789860155990 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 10 ҙصӇڣؙ֖ఖӇؙᜣ ;ڣ10 Note: This bilingual work presents film-related artifacts collected by the Kaohsiung Municipal Film Archives. It consists of five parts: Part 1, Stills and Posters; Part 2, Ads and Flyers; Part 3, Music and Records; Part 4, Synopses, Movie Tickets; and Part 5, Film Equipment and Technology. Many materials are specifically related to Taiwan films of the 1970s and 1980s. NTUL Chi Eng
0139 Shi jie dian ying quan ji lu = Die chronik des films / Shao Mujun zhu bian. Ԓ֎ӈؙҪઓ࠹ = Die chronik des films / ᖥᅿҰ൜. Haikou: Nan fang chu ban she, 2001. 709 p. ISBN 7806602585 Note: The Chinese edition, translated from a French text, of a chronological work of world film history from 1895– 1999, including more than 1,000 major event reports, 2,000 representative film reviews, and 17 essays written by famous scholars. An essay specifically added to the Chinese edition reviews Chinese film history, including Taiwan and Hong Kong film history, from 1905 to 1999, at the conclusion of the book (pp. 668–691). Includes film director and actor/actress indexes, film stills, posters, and photos. Duxiu Chi
0138 Shi ji hui gu : tu shuo Hua yu dian ying = Spectrums of the century : Chinese cinemas, 1896–1999 / [zong bian ji Huang Jianye, Huang Ren ; Ying yi Su Zhe’an (Jon Soloman) . . . et al.]. ԒઔҘઆ: ֖МܭܓӇ = ؙSpectrums of the century : Chinese cinemas, 1986–1999 / [րഹফࢷࠃ, ࢷწ ; ߭ፆᎻԥ (Jon Soloman) . . . et al.]. Taibei: Xing zheng yuan wen hua jian she wei yuan hui : Guo jia dian ying zi liao guan, 2001. 431 p. ISBN 9570277572 Note: This is an unprecedented joint project involving scholars from Taiwan, Hong Kong, and mainland China under the auspices of the Chinese Taipei Film Archive. It presents short essays, chronological statements, quoted film reviews, and a prodigious quantity of film stills, posters, and photos to illustrate a century of Chinese cinema history. It is the most objective and comprehensive description of Chinese film history in terms of the photographic materials and range of subjects included in the book, but not in terms of in-depth academic exploration of the topics presented. It is a bilingual work in Chinese and English and is divided into four parts: Chinese Cinema 1896–1949 (with separate chapters dealing with the beginnings of Chinese cinema in mainland China, Hong Kong, and Taiwan), Taiwan Cinema 1949–1999, Hong Kong Cinema 1949–1999, and Mainland Chinese Cinema 1949–1999. The text attempts to tackle controversial issues, such as the Japanese influence on cinema during the colonial period, government censorship in Taiwan, anti-communist propaganda films, and the February 28 Incident in 1947 in Taiwan. A comparative line of study connects Taiwan (and Japan during the colonial period), Hong Kong, and mainland China throughout the book.
0140 Shu xie Taiwan dian ying / Wen Tianxiang bian. ݡڣஹӇ ؙ/ ࢨϳፖഹ. Taibei: Dian ying zi liao guan, 1999. 103 p. ISBN 9579904863 Series title: Xue yuan ying zhan cong shu; 1 ѹᮛࣁؙᜣ ;ڣ1 Note: A collection of essays on Taiwan film history and film production. NTUL Chi
0141 Sima, Fen, 1929– ެޅᐇ, 1929– Zhongguo dian ying san shi nian. ЅлӇؙѧё. Taibei: Wang Bin, 1980. 220 p. Note: A collection of newspaper articles on Chinese film history from 1949 to 1979, mainly from Taiwan and Hong Kong. The author, Sima Fen (original name Wang Bin), was a famous reporter who wrote for various Taiwan and Hong Kong newspapers’ movie columns. Many articles were originally published as newspaper reports and interviews; they are short but contain historical information and details about Taiwan and Hong Kong film history. It covers the most successful film studios, producers, directors, actors, actresses, and major events in Taiwan and Hong Kong during the period. Does not contain a bibliography or an index. Includes film stills, posters, and photos. WorldCat Chi
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0142
their films are introduced in this chapter. Film directors Chen Kaige, Zhang Yimou, Tian Zhuangzhuang (China), Hou Hsiao-hsien, Edward Yang, Tsai Mingliang (Taiwan), and Wong Kar-Wai (Hong Kong) are specifically introduced in this chapter. Includes a bibliography (pp. 554–559), glossary (pp. 560–564), filmography (pp. 565–579), index (pp. 580– 596), and credits (pp. 597–600). WorldCat Eng
0142 Sima, Fen, 1929– ެޅᐇ, 1929– Zhongguo dian ying wu shi nian. ЅлӇؙٚё. Taibei: Huang ding wen hua chu ban she, 1983. 341 p. Note: The revised and enhanced version of the author’s work published in 1980. A collection of newspaper articles on Chinese film history from 1949 to 1983, mainly in Taiwan and Hong Kong, it is divided into three chapters: Chapter 1: From Silent to Sound in the 1930s; Chapter 2: From Black & White to Color Over the Last 30 years (1953–1983); and Chapter 3: Film Education and Organizations, which is a new addition to this edition. The author, Sima Fen (original name Wang Bin), was a famous reporter who wrote for various Taiwan and Hong Kong newspapers’ movie columns. Many articles were originally published as newspaper reports and interviews; they are short but contain historical information and details about Taiwan and Hong Kong film history. It covers the most successful film studios, producers, directors, actors, actresses, and major events in Taiwan and Hong Kong, and all film education programs and related organizations in Taiwan during the period discussed. Does not contain a bibliography or an index. Includes film stills, posters, and photos; a list of Golden Horse Award winners; a directory of Taiwan movie theaters; and the author’s biography. CTFAL Chi
0144 Song, Ziwen. ᓠжҹ. Taiwan dian ying san shi nian. ݡළӈؙѧё. Shanghai: Fudan da xue chu ban she, 2006. 304 p. ISBN 7309049172 Series title: Ying, Xiang cong shu ؙ䩟ড়ᜥڪ Note: Presents Taiwan film history from 1973 to 2004. Chapter 1 focuses on Qiong Yao’s literary and melodramatic films during the 1970s; Chapter 2 deals with the Taiwan native (xiang tu) films represented by Li Xing and his films during the 1970s and 1980s; Chapter 3 describes Taiwan student films represented by Lin Qingjie, Ouyang Jun, and others; Chapter 4 comments on the unsuccessful development of kung fu films by Hong Kong film director King Hu; Chapters 5 and 6 describe the arrival of the Taiwan New Cinema represented by Hou Hsiao-hsien, Edward Yang, Wang Tung, and others during the 1980s; Chapter 7 laments Taiwan cinema’s decline in the 1990s; and Chapter 8 concludes with a description of the struggling Taiwan film industry at the beginning of the 2000s. The book reads more as a personal commentary and introduction to Taiwan film history for a general audience than as a serious academic work. Some arguments within the book are questionable, such as the author’s claim that kung fu film development in Taiwan was unsuccessful; in fact, Taiwan Kung Fu film production, initiated by King Hu and his film Longmen Ke Zhan (Dragon Gate Inn) 1967 was very successful in Taiwan. Based on statistics, during the first quarter of 1968, eight Taiwan kung fu films earned a box office income of more than 1 million Taiwan dollars. Not to mention, Taiwan film director Ang Lee’s kung fu film Crouching Tiger, Hidden Dragon (2000) was also successful, winning various film awards throughout the world, including four Academy Awards. On the other hand, the author has devoted a complete chapter to discuss Taiwan student films, a topic that is not often the focus Taiwan film analyses. Includes a list of Golden Horse Award–winning films and a Taiwan film chronology from 1973 to 2004, but there is no bibliography or index. Duxiu Chi
0143 Sklar, Robert. A world history of film. New York: Harry N. Abrams, Inc., 2002. 600 p. ISBN 0810906066 (Abrams), 0810903881 (book club: jkt.), 0810921405 (book club: pbk.), 0130340499 (PH) Note: Chapter 10, Meeting Hollywood’s Challenge, under the section Filmmaking Outside Europe, includes a brief description of Chinese film history during the 1930s. Chapter 18, Cinema of Liberation, under the section China, presents an introduction to the development of Chinese films under the Communist government during the 1950s. Film directors Xie Jin and Shui Hua and their films are introduced. Chapter 24, The Global Advance of Cinema, under the section Cinema of the “Three Chinas,” introduces the development of Chinese films in China, Taiwan, and Hong Kong during the 1980s. The fifth generation of Chinese directors in China and their films are introduced. Film directors Wu Tianming (China) and Hou Hsiao-hsien (Taiwan) are specifically discussed in this chapter. Chapter 27, World Cinema, under the section Chinese Films, explains how Chinese films in the 1990s moved into a coproduction mode between China, Taiwan, and Hong Kong. The sixth generation of Chinese directors and
30
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0150
0145
0148
Sun, Lifeng. ྑ߹. Dian ying shi hua. ӈؙҦ. Beijing: She hui ke xue wen xian chu ban she, 2000. 211 p. ISBN 7801493435 Series title: Bai nian Zhongguo shi hua ښёЅмҦ Note: Outlines Chinese film history from 1896 to 1949 and covers the three areas of mainland China, Taiwan, and Hong Kong together in each chapter. The description of Taiwan film history is superficial; it does not provide new materials or original perspectives. Includes a bibliography. Duxiu Chi
Taiwan dang dai ying xiang: cong ji shi dao shi yan 1930–2003 = A retrospective collection of documentary films from Taiwan / Zhu bian Wang Weici. ݡஹԄؙڊՌ: ԩઔ࠷ϺӢࡐ 1930–2003 = A retrospective collection of documentary films from Taiwan / Ұഹࣼ໓፦. Taibei: Tong xi wen hua chu ban gong zuo shi, 2006. 186 p. Note: This book is published with a set of more than thirty documentary films on fifteen DVDs. It includes a collection of twenty essays exploring the development of Taiwan documentary films from 1930 to 2003 and the relationship between societal changes and documentary films. Includes theoretical discussions, analyses, and reviews of Taiwan documentary films. Includes a bibliography. WorldCat Chi
0149
0146
Taiwan dian ying ji shi chu gao (1949–1994) / Bian zhe Lu Feiyi. ݡஹӇؙઔѨ२፻ (1949–1994) / ഹٷᡭۘډ. Taibei: Xing zheng yuan xin wen ju; Zhonghua Minguo dian ying nian zhi wei hui, 1994. 245 p. Series title: Dian ying zi liao ku cong shu; 4 Ӈࢧޞؙᆞᜣ ;ڣ4 Note: A comprehensive chronology of Taiwan film history from 1949 to 1994. All events selected for inclusion in the book are related to Taiwan film development; thus, less important events and stories, such as movie stars’ personal stories, anecdotes, and promotional materials for films, are not included. Includes a bibliography. CTFAL. Chi
Sun, Weichuan. ྑ໓ඇ. Dang dai Taiwan dian ying: 1949–2007 = Contemporary Taiwanese film studies. Ӿݡڊළӈؙ䩭1949–2007 = Contemporary Taiwanese film studies. Beijing: Zhongguo guang po dian shi chu ban she, 2008. 339 p. ISBN 7504355003 Note: Based on the author’s Ph.D. dissertation, completed in 2003 at the Nanjing Normal University, the text consists of five parts: Part 1 presents a chronological study of Taiwan film history from the Japanese colonial period (even through the book title indicates the author’s study begins in 1949) to the Post-Taiwan New Cinema period in the 1980s and 1990s; Part 2 is an aesthetic study of Taiwan Healthy Realism, New Taiwan Cinema, and Post-Taiwan New Cinema films; Parts 3 and 4 deal with the subjects and artistic styles of Taiwan film; and, finally, Part 5 provides detailed studies of fourteen of the most prominent Taiwan film directors and their works. Includes a chronology of Taiwan film history from 1949 to 2007, Taiwan Golden Horse Award winners list, a bibliography, and the author’s major publication list. WorldCat Chi
0150 Taiwan dian ying jing xuan = Films: made in Taiwan / Ce hua: Zhonghua Minguo dian ying nian guo ji tui guang zu; zhi xing bian ji: Ou Guizhi. ݡஹӇ = קؘؙFilms: made in Taiwan / ೫: ЅھܓлӇؙёл গԐܰ६; వҲഹফ߅ᄉᆙ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1993. Various pagination. ISBN 9576694469 Note: A collection of six essays with accompanying photos, film posters, and stills. Wang Zhicheng’s essay analyzes the relationship between Taiwan film and social change, while Cai Kangyong and Han Liangyi’s essay comments on Taiwan film and literature. The book introduces directors Hou Hsiao-hsien, Edward Yang, Wang Tung, and a group of “New Directors,” including Tsai Ming-liang, Ang Lee, Lan Shengchuan, Xu Xiaoming, Chen Guofu, and Ye Hongwei, followed by relevant film synopses and reviews of these directors’ films. The appendix includes a list of awards won by the films presented in the book. CTFAL Chi
0147 Taiwan cinema = Le cinema taiwanais / edited by Corrado Neri, Kirstie Gormley; text by Michelle Bloom . . . [et al.]. Lyon, France: Asiexpo, 2009. 256 p. ISBN 9782952801836, 2952801835 Note: An introduction to Taiwan cinema and its history. It was published in celebration of the Fifteenth Lyon Asian Film Festival’s focus on Taiwan Cinema, November 2009. Includes one DVD. WorldCat Fre Eng
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0151
Vol. 2, Hegemony and the Aesthetic of Taiwan Documentary Film in the Early Post-Martial Law Era, curated by Lin Bao-yuan, reviews challenges to the hegemony and the aesthetic development of documentary films from 1985 to 1999 (martial law was lifted in 1987). Vol. 3, Private Me Time: I and My . . . , curated by Wen Tien-hsiang, describes the arrival of “private me time” in Taiwan documentary films from 1990 to 2008. Vol. 4, Video-Dialogue with One Self in the Aesthetics of Documentary Films: Between Truth and Fiction, Between Documentary and Drama, curated by Wang Wei-tsy, considers female perspectives in Taiwan documentary films and deals with female expressions through the documentary form. Vol. 5, History, Memory, Representation and Documentary Film, curated by Lee Daw-ming, investigates the aesthetic strategy of Taiwan documentary films in reconstructing Taiwan history, which is to combine the “big history” of influential historical figures and the “small history” made up of ordinary people. Includes both Chinese and English versions of the curator’s essays, a film list, and records of the panel discussions. NTUL Chi Eng
0151 Taiwan dian ying ying pian sheng chan tong ji, fu: song jian ying pian ji duan pian pian mu (1949–1993) / Xing zheng yuan xin wen ju Zhonghua Minguo dian ying nian zhi wei hui. ݡஹӇؙؙәТذࢃݗ, ป: ؟ഛؙә᠕ߦәә۵ (1949–1993) / ҲूࡨЈࢨЅھܓлӇؙёవణϾ. Taibei: Xing zheng yuan xin wen ju Zhonghua Minguo dian ying nian zhi wei hui, 1994. 2 v. (950 p.) Note: A complete filmography and statistical record of Taiwan films submitted to the government for censorship approval from 1949 to 1993. Includes 3,478 fictional films, 2,227 news and documentary films, and 323 short films. The filmography is organized by film title. Although the text primarily is based on films submitted for government approval, the text includes a few additions from other resources. In principle, the text only lists films produced in Taiwan; however, jointly produced Taiwan and Hong Kong films are also included. CTFAL Chi
0152 Taiwan dian ying zhen gui ying xiang shi liao mu lu (Di yi ji 35 nian –58 nian) / Taiwan dian ying wen hua gong si. ݡஹӇੵؙਰؙՌࢧ۵࠷ (ҷϣফ 35ё—58ё) / ݡஹӇؙҹ٩ ԍޅ. Taibei: Taiwan dian ying wen hua gong si, [1969] 90 p. Note: A filmography, organized by film production date, of news and documentary films distributed by Taiwan dian ying wen hua gong si (Taiwan Film Culture Company) from 1946 to 1969. CTFAL Chi
0154 Taiwan ji lu pian mei xue xi lie (er) = Taiwan documentary aesthetic series II / Lin Baoyuan deng ce hua. ݡஹઔ࠷әѤѹ( ࠶ڍԏ) = Taiwan documentary aesthetic series II / ᷰׄҳ೫ޫ. Taizhong: Guo li Taiwan mei shu guan, 2010. 5 v. ISBN 9789860235289 Note: This work is the second in a series; it contains the same title and uses the same publishing house. Again, five Taiwan documentary film studies scholars were invited to act as curators for the project, and each scholar presents his or her perspective on the development and changes of Taiwan documentary film aesthetics in this work. The five volumes include: Vol. 1, Colonization and Decolonization: Social, Historical, and Aesthetic Consciousness in Taiwan’s Documentary Films in the Post-Martial Law Era, by Catherine Lim Yuan; Vol. 2, What to Say and How to Say It? Documentaries; Narrative Strategies and Formal Considerations, by Lee Yungchuan; Vol. 3, Technology and Ethics, by Qiu Guifen; Vol. 4, The Documentation of Subject and the Subject of Documentation: The Political Nature of the “Amateur Aesthetics” of Documentary Films, by Kuo Li-hsin; and Vol. 5, Recording Youth; Bitterness, Struggle and Growth, by Wei Di. Includes both Chinese and English versions of the curator’s essays, a film list, and records of the panel discussions. NTUL Chi Eng
0153 Taiwan ji lu pian mei xue xi lie = Taiwan documentary aesthetic series / Zong ce hua Chen Jimin. ݡஹઔ࠷әѤѹ = ࠶ڍTaiwan documentary aesthetic series / ր ೫௵ھ. Taizhong: Guo li Taiwan mei shu guan, 2008. 5 v. ISBN 9789860173086 Note: This study is the result of a project entitled the Taiwan Documentary Aesthetic Series, hosted by the National Taiwan Museum of Fine Arts in 2008. Examines multiple topics while providing the history of Taiwan documentary films in a systematic way. Five Taiwan documentary film studies scholars were invited to act as curators for the project, and each scholar presents his or her perspective on the development of Taiwan documentary film aesthetics in this work. Vol. 1, A Pre-history of Taiwanese Documentary Filmmaking: Actualities, Home Movies and Documentary, curated by Liao Gene-fon, covers early documentary films from the 1930s to the 1970s.
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0160 Note:
0155 Taiwan song jian ying pian ji duan pian pian mu (1949–1994) / Lu Feiyi zhu bian. ݡஹ؟ഛؙә᠕ߦәә۵ (1949–1994) / ᡭۘډҰഹ. Taibei: Xing zheng yuan xin wen ju Zhonghua Minguo dian ying nian zhi wei hui, 1994. 472 p. Series title: Dian ying zi liao ku cong shu; 5 Ӈࢧޞؙᆞᜣ ;ڣ5 Note: This is a complete filmography and statistical record of Taiwan films submitted to the government for censorship approval from 1949 to 1994. Includes 3,500 fictional films, 2,227 news and documentary films, and 342 short films. The filmography is organized by film title and primarily is based on film applications submitted to the government. Beginning in 1950, every film produced in Taiwan required state approval. Contains statistical charts of Taiwan film production from 1949 to 1994, a filmography of the films submitted for censorship approval from 1949 to 1993 with an accompanying index, and a filmography of the films submitted for government approval in 1994, divided into the following categories: Taiwan, Hong Kong, Other, and Short Films. CTFAL. Chi
Consists of four parts: Part 1, From Healthy Realism to New Cinema; Part 2, Zhongying (Central Motion Picture Corporation) and the Rise and Fall of Taiwan Cinema; Part 3, Taiwan New Cinema and Political Reform; and Part 4, Ethnic Groups in Taiwan Cinema. Includes a list, prepared by Liao Jinfeng and Ru-shou Robert Chen, of the most representative films of Taiwan cinema during each time period, and a bibliography (pp. 172–175). WorldCat Jpn
0158 Toroptsev, S. A. (Sergei Arkadevich) Kinematografiia Taivania = T’ai-wan tien ying. Moskva: Editorial URSS, 1998. 198 p. ISBN 5901006623, 9785901006627 Note: Includes a summary in English, a bibliography, and an index. WorldCat Rus
0159 Transnational Chinese cinemas: identity, nationhood, gender / edited by Sheldon Hsiao-peng Lu. Honolulu: University of Hawaii Press, 1997. 414 p. ISBN 0824818548 Note: A collection of twelve essays covering the relationship between cinema, identity, nationhood, and gender in mainland China, Taiwan, and Hong Kong. Part II, The Politics of Cultural and National Identity in the Cinemas of Taiwan and Hong Kong, includes the essays “Constructing a Nation: Taiwanese History and the Films of Hou Hsiao-hsien” by June Yip; “The Diaspora in Postmodern Taiwan and Hong Kong Film: Framing Stan Lai’s The Peach Blossom Land with Allen Fong’s Ah Ying” by Jon Kowallis; and “Breaking the Soy Sauce Jar: Diaspora and Displacement in the Films of Ang Lee” by Wei Ming Darious and Eileen Fung. Includes a bibliography and an index. WorldCat Chi
0156 Tanaka, Hideo, 1952– ೧Ѕഫ, 1952– Eiga ni miru Higashi Ajia no kindai. ྱࡌ䫜Ԋ䫼ֆ䬑䬧䬑䫟ڊײ. T䲖ky䲖: Fuy䲖 Shob䲖, 2002. 245 p. ISBN 482950322X Note: The author accounts for the modern histories of Japan, China, Taiwan, and Korea by comparing each nation’s cinema traditions. The last section of Chapter 1 focuses on Taiwan film history by considering Japan’s influence on Taiwan and representations of Japan in Taiwan films. There is no bibliography or index at the end of the book, but reference notes are included at the end of some of the chapters. WorldCat Jpn
0160 Vick, Tom. Asian cinema: a field guide. New York: Collins, 2007. 274 p. ISBN 9780061145858, 0061145858 Note: A general introduction to the Asian cinemas of China, Japan, India, Hong Kong, Korean, Iran, Taiwan, South and Southeast Asia, Central Asia, and the Middle East. Taiwan and Iranian cinema are grouped together in Part Three, Recent Arrivals. Includes a bibliography and an index. WorldCat Eng
0157 Tobari, Haruo, 1938– פݏֆਜ਼, 1938– Taiwan eiga no subete / Tobari Haruo, Ry䲖 Kinh䲖, Chin Jush䲚. ݡළྱࡌ䫟䫊䫪䫗/ פݏֆਜ਼, ᴰؖང, ᭉ. T䲖ky䲖: Maruzen, 2006. 180 p. ISBN 4621061062, 9784621061060 Series title: Maruzen bukkusu; 106 ᐣ䭅䬲䬞䬨; 106
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Film History
0161
Chinese film and drama, divided into six periods: Budding: End of Qing to 1920, Establishing: 1921–1930; Developing: 1931–1937; Peaking: 1938–1945; Prosperous: 1946–1949; and Struggling: 1950–1959. The appendix includes the essays on Taiwanese-dialect film and drama. CTFAL Chi
0161 Wang, Fei. ٟࣼ. Sheng guang mei ying: Taiwan ying shi. ׇلຓؙ䩭ݡළؙ؇. Fuzhou: Fujian jiao yu chu ban she, 2008. 149 p. ISBN 9787533451790, 7533451791 Series title: Tu wen Taiwan ֘ҹݡළ Note: A fairly objective introductory work on the history of Taiwan film and television for a general readership in mainland China. Includes photos, stills, posters, and a bibliography. WorldCat Chi
0165 Wen, Tianxiang. ࢨϳፖ. Ying mi de di yi tang ke. ؙࣿϡҷϣஇࠆ. Taibei: You shi wen hua shi ye gu fen you xian gong si, 2003. 211 p. ISBN 9575744322 Series title: Xin High shao nian; 9 ЈHigh վё; 9 Note: A general introduction targeted at young Taiwan film fans. Topics include Taiwan film history (explained as originating in mainland China until 1949, the year the mainland industry moved to Taiwan), Taiwan’s Golden Horse Film Awards, Taiwan’s documentary films, filmmaking, film directors, stars, and film-related resources and organizations in Taiwan. Include a filmography. CTFAL Chi
0162 Wang, Zhicheng, 1961– ࣼю, 1961– Taiwan dian ying yu she hui bian qian. ݡஹӇؙӿघϾԺቜ. Taibei: Wan xiang tu shu gu fen you xian gong si, [1993?] 40 p. Series title: Taiwan dian ying jing xuan xi lie ݡஹӇ࠶ڍקؘؙ Note: Discusses the relationship between Taiwan cinema and society. Initiated and organized by the 1993 Republic of China International Film Year Promotion Team. WorldCat Chi
0166 Wicks, James Anthony. The antecedents of Taiwan New Cinema: the state of Taiwan film in the 1960s and 1970s. 266 leaves. Note: Thesis (Ph.D.)—University of California, San Diego, 2010. Explores the ways Taiwan’s KMT (Nationalist Party) government defined itself as the representative government of all of China in the 1960s and 1970s by both studying its state-sanctioned film industry and explaining how these filmmaking conditions in the 1970s enabled the emergence of Taiwan New Cinema in the 1980s. Analyzes influences from mainland China, Japanese colonialism, and the United States during the Cold War. Includes notes and a bibliography. ProQuest (FT) Eng
0163 Wang, Yunman. ࣼ࠭㓧. Zhongguo dian ying yi shu shi lue. Ѕмӈؙभଯ. Beijing: Zhongguo guan ji guang bo chu ban she, 1989. 141 p. ISBN 7800352331 Note: This collection of ten essays provides a brief overview of Chinese film art history from 1905 to 1988 with a focus on fictional films. The last essay (pp. 138–141) presents a short account of Taiwan and Hong Kong film history. Does not include a bibliography or an index. Duxiu Chi
0167 World cinema since 1945 / edited by William Luhr. New York: Ungar, 1987. 708 p. ISBN 0804430780 Note: A collection of essays on the cinema industries in thirty-nine countries and areas. “China” by Esther Yau (pp. 116–139), considers Chinese film history since 1945, including a section on “Taiwan Cinema” that provides a general introduction to Taiwan’s film industry, two-dialect (Mandarin and Taiwanese) productions, and the New Wave film movement beginning in the 1980s.
0164 Wang, Zilong. ࣼжᑹ. Zhongguo ying ju shi. Ѕлঁؙ. Taibei: Jian guo chu ban she, 1960. 152 p. Note: Because of the close relationship between Chinese film and drama (in this case, not Chinese opera, but Western performance art), the author provides a joint history of
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0172 Includes a selected bibliography at the end of each essay, as well as a section about contributors, photo credits, and an index at the end of the book. WorldCat Eng
Note:
0168 Xiao, Zhang. នא. Zhong wai dian ying shi hua / Xiao Zhang, Dai Zhongfu bian zhu. Ѕ֔ӈؙҦ / នא䩟ඕЅ⅃൜Я. Chongqing: Chongqing chu ban she, 1999. 283 p. ISBN 7536641826 Series title: Xin shi ji bai ke zhi shi jin dian ЈԒઓ॓ښҌࡧؖਹ Note: A work on Chinese and world film histories. Taiwan film history is discussed briefly in Chapter 22 (pp. 280– 283). Does not contain a bibliography or an index. Duxiu Chi
Thesis (M.A.)—National Dong Hwa University, 2007. This paper considers representations of Taiwan aboriginals in fictional feature films produced both during the Japanese colonial period and after retrocession. The author uses film analysis as the starting point to explore the relationship between the aboriginal people and colonialism, postcolonialism, nation building, and national identity. Includes a Chinese abstract, bibliography, and filmography. NCL/NDLTD (FT) Chi
0171 Yang, Jeff. Once upon a time in China: a guide to Hong Kong, Taiwanese, and Mainland Chinese cinema / Jeff Yang; senior contributor, Art Black, John Charles . . . [et al.]. New York: Artria Books, 2003. 306 p. ISBN 0743448170 Note: A unique and comparative but Hong Kong–centric guide to film production in Hong Kong, Taiwan, and mainland China. It endeavors to locate common themes between Hong Kong, Taiwan, and mainland Chinese films within each chapter for each time period and to explore their “intertwined traditions.” Chapters are as follows: Chapter 1, The Dawn of Chinese Film: 1896– 1949; Chapter 2, Swordsmen and Revolutionaries: The Fifties and Sixties; Chapter 3, Martial Arts and Melodrama: The Seventies; Chapter 4, New Wave Dreams and Ballistic Kisses: The Eighties; Chapter 5, The Best of Times, the Worst of Times: The Nineties; and Epilogue: 2000 and Beyond. All chapters include Capsule Film Reviews. Except for the first chapter, which focuses on mainland China films, all of the following chapters are dominated by Hong Kong films. Attention to Taiwan film is certainly the weakest in the book; for example, there is no mention of Taiwan film production in Chapter 1; and in Chapter 2, although nine Hong Kong film directors and their films are mentioned, only three Taiwan film directors and films are mentioned, and one of them is King Hu, whose film career took him from Hong Kong to Taiwan. Also note the text’s method of only using English translations for the titles of all Chinese films could cause confusion. Overall, this text cannot be considered a comprehensive guide for films in all three areas, as the primary author points out in the preface. Includes Capsule Film Reviews for all chapters, but note that there are some mistakes; for example, the capsule review for Chapter 2 labels two King Hu movies as mainland China productions. Includes a bibliography (as notes) and an index. WorldCat Eng
0169 Xun zhao dian ying zhong de Taibei = Focus on Taipei through cinema 1950–1990 / Chen Ruxiu, Liao Jinfeng bian zhu. ଵװӇؙЅϡ = ܚݡFocus on Taipei through cinema 1950–1990 / ᭉ, ᴰؖངഹЯ. Taibei: Wan xiang tu shu ge fen you xian gong si, 1995. 164 p. ISBN 9576697433 Note: A special bilingual (Chinese and English) publication for the Taipei film exhibit, Focus on Taipei through Cinema, 1950–1990, and the 1990 Golden Horse Film Awards. Twelve Taipei-related films were selected for the exhibit, all of them produced between 1963 and 1990. Ten essays, which investigate these twelve films, focus on the subjects of Taipei’s film history, Taipei’s city image in Chinese films, the “Taipei experience” in Taiwanese-dialect films, aesthetic and comparative studies of Taiwanese and Mandarin films during the 1960s, Post–Taiwan New Cinema from the 1980s to the 1990s, a sociological study of portrayals of Taipei city through films from 1960 to 1990, depictions of Taipei youth, Taipei’s landscape of desire, and a comparative study of Taipei and Shanghai in Chinese cinema from the 1930s to the 1990s. Includes interviews, synopses, and an introduction of the contributors in the appendix. NTUL Chi Eng
0170 Yang, Huanhong (Yang, Huan-hong). ᢵ. Ta zhe bu xian ying: Taiwan dian ying zhong de yuan zhu min ying xiang. јٷϤؙࣶ: ݡஹӇؙЅϡ֍ؙ֙ھՌ. 106 leaves.
0172 Ye, Longyan, 1940– ౕहᴧ, 1940– Riben dian ying dui Taiwan de ying xiang 1945–1972. яӆӇؙхݡஹϡؙ 1945–1972.
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0173 Zhanghua: Zhong zhou ji shu xue yuan dian ying yan jiu zhong xin, 2006. 198 p. Note: An overview of the relationship between Japanese and Taiwanese films from 1945 to 1972. It deals with the following subjects: the ban on importing Japanese films from 1945 to 1950 and from 1963 to 1964, the peak of Japanese film imports, government policy on importing Japanese films, cases of smuggling Japanese films, Taiwan’s film censorship system, and the influences of imported Japanese films and culture on Taiwan filmmaking. Includes a bibliography. CTFAL Chi
Dr. Yeh is referring to the February 28 Incident, this event occurred in 1947. Includes a filmography (243–247) and bibliography (248–263). WorldCat Eng
0175 Ying san bai / Dou Jiangming zhu bian. ؙѧ ښ/ 扻ҴҰ൜. Shanghai: Fudan da xue chu ban she, 2006. 342 p. ISBN 7309048431 Note: Shu Qi and Luo Ka, two film critics, directors, and scholars from Hong Kong, present the 100 best films from Mainland China, Hong Kong, and Taiwan, the 100 best actors and actresses with accompanying biographies, and the 100 best film directors in Chinese film history. Luo Ka admits in the postscript that the authors only focused on Taiwan’s standard, often-cited titles and film personnel. The book also includes a collection of essays that cover 100 years of Chinese film history, including an essay by Taiwan film critic Huang Ren (pp. 28–59) that deals with Taiwan’s early film history from 1907–1964, and an essay by August Palmer (pp. 99–152) that considers the interaction between Hong Kong New Wave films, New Taiwan films, and mainland China fifth-generation films from 1979 to 1999. Endnotes are included at the end of each essay. Includes both a bibliography and a chronology. WorldCat Chi
0173 Ye, Longyan, 1940– ౕहᴧ, 1940– “Ying xiang” de ying xiang: qi shi nian dai Taiwan dian ying shi, 1970–1979. “ؙ” ϡؙ: ࢳёݡڊஹӇؙ, 1970–1979. Xinzhu: Xinzhu shi ying xiang bo wu guan, 2002. 206 p. ISBN 9570116935 Note: According to the author’s preface, the original title of the manuscript was Historical Analysis of a Film Magazine: Ying Xiang. This text is an overview of Taiwan film during the 1970s based on an analysis of the film magazine, Ying Xiang, during the 1970s (December 1971–September 1979). Includes endnotes and a bibliography. NTUL Chi
0176 Ying shi yi shu xin shang / Zhang Jian zhu bian; Li Yanchun deng he zhu. ؙ؆ਲफಶ / פҰഹ; ଽᴧࡇҳׁЯ. Taibei: Wu nan tu shu chu ban gu fen you xian gong si, 2002. 352 p. ISBN 9571127647 Series title: Yi shu jian shang cong shu ਲफᅹᜣڣ Note: The Taiwan edition of a book written by scholars in mainland China. A section on Taiwan and Hong Kong film history can be found in Chapter 2, Chinese Film History (pp. 135–142). Includes a bibliography and postscript to the Taiwanese version. CTFAL Chi
0174 Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. A national score: popular music and Taiwanese cinema. 263 leaves. Note: Thesis (Ph.D.)—University of Southern California, 1995. An interesting study of the relationship between popular music, cinema, and national identity in Taiwan from the 1970s to the 1990s. Explores multiple relevant interrelationships between popular music and Taiwan cinema, including the inclusion of popular songs in the 1970s policy films and romantic melodramas, the exclusion of pop music in Taiwan New Cinema in the 1980s, and the return of popular music in commercial films of the 1990s, thus revealing “a national identity characterized by shifting loci of commerce, politics, and art” (abstract). As a serious academic work, it provides many interesting perspectives based on in-depth research and substantial evidence. It states, however, that “A huge massacre occurred in 1945 when many Taiwanese rose up against the semi-colonial governance of the National Party” 2), which is possibly miswritten, for if
0177 Ying xiang bi ji = The moving image / Zhu bian Yu Weizheng. ؙՌદ֮ = The moving image / ҰഹЊू. Tainan: Tainan yi shu da xue, 2007. 311 p. ISBN 9789860090987 Note: A collection of film studies essays and lectures presented at Tainan National University of the Arts. Divided into four parts: Part 1, Principle of Moving
36
General
0182 Image and Aesthetics; Part 2, Moving Image Culture and Communication; Part 3, Moving Image Today and Tomorrow; and Part 4, Moving Image Creation. In terms of specifics, Part 1 touches on current (2007) Taiwan film theory discussions; Part 2 focuses on Taiwan film history; Part 3 considers the future of Taiwan film development; and Part 4 presents filmmaking anecdotes and experiences within Taiwan. NTUL Chi
0181 Zhang, Yingjin. Chinese national cinema. New York: Routledge, 2004. 328 p. ISBN 0415172896 (hbk.: alk. paper), 9780415172899 (hbk.: alk. paper), 041517290X (pbk.: alk. paper), 9780415172905 (pbk.: alk. paper) Series title: National Cinemas Note: A serious academic work that provides thorough research and original perspectives. As the first attempt to outline Chinese film history in English with an up-to-date and chronological history approach, the author uses a “Chinese national cinema” paradigm to cover all films produced in mainland China (including those before 1949), Hong Kong, and Taiwan, while at the same time instructing the reader to keep in mind all associated problems and “messiness”—theoretical as well as geopolitical—surrounding “China” and “Chineseness.” The text forms a “general and potentially comparative framework of Chinese national cinema” in the three territories of mainland China, Hong Kong, and Taiwan (p. 5). Unlike many other works on the same subject, it provides a unique historical perspective: Cinema and National Traditions, 1896–1929; Cinema and the Nation-People, 1930–49; Cinematic Reinvention of the National in Taiwan, 1896–1978; Cinematic Revival of the Regional in Hong Kong, 1945–78; Cinema and the Nation-State in the PRC, 1949–78; Cinema and National/Regional Cultures, 1979–89; and Cinema and the Transnational Imaginary, 1990–2002. This is not a comprehensive history of Chinese cinema; the author states that “this book concentrates primarily on feature films” (p. 12). Because the publisher does not print Chinese characters, the author reasonably used Pinyin unless names are more commonly recognized in Wade-Giles or Cantonese (for more information regarding this tactic, see “Romanization and Name Spelling” in the Introduction to this volume). Almost all Chinese film titles in the text and index are presented in their English translations, without romanization or Chinese characters. Includes a bibliography and an index. WorldCat Eng
0178 Yong yan jing kan de Zhongguo dian ying shi / Ce hua Longjiang wen hua shi ye you xian gong si. ѓՒЃϡЅлӇؙ / ೫हҹ٩Ѩϩࡳԍޅ. Taibei: Longjiang wen hua shi ye you xian gong si, 1979. 400 p. Note: A pictorial work that presents unique photos, film stills, and posters as a visual map of Chinese film history from 1896 to 1963. It focuses on mainland China from 1895 to 1949, and then turns to Hong Kong and Taiwan from 1950 to 1963. Includes biographies of Chinese film stars, a chronology of Chinese film history, and an introduction to ten beautiful Chinese movie stars. CTFAL Chi
0179 Yu, Yeying. ཡ⁒. Dian ying bei wo pao kua le. ӇؙҩϢާቄϦ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1990. 318 p. ISBN 9571301744 Series title: Ji zhe 25 xiao shi xi lie; 7 ֮ٷ25ЩЖ ;࠶ڍ7 Note: A film journalist’s memoir. Covers film-related news and stories from the 1970s to the 1980s, including historical events and famous directors, producers, actors, and actresses in Taiwan, Hong Kong, and mainland China. CTFAL Chi
0180 Zeng, Xiba. ߲՝ພ. Zou ru dian ying tian di. ҵՊӇؙϳс. Taibei: Zhi wen chu ban she, 1988. 295 p. Series title: Xin chao wen ku; 332. Јҹᆞ; 3332 Note: A collection of the author’s essays, lectures, and newspaper articles, organized into four parts: Talking About Current Film Problems, Paying Attention to Our Film Production, Stories of Eight Hollywood Companies, and Brief Comments. It provides multiple perspectives of Taiwan film history and its production environment. NTUL Chi
0182 Zhang, Yutian. ەפ೧. Zhongguo dian ying shi ye lun. ЅлӇؙѨں. Taibei: Zhongguo dian ying wen xue chu ban she, 1968. 170 p. Note: As the author states in the preface, this work focuses its attention on film policy issues in Taiwan from 1949 to 1967. The book provides suggestions to the government regarding the establishment of complete and reasonable film laws and policies that would enable the best possible environment for the development of Taiwan’s film industry. For example, the author
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Film History
0183 recommends controlling the importation and distribution of foreign films in Taiwan because of the threat of American film distribution in Taiwan. Suggestions are also made regarding Taiwan’s filmmaking personnel by offering a comparative study of Japanese and Taiwan film development after World War II. The appendix includes some important statistics, such as a filmography of Taiwan films produced from 1948 to 1967 (pp. 77–87), the annual ten best Mandarin films at the box office from 1957 to 1967 (pp. 78–96), and a statistical record of movie theater attendance in the Taiwan area in 1967 (pp. 97–98). WorldCat Chi
films; Part 6 considers military films; and Part 7 covers comedy films. Includes a bibliography. Duxiu Chi
0185 Zhongguo dian ying bai nian 1905–1976 = Chinese movie 100 years / Li Duoyu zhu bian. Ѕмӈښؙё 1905–1976 = Chinese movie 100 years / ଽЄ⢇Ұ൜. Beijing: Zhongguo guang bo dian shi chu ban she, 2005. 399 p. ISBN 7504347000 Note: The first of two volumes. Concentrates on significant film-related or historical events to describe the development of Chinese film history. Issues dealing with Taiwan begin in Chapter 6, which discusses the Healthy Realism movement and film director Li Xing in 1963. Chapter 7 covers Qiong Yao’s movies in the 1970s. Does not contain a bibliography or an index, and thus it is not a serious academic work and cannot be used as a reference text. WorldCat Chi
0183 Zhong, Lei. ፼. Wu shi nian lai de Zhongguo dian ying. ٚёϰϡЅлӇؙ. Taibei: Zheng zhong shu ju, 1965. 158 p. Series title: Xian dai Zhongguo wen yi cong shu ѳڊЅлҹਲᜣڣ Note: A general introduction to Chinese film history from 1911 to 1961. Chapter 1 deals with Chinese film history in mainland China before 1937; Chapter 2 describes the development of the Chinese film industry during and after the Sino-Japanese War, 1937–1949, including the film industry in Hong Kong and Taiwan after the war; and Chapter 3 introduces the current (1965) situation of the film industry and production in Taiwan and Hong Kong. The book presents the official views of the Nationalist government controlled by the KMT (Kuomintang Party); thus, it is critical of the left-wing movement of Chinese films during the 1930s and 1940s. It pinpoints two films produced during the war, Wan shi liu fang and Chun jiang yi hen, as products of cooperation with the Japanese, it does not mention the Japanese influence on the Taiwan film industry, and it ignores the strict government censorship of film in Taiwan after the Nationalist government fled to Taiwan in 1949. WorldCat Chi
0186 Zhongguo dian ying bai nian 1977–2005 = Chinese movie 100 years / Sun Xiantao, Li Duoyu zhu bian. Ѕмӈښؙё 1977–2005 = Chinese movie 100 years / ྑຸ⁰䩟ଽ Є⢇Ұ൜. Beijing: Zhongguo guang bo dian shi chu ban she, 2006. 308 p. ISBN 7504348139 Note: The second of two volumes. Concentrates on significant film-related or historical events to describe the development of the Chinese film history. Chapter 1 presents the Taiwan New Cinema movement and film director Edward Yang in 1982; Chapter 5 focuses on Taiwan film director Chen Zhuhuang’s film Mom, love me once more in 1988, which became the number-one box office hit in mainland China two years later, and Edward Yang’s work in 1991; Chapter 6 discusses Tsai Ming-liang’s work in 1994 as well as Ang Lee and his film Crouching Tiger, Hidden Dragon. Does not contain a bibliography or an index, and thus it is not a serious academic work and cannot be used as a reference text. WorldCat Chi
0184 Zhongguo dang dai dian ying fa zhan shi / Zhang Boqing, Jia Leilei zhu bian. ЅмӾڊӈؙтࣁ / אᓱݙ䩟ᯉᲁᲁҰ൜. Beijing: Wen hua yi shu chu ban she, 2006. 2 v. ISBN 7503926961 Note: Describes Chinese film history from 1949 to 1999. Chapter 14, written by Chen Feibao, deals with Taiwan film history and begins with a summary of Taiwan film history. Part 1 describes Taiwan realism films; Part 2 discusses Taiwan urban films; Part 3 covers Taiwan female films (nü xing dian ying); Part 4 analyzes children films; Part 5 deals with kung fu and gangster
0187 Zhongguo dian ying shi ye de xian zhuang ji zhan wang: jiao yu bu wen hua ju dian ying shi ye diao cha bao gao shu / Jiao yu bu wen hua ju bian. ЅлӇؙѨϡѳ૬ߵࣁֳ: ڌड़חҹ٩ӇؙѨ ڣݍڻݓ݇/ ڌड़חҹ٩ഹ. Taibei: Jiao yu bu wen hua ju, 1971. 189 p. Note: An official 1971 report on the current condition of, and future predictions for, the Taiwan film industry. Released by the Cultural Bureau under the Ministry of Education. WorldCat Chi
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General
0192 Note:
0188 Zhongguo dian ying jian shi—ju zhao pian / Di 26 jie Taibei Jin Ma guo ji ying zhan = Concise Chinese film chronicle: through still photographs / Zhonghua Minguo dian ying shi ye fa zhan ji jin hui dian ying zi liao guan. ЅлӇߢؙ—ঁؕࢡ / ҷ26โཅެؖܚлগ = ࣁؙConcise Chinese film chronicle: through still photographs / ЅھܓлӇؙѨ чࣁऴؖϾӇࢧޞؙఖ. Taibei: Zhonghua Minguo dian ying shi ye fa zhan ji jin hui dian ying zi liao guan, 1989. 155 p. Note: A bilingual (Chinese and English), concise Chinese film chronicle with a collection of related film stills and photos. A brief description of Chinese film history from 1921 to 1989, with a focus on concurrent film trends, can be found in Huang Ren’s essay, “The Development and Changes of the Chinese Cinema: A Look at Chinese Film History through the Last Decade.” Includes 120 film titles listed with credits, film poster or still, and production date. Post-1949 mainland Chinese films and film history are not included in this book. Published in commemoration of the Twenty-Sixth Taipei Golden Horse International Film Festival. CTFAL Chi Eng
Published in celebration of 100 years of Chinese film history (1905–2005), this is the culmination of three years of work by a collection of film scholars and professionals from mainland China, Taiwan, and Hong Kong. Thus far, it is the most comprehensive, objective, and integrated illustrated history of Chinese cinema, presenting the film histories of mainland China, Taiwan, and Hong Kong chronologically. The book is quite unusual in that it is published in mainland China, yet in terms of linguistics, it uses traditional Chinese characters, and in terms of politics, it lists film studios controlled by the Japanese or the Chinese puppet government in China during the Second Sino-Japanese War (although it lists these films in the main text and chronology, these films are not in the annual film production list or the film title index at the end of the book). Includes photos, film posters, stills, bibliography, and indexes of film personnel and film titles. CTFAL Chi
0191 Zhongguo dian ying tu zhi / Zhongguo dian ying yi shu yan jiu zhong xin, Zhongguo dian ying zi liao guan bian. ЅлӇ ؙ֖/ ЅлӇؙਲफ୳ૢЅК, ЅлӇࢧޞؙఖഹ. Zhuhai: Zhuhai chu ban she, 1995. 541 p. ISBN 786070982 Note: An important pictorial history of Chinese film, including mainland China, Hong Kong, and Taiwan containing film stills, posters and photos. Taiwan cinema, and Hong Kong cinema for that matter, are presented in their own chapters in the four parts of the book. Taiwan film chapters include the following: Part 1, Chapter 5: Taiwan Film in Early Budding Period (1913–1930); Part 2, Chapter 5: Taiwan Film in Late Budding Period (1930–1949); Part 3, Chapter 5: Taiwan Film Between the 1950s and 1970s (1949–1981); and Part 4, Chapter 5: Taiwan Film During the Adjustment Period (1982–1994). Because of the limited availability of materials, the editor states that the portions dealing with Taiwan and Hong Kong are inappropriately brief. Bibliographical materials are included in the editor’s introductory note. WorldCat Chi
0189 Zhongguo dian ying shi / Hu Xingliang, Zhang Ruilin zhu bian. Ѕмӈؙ / ഐլ݊䩟 צᇳᰕҰ൜. Beijing: Zhong yang guang bo dian shi da xue chu ban she, 1995. 544 p. ISBN 7304011823 Series title: Nanjing da xue xi ju ying shi xue cong shu. ۪ߟϽѺۜঃؙ؇Ѻᜥڪ Note: Compiled by Nanjing University as teaching materials for the instruction of Chinese film history, this is not a serious academic work and it does not include a bibliography or an index. Part 6: Taiwan and Hong Kong Film 1949–1989 (pp. 433–541) discusses Taiwan and Hong Kong film history together over the course of six chapters. Chapter 6 explores the connection between Hong Kong and Taiwan kung fu films, and the other chapters are focused primarily on Taiwan film topics, such as Taiwan film culture and theory, Qiongyiao’s melodramatic films, and Taiwan xiangtu (native soil) films. However, it does not mention important Taiwan film movements, such as Taiwanese-dialect film or Healthy Realism. Duxiu Chi
0192 Zhou, Zhiping. Readings in contemporary Chinese cinema: a textbook of advanced modern Chinese = Dang dai Zhongguo dian ying xuan du: Zhongguo ce ying: xian dai han yu gao ji du ben / Zhiping Zhou, Wei Wang, Joanne Chiang. Readings in contemporary Chinese cinema: a textbook of advanced modern Chinese = ӾڊЅмӈࢴשؙ䩭Ѕмᄬؙ䩭Ѵڊఉܬҙٛ ࢴӆ / Zhiping Zhou, Wei Wang, Joanne Chiang. Princeton: Princeton University Press, 2007. 338 p. ISBN 9780691131092, 0691131090 Note: A Chinese textbook designed for American college students who have studied Chinese for three years or
0190 Zhongguo dian ying tu shi (1905–2005) = Chinese film: an illustrated history / Zhu bian: Zhongguo dian ying tu shi bian ji wei yuan hui. ЅлӇؙ֖(1905–2005) = Chinese film: an illustrated history / Ұഹ: ЅлӇؙ֖ഹফణϾ. Beijing: Zhongguo chuan mei da xue chu ban she, 2007. 915 p. ISBN 9787810857338
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0193 more. Introduces films produced over the past twenty years by filmmakers in mainland China, Hong Kong, and Taiwan. Includes an English preface and Pinyin index. WorldCat Chi Eng
Note:
0193 Zhuang, Ling. ບࢼ. Dian ying yi shu za tan = Talks on cinematic art. Ӈؙਲफড = Talks on cinematic art. Taibei: Chen zhong chu ban she, 1970. 2 v. Series title: Xiang ri kui wen cong; 3 זяᕽҹᜣ; 3 Note: A collection of the author’s discussions on cinematic art. The introductory articles in the text discuss contemporary Taiwan film, its achievements, and shortcomings. NTUL Chi
2.2 2.2.1
2.2.2
Consists of two parts: Japanese Colonial Period (1895– 1945) and After Taiwan Retrocession (August 15, 1945–) and four chapters: Chapter 1, Establishing Ximending Movie Street; Chapter 2, Prosperous Ximending Movie Street; Chapter 3, Golden Era of Ximending (1960s to 1980s); and Chapter 4, Conclusion. Includes endnotes at the conclusion of each chapter, and a chronology at the end of the book, but there is no index. NTUL Chi
Hsinchu (Xinzhu), 1900–
0196 Chen, Zhengxun. Ԝ㡼. Jiao juan li de miu si: 2002 nian “Xinzhu shi li ying xiang bo wu guan” guan zhong guan ying xing wei yu sheng huo jing tai diao cha bao gao. ᄶᒹѶϡ‘ڽ: 2002 ё “Јኵؙ߹صՌѕఖ” ੁؙҲЊӿ Т҅ࡿݍڻݓ݇ݯ. Taibei: Xinzhu shi li ying xiang bo wu guan, 2003. 167 p. ISBN 9570155469 Note: A text based on the author’s M.A. thesis. A study of audience film viewing behavior at the Hsinchu Image Museum. Includes a literature review, survey, returned surveys, methodology, analysis charts, and bibliography. NTUL Chi
SPECIAL REGIONS, PERIODS, AND EVENTS Ximending (Ximenting), 1896–
0194 Ye, Longyan, 1940– ౕहᴧ, 1940– Hong lou xun xing meng, Ximending de gu shi. ࣍یଵլْ, ՝՞⍆ϡݞѨ. Taibei xian Luzhou shi: Bo Yang wen hua shi ye you xian gong si, 1999. 201 p. ISBN 9579771022 Series title: Taiwan yue lan shi; 5 ݡஹ་ऋॣ; 5 Note: A pictorial book on Ximending with images and anecdotal stories related to Taiwan film history, buildings, theaters, people, shops, and culture. Includes photos, drawings, Ximending Entertainment Archive, maps, and a chronology. CTFAL Chi
0197 Chuan qi ji yi de zhen zhu: guo min xi yuan ji Xinzhu dian yang ye kou shu li shi fang tan lu / Liu Jiawen, Chen Yijun bian zhuan, Lin Song zong bian ji. ၌в֮ᏻϡੵ: лࡨۚھ᠕ЈኵӇטؙࣵභড࠷ / ဓᝉ, ជᅿഹ᫃, ग़րഹফ. Xinzhu: Xinzhu shi wen hua ju, 2008. 159 p. ISBN 9789860137040 Series title: Zhu qian wen hua zi chan cong shu; 366 ኵ∔ҹ٩ݗޞᜣ ;ڣ366 Note: An oral history of the Guomin Xi Yuan movie theater and film history in Hsinchu city, Taiwan. The work consists of two parts: Historical Records from the People’s Perspective and Guomin Theatres and the History of Hsinchu Film Industry Development. In 1933, the Japanese colonial government built Taiwan’s first theater with air-conditioning, Youle Guan, in Hsinchu, which was renamed Guomin Da Xi Yuan after Taiwan retrocession in 1945. It closed in 1991. In 2000, the Hsinchu Image Museum opened in the original Guomin Xi Yuan location. Memories from the local community, film directors, artists, theater staff, and managers regarding Guomin Xi Yuan provide a unique perspective on the film history of Hsinchu.
0195 Ye, Longyan, 1940– ౕहᴧ, 1940– Taibei Ximending dian ying shi 1896–1997. ܚݡ՝՞⍆Ӈؙ 1896–1997. Taibei: Guo jia dian ying zi liao guan, 1997. 329 p. ISBN 957020219X Series title: Taiwan dian ying shi cong shu; 005 ݡஹӇؙᜣ ;ڣ005
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Special Regions, Periods, and Events
Includes a bibliography. NTUL
0204 Xinzhu: Xinzhu shi li ying xiang bo wu guan, 2001. 61 p. ISBN 9570288965 Note: A special publication for the anniversary of the Hsinchu Image Museum. Includes a museum report, reviews of the film festivals hosted by the museum, and essays on documentary film history and filmmaking. CTFAL Chi
Chi
0198 Feng cheng ying hua: Xinzhu shi dian ying, xi yuan da shi tu lu / Pan Guozheng deng zhu, zhu bian Pan Guozheng. գؙڵҧ: ЈኵصӇؙ, ۚࡨϽѨ֖࠷ / ᕤлूҳЯ, Ұഹᕤлू. Xinzhu: Xinzhu shi wen hua zhong xin, 1996. 225 p. ISBN 9570070013 Note: A pictorial film history of Hsinchu containing photos, film stills, posters, drawings, and a photocopy of a newspaper clip reporting the earliest evidence of a film screening in Hsinchu: Eight Country Troops attacking Peking during the Boxer Rebellion, which was screened in Hsinchu at 6:00 P.M., November 17, 1901. The appendix contains interesting historical stories, such as a recollection of the conflict between the local military and the film industry in Hsinchu regarding whether or not to allow military personnel free or discounted tickets for film showings after the February 28 Incident in 1947. NTUL Chi
0202 Xingzhu shi li ying xiang bo wu guan san zhou nian cheng guo zhuan ji: 2002.06–2003.05 / Qiu Sufen zhi xing bian ji. Јኵؙ߹صՌѕఖѧڬёюҝ֟ফ: 2002.06–2003.05 / ᆥঈᐇ వҲഹফ. Xinzhu: Xinzhu shi li ying xiang bo wu guan, 2003. 63 p. ISBN 9570157844 Note: A special publication for the third anniversary of the Hsinchu Image Museum. Commemorates achievements and includes Programs, Film List, Obituaries, Oscar Award-winning Film list and Golden Horse Award-winning Film List. NTUL Chi
0199
0203
Xinzhu shi guo min ju yuan she zhi ying xiang bo wu guan ji zai sheng li yong ji hua gui hua yan jiu / Jing qun guo ji gui hua she ji gu fen you xian gong si gui hua. ЈኵصлޗࡨঁھঞؙՌѕఖߵӐТ۱ѓ ૢ୳ޫذ/ ॒ळ лগذޗ੦ڤϩࡳԍޅ. Xinzhu: Xinzhu shi li wen hua zhong xin, 1997. Various pagination. Note: The proposed plan and blueprints for converting the former Guomin Theatre into the Hsinchu Image Museum. NTUL Chi
Xingzhu shi li ying xiang bo wu guan si zhou nian cheng guo zhuan ji: 2003.06–2004.05 = 4th Anniversary Achievement Edition / Liu Hongquan zong bian ji. Јኵؙ߹صՌѕఖڬףёюҝ֟ফ: 2003.06–2004.05 = 4th Anniversary Achievement Edition / Ҫրഹফ. Xinzhu: Xinzhu shi li ying xiang bo wu guan, 2004. 64 p. ISBN 9570175100 Note: A special publication for the fourth anniversary of the Hsinchu Image Museum. Commemorates achievements and includes Programs, Film List, Obituaries, Oscar Award-winning Film list and Golden Horse Award-winning Film List. NTUL Chi
0200 Xingzhu shi li ying xiang bo wu guan: Feng cheng ying shi de jin sheng qian shi / Xiang lu wen hua shi ye you xian gong si. Јኵؙ߹صՌѕఖ: գؙڵϡѵТӓԒ / ұੑҹ٩Ѩϩࡳ ԍޅ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2001. 47 p. ISBN 9570299126, 9789570299120 Series title: She qu wen hua cong shu; 2 घ߅ҹ٩ᜣ ;ڣ2 Note: A tourist manual for the Hsinchu Image Museum. Provides a history of film in Hsinchu city as well as museum information. WorldCat Chi
0204 Xingzhu shi wen hua ju ying xiang bo wu guan liu zhou nian cheng guo zhuan ji: 2005.06–2006.05 = Image Museum of Hsinchu City 6th Anniversary Achievement Edition / Lin Song zong bian ji. Јኵصҹ٩ؙՌѕఖࡏڬёюҝ֟ফ: 2005.06–2006.05 = Image Museum of Hsinchu City 6th Anniversary Achievement Edition / ग़րഹফ. Xinzhu: Xinzhu shi li ying xiang bo wu guan, 2006. 63 p. ISBN 9789860064223, 9860064229 Note: A special publication for the sixth anniversary of the Hsinchu Image Museum. Commemorates achievements and includes programs, film list, obituaries, Oscar award–winning film list and Golden Horse award–winning film list. NTUL Chi
0201 Xingzhu shi li ying xiang bo wu guan zhou nian cheng guo zhuan ji: 2000.05–2001.05 / Qu Meifeng bian ji. Јኵؙ߹صՌѕఖڬёюҝ֟ফ: 2000.05–2001.05 / ㎆Ѥངր ഹফ.
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Film History
0205
2.2.3 Kaohsiung (Gaoxiong) and Southern Taiwan, Including Pingtung (Pingdong or P’ing-tung), Tainan (T’ai-nan), and Chiayi (Jiayi or Chia-i), 1900–
0205 Xingzhu shi wen hua ju ying xiang bo wu guan qi zhou nian cheng guo zhuan ji = Image Museum of Hsinchu City 7th Anniversary Achievement Edition / Lin Song zong bian ji. Јኵصҹ٩ؙՌѕఖࢳڬёюҝ֟ফ = Image Museum of Hsinchu City 7th Anniversary Achievement Edition / ग़րഹফ. Xinzhu: Xinzhu shi li ying xiang bo wu guan, 2007. 63 p. ISBN 9789860107685 Note: A special publication for the seventh anniversary of the Hsinchu Image Museum. Commemorates achievements and includes programs, film list, obituaries, Oscar award–winning film list and Golden Horse award–winning film list. NTUL Chi
0208 “Ben guan dian cang wen wu yan jiu” wei tuo yan jiu an / Ji hua zhu chi ren: Chen Linghui; Xie tong zhu chi ren: Lin Qishou. “ӆఖਹেҹ ”ૢ୳ణኅ୳ૢଈ / ذҰفϪ: ༫; ӎҰف Ϫ: ൠႎ. Gaoxiong: Gaoxiong dian ying tu shu guan, 2007. 106 p. Note: A research report on film-related artifacts collected by the Kaohsiung Film Library. Includes purpose, methodology, targeted materials, discoveries, recommendations, and a bibliography. Appendix 1 and Appendix 2 include interviews and catalogs of the film artifacts collected by the library. CTFAL Chi
0206 Xinzhu shi xi yuan zhi / Ye Longyan bian. Јኵࡨۚص௨ /ౕहᴧഹ. Xinzhu: Xinzhu shi wen hua zhong xin, 1996. 24 p. Note: A pictorial work that shows the history of Hsinchu’s theaters, including the first theater built during the colonial period in 1908. Includes a map of Hsinchu movie theaters, photos, foldouts, film stills, and posters. NTUL Chi
0209 “Ben guan dian cang wen wu yan jiu” wei tuo yan jiu an (fu lu san: guan cang wen wu dang an) / Ji hua zhu chi ren: Chen Linghui; Xie tong zhu chi ren: Lin Qishou. “ӆఖਹেҹ ”ૢ୳ణኅ୳ૢଈ (ป࠷ѧ: ఖেҹးଈ) / ذ ҰفϪ: ༫; ӎҰفϪ: ൠႎ. Gaoxiong: Gaoxiong dian ying tu shu guan, 2007. 452 p. Note: An attachment to the research report on film-related artifacts collected by the Kaohsiung Film Library. Appendix 3 provides a detailed catalog of the film artifacts collected by Kaohsiung Film Archive organized by film, soundtrack, movie propaganda materials, posters, photos, equipment, books, and series. CTFAL Chi
0207 Ye, Longyan, 1940– ౕहᴧ, 1940– Xinzhu shi dian ying shi. ЈኵصӇؙ. Taibei: Xinzhu shi wen hua zhong xin, 1996. 330 p. ISBN 957007054 Series title: Zhu qian wen hua zi chan cong shu; 81 ኵ∔ҹ٩ݗޞᜣ ;ڣ81 Note: A detailed film history of Hsinchu from 1900 to 1995. According to the author, in 1900, two Japanese merchants brought some short documentary films and showed them in Hsinchu city’s Confucius Temple after similar showings in Taipei; then, in 1901, the Japanese colonial government provided the first official film show for the Hsinchu’s officials, their families, and around 200 local guests. Since then, Hsinchu, as a Taiwanese city, has been closely related to the Taiwan film industry, particularly from 1956 to 1971 when Taiwanese-dialect film reached its peak in terms of production quantity. Includes film stills, posters, photos, and a bibliography. NTUL Chi
0210 Chen, Guilan. ᄉ୪. Nanying xi yuan zhi / Chen Guilan, Wang Chaosi zhu. ۪↡ۚࡨ / ᄉ୪, ࣼசᐥЯ. Tainan Xian Xinying shi: Tainan Xian zheng fu, 2009. 481 p. ISBN 9789860178128 Series title: Nanying gu zao wen hua zhuan ji ۪↡ࣲՉҹ٩֟ফ Note: A comprehensive work on the history of theaters in Tainan County used for local operas, movies, and plays. Includes a bibliography, author introduction, photos, and chronology of theaters in Tainan County. CTFAL Chi
0211 Dian guang cheng shi—kan dian ying you Gaoxiong = Imaging city—Kaohsiung / Lan Zuwei zhu bi. Ӈ—صڵׇЃӇׂؙҙ = Imaging city—Kaohsiung / ঢྥҰ દ.
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Special Regions, Periods, and Events
0218
Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2006. 178 p. ISBN 9789860073829 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 8 ҙصӇڣؙ֖ఖӇؙᜣ ;ڣ8 Note: A bilingual pictorial book presenting film scenes shot in Kaohsiung. Includes photos, film stills, posters, and an Index of Film Scenes in Kaohsiung. NTUL Chi Eng
Note:
A special bilingual publication to celebrate the opening of the Kaohsiung Municipal Film Archives in 2002. Includes the archives’ history, services, outreach programs, collections, a Kaohsiung film history outline, and a chronology. NTUL Chi
0216 Gaoxiong dian ying ji shi = Kaohsiung cinema memorandum / Cai fang zhuan wen Lin Meixiu, cong bian ji Zheng Deqing. ҙӇؙઔѨ = Kaohsiung cinema memorandum / ൵භ᫃ҹѤഫ, րഹফቼख़দ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2003. 143 p. ISBN 9570149795 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 1 ҙصӇڣؙ֖ఖӇؙᜣ ;ڣ1 Note: Documents the relationship between Kaohsiung City and cinema, which started in 1900 according to the book. Presents descriptions of Kaohsiung’s film history, film scenes shot in Kaohsiung, film events, and film artists and related personnel from Kaohsiung. Includes a list of films that used Kaohsiung as setting; a List of Kaohsiung Film Theatres; Kaohsiung Film Show Interpreters (benshi) during the colonial period; and photos, film stills, and posters. NTUL Chi
0212 Dian ying zai Gaoxiong = Cinema Kaohsiung / Lin Yuezhen wen zi zhuan gao. ӇؙϨҙ = Cinema Kaohsiung / ֊ੵҹܒ᫃፻. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2005. 174 p. ISBN 957019703X Note: A bilingual calendar book that matches Kaohsiung city events with film-related events. Includes photos, film posters, stills, links to Film Archive websites, Kaohsiung International Film Festival information, and Kaohsiung City Government websites and theaters. CTFAL Chi Eng
0213 Gang du kua shi ji dian ying shi = Kaohsiung’s historical century of movies / Zhu bian: Xu Canlu. ୯ЁቄԒઔӇؙ = Kaohsiung’s historical century of movies / Ұഹ: ۾ܛ. Gaoxiong: Gaoxiong shi dian ying ju ye tong ye gong hui, 2001. 208 p. Note: An introduction to Kaohsiung’s 100-year film history. CTFAL Chi
0217 Guang ying ji xing: Gaoxiong xian ying shi kan jing shou ce = Journey to cinema: a guide book for film-makers on locations in Kaohsiung county / Zhou Jiarong zhu bian; Huang Zhengyue she ying. ׇؙઔҲ: ҙؙ້؆ Ѳೠ = Journey to cinema: a guide book for film-makers on locations in Kaohsiung county / رрึҰഹ; ࢶ Ԝៈؙ. Gaoxiong: Gaoxiong xian zheng fu, 2009. 183 p. ISBN 9789860191172 Note: A bilingual, pictorial guidebook prepared by the Kaohsiung County government for filmmakers who may want to choose Kaohsiung as their film’s setting. Presents comments from directors who have used Kaohsiung’s natural, historical, and cultural landmarks in their films. Includes directions for Kaohsiung County film subsidies and Kaohsiung County accommodation information. CTFAL Chi Eng
0214 Gaoxiong shi dian ying tu shu guan = Kaohsiung Municipal Film Archives / Bian shen Zhao Shiguang, Gao Guanghai. ҙصӇڣؙ֖ఖ = Kaohsiung Municipal Film Archives / ഹᅭᕿ ࡲׇ, ҙׇ. Gaoxiong: Gaoxiong shi zheng fu xin wen chu, [2003] 54 p. Note: A special bilingual publication to celebrate the opening of the Kaohsiung Municipal Film Archives in 2002. Includes a history of the archive’s creation, design details, introduction to Kaohsiung-related film artists, film scenes of Kaohsiung, and a Kaohsiung Film Chronology. NTUL Chi Eng
0218 Li, Youning (Lee, You-ning), 1951– ଽⷵો, 1951– Nan Taiwan: dian ying dao yan zhen cang de pai pian chang jing = Zoom in Southern Taiwan. ۪ݡஹ: Ӈੵؙ࣒ࠟেϡޛәԾ = Zoom in Southern Taiwan. Gaoxiong: Gaoxiong shi xin wen chu, 2005. 147 p.
0215 Gaoxiong shi dian ying tu shu guan te kan / Zong bian ji Ke Jinyi. ҙصӇڣؙ֖ఖ ئᑂ / րഹফᛊؖသ. Gaoxiong: Gaoxiong shi zheng fu xin wen chu, 2002. 117 p.
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Film History
0219 ISBN Note:
9860020108 A bilingual (Chinese and English) work that presents the author–director’s favorite filming sites in Southern Taiwan based on his experience of more than twenty years as a film director (1983–2004). It includes twentyseven sites in Kaohsiung City, thirteen sites in Kaohsiung County, and nine sites in Pingtung County. The author states in the preface that he hoped to create a “Filming Site Guide Book” for Southern Taiwan. Includes photos, maps, contact information, and a CD-ROM. NTUL Chi Eng
0221 Lin, Yuru (Lin, Yu-ru). ड़Ғ. “Gaoxiong shi dian ying tu shu guan zhi dian ying zhan shi yan jiu”—yi liu ge zhan chu zhuan ti wei an li = The study on Film Exhibitions of Kaohsiung Film Archive. “ҙصӇڣؙ֖ఖҏӇ—”ૢ୳ܾࣁؙйࡏϫࣁо֤֟Њଈຎ. 102 leaves. Note: Thesis (M.A.)—Tainan National University of the Arts, 2007. The paper focuses on six exhibitions held by the Kaohsiung Film Archive as case studies to show how the Kaohsiung Film Archive performed its functions of collection, research, education, and promotion. The six exhibitions included Unforgettable Love— Collections of Kaohsiung Municipal Film Archive, The Phantom of the Opera—Unforgettable Voices and Figures of Super Stars, The World Directed by Joseph Kuo, Classical Swordsman Film Exhibition, Kaohsiung Cinema Memorandum, Twin Cities— Notes in France vs. Kaohsiung in Taiwan. The paper categorizes these exhibitions into three types: (1) exhibitions of film history and artifacts, (2) exhibitions based on film themes, and (3) exhibitions featuring international film exchange and promotion. The paper explains how to use the archive as a tool for film education, film archive work, film exhibition space planning, and city promotion. Includes Chinese and English abstracts and a bibliography. NCL/NDLTD (FT) Chi
0219 Lin, Huiru (Lin, Huei-Ju). ༫Ғ. Gaoxiong dian ying tu shu guan wen hua xing su yu guan nei ren yuan ren tong zhi yan jiu. ҙӇڣؙ֖ఖҹ٩ࡿᄽӿఖֶϪگӎҏ୳ૢ. 228 leaves. Note: Thesis (M.A.)—National Pingtung University of Education, 2007. Studies the cultural nature of the Kaohsiung Municipal Film Archive and analyzes the staff working in the Archive by using participant observation, in-depth interviews, and qualitative research. The paper concludes that the staff of the archive identified with the formation and organization of the film archive, but the staff did not identify with Taiwan film culture. The paper recommends that the government clearly identify its position in relation to the cultural nature of Taiwan’s film industry, create a single and united department in charge of planning and managing filmrelated affairs, and employ a contract-based recruiting system for hiring the archive’s film professionals. Includes Chinese and English abstracts and a bibliography. NCL/NDLTD Chi
0222 Shi guang liu ying—Gaoxiong shi dian ying tu shu guan cang wen wu zhuan ji er = Time flow & steaming shadow / Lan Zuwei zhuan gao; Chen Yixuan ying wen fan yi. ЖׇԵ—ؙҙصӇڣؙ֖ఖেҹ֟ফԏ = Time flow & steaming shadow / ঢྥ᫃፻; ፐ߭ҹࢬፆ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2008. 249 p. ISBN 9789860155990 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 10 ҙصӇڣؙ֖ఖӇؙᜣ ;ڣ10 Note: This bilingual work presents film-related artifacts collected by the Kaohsiung Municipal Film Archives. It consists of five parts: Part 1, Stills and Posters; Part 2, Ads and Flyers; Part 3, Music and Records; Part 4, Synopses, Movie Tickets; and Part 5, Film Equipment and Technology. Many materials are specifically related to Taiwan films of the 1970s and 1980s. NTUL Chi Eng
0220 Lin, Shengwei (Lin, Sheng-wei). ໖. Tainan shi dian ying yuan shang ye kong jian zhi yan jiu. ص۪ݡӇ࠱ࡨؙҼҏ୳ૢ. 102 leaves. Note: Thesis (M.A.)—National University of Tainan, 2004. The paper analyzes the business models, commercial space management characteristics, and consumer perspectives of traditional movie theaters and cinema centers in Tainan in light of the influx of large-scale cinema complexes and decline of traditional theaters in Tainan City. Its purpose is to provide a reference point for those selecting commercial locations and business models for movie theaters in Tainan. Includes a Chinese abstract, a bibliography, and an appendix. NCL/NDLTD (FT) Chi
44
Special Regions, Periods, and Events
0228 Keelung in 2005. Contains photos of the exhibition items related to Taiwan film history and Keelung. NTUL Chi
0223 Wu, Zhaohui. ྶᢘ༫. Yan po liu ying: nan fang dian ying ren ji shi. 䠑ம߈ؙ: ۪ҤӇؙϪઔӢ. Gaoxiong: Gaoxiong dian ying tu shu guan, 2007. 135 p. ISBN 9789860116922 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 9 ҙصӇڣؙ֖ఖӇؙᜣ ;ڣ9 Note: A film history of Southern Taiwan, including Kaohsiung, Pingtung, Tainan, and Chiayi, based on interviews of representative film directors, cinematographers, and actors and actresses related to the area. A brief biography (in some cases, plus a chronology and film list) has been provided for the selected figures in the book. Includes a bibliography. NTUL Chi
2.2.5
0226 2007 Taizhong xue yan tao hui: dian ying wen hua pian lun wen ji / Cai tuan far en Taiwan dian ying wen hua xie hui zhu bian. 2007ݡЅѹ୳क़Ͼ: Ӈؙҹ٩ࢡںҹओ / ֚ࣗϪݡஹӇؙҹ٩ ϾҰഹ. Taizhong: Taizhong shi wen hua ju, 2007. 225 p. ISBN 9789860116786 Note: Published conference proceedings from a film symposium cohosted by the Taichung Municipal Government and Taiwan Film and Culture Association in 2007. The sixteen papers and eight lectures in the book focus on the relationship between Taichung and film. Includes the symposium program and an introduction to the presenters. NTUL Chi
0224 Ye, Longyan, 1940– ౕहᴧ, 1940– Guang fu qian hou Gaoxiong shi de xi yuan yu dian ying. ׇӓћҙصϡۚࡨӿӇؙ. Gaoxiong: Gaoxiong shi wen xian wei yuan hui, 1996. 37 p. ISBN 9570063696 Series title: Taiwan guang fu wu shi zhou nian ji nian cong kan (wu) ݡஹׇٚڬёઔ݉ᜣᑂ (ٚ) Note: A special publication commemorating the 50th anniversary of Taiwan retrocession in 1945. Focuses on Kaohsiung’s film history, specifically Kaohsiung’s theaters, from 1900 through the 1950s. NTUL Chi
2.2.4
Taichung (Taizhong or T’ai-chung), 1910–
0227 Lin, Liangzhe. મᎻ. Taizhong dian ying chuan qi = Treasure of movies in Taichung. ཅЅӇ = ࡞ةؙTreasure of movies in Taichung. Taizhong: Taizhong shi fu, 2004. 186 p. ISBN 9570189088 Note: A detailed film history of Taichung. Significant events include: in 1910, the first screenings of Japanese films occurred in Taizhong Zuo (the first professional theater in Taichung, which was built in 1902); in 1949, Nongjiao Company established its film studio in Taichung and produced its first feature film E Meng Chu Xing; and in 1955, He Jiming, a famous Taiwanese-dialect film director and Taichung native, made the box office success Xue Pinggui yu Wang Baochuan in Taichung—it was the first Taiwanese-dialect film, and the first 35 mm Taiwanese-dialect film, produced in Taiwan. Includes biographies of the film directors, actors, and actresses related to Taichung, as well as film stills, posters, and photos. NTUL Chi
Keelung (Jilong or Chi-lung), 1908–
0225 Xiao, Xueren. ᖆѹწ. Nan wang de san chang dian ying: huai jiu dian ying wen wu ji sheng huo qi wu zhan = Exhibition of memorial movie artifact & living implement. Ԣ۲ϡ્ԾӇؙ: ॕӇؙҹ᠕Т҅ॆ = ࣁExhibition of memorial movie artifact & living implement. Jilong: Jilong shi wen hua ju, 2006. 48 p. ISBN 986004581X Series title: Jilong wen xin cong kan ऴᇐҹКᜣᑂ Note: A special publication to celebrate the Forty-Second Golden Horse Film Festival and Awards hosted by
0228 Shalu dian ying yi shu guan 2006 cheng guo zhuan ji / Shalu dian ying yi shu guan. ࿇Ӈؙਲफఖ 2006 юҝ֟ফ / ࿇Ӈؙਲफఖ. Taizhong: Shalu dian ying yi shu guan, 2006. Unpaged. Note: A special publication that presents the achievements of Shalu Film Art Museum in Shalu Town, Taichung County.
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Film History
0229 Includes programs, film show schedule, synopsis, and film introductions. NTUL Chi
2.2.6
including Production Subsidies in Taipei, Directions for Funding Foreign Motion Picture Production Enterprises to Produce Motion Pictures in Taiwan, Regulations Governing Tax Credit for Businesses Investing in Motion Picture Production Enterprises for the Production of Domestically Produced Motion Pictures, Current Preferential Taxation Policies on Films, and Directory of Motion Picture Industry in Taiwan. NTUL Chi Eng
Taipei (Taibei), 1950–
0229 Hong, Yueqing (Hung, Yueh-ching). ᖻ֊. Taibei gui ling—dian ying zhong de Taibei chen xian = City zero. ܚݡജ—ӇؙЅܚݡᅲѳ = City zero. Taibei: Tian yuan cheng shi wen hu shi ye you xiang gong si, 2002. 158 p. ISBN 9570406801 Note: A study of Taipei City by way of its representations in cinema. Specifically, the author compares Li Xing’s films, which present images of Taipei from the 1950s to the 1970s, with Wang Ren’s films, which provide images of Taipei in the 1980s and 1990s. Includes photos, film stills, biographies of Li Xing and Wang Ren, filmography (of Taipei City films), chronology (of Taipei City’s development), and bibliography. CTFAL Chi
0232 Sanchong chang pian, xi yuan, ge ying xing shi = The history of Sanchong’s record industries, theatres, singers, & movie stars / Zhi xing bian ji: Cai Dongxiong. ѧԳݝә, ۚࡨ, ؙܮլ = The history of Sanchong’s record industries, theatres, singers, & movie stars / వҲഹফ: ᓥᗏ. Taibei xian Sanchong shi: Taibei xian Sanchong shi gong suo, 2007. 251 p. ISBN 9789860087895 Series title: Lian lian Sanchong xi lie; 2 ߧߧѧԳ ;࠶ڍ2 Note: A review of the history of Sanchong’s record industry, theaters, singers, and movie stars in Taipei County. Consists of six chapters, including a record of the development of movie theaters and introduction to the movie stars and directors from Sanchong in Chapters 2 and 3. Appendix includes a record of a panel discussion on Sanchong’s record industry, theaters, and music and movie stars. CTFAL Chi
0230 Li, Xinyi. ଽಶជ. Jiu shi nian dai Taiwan dian ying zhong de Taibei cheng shi tu xiang yi “Ai qing wan sui,” “Shao nian ye, an la,” “Du li shi dai” wei li. ॰ёݡڊஹӇؙЅϡ֖صڵܚݡՌй”Дєۈݛ,” “վёЇ, ԥ ֯!” “߹ݻЖ”ڊЊຎ. 60 leaves. Note: Thesis (B.A.)—Shi li Mingzhuan da xue, 1999. Describes filmic representations of Taipei in the 1990s and representations of Taipei in earlier periods. By using three films as case studies, the author explains how 1990s’ films appear to no longer compare urban settings with rural settings or contrast modern culture with traditional culture; rather, 1990s’ Taiwan films present the city in a more direct way as they record Taipei city’s social and cultural transformation. Includes a bibliography and filmography. NCL Chi
0233 Taibei dian ying yuan = Movie theaters in Taipei—a city tour in films / Li Qingzhi zhu bian. ܚݡӇ = ࡨؙMovie theaters in Taipei—a city tour in films / ଽ֜ Ұഹ. Taibei: Yuan zun wen hua qi ye go fen you xian gong si, 1998. 138 p. ISBN 9578286449 Series title: Feng xing guan, yi kong jian գҲఖ, Ҽ Note: A complimentary publication for the Taipei Film Festival. Consists of two parts: History of Movie Theatres in Taipei, and Images of Taipei in Film. Includes photos, film stills, and maps of movie theaters in Taipei and Ximending. NTUL Chi
0231 Pai Taibei: ying shi kan jing zhi nan = Taipei cinema location guide / Rao Zijuan zhu bian. ܚݡޛ: ؙ؆ = ۪܋Taipei cinema location guide / ᓔཎᥱҰ ഹ. Taibei: Taibei shi dian ying wei yuan hui, 2009. 199 p. ISBN 9789868468603 Note: A bilingual (Chinese and English) guidebook to Taipei’s cultural areas, scenic spots, and filming sites. Important information is included in the appendix,
0234 Xun zhao dian ying zhong de Taibei = Focus on Taipei through cinema 1950–1990 / Chen Ruxiu, Liao Jinfeng bian zhu. ଵװӇؙЅϡ = ܚݡFocus on Taipei through cinema 1950–1990 / ᭉ, ᴰؖངഹЯ. Taibei: Wan xiang tu shu ge fen you xian gong si, 1995. 164 p. ISBN 9576697433
46
Special Regions, Periods, and Events
Note:
2.2.7
0240
A special bilingual (Chinese and English) publication for the Taipei film exhibit Focus on Taipei through Cinema, 1950–1990, and the 1990 Golden Horse Film Awards. Twelve Taipei-related films were selected for the exhibit, all of them produced from 1963 to 1990. Ten essays, which investigate these twelve films, focus on the subjects of Taipei’s film history, Taipei’s city image in Chinese films, the “Taipei experience” in Taiwanese-dialect films, aesthetic and comparative studies of Taiwanese and Mandarin films during the 1960s, Post-Taiwan New Cinema from the 1980s to the 1990s, a sociological study of portrayals of Taipei city through films from 1960 to 1990, depictions of Taipei youth, Taipei’s landscape of desire, and a comparative study of Taipei and Shanghai in Chinese cinema from the 1930s–1990s. Includes interviews, synopses, and an introduction of the contributors in the appendix. NTUL Chi Eng
The paper studies the Japanese colonial film enterprise throughout the Asian region, including Manchuria, Korea, and Taiwan. Includes a bibliography. WorldCat Eng
0238 Chen, Zhengxun. Ԝ. Yi ren de zu ji: guang ying sui yue—Gaosong Fengcilang = Toyojirö Takamatsu / Chen Zhengxun, Lin Junpin zhu. Ϫϡ߿࿑: —֊ۈׇؙҙग़ஶҋᅦ = Toyojirö Takamatsu / Ԝ , ԘЯ. Taibei: Da kang chu ban she, 2008. 44 p. ISBN 9789868347472 Series title: Sheng hua zhi; 010 Т҅௨; 010 Note: Presents Toyojirö Takamatsu’s (1872–1952) biography and influence in Taiwan film history. Takamatsu introduced film to Taiwan in 1895 and produced the first documentary film in Taiwan in 1907. CTFAL Chi
Japanese Colonial Period, 1895–1945
0235 Baskett, Michael. The attractive empire: colonial Asia in Japanese imperial film culture, 1931–1953. 336 leaves. Note: Thesis (Ph.D.)—University of California, Los Angeles, 2000. Chapter 1, From Film Empire to Great East Asian Film Sphere, discusses the intense competition between Chinese films, specifically films made in Shanghai and Japan, during the colonial period in Taiwan. Includes bibliography and filmography. WorldCat Eng
0239 Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake. Bloomington: Indiana University Press, 1994. 224 p. ISBN 0253318041 (alk. paper), 0253208955 (pbk.: alk. paper) Note: A collection of essays focusing on colonialism and nationalism in Asian cinema. Includes Chris Berry’s essay “A Nation T(w/o)o: Chinese Cinema(s) and Nationhood(s),” which analyzes films produced by mainland Chinese film directors as well as Taiwanese film directors Hou Hsiao-hsien, Edward Yang, and Huang Mingchuan, and explores representations of nationality, colonialism, and aboriginal peoples. Includes a bibliography in the end of each essay, an introduction to the contributors, and an index at the end of the book. WorldCat Eng
0236 Baskett, Michael. The attractive empire: transnational film culture in imperial Japan. Honolulu: University of Hawaii Press, 2008. 216 p. ISBN 9780824831639 (hardcover: alk. paper), 0824831632 (hardcover: alk. paper), 9780824832230 (pbk.: alk. paper), 082483223X (pbk.: alk. paper) Note: Chapter 1, From Film Empire to Great East Asian Film Sphere, discusses the intense competition between Chinese films, specifically films made in Shanghai and Japan, during the colonial period in Taiwan. Includes bibliography, filmography, and index. WorldCat Eng
0240 Dian cang dian ying wen wu zhang ji / Lin Yuru zong bian ji. ਹেӇؙҹ֟ফ / ड़Ғրഹফ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2005. 184 p. ISBN 9860007713 Series title: Gaoxiong shi dian ying tu shu guan dian ying song shu; 6 ҙصӇڣؙ֖ఖӇؙᜣ ;ڣ6 Note: Kaohsiung Film Archive has digitized 1,500 film artifacts, more than 100 of which are selected and displayed in this book, including film posters, cameras, projectors, costumes, and more. Divided into nine parts: Part 1, Essays; Part 2, Film Equipment; Part 3, Film Posters Hand-Drawn by Chen Zifu; Part 4,
0237 Baskett, Michael. Japanese colonial film enterprise 1937–1945: imagining the imperial Japanese subject. 106 leaves. Note: Thesis (M.A.)—University of California, Los Angeles, 1993.
47
Film History
0241 Japanese Film Artifacts; Part 5, Hollywood Film Artifacts; Part 6, European and American Film Posters; Part 7, Taiwanese-Dialect Film Artifacts; Part 8, Hong Kong Film Artifacts; and Part 9, Mandarin Film Artifacts. Includes an index. NTUL Chi
Note:
0241 Du, Yunzhi, 1923– ᖯࠥҏ䩟1923– Zhongguo dian ying qi shi nian. ЅлӇࢳؙё. Taibei: Zhonghua minguo dian ying tu shu guan chu ban bu, 1986. 450 p. Series title: Ying tu cong shu ؙ֖ᜣڣ Note: According to the author’s postscript, this work is not a formal Chinese film history, but rather is a collection of anecdotes related to Chinese film history. Taiwan film history–related anecdotes begin in Chapter 53 (pp. 382–389) with a discussion of Japanese colonial film history in Taiwan, and end in Chapter 57 (pp. 412–418) with a consideration of the rise of Taiwanese-dialect films and a history of Li Han-hsiang’s Guolian film studio in Taiwan. Includes film stills, posters, and photos. WorldCat Chi
Chapter 3, ཅஹྱޫѨчܺ፻ (pp. 86–98) is the earliest known academic work on Taiwan film history, and the text as a whole is known as an early work on Asian film history. In 1992, Lee Daw-ming, a Taiwan scholar, found out that Lu Shushang, a Taiwanese scholar and the author of the earliest Chinese academic work on Taiwan film history: ݡஹӇঁؙۚ published in 1961, copied Sai Ichigawa’s work in his first chapter entitled: “Taiwan Film During the Japanese Occupation Period.” Lee Daw-ming’s discovery was published in the article: “Dian ying shi ru he lai dao Taiwan de” (“How Did the Film Come to Taiwan?”), in Dian ying xin shang (Film Appreciation), no. 9/10 (September/October 1993), p. 107. Includes bibliography at the end of the preface (p. 32). WorldCat Jpn
0244 Ichikawa, Sai. صඇࠡ. Ajia eiga no s䲖z䲖 oyobi kensetsu / Ichikawa Sai ; kaisetsu Murayama Ky䲖ichir䲖. 䬑䬧䬑ྱࡌ䫟ࡶ߃ߵࠃ ޗ/ صඇࠡ ; ثМ భځᷔϣྦྷ. T䲖ky䲖: Yumani Shob䲖, 2003. 459 p. ISBN 4843309494 Series title: Nihon eigaron gensetsu taikei / Makino Mamoru kansh䲚. Dai I-ki, Senjika no eiga t䲖seiki; 10 яӆྱࡌߞںМϽ ڍ/ᖥఀௗฬ. ҷ I, 䁡ЖЎ䫟ྱࡌࢃء ;10
0242 Huang, Ren, 1925– ࢶწ, 1925– Riben dian ying zai Taiwan. яӆӇؙϨݡஹ. Taibei: Xiu wei zi xun ke ji chu ban, 2008. 314 p. ISBN 9789862211205 Series title: Mei xue yi shu lei; PH0015 Ѥѹਲफढ; PH0015 Note: A comprehensive work on the influence of Japanese films in Taiwan. It is divided into two major parts: Part 1, Japanese Directors Who Influenced Taiwan FilmMaking; and Part 2, Influence of Japanese Films in Taiwan. Appendix includes lists of Japanese films shown in Taiwan from 1915 to 1945 (selected) and 1950 to 1972. Includes a bibliography. NTUL Chi
Note:
0243
A reprint of the original work with the same title published in 1941. Chapter 3, ཅஹྱޫѨчܺ፻ (pp. 86–98) is the earliest known academic work on Taiwan film history, and the text as a whole is known as an early work on Asian film history. In 1992, Lee Dawming, a Taiwan scholar, found out that Lu Shushang, a Taiwanese scholar and the author of the earliest Chinese academic work on Taiwan film history, ݡஹ Ӈঁؙۚ, published in 1961, copied Sai Ichikawa’s work in his first chapter entitled: “Taiwan Film During the Japanese Occupation Period.” Lee Daw-ming’s discovery was published in the article “Dian ying shi ru he lai dao Taiwan de” (“How Did the Film Come to Taiwan?”), in Dian ying xin shang (Film Appreciation), no. 9/10 (September/October 1993), p. 107. Additions include an annotation by Murayama Kyöichirö and an index of the original work organized by the Japanese phonetic order at the end of the book. WorldCat Jpn
0245
Ichikawa, Sai. صඇࠡ.
Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. ઔ࠷ݡஹ: ݡஹઔ࠷ә୳ૢڣ۵ӿҹຶקओ / Ұഹפቾᴧ, ଽѬҴ ; వҲഹফᖻҹ, ठ᯾ঌ, פቦ᭲.
Ajia eiga no s䲖z䲖 oyobi kensetsu. 䬑䬧䬑ྱࡌ䫟ࡶ߃ߵࠃޗ. T䲖ky䲖: Kokusai Eiga Ts䲚shinsha Shuppanbu, 1941. 378 p.
48
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0247
Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570265478 (v. 1), 9570262486 (v. 2) Series title: Taiwan dian ying shi liao cong shu ݡஹӇؙࢧᜣڣ Note: The first and most comprehensive bibliography and collection of essays on Taiwan film documentaries. Vol. 1 covers the colonial period and includes sixty-five essays and articles written by three contemporary Taiwan scholars as well as colonial-era Japanese authors whose articles were initially published in Japanese before being translated into Chinese for the purposes of this book. Contains eight parts: (1) Film History; (2) Documentary, News, and Education Films; (3) Film Show Activities; (4) Film Propaganda; (5) Film Censorship; (6) Film Affairs; (7) Film Reviews and Introduction; and (8) a Bibliography of Taiwan Documentary Film Studies During the Colonial Period, which includes monographs (in both Chinese and Japanese), dissertations, and journal articles (in both Chinese and Japanese, dated and undated). There is also a bibliography at the end of the book. Vol. 2 covers Taiwan documentary film studies after 1945 and includes eighty-one essays, articles, interviews, film reviews, and news reports. Similar to Vol. 1, it also contains eight parts: (1) Anthropology Films; (2) Introduction and Review of Taiwan Documentary Films; (3) Theory and Aesthetics of Documentary Film; (4) Documentary Film and Social Movements; (5) Documentary and Indigenous People; (6) Documentary Film Directors and Workers; (7) Documentary Film History, and Analysis; and (8) a Bibliography of Taiwan Documentary Film Studies after 1945, which is organized under the following subjects: anthropology films, China (including Hong Kong) documentary films, review and introduction to Taiwan documentary films, review and introduction to foreign documentary films, documentary filmography and others, documentary film theory and aesthetics, documentary films and social culture, documentary film and social movements, documentary film and indigenous people, documentary film directors and workers (domestic), documentary film directors and workers (abroad), documentary film history (domestic), and documentary film history (abroad). The materials collected in the bibliography include monographs, dissertations, journal and newspaper articles, handbooks, and manuals. WorldCat Chi
[v. 1] 1899(Ҵ32)ё䦢1934(ᢘф9)ё; [v. 2] 1935(ᢘф10)ё䦢 1945(ᢘф20)ё; [v. 3] ଥࡌഹ 1899(Ҵ32)ё䦢1945(ᢘф20)ё ISBN [v. 3] 9784990536626 Note: An inventory of 23,700 films shown in Taiwan from 1899 to 1945 during the Japanese colonial era, including 15,200 Japanese, Taiwanese, and Chinese and 6,500 Western (United States, France, United Kingdom, Germany, Italy, Australia, Denmark, Poland, Soviet Union, Argentine, etc.) feature films, documentaries, news films, official propaganda films, and cultural films. Some Chinese feature films produced in Shanghai or by Man’ei (Manchuria Motion Picture Production and Distribution Co. 1937–1945), and illustrations of 430 Japanese and Chinese, and 200 Western film posters and newspaper articles introducing the films. (Some film titles are duplicated.) Includes film titles screened and attendance numbers during the Taiwan Expo, October 10–November 28, 1935. Japanese feature film poster titles are chronologically organized with related studio names and a bibliography. WorldCat Jpn
0246a Kawase, Ken’ichi. ඇⰗϣ. Shokuminchi Taiwan de j䲖eisareta eiga. ယھсݡළ䫘ϼࠟ䫆䫽䫐ྱࡌ. Nara-ken Kashihara-shi: T䲖y䲖 Shis䲖 Kenky䲚jo, 2014. 2 v. [v. 1] 1899(Ҵ32)ё䦢1934(ᢘф9)ё; [v. 2] 1935(ᢘф10)ё 䦢1945(ᢘф20)ё ISBN 9784990536640, 9784990536657 Note: [v. 1] and [v. 2] are enlarged and revised editions of 0246. An inventory of 17,200 Japanese, Taiwanese, and Chinese films shown in Taiwan from 1899 to 1945 during the Japanese colonial era including feature films, documentaries, news films, official propaganda films, and cultural films. Two volumes include illustrations of 430 Japanese and Chinese posters and newspaper articles introducing the films. (Some film titles are duplicated.) Includes film titles screened and attendance numbers during the Taiwan Expo, October 10-November 28, 1935, and a list of the newly added films in [v.2]. The images of Japanese feature film poster titles are chronologically organized with related studio names, and a bibliography. WorldCat Jpn
0247
0246 Kawase, Ken’ichi. ඇⰗϣ.
Kawase, Ken’ichi. ඇⰗϣ.
Shokuminchi Taiwan de j䲖eisareta eiga.
Taiwan eiga e no sh䲖tai: ichiya ni shite Ch䲚gokujin ni natta t䲖san (t䲖san).
ယھсݡළ䫘ϼࠟ䫆䫽䫐ྱࡌ.
ݡළྱࡌ䫩䫟ۉ: ϣ١䫜䫈䫗ЅмϪ䫜䫛䫔䫐Єᇤ (䫆䬄).
Nara-ken Kashihara-shi: T䲖y䲖 Shis䲖 Kenky䲚jo, 2010–2013. 3 v.
49
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0248
of modern Taiwan society and film, politics and Taiwan’s modern cinema, the KMT government and Taiwan film, Shanghai’s film influence on Taiwan film development, Taiwan and Hong Kong film exchange, the Taiwanese-dialect film era (1955–1961), Taiwan film reviews and publications after World War II, and Taiwan film policy and censorship. Includes endnotes at the end of each essay and biographies of the contributors at the end of the book, but there is no index. WorldCat Jpn
Nara-ken Kashihara-shi: T䲖y䲖 Shis䲖 Kenky䲚jo; Ŕsaka-fu Suita-shi: hatsubai Birejji Puresu, 1998. 94 p. ISBN 493859854X, 9784938598549 Note: The text begins with an introduction to the film director Wu Nien-chen and his film “T䲖san = A Borrowed Life” followed by introductions to five additional leading figures in Taiwan cinema: Wang Tung, Liao Hsiang-hsiung, Lin Cheng-sheng, Tsai Ming-liang, Hou Hsiao-hsien, and their films. Contains “A brief history of Taiwan Cinema,” which includes Taiwan Film during Japanese Occupation (1895–1945), Taiwan Cinema After World War II (1945–1969), World’s orphan era (1970s), and The Era of Taiwan New Cinema (1980s–1990s). Includes photos, stills, posters, and a bibliography WorldCat Jpn
0250 Liu, Na’ou, 1905–1940 ᾥ, 1905–1940 Liu Na’ou quan ji, dian ying ji / Kang Laixin zong bian ji. ᾥҪओ, Ӈؙओ / ࣉϰЈրഹফ. Tainan xian Xinying shi: Tainan xian wen hua ju, 2001. 338 p. ISBN 9570279575, 9570279583 Series title: Nanying wen hua cong shu; 88 ۪↡ҹ٩ᜣ ;ڣ88 Note: Collected works of the writer, film critic, screenwriter, and documentary film director Liu Na’ou. Consists of three parts: Part 1, Screenplays; Part 2, Film Reviews; and Part 3, Other Works. CTFAL Chi
0248 Kawase, Ken’ichi. ඇⰗϣ. Taiwan dian ying xiang yan: bai nian dao lan / zhu zhe Chuanlai Jianyi ; Zhong yi Li Changchuan. ݡஹӇؙ⡕ᑱ : ښё࣒ऋ / ЯٷඇⰗϣ ; Ѕፆଽة. Taibei: Nan tian shu ju, 2002. 165 p. ISBN 9576386012 Note: A Chinese translation of the revised version of Taiwan eiga e no sh䲖tai = ݡළྱࡌ䫩䫟 ۉwritten by Kawase Ken’ichi and published in Japan in 1998. Consists of three parts: Part 1: A brief history of Taiwan Cinema, including Taiwan Film during Japanese Occupation (1895–1945), Taiwan Cinema After World War II (1946–1970), the Isolated Taiwan Cinema (1970–1979), and the Era of Taiwan New Cinema (1980–1990); Part 2: Taiwan Film Directors, including biographies and interviews of sixteen Taiwan film directors; and Part 3: Legendaries of Taiwan Cinema, including biographies and interviews of twenty-two legendary figures in Taiwan cinema, such as novelist and director Huang Chunming, screenwriter Chu T’ien-wen, composer and singing star Cai Zhennan, and actress Yang Guimei. Includes photos, film stills, and posters; a chronology of Taiwan film history 1895–1998; and a bibliography. WorldCat Chi
0251 Liu, Na’ou, 1905–1940 ᾥ, 1905–1940 Liu Na’ou quan ji, li lun ji / Kang Laixin zong bian ji. ᾥҪओ, ԑںओ / ࣉϰЈրഹফ. Tainan xian Xinying shi: Tainan xian wen hua ju, 2001. 396 p. ISBN 9570279591, 9570279605 Series title: Nanying wen hua cong shu; 89 ۪↡ҹ٩ᜣ ;ڣ89 Note: A collection of Liu Na’ou’s writings on art theory and his translations of art theory into Chinese. CTFAL Chi
0252 Liu, Na’ou, 1905–1940 ᾥ, 1905–1940 Liu Na’ou quan ji, ri ji ji / Kang Laixin zong bian ji. ᾥҪओ, я֮ओ / ࣉϰЈրഹফ. Tainan xian Xinying shi: Tainan xian wen hua ju, 2001. 2 v. ISBN 9570279613, 9789570279610 Series title: Nanying wen hua cong shu; 90 ۪↡ҹ٩ᜣ ;ڣ90 Note: A collection of Liu Na’ou’s diaries from 1927. Includes introduction, diary manuscripts, and a list of Liu’s friends as written in his diaries. CTFAL Chi
0249 Koyama, Sabur䲖, 1952– Щځѧᅦ, 1952– Taiwan eiga: Taiwan no rekishi, shakai o shiru madoguchi / Koyama Sabur䲖 hencho. ݡළྱࡌ: ݡළ䫟䖉ί घϿ䬃Ҍ䫼凵 ט/ ЩځѧᅦഹЯ. Kyoto: K䲖y䲖 Shob䲖, 2008. 233 p. ISBN 9784771020207 Note: A collection of eleven chapters by various film scholars that deal with Japanese colonialism and the formation
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0259 Japanese colonial era, Liu’s career included residency in Taiwan, Tokyo, and Shanghai. Includes conference schedule and list of the attendees. CTFAL Chi
0253 Liu, Na’ou, 1905–1940 ᾥ, 1905–1940 Liu Na’ou quan ji, wen xue ji / Kang Laixin zong bian ji. ᾥҪओ, ҹѹओ / ࣉϰЈրഹফ. Tainan xian Xinying shi: Tainan xian wen hua ju, 2001. 452 p. ISBN 9570279559, 9570279567 Series title: Nanying wen hua cong shu; 87 ۪↡ҹ٩ᜣ ;ڣ87 Note: A collection of Liu Na’ou’s literary works. CTFAL Chi
0257 Misawa, Mamie. ѧѐѤ. Riben shi dai Taiwan dian ying zheng ce zhi yan jiu: 1895–1942 = A study of policy about movies in Taiwan at Japanese period 1895–1942. яӆЖݡڊஹӇूؙ೫ҏ୳ૢ: 1895–1942 = A study of policy about movies in Taiwan at Japanese period 1895–1942. 270 leaves. Note: Thesis (M.A.)—History Institute, National Taiwan University, 1999. A study of the Japanese colonial government’s film policy in Taiwan during the colonial period, 1895– 1942. Considers Japanese legal regulations, government control, propaganda, and Taiwanese local society. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi
0254 Liu, Na’ou, 1905–1940 ᾥ, 1905–1940 Liu Na’ou quan ji, ying xiang ji / Kang Laixin zong bian ji. ᾥҪओ, ؙՌओ / ࣉϰЈրഹফ. Tainan xian Xinying shi: Tainan xian wen hua ju, 2001. 194 p. ISBN 957027963X, 9570279648 Series title: Nanying wen hua cong shu; 91 ۪↡ҹ٩ᜣ ;ڣ91 Note: A collection of biographical works on the life of Liu Na’ou, including essays on, and a chronicle of, Liu Na’ou’s literary and film career. CTFAL Chi
0258 Misawa, Mamie. ѧѐѤ. Shokuminchiki Taiwanjin ni yoru eiga katsud䲖 no kiseki: k䲖sh䲖 to ekky䲖 no poritikusu. ယھсݡළϪ䫜䫹䫼ྱࡌ҅ҁ䫟ፋ࿑ : ےᇎ䫙ք॒䫟䭌䭙䬵䬒 䬞䬨. 229 leaves. Note: [Thesis (Ph.D.)—University of Tokyo, 2006] A paper on the relationship between Taiwan film history, politics, and Japanese colonial policy. According to WorldCat, this text is only housed by the Waseda University Library, in addition to the National Diet Library, which is a depository of dissertations in Japan. WorldCat Jpn
0255 Liu, Na’ou, 1905–1940 ᾥ, 1905–1940 Liu Na’ou quan ji, zeng bu ji / Kang Laixin, Xu Qinzhen he bian. ᾥҪओ, Ҷਣओ / ࣉϰЈ, ܛቦ♴ׁഹ. Tainan shi: Guo li Taiwan wen xue guan, 2010. 380 p. ISBN 9789860221879 Note: A supplement to the previously published complete works of Liu Na’ou. Part 3 includes Liu’s articles and papers on film theory and criticism. CTFAL Chi
0259 Misawa, Mamie. ѧѐѤ.
0256 Liu Na’ou guo ji yan tao hui lun wen ji = International Conference on the Works of Liu Na’ou / Zhu zuo ren: Cutivet Sakina, Sanze Zhenmeihui, Wang Yunru deng. ᾥлগ୳क़Ͼںҹओ / Яӑٷ: Cutivet Sakina, ѧѐѤ, ࣼҒҳ. Taibei: Guo jia Taiwan wen xue guan, 2005. 704 p. ISBN 9860027714 Note: The book consists of conference lectures, papers, and panel discussions from the International Conference on the Works of Liu Na’ou hosted by National Central University in Taiwan in 2005. As a writer, film critic, screenwriter, and documentary film director during the
“Teikoku” to “sokoku” no hazama: shokuminchiki Taiwan eigajin no k䲖sh䲖 to ekky䲖. “м”䫙“ྥм”䫟䫠䫇䫯 : ယھсݡළྱࡌϪ䫟ےᇎ䫙ք॒. T䲖ky䲖: Iwanami Shoten, 2010. 347 p. ISBN 9784000240284, 400240285 Note: Revision of the author’s Ph.D. dissertation: “Shokuminchiki Taiwanjin ni yoru eiga katsud䲖 no kiseki: k䲖sh䲖 to ekky䲖 no poritikusu (University of Tokyo 2006).” Includes a bibliography and an index. WorldCat Jpn
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0262
Misawa, Mamie. ѧѐѤ. Zhi min di xia de “yin mu”: Taiwan zong du fu dian ying zheng ce zhi yan jiu (1895–1942). ᜊھсЎϡ “ુ௷”:ݡஹրᒾӇूؙ೫ҏ୳ૢ (1895–1942). Taibei: Qian wei chu ban she, 2002. 470 p. ISBN 9578013248 Note: A substantial academic work that analyzes the filmrelated laws, policy, regulations, and propaganda of the Japanese colonial administration, as well as local target audiences in Taiwan, during the period from 1895–1942. Divided into Part 1, Film Related Laws, Regulations and Control System; Part 2, Propaganda and Film; and Part 3, Population and Film. Includes fascinating topics—for example, the strategy of using film as a tool to improve the image of the local police, the effort to educate and control Taiwan’s aboriginal population, and the use of film to promote the war effort. One of the chapters includes nine interviews— eight Taiwanese and one Japanese—about their memories of the cinema in Taiwan. Based on the author’s M.A. thesis completed at the History Institute of National Taiwan University, written in Chinese. Includes a bibliography and an appendix of Donated Film List from the Patriotic Women Association to the Taiwan Education Association, Schedule of Taiwan Propaganda Team in Mainland China, Films Produced by Taiwan Education Association, and Films Housed by Various Organizations in Taiwan. WorldCat Chi
Qi, Longren, 1952– ಞᇐ〣, 1952– Taiwan dian ying de Riben zhi min ji yi. ݡஹӇؙϡяӆᜊ֮ھশ. Taibei: Taiwan da xue wai guo yu wen xue xi, 1994. 14 p. Note: A conference paper on the memory of Japanese colonial experience as reflected in Taiwan cinema, presented at the Literature and Cinema Symposium, hosted by Taiwan National University in 1994. Includes a bibliography. WorldCat Chi
0263 Qiu, Kunliang. ᆥᓍમ. Piao lang wu tai: Taiwan da zhong ju chang nian dai. عଢݡ: ݡஹϽੁঁԾёڊ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 2008. 370 p. ISBN 9789573263654 Note: Describes Taiwan’s popular drama performances, including local operas, striptease dances, and theaters. Chapter 2 of the book focuses on the relationship between drama and film development in Taiwan during the Japanese colonial era. Includes a bibliography. CTFAL Chi
0264 Sat䲖, Tadao, 1930– ᩊᗳᇝԲ, 1930–
0261
Le cinéma japonais / Tadao Sat䲖 ; traduction de Karine Chesneau, Rose-Marie Makino-Fayolle et Chiharu Tanaka. Paris: Centre Georges Pompidou, 1997. 2 v. ISBN 2858509301 Note: The French translation of a Japanese four-volume text entitled Nihon eigashi (T䲖ky䲖: Iwanami Shoten, 1995), published during a Japanese film retrospective held at the Centre Georges Pompidou from March 19–October 1, 1997. Chapter 5 (pp. 255–263) deals with the film histories of Japanese colonies and occupied areas during World War II, including Taiwan, Korea, Shanghai, and Manchuria. WorldCat Fre
Ou, Shumin. ଟᎂ์. Ri zhi shi qi Taiwan dian ying de zheng jiao gong neng. яЖݡஹӇؙϡूۋڌЌ. 145 leaves. Note: Thesis (M.A.)—National Taiwan Normal University, 2004. A serious work on the political and educational function of film in Taiwan during the Japanese colonial period. The paper follows three key phases of Japanese colonial rule in Taiwan, discusses the colonial film censorship system, and explains the relationship between official cultural and educational policies and movie theaters, “narrators” (benshi), and the general development of film in Taiwan. Concludes by describing how particular political conditions lead to the creation of Japanese film policies with different intended functions for film in political and educational arenas. Includes an abstract and a bibliography in Chinese. NCL/NDLTD Chi
0265 Sat䲖, Tadao, 1930– ᩊᗳᇝԲ, 1930– Nihon eigashi. яӆྱࡌ. T䲖ky䲖: Iwanami Shoten, 1995. 4 v.
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ISBN Note:
0271
4000037854 (v. 1), 4000037862 (v. 2), 4000037870 (v. 3), 4000037889 (v. 4) One of the most authoritative works on Japanese film history. Organized by time period covered: Vol. 1: 1896–1940, Vol. 2: 1941–1959, Vol. 3: 1960–1995, and Vol. 4: Chronologies and Indexes. Vol. 2, Chapter 5 (pp. 111–155) deals with the film histories of Japanese colonies and occupied areas during World War II, including Taiwan, Korea, Shanghai, and Manchuria. Includes chronologies of major Japanese film–related events and major film productions; indexes of personal names, movies, events, and film studios; and an index in Vol. 4. WorldCat Jpn
0268 Taiwan under Japanese colonial rule 1895–1945: history, culture, memory / edited by Liao Ping-Hui and David Der-Wei Wang. New York: Columbia University Press, 2006. 416 p. ISBN 0231137982 Note: A comprehensive work that captures the history, culture, and memory of Japanese colonial rule in Taiwan. However, it does not provide a serious discussion of cinema during the time period discussed, with an exception of the following: includes descriptions of Liu Na’ou’s career (pp. 224–225) in Shanghai; presents the story of the 1943 film The Bell of Sayon (pp. 279–280), a film that depicts Taiwanese aboriginal peoples and remains the only Japanese colonial feature film made in Taiwan that can still be seen; and includes editor Liao Ping-Hui’s essay which notes that vastly different views of Taiwan’s colonial and postcolonial history are held by former president Lee Tenghui and the views presented in the films directed by the famous New Taiwan Cinema directors Hou Hsiao-hsien and Wu Nien-chen (pp. 2–3). Includes a bibliography and an index. WorldCat Eng
0266 Sat䲖, Tadao, 1930– ᩊᗳᇝԲ, 1930– Nihon eigashi (Z䲖hoban) яӆྱࡌ (㬱ਣ)ؗ. T䲖ky䲖: Iwanami Shoten, 2006–2007. 4 v. ISBN 4000265776 (v. 1), 4000265784 (v. 2), 4000265792 (v. 3), 4000265806 (v. 4) Note: An enhanced revision to the original work published in 1995. The most significant changes, compared with the original work, are in Vol. 3: 1960–1995. One of the most authoritative works on Japanese film history. Organized by time period covered: Vol. 1: 1896–1940, Vol. 2: 1941–1959, Vol. 3: 1960–1995, and Vol. 4: Chronologies and Indexes. Vol. 2, Chapter 5 (pp. 111–155) deals with the film histories of Japanese colonies and occupied areas during World War II, including Taiwan, Korea, Shanghai, and Manchuria. Includes chronologies of major Japanese film–related events and major film productions and indexes of personal names, movies, events, and film studios in Vol. 4. WorldCat Jpn
0269 Taiwan zhong ceng jin dai hua lun wen ji / Ruolin Zhengzhang, Wu Micha zhu bian. ݡஹԳৡڊײ٩ںҹओ / Ԝ࿆, ྶ઼ൌҰഹ. Taibei: Buo zhong zhe wen hua you xian gong si, 2000. 479 p. ISBN 9576963737 Note: A collection of essays that includes ѧѐѤ/ Sanze Zhenmeihui’s (Misawa, Mamie) essay: Taiwan Jiao Yu Hui de dian ying xuan chuan ce lue: 1914–1942 / = ݡ ஹڌड़ϾϡӇؙୌة೫ଯ: 1914–1942, which discusses the film propaganda strategy of the Taiwan Education Association from 1914–1942. NTUL Chi
0270 Tamura, Shizue, 1944– ೧భဋብ, 1944– Hajime ni eiga ga atta: shokuminchi Taiwan to Nihon. 䫠䫉䫲䫜ྱࡌ䪽䪳䫔䫐 : ယھсݡළ䫙яӆ.
0267 Sun, Lifeng ྑ߹. Dian ying shi hua. ӈؙҦ. Beijing: She hui ke xue wen xian chu ban she, 2000. 211 p. ISBN 7801493435 Series title: Bai nian Zhongguo shi hua ښёЅмҦ Note: Outlines Chinese film history from 1896–1949 and covers the three areas of mainland China, Taiwan, and Hong Kong together in each chapter. The description of Taiwan film history is superficial; it does not provide new materials or original perspectives. Includes a bibliography. Duxiu Chi
T䲖ky䲖: Ch䲚䲖 K䲖ron Shinsha, 2000. 307 p. ISBN 4120030075, 9784120030079 Note: A work on Taiwan cinema during the Japanese colonial period. Includes a bibliography. WorldCat Jpn
0271 Wang, Wenling. ࣼҹጘ. Ri ju shi qi Taiwan dian ying huo dong zhi yan jiu. яࣞЖݡஹӇؙ҅ҁҏ୳ૢ. 305 leaves.
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0272 Note:
colonization. Divides the Japanese colonial era into four time periods: (1) Budding Period 1896–1919; (2) Rising Period 1920–1930; (3) Thriving Period 1931– 1941; and (4) Pacific War Period 1942–1945. Includes noteworthy analyses of the film histories of Taiwan, Tokyo, Shanghai, and Hollywood. Includes a bibliography and list of theaters in Taiwan during the colonial period with the following information: location, ownership, operation agency, and contractor. WorldCat Chi
Thesis (M.A.)—National Taiwan Normal University, 1994. The paper focuses on film-related events in Taiwan during the Japanese colonial period. Includes a bibliography. NCL Chi
0272 Yang, Huanhong (Yang, Huan-hong). ᢵ. Ta zhe bu xian ying: Taiwan dian ying zhong de yuan zhu min ying xiang. јٷϤؙࣶ: ݡஹӇؙЅϡ֍ؙ֙ھՌ. 106 leaves. Note: Thesis (M.A.)—National Dong Hwa University, 2007. This paper considers representations of Taiwan aboriginals in fictional feature films produced both during the Japanese colonial period and after the retrocession. The author uses film analysis as the starting point to explore the relationship between the aboriginal people and colonialism, post-colonialism, nation building, and national identity. Includes a Chinese abstract, bibliography, and filmography. NCL/NDLTD (FT) Chi
0275 Ye, Qianqi (Yeh, Chien-Chi). ౕ࡛ᴟ. Ri zhi shi qi Taiwan bao kan zhi dian ying chuan bo xian xiang yan jiu = Taiwanese news and periodicals under Japanese colonization: a study on film communication. яЖݡஹڻᑂҏӇةؙѳࢣ୳ૢ = Taiwanese news and periodicals under Japanese colonization: a study on film communication. 108 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2009. The paper uses three local newspapers as primary resources to respond to the following research questions: How did local audiences respond to films distributed by the Japanese colonial regime in Taiwan? And how did the Japanese government employ Mandarin as the official language to influence its Taiwanese audience? Includes Chinese and English abstracts and a bibliography. NCL/NDLTD Chi
0273 Ye, Longyan, 1940– ౕहᴧ, 1940– Guang fu qian hou Gaoxiong shi de xi yuan yu dian ying. ׇӓћҙصϡۚࡨӿӇؙ. Gaoxiong: Gaoxiong shi wen xian wei yuan hui, 1996. 37 p. ISBN 9570063696 Series title: Taiwan guang fu wu shi zhou nian ji nian cong kan (wu) ݡஹׇٚڬёઔ݉ᜣᑂ (ٚ) Note: A special publication commemorating the fiftieth anniversary of Taiwan retrocession in 1945. Focuses on Kaohsiung’s film history, specifically Kaohsiung’s theaters, from 1900 through the 1950s. NTUL Chi
0276 Ying hua zong mu lu. ྱޫր۵࠷. Taizhong: Taizhong zhou xue xiao ying hua lian meng, [n.d.] Note: Author Jim Cheng noticed this title in the bibliography of a book but could not locate the actual text at the three major libraries housing film materials in Taipei (NCL, NTU, and CTFA). The text appears to be a filmography compiled during the Japanese colonial period in Taiwan. Jpn
0274 Ye, Longyan, 1940– ౕहᴧ, 1940– Ri zhi shi qi Taiwan dian ying shi = The history of Taiwanese movies during the Japanese colonization. яЖݡஹӇؙ= The history of Taiwanese movies during the Japanese colonization. Taibei: Yu shan she, 1998. 365 p. ISBN 9579361908 Series title: Bu tu xin shu; 37 ӆगЈ ;ڣ37 Note: The first academic work by a Taiwanese scholar that focuses on Taiwan film history during Japanese
0277 Yomota, Inuhiko, 1953– ףҤ೧ᐴᴦ, 1953– Nihon eigashi 100-nen. яӆྱࡌ100ё. T䲖ky䲖: Sh䲚eisha, 2000. 240 p. ISBN 4087200256 Series title: Sh䲚eisha shinsho ओ߭घЈڣ
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Note:
0281
Chapter 5 covers film production in Japanese colonies and occupied areas, including Taiwan (pp. 108–112). Includes a bibliography, and a name and film title index. WorldCat Jpn
2.2.8 Early Period After Taiwan Retrocession, 1945–1949 0280 Chen, Jingfeng. . Guo fu dui Taiwan dian ying chan ye de chu li ce lue (1945–1949). лхݡஹӇݗؙϡ؛ԑ೫ଯ (1945–1949). 250 leaves. Note: Thesis (M.A.)—National Central University, 2001. The paper studies how Taiwan’s film industry was managed during the political struggle between Taiwan Governor Chen Yi and the KMT CC Clique after retrocession from 1945 to 1949. The author points out that Chen Yi’s aim was to manage the film industry with a profit-oriented, loss-control policy, in contrast to the CC Clique’s intention to manage the film industry with absolute control, using film as an arm of the government’s propaganda, education, and ideological machinery. Thus, it is apparent that Taiwan’s film industry developed from the beginning as a site of political struggle, dependent on government policy. Consists of five chapters: Chapter 1: Government’s Attitude Towards Taiwan Film Industry, Chapter 2: Process of Appropriating the Taiwan Film Industry, Chapter 3: Factional Struggle in Taiwan Film Industry, Chapter 4: Management and Censorship in Film Industry, and Chapter 5: Profit and Propaganda of Film Industry. Includes a bibliography and official documents. NCL Chi
0278 Yomota, Inuhiko, 1953– ףҤ೧ᐴᴦ, 1953– Riben dian ying shi 100 nian / Wang Zhongyi yi. яӆӈؙϣښё/ࣼϣፈ. Beijing: Du shu sheng huo xin zhi san lian shu dian, 2006. 272 p. ISBN 7108023539 Note: Chinese translation of Nihon eigashi 100-nen (T䲖ky䲖: Sh䲚eisha, 2000). Chapter 5 covers film production in Japanese colonies and occupied areas, including Taiwan (pp. 111–115). Includes a bibliography, and a name and film title index. WorldCat Chi
0279 Zhongguo dian ying: li shi, wen hua yu zai xian = Chinese cinemas: history, culture and representation: Hai xia liang an ji Xiang Gang dian ying fa zhan yu wen hua bian qian yan tao hui lun wen ji / Liu Xiancheng bian. ЅлӇؙ: ࣵ, ҹ٩ӿӐѳ = Chinese cinemas: history, culture and representation: ᒘҔ᠕ܫ୯Ӈؙчࣁӿҹ٩Ժቜ୳क़Ͼ ںҹओ / ѳюഹ. Taibei: Taibei shi Zhongguo dian ying shi liao yan jiu hui, Zhonghua Minguo shi jue chuan bo yi shu xue hui, 1996. 335 p. Note: A collection of the papers from a film symposium in Taiwan attended by scholars from Taiwan, Hong Kong, mainland China, and the United States on September 13–15, 1995. Twenty-three papers were presented during the symposium, nineteen of which are published here. Themes include “Chinese Film History,” “Relationship Between Chinese Film with Society,” Political and Economic Development,” “Chinese Film and Gender Study,” “Chinese Film Genre Study,” and “Chinese Film and Culture Representation.” Eight papers touch on the subject of Taiwan film, including Li Tianduo’s paper on Taiwan film under the colonial system; Liu Xiancheng’s essay on the history of Taiwan color film development in terms of social issues as well as scientific and technical practice; Huang Yingfen’s article on the aesthetic trends of contemporary Taiwan film; Roland B. Tolentino’s (in English) comparative study of the Chinese “city film” from Taipei, Hong Kong, and Beijing; Qi Longren’s essay on Qiongyao’s films during the 1970s; Zhang Yupei’s analysis of the social and cultural meanings of Taiwan film during the 1990s; and Ye Yueyu’s paper on the relationship between nationality and popular songs in Taiwan films produced from the mid-1970s to the early 1990s. NTUL Chi Eng
0281 Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. ઔ࠷ݡஹ: ݡஹઔ࠷ә୳ૢڣ۵ӿҹຶקओ / Ұഹפቾᴧ, ଽѬҴ ; వҲഹফᖻҹ, ठ᯾ঌ, פቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570265478 (v. 1); 9570262486 (v. 2) Series title: Taiwan dian ying shi liao cong shu ݡஹӇؙࢧᜣڣ Note: This is the first and most comprehensive bibliography and collection of essays on Taiwan film documentaries. Vol. 1 covers the colonial period and includes sixty-five essays and articles written by three contemporary Taiwan scholars as well as colonial-era Japanese authors whose articles were initially published in Japanese before being translated into Chinese for the purposes of this book. Contains eight parts: (1) Film History; (2) Documentary, News, and Education Films; (3) Film Show Activities; (4) Film Propaganda; (5) Film Censorship; (6) Film Affairs; (7) Film Reviews and Introduction; and (8) a Bibliography of Taiwan Documentary Film Studies During the Colonial Period, which includes monographs (in both Chinese and Japanese), dissertations, and journal articles (in both
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0282 Chinese and Japanese, dated and undated). There is also a bibliography at the end of the book. Vol. 2 covers Taiwan documentary film studies after 1945 and includes eighty-one essays, articles, interviews, film reviews, and news reports. Similar to Vol. 1, it also contains eight parts: (1) Anthropology Films; (2) Introduction and Review of Taiwan Documentary Films; (3) Theory and Aesthetics of Documentary Film; (4) Documentary Film and Social Movements; (5) Documentary and Indigenous People; (6) Documentary Film Directors and Workers; (7) Documentary Film History, and Analysis; and (8) a Bibliography of Taiwan Documentary Film Studies after 1945, which is organized under the following subjects: anthropology films, China (including Hong Kong) documentary films, review and introduction to Taiwan documentary films, review and introduction to foreign documentary films, documentary filmography and others, documentary film theory and aesthetics, documentary films and social culture, documentary film and social movements, documentary film and indigenous people, documentary film directors and workers (domestic), documentary film directors and workers (abroad), documentary film history (domestic), and documentary film history (abroad). The materials collected in the bibliography include monographs, dissertations, journal and newspaper articles, handbooks, and manuals. WorldCat Chi
Note:
On the basis of the author’s impressive research of film-related materials published in various newspapers in Taiwan, this text describes the establishment of Taiwan’s film industry after retrocession from 1945–1949. Significantly, Chapter 2 describes the moment when mainland film studios first arrived to shoot films in Taiwan and later shipped their equipment, production, and personnel to Taiwan; Chapter 3 deals with the operation and management of the Taiwan theater system; Chapter 4 focuses on movies shown in Taiwan’s theaters, specifically, the large quantity of films produced in mainland China and, later, the domination of the market by Hollywood films; Chapter 5 considers film censorship in Taiwan during the time. Includes two important documents at the appendix in the end of the book: the Taiwan Film Industry Corporation Business Plan and the Taiwan Film Industry Corporation Preparation Report, which provide details of the early management and operation of Taiwan’s theater system. Includes a bibliography. WorldCat Chi
0284 Ye, Longyan, 1940– ౕहᴧ, 1940– Riben dian ying dui Taiwan de ying xiang 1945–1972. яӆӇؙхݡஹϡؙ 1945–1972. Zhanghua: Zhong zhou ji shu xue yuan dian ying yan jiu zhong xin, 2006. 198 p. Note: An overview of the relationship between Japanese and Taiwanese films from 1945 to 1972. It deals with the following subjects: the ban on importing Japanese films from 1945 to 1950 and 1963 to 1964, the peak of Japanese film imports, government policy on importing Japanese films, cases of smuggling Japanese films, Taiwan’s film censorship system, and the influences of imported Japanese films and culture on Taiwan filmmaking. Includes a bibliography. CTFAL Chi
0282 Ye, Longyan, 1940– ౕहᴧ, 1940– Guang fu qian hou Gaoxiong shi de xi yuan yu dian ying. ׇӓћҙصϡۚࡨӿӇؙ. Gaoxiong: Gaoxiong shi wen xian wei yuan hui, 1996. 37 p. ISBN 9570063696 Series title: Taiwan guang fu wu shi zhou nian ji nian cong kan (wu) ݡஹׇٚڬёઔ݉ᜣᑂ (ٚ) Note: A special publication commemorating the 50th anniversary of Taiwan retrocession in 1945. Focuses on Kaohsiung’s film history, specifically Kaohsiung’s theaters, from 1900 through the 1950s. NTUL Chi
2.2.9
Taiwanese-Dialect Film, 1955–1982
0285 0283
Chun hua meng lu wu shi nian—Tai yu pian xue shu yan tao hui lun wen yi / Zhu ban dan wei: Guo li zheng zhi da xue, Guo jia dian ying zi liao guan. ࡇՐْਗ਼ٚё—ܭݡәѹफ୳क़Ͼںҹओ / Ұ֧ދ: л߹ू Ͻѹ, лрӇࢧޞؙఖ. Taibei: Guo li zheng zhi da xue; Guo jia dian ying zi liao guan, 2007. 150 p. Note: Conference proceedings from an academic symposium on Taiwanese-dialect films hosted by National Chengchi University and Chinese Taipei Film Archive in
Ye, Longyan, 1940– ౕहᴧ, 1940– Guang fu chu qi Taiwan dian ying shi. ׇ२ݡஹӇؙ. Taibei: guo jia dian ying zi liao guan, 1995. 267 p. ISBN 9579987440 Series title: Taiwan dian ying shi liao cong shu; 2 ݡஹӇؙࢧᜣ ;ڣ2
56
Special Regions, Periods, and Events
0291
Beitou, Taibei, on June 24, 2007. Includes ten papers and the Symposium Schedule. CTFAL Chi
Note:
0286 Dian cang dian ying wen wu zhang ji / Lin Yuru zong bian ji. ਹেӇؙҹ֟ফ / ड़Ғրഹফ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2005. 184 p. ISBN 9860007713 Series title: Gaoxiong shi dian ying tu shu guan dian ying song shu; 6 ҙصӇڣؙ֖ఖӇؙᜣ ;ڣ6 Note: Kaohsiung Film Archive has digitized 1,500 film artifacts, more than 100 of which are selected and displayed in this book, including: film posters, cameras, projectors, costumes, and more. Divided into nine parts: Part 1, Essays; Part 2, Film Equipment; Part 3, Film Posters Hand-Drawn by Chen Zifu; Part 4, Japanese Film Artifacts; Part 5, Hollywood Film Artifacts; Part 6, European and American Film Posters; Part 7, Taiwanese-Dialect Film Artifacts; Part 8, Hong Kong Film Artifacts; and Part 9, Mandarin Film Artifacts. Includes an index. NTUL Chi
This text on the famous Taiwanese-dialect and martial arts film director and screenwriter Joseph Kuo consists of Part 1, Mr. Kuo’s achievements in Taiwanese-dialect, Mandarin, and Martial Arts films in Taiwan; Part 2, an interview with Mr. Kuo regarding his film career in Taiwan and Hong Kong; Part 3, synopses of Mr. Kuo’s films; and Part 4, an appendix, which includes a chronology, an exhibit of Mr. Kuo’s donations to the Kaohsiung Film Archive, and a bibliography. NTUL Chi
0289 Huang, Ren, 1925– ࢶწ, 1925– Bei qing Tai yu pian. єܭݡә. Taibei: Wan xiang tu shu gu fen you xian gong si, 1994. 528 p. ISBN 9576694930 Series title: Taiwan dian ying shi cong shu; 4 ݡஹӇؙᜣ ;ڣ4 Note: A comprehensive work on Taiwanese-dialect film history from 1955 to 1980; however, the filmography at the end of the book includes Taiwanese-dialect films produced from 1955 to 1982. Consists of thirteen chapters, covers multiple subject areas, includes reviews of major representative films, and provides biographies of producers, directors, screenwriters, scholars, and actors and actresses. Includes a filmography (1955–1982). WorldCat Chi
0287 Du, Yunzhi, 1923– ᖯࠥҏ䩟1923– Zhongguo dian ying qi shi nian. ЅлӇࢳؙё. Taibei: Zhonghua minguo dian ying tu shu guan chu ban bu, 1986. 450 p. Series title: Ying tu cong shu ؙ֖ᜣڣ Note: According to the author’s postscript, this work is not a formal Chinese film history, rather a collection of anecdotes related to Chinese film history. Taiwan film history– related anecdotes begin in Chapter 53 (pp. 382–389) with a discussion of Japanese colonial film history in Taiwan, and end in Chapter 57 (pp. 412–418) with a consideration of the rise of Taiwanese-dialect films and a history of Li Han-hsiang’s Guolian film studio in Taiwan. Includes film stills, posters, and photos. WorldCat Chi
0290 Huang, Ren, 1925– ࢶწ, 1925– Kai tuo Tai yu pian de nu xing xian qu. ыᓛܭݡәϡѽԛᒠ. Taibei: He tian ke ji, 2007. 212 p. ISBN 9789868258938 Series title: Taiwan dian ying yan jiu cong shu ݡஹӇૢ୳ؙᜣڣ Tai yu pian wu shi zhou nian ji nian ji; 2 ܭݡәٚڬёઔ݉ফ; 2 Note: The first comprehensive biographical work on Taiwan women directors, screenwriters, and actresses in Taiwanese-dialect films. Includes photos, film stills, posters, and a bibliography NTUL Chi
0288 Guo Nanhong de dian ying shi jie = The world directed by Joseph Kuo / Lin Yuru cai fang zhuan wen, Zheng Deqing zong bian ji. ᔕ۪ᒩϡӇؙԒ֎ = The world directed by Joseph Kuo / ड़Ғ൵ භ᫃ҹ, ቼख़দրഹফ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2004. 135 p. ISBN 9570162767 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 3 ҙصӇڣؙ֖ఖӇؙᜣ ;ڣ3
0291 Huang, Ren, 1925– ࢶწ, 1925– You xiu Tai yu pian ping lun jing xuan ji / Huang Ren bian; Huang Ren deng zhu. ݿഫܭݡә߰קؘںओ / ࢶწഹ; ࢶწҳЯ. Taibei: Ya tai tu shu chu ban she, 2006.
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Film History
0292 299 p. ISBN 9789867809445 Series title: Taiwan dian ying yan jiu cong shu; 15 ݡஹӇૢ୳ؙᜣ ;ڣ15 Tai yu pian wu shi zhou nian ji nian ji; 1 ܭݡәٚڬёઔ݉ফ; 1 Note: A collection of selected film reviews on Taiwanesedialect films, divided by decade into the 1950s and 1960s. Also includes essays that review the history of Taiwanese-dialect films. Includes photos, film stills, posters, and a bibliography. NTUL Chi
233 p. ISBN Note:
0292 Huang, Xiuru. ࢶഫҒ. Tai yu pian de xing shuai qi luo. ܭݡәϡࣱᆽв. 124 leaves. Note: Thesis (M.A.)—National Taiwan University, 1991. An exploration of the rise and fall of Taiwanese-dialect cinema from 1955 to 1981. Describes the economic conditions and competition of Taiwanese-dialect films and government film policies. The paper concludes that the following reasons lead to the eventual downturn of Taiwanese-dialect cinema: (1) Initially local filmmakers in Taiwan started to produce Taiwanese-dialect films due to a weak market of Mandarin films and stimulation of popular Xiamen-dialect films; (2) the quality of early Taiwanese-dialect films was poor and did not improve over time, even after its initial popular period, due to limited resources; (3) Taiwanesedialect films inevitably lost their share of the market share when the Mandarin film industry emerged and Japanese films were banned; and (4) government film policy and officials in Taiwan were always hostile to Taiwanese-dialect films and filmmaking. Includes a Chinese abstract, a bibliography, Chronology of Domestic Political Affairs, Film Policies and Government-owned Film Studios, Charts of Mandarin Film-Making and Taiwanese-Dialect Filmmaking, Filmography of Mandarin Films 1949–1954, Taiwanese Theatrical Professionals Involved in Taiwanese-dialect Filmmaking, Lists of Taiwanese-dialect and Mandarin Films Selected and Received Golden Horse Awards, Production Charts of Mandarin and TaiwaneseDialect Films from 1955–1974, and Box Office Record of 1965. NTUL Chi
9784771020207 A collection of eleven chapters by various film scholars that deal with Japanese colonialism and the formation of modern Taiwan society and film, politics and Taiwan’s modern cinema, the KMT government and Taiwan film, Shanghai’s film influence on Taiwan film development, Taiwan and Hong Kong film exchange, the Taiwanese-dialect film era (1955–1961), Taiwan film reviews and publications after World War II, and Taiwan film policy and censorship. Includes endnotes at the end of each essay and biographies of the contributors at the end of the book, but there is no index. WorldCat Jpn
0294 Liao, Jinfeng. ᴰؖང. Xiao shi de ying xiang: Tai yu pian de dian ying zai xian yu wen hua ren tong. ۽ᅴϡؙՌ: ܭݡәϡӇؙӐѳӿҹ٩گӎ. Taibei: Yuan liu chu ban gong si, 2001. 225 p. ISBN 9573243806 Series title: Dian ying guan; 98 Ӈؙఖ; 98 Note: Among the authoritative academic works on Taiwanesedialect film, this text examines representations of culture in more than 1,000 Taiwanese-dialect films produced from 1955 to 1972. Includes a bibliography and Current Situation of Taiwanese-Dialect Films in the appendix. CTFAL Chi
0295 Lin, Kuizhang (Lin, Kuei-Chang). ⇙א. Xun zhao Tai yu pian de lei xing yu zuo zhe: Cong chan ye do wen ben = Searching for auteur and genre in Taiwanese Dialect Films: An analysis of the industry and text. ଵܭݡװәϡढࡿӑٷ: ԩݗϺҹӆ = Searching for auteur and genre in Taiwanese Dialect Films: An analysis of the industry and text. 206 leaves. Note: Thesis (M.A.)—National Taiwan University, 2008. The paper focuses on three of the most popular genres of Taiwanese-dialect films: Ge zai xi (Local Taiwanese Opera), Literary, and Western films as well as their representative auteurs, including Li Quanxi, Lin Tuanqiu, and Li Xing. The paper then examines Hsin Chi, a so-called Taiwanese-dialect film director with future potential, and his works. Includes a Chinese abstract, bibliography, filmography of Gezai Xi, and a catalog of Taiwanese-dialect film posters, newspaper advertisements, and film copies. NCL/NDLTD Chi
0293 Koyama, Sabur䲖, 1952– Щځѧᅦ, 1952– Taiwan eiga: Taiwan no rekishi, shakai o shiru madoguchi / Koyama Sabur䲖 hencho. ݡළྱࡌ: ݡළ䫟䖉ί घϿ䬃Ҍ䫼凵 ט/ ЩځѧᅦഹЯ. Kyoto: K䲖y䲖 Shob䲖, 2008.
58
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0301 Xing Film Studio; and reports on the preservation and restoration projects of Taiwanese-dialect films. The appendix includes the introduction of the current available Taiwanese-dialect films in the Chinese Taipei Film Archive, a filmography of Taiwanese-dialect films from 1955 to 1981, and a bibliography. CTFAL Chi
0296 Lin, Liangzhe. મᎻ. Taizhong dian ying chuan qi = Treasure of movies in Taichung. ཅЅӇ = ࡞ةؙTreasure of movies in Taichung. Taizhong: Taizhong shi fu, 2004. 186 p. ISBN 9570189088 Note: A detailed film history of Taichung. Significant events include these dates: in 1910, the first screenings of Japanese films occurred in Taizhong Zuo (the first professional theater in Taichung which was built in 1902); in 1949, Nongjiao Company established its film studio in Taichung and produced its first feature film E Meng Chu Xing; and in 1955, He Jiming, a famous Taiwanese-dialect film director and Taichung native, made the box office success Xue Pinggui yu Wang Baochuan in Taichung—it was the first Taiwanese-dialect film, and the first 35mm Taiwanese-dialect film, produced in Taiwan. Includes biographies of the film directors, actors and actresses related to Taichung, film stills, posters, and photos. NTUL Chi
0299 “Taiwan wen xue yu dian ying zhong de mu yu” xue shu yan tao hui lun wen ji / Jian Guangming zhu bian. “ݡஹҹѹӿӇؙЅϡআ ”ܭѹफ୳क़Ͼҹओ / ߢׇҴҰഹ. Pingdong: Guo li Pingdong jiao yu da xue Zhongguo yu wen xue xi, 2008. 234 p. ISBN 9789860136210 Note: Consists of nine papers presented at the Native Languages in Taiwan Literature and Film Symposium on February 22, 2008. The papers explore Taiwan native languages, including Mandarin, Min’nan/Taiwanese, Hakka, and Aboriginal dialects used in literature and film under different political, cultural, economic, and historical conditions. Includes the Symposium program and presenter introduction. NTUL Chi
0297 Lin, Meise. Ѥ亯. Ge zai xi huang di: Yang Lihua. ܮ௩ۚ෦:ܡՐ. Taibei: Shi bao wen hua chu ban qi ye gu fen you xian gong si, 2007. 318 p. ISBN 9789571347271 Series title: People; 207 Note: A biography of Yang Lihua, a famous Taiwan local opera (ge zai xi) and film star, who, according to the text, began producing Taiwanese-dialect films in 1967 and made Taiwan’s last Taiwanese-dialect film, Chen Sanwu Niang, in 1981. Includes a chronology. CTFAL Chi
0300 Wang, Zilong. ࣼжᑹ. Zhongguo ying ju shi. Ѕлঁؙ. Taibei: Jian guo chu ban she, 1960. 152 p. Note: Because of the close relationship between Chinese film and drama (in this case, not Chinese opera, but Western performance art), the author provides a joint history of Chinese film and drama, divided into six periods: Budding: End of Qing to 1920; Establishing: 1921–1930; Developing: 1931–1937; Peaking: 1938–1945; Prosperous: 1946–1949; and Struggling: 1950–1959. The appendix includes the essays on Taiwanese-dialect film and drama. CTFAL Chi
0298 Tai yu pian shi dai (1) / Zuo zhe: Guo jia dian ying zi liao guan kou shu dian ying shi xiao zu. ܭݡәЖ( ڊϣ) / ӑٷ: лрӇࢧޞؙఖטӇؙЩ६. Taibei: Guo jia dian ying zi liao guan, 1994. 388 p. ISBN 9579987424 Series title: Taiwan dian ying shi liao cong shu; 003 ݡஹӇؙࢧᜣ ;ڣ003 Note: Part of the Taiwan Film Oral History project, sponsored by the Chinese Taipei Film Archive, this text includes interviews of related personnel in Taiwanesedialect film production, such as Li Quanxi, Xin Q, Li Jia, Gao Renhe, Chen Hongmin, Cai Yangming, Shen Jiang, and Liang Zhefu; biographical works on Hua
0301 Yang, Meiying (Yang, Mei-ying). Ѥᓜ. Cong Taiwan dian ying zhi fang yan yu wen hua ci de ying yi jian shi zi mu yi zhe de jue se: yi Hou Xiaoxian de dian ying wei li = The role of a subtitler in the translations of dialects and cultural terms in Taiwan Cinema: a case study of Hou Hsiao-hsien’s films. ԩݡஹӇؙҏҤߞӿҹ٩୬ϡ߭ፆഛ؆௷ܒፆٷϡࡠա: йᢡᖮ ᐊϡӇؙЊຎ = The role of a subtitler in the translations of dialects and cultural terms in Taiwan Cinema: a case study of Hou Hsiaohsien’s films. 125 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2008.
59
Film History
0302 Focuses on the role of film subtitlers in the translation of dialects (including Taiwanese and Hakka) and cultural terms in seven Hou Hsiao-hsien films. The paper introduces director Hou and four of his subtitlers to explore the subtitling difficulties inherent to Hou’s films by considering the perspectives of the author, text, and audience. The paper is written in English. Includes Chinese and English abstracts and a bibliography. NCL/NDLTD (FT) Eng
producers, screenwriters, and directors; posters; its distribution system; and explanations of Taiyu pian’s fall and complex relationship with Japanese culture. Includes film posters, stills, and photos. CTFAL Chi
0304 Yi jiu ba jiu Jin Ma guo ji guan mo ying zhan, 12.9–12.22, 1989 / Dian ying zi liao guan. ϣ॰ࡂ॰ެؖлগಎࣁؙ, 12.9–12.22, 1989 / Ӈࢧޞؙఖ. Taibei: Dian ying zi liao guan, 1989. 162 p. Note: Published to celebrate the 1989 Golden Horse International Film Festival hosted by the Taiwan Film Library from December 9 to 22, 1989, this work includes the filmography of all participating films, including three Taiwanese-dialect films, one film by Edward Yang, and related reviews and interviews by film scholars and critics. NTUL Chi
0302 Ye, Longyan, 1940– ౕहᴧ, 1940– Chun hua meng lu: zheng zong Tai yu dian ying xing shuai lu. ࡇՐْਗ਼: ԜᅓܭݡӇࣱؙᆽ࠷. Taibei: Go yang wen hua shi ye you xian gong si, 1999. 320 p. ISBN 9579771006 Series title: Taiwan yue lan shi; 4 ݡஹ་ऋॣ; 4 Note: According to the author’s preface and introduction to this Taiwanese-dialect film history, the title of the book should have been Authentic History of TaiwaneseDialect Film; however, no explanation is provided to account for the change in title. Ye used Huang Ren’s 1994 work as a reference, but integrates new perspectives, including the political, sociological, and cultural. Because of the author’s academic background, the text provides a scholarly approach to Taiwanese-dialect film history in contrast to Huang Ren’s work published earlier. The author suggests that the Taiwanese-dialect film movement lasted from 1955 to 1974, although there were a few attempts to revive its seemingly inevitable death from 1974 to 1981, whereas Huang Ren claims the movement ended in 1980. The filmography includes Taiwanese-dialect films produced from 1955 to 1981 and includes films not listed in Huang Ren’s work. Ye is critical of the KMT’s handling of the February 28 Incident and the KMT government’s policy vis-à-vis Taiwanese-dialect film. Contains seven chapters with notes for each chapter. Includes film stills, posters, and photos. WorldCat Chi
0305 Zhongguo dian ying shi ye de xian zhuang ji zhan wang: jiao yu bu wen hua ju dian ying shi ye diao cha bao gao shu / Jiao yu bu wen hua ju bian. ЅлӇؙѨϡѳ૬ߵࣁֳ: ڌड़חҹ٩ӇؙѨ ڣݍڻݓ݇/ ڌड़חҹ٩ഹ. Taibei: Jiao yu bu wen hua ju, 1971. 189 p. Note: An official 1971 report on the current condition of, and future predictions for, the Taiwan film industry. Released by the Cultural Bureau under the Ministry of Education. WorldCat Chi
2.2.10
Mandarin Film, 1963–1970
0306 Dian cang dian ying wen wu zhang ji / Lin Yuru zong bian ji. ਹেӇؙҹ֟ফ / ड़Ғրഹফ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2005. 184 p. ISBN 9860007713 Series title: Gaoxiong shi dian ying tu shu guan dian ying song shu; 6 ҙصӇڣؙ֖ఖӇؙᜣ ;ڣ6 Note: Kaohsiung Film Archive has digitized 1,500 film artifacts, more than 100 of which are selected and displayed in this book, including film posters, cameras, projectors, costumes, and more. Divided into nine parts: Part 1, Essays; Part 2, Film Equipment; Part 3, Film Posters Hand-Drawn by Chen Zifu; Part 4, Japanese Film Artifacts; Part 5, Hollywood Film Artifacts; Part 6, European and American Film Posters; Part 7, Taiwanese-Dialect Film Artifacts; Part 8, Hong Kong Film Artifacts; and Part 9, Mandarin Film Artifacts. Includes an index. NTUL Chi
0303 Ye, Longyan, 1940– ౕहᴧ, 1940– Zheng zong Tai yu dian ying shi 1955–1974 (dian cang ban). ԜᅓܭݡӇؙ 1955–1974 (ਹে)ؗ. Taibei: Taiwan kuai le xue yan jiu suo, 2005. 143 p. ISBN 9574130223 Series title: Happy 01 Note: As the author states in the preface, the work both reviews the history of Taiyu pian (Taiwanese-dialect film) and explores the close relationship between Japanese culture and Taiyu pian. Introduces the private film studios that produced Taiyu pian; important Taiyu pian
60
Special Regions, Periods, and Events
0313 Note:
0307 “Taiwan wen xue yu dian ying zhong de mu yu” xue shu yan tao hui lun wen ji / Jian Guangming zhu bian. “ݡஹҹѹӿӇؙЅϡআ ”ܭѹफ୳क़Ͼҹओ / ߢׇҴҰഹ. Pingdong: Guo li Pingdong jiao yu da xue Zhongguo yu wen xue xi, 2008. 234 p. ISBN 9789860136210 Note: Consists of nine papers presented at the Native Languages in Taiwan Literature and Film Symposium on February 22, 2008. The papers explore the Taiwan native languages, including Mandarin, Min’nan/ Taiwanese, Hakka, and Aboriginal dialects, used in the literature and film under different political, cultural, and economic, and historical conditions. Includes the Symposium program and presenter introduction. NTUL Chi
A paper presented at “Film Style in Question: an International Symposium in Honor of David Bordwell” at the University of Wisconsin, Madison, April 21–23, 2005. Discusses the representation of Mandarin literary classics in twenty-first-century Taiwan cinema. Includes a bibliography. WorldCat Eng
0311 Zhongguo dian ying shi ye de xian zhuang ji zhan wang: jiao yu bu wen hua ju dian ying shi ye diao cha bao gao shu / Jiao yu bu wen hua ju bian. ЅлӇؙѨϡѳ૬ߵࣁֳ: ڌड़חҹ٩ӇؙѨ ڣݍڻݓ݇/ ڌड़חҹ٩ഹ. Taibei: Jiao yu bu wen hua ju, 1971. 189 p. Note: An official 1971 report on the current condition of, and future predictions for, the Taiwan film industry. Released by the Cultural Bureau under the Ministry of Education. WorldCat Chi
0308 Wang, Kai ming. A history and thematic analysis selected Chinese fictional motion pictures produced in Hong Kong and Taiwan (1968–1970). 121 leaves. Note: Thesis (M.A.)—Ohio State University, 1976. A comparative study of selected Chinese fictional films produced in Hong Kong and Taiwan from 1968 to 1970. Includes a bibliography. WorldCat Eng
2.2.11
Healthy Realism Film, 1963–1980
0312 Chen, Nan. ವ۪. Zhongguo dian ying si chao ping xi. Ѕмӈࡷؙӑڽ߯. Shanghai: Tongji da xue chu ban she, 2002. 226 p. ISBN 7560824382 Note: Chapter 11 (pp. 209–224) covers Taiwan Healthy Realism during the 1960s, and the New Taiwan Cinema movement during the 1980s. WorldCat Chi
0309 Wicks, James Anthony. The antecedents of Taiwan New Cinema: the state of Taiwan film in the 1960s and 1970s. 266 leaves. Note: Thesis (Ph.D.)—University of California, San Diego, 2010. Explores the ways Taiwan’s KMT (Nationalist Party) government defined itself as the representative government of all of China in the 1960s and 1970s by both studying its state-sanctioned film industry and explaining how these filmmaking conditions in the 1970s enabled the emergence of Taiwan New Cinema in the 1980s. Analyzes influences from mainland China, Japanese colonialism, and the United States during the Cold War. Includes notes and a bibliography. ProQuest (FT) Eng
0313 The Chinese cinema book / edited by Song Hwee Lim; Julia Ward. New York: Palgrave Macmillan; London: British Film Institute, 2011. 218 p. ISBN 9781844573448, 1844573443, 1844573451, 9781844573445 Note: An essential collection of China film studies essays that provides informed insights into leading film theories, including an essay by Chris Berry on transnational film studies, and the historical-material conditions of filmmaking in China, Hong Kong, and Taiwan. The text is divided into the following sections: Territories, Trajectories, Historiographies; Early Cinema to 1949; The Forgotten Period: 1949–80; The New Waves; and Stars, Auteurs and Genres. Includes “Healthy Realism in Taiwan, 1964–80: Film Style, Cultural Policies, and Mandarin Cinema” by Guo-Juin Hong, and “Taiwan New Cinema and Its Legacy” by Tonglin Lu. WorldCat Eng
0310 Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. Innovation or recycling: Mandarin classics and the return of the wenyi tradition. Hong Kong: David C. Lam Institute for East-West Studies, Hong Kong Baptist University, 2006. 22 p. Series title: Working paper series, David C Lam Institute for East-West Studies; no. 47.
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Film History
0314 Note:
0314 Li Xing—yi jia zi de hui huang / zhu bian Jiao Xiongping, Qu Guizhi. ଽҲ—ϣപжϡሓᑟ / Ұഹဖ๔, ߅ᄉᆙ. Taibei: Yue sheng wen hua shi ye you xian gong si, 2008. 255 p. ISBN 9789576307348 Series title: Taibei Jin Ma ying zhan cong shu, 2008; 4 ཅࣁؙެؖܚᜣڣ, 2008; 4 Note: A special collection of essays, written by film scholars on both sides of the Taiwan Strait, compiled to celebrate the 60th anniversary of Li Xing’s film career (1958–2008). The essays cover Li Xing, “father of Taiwan film” and “founder of the Healthy Realism Film movement,” and his classic works. Includes a recent interview and chronology. NTUL Chi
Consists of four parts: Part 1, From Healthy Realism to New Cinema; Part 2, Zhongying (Central Motion Picture Corporation) and the Rise and Fall of Taiwan Cinema; Part 3, Taiwan New Cinema and Political Reform; and Part 4, Ethnic Groups in Taiwan Cinema. Includes a list, prepared by Liao Jinfeng and Ru-shou Robert Chen, of the most representative films of Taiwan cinema during each time period, and a bibliography (pp. 172–175). WorldCat Jpn
0317 Wicks, James Anthony. The antecedents of Taiwan New Cinema: the state of Taiwan film in the 1960s and 1970s. 266 leaves. Note: Thesis (Ph.D.)—University of California, San Diego, 2010. Explores the ways Taiwan’s KMT (Nationalist Party) government defined itself as the representative government of all of China in the 1960s and 1970s by both studying its state-sanctioned film industry and explaining how these filmmaking conditions in the 1970s enabled the emergence of Taiwan New Cinema in the 1980s. Analyzes influences from mainland China, Japanese colonialism, and the United States during the Cold War. Includes notes and a bibliography. ProQuest (FT) Eng
0315 Tang, Weimin (Tang, Albert Wei-Min). ࿔์ۆ. You yi wen yi zhan dou fu sheng, dian ying zheng jing jian kong qi fei, xu shi wen ben mei xue zai xian: Liu shi nian dai Taiwan jian kang xie shi dian ying de jue qi = Recurring right-wing discursive tactics, policing political economy of cinematic production, representing narrative aesthetic syndromes: The rise of Healthy Realistic Cinema in Taiwan. ૼॢҹਲڕஸТ, ӇूؙҬฬସвٞ, ᡳѨҹӆѤѹӐѳ: ࡏ ёݡڊஹࣉӢӇؙϡ៷в = Recurring right-wing discursive tactics, policing political economy of cinematic production, representing narrative aesthetic syndromes: The rise of Healthy Realistic Cinema in Taiwan. 267 leaves. Note: Thesis (Ph.D.)—Fu Jen Catholic University, 2008. The paper analyzes the discursive formation of Taiwan’s Healthy Realism movement in the 1960s. The author argues that, based on an account of the KMT’s efforts to preserve its monolithic governance from the 1930s through the Healthy Realism era, filmmakers used subtle tactics in a struggle for artistic freedom while film critics and film historians desired relevant film productions. Includes Chinese and English abstracts and a bibliography. NCL/NDLTD Chi
0318 Ye, Longyan, 1940– ౕहᴧ, 1940– “Ying xiang” de ying xiang: qi shi nian dai Taiwan dian ying shi, 1970–1979. “ؙ” ϡؙ: ࢳёݡڊஹӇؙ, 1970–1979. Xinzhu: Xinzhu shi ying xiang bo wu guan, 2002. 206 p. ISBN 9570116935 Note: According to the author’s preface, the original title of the manuscript was: Historical Analysis of a Film Magazine: Ying Xiang. This text is an overview of Taiwan film during the 1970s based on an analysis of the film magazine, Ying Xiang, during the 1970s (December 1971–September 1979). Includes endnotes and a bibliography. NTUL Chi
0316 Tobari, Haruo, 1938– פݏֆਜ਼, 1938–
0319 Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. A national score: popular music and Taiwanese cinema. 263 leaves. Note: Thesis (Ph.D.)—University of Southern California, 1995. An interesting study of the relationship between popular music, cinema, and national identity in Taiwan from the 1970s to the 1990s. Explores multiple relevant interrelationships between popular music and Taiwan
Taiwan eiga no subete / Tobari Haruo, Ry䲖 Kinh䲖, Chin Jush䲚. ݡළྱࡌ䫟䫊䫪䫗/ פݏֆਜ਼, ᴰؖང, ᭉ. T䲖ky䲖: Maruzen, 2006. 180 p. ISBN 4621061062, 9784621061060 Series title: Maruzen bukkusu; 106 ᐣ䭅䬲䬞䬨; 106
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0326
cinema, including the inclusion of popular songs in 1970s policy films and romantic melodramas, the exclusion of pop music in Taiwan New Cinema in the 1980s, and the return of popular music in commercial films of the 1990s, thus revealing “a national identity characterized by shifting loci of commerce, politics, and art” (abstract). As a serious academic work, it provides many interesting perspectives based on in-depth research and substantial evidence. It states, however, that “A huge massacre occurred in 1945 when many Taiwanese rose up against the semi-colonial governance of the National Party” (p. 2), which is possibly miswritten, for if Dr. Yeh is referring to the February 28 Incident, this event occurred in 1947. Includes a filmography (243–247) and bibliography (248–263). WorldCat Eng
0322 2000 Taiwan dian ying wen hua di tu / Taibei shi zheng fu, Cai tuan far en guo jia dian ying zi liao guan ce hua. 2000 ݡஹӇؙҹ٩с֖ / ूصܚݡ, ֚ࣗϪлрӇࢧޞؙఖ ೫. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 2001. 268 p. ISBN 9573243849 Series title: Dian ying guan; 96 Ӈؙఖ; 96 Note: An introduction to the Third Taipei Film Festival hosted by the Taipei Municipal Government and the Chinese Taipei Film Archive in 2000. Describes how award-winning films are selected, presents essays on contemporary Chinese films in Taiwan, Hong Kong, and mainland China, and contains brief biographies of the film award judges. CTFAL Chi
0320
0323
Zhongguo dian ying shi ye de xian zhuang ji zhan wang: jiao yu bu wen hua ju dian ying shi ye diao cha bao gao shu / Jiao yu bu wen hua ju bian. ЅлӇؙѨϡѳ૬ߵࣁֳ: ڌड़חҹ٩ӇؙѨ ڣݍڻݓ݇/ ڌड़חҹ٩ഹ. Taibei: Jiao yu bu wen hua ju, 1971. 189 p. Note: An official 1971 report on the current condition of, and future predictions for, the Taiwan film industry. Released by the Cultural Bureau under the Ministry of Education. WorldCat Chi
2010 Zhongguo dian ying yi shu bao gao = A report on Chinese film art / Yin Hong, Liu Haodong zhu bian. 2010 Ѕмӈؙभ = ݍۏA report on Chinese film art / ẚ䩟ข ᒲևҰ൜. Beijing: Zhongguo dian ying chu ban she, 2010. 236 p. ISBN 9787106032050, 7106032050 Note: A report on Chinese film production in 2009, including Hong Kong and Taiwan, compiled by film scholars from mainland China. WorldCat Chi
0324 2.2.12
Ba shi nian dai Taiwan dian ying zhan / Lingnan da xue yi wen she; Xianggang yi shu zhong xin. ࡂёݡڊஹӇ ࣁؙ/ ᗬ۪Ͻѹਲҹघ; ܫ୯ਲफЅК. [Xianggang: Lingnan da xue yi wen she, 1987] [30 p.] Note: The program for The Exhibition of Taiwan Films in the 1980s, jointly presented by the Arts and Literature Promotion Society at Lingnan University and the Hong Kong Arts Center in 1987. WorldCat Chi
Contemporary Taiwan Film, 1980–
0321 1994 Taibei Jin Ma ying zhan zhuan ti te kan; “duan lie” yu “fu he”: zhan wang jiu shi nian dai zhongguo dian ying = 1994 Taipei Golden Horse Film Festival special programs: perspective of Chinese cinemas of the 90s / Te kan zhu bian: Xie Renchang. 1994 ئ֤֟ࣁؙެؖܚݡᑂ; “ऄი” ӿ “ׁ”: ࣁֳ90ёڊЅл Ӈ = ؙ1994 Taipei Golden Horse Film Festival special programs: perspective of Chinese cinemas of the 90s / ئᑂҰഹ: هწቾ. Taibei: Taibei Jin Ma ying zhan zhi xing wei yuan hui, [1994] 139 p. Note: Published to commemorate the 1994 Taipei Golden Horse Film Festival. Primarily focuses on Taiwan and Hong Kong as it provides a survey of Chinese cinemas in the 1990s. Includes a bibliography and filmography. WorldCat Chi
0325 Balemi, Andreas, 1968– Der neue taiwanische Film der 80er Jahre. Bern; New York: P. Lang, 1996. 170 p. ISBN 3906755673, 9783906755670 Series title: Schweizer asiatische Studien. Studienhefte; Bd. 14 Etudes asiatiques suisses. Cahiers; v. 14 WorldCat Ger
0326 Bian di fa sheng—fan zhu liu ying xiang mei ti yu she yun ji lu / Zhu zhe Dun Cheng deng. נсчބ—كҰԵ ؙՌ෪Ղӿघػઔ࠷ / Яٷᆼҳ.
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0327 Taibei: Tangshan chu ban she, 1992. 183 p. Series title: Jin bu cong shu; 5 Ք܌ᜣ ;ڣ5 Note: An essay collection that focuses on Taiwan’s antimainstream media movements and social movements during the 1980s and 1990s. Essays include Jiang Guanming’s report on nonmainstream media in Taiwan; Dai Bofen and Wei Yinbing’s analysis of antimainstream images; Li Daoming’s review of his experience in documentary filmmaking; Liang Guang’s discussion of Taiwan antimainstream image media movement vis-à-vis the May 20, 1988, Incident; Zhang Bihua’s interview of Wang Zhizhang on Taiwan’s street movement in the 1980s; and an overall description of Taiwan’s antimainstream image media groups, such as Green Group, the Third Image Studio, Culture Taiwan Studio, Firefly Image, New Taiwan Social Movement Audio/Visual Studio, and Taiwan Report by the editors. Includes a product list of Taiwan antimainstream image media. CTFAL Chi
0329 Chiu, Chi-ming. A study of Taiwanese cinema: cultural policy, marketing and the issues of postmodernity (the late 1980s–2000). Taipei: Radio and Television Department, National Taiwan University of Arts, 2003. 176 p. ISBN 9570138955, 9789570138955 Note: A study of cultural policy, marketing, and the issues of postmodernity in the cinema of Taiwan from the 1980s to 2000. Includes a bibliography. NCL Eng
0330 Chou, Peggy. Taiwan cinema: fictions, documentaries, animations. Taipei: Department of Motion Picture Affairs, Government Information Office, 2006. 1 v. Note: According to OCLC WorldCat, there is only one copy at the National Taiwan University Library. WorldCat Eng
0327 Braester, Yomi. Witness against history: literature, film, and public discourse in twentieth-century China. Stanford, CA: Stanford University Press, 2003. 264 p. ISBN 080474792X, 9780804747929 Note: Analyzes constructions of twentieth-century Chinese history as reflected in literature, film, and public discourse. Chapter 7 focuses on Taiwan: “Retelling Taiwan: Identity and Dislocation in Post-Chiang Mystery.” Includes a bibliography and an index. WorldCat Eng
0331 Cinema Taiwan: politics, popularity and state of the arts / edited by Darrell William Davis and Ru-shou Robert Chen. London and New York: Routledge Taylor & Francis Group, 2007. 236 p. ISBN 0415412579 (hbk.), 0415412587 (pbk.), 020396439X (ebk.), 9780415412575 (hbk.), 9780415412582 (pbk.), 9780203964392 (ebk.) Note: An excellent collection of essays divided into three groups: Politics, Popularity, and State of Arts. As the introduction by Darrell William Davis states, this text is “a foray into the cultural politics of contemporary Taiwan film, which brings into focus several developments since the famous milestones of Hou Hsiaohsien, Edward Yang, Ang Lee, Tsai Ming-liang, et al” (p. 8). The text explores new developments of Taiwan film in the twenty-first century based on a historical understanding of Taiwan’s previous film movements, including Taiwan New Cinema. Includes a selected filmography (with English translation and Chinese characters), a Chinese glossary, selected bibliography, and an index. WorldCat Eng
0328 Chen, Ruxiu (Chen, Ru-shou Robert). ᭉ. Dian ying di guo, ling yi zhong zhu shi: dian ying wen hua yan jiu. Ӈؙл, ࡔϣ҆ڀ؆: Ӈؙҹ٩୳ૢ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1995. 264 p. ISBN 9576697344 Series title: Yi shu fang; 16 ਲ ;ࠚڣ16 Note: A collection of the author’s essays organized into three sections: (1) cultural, gender, psychological, and comparative analyses of Taiwan films of the 1990s; (2) mainland China films; (3) Taiwan film through the lens of post-colonial theory. Essays of note include a study of mental illness in Taiwan films, and a psychological study of Hou Hsiao-hsien’s film A City of Sadness (1989). Includes a bibliography. CTFAL Chi
0332 Dang dai Zhongguo dian ying: 1994 / Huang Wulan zhu bian. ԄڊЅлӇؙ: 1994 / ࢶ循ᘈҰഹ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1994. 309 p. ISBN 9571314919 Series title: Ren jian cong shu; 217 ϪҼᜣ ;ڣ217
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Note:
0337
Introduces the 1994 Seventh Taibei Film Award (ཅ ܚӇؙ؉, the forerunner to the Taipei Film Festival), and discusses the award-winning films from Taiwan, Hong Kong, and mainland China. Includes photos, film stills, and a 1994 Film Index. NTUL Chi
0335 Dang dai Gang Tai dian ying: 1988–1992 / Huang Wulan zhu bian. Ԅڊ୯ݡӇؙ: 1988–1992 / ࢶ循ᘈҰഹ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1992. 2 v. ISBN 9571305553, 9571305561, 957130557X Series title: Ren jian cong shu; 187–188 ϪҼᜣ ;ڣ187–188
0333 Dang dai Zhongguo dian ying: 1995–1997 / Zhu bian: Huang Wulan. ԄڊЅлӇؙ: 1995–1997 /Ұഹ: ࢶ循ᘈ. Taibei: Shi bao wen hua chu ban qi ye gu fen you xian gong si, 1998. 329 p. ISBN 9571325236 Series title: Shi bao shu xi; 679 Ж ;ڍڣڻ679 Note:
Note:
Introduces the 1997 Taibei Film Award (ཅܚӇؙ؉, the forerunner to the Taipei Film Festival), with the same series title as the 1994 publication. The text, however, differs from the 1994 publication in interesting ways. In terms of additions, Taiwan and Hong Kong film scholars report on the films from Taiwan, Hong Kong, and mainland China, review important films from 1995 to 1997, and introduce five contemporary Taiwan and Hong Kong directors. In terms of differences, mainland Chinese films did not participate in the Taipei Film Awards, notably this occurred when proindependence R.O.C. President Chen Shuibian was in office—interestingly, he provides the preface of the book—and the final film catalog includes only Taiwan and Hong Kong films. Includes 1995–1997 Hong Kong and Taiwan Film Catalogs. CTFAL Chi
0336 Dang dai Gang Tai dian ying: 1993 / Huang Wulan zhu bian. Ԅڊ୯ݡӇؙ: 1993 / ࢶ循ᘈҰഹ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1993. 226 p. ISBN 9571308730 Series title: Ren jian cong shu; 202 ϪҼᜣ ;ڣ202 Note:
0334 Dang dai Zhongguo dian ying: 1998 / Zhu bian: Huang Wulan. ԄڊЅлӇؙ: 1998 /Ұഹ: ࢶ循ᘈ. Taibei: Shi bao wen hua chu ban qi ye gu fen you xian gong si, 1999. 256 p. ISBN 9571328464 Series title: Shi bao shu xi; 681 Ж ;ڍڣڻ681 Note:
Introduces the Taibei Film Award (ཅܚӇؙ؉, the forerunner to the Taipei Film Festival) from 1988 to 1992 and presents award-winning films from Taiwan and Hong Kong. Two categories of films were considered for awards: commercial films and noncommercial films. Includes an annual film report for each year, photos, film stills, and posters. CTFAL Chi
Introduces the Taibei Film Award (ཅܚӇؙ؉, the forerunner to the Taipei Film Festival) in 1993 and presents award-winning films from Taiwan and Hong Kong. Two categories of films were considered for awards: commercial films and noncommercial films. In the preface, the editor mentions that 1993 marked the second year in which films from mainland China were recommended for awards; however, there were problems with selecting and acquiring copyrights for the mainland Chinese films. Includes photos, film stills, and a 1993 Hong Kong and Taiwan Film Index. CTFAL Chi
0337 Davis, Darrell Williams. East Asian screen industries / Darrell Williams; Emilie Yueh-yu Yeh. London: British Film Institute, 2007. 192 p. ISBN 9781844571802 (hbk.), 1844571807 (hbk.), 9781844571819 (pbk.), 1844571815 (pbk.) Note: East Asian Screen Industries is situated at the forefront of current trends in film studies. It recognizes the continuing importance of national policy and identity in the production of the film image, but it also observes the regional connections between Korea, Japan, China, Taiwan, and Hong Kong that must be factored into a present-day consideration of film in the region. Specifically, Davis and Yeh focus on the ways deregulation— that is, the abandonment of protectionist measures, such as government imposed quotas and tax barriers—has led to the influx of Hollywood film in East
Introduces the 1998 Taibei Film Award (ཅܚӇؙ؉, the forerunner to the Taipei Film Festival), with the same series title as the 1994 publication. Taiwan, Hong Kong, and mainland China film scholars report on the films from Taiwan, Hong Kong, and mainland China; review important films of 1998; and list award-winning films of 1998. Mainland China film returned to the event in 1998, after not participating in 1997. Includes 1998 Hong Kong, Taiwan, and mainland China Film Catalogs. CTFAL Chi
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0338 Asia. This, in turn, challenged local industries and also provided an opportunity for various film industries to restructure and reconsider industrial practices in a make or break effort to maintain their vitality despite the obstacles—be they institutional, economical, or political. Davis and Yeh describe East Asia’s vibrant and energetic market with a series of case studies and examples. Their close readings of key films and examples of key film personnel are concise and informative. Thus, this text reads as a current who’s who and what’s what of the East Asia cinema industry; yet, as the book also makes clear, the authors recognize that the film industry changes quickly. WorldCat Eng
0341 Fujii, Sh䲖z䲖, 1952– ᗳቯѧ, 1952– Ch䲚goku eiga o yomu hon. Ѕмྱࡌ䬃媠䫱ӆ. T䲖ky䲖: Asahi Shinbunsha, 1996. 225 p. ISBN 4022569484 Note: Chapters 5 and 6 deal with Taiwan film. Begins with Hou Hsiao-hsien’s film A City of Sadness (1989) and an accompanying reflection on Taiwan’s film history during the Japanese colonial era and the early years of Nationalist rule, including the February 28 Incident, and ends with Ang Lee’s film Eat Drink Man Woman (1994) to touch on the subject of the lives of nonlocal (wai sheng ren) Taiwanese in Taiwan. WorldCat Jpn
0338 Di san ge shi qi de Zhongguo dian ying: Beijing, Taibei, Xianggang xue sheng dian ying lu xiang hui zhan. ҷѧϫЖϡЅлӇؙ: ߟܚ, ܚݡ, ܫ୯ѹТӇ࠷ؙՌအࣁ. Xianggang: Xianggang Jin Hui xue yuan chuan li xi, 1988. 168 p. Note: A record of a 1988 exhibit of films produced by film majors from colleges in Hong Kong, Taipei, and Beijing. Includes synopses of the films produced by the students from five Taiwan colleges, and Li Tianduo’s essay, which describes Taiwan film education. WorldCat Chi
0342 Hoare, Stephanie Alison. Melodrama and innovation: literary adaptation in contemporary Chinese film. 218 leaves. Note: Thesis (Ph.D.)—Cornell University, 1989. Analyzes, by way of comparison and contrast, contemporary Chinese films from Taiwan and mainland China adapted from Chinese literature. Includes a bibliography, filmography, and glossary. WorldCat Eng
0339 Dian ying zhi ai: cong dian ying hui yi dao dian ying nian / Ce hua Yang Zhongfan, Chen Zhikuan; bian ji Chen Yongfeng deng. ӇؙҏД: ԩӇؙϾ৶ϺӇؙё / ೫ᓶ౯, ; ഹফݖ ஶҳ. Taibei: Xing zheng yuan xin wen ju, 1994. 590 p. ISBN 9570046732 Note: A record of the National Film Conference in 1992 and the Film Year of Republic of China in 1993, sponsored by the Government Information Office, Executive Yuan. Published by the R.O.C. government, this text contains a Republic of China Film Chronology 1992– 1994, the National Film Conference Program in 1992, special activities during the Film Year of Republic of China in 1993, and information regarding upcoming films. NTUL Chi
0343 Hong, Qianmei (Hung, Chien-Mei). ᖻ࡛ኣ. Tu di xian ying yu shi jian xu shi—yi Taiwan dian ying wei yan jiu chang yu (2000–2010) = A study on phenomenon of land and time narration in Taiwanese films (2000–2010). गсؙࣶӿЖҼᡳѨ—йݡஹӇؙЊ୳ૢԾ (2000–2010) = A study on phenomenon of land and time narration in Taiwanese films (2000–2010). 111 p. Note: Thesis (M.A.)—National Chung Hsing University, 2013. A study of recurring social phenomena in Taiwan cinema from 2000 to 2010. The first chapter provides an overview of the Taiwan film industry from 2000 to 2010; the second and the third chapters focus on films concerned with Taiwan’s urban and eastern spaces; the fourth chapter concentrates on filmic narration. Includes Chinese and English abstracts and a bibliography. NCL/NDLTD Chi
0340 Films very well made in Taiwan, 1994 / edited by Peggy Chiao, Jean Yeh, Theresa Ma. Taibei: Government Information Office, 1994. 16 p. Note: A film catalog of Taiwanese films produced in 1994. Published by the Government Information Office to promote Taiwan films globally. WorldCat Eng
0344 Hua yu dian ying 2005 / Wei Xidi zhu bian. ܬܗӈ ؙ2005 / ਛ՝ᪿҰ൜. Guangzhou: Hua cheng chu ban she, 2006. 323 p. ISBN 7563359680, 9787563359684
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Note:
0351
A collaborative work by film critics, directors, and scholars from mainland China, Hong Kong, and Taiwan that provides a film production summary of, and introduction to, important films of 2005. WorldCat Chi
Taipei: Yuan liu chu ban gong si, 1990. 243 p. ISBN 9573206188 Series title: Dian ying guan; 2 Ӈؙఖ; 2 Note: A collection of essays on early Chinese films, the concurrent Taiwan film industry, and film reviews of 1980s Taiwan and Hong Kong films. NTUL Chi
0345 Hua yu dian ying 2006 / Yu Xiaoyi zhu bian. ܬܗӈ ؙ2006 / ᷇༿ᗥҰ൜. Guangzhou: Hua cheng chu ban she, 2007. 373 p. ISBN 9787536050297 Note: A collaborative work by film critics, directors, and scholars from Mainland China, Hong Kong, and Taiwan that provides a film production summary of, and introduction to, important films of 2006. Part 3 (pp. 262–296) deals with Taiwan films. Written by Liang Liang, it summarizes the Taiwan film industry in 2006. Seven films, with accompanying synopses and reviews, are selected to represent Taiwan cinema in 2006. Includes a list of the ten best-selling films in mainland China, Hong Kong, and Taiwan. WorldCat Chi
0349 Jia zhi de zhui xun: liang an chuan bo yu wen hua lun ji / Chen Linghui zhu bian. ٢ߚϡ৪ଵ: Ҕةӿҹ٩ںओ / ༫Ұഹ. Tainan: Tainan yi shu da xue, 2009. 461 p. ISBN 9789860188226 Note: Conference proceedings of the Seventh Cross Taiwan Strait Media and Cinema Symposium hosted by National Tainan Arts University in October 2008. Consists of four parts; Part 4 contains seven papers on contemporary Taiwan and mainland China film studies by scholars from both sides of the Taiwan Strait. CTFAL Chi
0346 Hua yu dian ying 2007 / Zeng Yanbin zhu bian. ܬܗӈ ؙ2007 / ߲ᴦᭌҰ൜. Guangzhou: Hua cheng chu ban she, 2008. 380 p. ISBN 9787536053397, 7536053398 Note: A collaborative work by film critics, directors, and scholars from mainland China, Hong Kong, and Taiwan that provides a film production summary of, and introduction to, important films of 2007. WorldCat Chi
0350 Jing xiang yu wen hua: Gang Tai dian ying yan jiu / Wang Haizhou zhu bian. Ռԁҹ٩䩭୯ݡӈ ૢ୳ؙ/ ࣼರҰ൜. Beijing: Zhongguo dian ying chu ban she, 2002. 438 p. ISBN 7106018236 Series title: Xin shi ji dian ying xue lun cong ЈԒઓӈؙѺڹᜥ Note: A collection of essays on Hong Kong and Taiwan film studies by graduate students and faculty members at the Beijing Film Academy. Part 1 contains three essays on Taiwan New Cinema: Hu Yankai, a Taiwan student who graduated from the Beijing Film Academy, describes the historical evolution of Taiwan New Cinema, while the following two essays focus on Hou Hsiao-hsien and Tsai Ming-liang, respectively. Part 3 contains Liu Ting’s essay, an analysis of the cultural contents of Ang Lee’s films through a unique perspective: “home.” Part 4 presents two essays by Huang Shixian, a faculty member at the Beijing Film Academy, who provides comparative studies of mainland China, Taiwan, and Hong Kong films. WorldCat Chi
0347 Hua yu dian ying 2008–2009: dian ying ren ying ping ren yan li de ling ba ling jiu hua yu dian ying fa zhan qu xiang / Zeng Yanbin zhu bian. ܬܗӈ ؙ2008–2009䩭ӈؙϪؙ߯ϪՒѦϡജࡂജ॰ܬܗӈؙт ࣁࠌ ז/ ߲ᴦᭌҰ൜. Guangzhou: Hua cheng chu ban she, 2010. 444 p. ISBN 9787536059825, 7536059825 Note: A collaborative work by film critics, directors, and scholars from mainland China, Hong Kong, and Taiwan that provides a film production summary of, and introduction to, more than fifty important films from mainland China, Hong Kong, and Taiwan in 2008 and 2009. Includes the summaries of the Ninth and Tenth Chinese Film Media Awards. WorldCat Chi
0351 Lan, Shuxuan. ঢ⋍ڣ. Cong chuan tong zhong du li—fen xi Taiwan ji lu pian nu dao yan de chuang zuo huan jing. ԩࢃةЅ—߹ݻдݡஹઔ࠷әѽ࣒ࠟϡࡶӑࢰ॒. 123 leaves.
0348 Huang, Jianye, 1954– ࢶࠃ, 1954– Ren wen dian ying de zhui xun. ϪҹӇؙϡ৪ଵ.
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0352 Note:
Thesis (M.A.)—National Taiwan University, 2005. The paper engages the following question: What is Taiwan’s current independent filmmaking environment for women documentary directors? It then responds from five different angles: education, science and technology, subjects, profession, and family economic situation. It notes that from 1984 to 2004, 130 of the 343 documentary films produced in Taiwan were directed by women. Includes Filmography of Male and Female Directors 1984–2004 and a bibliography. NTUL Chi
0354 Lu, Hong. ᡭ₽. Taiwan dian ying xin wei lai—yi qi nian ji dao yan xian xiang lai tan tao Taiwan dian ying de wei lai. ݡஹӇؙЈ۔ϰ—йࢳёٜ࣒ࠟѳࢣϰ෬क़ݡஹӇؙϡ۔ϰ. 117 leaves. Note: Thesis (M.A.)—National Taiwan University, 2005. Focuses on documentary film directors born in the 1980s, such as Chen Yingrong, Ke Mengrong, and Chen Zhengdao, and comments on the future of Taiwan film. It claims that these directors born in the 1980s are not influenced by Taiwan New Cinema and do not carry the burden of making a “Great Revolutionary Film”; but rather, these directors make films that appeal to “commercial” and “mass” taste. Consists of Research Background, Purpose, Methodology, and Content/ Film Structure, including film scripts. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi
0352 Li, Tianduo. ଽϳ⟢. Dang dai Hua yu dian ying lun shu. ԄܭܓڊӇںؙ. Taibei: Shi bao wen hua chu ban qi ye you xiang gong si, 1996. 338 p. ISBN 9571320323 Series title: Wen hua cong shu; 143 ҹ٩ᜣ ;ڣ143 Note: A collection of essays organized into three parts: Taiwan Film (pp. 17–133), Hong Kong Film (pp. 137–207), and Mainland Film (pp. 211–331). The Taiwan section includes the following essays: “Taiwan Film Culture and Two Cinematic Perspectives” by Wu Zhengheng, “A Sociologist Exploration of Taiwan New Cinema in 1980s” by Li Tianduo and Chen Peizhi, “Widen Historical View: Examine the Polarized Taiwan Film Discourse during 1980s and 1990s” by Liu Xiancheng, “Review the Cultural Contents of the 1990s Taiwan Film” by Li Tianduo, and “The Japanese Colonial Memory in Taiwan Film” by Qi Longren. Includes a brief introduction to all contributors and bibliographies at the end of selected essays. WorldCat Chi
0355 Lu, Shaoyang. ཾݵ. Zhongguo dang dai dian ying shi: 1977 nian yi lai. ЅмӾڊӈؙ䩭1977 ёйϱ. Beijing: Beijing da zue chu ban she, 2004. ISBN 7301070837 Note: Chapter 8 (pp. 151–174) covers Taiwan film history from 1987 to 2001. Includes endnotes. WorldCat Chi
0356 Lu, Tonglin. Confronting modernity in the cinemas of Taiwan and Mainland China. Cambridge; New York: Cambridge University Press, 2007, 2002, 2001. 246 p. ISBN 0521806771, 0521037271 (pbk.), 9780521037273 (pbk.) Note: A comparative study of fifth-generation directors in mainland China and Taiwan New Cinema directors in Taiwan conducted to analyze how the interaction and confrontation with Western notions of progress are reflected on the screen. The author focuses on representative directors from the 1980s through the 1990s, including Chen Kaige, Tian Zhuangzhuang, Hou Hsiao-hsien, and Edward Yang. Includes notes, a glossary, bibliography, filmography, and an index at the end of the book. WorldCat Eng
0353 Li, Xinyi. ଽಶជ. Jiu shi nian dai Taiwan dian ying zhong de Taibei cheng shi tu xiang yi “Ai qing wan sui,” “Shao nian ye, an la,” “Du li shi dai” wei li. ॰ёݡڊஹӇؙЅϡ֖صڵܚݡՌй,” Дєۈݛ,” “վёЇ, ԥ ֯!” “߹ݻЖ”ڊЊຎ.” 60 leaves. Note: Thesis (B.A.)—Shi li Mingzhuan da xue, 1999. Describes filmic representations of Taipei in the 1990s and representations of Taipei in earlier periods. By using three films as case studies, the author explains how 1990s films appear to no longer compare urban settings with rural settings or contrast modern culture with traditional culture; rather, 1990s Taiwan films present the city in a more direct way as they record Taipei city’s social and cultural transformation. Includes a bibliography and filmography. NCL Chi
0357 Lu, Tonglin. ‽ረ. Da lu Taiwan wen hua lun tan: xin dian ying yu xian dai xing / Lu Tonglin zhu; Xiao Yu yi.
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Ͻݡஹҹ٩ںႫ: ЈӇؙӿѳڊԛ / ‽ረЯ; ᖆ⟆ፆ. Xianggang: Xianggang da xue chu ban she, 2004. 325 p. ISBN 9622096395, 9789622096394 Note: The Chinese translation of the author’s text: Confronting Modernity in the Cinemas of Taiwan and Mainland China (2002). A comparative study of fifth-generation directors in mainland China and Taiwan New Cinema directors in Taiwan conducted to analyze how the interaction and confrontation with Western notions of progress are reflected on the screen. The author focuses on representative directors from the 1980s through the 1990s, including Chen Kaige, Tian Zhuangzhuang, Hou Hsiao-hsien, and Edward Yang. Includes a filmography, a bibliography and an index. WorldCat Chi
Kong since the end of the Cultural Revolution, with a particular emphasis on how film comments on the profound social changes that have occurred in East Asia over the past two decades. Considering in detail both conservative and progressive stances on economic modernization, it also demonstrates how film has been an important formal structure and social document in the interpretation of these changes” (abstract). Two essays focus on Taiwan cinema: “Remapping Taipei” by Fredric Jameson, and “The Ideology of Initiation” by William Tay. Includes a bibliography and an index. Contents and abstract can be located in WorldCat. WorldCat Eng
0361 New films from Taiwan / American Film Institute; Coordination Council for North American Affairs (New York, NY); Ford Aerospace & Communications Corporation. Washington, DC: American Film Institute, 1988. 13 p. Note: A handout program and guide for a 1988 tour of six feature films from Taiwan in the United States, presented by the American Film Institute. Includes credits, synopses, and stills of the six films. WorldCat Eng
0358 Ma, Youcheng. ެϩю. Shi er ting: dian ying yu dang an de chu xie hou: tan xun guo jia bao zang = The national treasure exploration. Жᾄ: Ӈؙӿးଈϡ२ᝳ: ෬ଵлрմে = The national treasure exploration. Taibei: Dang an guan li ju, 2010. 118 p. ISBN 9789860257601, 9860257604 Note: Describes reference materials that can be located in Taiwan’s national archive by way of introducing twelve popular films produced in Taiwan, from Beautiful Duckling (1965) to Monga (2010). WorldCat Chi
0362 Nu xing, ying xiang, shu: cong nu xing yang zhan kan nu xing ying xiang zhi zai xian / She tuan fa ren Taiwan nu xing ying xiang xue hui zhu bian. ѽԛ, ؙՌ, ڣ: ԩѽԛࣁؙЃѽԛؙՌҏӐѳ / घ֚ࣗϪݡஹѽ ԛؙՌѹϾҰഹ. Taibei: Shu lin chu ban you xian gong si, 2006. 305 p. ISBN 9574451607 Series title: Dian ying yuan; F3 Ӈؙᮛ; F3 Note: A collection of introductions to, and discussions of, women directors and their works over six Women Make Waves Film Festivals in Taiwan (2000–2005). Divided into three parts: Part 1: International Female Directors; Part 2: Taiwan Female Directors; and Part 3: Explore the Topics. Essays that study Taiwan women film directors and their works are mainly in Parts 2 and 3. The appendix includes a bibliography and film list from the First to Twelfth Women Make Waves Film Festivals (1993–2005). CTFAL Chi
0359 New Chinese Cinema = Zhongguo xin dian ying / edited by Klaus Eder and Deac Rossell. New Chinese Cinema = ЅлЈӇ ؙ/ edited by Klaus Eder and Deac Rossell. London: National Film Theatre, 1993. 132 p. ISBN 0851704425, 9780851704425 Series title: Dossier; 11 Note: A collection of essays focusing on New Chinese Cinema since the 1980s. “Reel Contact across the Taiwan Strait: A History of Separation and Reunion,” by Peggy Chiao, details the cross-strait contacts between film personnel, producers, and investors starting in the mid-1980s. WorldCat Eng
0363 Pan, Suhui (Pan, Su-hui). ᕤঈ༫. Jie gou ba shi nian dai xiao yuan xue sheng dian ying: Lei xing, xing bie, guo zu ren tong = Deconstruction of Teenager-Campus Films in the 80’s: Genre, gender and national identity. ثภࡂёࡩޥڊѹТӇؙ: ढࡿ, ԛԇ, лఓگӎ = Deconstruction of Teenager-Campus Films in the 80’s: Genre, gender and national identity. 112 leaves.
0360 New Chinese cinemas: forms, identities, politics / edited by Nick Browne . . . [et al.]. Cambridge; New York: Cambridge University Press, 1994. 255 p. ISBN 05214444098 Note: Published in the mid-1990s, New Chinese Cinemas “analyzes the changing forms and significance of filmmaking in the People’s Republic of China, Taiwan, and Hong
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0364 Note:
Thesis (M.A.)—Tamkang University, 2007. Analyzes four coming-of-age films produced in the 1980s that represent teenagers growing up on campuses. Identifies the ways teenagers become socialized and gradually conform to the masculine stereotypes expected of them as they are raised by authoritative male figures within a patriarchal society. The comradery forged among the male teenagers arguably represents the comradery among citizens of the nation as a whole within a national imaginary. Includes Chinese and English abstracts, a bibliography, and Charts of the Films Produced in the 1980s. NCL/NDLTD Chi
0367 San di chuan qi: Hua yu dian ying er shi nian = Romance of three cities: Studies of Chinese cinemas / Ye Yueyu, Zhuo Bojia, Wu Hao zhu. ѧс࡞ة: ܭܓӇؙԏё = Romance of three cities: Studies of Chinese cinemas / ౕ֊ᒶ, ᅤᐑဓ, ྶ⑤Я. Taibei: Cai tuan fa ren guo jia dian ying zi liao guan, 1999. 334 p. ISBN 9579904898 Series title: Dian ying lun tan ӇںؙႫ Note: Conference proceedings from the First International Chinese Cinema Symposium (1980-1996) in Hong Kong, hosted by Hong Kong Baptist University. Papers discuss films produced in Hong Kong, mainland China, and Taiwan from 1980 to 1996. Includes brief biographies of the authors. CTFAL Chi
0364 Pareti, Silvia. Taiwan: cinema degli anni ‘90 / Silvia Pareti; Peggy Chiao. Milano: Castoro, 1998. 159 p. ISBN 8880331191; 9788880331193 Note: Conference proceedings from an international cinema symposium in Pesaro, Italy, 1998. Two papers deal with Taiwan Cinema from 1990 to 1997. Includes a filmography. WorldCat Ita
0368 Taiwan cinema 2000–2002: short fictions, documentaries, animations, experimentals / Chinese Taipei Film Archive. Taipei: Arthur Lap, 2003. 84 p. Note: An introduction to Taiwan cinema from 2000 to 2002. Includes short films, documentaries, animation, and experimental cinema. WorldCat Eng
0365 Quan guo dian ying hui yi shi lu / Ce hua Yang Zhongfan, Chen Zhikuan; bian ji Chen Junzhe. ҪлӇؙϾ৶Ӣ࠷ / ೫ᓶ౯; ഹফᒺᎻ. Taibei: Xing zheng yuan xin wen ju, 1993. 235 p. ISBN 9570025966 Note: A report of the National Film Conference on December 7–8, 1992, in Taibei, hosted by Government Information Office, Executive Yuan. Contains a conference program and schedule, and as a government-published work, it contains remarks by various government officials. Includes a record of the domestic film discussion panels, National Film Conference Procedures, a National Film Conference and Film Year Advisory Committee Member List, a National Film Conference and Film Year Executive Committee Member List, and a National Film Conference Attendants List. NTUL Chi
0369 Taiwan zhi zao—2008 dian ying bei wang lu = Taiwan cinema observation, 2008 / Zong bian ji: Chen Ruxiu deng; zhi xing bian ji: Wang Yuyan. ݡஹ३߃—2008 Ӈއؙ۲࠷ = Taiwan cinema observation, 2008 / րഹফ: ᭉҳ; వҲഹফ: ࣼർᆜ. Taibei: Cai tuan far en guo jia dian ying zi liao guan, [2008] 91 p. ISBN 9789869445505 Note: A general overview of Taiwan cinema in 2008. Includes thirty-two reviews, in both English and Chinese, of films produced in 2008 as well as two forums on Taiwan cinema. CTFAL Chi Eng
0370 Tam, Kwok-kan, 1952– New Chinese cinema / Kwok-kan Tam and Wimal Dissanayake. Hong Kong; New York: Oxford University Press, 1998. 96 p. ISBN 0195906071 Series title: Images of Asia Note: As the author states in the preface, this is a work for the nonspecialist and interested layperson. Six of the most important Chinese films directors and their works are selected: Chen Kaige (1952–), Zhang Yimou (1950–), and Tian Zhuangzhuang (1952–) from mainland China; Hou Hsiao-hsien (1947–) and Edward Yang
0366 Reynaud, Bérénice. Nouvelles Chines, nouveaux cinemas. Paris: Cahiers du cinema, 1999. 319 p. ISBN 2866422260 Note: A study of Chinese contemporary film in mainland China, Hong Kong, and Taiwan. Chapters 16–18 deal with Taiwan film history from 1980 to 1999. Includes a filmography, bibliography, and an index. WorldCat Fre
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(1947–2007) from Taiwan; and Stanley Kwan (1957–) from Hong Kong. Includes a selected filmography, bibliography, and index. WorldCat Eng
0374 Wu, Qiyan. ྶԷ᷀. Di du kai fa de hui yi, yi zhong yi lei ying ping. ࠍ֏ычϡҘশ, ϣ҆ढؙ߰. Taibei: Tang shan chu ban she, 1993. 218 p. Note: Consists of five parts: Parts 1 and 2 discuss Taiwan films in the 1980s, mainly Taiwan New Cinema and Hou Hsiao-hsien’s films; Part 3 explores the relationship between Taiwan film and “Third World Cinema”; Part 4 introduces films produced in Eastern European countries during the Soviet era; and Part 5 describes links between psychology and the experience of film. Includes a bibliography. CTFAL Chi
0371 Tobari, Haruo, 1938– פݏֆਜ਼, 1938– Taiwan eiga no subete / Tobari Haruo, Ry䲖 Kinh䲖, Chin Jush䲚. ݡළྱࡌ䫟䫊䫪䫗/ פݏֆਜ਼, ᴰؖང, ᭉ. T䲖ky䲖: Maruzen, 2006. 180 p. ISBN 4621061062, 9784621061060 Series title: Maruzen bukkusu; 106 ᐣ䭅䬲䬞䬨 ; 106 Note: Consists of four parts: Part 1, From Healthy Realism to New Cinema; Part 2, Zhongying (Central Motion Picture Corporation) and the Rise and Fall of Taiwan Cinema; Part 3, Taiwan New Cinema and Political Reform; and Part 4, Ethnic Groups in Taiwan Cinema. Includes a list, prepared by LiaoJinfeng and Ru-shou Robert Chen, of the most representative films of Taiwan cinema during each time period, and a bibliography (pp. 172–175). WorldCat Jpn
0375 Xin dao yan Tailly High ying zhan = New talents, Young cinema / Ce hua zhi xing dan wei: Taiwan dian ying wen hua xie hui. Ј࣒ࠟTailly High = ࣁؙNew talents, Young cinema / ೫వҲ ֧: ݡஹӇؙҹ٩Ͼ. Taibei: Taiwan dian ying wen hua xie hui, 2004. 139 p. Note: A special publication for the New Talents, Young Cinema film festival hosted by the Taiwan Film and Culture Association from August 8 to October 10, 2004, in Taipei, Kaohsiung, and Hsinchu. Includes schedule, ticketing and seminar information, synopses of 117 films by new and upcoming Taiwan film directors and stars, and twenty films by young directors from mainland China, Hong Kong, Japan, Korea, and other Asian countries. Includes an index of titles. CTFAL Chi
0372 Tsou, Charlyne Chien-lin. New Taiwanese cinema: a critical analysis. 125 leaves. Note: Thesis (M.A.)—California State University, Fresno, 1992. An analytical work on New Taiwan Cinema, focusing on political perspectives presented in Taiwan films postmartial law. Includes a bibliography. WorldCat Eng
0376 Ye, Longyan. ౕहᴧ. Ba shi nian dian Taiwan dian ying shi. ࡂёݡڊஹӇؙ. Xinzhu: Xinzhu shi ying xiang bo wu guan, 2003. 183 p. ISBN 9570155477 Note: An overview of Taiwan film development during the 1980s. Describes how dramatic political, social, and economic changes influenced the Taiwan film industry. Key historical events include the opening of overseas travel for all Taiwan citizens in 1980, the Taiwan Meilido Incident in 1980, the apex of Taiwan’s economic miracle during the mid-1980s, and the lifting of Taiwan martial law in 1987. At the same time, Taiwan’s Mandarin film market lost its momentum, and the island’s box office was occupied by Hong Kong kung fu films. In turn, changes were made to the government’s film laws in 1983, and Taiwan New Cinema presented a promising future. Includes a bibliography. NTUL Chi
0373 Wang, Chialan Sharon. Nostalgia for the future to come: national consciousness in post-87 Taiwanese Literature and Cinema. 252 p. Note: Thesis (Ph.D.)—University of Southern California, 2011. Focuses on the theme of nationhood in Taiwanese literary and cinematic works published since the 1980s, in which, as the author states, “there is a nostalgic tendency to imagine an organic community unique to the Taiwanese experience in literary and cinematic production” (abstract). Analyzes Zhu Tianxin’s short novels, Wei Te-sheng’s Cape No. 7 (2008), Doze Niu’s Monga (2010), and Ang Lee’s Crouching Tiger, Hidden Dragon (2000) and Lust, Caution (2008). Includes a bibliography. ProQuest (FT) Eng
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The paper concludes that, in Taiwan films of 1980s, mothers performed a traditional role in the family while their daughters learned to become independent, whereas films of the 1990s films focused on “Maternal Sexuality” and “Lesbian Sexuality” and placed “subjectivity” as the priority for female identity. Includes Chinese and English abstracts, a bibliography, and a filmography. NCL/NDLTD Eng
0377 You, Tingjing. ղᑢ෧. Ning shi yu dui wang: duan ni jiu shi nian dai Taiwan nu xing dian ying yuan mao = To gaze and be gazed at: Rediscovering the true faces of Taiwanese woman-made films in the 1990s. ፝؆ӿхֳ: ઉ❖॰ёݡڊஹѽԛӇ֍ؙ൯ = To gaze and be gazed at: Rediscovering the true faces of Taiwanese woman-made films in the 1990s. Taibei: Xinzhu shi wen hua ju, 2005. 207 p. ISBN 9860042152 Series title: Zhu qian wen hua zi chan cong shu; 281 ኵ∔ҹ٩ݗޞᜣ ;ڣ281 Note: Based on the author’s M.A. thesis, this work reviews Taiwan films (including fiction, documentary, experimental, and animation) directed by women directors in the 1990s. Includes both image analysis and a discussion of film content in terms of aesthetics, auteur theory, and feminist literary theory. Divided into two parts: Part 1 describes women who have directed commercial films since the 1980s and analyzes their films; Part 2 focuses on independent Taiwan women directors and their films since the 1990s as well as the independent filmmaking environment in Taiwan. The author points out that independent female filmmakers enjoy a greater freedom in creation than their female colleagues directing commercial films and that a high percentage of films directed by women are independently produced. Includes a bibliography and an appendix containing a list of female directors who directed commercial films and received government’s subsidies; a list of female directors, each of whom has at least two films entered into women’s film festivals; information about the hosting organizations of Women Make Waves Film Festival; statistical charts of documentary, fiction, animated, and experimental films shown during women’s film festivals, the list of interviewees, and a filmography. NTUL Chi
0379 Zhao, Xueyong. ᖀѺର. Zhongguo dian ying jian shi / Zhao Xueyong, Ruan Qing bian zhu. Ѕмӈߣؙ / ᖀѺର䩟∜ݙ൜Я. Lanzhou: Lanzhou da xue chu ban she, 2007. 339 p. ISBN 7311026717 Note: Chapter 10 (pp. 277–287) involves a comparative study of contemporary film “reform” and “innovation” movements in mainland China, Hong Kong, and Taiwan. Includes a filmography and bibliography. Duxiu Chi
0380 Zheng, Binghong. ቼ. Taiwan dian ying ai yu si: guan yu dian ying, wo lue zhi yi er = The love and death of Taiwan Cinema. ݡஹӇؙДӿӚ: ԬӿӇؙ, ϢଯҌϣԏ = The love and death of Taiwan Cinema. Taibei: Shu linchu ban gong si, 2010. 347 p. ISBN 9789574453535, 9574453537 Series title: Dian ying yuan; F9 Ӈؙᮛ; F9 Note: A collection of the author’s film reviews on Taiwanese films produced during the first decade of the twentyfirst century. Provides a clear overall view of the latest and best Taiwan films produced since Taiwan New Cinema garnered the world’s attention in the 1980s. Chapter 1 deals with influential feature/fictional films; Chapter 2 presents profiles and interviews of nine film directors; Chapter 3 surveys Taiwan documentaries; Chapter 4 comments on films produced for television channels; Chapter 5 covers television series; and the final chapter, Chapter 6, includes film reviews that focus on various “Taiwan themes.” Includes film stills. WorldCat Chi
0378 Zhang, Jiani (Chang, Chia-Ni). פဓ. Nu nu xiang xi de lao jie: Taiwan dian ying zhi mu nu guan xi yan jiu (1983–2005) = Knots between women: investigation of motherdaughter relationships in Taiwan cinema (1983–2005). ѽѽԚϡְ: ݡஹӇؙҏআѽԬ୳ૢ (1983–2005) = Knots between women: investigation of mother-daughter relationships in Taiwan cinema (1983–2005). 175 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2007. Discusses five Taiwan films that represent motherdaughter relationships in Taiwan films during the 1980s and 1990s to investigate cinematic reflections of patriarchal attitudes by using feminist criticism, motherhood theory, visual aesthetics and intertextuality.
0381 Zhongguo dian ying, dian ying Zhongguo: Hai xia liang an dian ying xue shu jiao liu yan tao hui lun wen ji / Bian ji Zhang Shufen, He Shihuang. ЅлӇؙ, ӇؙЅл: ᒘҔӇؙѹफےԵ୳क़Ͼںҹओ / ഹফ פᎂᐇ, حԒᑟ.
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Taibei: Zhonghua Minguo shi jue chuan bo yi shu xue hui, Furen da xue da zhong chuan bo xi, 1993. 182 p. Note: A collection of papers presented at a film symposium hosted by Taiwan Fu Jen Catholic University and the R.O.C. Visual Art and Communication Association on December 29–30, 1992. The symposium provided the opportunity for film scholars on both sides of the Taiwan Strait to exchange ideas in their research fields. Includes twelve papers; three assess contemporary Taiwan film: “Taiwan Film Industry Moving Out of the 20th Century” by Chen Qinghe, “Local Identity Realization in Taiwan New Cinema” by Wang Wei, “Identity of Aboriginals in Taiwan Cinema” by Qi Longren, and one paper offers a comparative study of mainland, Taiwan, and Hong Kong films: “Meaning of ‘China Code’ in Chinese Films” by Chen Ruxiu. WorldCat Chi Eng
နْٷϡԒઔઃׇؙ: 1999 ё֏Ӈؙൌ / ूصܚݡ, ֚ࣗϪ лрӇࢧޞؙఖ೫. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 2000. 280 p. ISBN 957323940X Series title: Dian ying guan; 88 Ӈؙఖ; 88 Note: Introduces the Second Taipei Film Festival and Taipei Award competition hosted by the Taipei Municipal Government and the Chinese Taipei Film Archive in 1999. Describes the process for selecting awardwinning films and presents papers on contemporary Chinese films in Taiwan, and Hong Kong. Divided into two parts: Recommended Commercial Films and Independent Creation Competition. Includes brief biographies of the film award judges. CTFAL Chi
0382
2.2.12.1 Taiwan New, New-New, and Post-New Cinema, 1982–
Zhonghua Minguo qi shi yi nian Jin Ma jiang guo ji dian ying zhan / Zhu ban dan wei: Zhonghua minguo dian ying shi ye fa zhan ji jin hui; Zong bian ji: Xu Ligong; Bian ji: Chen Guofu, Huang Jianye. Ѕھܓлࢳϣёެؖ؉лগӇ ࣁؙ/ Ұ֧ދ: ЅھܓлӇؙ ѨчࣁऴؖϾ; րഹফ: ጝ߹ ;ۋഹফ: лࣥ, ࢶࠃ. Taibei: Zhonghua minguo dian ying shi ye fa zhan ji jin hui, 1982. 147 p. Note: An introduction to the Golden Horse Award films in 1982. WorldCat Chi
0384a Anderson, John, 1955– Edward Yang. Urbana: University of Illinois Press, 2005. 128 p. ISBN 0252029933 (alk. paper), 0252072367 (pbk.: alk. paper) Note: This introductory work on Edward Yang and his films consists of the essay titled “Poetry and Motion”; reviews of Yang’s films Expectations (1982), That Day, On the Beach (1983), Taipei Story (1985), The Terrorizer (1986), A Brighter Summer Day (1991), A Confucian Confusion (1994), Mahjong (1996), and Yi Yi (2000); and “An Interview with Edward Yang.” Includes a filmography, a bibliography, and an index. WorldCat Eng
0383 Zou, Xinning. ềಶો. Guo pian de can lan shi guang: Xiaoye, Wang Tong, Li An, Li Pingzhen, Wu Nianzhen, Hou Xiaoxian, Yang Dechang, Yang Guimei, Cai Mingliang, Chen Zhaorong, Liao Qingsong de dian ying shi jian bu. ләϡༀಉЖׇ: Щఀ, ࣼু, ଽԥ, ଽ๔ѐ, ྶ݉ѐ, ᢡᖮᐊ, ख़ ቾ, ਰኣ, ᓥҴ݊, ᢘึ, ᴰদग़ϡӇؙѨխṠ. Taibei: Tui shou wen hua chuang yi gu fen you xian gong si, 2010. 155 p. ISBN 9789866570339 Series title: Mei hao sheng huo xi lie; 004 ѤϮТ҅;࠶ڍ䦘004 Note: A chronological description of Taiwan cinema highlights, beginning with films made in the 1980s. Includes photos, stills, posters, interviews, and a bibliography. CTFAL Chi
0385 Benoit, James. Working through the ambiguities of focalization with the films of Edward Yang. 113 leaves. Note: Thesis (M.A.)—McGill University, 2005. A case study of Edward Yang’s films A Confucian Confusion (1994) and Yi Yi (2000). Includes a bibliography. WorldCat Eng
0386 Cai, Dujian. ᓥỵߗ. Mei ti zai xian yu dang dai Taiwan min zu ren tong xing gou de gong gong lun shu fen xi. ෪ՂӐѳӿԄݡڊஹھఓگӎ࣏ภϡԍںд. Taibei: Tang shan chu ban she, 2001. 299 p. ISBN 9578221525 Series title: Ben tu wen hua shi jian xi lie; 2 ӆगҹ٩Ӣᒂ ;࠶ڍ2
0384 Zhu meng zhe de shi ji mo guang ying: 1999 nian du dian ying guan cha / Taibei shi zheng fu, Cai tuan far en guo jia dian ying zi liao guan ce hua.
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0387 Note:
Ѵڊԁࢅتҏҽ䩭ख़ቾӈؙЅѽԛ࣏ࢣ୳ૢ = Between modern and traditional: studies on the images of women in Edward Yang’s films. 49 p. Note: Thesis (M.A.)—Shanghai University, 2009. A thesis presented in three chapters: Chapter 1 compares and contrasts images of women in Edward Yang’s films with images of women in other Taiwan films; Chapter 2 explores characteristics of women in Yang’s films; Chapter 3 compares images of women in the films of Zhang Yimou, Wong Kai-wai, and Edward Yang. Includes an abstract in Chinese and English, a bibliography, and a filmography. Duxiu (FT) Chi
A collection of five of the author’s essays on media representations of Taiwan’s nationality, including a study of Taiwanese identity presented in Taiwan New Cinema. CTFAL Chi
0387 Chan, Shuen-yan. History and memory in Hou Hsiao-hsien’s A City of Sadness and Tian Zhuangzhuang’s The Blue Kite. 68 leaves. Note: Thesis (M.A.)—Hong Kong University, 1999. A comparative study of A City of Sadness (Hou Hsiaohsien, 1980) and The Blue Kite (Tian Zhuangzhuang, 1993). Focuses on issues of private memory versus official history. Includes two appendixes (brief biography of the directors), a filmography, and a bibliography. Full-text access is available through the HKU Scholars Hub. WorldCat Eng
0388c Chen, Rui. ವᥧ. Yang Dechang dian ying zhong de du shi wen ti yan jiu = Research of the urban problem in Edward Yang’s films. ख़ቾӈؙЅϡЁص՜֣୳ૢ = Research of the urban problem in Edward Yang’s films. 48 p. Note: Thesis (M.A.)—University of Science and Technology of China, 2009. This thesis argues that, in contrast to presenting Hollywood style narratives, Edward Yang’s urban films represent the confusion and ambiguity inherent to modern city life, provoking audiences to discuss and consider issues surrounding modernity and urbanization. Includes an abstract in Chinese and English and a bibliography. Wanfang (FT) Chi
0388 Chen, Nan. ವ۪. Zhongguo dian ying si chao ping xi. Ѕмӈࡷؙӑڽ߯. Shanghai: Tongji da xue chu ban she, 2002. 226 p. ISBN 7560824382 Note: Chapter 11 (pp. 209–224) covers Taiwan Healthy Realism during the 1960s, and the New Taiwan Cinema movement during the 1980s. WorldCat Chi
0388a
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Chen, Decan. ವख़. “Qi bu ban” de ying xiang shi jie—Yang Dechang dao yan yan jiu. “ࢳ ”ٻחϡؙՌԒ֎—ख़ቾࣔࠟ୳ૢ. 45 p. Note: Thesis (M.A.)—Fujian Normal University, 2013. A study of Edward Yang’s directing style and urban themes. Traces Yang’s influence on Taiwan and Chinese cinemas. Includes an abstract in Chinese and English, a bibliography, and an author introduction. Duxiu (FT) Chi
Chen, Ruxiu (Chen, Ru-shou Robert). ᭉ. Chong tan 80 nian dai xin dian ying. Գ෬ࡂёڊЈӇؙ. Taibei: Zhong wai wen xue yue kan she, 1999. 67 p. ISSN 0303–0849 Note: An exploration of 1980s Taiwan cinema, published in the journal Zhong wai wen xue, vol. 27, no. 8. According to WorldCat, Hong Kong University of Science and Technology Library is the only library that has a copy in book format. Includes a bibliography. WorldCat Chi
0388b Chen, Jing. ವݔ. Xian dai yu chuan tong zhi jian: Yang Dechang dian ying zhong nu xing xing xiang yan jiu = Between modern and traditional: studies on the images of women in Edward Yang’s films.
0390 Chen, Ruxiu (Chen, Ru-shou Robert). ᭉ Dispersion, ambivalence, hybridity: a cultural-historical investigation of film experience in Taiwan in the 1980s. 271 leaves.
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0396
Thesis (Ph.D.)—University of Southern California, 1993. The author explores the relationship between Taiwan New Cinema and three cultural characteristics: “Dispersion,” “Ambivalence,” and “Hybridity.” Divided into eight chapters: Chapter 1: Research Project Introduction; Chapter 2: History of Taiwan Film Industry and Style Development; Chapter 3: Taiwanese Identity; Chapter 4: Major Events of Taiwan New Cinema; Chapter 5: Taiwan’s Modern Experience; Chapter 6: Male and Female Characters in Taiwan Film; Chapter 7: Influence of Hollywood and Other Areas Films; and Chapter 8: Meaning of Taiwan New Cinema. Includes biographies of major figures, introductions of major works in Taiwan New Cinema, and a bibliography. WorldCat Eng
As one of the representative directors of Taiwan New Cinema, Edward Yang is also recognized here as a film sociologist. The paper uses auteur theory and a sociological perspective to study five of Yang’s films that present images of Taiwan’s media from the mid1980 through the end of the twentieth century. Includes Chinese and English abstracts, a bibliography, and an appendix (including basic information on five of Yang’s films). NCL/NDLTD Chi
0393 Chen, Ziying (Chen, Tzu-Ying). ༙ᔏ. Shen ti dian ying: Cai Mingliang dian ying zhong de shen ti ying xiang = Corporeal movies: the cinematic body in Tsai Ming-liang’s films. ӱՂӇؙ: ᓥҴ݊ӇؙЅϡӱՂؙՌ = Corporeal movies: the cinematic body in Tsai Ming-liang’s films. 97 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2007. The paper studies the cinematic body in Tsai Mingliang’s films, analyzing representations of self-reflection, in contrast to historical nostalgia, in Tsai Ming-liang’s films. Includes Chinese and English abstracts, a bibliography, filmography, and glossary. NCL/NDLTD Eng
0391 Chen, Ruxiu (Chen, Ru-shou Robert). ᭉ. Taiwan xin dian ying de li shi wen hua jing yan / Chen Ruxiu zuo; Luo Pocheng yi. ݡஹЈӇؙϡࣵҹ٩Ҭࡐ / ᭉӑ; Ꮱፆ. Taipei: Wan xiang tu shu gong si, 1993. 194 p. ISBN 9576694493 Series title: Taiwan dian ying shi cong shu; 1 ݡஹӇؙᜣ ;ڣ1 Note: This is the Chinese translation of Robert Chen’s Ph.D. dissertation completed in 1993 at the University of Southern California. The author explores the relationship between Taiwan New Cinema and three cultural characteristics: “Dispersion,” “Ambivalence,” and “Hybridity.” Divided into eight chapters: Chapter 1: Research Project Introduction; Chapter 2: History of Taiwan Film Industry and Style Development; Chapter 3: Taiwanese Identity; Chapter 4: Major Events of Taiwan New Cinema; Chapter 5: Taiwan’s Modern Experience; Chapter 6: Male and Female Characters in Taiwan Film; Chapter 7: Influence of Hollywood and Other Areas Films; and Chapter 8: Meaning of Taiwan New Cinema. Includes biographies of major figures, introductions of major works in Taiwan New Cinema, and a bibliography. NTUL Chi
0394 Chi, Robert Yee-sin (Bum, Al). A world of sadness. 48 leaves. Note: A manuscript on Hou Hsiao-hsien’s film A City of Sadness (1989). Received the Susan Anthony Potter Prize in Comparative Literature, Harvard University, 1997. WorldCat Eng
0395 Chiesi, Roberto. Hou Hsiao-hsien: cinema delle memorie nel corpo del tempo. Recco, Genova: Le mani; [Bologna] : Centro studi d’arte Estremo Orientel: Comune di Bologna, Assessorato alla cultura, 2002. 264 p. ISBN 8880122193, 9788880122197 Note: A work on Hou Hsiao-hsien and his films. Includes a bibliography, a filmography, and an index. WorldCat Ita
0392 Chen, Yapeng (Chen, Ya-peng). ▧. Yang Dechang dian ying zhong de mei ti jing xiang = The images of media in Edward Yang’s films. ख़ቾӇؙЅϡ෪Ղࢣ = The images of media in Edward Yang’s films. 126 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2009.
0396 The Chinese cinema book / edited by Song Hwee Lim; Julia Ward. New York: Palgrave Macmillan; London: British Film Institute, 2011. 218 p. ISBN 9781844573448, 1844573443, 1844573451, 9781844573445
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0397 Note:
An essential collection of China film studies essays that provides informed insights into leading film theories, including an essay by Chris Berry on transnational film studies, and the historical-material conditions of filmmaking in China, Hong Kong, and Taiwan. The text is divided into the following sections: Territories, Trajectories, Historiographies; Early Cinema to 1949; The Forgotten Period: 1949–80; The New Waves; and Stars, Auteurs, and Genres. Includes “Healthy Realism in Taiwan, 1964–80: Film Style, Cultural Policies, and Mandarin Cinema” by Guo-Juin Hong, and “Taiwan New Cinema and Its Legacy” by Tonglin Lu. WorldCat Eng
Note:
An edited volume that explores the transnational contexts of Chinese women’s cinema, from Chinese films produced in the 1920s and 1930s to the most recent Chinese films produced in China, Taiwan, Hong Kong, the United States, and elsewhere. Essays on Taiwan women’s cinema include “Post-Taiwan New Cinema Women Directors and Their Films: Auteurs, Images, and Language” by Yu-shan Huang and Chunchi Wang, translated by Robbin Visser and Thomas Moran; and “Chu T’ien-wen and the Sotto Voce of Feminine Expression in the Films of Hou HsiaoHsien” by Christopher Lupke. Includes a bibliography. WorldCat Eng
0397 0399
Chinese-language film: historiography, poetics, politics / edited by Sheldon H. Lu and Emilie Yueh-yu Yeh. Honolulu: University of Hawai’i Press, 2005. 413 p. ISBN 0824828135 (alk. Paper), 9780824828691 (pbk.: alk. paper), 0824828690 (pbk.: alk. Paper) Note: This edited volume “covers the cinematic traditions of mainland China, Taiwan, Hong Kong, and the Chinese diaspora from the beginning of Chinese film history to the present moment” (p. 2). Part I. Historiography, Periodization, Trends includes articles that either address Chinese film history broadly or different significant movements within Chinese cinema; Part II. Poetics, Directors, Styles provides “lucid, synchronic, structural(ist), transhistorical accounts of the poetics and aesthetics of Chinese film as an integral part of world cinema” (p. 15). Interesting studies include the essay by Mary Farquhar and Chris Berry: “Shadow Opera: Toward a New Archaeology of the Chinese Cinema,” which states :“If civilized plays are cinema’s stepmother, then opera is the mother in terms of first film productions, whether on the mainland (1905) or in Hong Kong (1909). Opera films were also the first productions in major regional language films, Cantonese (1933) and Taiwanese (1954)” (p. 51). Other Taiwan film or related comparative film studies essays include Meiling Wu’s “Postsadness Taiwan New Cinema: Eat, Drink, Everyman, Everywoman,” Emilie Yuehyu Yeh’s “Poetics and Politics of Hou Hsiao-hsien’s Films,” Sheldon H. Lu’s “Crouching Tiger, Hidden Dragon, Bounding Angeles: Hollywood, Taiwan, Hong Kong, and Transnational Cinema,” Darrell W. Davis’s “Borrowing Postcolonial: Wu Nien-chen’s Dou-san and the Memory Mine,” and Shao-ying Shen’s “Locating Feminine Writing in Taiwan Cinema: A Study of Yang Hui-shan’s Body and Sylvia Chang’s Siao Yu.”
Chu, C-M. Taiwanese cinema and national identity after 1989. Unpaged. Note: Thesis (Ph.D.)—The University of Wales College of Cardiff (United Kingdom), 2005. Examines Taiwanese cinematic development and issues of national identity after 1989, the year in which the Taiwanese film industry took an important step into international cinema societies. Analyzes domestic and international perspectives: domestically, cinema contrasts popular memory and official history; internationally, political viewpoints differ regarding the identity of the Republic of China. ProQuest Eng
0400 Cinematic landscapes: observations on the visual arts and cinema of China and Japan / edited by Linda C. Ehrlich and David Desser. Austin: University of Texas Press, 1994. 345 p. ISBN 0292720866 (hbk.), 0292720874 (pbk.) Note: This collection of essays explores cinematic landscapes, locating the relationship between the visual arts and cinema of China and Japan. Hou Hsiao-hsien and his films are used as case studies for a comparative study of classical Chinese painting and cinematographic design; meanwhile, the New Cinema Movements in both mainland China and Taiwan during the 1980s are described in the essay “Classical Chinese painting and cinematographic signification” by Ni Zhen, translated by Douglas Wilkson (pp. 63–80). Includes bibliographical reference (pp. 327–330), index, and filmography (pp. 323–326). WorldCat Eng
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0398
Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake. Bloomington: Indiana University Press, 1994. 224 p. ISBN 0253318041 (alk. paper), 0253208955 (pbk.: alk. paper) Note: A collection of essays focusing on colonialism and nationalism in Asian cinema. Includes Chris Berry’s essay “A Nation T(w/o)o: Chinese Cinema(s) and
Chinese women’s cinema: transnational contexts / edited by Lingzhen Wang. New York: Columbia University Press, 2011. 430 p. ISBN 9780231156745 (cloth: alk. paper), 023115674X (cloth: alk. paper), 9780231156752 (pbk.: alk. paper), 0231156758 (pbk.: alk. paper), 9780231527446 (ebk.), 0231527446 (ebk.)
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0408
Nationhood(s),” which analyzes films produced by mainland Chinese film directors as well as Taiwanese film directors Hou Hsiao-hsien, Edward Yang, and Huang Mingchuan, and explores representations of nationality, colonialism, and aboriginal peoples. Includes a bibliography in the end of each essay, an introduction to the contributors, and an index at the end of the book. WorldCat Eng
0404a Ding, Ye. ౨ސ. Yu Wang du shi de sheng ming zhui wen: Yang Dechang dian ying zhong de sheng tai mei xue jing shen = The requiring of life in the desired city: the ecological aesthetic spirit in Edward Yang’s films. ௰ֳЁصϡТܞ৪՜䩭ख़ቾӈؙЅϡТݮѤѺ = ظؘThe requiring of life in the desired city: the ecological aesthetic spirit in Edward Yang’s films. 61 p. Note: Thesis (M.A.)—Soochow University, 2011. Analyzes the representation of the city in films directed by Edward Yang to comment on the director’s concept of the city and its residents. Conclusions are based on the following perspectives: time, space, and the “return of the ecological spirit.” Includes an abstract in Chinese and English and a bibliography. Duxiu (FT) Chi
0402 A companion to Chinese cinema / edited by Yingjin Zhang. Malden, MA: Wiley-Blackwell, 2012. 684 p. ISBN 9781444330298 (hardback: alk. paper), 1444330292 (hardback: alk. paper) Note: An essential collection of academic essays on Chinese cinema in mainland China, Hong Kong, and Taiwan by established scholars, including these essays focusing on Taiwan cinema: “Gender Negotiation in Song Cunshou’s Story of Mother and Taiwan Cinema of the Early 1970s” by James Wicks and “Second Coming: The Legacy of Taiwan New Cinema” by Darrell William Davis. Includes a significant filmography, bibliography, and an index. WorldCat Eng
0405 Frodon, Jean-Michel. Le cinema d’Edward Yang. Paris: Eclat, 2010. 222 p. ISBN 9782841622221, 2841622223 Note: A work on Edward Yang and his films. WorldCat
0403 Dellai, Naji. Popular history as mosaic: Hou Hsiao-Hsien’s Taiwan trilogy. 61 leaves. Note: Thesis (M.A.)—La Trobe University, 1999. Studies the relationship between Taiwanese popular history and the three films directed by Hou Hsiaohsien known as Hou’s trilogy. Includes a bibliography. WorldCat Fre
Fre
0406 Frodon, Jean-Michel. Hou Hsiao-Hsien / dir. de Jean-Michel; pref. par Olivier Assayas. [Paris] : Cahiers du cinema, 1999. 191 p. ISBN 286642249X, 9782866422493 Series title: Collection essais Note: A study on Hou Hsiao-hsien and his films. WorldCat Fre
0404
0407
Dian ying, dian ying ren, dian ying kan wu / Li Youxin bian. Ӈؙ, ӇؙϪ, Ӈؙᑂ / ଽෂЈഹ. Taibei: Zi li wan bao she, 1986. 209 p. Series title: Dian ying wen xuan; 2 Ӈؙҹ ;ק2 Zi li cong shu; 27 І߹ᜣ ;ڣ27 Note: An insightful history of Taiwan New Cinema. Originally published in various journals, books, film reviews, and newspapers, this collection of articles and essays focuses on film critiques from the early period of Taiwan New Cinema. The most unique and important aspect of this book is the editor’s insightful comments, interpretations, and background information provided after each article or essay. Includes film stills. WorldCat Chi
Frodon, Jean-Michel. Hou Xiaoxian = Hou Hsiao-Hsien / Zuo zhe Olivier Assayas . . . [et al.]; Yi zhe Lin ᢡᖮᐊ = Hou Hsiao-Hsien / ӑٷOlivier Assayas . . . [et al.]; ፆٷ Ҵ . . . [et al.]. Taibei: Cai tuan fa ren guo jia dian ying zi liao guan, 2000. 219 p. ISBN 9573097222, 9789573097228 Note: The Chinese translation of the author’s original work in French: Hou Hsiao-hsien, published in 1999, a study on Hou Hsiao-hsien and his films. WorldCat Chi
0408 Futures of Chinese cinema: technologies and temporalities in Chinese screen cultures / edited by Olivia Khoo; Seen Metzger. Bristol, UK; Chicago, IL: Intellect, 2009. 292 p.
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0409 ISBN Note:
9781841502748, 184150274X A collection of essays on the ways new technology, changing production constraints, and shifting viewing practices have shaped perceptions of Chinese screen cultures. Includes “Island of No Return: Cinematic Narration in Wang Tung and New Taiwan Cinema” by Guo-juin Hong. Includes a bibliography and an index. WorldCat Eng
and their films have left an indelible mark on Taiwan New Cinema. Includes a bibliography. WorldCat Eng
0412 Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐊ, 1947– Hou Xiaoxian dian ying jiang zuo = Hou Hsiao-hsien Master Class / Hou Xiaoxian; Zhuo Botang zhu bian. ᢡᖮᐊӇ܈ؙӏ = Hou Hsiao-hsien Master Class / ᢡᖮᐊ; ᅤᐑ ἙҰഹ. Xianggang: Tian di tu shu you xian gong si, 2008. 236 p. ISBN 9789882119888 Series title: “Quan qiu hua ren dian ying dao yan jiang zuo” xi lie “ҪܓܧϪӇ܈ؙ࣒ࠟӏ” ࠶ڍ Note: Presents six lectures given by Hou Hsiao-hsien during the film director’s lecture series, hosted by Hong Kong Baptist University, November 5–7, 2007. Hou discusses his film career and aesthetic concepts, comments on his favorite film directors and their films, and opines on the current situation and future of Taiwan cinema. Includes a filmography and list of the lecture series attendants. CTFAL Chi
0409 Guo, Yue, 1975– ᔕք䩟1975– Hua yu dian ying de mei xue ge ming yu wen hua hui liu: Dalu, Xianggang, Taiwan “xin dian ying” yan jiu. ܬܗӈؙϡѤѺཪܞԁҹ٩ཹԵ䩭Ͻ䩟ܫ୯䩟ݡළ”Јӈ”ؙ ୳ૢ. Beijing: Ren min chu ban she, 2008. 289 p. ISBN 9787010045849 Series title: Xibei da xue Zhongguo yu yan wen xue cong shu ՝ܚϽѺЅмߞܬҹѺᜥڪ Note: The author adopts the notion of “New Cinemas” to describe the development of filmmaking in mainland China, Hong Kong, and Taiwan since the 1980s. Makes comparative assessments and studies the phenomenon of cultural convergence created by these new cinemas. The author indicates in the postscript that this is a work based on his Ph.D. dissertation at Xibei University in Xi’an, China. Includes a bibliography. WorldCat Chi
0413 Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐉ, 1947– Hou Xiaoxian dian ying jiang zuo = Hou Hsiao-hsien Master Class / Hou Xiaoxian; Zhuo Botang zhu bian. ᢡᖮᐉӈ܇ؙӏ = Hou Hsiao-hsien Master Class / ᢡᖮᐉ; ᅤᐑ ἙҰ൜. Guilin: Guangxi shi fan da xue chu ban she, 2009. 235 p. ISBN 9787563384013 Note: Mainland China’s version of the similarly titled text published by Tian di tu shu you xian gong si in Hong Kong in 2008. Presents six lectures given by Hou Hsiao-hsien during the film director’s lecture series, hosted by Hong Kong Baptist University, November 5–7, 2007. Hou discusses his film career and aesthetic concepts, comments on his favorite film directors and their films, and opines on the current situation and future of Taiwan cinema. Includes a filmography. Duxiu (FT) Chi
0410 Hong, Guo-Juin. Cinematograph of history: post/colonial modernity in 1930s Shanghai and New Taiwan Cinema since 1982. 228 leaves. Note: Thesis (Ph.D.)—University of California, Berkeley, 2004. A comparative study of New Taiwan Cinema since 1982 and the leftist cinema movement in Shanghai during the 1930s. The author substantiates the argument that “For both cinemas, modernity is flanked by nationalism and colonialism” and “these two leftist cinemas represent and participate in China’s ongoing processes of modernization.” (abstract). Includes a bibliography. WorldCat Eng
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0414
Hong, Guo-Juin. New Taiwanese cinema, the year 1986, an identity in the making. 109 leaves. Note: Thesis (M.A.)—San Francisco State University, 1995. This thesis focuses on two Taiwanese directors, Hou Hsiao-hsien and Edward Yang, as well as their films Dust in the Wind and Terrorizers, both of which were made in 1986. Describes the ways these two directors
Hsu, Tzu-yi. Rethinking the film critics’ role of Taiwan New Cinema in the 1980s. 92 leaves. Note: Thesis (M.A.)—Indiana University, 1996. A work on the relationship between the film critics and Taiwan New Cinema in the 1980s. Includes a bibliography. WorldCat Eng
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0422
0415 Huang, Jianye, 1954– ࢶࠃ, 1954– Yang Dechang: qi ren qi pian. ख़ቾ: ԷϪԷә. Taibei: Wan xiang tu shu you xian gong si, [1993] 48 p. Note: A work on Edward Yang and his films. WorldCat
0419 Jiang, Huixian (Chiang, Huey-hsien). ឣ༫࿁. Taiwan dian ying, guo zu xu shi yu xing bie zheng zhi—tan “Guling jie shao nian sha ren shi jian.” ݡஹӇؙ, лఓᡳѨӿԛԇू—ড “⚯ᗬঅվё৵ϪѨխ.” 83 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 1993. Describes how Taiwan New Cinema represented sociopolitical changes in Taiwan from the 1960s through the 1980s by presenting personal films and transforming the “Big China concept” into a new nationality of Taiwan and localization. Provides an analysis of the film A Brighter Summer Day (1991). Appendix includes newspaper reports on Hou Hsiaohsien and Edward Yang, promotional materials for the film A Brighter Summer Day, an outline of the R.O.C. Cinema Year activity plan, and a summary of the film subsidies for filmmakers who participate in international film festivals. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi
Chi
0416 Huang, Ling-Huei. The interactive relationship among “body,” “space” and “city” in five “New New Taiwan Films” of the 1990s. 95 leaves. Note: Thesis (M.A.)—University of Miami, 1996. Includes bibliography and filmography. WorldCat Eng
0417 Hung, Christine Yu-Ting. A nation of sadness? Reading history, culture, and gender in Hou Hsiao-hsien’s A City of Sadness. 100 leaves. Note: Thesis (M.A.)—University of New South Wales, 2006. Includes bibliography. WorldCat Eng
0420 Jiao, Xiongping (Chiao, Peggy). ဖ๔. 1993 National Film Year Taiwan, ROC: Hou Hsiao-Hsien / [author, Peggy Chiao; translator, Sam Ho, Stephen Teo]. Taiwan: Variety Publishing Co., Ltd., 1993. 64 p. Series title: Films: made in Taiwan; 3 Note: This is one of a three-part introductory and promotional series published in 1993, which was designated a National Film Year in Taiwan, R.O.C. Peggy Chiao was hired to be in charge of organizing the related activities. Includes Hou Hsiao-hsien Overview, Films (1983–1993), and Interviews with Peggy Chiao. WorldCat Eng
0418 Island on the edge: Taiwan New Cinema and after / edited by Chris Berry and Feii Lu. Hong Kong: Hong Kong University Press, 2005. 195 p. ISBN 9622097154 (hbk.), 9789622097155 (hbk.), 9622097162 (pbk.), 9789622097162 (pbk.) Note: A collection of essays focusing on the Taiwan New Cinema studies, including “The Terrorizer and the great divide in contemporary Taiwan’s cultural development” by Sung-sheng Yvonne Chang; “Reflections on the Screen: Hou Hsiao Hsien’s Dust in the Wind and the Rhythms of the Taiwan New Cinema” by Haden Guest; “A Borrowed Life in Banana Paradise: De-Cold War/ Decolonization, or Modernity and Its Tears” by Chen Kuan-Hsing; “Hou Hsiao Hsien’s City of Sadness: History and the Dialogic Female Voice” by Rosemary Haddon; “Myth(ology) Mythologizing Its Own Closure: Edward Yang’s A Brighter Summer Day” by Liu Yuhsiu; “Hou Hsiao Hsien’s The Puppetmaster: The Poetics of Landscape” by Nick Browne; “Where Is the Love? Hyperbolic Realism and Indulgence in Vive L’Amour” by Chris Berry; “Generational/Cultural Contradiction and Global Incorporation: Ang Lee’s Eat Drink Man Woman” by Ti Wei; “On Tsai Mingliang’s The River” by Gina Marchetti; “Compulsory Orientalism: Hou Hsiao Hsien’s Flowers of Shanghai” by Nick Kaldis; “Another Cinema: Darkness & Light” by Feii Lu; “China Simulacrum: Genre, Feminism, and Pan-Chinese Cultural Politics in Crouching Tiger, Hidden Dragon” by Fran Martin. WorldCat Eng
0421 Jiao, Xiongping (Chiao, Peggy). ဖ๔. Feng yun ji hui: yu Zhongguo dang dai dian ying dui hua. գࠥগϾ: ӿЅлԄڊӇؙхҧ. Taibei: Yuan liu, 1998. 332 p. ISBN 9573234041 Series title: Dian ying guan; 77 Ӈؙఖ; 77 NCL
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0422 Jiao, Xiongping (Chiao, Peggy). ဖ๔. Hou Hsiao-Hsien, overview / [author, Peggy Chiao; translator, Sam Ho, Stephen Teo]. Taiwan: Variety Publishing Co., Ltd., 1993. 64 p.
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0423 Series title: Films: made in Taiwan; 3 WorldCat
Chapters 1–3 review the historical, industrial, and political background of Taiwan New Cinema; Chapters 4–11 discuss eight major early film directors and their works; Chapter 12 is dedicated to other contributors to Taiwan New Cinemas, including screenwriters, cinematographers, producers, and additional film personnel; Chapters 13 and 14 contain film reviews of Taiwan New Cinema’s major works; Chapters 15 and 16 deal with the relationship between Taiwan New Cinema, literature, and feminist studies; and Chapters 17 and 18 consider the legacy of Taiwan New Cinema. The appendix includes papers that offer foreign scholars’ perspectives on Taiwan New Cinema. NTUL Chi
Eng
0423 Jiao, Xiongping (Chiao, Peggy). ဖ๔. Hou Xiaoxian: Taiwan xin dian ying de dai biao ren wu. ᢡᖮᐊ: ݡஹЈӇؙϡڊԣϪ. [Taibei] : Wan xiang tu shu gu fen you xian gong si, [1993] 48 p. Series title: Taiwan dian ying jing xuan xi lie ݡஹӇ࠶ڍקؘؙ Note: A biographical work on Hou Hsiao-hsien as the representative figure of Taiwan New Cinema. WorldCat Chi
0426 Jing xiang yu wen hua: Gang Tai dian ying yan jiu / Wang Haizhou zhu bian. Ռԁҹ٩䩭୯ݡӈ ૢ୳ؙ/ ࣼರҰ൜. Beijing: Zhongguo dian ying chu ban she, 2002. 438 p. ISBN 7106018236 Series title: Xin shi ji dian ying xue lun cong ЈԒઓӈؙѺڹᜥ Note: A collection of essays on Hong Kong and Taiwan film studies by graduate students and faculty members at the Beijing Film Academy. Part 1 contains three essays on Taiwan New Cinema: Hu Yankai, a Taiwan student who graduated from the Beijing Film Academy, describes the historical evolution of Taiwan New Cinema, and the following two essays focus on Hou Hsiaohsien and Tsai Ming-liang, respectively; Part 3 contains Liu Ting’s essay, an analysis of the cultural contents of Ang Lee’s films through a unique perspective: “home”; Part 4 presents two essays by Huang Shixian, a faculty member at the Beijing Film Academy, who provides comparative studies of mainland China, Taiwan, and Hong Kong films. WorldCat Chi
0424 Jiao, Xiongping (Chiao, Peggy). ဖ๔. Taiwan dian ying 90 xin xin lang chao = New new wave of Taiwan cinema 90s. ݡஹӇؙ90 ЈЈع = New new wave of Taiwan cinema 90s. Taibei: Mai tian chu ban she, 2002. 315 p. ISBN 9867895118, 9789867895110 Series title: Dian ying guan; 01 Ӈؙఖ; 01 Note: Outlines Taiwan films produced in the 1990s, described as “The Second Wave of Taiwan New Cinema” or “New New Wave of Taiwan Cinema” to distinguish these films from the Taiwan New Cinema films of the 1980s. Differing cinematic techniques include the absence of the long take, which was typical of the Taiwan New Cinema. Part 1 provides filmography of sixty-four films produced from 1990 to 1998, Parts 2–4 list the biographies of thirty-four directors, thirty-seven actors and actresses, six supervisors, six screenwriters, nine cinematographers, two sound designers, two editors; Part 5 introduces thirteen film studios; and Part 6 ends with a list of award-winning films of the 1990s. WorldCat Chi
0426a Kang, Qianru. ࣉᝤҒ. Ji yi zai xian de fu diao yu dui hua: lun Yang Dechang dian ying “Guling jie shao nian sha ren shi jian” = The polyphony and dialogue of the reproduction of memories: A Bright Summer Day. ֭ষӐѴϡߒ݆ԁцҦ䩭ڹख़ቾӈ⚯“ ؙᗮঅվё৹ϪѨխ = The polyphony and dialogue of the reproduction of memories: A Brighter Summer Day. 38 p. Note: Thesis (M.A.)—Zhejiang University, 2010. Focuses on the narrative structure of Edward Yang’s film A Brighter Summer Day (1991), recognizing how the reproduction of memories, representations of family life, and connections to historical and societal networks reveal the nuances of Taiwanese society. Includes abstracts in Chinese and English and a bibliography. Duxiu (FT) Chi
0425 Jiao, Xiongping (Chiao, Peggy). ဖ๔. Taiwan xin dian ying / Jiao Xiongping bian zhu. ݡஹЈӇ ؙ/ ဖ๔ഹЯ. Taibei: Shi bao wen hua chu ban qi ye you xiang gong si, 1988, 1990. 433 p. ISBN 9571301582, 9789571301587 Series title: Ren jian cong shu; 117 ϪҼᜣ ;ڣ117 Note: A fairly extensive review of Taiwan New Cinema. Divided into eighteen chapters and an appendix.
80
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0431a Note:
0427 Kawase, Ken’ichi. ඇⰗϣ. Taiwan eiga e no sh䲖tai: ichiya ni shite Ch䲚gokujin ni natta t䲖san (t䲖san). ݡළྱࡌ䫩䫟ۉ: ϣ١䫜䫈䫗ЅмϪ䫜䫛䫔䫐Єᇤ (䫆䬄). Nara-ken Kashihara-shi : T䲖y䲖 Shis䲖 Kenky䲚jo ; Ŕsaka-fu Suita-shi : hatsubai Birejji Puresu, 1998. 94 p. ISBN 493859854X, 9784938598549 Note: The text begins with an introduction to the film director Wu Nien-chen and his film “T䲖san = A Borrowed Life” followed by introductions to five additional leading figures in Taiwan cinema: Wang Tung, Liao Hsiang-hsiung, Lin Cheng-sheng, Tsai Ming-liang, Hou Hsiao-hsien, and their films. Contains “A Brief History of Taiwan Cinema,” which includes Taiwan Film during Japanese Occupation (1895–1945), Taiwan Cinema After World War II (1945–1969), World’s Orphan Era (1970s), and The Era of Taiwan New Cinema (1980s–1990s). Includes photos, stills, posters, and a bibliography. WorldCat Jpn
Thesis (Ph.D.)- University of Southern California, 1995. Explores the relationship between Yang’s film career, the Taiwan New Cinema movement, and modernism. Four of Yang’s films—That Day, on the Beach, Taipei Story, Terrorizer, and A Brighter Summer Day—are analyzed as case studies. Includes a bibliography. WorldCat Eng
0430 Li, Meirong (Li, Mei-Jung). ଽѤ๎. Ling yi zhong dian ying shi xue: Hou Xiaoxiang dian ying li de huo che—ying xiang = Towards alternative cinematic poetics. ࡔϣ҆Ӈؙஉѹ: ᢡᖮᐊӇؙѶϡڮӝ—ؙՌ = Towards alternative cinematic poetics. 86 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2008. Inspired by Gilles Deleuze’s notion of the time-image, the paper redefines the three signature styles of Hou Hsiao-hsien’s films, Nostalgia, Slowness, and Realism, through a new concept: the “train-image.” The train is not simply regarded as a diegetic symbol in his films, but instead it is a metaphor combining traintraveling and film-viewing experience to recapitulate the aesthetics of Hou’s films. Includes Chinese and English abstracts, a bibliography, and filmography. NCL/NDLTD (FT) Eng
0428 Kawase, Ken’ichi. ඇⰗϣ. Taiwan dian ying xiang yan: bai nian dao lan / zhu zhe Chuanlai Jianyi ; Zhong yi Li Changchuan. ݡஹӇؙ⡕ᑱ : ښё࣒ऋ / ЯٷඇⰗϣ ; Ѕፆଽة. Taibei: Nan tian shu ju, 2002. 165 p. ISBN 9576386012 Note: A Chinese translation of the revised version of Taiwan eiga e no sh䲖tai = ݡළྱࡌ䫩䫟 ۉwritten by Kawase Ken’ichi and published in Japan in 1998. Consists of three parts: Part 1, A Brief History of Taiwan Cinema, including Taiwan Film during Japanese Occupation (1895–1945), Taiwan Cinema After World War II (1946–1970), The Isolated Taiwan Cinema (1970–1979), and The Era of Taiwan New Cinema (1980–1990); Part 2, Taiwan Film Directors, including biographies and interviews of sixteen Taiwan film directors; and Part 3, Legendaries of Taiwan Cinema, including biographies and interviews of twenty-two legendary figures in Taiwan cinema, such as novelist and director Huang Chunming, screenwriter Chu T’ien-wen, composer and singing star Cai Zhennan, and actress Yang Guimei. Includes photos, film stills, posters, a chronology of Taiwan film history 1895–1998, and a bibliography. WorldCat Chi
0431 Li, Zhenlin, 1965– , 1965– Dao yan de lu dong: hua yu dian ying, shi yan ying xiang he zuo zhe dian ying yan jiu. ࣔࠟϡಋ҃䩭ܬܗӈؙ䩟 ӥࡑؙՌфӑٷӈؙϡ୳ૢ. Shanghai: Shanghai shu dian chu ban she, 2011. 229 p. ISBN 9787545804102, 7545804104 Note: The author studies Chinese films produced in mainland China, Hong Kong, and Taiwan during the first decade of the twenty-first century by considering different directing perspectives. Chapter 3 is devoted to the market-saving function of Taiwan’s New Youth Films. Includes a bibliography. WorldCat Chi
0431a Lim, Song Hwee. Tsai Ming-liang and a Cinema of Slowness. Honolulu: University of Hawaii Press, 2014. 240 p. ISBN 9780824836849
0429 Lee, Chu-chun. A modernist auteur, Edward Yang: the first decade of his film career (1982–1991). 147 leaves.
81
Film History
0432 Note:
In this text, which addresses “questions of temporality, materiality, and aesthetics, and examin[es] concepts of authorship, cinephilia, and nostalgia, Song Hwee Lim offers insight into cinematic slowness through the films of the Malaysian-born, Taiwan-based director Tsai Ming-liang” (abstract). WorldCat Eng
0434 Lu, Tonglin. Confronting modernity in the cinemas of Taiwan and Mainland China. Cambridge; New York: Cambridge University Press, 2007, 2002, 2001. 246 p. ISBN 0521806771, 0521037271 (pbk.), 9780521037273 (pbk.) Note: A comparative study of fifth-generation directors in mainland China and Taiwan New Cinema directors in Taiwan conducted to analyze how the interaction and confrontation with Western notions of progress are reflected on the screen. The author focuses on representative directors from the 1980s through the 1990s, including Chen Kaige, Tian Zhuangzhuang, Hou Hsiao-hsien, and Edward Yang. Includes notes, a glossary, a bibliography, a filmography, and an index at the end of the book. WorldCat Eng
0432 Lin, Chi-fan. Fiction and film in Taiwan, 1960s to 1980s: narratives, politics, and aesthetics. 208 p. Note: Thesis (Ph.D.)—New York University, 1999. Comparing eleven works of Taiwanese native-soil literature during the 1960s and 1970s with their film adaptations in the 1980s during the Taiwan New Cinema movement. The paper examines the dynamic relationship between Taiwan’s socioeconomic realities and aesthetic artifacts. Includes a bibliography. WorldCat Eng
0435 Lu, Tonglin. ‽ረ. Da lu Taiwan wen hua lun tan: xin dian ying yu xian dai xing / Lu Tonglin zhu; Xiao Yu yi. Ͻݡஹҹ٩ںႫ: ЈӇؙӿѳڊԛ / ‽ረЯ; ᖆ⟆ፆ. Xianggang: Xianggang da xue chu ban she, 2004. 325 p. ISBN 9622096395, 9789622096394 Note: The Chinese translation of the author’s text: Confronting Modernity in the Cinemas of Taiwan and Mainland China (2002). A comparative study of fifth-generation directors in mainland China and Taiwan New Cinema directors in Taiwan conducted to analyze how the interaction and confrontation with Western notions of progress are reflected on the screen. The author focuses on representative directors from the 1980s through the 1990s, including Chen Kaige, Tian Zhuangzhuang, Hou Hsiao-hsien, and Edward Yang. Includes a filmography, a bibliography, and an index. WorldCat Chi
0432a Lin, Lin. ᕻ. Jing shen xue mai de ying xiang biao zheng: Yang Dechang, Li An dian ying de chuan tong wen hua jie du. ߱ظؘኼϡؙՌԣ䩭ख़ቾ䩟ଽԥӈؙϡࢅتҹ٩ࢴث. 40 p. Note: Thesis (M.A.)—Qufu Normal University, 2013. The author provides an interpretation of Edward Yang and Ang Lee’s films through the lens of traditional Chinese philosophies. For example, Daoist conceptual structures, characteristics influenced by the Confucian tradition, and Buddhist thought are the focal points of this study. Specifically, the paper points out that Yang critiques the relationship between Confucianism and family–societal structures and both Yang and Lee’s films display Buddhist concepts as revealed in the respective director’s film aesthetics. Includes abstracts in Chinese and English and a bibliography. Duxiu (FT) Chi
0436 Ma, Jean Yen-chun. Time without measure, sadness without cure: Hou Hsiao-Hsien’s films of history. 283 leaves. Note: Thesis (Ph.D.)—University of Chicago, 2003. The paper focuses on three of Hou Hsiao-hsien’s films: A City of Sadness (1989), The Puppetmaster (1993), and Good Men, Good Women (1995), which comprise a historical trilogy covering twentieth-century Taiwan history and are included among the “New Wave” Chinese cinematic movements represented by film directors in Taiwan, Hong Kong, and mainland China. The author emphasizes the uniqueness of Hou and his films, which redefine the meaning of national cinema with the environment of globalization, nativism, state-sponsored cultural identity, and regionally differentiated identity.
0433 Lin, Ying-chia. A descriptive analysis of the development and decline of New Taiwan Cinema, 1982–1986. 152 p. Note: Thesis (M.A.)—University of North Texas, 1993. The paper explores the rise and fall of New Taiwan Cinema from 1982 to 1986 by considering social, economic, and cultural perspectives. The author apparently does not take into full account the lineage and legacy of New Taiwan Cinema, including important works such as Hou Hsiao-hsien’s A City of Sadness (1989). Includes a bibliography and a filmography. ProQuest (FT) Eng
82
Special Regions, Periods, and Events
Includes a bibliography. WorldCat (FT)
0441 Includes abstracts in Chinese and English and a bibliography. Duxiu (FX) Chi
Eng
0437 0440
Mei xue yu shu min: 2008 Taiwan “Hou xin dian ying” xian xiang guo ji xue shu yan tao hui lun wen ji / Zhong yan yan jiu yuan wen zhe yan jiu suo. Ѥѹӿ⋚ھ: 2008 ݡஹ “ћЈӇ”ؙѳࢣлগѹफ୳क़Ͼںҹओ / Ѕ႑୳ૢࡨҹᎻ୳ૢӛ. Taibei: Zhong yang yan jiu yuan wen zhe yan jiu suo, 2009. 269 p. Note: A collection of essays from the international symposium Aesthetics and Common People: 2008 Taiwan Post-New Cinema Phenomenon, hosted by Academia Sinica, October 29–30, 2009, in Taiwan. Includes eleven papers focusing on Taiwan Post-New Cinema represented by the box office success, Cape No. 7 (2008). Includes a bibliography at the end of each paper. WorldCat Chi
Realism and the audiovisual media / edited by Lucia Nagib, Cecilia Mello. Basingstrike, Hampshire; New York: Palgrave Macmillan, 2009. 257 p. ISBN 9780230577220, 0230577229 Note: A collection of essays that examine two recent phenomena: “the return of realist tendencies and practices in world cinema and television, and the rehabilitation of realism in film and media theory” (abstract). Includes the essay “Observational Realism in Taiwan New Cinema” by Ming-yeh T. Rawnsley. Includes a bibliography and an index WorldCat Eng
0440a
0438
Rojas, Carlos. The Oxford Handbook of Chinese Cinemas / edited by Carlos Rojas and Eileen Cheng-yin Chow. New York: Oxford University Press, 2013. 709 p. ISBN 9780199765607, 019976560X New York: Oxford University Press, 2013. Note: This volume includes thirty-three essays written by leading researchers in the field of Chinese cinemas.. Divided into three parts:(1) Part I describes the history of Chinese cinema from its beginnings on the mainland to contemporary Hong Kong, Taiwan, and China coproductions; (2) Part II features the study of Chinese cinema's techniques and aesthetic influences such as Chinese opera and martial arts, and political influences such as "Maoist film"; (3) Part III focuses on Chinese film production, distribution, and reception. Includes “Taiwan New Cinema: Small Nation with Soft Power” by Song Hwee Lim (pp. 152–169). WorldCat Eng
Moon, Sung Hee. The rhythmic journey: early films of Hou Hsiao-Hsien: an analysis of Summer at grandpa’s and Boys from Fengkuei. 98 leaves. Note: Thesis (A.B., Honors in East Asian Languages and Civilizations)—Harvard University, 2000. The paper studies two early films of Hou Xianxian (Hou Hsiao-Hsien): Boys from Fengkuei (1983) and Summer at Grandpa’s (1984). Includes a bibliography. WorldCat Eng
0439 Powley, Kathryn Anne. Silence, emptiness and love in Ts’ai Ming-liang’s film Vive l’amour. 47 leaves. Note: Thesis (M.A.–Chinese)—University of Auckland, 1997. A work on Cai Mingliang (Tsai Ming-liang) and his film Vive l’amour. Includes a bibliography. WorldCat Eng
0441 Shen, Shiao-ying. Permutations of the foreign/er: a study of the works of Edward Yang, Stan Lai, Chang Yi, and Hou Hsiao-Hsien. 271 p. Note: Thesis (Ph.D.)—Cornell University, 1995. “This study is a tribute to Taiwan New Cinema and the films that came after” (abstract). Focuses on three major film directors of Taiwan New Cinema: Edward Yang, Chang Yi, and Hou Hsiao-hsien, as well as a cultural figure and film director since the 1990s: Stan Lai. The “foreign/er” is used as a framework and metaphor that facilitates the permutation of the varied and complex meanings of Taiwan New Cinema. Assesses how Taipei is the “city foreigner” in Edward Yang’s films; Lan Shengchun’s films explore the “mainlander-foreigner” dynamic; three films made by Chang Yi and his partner Yang Huishan present
0439a Qin, Hongliang. ቦᖻ݊. Yang Dechang dian ying zhong de “fu zi” ren tong xiang xiang = The identity between “father and son” in Edward Yang’s films. ख़ቾӈؙЅϡ”ж”ڶӎЂՌ = The identity between “father and son” in Edward Yang’s films. 37 p. Note: Thesis (M.A.)—Human University of Science and Technology, 2011. Studies the relationship between fathers and sons in Edward Yang’s films. Argues that these identity formations symbolize larger issues faced by Taiwan’s people as they navigate between the following positions: Taiwan and Japan, Taiwan and Mainland China, and Taiwan and the United States.
83
Film History
0442
ݡஹЈӇؙԏё = 20th Anniversary of Taiwanese New Cinema / Taipei Golden Horse Film Festival Executive Committee. Taibei: Taipei Golden Horse Film Festival Executive Committee, 2002. 215 p. Note: A bilingual (Chinese and English) text published in celebration of the Twentieth Anniversary of Taiwan New Cinema (1982–2002). Includes seven film critiques, film synopses of forty-one films, and introductions to twenty-two filmmakers. Includes a chronicle of Taiwan new cinema and a film history. CTFAL Chi Eng
Yang’s body as a space in which foreign and familiar forces become intertwined; and, as the most daring experimenter, Hou Hsiao-hsien pursues a foreign form to present Taiwan stories in his films. Includes a bibliography. WorldCat Eng
0442 Sun, Mingde (Sun, Mi-te). ྒ᎘ख़. Taiwan Jin Ma jiang dian ying hai bao tu xiang fu hao fen xi = Study of image and symbol applied in analyzing the film posters of the Golden Horse Awards in Taiwan (1982–2008). ݡஹެؖ؉Ӈ֖ڻؙՌላىд = Study of image and symbol applied in analyzing the film posters of the Golden Horse Awards in Taiwan (1982–2008). 122 leaves. Note: Thesis (M.A.)—National Taiwan University of Arts, 2010. Assesses potential meanings conveyed by the posters of twelve films awarded best film in Taiwan’s Golden Horse Awards. The author uncovers cultural and artistic changes in posters created during the rise of Taiwan New Cinema. Includes Chinese and English abstracts, a bibliography, and interviews with the Film Poster Designers and Curator of the Film Poster Collection at the Chinese Taipei Film Archive. NCL/NDLTD Chi
0446 Taiwanese cinema 1982–2002: from new wave to independent / edited by Kim Ji-soek; Jongsuk Thomas Nam. Pusan, South Korea: Pusan International Film Festival, 2002. [92, 81 p.] Note: A bilingual work (English and Chinese) published by the Seventh Pusan International Film Festival. Also known by the title, “The 20th Anniversary of Taiwan New Wave Cinema.” WorldCat Chi Eng
0447 Tamura, Shizue, 1944– ೧భဋብ, 1944– Taiwan ny䲚 shinema no kishu K䲖 K䲖ken no sekai.
0443
ݡළ䬺䭔䴈䬦䬼䭍䫟Ѳᢡᖮᐊ䫟Ԓ֎.
Taiwan dian ying xin xin lang chao = New Taiwan cinema in the 1990s / Cai tuan far en dian ying tui guang ji jin hui zhu. ݡஹӇؙЈЈع = New Taiwan cinema in the 1990s /֚ࣗϪӇ ؙԐܰऴؖϾഹЯ. Taibei: Wan xiang tu shu, 2001. 456 p. ISBN 9572708902, 9789572708903, 9572708910, Note: Based on author Jim Cheng’s research, only the National Central Library has a record of this book in their online catalog; however, he could not find the book when researching there, nor could the NCL staff. NCL Chi
T䲖ky䲖: Iwanami Shoten, 1990. 62 p. ISBN 4000031155, 9784000031158 Series title: Iwanami bukkuretto; 175 ம䭅䬲䬞䭛䬲䬷; 175 Note: A biography of Hou Hsiao-hsien. WorldCat
Jpn
0448 Tamura, Shizue, 1944– ೧భဋብ, 1944– Sukur䲒n no muk䲖 ni mieru Taiwan.
0444
䬨䬞䭙䴈䭢䫟ז䪷䫜Ԋ䪹䫼ݡළ.
Taiwan Honkon shin eiga sengen = Taiwan Hong Kong new cinema. ݡළܫ୯Јྱࡌୌߞ = Taiwan Hong Kong new cinema.
T䲖ky䲖: Tabata Shoten, 1989. 249 p. Note: A collection of essays on New Taiwan Cinema. WorldCat Jpn
T䲖ky䲖: Wave; hatsubai Beyotoru K䲖b䲖, 1989. 159 p. ISBN 4893420879, 9784893420879 Note: A late 1980s study of new cinemas in Taiwan and Hong Kong. WorldCat Jpn
0449 Theorising national cinema / edited by Valentina Vitali, Paul Willemen. London: British Film Institute, 2006. 326 p. ISBN 184457119X, 9871844571192, 1844571203, 9871844571208
0445 Taiwan xin dian ying er shi nian = 20th Anniversary of Taiwanese New Cinema / Taipei Golden Horse Film Festival Executive Committee.
84
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Note:
0454
Revisits and reconceptualizes the idea of National Cinema in light of theoretical developments including poststructuralism and transnationalism. Includes the essays “Taiwan New Cinema, or a Global Nativism?” by Kuan-Hsing Chen, and “From National Cinema to Cinema and the National: Chinese-Language Cinema and Hou Hsiao-Hsien’s ‘Taiwan Trilogy’” by Chris Berry. Includes a bibliography and an index. WorldCat Eng
0453 Udden, James. No man an island: the cinema of Hou Hsiao-Hsien. Hong Kong: Hong Kong University Press, 2009. 226 p. ISBN 9789622090743 (hbk.), 9622090745 (hbk.) Note: An in-depth analysis of Hou Hsiao-hsien films: Puppetmaster, A City of Sadness, Flowers of Shanghai, and Goodbye South, Goodbye. Superbly expounds on the aesthetics of Hou’s films in terms of historical experience, lighting, improvisational acting, and long, static shots. “James Udden argues that Hou’s films reflect Taiwan’s peculiar historical and geographical situation and could only have emerged there. Udden also examines the regional impact Hou’s films have had on other Asian directors and cinema artists” (abstract). Includes a bibliography. WorldCat Eng
0450 Tobari, Haruo, 1938– פݏֆਜ਼, 1938– Taiwan eiga no subete / Tobari Haruo, Ry䲖 Kinh䲖, Chin Jush䲚. ݡළྱࡌ䫟䫊䫪䫗/ פݏֆਜ਼, ᴰؖང, ᭉ. T䲖ky䲖: Maruzen, 2006. 180 p. ISBN 4621061062, 9784621061060 Series title: Maruzen bukkusu; 106 ᐣ䭅䬲䬞䬨; 106 Note: Consists of four parts: Part 1, From Healthy Realism to New Cinema; Part 2, Zhongying (Central Motion Picture Corporation) and the Rise and Fall of Taiwan Cinema; Part 3, Taiwan New Cinema and Political Reform; and Part 4, Ethnic Groups in Taiwan Cinema. Includes a list, prepared by LiaoJinfeng and Ru-shou Robert Chen, of the most representative films of Taiwan cinema during each time period, and a bibliography (pp. 172–175). WorldCat Jpn
0453a Wang, Jinchuan. ࣼቆඇ. Hou Xiaoxian yu Yang Dechang dian ying bi jiao yan jiu. ᢡᖮᐉԁख़ቾӈؙԝࢹ୳ૢ. 35 p. Note: Thesis (M.A.)—Nanjing University of the Arts, 2009. A comparative study of Hou Hsiao-hsien and Edward Yang’s films. The study focuses on film techniques, narrative styles, and each director’s perspective on Confucian thought. Includes a summary of the New Taiwan Cinema movement, an abstract in Chinese and English, a bibliography, and an author introduction. Duxiu (FT) Chi
0451 Tsou, Charlyne Chien-lin. New Taiwanese cinema: a critical analysis. 125 leaves. Note: Thesis (M.A.)—California State University, Fresno, 1992. An analytical work on New Taiwan Cinema, focusing on political perspectives presented in Taiwan films postmartial law. Includes a bibliography. WorldCat Eng
0454 Wen hua pi ping yu hua yu dian ying = Cultural Criticism and Chinese cinema / Zheng Shusen bian. ҹ٩߰ӿܭܓӇ = ؙCultural Criticism and Chinese cinema / ቼ கာഹ. Taibei: Mai tian chu ban you xian gong si, 1995. 366 p. ISBN 9577083102 Series title: Mai tian ren wen; 9 ೧Ϫҹ; 9 Note: Liao Ping-hui states in the foreword that the text’s purpose is to explore the relationship between Western cultural criticism and Chinese cinema of the 1980s and 1990s in mainland China, Hong Kong, and Taiwan. Three essays discuss films of Taiwan New Cinema: Zhan Mingxin’s essay on Edward Yang’s The Terrorizers (1986), Huang Yuexiu’s discussion of Edward Yang’s A Brighter Summer Day (1991), and Liao Chaoyang’s essay on Wang Tung’s Banana Paradise (1989). Includes a bibliography at the end of each essay. WorldCat Chi
0452 Udden, James. Hou Hsiao-hsien and the aesthetics of historical experience. 384 leaves. Note: Thesis (Ph.D.)—University of Wisconsin, Madison, 2003. A study of Hou Hsiao-hsien and the aesthetics of his films. Includes a bibliography. WorldCat Eng
85
Film History
0455
Conference of the North American Taiwan Studies Association, June 16–19, 2000, Harvard University. Includes a bibliography. WorldCat Eng
0455 Wen hua pi ping yu hua yu dian ying / Zheng Shusen bian. ҹ٩߯ԁܬܗӈ ؙ/ ችஔာ൜. Guilin: Guangxi shi fan da xue chu ban she, 2003. 249 p. ISBN 756334232X Note: The mainland China version, in simplified characters, of the same title published in Taiwan in 1995. Liao Ping-hui states in the foreword that the text’s purpose is to explore the relationship between Western cultural criticism and Chinese cinema of the 1980s and 1990s in mainland China, Hong Kong, and Taiwan. Three essays discuss films of Taiwan New Cinema: Zhan Mingxin’s essay on Edward Yang’s The Terrorizers (1986), Huang Yuexiu’s discussion of Edward Yang’s A Brighter Summer Day (1991), and Liao Chaoyang’s essay on Wang Tung’s Banana Paradise (1989). Includes a bibliography after each essay and a contributor introduction at the end of the book. WorldCat Chi
0459 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ, 1952– Bei qing cheng shi: Wu Nianzhen Zhu Tianwen zuo pin / Wu Nianzhen, Zhu Tianwen. єصڵ: ྶ݉ѐᗌϳҹӑԘ / ྶ݉ѐ, ᗌϳҹ. Taibei: San san shu fang, 1989. 198 p. ISBN 9579528004 Note: Includes the screenplay of A City of Sadness (1989), written by Wu Nien-chen, and a Q&A with Chu T’ien-wen. Duxiu (FT) Chi
0460 Wu, Qiyan. ྶԷ᷀. Di du kai fa de hui yi, yi zhong yi lei ying ping. ࠍ֏ычϡҘশ, ϣ҆ढؙ߰. Taibei: Tang shan chu ban she, 1993. 218 p. Note: Consists of five parts: Parts 1 and 2 discuss Taiwan films in the 1980s, mainly Taiwan New Cinema and Hou Hsiao-hsien’s films; Part 3 explores the relationship between Taiwan film and “Third World Cinema”; Part 4 introduces films produced in Eastern European countries during the Soviet era; and Part 5 describes links between psychology and the experience of film. Includes a bibliography. CTFAL Chi
0456 Wicks, James Anthony. The antecedents of Taiwan New Cinema: the state of Taiwan film in the 1960s and 1970s. 266 leaves. Note: Thesis (Ph.D.)—University of California, San Diego, 2010. Explores the ways Taiwan’s KMT (Nationalist Party) government defined itself as the representative government of all of China in the 1960s and 1970s by both studying its state-sanctioned film industry and explaining how these filmmaking conditions in the 1970s enabled the emergence of Taiwan New Cinema in the 1980s. Analyzes influences from mainland China, Japanese colonialism, and the United States during the Cold War. Includes notes and a bibliography. ProQuest (FT) Eng
0461 Xi lian ren sheng: Hou Xiaoxian dian ying yan jiu = Passionate detachment: Films of Hou Hsiao-hsien / Lin Wenqi, Shen Xiaoyin, Li Zhenya bian. ۚߧϪТ: ᢡᖮᐊӇؙ傘ૢ = Passionate detachment: Films of Hou Hsiao-hsien / ҹᚉ, ཁ᱘, ଽዄਐഹ. Taibei: Mai tian chu ban gu fen you xian gong si, 2000. 389 p. ISBN 9577089534 (pbk.) Series title: Mai tian ren wen; 33 ೧Ϫҹ; 33 Note: This collection of essays provides arguably the most broad and in-depth study of Hou Hsiao-hsien’s films up to the year 2000, written by scholars from Taiwan, Hong Kong, and the United States. NTUL Chi
0457 Wong, Edmond. Edward Yang / Edmond Wong; Edward Yang; translated by Stephen Teo. [Taibei] : Variety, 1993. 64 p. Note: An introduction to the works of Edward Yang, published in celebration of the 1993 National Film Year, Taiwan, R.O.C. WorldCat Eng
0458 Wu, I-fan. Floating in Taipei? The cultural landscape and film aesthetics in Tsai Ming-liang’s trilogy. Cambridge, MA: North American Taiwán Studies, 2000. 17 p. Note: A paper presented during Panel 5: Contemporary Literature and Performing Arts, at the Sixth Annual
0462 Xiaoye, 1951– Щఀ, 1951– Bai ge wu yu. Ձܭ.
86
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0467
Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1988. 237 p. Series title: Ren jian cong shu; 138 ϪҼᜣ ;ڣ138 Note: The sequel to the author’s first such book, published in 1986. Contains a preface written by the famous Taiwan New Cinema director, Edward Yang. Collects the author’s various musings on his interactions with Taiwan New Cinema’s milieu and participants. CTFAL Chi
0465 Xin dian ying zhi wai / hou / Mizou, Liang Xinhua bian. ЈӇؙҏ֔ / ћ / ࣿҵ, ᅯЈܓഹ. Taipei: Tang shan chu ban she, 1994. 240 p. ISBN 9578900090 Series title: Zhan zheng ji qi cong kan; 13 ڕৎҚॆᜣᑂ; 13 Note: Following in sequence with a work of the same title “Xin dian ying zhi si,” published in 1991, this text analyzes Taiwan cinema movements that occurred concurrently with Taiwan New Cinema, such as Taiwan Non-mainstream and Alternative Media, Independent Film-Making, and Documentary Film Movements. Also contains the latest works of the time by Taiwan New Cinema directors, such as Edward Yang, Lan Shengchuan, Tsai Ming-liang, Xu Xiaoming, and Wang Tung. Includes a bibliography. CTFAL Chi
0463 Xiaoye, 1951– Щఀ, 1951– Yi ge yun dong de kai shi. ϣϫػҁϡы״. Taibei: Shi bao chu ban gong si, 1986. 284 p. Series title: Ren jian cong shu; 54 ϪҼᜣ ;ڣ54 Note: Although not an academic work, this text is a readable collection of essays, diaries, letters, interviews, and prose that touches on a broad series of topics, including the author’s daily experiences at Zhong ying (Central Motion Picture Corporation) as he managed film production issues; personal anecdotes regarding his relationship with some of the most famous Taiwan film directors, screenwriters, and Zhong ying studio officials; comparative reviews on Hong Kong and mainland China films; and, most important, his records and comments, as an insider, about the birth of the Taiwan New Cinema movement during the early 1980s. WorldCat Chi
0466 Xin Yazhou dian ying mian mian guan / Jiao Xiongping bian. ЈਐರӇؙӌӌ / ဖ๔ഹ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1991. 239 p. ISBN 9573214547 Note: A collection of essays focusing on the “New Asian Films.” Two essays are of note: Jiao Xiongping’s essay deals with the growing pains faced by Taiwan, Hong Kong, and mainland China film industries during the late 1980s and early 1990s when cooperation among film producers outpaced the uncooperative political, commercial, and economic systems that remained in place. Zhang Cangyan’s essay describes the relationship between Taiwan’s film tradition and the emergence of New Taiwan Cinema in 1982. NTUL Chi
0464 Xin dian ying zhi si—cong “Yi qie wei ming tian” dao “Bei qing cheng shi” / Mizou, Liang Xinhua bian. ЈӇؙҏӚ—ԩ “ϣܷЊҴϳ” Ϻ “є”صڵ/ ࣿҵ, ᅯЈܓഹ. Taipei: Tang shan chu ban she, 1991. 236 p. Series title: Zhan zheng ji qi cong kan; 3 ڕৎҚॆᜣᑂ; 3 Note: A collection of essays critical of Taiwan New Cinema director Hou Hsiao-hsien and his acclaimed film A City of Sadness (1989). Several essays declare that the death of Taiwan New Cinema occurred in 1988 when Hou Hsiao-hsien and other Taiwan New Cinema directors delivered a “Taiwan Film Memoratum” in 1987 and then agreed to make the government policy film Everything for the Events of Tomorrow for Taiwan’s Defense Department in 1988. Most of the film reviews of Hou Hsiao-hsien’s film A City of Sadness (1989) take both a negative view of the director’s portrayal of the February 28 Incident and the film as a whole. Also includes a negative review of Taiwan’s so-called first independently made film, The Man from the Island West (1990). Includes a bibliography. CTFAL Chi
0467 Yan, Shikai. ୶ࡲᏎ. Zhan zhe zuo ai: dian ying yu xing = Stand to make love. ۖа҂Д: Ӈؙӿԛ = Stand to make love. Taibei: Bo shi ke ji yi shu, 2005. 370 p. ISBN 9867224698 Series title: Zhuan jia zhi zao; b02034 ֟р३߃; b02034 Note: Explores the indirect, hidden sexual content and innuendos presented in mainstream films produced in Hong Kong, Taiwan—including Taiwan New Cinema—and films from other countries to expound on the political subtext of such representations. The book cover carries an “18 and older” marking. CTFAL Chi
87
Film History
0468
from the 1970s to the 1990s. Explores multiple relevant interrelationships between popular music and Taiwan cinema, including the inclusion of popular songs in the 1970s policy films and romantic melodramas, the exclusion of pop music in Taiwan New Cinema in the 1980s, and the return of popular music in commercial films of the 1990s, thus revealing “a national identity characterized by shifting loci of commerce, politics, and art” (abstract). As a serious academic work, it provides many interesting perspectives based on in-depth research and substantial evidence. It states, however, that “A huge massacre occurred in 1945 when many Taiwanese rose up against the semi-colonial governance of the National Party” (l. 2), which is possibly miswritten, for if Dr. Yeh is referring to the February 28 Incident, this event occurred in 1947. Includes a filmography (pp. 243–247) and bibliography (pp. 248–263). WorldCat Eng
0468 Yang Dechang—Taiwan dui shi jie ying shi de gong xian / Huang Jianye deng zuo. ख़ቾ—ݡஹхԒ֎Ӈؙϡᕠຶ / ࢶࠃҳӑ. Taibei: Yue sheng wen hua shi ye you xian gong si, 2007. 210 p. ISBN 9789576307300 Series title: Taibei Jin Ma ying zhan cong shu, 2007; 3 ࣁؙެؖܚݡᜣڣ, 2007; 3 Note: A special collection of essays that systematically review Edward Yang’s eight films. Includes an Edward Yang chronology compiled by Qu Guizhi. NTUL Chi
0469 Yang, Shifan. Ԓఅ. Ren wu yan shuo yu Taiwan xin dian ying—yi xiang zhi shi she hui xue de yan jiu. ϪߞМӿݡஹЈӇ—ؙϣ࣯ҌࡦघϾѹϡ୳ૢ. 154 p. Note: Thesis (M.A.)—National Taiwan University, 1991. Discusses Taiwan’s social condition represented in Taiwan New Cinema of the 1980s by analyzing the social networks presented in the films and by in-depth interviews to acquire personal accounts. Consists of five chapters: Chapters 1 and 2 provide a review of Taiwan New Cinema; Chapter 3 describes the theoretical framework and methods, and divides the fifty-five Taiwan New Cinema interviewees into three groups: (1) Reporters/Critics/Scholars, (2) Screenwriters/Directors/Important Technicians, (3) Producers/Policy Makers; Chapter 4 assesses interview results; and Chapter 5 provides a conclusion. Includes a bibliography and filmography. NTUL Chi
0472 Yi, Zhiyan. ߞډ. Taiwan xin dao yan: di er bo xin lang chao. ݡஹЈ࣒ࠟ: ҷԏமЈع. Taibei: Wan xiang tu shu you xian gong si, 1993. 48 p. Series title: Taiwan dian ying jing xuan xi lie ݡஹӇ࠶ڍקؘؙ Note: Includes director biographies and film reviews representative of the “Second Wave of New Taiwan Cinema.” WorldCat Chi
0473 Yip, June Chun, 1962– Colonialism and its counter-discourses: On the uses of “nation” in modern Taiwanese literature and film. 2 v. (415 leaves.) Note: Thesis (Ph.D.)—Princeton University, 1996. Explores the formation of Taiwanese Nationalism and Identity by analyzing 1960s and 1970s Hsiang-tu (Native) literature and 1980s New Taiwan Cinema. Analyzes writer Huang Chunming (Hwang Chunming) and his works and film director Hou Hsiaohsien and his films. Includes a bibliography and list of films by Hou Hsiao-hsien. WorldCat Eng
0470 Yee, Chih-yen. New discoveries: the second new wave / [author, Chih-yan Yee; translator, Sam Ho]. Taiwan: Variety Publishing Co., Ltd., 1993. 48 p. Series title: Films: made in Taiwan; 6 Note: WorldCat Eng
0471 Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. A national score: popular music and Taiwanese cinema. 263 leaves. Note: Thesis (Ph.D.)—University of Southern California, 1995. An interesting study of the relationship between popular music, cinema, and national identity in Taiwan
0474 Yip, June Chun, 1962– Taiwanese new cinema and third cinema: post-colonial issues in the films of Hou Hsiao-Hsien. 150 leaves.
88
Special Regions, Periods, and Events
Note:
0477
Thesis (M.A.)—University of California, Los Angeles, 1992. Applies theories of the Third Cinema to an analysis of Taiwan New Cinema, focusing on postcolonial issues presented in Hou Hsiao-Hsien’s films. Includes a bibliography. WorldCat Eng
Analyzes the discursive formation of Taiwan New Cinema, the influence of Western Art Cinema on Taiwan New Cinema, and the historical relationship between Taiwan New Cinema and the popular Golden Horse Awards. Also covers traditional topics in the field: the disconnect between Taiwan New Cinema and the local film industry, the government’s transition from passive involvement in the 1980s to active involvement in the 1990s, the establishment of the Guidance Fund for Domestically Produced Films and participation in international film festivals, and the decline of Taiwan’s film industry in the 1990s. Includes a Chinese abstract, bibliography, and charts of International and Domestic Box Office Records of Hou Hsiao-hsien and Edward Yang’s Films (1983– 1988), Percentage of the Domestically Produced Films That Were Sent for Censorship and Received the Guidance Fund (1980–1999), and Films That Received the Guidance Fund. NCL/NDLTD (FT) Chi
0474a Zeng, Zheng. ߲⇜. “Li xing” yu “gan xing” de dui yi : Yang Decang Hou Xiaoxian dian ying bi jiao yan jiu = Sense and sensibility of the unity of opposites: the comparative study on film of Edward Yang and Hou Hsiao-Hsien. “ԑԛ”ԁ “Ҁԛ”ϡцᷓ䩭ख़ቾԁᢡᖮᐉӈؙԝࢹ୳ૢ= Sense and sensibility of the unity of opposites: the comparative study on film of Edward Yang and Hou Hsiao-Hsien. 47 p. Note: Thesis (M.A.)—Chongqing University, 2013. A comparative study of Hou Hsiao-hsien’s and Edward Yang’s films. Regards Hou and Yang, both born in China in 1947 (with ancestry from Meixian County, Guangdong Province) before moving to Taiwan with their families due to political turmoil in Mainland China, as the soul of New Taiwan Cinema. Presents Yang as a “rational thinker” who focuses on Taipei and Hou as a “romantic poet” who describes native Taiwaneseness. Includes Chinese and English abstracts and a bibliography. Wanfang (FX) Chi
0476a Zhang, Yiyang. צ၍. Ru zhe de kun huo—Yang Dechang dian ying zhong de Taibei jing xiang = A Confucian confusion-mirror image of Taipei in Edward Yang’s films. ᭉٷϡ༜—ख़ቾӈؙЅϡܚݡՌ = A Confucian confusionmirror image of Taipei in Edward Yang’s films. 35 p. Note: Thesis (M.A.)—Chinese Academy of Art, 2012. Examines Edward Yang’s depictions of traditional Chinese culture in his eight films set in Taipei city. Reveals that each of Yang’s films represents concern about urban society, culture, and city life. Includes Chinese and English abstracts and a bibliography. Duxiu (FT) Chi
0475 Zhang, Changyan. פቾᴧ. Wang Tong: qi ren qi pian / Zhang Changyan bian zhu; Lin Baocheng zheng li. ࣼু: ԷϪԷә / פቾᴧഹЯ; خюݱԑ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1993. 32 p. Series title: Taiwan dian ying jing xuan xi lie ݡஹӇ࠶ڍקؘؙ Note: Includes biographical work and film reviews of Wang Tung. WorldCat Chi
0477 Zhongguo dian ying, dian ying Zhongguo: Hai xia liang an dian ying xue shu jiao liu yan tao hui lun wen ji / Bian ji Zhang Shufen, He Shihuang. ЅлӇؙ, ӇؙЅл: ᒘҔӇؙѹफےԵ୳क़Ͼںҹओ / ഹফ פᎂᐇ, حԒᑟ. Taibei: Zhonghua Minguo shi jue chuan bo yi shu xue hui, Furen da xue da zhong chuan bo xi, 1993. 182 p. Note: A collection of papers presented at a film symposium hosted by Taiwan Fu Jen Catholic University and the R.O.C. Visual Art and Communication Association on December 29–30, 1992. The symposium provided the opportunity for film scholars on both sides of the Taiwan Strait to exchange ideas in their research fields. Includes twelve papers, three of which assess contemporary Taiwan film: “Taiwan Film Industry Moving Out of the 20th Century” by Chen Qinghe, “Local Identity Realization in Taiwan New Cinema” by Wang Wei, “Identity of Aboriginals in Taiwan Cinema” by
0476 Zhang, Shilun (Chang, Shih-lun). פԒൔ. Taiwan “Xin dian ying” lun shu xing gou zhi li shi fen xi (1965–2000) = Discursive formation of “Taiwanese New Cinema” : a historical analysis (1965–2000). ݡஹ “ЈӇں ”ؙ࣏ภҏࣵд (1965–2000) = Discursive formation of “Taiwanese New Cinema”: a historical analysis (1965–2000). 141 leaves. Note: Thesis (M.A.)—National Chengchi University, 2001.
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Film History
0478 Qi Longren. One paper, “Meaning of ‘China Code’ in Chinese Films” by Chen Ruxiu, offers a comparative study of mainland, Taiwan, and Hong Kong films. WorldCat Chi Eng
0481 Xin dian ying zhi si—cong “Yi qie wei ming tian” dao “Bei qing cheng shi” / Mizou, Liang Xinhua bian. ЈӇؙҏӚ—ԩ “ϣܷЊҴϳ” Ϻ “є”صڵ/ ࣿҵ, ᅯЈܓഹ. Taipei: Tang shan chu ban she, 1991. 236 p. Series title: Zhan zheng ji qi cong kan; 3 ڕৎҚॆᜣᑂ; 3 Note: A collection of essays critical of Taiwan New Cinema director Hou Hsiao-hsien and his acclaimed film A City of Sadness (1989). Several essays declare that the death of Taiwan New Cinema occurred in 1988 when Hou Hsiao-hsien and other Taiwan New Cinema directors delivered a “Taiwan Film Memoratum” in 1987 and then agreed to make the government policy film Everything for the Events of Tomorrow for Taiwan’s Defense Department in 1988. Most of the film reviews of Hou Hsiao-hsien’s film A City of Sadness (1989) take both a negative view of the director’s portrayal of the February 28 Incident and the film as a whole. Also includes a negative review of Taiwan’s so-called first independently made film, The Man from the Island West (1990). Includes a bibliography. CTFAL Chi
0478 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Bei qing cheng shi. єصڵ. Shanghai: Shanghai wen yi chu ban she, 2001. 248 p. ISBN 7532121003 Series title: Tai Gang ji hai wai Hua yu zuo jia zi xuan wen ku ݡ୯᠕֔ӑрІשҹᆟ Note: A collection of four screenplays written by the author and directed by Hou Hsiao-hsien: Dust in the Wind (1986), A City of Sadness (1989), The Puppetmaster (1993), and Good Men, Good Women (1995), as well as the author’s comments and records of making the films. Includes a filmography and bibliography. Duxiu (FT) Chi
2.2.13
February 28 Incident, 1947 2.2.14
0479 Chen, Yuanqiu (Chen, Yuan-chiu). ᤨڠ. Bei qing cheng shi: Hou Xiaoxian de yu hui que wu gui bi = A City of Sadness: Hou Hsiao-Hsien’s elusiveness without evasiveness. єصڵ: ᢡᖮᐊϡᯩ፯ѩ೬ = A City of Sadness: Hou Hsiao-Hsien’s elusiveness without evasiveness. 128 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2008. Asserts that Hou Hsiao-hsien’s unconventional style in his film A City of Sadness (1989) should be examined carefully, for the director’s representation of history reveals an indirect cinematic, but not an evasive, approach to the historical reality. This position is voiced in contradiction to critics who claim Hou’s representation of the February 28 Incident keeps a safe distance from the sensitive events and conforms to the KMT government’s perspective. It is written in English. Includes Chinese and English abstracts and a bibliography. NCL/NDLTD Eng
August 23, The Second Taiwan Strait Crisis, 1958
0482 Ding, Shanxi. ౨ᮑ. Ba er san pao zhan / Bian dao: Ding Shanxi. ࡂԏѧᛤ ڕ/ ഹ࣒: ౨ᮑ. [Taibei] : Zhong yang dian ying shi ye gong si, [n.d.] 75 leaves. Note: This studio-use-only script includes open letters to the army by Chiang Kai-Shak, president of R.O.C., and Hao Bochun, division commander of the Army, regarding the August 23, 1958, shelling between mainland China and Taiwan during the Second Taiwan Strait Crisis. CTFAL Chi
2.2.15
Ten Worst Films Incident, 1977
0483 Gao, Shanzhun. ҙߪځ. Shi da lan pian feng bo. Ͻಉәգம. Taizhong: Lan deng wen hua shi ye go fen you xian gong si, 1978. 184 p. Series title: Lan deng zhi shi fen zi cong shu zhi; 21 ঢҌࡦڤжᜣڣҏ; 21
0480 Er er ba dian ying ju ben. ԏԏࡂӇঁؙӆ. [Taibei] : Zhonghua Minguo dian ying dao yan xie hui, [n.d.] 55 leaves. Note: A studio-use-only script. CTFAL Chi
90
Film Institutions and Studios
Note:
0488
Discusses a controversial incident in 1977 in which the ten worst films, in both foreign and domestic categories, were presented in the film journal Ying xiang, an event initiated by four young editors of the journal. The incident stirred up heated discussion at the time, and eventually the four student editors of the journal resigned from the editorial board. CTFAL Chi
Film Preservation project, and a filmography of preserved social movement documentary films. CTFAL Chi
2.3
FILM INSTITUTIONS AND STUDIOS
2.3.1 China Motion Picture Studio (Zhongguo Dian Ying Zhi Pian Chang / Zhong zhi), 1933–
2.2.16 May 20 Incident, 1988 and Social Movement Documentary, 1980s–1990s
0486 Guo fang bu Zhongguo dian ying zhi pian chang chang shi / Guo fang bu Zhongguo dian ying zhi pian chang. лࣃחЅлӇؙ३әྃྃ / лࣃחЅлӇؙ३әྃ. Taibei: Zhongguo dian ying zhi pian chang, 1985. 438 p. Note: An official history of Zhong zhi (China Film Production Company), which began in 1933 and was known by various names until it took the name Zhong zhi while operating under the Department of Defense from 1937 to 1985 (the year the book was published). CTFAL Chi
0484 Bian di fa sheng—fan zhu liu ying xiang mei ti yu she yun ji lu / Zhu zhe Dun Cheng deng. נсчބ—كҰԵ ؙՌ෪Ղӿघػઔ࠷ / Яٷᆼҳ. Taibei: Tangshan chu ban she, 1992. 183 p. Series title: Jin bu cong shu; 5 Ք܌ᜣ ;ڣ5 Note: An essay collection that focuses on Taiwan’s antimainstream media movements and social movements during the 1980s and 1990s. Essays include Jiang Guanming’s report on nonmainstream media in Taiwan, Dai Bofen and Wei Yinbing’s analysis of antimainstream images, Li Daoming’s review of his experience in documentary filmmaking, Liang Guang’s discussion of Taiwan antimainstream image media movement vis-à-vis the May 20, 1988, Incident, and Zhang Bihua’s interview of Wang Zhizhang on Taiwan’s street movement in the 1980s, as well as an overall description of Taiwan’s antimainstream image media groups, such as Green Group, The Third Image Studio, Culture Taiwan Studio, Firefly Image, New Taiwan Social Movement Audio/Visual Studio, and Taiwan Report by the editors. Includes a product list of Taiwan antimainstream image media. CTFAL Chi
0487 Zhong zhi liu shi / Zhongguo dian ying zhi pian chang bian. Ѕ३ࡏ / ЅлӇؙ३әྃഹ. Taibei: Zhongguo dian ying zhi pian chang, 1993. 197 p. Note: A special publication celebrating the sixtieth anniversary of Zhong zhi (China Motion Picture Studio), 1933–1993. Consists of articles that survey the studio’s history, annual film production charts, synopses of forty-one feature films produced by the studio, and photos of eighteen executive directors. Includes photos, film posters, and stills. CTFAL Chi
2.3.2 Xin hua Film Corporation (Xin hua Ying Ye Gong Si), 1935–1984
0485 “Zai jian, Taiwan ji qing nian dai” zhuan an jie an bao gao shu / Ji hua zhu chi ren: Gu Biling, Li Yongquan; Zhuan an zhi xing ren: Qiu Chuida, Guo Shufeng. “ӐԊ, ݡஹࢫєё֟ ”ڊଈְଈ ڣݍڻ/ ذҰفϪ: ࣲካጘ, ଽ ᄈ; ֟ଈవҲϪ: ᆥᎾܺ, ᔕڣང. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2003. 299 p. Note: A report of the government-sponsored study of Taiwan Social Movement Documentary Films during the 1980s and 1990s. Topics include the May 20 Incident; environmental protection; women’s rights; student movements; and other social, political, and cultural issues. Includes interviews with thirteen documentary film directors, records of the Social Movement Documentary
0488 Tong Yuejuan: hui yi lu ji tu wen zi liao hui pian / Tong Yuejuan kou shu; Zuo Guifang, Yao Liqun bian. ু֊ᥱ: Ҙশ࠷᠕֖ҹࢧޞᓫഹ / ু֊ᥱט; ਅᄉᇙ, ߹ळഹ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2001. 301 p. ISBN 9570100516, 9570100524 (pbk.) Series title: Dian ying jia xi lie; 2 Ӈؙр ;࠶ڍ2 Note: A collection of Tong Yuejuan’s memorabilia and other related visual and written materials. Tong (1914–2003) was both a film actress and producer, and her professional career took her to mainland China, Hong Kong, and Taiwan.
91
Film History
0489 The appendix includes a chronology, filmography of Xin hua Film Corporation, and postscripts by the editors. Includes photos, film posters, and film stills; a bibliography; and film title and name indexes. CTFAL Chi
including introduction, credits, synopsis, film stills, posters, and photos; (2) Social Education Films, containing plots (47 titles), including film title, runtime, production date, language, and official sponsors; (3) Social Education Films not containing plots (79 titles), including film title, runtime, production date, language, and official sponsors; (4) News Films for Domestic Distribution (1,317 titles), including film title, runtime, production date, and color information; (5) News Film for Overseas Chinese Distribution (180 titles), including film title, runtime, production date, and color information; (6) News Film for Overseas Distribution (121 titles), including film title, runtime, production date, language, and color information; (7) News Film for Domestic Countryside Distribution (146 titles), including film title, runtime, production date, and color information; (8) Short Television Films (1,095 titles), including film title, runtime, production date, and television channel; (9) Documentary Films (303 titles), including film title, runtime, production date, language, color information, and official sponsors. Text does not include an index. WorldCat Chi
2.3.3 Taiwan Provincial Film Production Studio (Taiwan sheng Dian Ying She Zhi Chang / Taiwan Sheng Zheng Fu Xin Wen Dian Ying Zhi Pian Chang / Taiwan Dian Ying Zhi Pian Chang / Taiwan Dian Ying Wen Hua Shi Ye Gu Fen You Xian Gong Si / Tai ying or Tai zhi), 1945–1999 0489 Li shi de jiao zong: Tai ying wu shi nian / Guo jia dian ying zi liao guan ben guo dian ying shi yan jiu xiao zu bian. ࣵϡऍᏇ: ؙݡٚё / лрӇࢧޞؙఖӆлӇؙ୳ૢЩ६ ഹ. Taibei: Dian ying zi liao guan, 1996. 219 p. ISBN 9579987483 Series title: Taiwan dian ying shi liao cong shu; 4 ݡஹӇؙࢧᜣ ;ڣ4 Note: A special publication in celebration of the fiftieth anniversary of Tai ying, (also known as Tai zhi). It is the most comprehensive work on the history of Tai ying, and includes a chronology, records of the panel discussions, essays, and synopses of twenty-nine feature films produced by Tai ying. CTFAL Chi
2.3.4 Asia Film Corporation (Yazhou Ying Ye Gong Si), 1952– 0492 Ding, Boshen, 1952– ౨ᐑ捡, 1952– Yi ge dian ying gong zuo zhe de hui yi. ϣϫӇؙ֞ӑٷϡҘশ. Xianggang: Ya zhou wen hua shi ye ji gou, 2000. 554 p. Note: An autobiography of Ding Boshen (1952–), film producer, educator, and founder of the Taiwan film production and distribution company Ya zhou ying ye gong si. Includes the film production and distribution lists of Ya zhou. CTFAL Chi
0490 Long Fang xian sheng ji nian ce / Bian ji zhe: Long Fang xian sheng ji nian ce bian ji wei yuan hui. हᇙТઔ݉ೠ / ഹফٷ: हᇙТઔ݉ೠഹফణϾ. Sanchong shi: Ta di yin shua chang, 1965. 42 p. Note: A work that commemorates Long Fang, executive director of Tai ying (1955–1964). Includes a biography, articles in memory of Long Fang, photos, and film stills. CTFAL Chi
2.3.5 Union Film Co., Ltd. (Lian Bang Ying Ye You Xian Gong Si / Lian bang), 1953–1980
0491
0493
Taiwan sheng dian ying zhi pian chang ying pian zong mu lu / Zong bian ji Yu Ruji. ݡஹӇؙ३әྃր۵࠷ / րഹফҒࡵ. Taizhong Xian Wufeng xiang: Taiwan sheng dian ying zhi pian chang, 1984. 2 v. (560 p.) Note: A filmography of films produced by Taiwan Sheng dian ying zhi pian chang (Taiwan Provincial Film Production Studio) from 1945–1984. Includes a history of the studio, film distribution map, list of award-winning films, and a studio organization chart. The filmography is organized by production date under the following categories: (1) Feature Films (16 titles),
Huang, Ren, 1925– ࢶწ, 1925– Lian bang dian ying shi dai. ࡀᕹӇؙЖڊ. Taibei: Dian ying zi liao guan, 2001. 143 p. ISBN 9573097230 Note: Consists of Lian bang’s film production history in Taiwan and related articles regarding Lian bang studio. The appendix includes a chronology and synopses of films produced by Lian bang. CTFAL Chi
92
Film Institutions and Studios
0499 Note:
0494 Sha, Rongfeng, 1921– ึ, 1921– Bin fen dian ying si shi chun: Sha Rongfeng hui yi lu. ᠷӇࡇףؙ: ึҘশ࠷. Taibei: Guo jia dian ying zi liao guan, 1994. 248 p. ISBN 9579987408 Series title: Taiwan dian ying shi liao cong shu; 1 ݡஹӇؙࢧᜣ ;ڣ1 Note: The autobiography of Sha Rongfeng, one of the major film producers in Taiwan. Sha was involved with the Taiwan film industry for more than forty years and founded several film distribution companies and studios, such as Lian Bang Ying Ye Gong Si (Union Film) in 1953, and he produced many important films, such as Longmen Ke Zhan (Dragon Gate Inn, dir. King Hu) in 1967. Includes a chronology, appendix of films produced or distributed by Sha’s companies, and a Chinese film title and name index. NTUL Chi
An autobiographical work by Cai Mengjian, who, besides his other careers as a military officer, diplomat, and congressman, was an executive director of Zhong ying (Central Motion Picture Corporation) in the 1960s. One chapter in his book (pp. 71–86) is dedicated to his 500-day film career; seven films were produced under his leadership. Includes his resume in the beginning of the book. CTFAL Chi
0497 Gong, Hong, 1915–2004 ₳ᮜ, 1915–2004 Ying chen hui yi lu / Gong Hong kou shu; Gong Tianjie zheng li. ؙຳҘশ࠷ / ₳ᮜט; ₳ϳီݱԑ. Taibei: Huang guan wen hua chu ban you sian gong si, 2005. 230 p. ISBN 9573321330 Series title: Guang guan cong shu 3446 zhong ෦ഃᜣ ڣ3446҆ Fei xiao shuo wen cong; 38 ۘЩМҹᜣ; 38 Note: An autobiography of Gong Hong, general director of Zhong ying (Central Motion Picture Corporation) from 1963 to 1972 where he produced thirty-five films. Includes a chronology. CTFAL Chi
0495 Sha, Rongfeng, 1921– ึ, 1921– Sha Rongfeng hui yi lu ji tu wen zi liao hui bian. ึҘশ࠷᠕֖ҹࢧޞᓫഹ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2006. 366 p. ISBN 957309729X Series title: Dian ying jia xi lie; 3 Ӈؙр ;࠶ڍ3 Note: Autobiography of Sha Rongfeng, film producer and founder of several film companies in Taiwan. Presents Sha’s written reflections and related visual materials. Appendix includes the staff directory of Guo ji dian ying zhi pian chang; lists of Chinese and foreign films distributed by Lian bang; and Lian bang film production list, film and name indexes, a special term index, and a bibliography. CTFAL Chi
0498 Hui gu yu zhan Wang: Zhong ying 1998 jing dian te kan / Zhong yang dian ying shi ye gu fen you xian gong si bian. Ҙઆӿࣁֳ: Ѕؙ1998Ҭਹئᑂ / Ѕ႑ӇؙѨ੦ڤϩࡳԍޅഹ [Taibei: Zhong yang dian ying shi ye gu fen you xian gong si, 1998] 127 p. Note: A special publication in celebration of Zhong ying’s entry into the twenty-first century. Consists of essays on the history of Zhong ying and introduces Zhong ying’s film production studio, film processing factories, television productions, theaters, and famous directors and stars. Includes a chronology. CTFAL Chi
0499
2.3.6 Central Motion Picture Corporation (Zhong Yang Dian Ying Shi Ye Gu Fen You Xian Gong Si / Zhong ying), 1954–
Liu, Yalun. ਐൔ. Ming xing zhi si. ҴլҏӚ. Taipei: Cheng shi chu ban she, 1980. 173 p. Note: A collection of the special reports regarding the mysterious death of movie star Gu Minglun in 1978, involving a director and president of Zhong Ying Film Studio. CTFAL Chi
0496 Cai, Mengjian, 1905–2001 ᓥߗ, 1905–2001 Cai Mengjian zhuan zhen ji. ᓥߗةѐओ. Taibei: Zhuan ji wen xue za zhi she, 1981. 388 p. Series title: Zhuan ji wen xue cong kan zhi liu shi ֮ةҹѹ䒴ᑂҏࡏO
93
Film History
0500
Series title: Maruzen bukkusu; 106 ᐣ䭅䬲䬞䬨; 106 Note: Consists of four parts: Part 1, From Healthy Realism to New Cinema; Part 2, Zhongying (Central Motion Picture Corporation) and the Rise and Fall of Taiwan Cinema; Part 3, Taiwan New Cinema and Political Reform; and Part 4, Ethnic Groups in Taiwan Cinema. Includes a list, prepared by LiaoJinfeng and Ru-shou Robert Chen, of the most representative films of Taiwan cinema during each time period, and a bibliography (pp. 172–175). WorldCat Jpn
0500 Ming, Ji. Ҵ┫. Yin he cai wei. ુ૯ಈᑤ. Taibei: Li ming wen hu shi ye gu fen you xian gong si, 1987. 383 p. Note: A collection of lectures and articles by Ming Ji and reflections on Ming Ji’s life by his colleagues at Zhong ying where Ming Ji was the general director and producer from 1978 to 1984. CTFAL Chi
0504
0501
Xu, Ligong (Hsu, Li-kong), 1943– ጝ߹ۋ, 1943– Rang wo men zai ai yi ci: Xu Ligong de dian ying shi jie / Xu Ligong, Li Lingyi zhu. џϢИӐДϣҋ: ጝ߹ۋϡӇؙԒ֎ / ጝ߹ۋ, ଽਘသЯ. Taibei: Tian xia yuan jian chu ban gu fen you xian gong si, 2006. 318 p. ISBN 986417696X, 9789864176960 Series title: She hui ren wen; 238 घϾϪҹ; 238 Note: Autobiographical articles by Hsu Li-kong, film producer, director, publisher, supervisor, screenwriter, executive director of Central Motion Picture Corporation, and director of the Chinese Taipei Film Archive. Includes a chronology of Hsu’s film career and a list of award-winning films with which Hsu was involved. WorldCat Chi
Qiao, Qiong’en. ᑑᬆ൛. Ban shi ji dian ying qing. ٻԒઔӇؙє. Taibei: Ze feng ke ji gu fen you xian gong si, 2004. 127 p. ISBN 9868086205 Note: Published in celebration of the fiftieth anniversary of Zhong ying (1954–2004). The text lists the studio’s twenty best feature films and valorizes thirteen of its most famous film directors and stars. Includes a chronology of Zhong ying. CTFAL Chi
0502 Taiwan dian ying de tuo huang zhe: Gong Hong zuo tan hui yu ji nian zhan / Zhu ban dan wei: Zhong yang dian ying shi ye gu fen you xian gong si; Cai tuan fa ren guo jia dian ying zi liao guan. ݡஹӇؙϡᓛᄯٷ: ₳ᮜӏডϾӿઔ݉ࣁ / Ұ֧ދ: Ѕ႑ӇؙѨ ੦ڤϩࡳԍ ;ޅ֚ࣗϪлрӇࢧޞؙఖ. Taibei: Guo jia dian ying zi liao guan, 2004. 16 p. Note: The program for the Forum and Memorial Exhibition of Gong Hong hosted by the Chinese Taipei Film Archive from May 14 to June 18, 2004. Includes articles in memory of Gong Hong, general director of Zhong ying (Central Motion Picture Corporation) in Taiwan from 1963 to 1972, a chronology of Gong Hong, synopses of ten films produced by Gong Hong and presented at the exhibition, and a schedule of the Forum and Memorial Exhibition. CTFAL Chi
0505 Yu, Yeying. ཡ⁒. Cui can guang ying sui yue: Zhong yang dian ying gong si ji shi. ᩴ֊ۈׇؙ: Ѕ႑ӇؙԍޅઔѨ. Taibei: Zhong yang dian ying shi ye gu fen you xian gong si, 2002. 471 p. Note: A history of Zhong ying; includes a description of the historical context before and during the company’s origin, a detailed description of the development of the company, and details about films produced by the company. Includes film title and name indexes. CTFAL Chi
0503 Tobari, Haruo, 1938– פݏֆਜ਼, 1938–
0506 Zhong yang dian ying gong si jian jie / Zhong yang dian ying shi ye gu fen you xian gong si bian. Ѕ႑Ӈؙԍߢޅೀ / Ѕ႑ӇؙѨ੦ڤϩࡳԍޅഹ. Taibei: Zhong yang dian ying shi ye gu fen you xian gong si, [1997] 36 p.
Taiwan eiga no subete / Tobari Haruo, Ry䲖 Kinh䲖, Chin Jush䲚. ݡළྱࡌ䫟䫊䫪䫗/ פݏֆਜ਼, ᴰؖང, ᭉ. T䲖ky䲖: Maruzen, 2006. 180 p. ISBN 4621061062, 9784621061060
94
Film Institutions and Studios
Note:
0512
A general introduction to Zhong ying (Central Motion Picture Corporation). Includes a brief history, organization chart, distribution map, introduction to equipment and venues, synopses of classic films, and chronology. CTFAL Chi
2.3.8 Grand Motion Pictures Co., Ltd. (Guo Lian Dian Ying Gong Si / Guo lian), 1963–1967 0510 Jiao, Xiongping (Chiao, Peggy). ဖ๔. Gai bian li shi de wu nian: Guo Lian dian ying yan jiu. ۨԺࣵϡٚё: лࡀӇૢ୳ؙ. Taibei: Wan xiang tu shu go fen you xian gong si, 1993. 327 p. ISBN 9576694663 Series title: Taiwan dian ying shi cong shu; 2 ݡஹӇؙᜣ ;ڣ2 Note: The most comprehensive study on the history, structure, and contribution of Grand Motion Pictures Co., Ltd. (Guo Lian Dian Ying Gong Si) in Taiwan as well as the company’s founder and film director Li Hanhsiang. Explores issues surrounding the company’s rapid rise and fall, and provides insights into the company’s founder and employees. Includes four chapters: Chapter 1, Rise and Fall of Guo Lian Dian Ying Gong Si; Chapter 2, Li Han-hsiang and Guolian; Chapter 3, Review of the Films Produced by Guolian and Guolian’s Chronology; and Chapter 4, Conclusion. Includes interviews with Guolian employees, biographies of Guolian employees, and a bibliography. NTUL Chi
0507 Zhong yang dian ying gong si ying pian mu lu = Guide to motion pictures / Zhong yang dian ying shi ye gu fen you xian gong si. Ѕ႑Ӈؙԍؙޅә۵࠷ = Guide to motion pictures / Ѕ႑ӇؙѨ ੦ڤϩࡳԍޅ. Taibei: Zhong yang dian ying shi ye gu fen you xian gong si, 1982. 2 v. Note: A filmography of films produced by Zhong ying (Central Motion Picture Corporation). Includes film stills and photos. WorldCat Chi
0508 Zhong ying si shi nian ji nian te kan / Zhong yang dian ying shi ye gu fen you xian gong si bian. Ѕףؙёئᑂ / Ѕ႑ӇؙѨ੦ڤϩࡳԍޅഹ. [Taibei: Zhong yang dian ying shi ye gu fen you xian gong si, 1994] 95 p. Note: A special publication in celebration of the fortieth anniversary of Zhong ying (1954–1994). Consists of Huang Ren’s history of the company, and introductions to the company’s organization, production, film development factories, studio, major directors, classical feature films, and a chronology. CTFAL Chi
0511 Yong yuan de Li Hanxiang / Zhu bian: Yu Yeying; zhu bi: Huang Ren. ݖϡଽᲆፖ / Ұഹ: ཡ ;⁒Ұદ: ࢶწ. Taibei: Jin xiu chu ban shi ye gu fen you xian gong si, 1997. 144 p. ISBN 9577203140 Note: A work which commemorates Li Han-hsiang. Consists of seven parts: Part 1, Hong Kong Period (1948–1963); Part 2, Post-Hong Kong Period (1971–1982); Part 3, Taiwan Period (1963–1970); Part 4, Mainland Period (1982–1996); Part 5, Asian Film World Shocked by Li’s Death; Part 6, Memories; and Part 7, Li Han-hsiang’s Life and Film. Includes a list of the films directed by Li, Guolian’s film production chronology, and a list of the awards received by Li. CTFAL Chi
2.3.7 Tiensheng and Tienhua Film Company (Tian Sheng, Tian Hua Ying Ye Gong Si), 1960–1978 0509 Tu, Shujun. ຂᎂᅿ. Ying lao Zhou Tiansu. ؙᤕرϳঈ. Tainan xian Xinying shi: Xingying shi gong suo, 2001. 71 p. ISBN 9570296674 Series title: Xinying shi shi su jun xiang ji; 2 Јॺص㍇ळՌফ; 2 Note: A biography of Zhou Tiansu, early film narrator, producer, owner of Xin ying Theatre, and founder of the film distribution company Bai dai and film production studios Tiansheng and Tianhua. Includes a chronology. CTFAL Chi
2.3.9 First Motion Pictures Co., Ltd (Di Yi Ying Ye Ji Gou You Xian Gong Si), 1967– 0512 Huang, Zhuohan (Huang, Cho-han), 1920– ࢶᅤఈ, 1920– Dian ying ren sheng: Huang Zhuohan hui yi lu. ӇؙϪТ: ࢶᅤఈҘশ࠷. Taibei: Wan xiang tu shu fu fen you xian gong si, 1994. 317 p.
95
Film History
0513 ISBN Note:
9576695759 A memoir of Huang Cho-han who began his film production career in Taiwan in 1967, established the film production company First Motion Pictures Co., Ltd. (Di Yi Ying Ye Ji Gou You Xian Going Si) and worked in the film industry in mainland China, Hong Kong, and Taiwan. Includes a chronology. CTFAL Chi
2.3.11 Taiwan Film and Culture Association (Taiwan Dian Ying Wen Hua Xie Hui), 2001– 0514 2002–2007 Taiwan dian ying wen hua xie hui ji shi = Chronicle of the Taiwan Film & Culture Association / Taiwan dian ying wen hua xie hui. 2002–2007ݡஹӇؙҹ٩Ͼઔ࠷ = Chronicle of the Taiwan Film & Culture Association / ݡஹӇؙҹ٩Ͼ. Taibei: Taiwan dian ying wen hua xie hui, 2007. 263 p. Note: A bilingual (Chinese and English) introduction to, and review of, the Taiwan Film and Culture Association and its activities from 2002 to 2007. Includes a chronicle of the Taiwan Film and Culture Association, 2002–2007. CTFAL Chi Eng
2.3.10 Chinese Taipei Film Archive (Cai Tuan Fa Ren Guo Jia Dian Ying Zi Liao Guan), 1991– 0513 Asian cinema—yesterday, today and tomorrow / edited by Myungkyu Park. Seoul: Korea Film Archive, 2002. 348 p. Note: Proceedings from the Fifty-Eighth Congress of the International Federation of Film Archives, Seoul, 2002. Includes papers introducing film archive works in various Asian countries, including the paper “Films Well-Made and Kept in Taiwan: A Brief Introduction to the Film Industry, Film Databases and Film Archive in Taipei” by Feiyi Lu. WorldCat Kor Eng
96
3 Specific Film Genres
3.1
“A,” RESTRICTED,
AND
PORNOGRAPHIC FILMS
ISBN 9579901066 Series title: San qing kong jian; 1 ѧєҼ; 1 Note: A work covering the so-called Qing se or “A”-rated films, which are restricted to general audiences because of the display of nudity or sexual content. Consists of five parts: Part 1 describes Qing se films, the government’s “restricted” rating system, Taiwan’s film rating system, and “A” film production; Part 2 describes the most famous “A” film directors and their works; Part 3 explores American and Japanese “A” films; Part 4 describes Hong Kong and Taiwan “A” film production; Part 5 presents a theoretical discussion of “A” films. Includes a bibliography. CTFAL Chi
0515 Chihan. စఈ. Se qing pian. ዸєә. Taibei: Mu cun tu shu, 2004. 222 p. ISBN 9867533119 Series title: Qu wei ren sheng xi lie; 1 ঙڏϪТ ;࠶ڍ1 Note: A collection of adult film reviews, divided into two parts: Western and Oriental. The book cover carries an “18 and older” marking. CTFAL Ch1
3.2
0516 Liang, Liang, 1954– ᅯમ, 1954– Kan bu dao de dian ying—bai nian jin pian da guan. ЃϤϺϡӇښ—ؙёәϽ. Taibei: Shi bao wen hua, 2004. 310 p. ISBN 957134124X Series title: Passion xi lie Passion ࠶ڍ Note: A review of films around the globe that are banned due to issues, including the following: politics, religion, sex, violence, culture, and race. Eighty-seven censored or banned films in mainland China, Hong Kong, and Taiwan are introduced and discussed in the text. Includes a list of banned movies available in DVD format. NTUL Chi
ANIMATED FILMS
0518 Chen, Lifang (Chen, Li-fang). ᾭҤ. 1989–2006 Di shi ni jing dian tong hua zai Taiwan de xiao fei yu yun yong = The consumption and application of Disney classical animation between 1989 and 2006 in Taiwan. 1989–2006 ၔࡲ৸ҬਹҁޫϨݡஹϡٮ۽ӿػѓ = The consumption and application of Disney classical animation between 1989 and 2006 in Taiwan. 104 leaves. Note: Thesis (M.A.)—National Cheng Kung University, 2006. In 1989, animated films produced by Walt Disney officially entered the Taiwan film market, and in 1995, Disney movies entered Taiwan’s cable television programs. Chapter 1 discusses the history of Walt Disney Studio, Chapter 2 focuses on characteristics of and cultural elements in Disney film plots, and Chapter 3 studies the influence of Disney animated films on Taiwan animated film production, children’s education, and audience reception since 1989. Includes a Chinese and English Abstract, bibliography, and appendix. NCL/NDLTD (FT) Chi
0517 Ye, Junjie. ౕᒺီ. A chao, qing se dian ying da sou mi. A , єաӇؙϽഎ઼. Taibei: Fuermosha chu ban ji tuan, 1997. 289 p.
97
Specific Film Genres
0519
१֡Ӈؙ: १֡ҁޫϡӢগ३ӑ֚ = Cartoon animation art. Taibei: Da lu shu dian, 1977. 336 p. Note: A comprehensive work on animated film history, theory, and filmmaking techniques, including a comparative study of Chinese and foreign animated films. CTFAL Chi
0519 Chen, Yijing. ជ᪦. Dong hua chuang yi xian chang: Taiwan dong hua dao yan ming zuo da po xi. ҁޫࡶҺѳԾ: ݡஹҁޫ࣒ࠟӜӑϽ៖. Taibei: Ru guo chu ban she, Da yan wen hua shi ye gu fen you xian gong si, 2009. 197 p. ISBN 9789866702276 Note: A brief introduction to animated film, Taiwan’s animation film history, and forty-three animation directors. Each director is presented with a brief biography, a list of works, synopses, film stills, and animated drawings. CTFAL Chi
0524 Huang, Ren, 1925– ࢶწ, 1925– Taiwan dian ying bai nian shi hua / Huang Ren, Wang Wei bian zhu. ݡஹӇښؙёҧ/ࢶწ,ࣼଂഹЯ. Taipei: Zhonghua ying ping ren xie hui, 2004. 2 v. Note: A comprehensive and objective text on Taiwan film history. Significant achievements of the work include the following: (1) discovery that the first film shown in Taiwan occurred in 1899, differing from scholars who claim the first screening occurred in 1901; (2) a detailed description of Taiwan film artists’ activities and achievements during the colonial period in both Taiwan and mainland China; (3) a discussion of Taiwan film history from multiple perspectives; (4) the authors ability to maintain an objective stance while approaching politically charged issues, such as the Japanese influence on Taiwan cinema, propaganda films in Taiwan, the Nationalist Government’s censorship system; and (5) the inclusion of important filmographies in some of its chapters. Shortcomings of the work include the following: (1) poor editing and multiple typos, such as on page 19, when the date of the first feature film made in Taiwan, by the Japanese, is written as 1902 instead of 1922, and the fact that Chapter 12 starts on p. 331, but the table of contents notes that it starts on p. 329; (2) poor content organization, for example, Chapters 11–21 in Vol. 2 are not connected cohesively; and (3) the text does not contain a complete bibliography, filmography, or indexes, except for inconsistent bibliographical materials included at the end of selected chapters. Thus, it is difficult to recommend this text as reference material, even though it contains important historical information. Includes some bibliographic information at the end of selected chapters. Includes film stills, posters, and photos. WorldCat Chi
0520 Chou, Peggy. Taiwan cinema: fictions, documentaries, animations. Taipei: Department of Motion Picture Affairs, Government Information Office, 2006. 1 v. Note: According to OCLC WorldCat, there is only one copy at the National Taiwan University Library. WorldCat Eng
0521 Deng, Youli. ᛨϩ߹. Ka tong ying pian zhi zuo. १ؙ֡ә३ӑ. Taibei: Wuling chu ban she, 1983. 182 p. Note: A general introduction to the history, theory, and filmmaking techniques of animated films. CTFAL Chi
0522 Dong hua dian ying tan suo / Huang Yushan, Yu Weizheng bian. ҁޫӇؙ෬ / ࢶർᦸ, Њूഹ. Taibei: Yuan liu chu ban shi ye go fen you xiang gong si, 2004. 349 p. ISBN 9573232428 Series title: Dian ying guan; 71 Ӈؙఖ; 71 Note: A collection of essays on Taiwan animated films, including Li Caiqing on animated film development and its current state in Taiwan; Huang Yushang on the use of animation for educational purposes in Taiwan; and other essays on film animation techniques, genres, technology, production, history, and forecasts for its future. NTUL Chi
0525 Ka tong dian ying: ka tong dian ying de shi ji zhi zuo ji fa = Cartoon animation art / Zhang Zongxiong, Huang Mucun bian zhu. १֡Ӈؙ: १֡ӇؙϡӢগ३ӑ֚ = Cartoon animation art / פ ᅓ, ࢶަభഹЯ. Taibei: Da lu shu dian, 1975. 282 p. Note: Covers animated film history, theory, and filmmaking techniques, including an introduction to the development and future of Chinese animated film. CTFAL Chi
0523 Huang, Mucun. ࢶަభ. Ka tong dian ying: ka tong dong hua de shi ji zhi zuo ji fa = Cartoon animation art.
98
Animated Films
0533 ISBN Note:
0526 Lent, John A. Animation in Asia and the Pacific. London: John Libbery, 2001. 270 p. ISBN 1864620366, 9781864620368, 1864620374 (pbk.), 9781864620375 (pbk.) Note: An introductory look into animated films in Asia and the Pacific region. Chapter 7 focuses on animated films in Taiwan and James Wang’s animated film studio “Cuckoo’s Nest.” Includes a bibliography and indexes. WorldCat Eng
9577444660 A work on animated comic books and films. Two essays of note: a discussion of the relationship between the Taiwan Golden Horse Film Awards and animated films (pp. 99–105), and a presentation of the current state of Taiwan comics and animated films (pp. 157–182). CTFAL Chi
0530 Shiau, Hong-Chi. Animating the cute, the mean and the beautiful: the production and consumption of animation: Taiwan’s struggles in the age of globalization. Saarbruchen, Germany: Vdm Verlag Dr Mueller, 2008. 202 p. ISBN 3639093976, 9783639093971 Note: Studies animation as the end product of a complicated relationship between conscious social exchanges and intelligent cultural management in the age of globalization. Taiwan, one of the largest producers of animation in the world, heavily depends on the pre- and postproduction skills of its client countries, such as the United States and Japan. WorldCat Eng
0527 Lent, John A. Ya Tai dong hua / Fanyi: Zhang Huilin. ѿ҃ࡌ / ࢬፈ䩭צ༫ை. Beijing: Zhongguo chuan mei da xue chu ban she, 2006. 313 p. ISBN 7810857029 Note: The Chinese translation of John Lent’s 2001 book Animation in Asia and the Pacific, published by John Libbery Publishing in London. An introductory look into animated films in Asia and the Pacific region. Chapter 7 focuses on animated films in Taiwan and James Wang’s animated film studio “Cuckoo’s Nest.” It does not include the bibliography and indexes found in the original English version. Duxiu Chi
0531 Shiau, Hong-Chi. Production and consumption of animation in Taiwan: the interplay of global political and economic forces. 235 leaves. Note: Thesis (Ph.D.)—Temple University, 2005. A study of animation production and consumption in Taiwan using global political and economic perspectives. Includes an abstract and a bibliography. WorldCat Eng
0528 Oh mei jun Amazing: Guo li Taiwan yi shu da xue, she ji xue yuan, duo mei ti dong hua yi shu xue xi di yi jie bi ye zuo pin ji = First Graduation Exhibition, Department of Multimedia and Animation Art, National Taiwan University of Arts. ᄠ෪ጶ Amazing: л߹ݡஹਲफϽѹ, ذޗѹࡨ, Є෪Ղҁޫਲफ ѹڍҷϣโഋӑԘओ = First Graduation Exhibition, Department of Multimedia and Animation Art, National Taiwan University of Arts. Taibei: Guo li Taiwan yi shu da xue, 2007. 128 p. Note: A program for the First Graduation Exhibition by the Department of Multimedia and Animation Art, National Taiwan University of Arts. Includes an introduction to the National Taiwan University of Arts department, faculty, and student animated films and portfolios. Includes drawings and stills. CTFAL Chi
0532 Taiwan guo ji dong hua ying zhan (di yi, er jia) = Taiwan International Animation Festival (2003–2004) / Guo jia dian ying zi liao guan zhu ban. ݡஹлগҁޫ( ࣁؙҷϣ, ԏโ) = Taiwan International Animation Festival (2003–2004) / лрӇࢧޞؙఖҰދ. 1 v. Taipei: Guo jia dian ying zi liao guan, 2004. Note: This bilingual (Chinese and English) work was published for the First and Second Taiwan International Animation Festivals (TIDF; 2003–2004). Includes festival program, introduction to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng
0533
0529
Taiwan guo ji dong hua ying zhan (di er, san jia) = Taiwan International Animation Festival (2004–2005) / Guo jia dian ying zi liao guan zhu ban. ݡஹлগҁޫ( ࣁؙҷԏ, ѧโ) = Taiwan International Animation Festival (2004–2005) / лрӇࢧޞؙఖҰދ. 1 v. Taipei: Guo jia dian ying zi liao guan, 2005.
Shahulu Tongmeng. ૪॥ᖠӎჂ. Dong man 2000 = Animation comic. ҁࢿ2000 = Animation comic. Taibei: Lan jing chu ban you xian gong si, 2001. 328 p.
99
Specific Film Genres
0534 Note:
This bilingual (Chinese and English) work was published for the Second and Third Taiwan International Animation Festivals (TIDF; 2004–2005). Includes festival program, introduction to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng
0538 Wu, Dingwu-Walisi (Wu, Diing-wuu Vale). ྶᑾે-ᐩࣵট. Dian nao dong hua ji chu = The fundamental of computer animation. Ӈݴҁޫऴኝ = The fundamental of computer animation. Taibei: Song gang dian nao tu shu zi liao ge fen you xian gong si, 1998. 215 p. ISBN 9572229699 Note: An introduction to computer animation. Includes sample images, bibliography, and resume. CTFAL Chi Eng
0534 Taiwan guo ji dong hua ying zhan (di si, wu jia) = Taiwan International Animation Festival (2006–2007) / Guo jia dian ying zi liao guan zhu ban. ݡஹлগҁޫ( ࣁؙҷף, ٚโ) = Taiwan International Animation Festival (2006–2007) / лрӇࢧޞؙఖҰދ. 1 v. Taipei: Guo jia dian ying zi liao guan, 2007. Note: This bilingual (Chinese and English) work was published for the Fourth and Fifth Taiwan International Animation Festivals (TIDF; 2006–2007). Includes festival program, introduction to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng
0539 Ye, Yueng. ౕड़൛. MAYA jing hua lun III: dong hua she ding yu fen zi te xiao = The evolution III of MAYA: animation and dynamic effect. MAYA Ք٩ںIII: ҁޫޗӡӿдж = ئThe evolution III of MAYA: animation and dynamic effect. Taibei: Jin he zi xun gu fen you xian gong si, 2005. 878 p. ISBN 9861491325 Note: A manual for version III of the MAYA animation software program. CTFAL Chi
0535 Taiwan guo ji dong hua ying zhan (di si jia) = Taiwan International Animation Festival (2006) / Guo jia dian ying zi liao guan zhu ban. ݡஹлগҁޫ( ࣁؙҷףโ) = Taiwan International Animation Festival (2006) / лрӇࢧޞؙఖҰދ. 1 v. Taipei: Guo jia dian ying zi liao guan, 2006. Note: This bilingual (Chinese and English) work was published for the Fourth Taiwan International Animation Festival (TIDF; 2006). Includes festival program, introduction to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng
0540 Ying yin mei xue yu chuang yi xing xiao yan tao hui = Seminar on digital aesthetics and creative marketing / Li Tianduo, Fan Shengbao, Qiu Zhiyong zong zhu bian. ٸؙѤѹӿࡶҺҲઍ୳क़Ͼ = Seminar on digital aesthetics and creative marketing / ଽϳ⟢, ഄخ, ᆥ௨ରրҰഹ. Taibei: Jiao yu bu, 2007. 210 p. ISBN 9789860101904 Note: Conference proceedings organized into twelve sessions, including lectures and panel discussions, focusing on the emergent multimedia, digital technology, film production, and marketing trends involving Hollywood marketing strategies in Taiwan and Taiwan film production and marketing, as well as the cooperation of animated film production between Taiwan and mainland China. CTFAL Chi
0536 Taiwan guo ji dong hua ying zhan (di wu jia) = Taiwan International Animation Festival (2007) / Guo jia dian ying zi liao guan zhu ban. ݡஹлগҁޫ( ࣁؙҷٚโ) = Taiwan International Animation Festival (2007) / лрӇࢧޞؙఖҰދ. 1 v. Taipei: Guo jia dian ying zi liao guan, 2007. Note: This bilingual (Chinese and English) work was published for the Fifth Taiwan International Animation Festival (TIDF; 2007). Includes festival program, introduction to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng
0541 Zhao, Guohong. ᕿлᒩ. 3ds max 8 dong hua li lun yu she ji. 3ds max 8 ҁޫԑںӿذޗ. Taibei: Xue guan xing xiao gu fen you xian gong si, 2005. [36 p.] ISBN 986619828x Note: The theory and design of the animation software program 3D Studio MAX. CTFAL Chi
0537 Taiwan cinema 2000–2002: short fictions, documentaries, animations, experimentals / Chinese Taipei Film Archive. Taipei: Arthur Lap, 2003. 84 p. Note: An introduction to Taiwan cinema from 2000 to 2002; includes short films, documentaries, animation, and experimental cinema. WorldCat Eng
100
Anti-Communist Films / Art Films
3.3
0546
ANTI-COMMUNIST FILMS
Taibei: Guo li guo fu ji nian guan, 2004. 211 p. ISBN 9570192216 Note: A collection of film reviews and related synopses of forty-six selected art films, including seven Taiwan films, screened and discussed during an annual art film seminar held at the Sun Yat-sen Museum. Includes the author’s chronology. CTFAL Chi
0542 Huang, Ren, 1925– ࢶწ, 1925– Dian ying yu zheng zhi xuan chuan. Ӈؙӿूୌة. Taibei: Wan xiang tu shu go fen you xian gong si, 2004. 441 p. ISBN 9576694841 Series title: Taiwan dian ying shi cong shu; 3 ݡஹӇؙᜣ ;ڣ3 Note: A comprehensive work on the relationship between film and politics in Taiwan. Divided into eleven chapters: Chapter 1: General Introduction; Chapter 2: Film Policy and Public & Private Film Studios; Chapter 3: AntiCommunist Films; Chapter 4: Anti-Japanese Films; Chapter 5: “Search-Roots” (nativism) and Nationalist Films; Chapter 6: Military Education Films; Chapter 7: Character-Building and Educational Films; Chapter 8: Agricultural Reform, Economic Development, and Unity-Building Films; Chapter 9: National Revolution Films; Chapter 10: Biographies of Film Professionals; and Chapter 11: Interviews. NTUL Chi
3.4
0545 Lai, Huilan. ┰୪. Yi sheng huo xing tai pou xi Taiwan zhi yi shu dian ying xiao fei xing wei = Consumer behaviors analysis in Art House from the life-style viewpoint. йТ҅ࡿݯ៖ݡஹҏਲफӇٮ۽ؙҲЊ = Consumer behaviors analysis in Art House from the life-style viewpoint. 76 leaves. Note: Thesis (M.A.)—National Taiwan University, 2005. Uses audience survey responses at art house theaters in Taipei to study audience motivation, expectation, and behavior. The author divides the art house audience into three different life-style groups: the “Simple and Plain People” group often attends art films with coworkers; the “Art & Literature-Desiring People” attend films based on previous knowledge of the film; and the “Active to Interpersonal-Activity People” group, which enjoys watching films and other artrelated activities more than the previous two groups of people. Includes an English abstract, a bibliography and a sample survey. NTUL Chi
ART FILMS
0543 Cai, Xiaowei (Tsai, Hsiao-Wei). ᓥ➐ᑤ. Yi shu dian ying guan shang zhe zhi xiao fei xing wei yan jiu = Consumer behaviors in art films. ਲफӇؙٷҏٮ۽ҲЊ୳ૢ = Consumer behaviors in art films. 63 leaves. Note: Thesis (M.A.)—National Taiwan University, 2004. Studies two main film currents in Taiwan since the 1990s: commercial films, which struggle against dominant foreign films; and art films, which participate in the global art house market with the aim of garnering international acclaim. Examines consumer behavior data collected in questionnaires directed to art film viewers in Taiwan. Includes a Chinese and English abstract, a bibliography, and sample questionnaires. NCL/NDLTD Chi
0546 Wu, Tingyun. ྶ៴ུ. Yi shu dian ying mi yu Taiwan dian ying xiao fei jie ceng hua xian xiang zhi yan jiu: yi Budi’e (Bourdieu) wen hua she hui xue wei yan jiu qu jing. ਲफӇؙࣿӿݡஹӇٮ۽ؙ႓ৡ٩୳ૢ: йၔᵹ (Bourdier) ҹ ٩घϾѹЊ୳ૢԼዒ. 149 leaves. Note: Thesis (M.A.)—Tamkang University, 2006. Analyzes the formation of art film consumer culture in Taiwan as well as the social characteristics and cultural practices of art film fans by using in-depth interviews. The author employs French sociologist Pierre Bourdieu’s cultural theories, and concludes that Taiwan film consumption is stratified because economic and cultural capital is distributed unequally. Appendix includes the names and background information of interviewees, and the survey sample. Includes a Chinese and English abstract and a bibliography NCL/NDLTD Chi
0544 Huang, Yingxiong. ࢶ߭. Yi shu dian ying shang xi: Guo li guo fu ji nian guan rang ai fei yang yi shu dian ying jiang zuo, jiu shi er nian du. ਲफӇؙ: л߹лઔ݉ఖџДٞเਲफӇ܈ؙӏ, ॰ԏё ֏.
101
Specific Film Genres
0547 3.5
CHILDREN’S FILMS
ጝϤϦӍঁӇؙЅϡԲԛӠ = ૢ୳ڰThe construction of masculinity in Pu-liao Hsu’s comedy movies. 94 leaves. Note: Thesis (M.A.)—National Cheng Kung University, 2004. Interprets the construction of masculinity in four Pu-liao Hsu (a comedy movie star in Taiwan) films: A Maiden and Wonderer (1981), Playboy (1982), The Twins (1984), and The Clown and the Swan (1985). Concludes that the two patterns of masculinity in these films are characteristic of Taiwan society in the 1980s: an “exaggerated-fetish” pattern, and a “castrated-feminine” pattern. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi
0547 Huang, Qianfen (Huang, Chien-Fen). ࢶ࡛ᐇ. Yi jiu ba ling nian dai Taiwan er tong dian ying lei xing yan jiu = Approaches to Children’s Films in Taiwan in the 1980s. ϣ॰ࡂ0ёݡڊஹճুӇؙढࡿ୳ૢ = Approaches to Children’s Films in Taiwan in the 1980s. 105 leaves. Note: Thesis (M.A.)—National Taitung University, 2005. Four genre films directed by Hou Hsiao-hsien, Ke Yizhen, and Wang Xiajun are selected as case studies to identify the role of children in Taiwan cinema of the 1980s. Includes a Chinese and English abstract, a bibliography, film synopses, Taiwan children’s cinema during the1980s, and children’s films shown during the Golden Horse International Film Festivals, 1991–1995. NCL/NDLTD Chi
3.7
0550 Li, Zhenyi (Le, Jen-yi). ଽᢾသ. Dian nao dong zuo kong zhi she ying xi tong de guang gao ying xiang biao xian yan jiu = The image expression of commercial films made by motion control camera system. ӇݴҁӑସءࢃڍؙϡؙܰݍՌԣࠟ୳ૢ = The image expression of commercial films made by motion control camera system. 138 leaves. Note: Thesis (M.A.)—National Taiwan Normal University, 2004. The paper explores the potential of the Motion Control Camera System (MOCO), concurrently in limited use, to be used widely throughout the Taiwan film industry by examining and analyzing images in commercial films produced by MOCO, and by interviewing film professionals who have used MOCO in their productions. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi
0548 Zhang, Ruilan (Chang, Jui Lan). פᇳ୪. Taiwan dian ying xu jing zhong suo jian gou zhi er tong shi jia = Construction of Children’s world in Taiwan cinema. ݡஹӇؙᡳ॒ЅӛࠃภҏճুԒ֎ = Construction of children’s world in Taiwan cinema. 260 leaves. Note: Thesis (M.A.)—National Taiwan University of Arts, 2005. Explores the role of children in Taiwan cinema in three different thematic arrangements: family, school, and coming of age. Studies eight films with child actors/ actresses who won Golden Horse Film Awards and films that participated in International Children’s Film Festivals to show ways in which the children’s environments are constructed by adults, the positive and negative interactions between children and adults, and how narrative incidents contribute to each child’s moral development and eventual success. Appendix includes the List of Golden Horse awardwinning children film stars, Taiwan films that participated in International Children’s Film Festivals, and film synopses and scene analysis charts of the selected eight films. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi
3.6
COMMERCIAL FILMS AND MTVS
0551 Lin, Xinghong. ᕭ. Jiao han “Kai mai la” de nu xing—Taiwan shang ye pian nu dao yan ji qi zuo pin yan jiu. چஃ “ыࠁ” ϡѽԛ—ݡஹ࠱әѽ࣒ࠟߵԷӑԘ୳ૢ. 200 leaves. Note: Thesis (Master)—National Cheng Kung University, 1998. Based on the study of sixteen Taiwanese commercial films directed by female directors and interviews with these directors, the paper provides an overall picture of the family, education, marriage, and professional background of Taiwanese female directors during the 1970s and 1980s. Includes a Chinese abstract, a bibliography, and an appendix (including biographies of interviewees, filmography, interview question, time, and location). NCL/NDLTD Chi
COMEDY FILMS
0549 Cai, Kunfen (Tsai, Kun-fen). ᓥᐒ. Xu Buliao xi ju dian ying zhong de nan xing qi zhi yan jiu = The construction of masculinity in Pu-liao Hsu’s comedy movies.
102
Documentary Films
3.8
0557
DOCUMENTARY FILMS
Includes a product list of Taiwan’s antimainstream image media. CTFAL Chi
0552 2000 wen hua ji lu pian guan mo yan tao ying zhuan kan / Xing zheng yuan wen hua jian she wei yuan hui zhu ban; Taibei dian ying xie hui ce hua zhi xing. 2000 ҹ٩ઔ࠷әಎ୳क़ॺ֟ᑂ / Ҳूࡨҹ٩ࠃޗణϾҰ;ދ ܚݡӇؙϾ೫వҲ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2000. 120 p. Note: A special publication for the 2000 Cultural Documentary Festival and Study Camp hosted by Council on Cultural Affairs, Executive Yuan, and Taipei Film Association. Includes introductions to the films, directors, and lecturers, as well as papers and records of the panel discussions. CTFAL Chi
0555 Chen, Jiandao. ࠃѬ. Ji lu pian zhi zhi zuo. ઔ࠷әҏ३ӑ. Taibei: Shi jie shu ju, 1978. 258 p. Note: This is the same work published in 1965 under the name of Wenquan (Chen, Wenquan) with a similar title. An introduction to documentary film theory and a detailed description of the techniques and processes of documentary filmmaking in Taiwan. Appendix includes three papers on documentary films by Xiao Hao. CTFAL Chi
0553 2001 du li zhi pian yu ji lu pian guo ji xue shu yan tao hui ji nan fang ying zhan lun wen ji / Zhu ban dan wei: Guo li Tainan yi shu xue yuan yin xiang yi shu ke ji duo mei ti zhong xin. 2001 ߹ݻ३әӿઔ࠷әлগѹफ୳क़Ͼ᠕۪Ҥںࣁؙҹओ / Ұދ ֧: л߹۪ݡਲफѹࡨٸՌਲफ॓Є෪ՂЅК. Tainan: Guo li Tainan yi shu xue yuan yin xiang yi shu ke ji duo mei ti zhong xin, 2001. Various paginations. Note: Conference proceeding from the 2001 International Independent Filmmaking and Documentary Symposium in Tainan. Includes program, introduction of participants, and Chinese and English abstracts of the presentations. CTFAL Chi Eng
0556 Chen, Liangfeng (Chen, Liang Feng). ݊ழ. Ji lu pian sheng chan de ping min hua: 95–98 nian di fang ji lu she ying gong zuo zhe xun lian ji hua de jing yan yan jiu = The Accessibility of Making People Documentary. ઔ࠷әТݗϡھכ٩: 95–98ёсҤઔ࠷ؙ֞ӑٷਗޫذϡҬ ࡐ୳ૢ = The Accessibility of Making People Documentary. 150 leaves. Note: Thesis (M.A.)—National Tsing Hua University, 1998. Explores the accessibility of documentary filmmaking for ordinary people in Taiwan, based on ideas acquired while participating in Taiwan’s Local Documentary Film Training Workshop Program, 1995–1998. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi
0554 Bian di fa sheng—fan zhu liu ying xiang mei ti yu she yun ji lu / Zhu zhe Dun Cheng deng. נсчބ—كҰԵ ؙՌ෪Ղӿघػઔ࠷ / Яٷᆼҳ. Taibei: Tangshan chu ban she, 1992. 183 p. Series title: Jin bu cong shu; 5 Ք܌ᜣ ;ڣ5 Note: An essay collection that focuses on Taiwan’s antimainstream media movements and social movements during the 1980s and 1990s. Essays include Jiang Guanming’s report on nonmainstream media in Taiwan; Dai Bofen and Wei Yinbing’s analysis of antimainstream images; Li Daoming’s review of his experience in documentary filmmaking; Liang Guang’s discussion of Taiwan antimainstream image media movement vis-à-vis the May 20, 1988 Incident; and Zhang Bihua’s interview of Wang Zhizhang on Taiwan’s street movement in the 1980s, as well as an overall description of Taiwan’s antimainstream image media groups, such as Green Group, The Third Image Studio, Culture Taiwan Studio, Firefly Image, New Taiwan Social Movement Audio/Visual Studio, and Taiwan Report by the editors.
0557 Chen, Luyang (Chen, Lu-Yang). ߫เ. Wo guo yuan xian ji lu pian “Wu mi le,” “Fan gun ba! nan hai,” “Nanfang’ao hai yang ji shi” zhi xing xiao ce lue yan jiu = Marketing strategies study of “Happy rice,” “Jump! Boys,” and “Chronicle of the sea, Nan-Fang-Ao.” Ϣлࡨ۷ઔ࠷ә “ѩܶӀ,” “ࢬఁщ! Բי,” “۪ҤᆹଥઔѨ” = Marketing strategies study of “Happy rice,” “Jump! Boys,” and “Chronicle of the sea, Nan-Fang-Ao.” 144 leaves. Note: Thesis (M.A.)—Ming Chuan University, 2006. Analyzes the documentary film marketing strategies of Happy Rice (2004), Jump! Boys (2005), and Chronicle of the Sea, Nan-fang-ao (2004). Includes a Chinese and English Abstract, a bibliography, and an appendix. NCL/NDLTD Chi
103
Specific Film Genres
0558
island, the location of the last ground battle between Nationalist and Communist troops in 1949, and site of more than twenty years of artillery fire between the two sides. CTFAL Chi
0558 Chen, Wenquan (Wenquan). ҹ (ҹ). Ji lu pian she zhi zhi li lun yu shi jian. ઔ࠷ә३ҏԑںӿӢᒂ. Taibei: Zhong wai dian ying za zhi she, 1965. 220 p. Note: An introduction to documentary film theory and a detailed description of the techniques and processes of documentary filmmaking in Taiwan. Appendix includes three papers on documentary films by Xiao Hao. CTFAL Chi
0562 Di er jie wen hua zi chan ji lu pian xun hui guan mo yan xi ying: chu jie ke cheng xue yuan shou ce / Ce hua Xing zheng yuan wen hua jian she wei yuan hui. ҷԏโҹ٩ݗޞઔ࠷ә፶፯ಎ୳ॺ܄: २႓ࠆࡄѹѲೠ / ೫ Ҳूࡨҹ٩ࠃޗణϾ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1998. 133 p. Note: A study manual for students of the Second Cultural Heritage Documentary Film Exhibit and Study Camp, sponsored by the Council on Cultural Affairs, Executive Yuan in Taiwan in 1997. Includes an introduction to the program, lecturers, related papers, curricula, synopses of related films, and a Result Report of the Second Cultural Heritage Documentary Film Exhibit and Symposium by Wang Weici, organizer of the exhibit and symposium. CTFAL Chi
0559 Chen, Zhengxun. Ԝ. Yi ren de zu ji: guang ying sui yue—Gaosong Fengcilang = Toyojirö Takamatsu / Chen Zhengxun, Lin Junpin zhu. Ϫϡ߿࿑: —֊ۈׇؙҙग़ஶҋᅦ = Toyojirö Takamatsu / Ԝ , ԘЯ. Taibei: Da kang chu ban she, 2008. 44 p. ISBN 9789868347472 Series title: Sheng hua zhi; 010 Т҅௨; 010 Note: Presents Toyojirö Takamatsu’s (1872–1952) biography and influence in Taiwan film history. Takamatsu introduced film to Taiwan in 1895 and produced the first documentary film in Taiwan in 1907. CTFAL Chi
0563 Di san jie wen hua zi chan ji lu pian xun hui guan mo cheng guo bao gao / Wang Weici zhu chi ce hua. ҷѧโҹ٩ݗޞઔ࠷ә፶፯ಎюҝ ݍڻ/ ࣼ໓፦Ұف೫. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1999. Note: Author Jim Cheng found this title in the bibliography of the Third Cultural Heritage Documentary Film Exhibit and Study Camp report; however, he could not locate the actual text at the three major libraries housing film materials in Taipei (NCL, NTU, and CTFA). Chi
0560 Chou, Peggy. Taiwan cinema: fictions, documentaries, animations. Taipei: Department of Motion Picture Affairs, Government Information Office, 2006. 1 v. Note: According to OCLC WorldCat, there is only one copy at the National Taiwan University Library. WorldCat Eng
0564 Di yi jie min zu zhi ying zhan xun yan ji “Ying xiang zhong de zu qun wen hua” yan xi ying yan xi shou ce / Taiwan min zu zhi ying xiang xue hui. ҷϣโھఓ௨ࣁؙ፶ࠟ᠕ “ؙՌЅϡఓळҹ٩”୳܄୳ॺ܄Ѳೠ / ݡஹھఓ௨ؙՌѹϾ. Taibei: Taiwan min zu zhi ying xiang xue hui, 2002. 38 p. Note: A manual for the Ethnic Culture in Film Images study camp hosted by the Taiwan Association of Visual Ethnography during the first Taiwan International Ethnographic Film Festival Touring Exhibition from April 13–June 02, 2002. Includes a collection of articles by Taiwan scholars on ethnographic films shown during the festival, a study camp program and schedule, and synopses (in both Chinese and English) of sixteen films shown during the festival and study camp, including four Taiwan films. NTUL Chi Eng
0561 Dan dao shuang bu da—yi bu lai zi Jinmen de bai xing dian ying / Ying huo chong ying xiang ti zuo. ӋדϤӋ—ϣחϰІؖ՞ϡښӇ ؙ/ ⁒ڮາྱՌՂӑ. Taibei: Wan xiang tu shu go fen you xian gong si, 1995. 193 p. ISBN 9576696321 Series title: Yi shu fang; 7 ਲ ;ࠚڣ7 Note: An introduction to the independent film Every Odd Numbered Day (1994), including commentary by the director, producer, and related personnel, as well as interviews and reviews. The film, a mixture of documentary and fiction, describes the residents of Jinmen
104
Documentary Films
0569 Note:
0565 Di yi jie wen hua zi chan ji lu pian xun hui guan mo yan tao hui cheng guo bao gao / Wang Weici zhu chi ce hua. ҷϣโҹ٩ݗޞઔ࠷ә፶፯ಎ୳क़Ͼюҝ ݍڻ/ ࣼ໓፦Ұف೫ . Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1997. 38 leaves. Note: An internal report on “The First Cultural Heritage Documentary Film Exhibit and Symposium” sponsored by the Council on Cultural Affairs, Executive Yuan, in 1996. The author, the principal investigator (PI) of the project and a lecturer in the program, reports on the project’s purpose, scope, budget, result of a student survey, and offers a conclusion. Documentary films from Taiwan and other countries were shown during the exhibit, and lectures on the documentary films were presented by scholars from Taiwan and other countries during the symposium. CTFAL Chi
A collection of essays on Chinese film history, focusing mainly on Taiwan and Hong Kong film history. The most interesting and important essays in the book include the following topics: the relationship between ROC’s leader Chiang Kai-shek and film production, the history of Chinese documentary and news film development, the relationship between Chinese film and Peking opera, a review of the Taiwan film industry, an analysis of the psychology of film audiences, martial arts film and martial arts–magic spirit films (wuxia shenguai pian), a fifty-year history of the Shao family’s involvement in Chinese film production, and an account of female movie stars and female spies in the real world. Includes film stills, posters, and photos, a list of 100 important Chinese films, and a chronology of Chinese film history (1896–1978), but there is no bibliographical information or index. WorldCat Chi
0568 Guang bo, dian shi, dian ying / Fang Zheng, Wang Dakong, Xu Changhui, Nie Yin, He Yimou, Yang Qiao zhu. ܰ, Ӈ؆, Ӈ ؙ/ ҤԜ, ࣼϽ, ܛ, ℸ┄, ⎬حጚ, Я. Taibei: Taibei shi xin wen ji zhe gong hui, 1964. 197 p. Series title: Ji zhe cong shu di san zhong ֮ٷᜣڣҷѧ҆ Note: The third monographic series published by the Taiwan Municipal Reporters Association. Includes essays on radio broadcasting, television programming, and news and documentary filmmaking. CTFAL Chi
0566 Documenting Taiwan on film: issues and methods in new documentaries / edited by Sylvia Li-chun Lin and Deborah Tze-lan Sang. London; New York: Routledge, 2012. 228 p. ISBN 9780415685115, 0415685117978, 0203124437, 020312443X Series title: Routledge research on Taiwan; 9 Note: A collection of exceptional academic papers on new Taiwan documentary films written by renowned scholars, including “Re/making Histories: On Historical Documentary Film and Taiwan: A People’s History” by Daw-Ming Lee; “Recreating the White Terror on the Screen” by Sylvia Li-Chun Lin; “Reclaiming Taiwan’s Colonial Modernity: The Case of Viva Tonal: The Dance Age” by Tze-Lan D. Sang; “Cultivating Taiwanese: Yen Lan-chuan and Juang Yi-tseng’s Let It Be (Wu mi le)” by Bert M. Scruggs; “The Politics and Aesthetics of Seeing in Jump! Boys” by Hsiu-Chuang Deppman; “‘Should I Put Down the Camera?’ Ethics in Contemporary Taiwanese Documentary Films” by Kuei-Fen Chiu; “Documenting Environmental Protest: Taiwan’s Gongliao Fouth Nuclear Power Plant and the Cultural Politics of Dialogic Artifice” by Christopher Lupke; “Sentimentalism and the Phenomenon of Collective ‘Looking Inward’: A Critical Analysis of Mainstream Taiwanese Documentary” by Li-Hsin Kuo. Includes a Chinese glossary, filmography, and bibliography, and an index. WorldCat Eng
0569 Huang, Ren, 1925– ࢶწ, 1925– Taiwan dian ying bai nian shi hua / Huang Ren, Wang Wei bian zhu. ݡஹӇښؙёҧ/ࢶწ,ࣼଂഹЯ. Taipei: Zhonghua ying ping ren xie hui, 2004. 2 v. Note: A comprehensive and objective text on Taiwan film history. Significant achievements of the work include the following: (1) discovery that the first film shown in Taiwan occurred in 1899, differing from scholars who claim the first screening occurred in 1901; (2) a detailed description of Taiwan film artists’ activities and achievements during the colonial period in both Taiwan and mainland China; (3) covers Taiwan film history from multiple perspectives; (4) the authors maintain an objective stance while approaching politically charged issues such as the Japanese influence on Taiwan cinema, propaganda films in Taiwan, and the Nationalist Government’s censorship system; and (5), the text includes important filmographies in some of its chapters. Shortcomings of the work include the following: (1) poor editing and multiple typos, such as on page 19, when the date of the first feature film made in Taiwan, by the Japanese, is written as 1902 instead
0567 Du, Yunzhi, 1923– ᖯࠥҏ, 1923– Zhongguo de dian ying. ЅлϡӇؙ. Taibei: Huang guan chu ban she, 1978. 266 p.
105
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0570 of 1922, and the fact that Chapter 12 starts on p. 331, but the table of contents notes that it starts on p. 329; (2) poor content organization, for example, Chapters 11–21 in Vol. 2 are not connected cohesively; and (3) the text does not contain a complete bibliography, filmography, or indexes, except for inconsistent bibliographical materials included at the end of selected chapters. Thus, it is difficult to recommend this text as reference material, even though it contains important historical information. Includes some bibliographic information at the end of selected chapters. Includes film stills, posters, and photos. WorldCat Chi
Film Show Activities; (4) Film Propaganda; (5) Film Censorship; (6) Film Affairs; (7) Film Reviews and Introduction; and (8) a Bibliography of Taiwan Documentary Film Studies During the Colonial Period, which includes monographs (in both Chinese and Japanese), dissertations, and journal articles (in both Chinese and Japanese, dated and undated). There is also a bibliography at the end of the book. Vol. 2 covers Taiwan documentary film studies after 1945 and includes eighty-one essays, articles, interviews, film reviews, and news reports. Similar to Vol. 1, it also contains eight parts: (1) Anthropology Films; (2) Introduction and Review of Taiwan Documentary Films; (3) Theory and Aesthetics of Documentary Film; (4) Documentary Film and Social Movements; (5) Documentary and Indigenous People; (6) Documentary Film Directors and Workers; (7) Documentary Film History, and Analysis; and (8) a Bibliography of Taiwan Documentary Film Studies after 1945, which is organized under the following subjects: anthropology films, China (including Hong Kong) documentary films, review and introduction to Taiwan documentary films, review and introduction to foreign documentary films, documentary filmography and others, documentary film theory and aesthetics, documentary films and social culture, documentary film and social movements, documentary film and indigenous people, documentary film directors and workers (domestic), documentary film directors and workers (abroad), documentary film history (domestic), and documentary film history (abroad). The materials collected in the bibliography include monographs, dissertations, journal and newspaper articles, handbooks, and manuals. WorldCat Chi
0570 Hou, Jiran (Hou, Chi-jan). ᢡࡵѼ. “Taiwan Hei Dian Ying” ji lu pian zhi chuang zuo yu yi yi = “Taiwan Black Movies”—The Making and Meaning of a Documentary. “ݡஹܪӇ ”ؙઔ࠷әҏࡶӑӿҺच = “Taiwan Black Movies”— The Making and Meaning of a Documentary. 80 leaves. Note: Thesis (M.A.)—National Chengchi University, 2005. Using “Social Realistic Movies,” popular during the early 1980s, as a primary reference point, the author makes a documentary film entitled: Taiwan Black Movies (2005). This paper records the production and meaning of “Taiwan Black Movies.” Includes a Chinese and English abstract, a bibliography, a chronology of “Social Realistic Movies” 1975–1985, a filmography of “Social Realistic Movies” 1975–1985, interviews, reviews of “Taiwan Black Cinema,” a copyright agreement, script of Taiwan Black Movies, and Hou Jiran’s professional biography. NCL/NDLTD Chi
0572 Ji lu Taiwan: Taiwan ji lu pian yu xin wen pian ying ren kou shu / zhu bian Li Daoming, Wang Weici; zhi xing bian Wu Yuexiu, Zhang Qinyun. ઔ࠷ݡஹ: ݡஹઔ࠷әӿЈࢨәؙϪט / ҰഹଽѬҴ, ࣼ໓፦; వҲഹফྶៈ, פቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo Cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570261749 (v. 1), 9570261757 (v. 2) Note: This is the print version of Taiwan Documentary Film Oral History Project, which began in 1997 and was carried out for three years. Vol. 1 includes interviews of nineteen documentary and news filmmakers from Zhongying (Zhongguo dian ying zhi pian chang), Taiying (Taiwan dian ying zhi pian chang), and Xin wen ju (Information Office); Vol. 2 consists of interviews of nineteen documentary film makers from four television documentary series and Taiwan’s independent filmmaking field. Each interview includes a photo and a brief biography of the interviewee. NTUL Chi
0571 Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming ; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. ઔ࠷ݡஹ: ݡஹઔ࠷ә୳ૢڣ۵ӿҹຶקओ / Ұഹפቾᴧ, ଽѬҴ ; వҲഹফᖻҹ, ठ᯾ঌ, פቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570265478 (v. 1), 9570262486 (v. 2) Series title: Taiwan dian ying shi liao cong shu ݡஹӇؙࢧᜣڣ Note: This is the first and most comprehensive bibliography and collection of essays on Taiwan film documentaries. Vol. 1 covers the colonial period and includes sixty-five essays and articles written by three contemporary Taiwan scholars as well as colonial-era Japanese authors whose articles were initially published in Japanese before being translated into Chinese for the purposes of this book. Contains eight parts: (1) Film History; (2) Documentary, News, and Education Films; (3)
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0578 2008 moderated and summarized by Liao Gene-fon; covers early documentary films from the 1930s to the 1970s. CTFAL Chi
0573 Lan, Shuxuan. ঢ⋍ڣ. Cong chuan tong zhong du li—fen xi Taiwan ji lu pian nu dao yan de chuang zuo huan jing. ԩࢃةЅ—߹ݻдݡஹઔ࠷әѽ࣒ࠟϡࡶӑࢰ॒. 123 leaves. Note: Thesis (M.A.)—National Taiwan University, 2005. The paper engages the following question: What is Taiwan’s current independent filmmaking environment for women documentary directors? It then responds from five different angles: education, science and technology, subjects, profession, and family economic situation. Notes that from 1984 to 2004, 130 of the 343 documentary films produced in Taiwan were directed by women. Includes a Filmography of Male and Female Directors 1984–2004 and a bibliography. NTUL Chi
0576 Liu, Yizhu (Liu, Yi-chu). ፐኵ. Xie hou Lanyu: lun san bu min zu zhi ji lu pian “Lanyu guan dian,” “Qing Wen bu zai jia,” “Mian dui e mo” = Close/d encounters with Orchid Island: A study of “Voice of Orchid Island,” “Libangbang,” and “Deliver Us from Evil.” ᝳ୪ᓊ: ںѧھחఓ௨ઔ࠷ә “୪ᓊѡ,” “֜ҹϤϨр,” “ӌ хॱತ” = Close/d encounters with Orchid Island: A study of “Voice of Orchid Island,” “Libangbang,” and “Deliver Us from Evil.” 96 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2003. Discusses three documentary films produced between 1993 and 2001 that represent Orchid Island on two levels: encounters with modernity and the camera’s representation of this encounter. The author describes how Orchid Island becomes a living subject with its own voice, the problem of truth and the reflexivity in ethnographic films, and the ways in which the three directors of the films delve into these issues in their work. Includes a bibliography. NTUL Eng
0574 Li, Wenfeng (Lee, Wen-feng) ଽඌᅷ. “Ji lu guan dian” jiu jing ji lu shui de guan dian? Qie kan gong shi jiao gai xi lie ji lu pian = Whose viewpoint was “Viewpoint” documenting? Documentaries of Education Reform. “ઔ࠷ѡ” ૢफ़ઔ࠷Ոϡѡ? ॸЃԍ؆࠶ڍۨڌઔ࠷ә = Whose viewpoint was “Viewpoint” documenting? Documentaries of Education Reform. 130 leaves. Note: Thesis (M.A.)—National Taiwan University, 1997. Investigates reactions to a controversial television program entitled “Documentaries of Education Reform” produced by the Taiwan Public Television Series (PTS) in 2004. Explains the production process of “Documentaries of Education Reform,” as well as the attitudes expressed and mechanisms used by PTS to manage and respond to viewer reactions. Exposes the ways that the PTS “producer system” was poorly administered. Includes a bibliography. NTUL Chi
0577 Sheng ming de ying xiang: Taiwan ji lu pian de qi tang ke = Images of life: seven lessons on Taiwan documentary films / Lin Wenqi, Chen Deling bian. ТܞϡؙՌ: ݡஹઔ࠷әϡࢳஇࠆ = Images of life: seven lessons on Taiwan documentary films / ҹᚉ, ख़ഹ. Taibei: Guo li zhong yang da xue dian ying wen hua yan jiu shi, [2007] 206 p. Note: Seven recent Taiwan documentary films are presented with introductions to each film, history of awards, director’s comments, in-depth film reviews, related academic essays, and further reading recommendations. Includes a filmography of Taiwan documentary film history from 1966 to 2006. CTFAL Chi
0575 Liao, Jinfeng. ᴰؖང. Taiwan ji lu pian “qian shi”: ji shi ying xiang, jia ting dian ying dao ji lu pian = A pre-history of Taiwanese documentary filmmaking: actualities, home movies and documentary / Liao Jinfeng ce hua. ݡஹઔ࠷ә “ӓ”: ઔӢؙՌ, рӇؙϺઔ࠷ә = A pre-history of Taiwanese documentary filmmaking: actualities, home movies and documentary / ᴰؖང೫. Taizhong shi: Guo li Taiwan mei shu guan, 2008. 39 p. ISBN 9789860173086 Series title: Taiwan ji lu pian mei xue xi lie; 1 ݡஹઔ࠷әѤѹ ;࠶ڍ1 Note: Records a panel discussion about the history of Taiwanese early documentary filmmaking on June 29,
0578 Shou ji Beijing guo ji ji lu pian xu shu hui yi wen jian hui bian / Chen Meng, Lin Xudong zhu bian. ۰ไߟܚмকઓ࠹әѺभϿ৷ҹຸཹ൜ / ವ⤐䩟᯾ևҰ൜. Beijing: Zhong yang dian shi tai, xin wen ping lun bu nei bu fa xing, 1997. Note: Internally distributed conference proceedings of the First Beijing International Documentary Film Conference in 1997. Includes papers presented by the scholars and documentary filmmakers from the United States, France, Germany, Australia, and Taiwan. Google Chi
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0583
Taiwan cinema 2000–2002: short fictions, documentaries, animations, experimentals / Chinese Taipei Film Archive. Taipei: Arthur Lap, 2003. 84 p. Note: An introduction to Taiwan cinema from 2000 to 2002; includes short films, documentaries, animation, and experimental cinema. WorldCat Eng
Taiwan dian ying zhen gui ying xiang shi liao mu lu (Di yi ji 35 nian -58 nian) / Taiwan dian ying wen hua gong si. ݡஹӇੵؙਰؙՌࢧ۵࠷ (ҷϣফ 35ё—58ё) / ݡஹӇؙҹ٩ ԍޅ. Taibei: Taiwan dian ying wen hua gong si, [1969] 90 p. Note: A filmography, organized by film production date, of news and documentary films distributed by Taiwan dian ying wen hua gong si (Taiwan Film Culture Company) from 1945 to 1969. CTFAL Chi
0580 Taiwan dang dai ying xiang: cong ji shi dao shi yan 1930–2003 = A retrospective collection of documentary films from Taiwan / Zhu bian Wang Weici. ݡஹԄؙڊՌ: ԩઔ࠷ϺӢࡐ 1930–2003 = A retrospective collection of documentary films from Taiwan / Ұഹࣼ໓፦. Taibei: Tong xi wen hua chu ban gong zuo shi, 2006. 186 p. Note: This book is published with a set of more than thirty documentary films on fifteen DVDs. It includes a collection of twenty essays exploring the development of Taiwan documentary films from 1930 to 2003 and the relationship between societal changes and documentary films. Includes theoretical discussions, analyses, and reviews of Taiwan documentary films. Includes a bibliography. WorldCat Chi
0584 Taiwan guo ji ji lu pian shuang nian zhan (1–2 jie) = Taiwan international documentary festival (1998–2000) / Zhonghua minguo ji lu pian fa zhan xie hui. ݡஹлগઔ࠷әדёࣁ (1–2โ) = Taiwan international documentary festival (1998–2000) / Ѕھܓлઔ࠷әчࣁϾ. Taibei: Taiwan mei xue guo ji wen hua shi ye bu fen you xian gong si, 2000. 1 v. Note: This bilingual (Chinese and English) work was published for the First and Second Taiwan International Documentary Festivals (TIDF), 1998–2000. Includes festival program and introductions to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng
0581 Taiwan di qu ji lu pian pian mu zi liao ku ji lu pian li shi ji ji lu zi shen ying ren kou shu li shi ji hua di yi nian cheng guo bao gao / Li Daoming deng ݡஹс߅ઔ࠷әࢡ۵ࢧޞᆞઔ࠷әࣵߵઔ࠷ؙٹޞϪטࣵ ޫذҷϣёюҝ ݍڻ/ ଽѬҴҳ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1998. Note: Author Jim Cheng noticed this title in the bibliography of a book but could not locate the actual text at the three major libraries housing film materials in Taipei (NCL, NTU, and CTFA). Chi
0585 Taiwan guo ji ji lu pian shuang nian zhan (2002): “Zai jian, Taiwan ji qing nian dai” zhuan an jie an bao gao shu / Xing zheng yuan wen hua jian she wei yuan hui zhu ban; Zhonghua minguo ying xiang yun dong xie hui xie ban. ݡஹлগઔ࠷әדёࣁ (2002): “ӐԊ, ݡஹࢫєё֟ ”ڊଈְଈ ڣݍڻ/ Ҳूࡨҹ٩ࠃޗణϾҰ ;ދЅھܓлؙՌػҁϾ ދ. Taibei: Zhonghua minguo ying xiang yun dong xue hui, 2003. 2003 p. Note: A government report on hosting the Taiwan International Documentary Festival in 2002 (TIDF 2002). CTFAL Chi
0582 Taiwan di qu ji lu pian pian mu zi liao ku ji lu pian li shi ji ji lu zi shen ying ren kou shu li shi ji hua di er nian cheng guo bao gao / Li Daoming deng ݡஹс߅ઔ࠷әࢡ۵ࢧޞᆞઔ࠷әࣵߵઔ࠷ؙٹޞϪטࣵ ޫذҷԏёюҝ ݍڻ/ ଽѬҴҳ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1999. Note: Author Jim Cheng noticed this title in the bibliography of a book but could not locate the actual text at the three major libraries housing film materials in Taipei (NCL, NTU, and CTFA). Chi
0586 Taiwan guo ji ji lu pian shuang nian zhan (3 jie) = Taiwan international documentary festival (2002) / Zhonghua minguo ying xiang yun dong xie hui. ݡஹлগઔ࠷әדёࣁ (3โ) = Taiwan international documentary festival (2002) / ЅھܓлؙՌػҁϾ. Taibei: Zhonghua minguo ying xiang yun dong fa zhan xie hui, 2002. 1 v. Note: This bilingual (Chinese and English) work was published for the Third Taiwan International Documentary Festival (TIDF), 2002. Includes festival program and introductions to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng
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0591
Taiwan guo ji ji lu pian shuang nian zhan (4–5 jie) = Taiwan international documentary festival (2004–2006) / Xing zheng yuan wen hua jian she wei yuan hui zhu ban. ݡஹлগઔ࠷әדёࣁ (4–5โ) = Taiwan international documentary festival (2004–2006) / Ҳूࡨҹ٩ࠃޗణϾҰދ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2006. 1 v. Note: This bilingual (Chinese and English) work was published for the Fourth and Fifth Taiwan International Documentary Festivals (TIDF), 2004–2006. Includes festival program and introductions to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng
Taiwan ji lu pian mei xue xi lie = Taiwan documentary aesthetic series / Zong ce hua Chen Jimin. ݡஹઔ࠷әѤѹ = ࠶ڍTaiwan documentary aesthetic series / ր ೫௵ھ. Taizhong: Guo li Taiwan mei shu guan, 2008. 5 v. ISBN 9789860173086 Note: This study is the result of a project entitled the “Taiwan Documentary Aesthetic Series,” hosted by the National Taiwan Museum of Fine Arts in 2008. Examines multiple topics while providing the history of Taiwan documentary films in a systematic way. Five Taiwan documentary film studies scholars were invited to act as curators for the project, and each scholar presents his or her perspective on the development of Taiwan documentary film aesthetics in this work. Vol. 1: “A Pre-History of Taiwanese Documentary Filmmaking: Actualities, Home Movies and Documentary,” curated by Liao Gene-fon, covers early documentary films from the 1930s to the 1970s. Vol. 2: “Hegemony and the Aesthetic of Taiwan Documentary Film in the Early Post-Martial Law Era,” curated by Lin Bao-yuan, reviews challenges to the hegemony and the aesthetic development of documentary films from 1985 to 1999 (Martial Law was lifted in 1987). Vol. 3: “Private Me Time: I and My . . . ,” curated by Wen Tien-hsiang, describes the arrival of “private me time” in Taiwan documentary films from 1990 to 2008. Vol. 4: “Video-Dialogue with One Self in the Aesthetics of Documentary Films: Between Truth and Fiction, Between Documentary and Drama,” curated by Wang Wei-tsy, considers female perspectives in Taiwan documentary films and deals with female expressions through the documentary form. Vol. 5: “History, Memory, Representation and Documentary Film,” curated by Lee Daw-ming, investigates the aesthetic strategy of Taiwan documentary films in reconstructing Taiwan history, which is to combine the “big history” of influential historical figures and the “small history” made up of ordinary people. Includes both Chinese and English versions of the curator’s essays, a film list, and records of the panel discussions. NTUL Chi Eng
0588 Taiwan guo ji ji lu pian shuang nian zhan (6 jie) = Taiwan international documentary festival (2008) / Xing zheng yuan wen hua jian she wei yuan hui zhu ban. ݡஹлগઔ࠷әדёࣁ (6โ) = Taiwan international documentary festival (2008) / Ҳूࡨҹ٩ࠃޗణϾҰދ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2008. 1 v. Note: This bilingual (Chinese and English) work was published for the Sixth Taiwan International Documentary Festival (TIDF), 2008. Includes festival program and introductions to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng
0589 Taiwan guo ji ji lu pian shuang nian zhan (7 jie) = Taiwan international documentary festival (2010) / Xing zheng yuan wen hua jian she wei yuan hui zhu ban. ݡஹлগઔ࠷әדёࣁ (7โ) = Taiwan international documentary festival (2010) / Ҳूࡨҹ٩ࠃޗణϾҰދ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2010. 1 v. Note: This bilingual (Chinese and English) work was published for the Seventh Taiwan International Documentary Festival (TIDF) 2010. Includes festival program and introductions to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng
0590 Taiwan guo ji ji lu pian shuang nian zhan (di 8 jie) = 2012 8th Taiwan international documentary festival / Zhu ban dan wei: Guo li Taiwan mei shu guan. ݡஹлগઔ࠷әדёࣁ (ҷ8โ) = 2012 8th Taiwan international documentary festival / Ұ֧ދ: л߹ݡஹѤफఖ. Taibei: Guo li Taiwan mei shu guan, 2012. 176 p. Note: This bilingual (Chinese and English) work was published for the Eighth Taiwan International Documentary Festival (TIDF), 2012. Includes festival program and introductions to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng
0592 Taiwan ji lu pian mei xue xi lie (er) = Taiwan documentary aesthetic series II / Lin Baoyuan deng ce hua. ݡஹઔ࠷әѤѹ( ࠶ڍԏ) = Taiwan documentary aesthetic series II / ᷰׄҳ೫ޫ. Taizhong: Guo li Taiwan mei shu guan, 2010. 5 v. ISBN 9789860235289 Note: This work is the second in a series; it contains the same title and uses the same publishing house. Again, five Taiwan documentary film studies scholars were invited to act as curators for the project, and each scholar
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0593 presents his or her perspective on the development and changes of Taiwan documentary film aesthetics in this work. Vol. 1: “Colonization and Decolonization: Social, Historical, And Aesthetic Consciousness in Taiwan’s Documentary Films in the Post-Martial Law Era” by Catherine Lim Yuan. Vol. 2: “What To Say and How To Say It? Documentaries; Narrative Strategies and Formal Considerations” by Lee Yungchuan. Vol. 3: “Technology and Ethics” by Qiu Guifen. Vol. 4: “The documentation of Subject and the Subject of Documentation: The Political Nature of the “Amateur Aesthetics” of Documentary Films” by Kuo Li-hsin. Vol. 5: “Recording Youth; Bitterness, Struggle and Growth” by Wei Di. Includes both Chinese and English versions of the curator’s essays, a film list, and records of the panel discussions. NTUL Chi Eng
0595 Taiwan xin wen / ji lu pian pian mu / Ji hua zhi xing dan wei: Guo jia dian ying zi liao guan; Ji hua zhu chi ren: Wang Weici, Li Daoming, Zhang Changyan, Lu Feiyi. ݡஹЈࢨ / ઔ࠷әә۵ / ޫذవҲ֧: лрӇࢧޞؙఖ; ޫذҰ فϪ: ࣼ໓፦, ଽѬҴ, פቾ, ᡭۘډ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2000. 2 v. (736 p.) Note: The most comprehensive filmography of Taiwan news and documentary films produced from 1907–1999. Divided into two parts: Part One: Colonial Period, organized by film production date; and Part 2: After Taiwan Retrocession, organized according to the seventeen institutions that housed the films. Each entry in the filmography consists of detailed information, including a synopsis, current film location, copyright holder, source, record code, name of person recording the film information, and date. Because the filmography has no index and is organized by production date or by institution name, it is difficult to search for film titles, directors, producers, or film content. CTFAL Chi
0593 Taiwan ji lu pian nu dao yan bi ji shu = The female directors of Taiwan Documentary / Lin Xinghong zong bian ji. ݡஹઔ࠷әѽ࣒ࠟદ֮ = ڣThe female directors of Taiwan Documentary / ᕭրഹফ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2005. 230 p. ISBN 9570187212 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 4 ҙصӇڣؙ֖ఖӇؙᜣ ;ڣ4 Note: Introduces twenty female Taiwan documentary film directors, based on the number of documentary films directed and the time they began making documentary films, along with brief biographies, personal statements, and filmographies. Includes ten essays on Taiwan female directors and their films. Includes an index. NTUL Chi
0596 Wang, Pu. ࣼ⊝. Zuo jia lu ying zhuan ji shi nian jian ying. ӑр࠷֮ةؙёයؙ. Taibei: Guo jia tu shu guan, 2009. 270 p. ISBN 9789576784910 Note: Presents the author’s experience of making documentary films about Taiwan writers, a project he has worked on for more than ten years, as well as articles about the project published in various newspapers and journals. Appendix includes names of the featured Taiwan writers and a chronology of the author’s documentary filmmaking career. NTUL Chi
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Wang, Weici. ࣼ໓፦. Ji lu yu tan suo: 1990 -2000 da lu ji lu pian de fa zhan yu kou shu ji lu. ઔ࠷ӿ෬: 1990–2000Ͻઔ࠷әϡчࣁӿטઔ࠷. Taibei: Dian ying zi liao guan, 2001. 670 p. ISBN 9573097257 Note: A more detailed and better-organized work with more materials than a similar work by the author published in 2000. Records the dialogue between mainland Chinese and Taiwanese documentary film workers; includes a historical background, describes the current state of documentary filmmaking, provides a forecast of documentary film development, and lists documentary
Taiwan xin wen / ji lu pian pian mu / Ji hua zhi xing dan wei: Guo jia dian ying zi liao guan; Ji hua zhu chi ren: Li Daoming, Lu Feiyi; gong tong zhu chi ren: Zhang Changyan, Wang Weici. ݡஹЈࢨ / ઔ࠷әә۵ / ޫذవҲ֧: лрӇࢧޞؙఖ; ޫذҰ فϪ: ଽѬҴ, ᡭۘ ;ډӎҰفϪ: פቾ, ࣼ໓፦. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1999. 648 p. Note: A filmography of Taiwan news and documentary films produced from 1945 to 1998. Each entry in the filmography contains general information, such as a film synopsis and current film location. Because the filmography has no index and is organized by production date or by institution name, it is difficult to search for film titles, directors, producers, or film content. CTFAL Chi
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film directors and their works in mainland China. It represents the Taiwan scholarly perspective on the study of mainland China’s documentary film development. It is interesting to see that the independent documentary film development in mainland China, which has been ignored by the mainland Chinese government for quite a long time, is received with great interest in Taiwan. Includes a bibliography. CTFAL Chi
ISBN Note:
9570221968 The official publication of the Second Cultural Heritage Documentary Festival and Symposium in 1997. Includes a map, an introduction of the lecturers, a program, film synopses, records of the panel discussions and papers presented during the symposium, an analysis of the results of a student survey, an evaluation, and a conclusion. CTFAL Chi
0601 0598
Wang, Weici. ࣼ໓፦. Wen hua ji lu pian yan tao hui ji (san) / Wang Weici bian zhu. ҹ٩ઔ࠷ә୳क़အओ (㐂) / ࣼ໓፦ഹЯ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1999. 401 p. ISBN 9570246596 Note: The official publication of the Third Cultural Heritage Documentary Festival and Symposium in 1998. Includes a map, an introduction of the lecturers, a program, film synopses, records of the panel discussions and papers presented during the symposium, an analysis of the results of a student survey, an evaluation, and a conclusion. Compared with the previous two festivals and symposiums, the main difference is the inclusion of mainland China documentary films and scholars in this festival and symposium. CTFAL Chi
Wang, Weici. ࣼ໓፦. Ji lu yu tan suo: yu da lu ji lu pian gong zuo zhe de shi ji dui hua. ઔ࠷ӿ෬: ӿϽઔ࠷ә֞ӑٷϡԒઔхҧ. Taibei: Yuan liu chu ban shi ye go fen you xian gong si, 2000. 475 p. ISBN 9573240432 Series title: Dian ying guan; 90 Ӈؙఖ; 90 Note: Records the dialogue between mainland Chinese and Taiwanese documentary film workers; includes a historical background, describes the current state of documentary filmmaking, provides a forecast of documentary film development, and lists documentary film directors and their works in mainland China. It represents the Taiwan scholarly perspective on the study of mainland China’s documentary film development. It is interesting to see that the independent documentary film development in mainland China, which has been ignored by the mainland Chinese government for quite a long time, is received with great interest in Taiwan CTFAL Chi
0602 Wen, Tianxiang. ࢨϳፖ. Ying mi de di yi tang ke. ؙࣿϡҷϣஇࠆ. Taibei: You shi wen hua shi ye gu fen you xian gong si, 2003. 211 p. ISBN 9575744322 Series title: Xin High shao nian; 9 ЈHigh վё; 9 Note: A general introduction targeted at young Taiwan film fans. Topics include Taiwan film history (explained as originating in mainland China until 1949, the year the mainland industry moved to Taiwan), Taiwan’s Golden Horse Film Awards, Taiwan’s documentary films, filmmaking, film directors, stars, and film-related resources and organizations in Taiwan. Includes a filmography. CTFAL Chi
0599 Wang, Weici. ࣼ໓፦. Wen hua ji lu pian yan tao hui ji (yi) / Wang Weici bian zhu. ҹ٩ઔ࠷ә୳क़အओ (Დ) / ࣼ໓፦ഹЯ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1997. 294 p. ISBN 9570095997d Note: The official publication of the First Cultural Heritage Documentary Festival and Symposium in 1996. Includes a map, an introduction to the lecturers, a program, film synopses, records of the panel discussions and papers presented during the symposium, an analysis of the results of a student survey, an evaluation, and a conclusion. CTFAL Chi
0603 0600
Xiao, Juzhen (Hsiao, Chu-chen), 1972– ᖆᏕᢾ, 1972– Yin zhuan zi: zhoug jiu, wo de hui tou kan zi ji = Grandma’s Hairpin. ુ⍪ж: ૢٽ, ϢЏҘӰЃІѝ = Grandma’s Hairpin. Taibei: Shi bao wen hua chu ban qi ye go fen you xian gong si, 2001. 254 p.
Wang, Weici. ࣼ໓፦. Wen hua ji lu pian yan tao hui ji (er) / Wang Weici bian zhu. ҹ٩ઔ࠷ә୳क़အओ (ᾄ) / ࣼ໓፦ഹЯ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1998. 367 p.
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Specific Film Genres
0604 ISBN Note:
9571334782 The director’s account of making her documentary film: Grandma’s Hairpin (2000) about her father, a veteran in Taiwan, containing stories about filmmaking and the author’s family. NTUL Chi
0607 Zhen shi yu zai xian: Ji lu pian mei xue guo ji xue shu yan tao jui lun wen ji = Representing reality: International Conference on documentary aesthetics. ѐӢӿӐѳ: ઔ࠷әѤѹлগѹफ୳क़Ͼںҹओ = Representing reality: International Conference on documentary aesthetics. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2002. 217 p. Note: Conference proceedings and program of the 2002 Taiwan International Documentary Festival, which consisted of an exhibition of films and a conference. This document includes the conference program and papers presented by two foreign scholars and nine Taiwan scholars. The program is in both Chinese and English; the papers are in their original languages, but every Chinese paper has an English abstract. CTFAL Chi Eng
0604 Xing zheng yuan wen hua jian she wei yuan hui wei tuo ban li ji lu pian zhi zuo ren da lu fang wen tuan cheng guo bao gao / Wang Weici, Li Daoming, Li Guizhi deng. Ҳूࡨҹ٩ࠃޗణϾణኅދԑઔ࠷ә३ӑϪϽභ՛ࣗюҝڻ ݍ/ ࣼ໓፦, ଽѬҴ, ଽᄉᆙҳ. Taibei: Guo jia dian ying zi liao guan, 1998. Various paginations. Note: Internal reports of the Taiwan Documentary Film Producer Delegation’s visit to mainland China on May 27–June 7, 1998. Includes impressions and experiences of documentary film production in mainland China as well as a comparison of Taiwan and mainland China’s documentary film production. CTFAL Chi
0608 Zheng, Guijin. ቼਰѵ. Muzhi Longyao de Pingpu zu qun ji lu pian zhi quan shi feng ge yu zai xian zheng shi. ަብ.ᑹ⮡ϡכᰎఓळઔ࠷әҏ᙮ౠգ۴ӿӐѳू. 239 p. Note: Thesis (M.A.)—Tainan National University of the Arts, 2004. The author uses theories of documentary aesthetics and postcolonialism to analyze and study the contents of director Muzhi Longyao’s six documentaries about the Pingpu aboriginal people. The thesis shows how the director returns ownership of interpretation to the Pingpu people, enabling a reestablishment of ethnicity and self-recognition. Includes a bibliography. NTUL Chi
0605 You zheng—yu du bing cun / Ce hua Cai Chonglong; Zhu zuo Chen Zhaoru, Zhou Fumei. ܟೋ—ӿఽ࢚ࡖ / ೫ᓥྕᇐ; ЯӑᢘҒ, ࣥرѤ. Taibei: Tong xi wen hua chu ban gong zuo shi, 2008. 83 p. Note: A special publication about the documentary film dealing with the Taizhong chemical (PCBs) pollution case in 1979. Appendix includes the similar pollution cases in Japan and Vietnam. CTFAL Chi
0606 “Zai jian, Taiwan ji qing nian dai” zhuan an jie an bao gao shu / Ji hua zhu chi ren: Gu Biling, Li Yongquan; Zhuan an zhi xing ren: Qiu Chuida, Guo Shufeng. “ӐԊ, ݡஹࢫєё֟ ”ڊଈְଈ ڣݍڻ/ ذҰفϪ: ࣲካጘ, ଽ ᄈ; ֟ଈవҲϪ: ᆥᎾܺ, ᔕڣང. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2003. 299 p. Note: A report of the government-sponsored study of Taiwan Social Movement Documentary Films during the 1980s and 1990s. Topics include the May 20 incident, environmental protection, women’s rights, student movements, and other social, political, and cultural issues. Includes interviews with thirteen documentary film directors, records of the Social Movement Documentary Film Preservation project, and a filmography of preserved Social Movement documentary films. CTFAL Chi
3.9
ETHNOGRAPHIC FILMS
0609 2005 Taiwan guo ji min zu zhi ying zhan: jia de bian zou = Taiwan international ethnographic film festival ; Family Variations / Taiwan min zu zhi ying xiang xue hui zhu ban; Zhong yang yan jiu yuan min zu xue yan jiu suo deng xie ban. 2005 ݡஹлগھఓ௨ ࣁؙ: рϡԺᄊ = Taiwan international ethnographic film festival ; Family Variations / ཅஹھఓ௨ؙՌѹϾҰ ; ދЅ႑୳ૢࡨھఓѹ୳ૢӛѕఖҳދ. Taibei: Taiwan min zu zhi ying xiang xue hui, [2005] 167 p. Note: This bilingual (Chinese and English) work was published for the Second Taiwan International Ethnographic Film Festival: Family Variations, in 2005. Includes festival program and an introduction to the presented films. NTUL Chi Eng
112
Homosexual, Gay, and Lesbian Films
0613
0610
0611a
Shi lian yu chong sheng: 2011 Taiwan guo ji min zu zhi ying zhan te kan = Suffering and rebirth : Taiwan international ethnographic film festival / [Taiwan min zu zhi ying xiang xue hui zhu ban]; Zhong yang yan jiu yuan min zu xue yan jiu suo deng xie ban. ՅᐱӿԳТ : 2011ݡஹлগھఓ௨ئࣁؙᑂ = Suffering and rebirth : Taiwan international ethnographic film festival / [ཅஹھఓ ௨ؙՌѹϾҰ ; ]ދЅ႑୳ૢࡨھఓѹ୳ૢӛҳދ. Taibei: Taiwan min zu zhi ying xiang xue hui, 2011. 127 p. Note: This bilingual (Chinese and English) work was published for the Sixth Taiwan International Ethnographic Film Festival: Suffering and Rebirth, 2011. Includes festival program and an introduction to the presented films. NTUL Chi Eng
Taiwan guo ji min zu zhi ying zhan: 2003 qian xi de gu shi = Taiwan International Ethnographic Film Festival: Migration story / Taiwan min zu zhi ying xiang xue hui zhu ban. ݡஹлগھఓ௨ࣁؙ: 2003ቜϡݞѨ = Taiwan International Ethnographic Film Festival: Migration story / ݡஹھఓ௨ؙՌѹϾ Ұދ. Taibei: Taiwan min zu zhi ying xiang xue hui, 2003. 98 p. Note: This bilingual (Chinese and English) work was published for the second Taiwan International Ethnographic Film Festival: 2003 Migration Story, hosted by the Taiwan Association of Visual Ethnography in 2003. Includes four parts: Retrospective, Migration Story-Beyond Island, Migration Story-Taiwan, and New Vision. Each part contains an Introduction, Synopsis, and Filmography. Seven ethnographic films made in Taiwan are introduced in Migration Story-Taiwan: E.T. Yue qiu xue yuan = Experimental Taiwanese moon academy / Wu Misen (Wu, Mi-sen) / 2003, Xiang yao you ge jia-cheng shi bian yuan bu luo = Dreaming of home-Marginal tribe of the city / Cao Wenjie (Tsao, Wen-chieh) / 1997, Wo de Qiannawei = My imported wife / Cai Conglong (Tsai, Tsung-lung) / 2003, Bei jing li xiang qu da gong = Shattered dreams / Li Daoming (Lee, Daw-ming) / 2003, Kan shan de ren-Xiongjiao keng zhi ge = Mountain keepers-Song of Chong Giao Keng / Chen Rongxian (Chen, Rong-shien) / 1999, Lai qu Dachen = Come and go, Island of Tachen / Mayao Bihong (Mayaw Biho) / 2002, and Xian dao 184 zhi dong-Jiao gong yue dui Yanlou chang ge = County Road 184 / He Zhaoti (Ho, Choa-ti) / 2001. NCL Chi Eng
0611 Taiwan guo ji min zu zhi ying zhan: 2001 dao yu lian xian = Taiwan International Ethnographic Film Festival: 2001 Island Odyssey / Zhu ban dan wei Taiwan min zu zhi ying xiang xue hui. ݡஹлগھఓ௨ࣁؙ: 2001ޯᓊۀ۷ = Taiwan International Ethnographic Film Festival: 2001 Island Odyssey / Ұݡ֧ދஹھఓ ௨ؙՌѹϾ. Taibei: Taiwan min zu zhi ying xiang xue hui, 2001. 103 p. Note: This bilingual (Chinese and English) work was published for the premier Taiwan International Ethnographic Film Festival: 2001 Island Odyssey, hosted by the Taiwan Association of Visual Ethnography in 2001. Includes five parts: Retrospective, Orchid Island in Focus, Island Odyssey-International, Island Odyssey-Domestic, and New Vision. Each part contains an Introduction, Synopsis, and Filmography. Eleven ethnographic films made in Taiwan are introduced in the book, the following five are about Orchid Island under “Orchid Island in Focus”: Lanyu guan dian = Voices of Orchid Island / Hu Taili (Hu Tai-Li) / 1993, Xia wu fan de cai = Dishes of an afternoon meal / Huang Qimao (Huang Chi-Mao) / 1996, Fei yu ji = Rayon / Lin Jianxiang (Lin JianChiang) / 1997, Qingwen bu zai jia = Libangbang: Ching-Wen’s not home / Guo Zhendi (Kuo Chen-Ti) / 2000, Mian dui e ling = And deliver us from evil / Zhang Shulan (Si-Manirei) / 2001. The following six are about the Taiwan Island under “Island Odyssey-Domestic”: Tian di ping an = Heavenly peace in small town / Cao Wenjie (Tsao Wen-Chieh) / 2001, Liang an di er chun = The second spring of the strait / Dong Zhengliang (Dong Cheng-Liang) / 2000, Mo dai tou mu = The last chieftain / Li Daoming (Lee Daw-Ming) / 1999, Guan jun zhi hou = After championship / Cao Wenzhen (Tsao Wen-Chen) / 2000, Wang yi Qiuyan = She sometimes a god / Jiang Meiru (Chiang Mei-ju) / 1999, and Chang zhong wu chun qiu: Taiwan bu dai xi = Theater in the palm of your-glove puppetry in Taiwan / Yu Kanping (Yu Kan-ping) / 2001. NTUL Chi Eng
3.10
HOMOSEXUAL, GAY,
AND
LESBIAN FILMS
0612 2005 nu tong zhi de sheng xia pai dui Yazhou La Zi ying zhan = Asian Lesbian Film and Video Festival / Taiwan xing bie ren quan xie hui. 2005 ѽӎϡഄॼ൨хਐರࠁж = ࣁؙAsian Lesbian Film and Video Festival / ݡஹԛԇϪϾ. [Taibei: Taiwan xing bie ren quan xie hui, 2005] [110 p.] Note: Program from the First Asian Lesbian Film and Video Festival held in Taipei, Taiwan in 2005, including the Taiwanese lesbian films shown during the festival. WorldCat Chi Eng
0613 Chen, Pei-ching. Women’s studies and women’s movement in Taiwan and Lesbianism in mainstream cinema. 101 leaves. Note: Thesis (M.A.)—Simon Fraser University, 2006. Points out the characteristics of lesbian representation in Taiwan mainstream cinema from the 1960s to the
113
Specific Film Genres
0614 2000s, including the elimination of lesbian sexuality in film version of lesbian novels, alterations of story endings, depictions of character relations, and the portrayal of butch lesbians. Includes a bibliography. WorldCat (FT) Eng
0616a Lim, Song Hwee. Celluloid comrades: representations of male homosexuality in contemporary Chinese cinemas. Honolulu: University of Hawaii Press, 2006. 272 p. ISBN 9780824830779 (hbk.), 9780824829094 (pbk.) Note: “Tracing the engendering conditions within the film industries of China, Taiwan, and Hong Kong, Song Hwee Lim argues that the emergence of Chinese cinemas in the international scene since the 1980s created a public sphere in which representations of marginal sexualities could flourish in its interstices. Examining the politics of representation in the age of multiculturalism through debates about the films, Lim calls for a rethinking of the limits and hegemony of gay liberationist discourse prevalent in current scholarship and film criticism” (abstract). WorldCat Eng
0614 Chen, Yin-chin. Spider lilies: Taiwanese tongzhi aesthetic, female same-sex desires, and the critique of modernization. 56 leaves. Note: Thesis (M.A.)—University of Oregon, 2009. Using Spider lilies (2007), a Taiwanese lesbian drama film directed by Zero Chou (Zhou Meiling), as the primary object of inquiry, the author explores the aesthetic, social, and sexual meaning of Taiwanese lesbian films with the backdrop of modernization. Includes a bibliography. WorldCat Eng
0617 0615
Lin, Jiayi (Lin, Chia-Yi). . Qing chun xi lie—cong lei xing guan dian kan 2002–2008 Taiwan tong zhi dian ying = Young line—a genre analysis of 2002–2008 Taiwan gay and lesbian movies. —࠶ڍࡇݙԩढࡿѡЃ2002–2008 ݡஹӎӇ = ؙYoung line—a genre analysis of 2002–2008 Taiwan gay and lesbian movies. 131 leaves. Note: Thesis (M.A.)—Taiwan Chengchi University, 2009. A genre study of a series of Taiwan gay films; explores their characteristics, development, culture, and other contextual factors. Concludes that the “Young Line” series is inspired by the concepts and techniques of foreign films, but at the same time, the series inherits the core traditional themes of local films of the same genre; thus, the series achieves a particular inclusive style. This genre of film arrived while Taiwan’s film industry was at a low ebb. The success of this series reveals a grassroots force that is leading the rebound of the Taiwan film industry. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi
Li, Zhiqiang, 1966– ଽᨋ, 1966– Dian shi dian ying, ou xiang ju = TV-film, trendy drama; yan guang si she ge wu tuan: yi bu dian ying de wan cheng = Drag queen: from dream to film. Ӈ؆Ӈؙ, ઢՌঁ = TV-film, trendy drama; ᇗףׇथܮଢࣗ: ϣח Ӈؙϡԟю = Drag queen: from dream to film. Xindian, Taibei Xian: Yuan zhu wen hua shi ye you xian gong si, 2004. [187 p.] ISBN 9867630467, 9789867630469 Note: Divided into two parts: Part 1: History of Taiwan’s TV-Film and Trendy Drama Production; and Part 2: Detailed and Daily Descriptions of making the TVFilm: Yan guang si she ge wu tuan / Splendid Float (2004), a drag queen film. Includes photos, stills, posters, chronology, filmography, and interviews with the director and cinematographer. WorldCat Chi
0616 Li, Youxin. ଽෂЈ. Nan tong xing lian dian ying . . . ԲӎԛߧӇ ؙ. . . Taibei: Zhi wen chu ban she, 1993. 462 p. ISBN 9575455576 Series title: Xin chao wen ku; 361 Јҹᆞ; 361 Note: A collection of film reviews on gay films, including Taiwan and Hong Kong movies. Part XII: Prose, and Part XIII: Academic Essays, present articles and essays by other Taiwan film critics and scholars dealing with the topic of gay films. NTUL Chi
0618 Lu, Zhenglin (Lu, Cheng-lin). ूᷖ. Taiwan xiao cheng ben dian ying de sheng cun zhi dao—yi “Shi qi sui de tian kong,” “Sheng xia guang nian” he “Ci qing” deng san bu tong zhi ti cai dian ying wei li. ݡஹЩюӆӇؙϡТࡖҏѬ—й “ࢳۈϡϳ,” “ഄॼׇё” ф “ ”ݙҳѧחӎ֤୰ӇؙЊຎ. 130 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2008. Using three low-budget but successful gay movies as examples, and by studying their production methods,
114
Homosexual, Gay, and Lesbian Films
0623 Ԣߞҏೆ / Բߞҏؙ: ںଽԥӇؙЅԲԛ࣏ࢣϡԛ / ԇࣁࠟӿگ ӎࠃภ = Gender performativity and identity construction of male images in Ang Lee’s films. 186 leaves. Note: Thesis (M.A.)—National Tainan Arts University, 2009. This is a gender analysis of male identity in Ang Lee’s films; argues that the representation of men reflects the director’s cultural and educational background of Confucianism. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi
subject selection, and marketing strategies, the paper provides four suggestions for rejuvenating the Taiwan film industry in terms of understanding the market size, establishing the director’s reputation, despecifying marketable content, and diversifying the market. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi
0619 Martin, Fran. Backward glances: contemporary Chinese cultures and the female homoerotic imaginary. Durham, NC; London, England: Duke University Press, 2010. 290 p. ISBN 9780822346685, 9780822346807 Note: A comparative study of female homoeroticism and ways of understanding love between women today in China, Hong Kong, and Taiwan as played out in mainstream Chinese media and literary cultures, including films, novels, and television. Includes an appendix, notes, a filmography, selected bibliography, and an index. WorldCat Eng
0622 Shao, Qimai. ⓱፪. G pian gong chang. G ә֞Ծ. Taibei: Jib en shu fang, 2009. 233 p. ISBN 9789866474026 Series title: Zhi nan zhen xi lie; A014 ܋Բఴ ;࠶ڍA014 Note: A guide to X-rated gay films, including three chapters: Chapter 1 introduces the most famous actors and a filmography; Chapter 2 introduces the best series, and Chapter 3 discusses remaking classic films. All the movies are produced in Europe, Japan, and United States. The book cover carries an “18 and older” marking. CTFAL Chi
0620 Martin, Fran. Situating sexualities: queer representation in Taiwanese fiction, film, and public culture. Hong Kong: Hong Kong University Press, 2003. 358 p. ISBN 9622096190, 9789622096196 Note: An important work on queer representation in Taiwanese fiction, film, and public culture. Martin writes that culture does not remain constant and unchanged; rather, cultures are transformed and modified as cultural products travel between and across cultural landscapes. For example, Martin describes an archeology of terms that have been used to describe homosexuality in Taiwan, such as tongxinglian and tongzhi, terms that lead one to recognize that in an analysis of cultural exchange, local ideas of gender and sexual specificity trump generalizations if the cultural theorist “attends to the historical specificities of local context and is sensitive to the ways in which locality today is always itself marked by translocal interaction” (p. 37). Moreover, the generalizations one encounters when considering polarizing characterizations such as “Chinese vs. Western” do not withstand careful examination when considering specific gender issues in Taiwan (p. 42). Includes a bibliography and an index. WorldCat Eng
0623 Suen, Pak-kin. Filming gay representations: male homosexuality in Hong Kong and Taiwanese cinema. 147 leaves. Note: Thesis (M. Phil.)—University of Hong Kong, 2001. Although same-sex relationships have been decriminalized in Hong Kong and Taiwan, the issue of male homosexuality is still controversial. This paper discusses the relationship between the meaning of homosexuality in Chinese society and its significance in Hong Kong and Taiwan gay films. The table of contents in the paper provides an overview of the study, as follows: Chapter 1: Situating Homosexuality and Film in Chinese Contexts; Chapter 2: City Nomads: Heteropia, Homosexuality and the Urban Space of Hong Kong and Taipei; Chapter 3: Homosociality or Homosexuality? Male Bonding and the Unspeakable Desire; Chapter 4: Does “Homosexuality” Exist? The Construction of Homosexuality in Hong Kong Cinema; and Chapter 5: Gay People as Ghostly Figures: The Allegorical Representation of Male Homosexuality. Includes a bibliography. HKUSH (FT) Eng
0621 Ping, Liewei (Ping, Lieh-wei) כ໖. Nan yan zhi yin / Nan yan zhi ying: lun Li An dian ying zhong nan xing xing xiang de xing / bie zhan yan yu ren tong jian gou = Gender performativity and identity construction of male images in Ang Lee’s films.
115
Specific Film Genres
0624 3.11
0624 Tam, Siu-yan Xavier. Between penumbrae and shadow: contextualizing transnational queer Chinese cinemas. 144 leaves. Note: Thesis (M. Phil.)—University of Hong Kong, 2010. A study on transnational queer Chinese cinemas, mainly gay and lesbian films, from Taiwan, Hong Kong, and mainland China. Includes a filmography and bibliography. Online full-text access through “The HKU Scholars Hub.” WorldCat Eng
HORROR AND GHOST FILMS
0627 Gui mei ying zhan = Chinese Phantom Film Festival / Ce hua zhi xing dan wei: Taiwan dian ying wen hua xie hui. ຓ = ࣁؙChinese Phantom Film Festival / ೫వҲ֧: ݡஹ Ӈؙҹ٩Ͼ. Taibei: Taiwan dian ying wen hua xie hui, 2004. 92 p. Note: A special publication for the Chinese Phantom Film Festival hosted by the Taiwan Film and Culture Association from October 2004 to November 2004 in Taiwan. Includes a special article in memory of Taiwan ghost film director Yao Feng-pan and his filmography; synopses of twenty-eight Chinese phantom films from mainland China, Taiwan, and Hong Kong that represent two time periods: 1937–1987 and 1991–2004; special introductions to Hong Kong film director Xu Anhua’s three phantom films and four films based on the same ghost story directed by different directors; and nine essays by Taiwan and Hong Kong scholars on Chinese phantom films. Includes a limited filmography of Chinese ghost films made from 1956 to 2004 by Wen Tianxiang. CTFAL Chi
0625 Wang, Xuanru (Wang, Xuan-ru). ࣼ២Ғ. “Kua yue tong zhi yu jia ting de hong gou”: tan tao Li An “Duan bei shan” zhong de tong zhi yu jia ting zhi jian de zheng zha = “Family that hurts”: Struggle between family and homosexuality in Ang Lee’s Brokeback Mountain. “ቄքӎӿрϡཻ”: ෬क़ଽԥ “ऄࠧ ”ځЅӎӿрҏҼ ϡᄋႹ= “Family that hurts”: Struggle between family and homosexuality in Ang Lee’s Brokeback Mountain. 105 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2007. Focuses on the struggle between family and homosexuality in Ang Lee’s film Brokeback Mountain (2005). Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Eng
0628 Yao, Fengpan (Yao, Feng-pan), 1932–2004 ང῟, 1932–2004 Yin hai dao hang. ુ࣒Ҳ. Taibei: Jin wen tu shu you xian gong si, 1986. 162 p. Note: The author discusses his career and experience as a filmmaker in Taiwan. Includes a list of the author’s works. WorldCat Chi
0626 Xie, Yiping (Hsieh, Yi-ping) هचכ. Chuang jian ta men de kong jian: Li An dian ying Duan Bei Shan zhong de kong jian xing yu xing bie ren tong = Constructing a space of their own: spatiality and gendered identification in Ang Liee’s Brokeback Mountain. ࡶࠃјИϡҼ: ଽԥӇؙऄࠧځЅϡҼӿԛԇگӎ = Constructing a space of their own: spatiality and gendered identification in Ang Lee’s Brokeback Mountain. 91 leaves. Note: Thesis (M.A.)—Shih Hsin University, 2009. Investigates the importance and linkage of space and gender based on the cinematic context of Ang Lee’s film Brokeback Mountain (2005). Concludes that the queer love in this particular spatiotemporal portrayal of Brokeback Mountain is both forbidden and under surveillance, and the tension is whether or not to break the taboo or compromise with its reality. Includes a bibliography. NCL/NDLTD Eng
0629 Yao Fengpan de gui mei shi jie / Liu Guanlun kou shu; Yao Zhihua zhuan wen. ང῟ϡຓԒ֎ / ഃൔט䩮ᆙܓ᫃ҹ. Taibei: He tian ke ji gu fen you xian gong si, 2005. 366 p. ISBN 986816950X Note: A biography of Yao Feng-pan, journalist, film director of ghost films, and founder of the film company: Feng guan ying ye gong si in the 1970s in Taiwan. Written by his daughter and based on oral accounts from his wife, with essays and articles about Yao Feng-pan and his ghost films. Includes a chronology and filmography. CTFAL Chi
116
Independent Films
3.12
0634
INDEPENDENT FILMS
the male body and nature; (5) the film started production before signing the distribution contract; (6) the director raised funds from non-film-related sources; (7) the cast consisted entirely of nonprofessionals; and (8) the film’s distribution and marketing only used an art film model. Includes papers on independent filmmaking, film reviews, interviews, screenplay writer’s diary, an introduction of the eastern mountain tribes’ legendary stories, and synopsis and screenplay of The Man from West Island (1990). CTFAL Chi
0630 Dan dao shuang bu da—yi bu lai zi Jinmen de bai xing dian ying / Ying huo chong ying xiang ti zuo. ӋדϤӋ—ϣחϰІؖ՞ϡښӇ ؙ/ ⁒ڮາྱՌՂӑ. Taibei: Wan xiang tu shu go fen you xian gong si, 1995. 193 p. ISBN 9576696321 Series title: Yi shu fang; 7 ਲ ;ࠚڣ7 Note: An introduction to the independent film Every Odd Numbered Day (1994), including commentary by the director, producer, and related personnel, as well as interviews and reviews. The film, a mixture of documentary and fiction, describes the residents of Jinmen Island, the location of the last ground battle between Nationalist and Communist troops in 1949, and site of more than twenty years of artillery fire between the two sides. CTFAL Chi
0633 Lan, Shuxuan. ঢ⋍ڣ. Cong chuan tong zhong du li—fen xi Taiwan ji lu pian nu dao yan de chuang zuo huan jing. ԩࢃةЅ—߹ݻдݡஹઔ࠷әѽ࣒ࠟϡࡶӑࢰ॒. 123 leaves. Note: Thesis (M.A.)—National Taiwan University, 2005. The paper engages the following question: What is Taiwan’s current independent filmmaking environment for women documentary directors? It then responds from five different angles: education, science and technology, subjects, profession, and family economic situation. Notes that from 1984 to 2004, 130 of the 343 documentary films produced in Taiwan were directed by women. Includes a Filmography of Male and Female Directors 1984–2004 and a bibliography. NTUL Chi
0631 Dong, Zeping (Dong, Tse-ping). ᔇכ. Xin chuang feng xian shi ye chuang ye cai wu ce lue zhi yan jiu: yi du li zhi pian ren dian ying zhuan an chou zi wei li = The study of entrepreneurial financial strategy in new venture initiating: a case of independent producer in film project fundraising. ЈࡶգঔѨࡶࠔ೫ଯҏ୳ૢ: й߹ݻ३әϪӇؙ֟ଈቺޞ Њຎ = The study of entrepreneurial financial strategy in new venture initiating: a case of independent producer in film project fundraising. 116 leaves. Note: Thesis (Ph.D.)—National Taiwan University, 2006. Provides financial recommendations for independent film producers. The author has not given full-text access permission in the National Digital Library of Theses and Dissertations hosted by the National Central Library in Taiwan. NTUL Chi
0634 Li, Yunping (Lee, Yun-Ping). ଽ᭲ᙞ. Taiwan du li dian ying zhi pian zhi guan cha—yi Huang Mingchuan dian ying she wei ge an yan jiu = An observation on Taiwan independent film production—A case study of HMC Film Productions. ݡஹ߹ݻӇؙ३әҏൌ—йࢶҴඇӇؙघЊϫଈ୳ૢ = An observation on Taiwan independent film production—A case study of HMC Film Productions. 170 leaves. Note: Thesis (M.A.)—Chinese Culture University, 1999. During a period of decline in commercial film production in Taiwan, the paper takes three films produced by Huang Mingchuan Film Studio as case studies to explore the spirit, characteristics, and methods of independent film production in Taiwan. Claims that independent film production shows signs for the future direction of Taiwan film production. Includes a Chinese abstract, a bibliography, and an appendix (including Filmography of Huang Mingchuan, 10 Best Box Office Taiwan Domestic Films 1990– 1998, Records of In-Depth Interviews, Award-Winning Taiwan Films from International Film Festivals, and a List of the Domestically Produced Films That Received Government Subsidies). NCL/NDLTD Chi
0632 Du li zhi pian zai Taiwan: “Xi bu lai de ren” / Huang Mingchuan deng zhu. ߹ݻ३әϨݡஹ: “՝חϰϡϪ” / ࢶҴඇҳЯ. Taibei: Qian wei chu ban she, 1990. 200 p. Series title: Xin Taiwan ren cong shu; 22 ЈݡஹϪᜣ ;ڣ22 Note: A work on independent filmmaking in Taiwan and the first such film produced in Taiwan in 1989. The author and the director of the film declare that this film achieved the following firsts in Taiwan film history: (1) the film was made in the Taiwan eastern mountainous tribe area; (2) the film used the local tribe language Taiya in many parts of the film; (3) the film crew was self-organized; (4) the film depicts harmony between
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0635
Taiwan New Cinema directors, including Edward Yang, Lan Shengchuan, Tsai Ming-liang, Xu Xiaoming, and Wang Tung. Includes a bibliography. CTFAL Chi
0635 Shen hua 3 bu qu: Huang Mingchuan dian ying ji shi = Huang Mingchuan trilogy / Huang Mingchuan dian ying shi xun you xian gong si. ظҧ3ॽח: ࢶҴඇӇؙ֮Ѩ = Huang Mingchuan trilogy / ࢶҴඇ Ӈؙ؆ళϩࡳԍޅ. Taibei: Huang Mingchuan dian ying shi xun you xian gong si, 2011. 205 p. ISBN 9789868704701, 9868704707 Note: Reviews of the filmmaking process of independent film director Huang Mingchuan’s famous trilogy: The Man From the Island West (1990), Bodo (1993), and Flat Tire (1998), plus a short film: Wind Within (1999). Includes four DVDs. WorldCat Chi
0638 You, Tingjing. ղᑢ෧. Ning shi yu dui wang: duan ni jiu shi nian dai Taiwan nu xing dian ying yuan mao = To gaze and be gazed at: Rediscovering the true faces of Taiwanese woman-made films in the 1990s. ፝؆ӿхֳ: ઉ❖॰ёݡڊஹѽԛӇ֍ؙ൯= To gaze and be gazed at: Rediscovering the true faces of Taiwanese woman-made films in the 1990s. Taibei: Xinzhu shi wen hua ju, 2005. 207 p. ISBN 9860042152 Series title: Zhu qian wen hua zi chan cong shu; 281 ኵ∔ҹ٩ݗޞᜣ ;ڣ281 Note: Based on the author’s master’s degree thesis, this work reviews Taiwan films (including fiction, documentary, experimental, and animation) directed by women directors in the 1990s. Includes both image analysis and a discussion of film content in terms of aesthetics, auteur theory, and feminist literary theory. Divided into two parts: Part 1 describes women who have directed commercial films since the 1980s and analyzes their films; and Part 2 focuses on independent Taiwan women directors and their films since the 1990s as well as the independent filmmaking environment in Taiwan. The author points out that independent female filmmakers enjoy a greater freedom in the creation than their female colleagues directing commercial films, and that a high percentage of films directed by women are independently produced. Includes a bibliography and an appendix containing a list of female directors who directed commercial films and received government’s subsidies; a list of female directors, each of whom has at least two films entered into women’s film festivals; information about the hosting organizations of Women Make Waves Film Festival; statistical charts of documentary, fiction, animated, and experimental films shown during women’s film festivals, the list of interviewees, and a filmography. NTUL Chi
0636 Xin dian ying zhi si—cong “Yi qie wei ming tian” dao “Bei qing cheng shi” / Mizou, Liang Xinhua bian. ЈӇؙҏӚ—ԩ “ϣܷЊҴϳ” Ϻ “є”صڵ/ ࣿҵ, ᅯЈܓഹ. Taipei: Tang shan chu ban she, 1991. 236 p. Series title: Zhan zheng ji qi cong kan; 3 ڕৎҚॆᜣᑂ; 3 Note: A collection of essays critical of Taiwan New Cinema director Hou Hsiao-hsien and his acclaimed film A City of Sadness (1989). Several essays declare that the death of Taiwan New Cinema occurred in 1988 when Hou Hsiao-hsien and other Taiwan New Cinema directors delivered a “Taiwan Film Memoratum” in 1987 and then agreed to make the government policy film Everything for the Events of Tomorrow for Taiwan’s Defense Department in 1988. Most of the film reviews of Hou Hsiao-hsien’s film A City of Sadness (1989) take both a negative view of the director’s portrayal of the February 28 Incident and the film as a whole. Also includes a negative review of Taiwan’s socalled first independently made film, The Man from the Island West (1990). Includes a bibliography. CTFAL Chi
0637 Xin dian ying zhi wai / hou / Mizou, Liang Xinhua bian. ЈӇؙҏ֔ / ћ / ࣿҵ, ᅯЈܓഹ. Taipei: Tang shan chu ban she, 1994. 240 p. ISBN 9578900090 Series title: Zhan zheng ji qi cong kan; 13 ڕৎҚॆᜣᑂ; 13 Note: Following in sequence with a work of the same title “Xin dian ying zhi si,” published in 1991, this text analyzes Taiwan cinema movements that occurred concurrently with Taiwan New Cinema, such as the following: Taiwan nonmainstream and alternative media, independent filmmaking, and documentary film movements. Also contains the latest works of the time by
0639 Zhu, Wenjun. ࢇҹᅿ. Mei li shi guang: Zhang Zuoji ji qi du li zhi pian = The best of times / Zuo zhe Zhu Wenjun; she ying Jin Chengcai. ѤܡЖׇ: פӑ┫ߵԷ߹ݻ३ә = The best of times / ӑࢇٷҹᅿ; ؙؖю. Taibei: Ying xiang dian ying za zhi she, 2000. 149 p. ISBN 9868045118; 9789868045118
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Literary Films / Martial Arts and Kung Fu Films
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Series title: Dian ying mu hou zhi zuo zhuan ji xi lie Ӈ௷ؙћ३ӑ֟ফ࠶ڍ Note: Taking the film: The Best of Times (2001) as a case study, the book focuses on Chang Tso-chi and his independent filmmaking in Taiwan. WorldCat Chi
3.13
0643 Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. Innovation or recycling: Mandarin classics and the return of the wenyi tradition. Hong Kong: David C. Lam Institute for East-West Studies, Hong Kong Baptist University, 2006. 22 p. Series title: Working paper series (David C Lam Institute for East-West Studies); No. 47. Note: A paper presented at Film Style in Question: An International Symposium in Honor of David Bordwell at the University of Wisconsin, Madison, April 21–23, 2005. Discusses the representation of Mandarin literary classics in twenty-first-century Taiwan cinema. Includes a bibliography. WorldCat Eng
LITERARY FILMS
0640 Cai, Guorong. ᓥлึ. Zhongguo jin dai wen yi dian ying yan jiu. ЅлڊײҹਲӇૢ୳ؙ. Taibei: Zhonghua Minguo dian ying tu shu guan chu ban bu, 1985. 312 p. Note: Focuses on the so-called literary art film in Taiwan, Hong Kong, and mainland China film history before 1949. Based on the author’s preface, the book includes all Chinese films produced in Taiwan and Hong Kong, and shown publicly in Taipei; note that Taiwan dialect films and films produced by the left-wing film studios in Hong Kong, such as the Great Wall Studio and Phoenix Film Studio, are not included in this list of films shown publicly in Taipei. Provides in-depth studies of the Chinese literary art film, including the definition of Literary Art Film, its early development in mainland China, recent domination by films produced in Hong Kong and Taiwan, the influence of novels and individual film directors, a forecast for the future, and reviews of some of the most representative literary films and directors. Includes bibliography (pp. 310–311). WorldCat Chi
3.14
MARTIAL ARTS AND KUNG FU FILMS
0644 Armanet, François. Ciné kung fu / François et Max Armanet. Paris: Ramsay, 1988. 207 p. ISBN 2859566996 Note: An introduction to the historical development of kung fu films in mainland China, Hong Kong, Taiwan, and the world, as well as King Hu, Bruce Lee, Jackie Chan, and Jet Li. Divided into four parts: Part 1, From Martial Arts to Kung Fu Films; Part 2, Golden Era of Martial Arts Films (1965–1971); Part 3, Prosperous Period of Kung Fu Films (1971–1975); and Part 4, New Wave (1975–1981). Includes a genealogy chart of Shaolin Temple, a bibliography, and an index. WorldCat Fre
0641
0645
Chou, Peggy. Taiwan cinema: fictions, documentaries, animations. Taipei: Department of Motion Picture Affairs, Government Information Office, 2006. 1 v. Note: According to OCLC WorldCat, there is only one copy at the National Taiwan University Library. WorldCat Eng
Chen, Mo. ವၢ. Dao guang xia ying meng tai qi: Zhongguo wu xia dian ying lun. ఋྤؙྣׇѿ࡞䩭Ѕмેྣӈڹؙ. Beijing: Zhongguo dian ying chu ban she, 1996. 516 p. ISBN 7106011673, 7106011681 (pbk.) Note: A major work on Chinese martial arts films by mainland Chinese film scholar Chen Mo. According to the author’s postscript, however, the author could access only those martial arts films located in the Chinese Film Archive in Beijing but not those in Hong Kong or the Chinese Taipei Film Archive in Taipei when he was writing the book. Thus, the Hong Kong and Taiwan martial arts film sections in the book cannot be seen as comprehensive. There is no explanation for the interruption of martial arts film development in mainland
0642 Taiwan cinema 2000–2002: short fictions, documentaries, animations, experimentals / Chinese Taipei Film Archive. Taipei: Arthur Lap, 2003. 84 p. Note: An introduction to Taiwan cinema from 2000 to 2002; includes short films, documentaries, animation, and experimental cinema. WorldCat Eng
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0646 China after 1949. Another missing aspect of the book is the absence of a Chinese martial arts filmography. Includes a bibliography. Duxiu Chi
0648 Dai, Ning. ඕો. Wu xi apian sheng yin gui ze zhi yun yong—Hu Jinquan “Da zui xia” yu Li An “Wo hu cang long” zhi bi jiao. ેཱུәٸكछҏػѓ—ഐؖ⠌ “Ͻ௴ཱུ” ӿଽԥ “၃ഝেह” ҏ ԝࢺ. 130 leaves. Note: Thesis (M.A.)—National Chengchi University, 2005. The paper provides a comparative study of King Hu and Ang Lee’s use of sound in their two most famous martial arts films. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi
0646 Chen, Mo. ವၢ. Zhongguo wu xia dian ying shi. Ѕмેྣӈؙ. Beijing: Zhongguo dian ying chu ban she, 2005. 295 p. ISBN 7106023787 Series title: Bai nian Zhongguo dian ying yan jiu shu xi ښёЅмӈڍڪૢ୳ؙ Note: As a comprehensive work on Chinese martial arts film history, this text maintains a fairly objective overview of martial arts film development in mainland China, Hong Kong, Taiwan, and overseas. Relatively speaking, the author’s knowledge of mainland China and Hong Kong martial arts films is more in depth than his assessment of Taiwan martial arts films. It is unfortunate that there is no Chinese martial arts filmography in the book. Includes a bibliography. Duxiu Chi
0649 Guo Nanhong de dian ying shi jie = The world directed by Joseph Kuo / Lin Yuru cai fang zhuan wen, Zheng Deqing zong bian ji. ᔕ۪ᒩϡӇؙԒ֎ = The world directed by Joseph Kuo / ड़Ғ൵ භ᫃ҹ, ቼख़দրഹফ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2004. 135 p. ISBN 9570162767 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 3 ҙصӇڣؙ֖ఖӇؙᜣ ;ڣ3 Note: This text on the famous Taiwanese-dialect and martial arts film director and screenwriter Joseph Kuo consists of the following: Part 1, Mr. Kuo’s achievements in Taiwanese-dialect, Mandarin, and Martial Arts films in Taiwan; Part 2, an interview with Mr. Kuo regarding his film career in Taiwan and Hong Kong; Part 3, synopses of Mr. Kuo’s films; and Part 4, an appendix, which includes a chronology, an exhibit of Mr. Kuo’s donations to the Kaohsiung Film Archive, and a bibliography. NTUL Chi
0647 Chen, Mo. ၢ. Zhongguo wu xia dian ying shi. ЅлેཱུӇؙ. Taibei: Feng yun shi dai chu ban gu fen you xian gong si, 2006. 332 p. ISBN 9861462740 Series title: Feng yun dian ying xi lie գࠥӇ࠶ڍؙ Note: A comprehensive work on Chinese martial arts film history. Divides the development of Chinese martial arts films into five periods: (1) the first period in Shanghai in the 1920s and 1930s; (2) a shift to Hong Kong in the 1940s and 1950s; (3) Hong Kong, and later in Taiwan, in the 1960s and 1970s; (4) a cooperative period between Hong Kong and mainland China in the 1980s and 1990s; and (5) the trend toward globalization and further cooperation between Hong Kong, Taiwan, and mainland China, using Ang Lee’s film Crouching Tiger, Hidden Dragon (2000) as an example. In the postscript, the author admits that his knowledge of Hong Kong and Taiwan martial arts films, specifically during the mid-1960s to the early 1980s period, is limited and thus apologizes for any missing or oversimplified parts during this section of the book. NTUL Chi
0650 Hino, K䲖ichi, 1929– яఀࣉϣ, 1929– Kunf䲚 doragon daizensh䲚: Bur䲚su R䲒 kara Jakk䲒 Chen / Hino K䲖ichi sekinin hensh䲚. KUNG FU!䬸䭘䬣䭢ϽҪओ : 䭅䭚䴈䬨ί䭙䴈䪼䫺䬧䭒䬲䬜䴈ί 䬰䬖䭢 / яఀࣉϣૻڗഹओ. T䲖ky䲖: Haga Shoten, 1980. 183 p. ISBN 4826100760, 9784826100762 Series: Shine arubamu; 76 䬦䬼䬑䭚䬿䭏; 76 Note: An introduction to kung fu and martial arts film actors and actresses in Hong Kong, Taiwan, and mainland China. WorldCat Jpn
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0657 96 leaves. Note: Thesis (M.A.)—Shih Hsin University, 2009. The paper focuses on representations of gender identity and performativity in Ang Lee’s film: Crouching Tiger, Hidden Dragon (2000). Includes a bibliography. NCL/NDLTD Eng
0651 Hu Jinquan de yi shu shi jia / Liang Bingjun deng zuo. ഐؖ⠌ϡਲफԒ֎ / ᅯῢҳӑ. Taibei: Yue sheng wen hua shi ye you xian gong si, 2007. 184 p. ISBN 9576307294 Series title: Taibei Jin Ma ying zhan cong shu, 2007; 2 ࣁؙެؖܚݡᜣڣ, 2007; 2 Note: A special collection of essays focusing on the aesthetic and artistic perspectives of King Hu’s martial art films and style. Includes a King Hu chronology compiled by the Chinese Taipei Film Archive. NTUL Chi
0655 Jia, Leilei. ᯉᲁᲁ. Wu zhi wu: Zhongguo wu xia dian ying de xing tai yu shen hun. ેҏଢ䩭Ѕмેྣӈؙϡ࣏ݮԁظฆ. Zhengzhou: Henan ren min chu ban she, 1998. 265 p. ISBN 721504243X Series title: Yu le wen hua yan jiu cong shu ษӂҹ٩୳ૢᜥڪ Note: An early attempt by the mainland China scholar to explore common themes within martial arts films produced in mainland China, Hong Kong, and Taiwan. The book, however, cannot be viewed as a serious academic work because the author did not have direct access to resources in Taiwan, such as the resources at the Chinese Taipei Film Archive, and thus did not attain a sufficient quantity of reliable primary sources to support his assertions. Includes a filmography of the famous Chinese martial arts figure Huang Feihong (Wong Fei-Hung) from 1949 to 1994, but there is no bibliography. WorldCat Chi
0652 Hu Jinquan dian ying chuan qi / Hu Weiyao, Liang Bingjun zhu bian. ഐؖ⠌Ӈ ࡞ةؙ/ ഐۆ, ᅯῢҰഹ. Xianggang: Ming bao chu ban she, 2008. 265 p. ISBN 9789628959983 Series title: Ren wu xi lie Ϫ࠶ڍ Note: A commemorative work of King Hu. Consists of biographical works, articles in memory of King Hu, and essays on Hu and his films. Includes a bibliography of Hu’s personal writings, a filmography, and a bibliography of Hu and his films. CTFAL Chi
0653 Huang, Ren, 1925– ࢶწ, 1925– Hu Jinquan de shi jie. ഐؖ⠌ϡԒ֎. Taibei: Yan Tai tu shu chu ban she, 1999. 349 p. ISBN 9578264178 (pbk.), 9789578264175 (pbk.) Series title: Taiwan dian ying yan jiu cong shu; 3 ݡஹӇؙ傘ૢᜣ ;ڣ3 Note: Not only a comprehensive biography of King Hu, but also a collection of academic essays of Hu’s martial art films by different authors and memoirs from his exwife, students, and friends. Includes a bibliography, a chronology, manuscripts, incomplete works, photos, film stills, and posters. WorldCat Chi
0656 Jia, Leilei. ᯉᲁᲁ. Zhongguo wu xia dian ying shi. Ѕмેྣӈؙ. Beijing: Wen hua yi shu chu ban she, 2005. 391 p. ISBN 7503926392 Series title: Dian ying cong shu ӈؙᜥڪ Note: A Chinese martial arts film history. The author provides a detailed chronology of Chinese martial arts films as the genre moved through mainland China, Hong Kong, Taiwan, and overseas. The author, however, does not provide a convincing reason for the abrupt interruption of martial arts film development in mainland China after 1949. Includes interviews with contemporary Chinese martial arts film directors and actors. Includes a bibliography. Duxiu Chi
0654 Huang, Yujie (Huang, Yu-Chieh). ࢶఛီ. Wu xia / Nu xia: Li An Wo Hu Cang Long zhong xing bie pan yan de dian fu = Wuxias / Nuxias: the subversion of gender performativity in Ang Lee’s Crouching Tiger, Hidden Dragon. ેཱུ / ѽཱུ: ଽԥ၃ഝেहЅԛԇၣࠟϡኩ = Wuxias / Nuxias: the subversion of gender performativity in Ang Lee’s Crouching Tiger, Hidden Dragon.
0657 Mintz, Marilyn D., 1950– The martial arts film. South Brunswick, [NJ] : A. S. Barnes & Co., Inc., 1978. 243 p.
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0658 ISBN Note:
0498017753 A book on worldwide martial arts film production, including Chinese kung fu, James Bond, and Japanese samurai movies, with a focus on Bruce Lee and Japanese samurai movies. Martial arts films directed by King Hu and produced in both Hong Kang and Taiwan are discussed in the book. Includes a selected filmography (Chinese and Japanese), bibliography, and index. WorldCat Eng
all non-English films, and the names of Chinese cast members are often romanized in nonstandard ways. For example, famous Chinese martial arts film star Jet Li is presented as “Li Lianjie,” which is the standard Pinyin romanization system of his name, or “Li Lienchieh,” his name in the standard Wade-Giles romanization system. In this work, however, Jet Li’s name is “Li Lin-jei.” Jet Li’s popular, non-standard English name, “Jat Lee,” is provided in the aliases section. Includes bibliographical references (p. 417), aliases, and a name index. WorldCat Eng
0658 Ngo, Nightingale. Girl power : Chinese women warriors in swordplay films. 98 leaves. Note: Thesis (M.A.)—University of Miami, 2002. Describes female character–centered Chinese martial arts films, specifically, the key films of two of the foremost actresses Chang Pei-pei and Michelle Yeoh, who rose to stardom in Hong Kong in the 1960s and 1980s, respectively. Concludes with an in-depth analysis of the most recent (at the time) and famous kung fu film: Crouching Tiger, Hidden Dragon (2000) directed by Ang Lee and featuring by both actresses. Includes a bibliography and a filmography. WorldCat Eng
0661 Szeto, Kin-Yan. The martial arts cinema of the Chinese diaspora: Ang Lee, John Woo, and Jackie Chan in Hollywood. Carbondale: Southern Illinois University Press, 2011. 171 p. ISBN 9780809330218 (pbk.; alk. paper), 0809330210 (pbk.; alk. paper), 9780809386208 (ebk.), 0809386208 (ebk.) Note: A work on Ang Lee, John Woo, Jackie Chan, and their martial arts film careers in Hollywood. WorldCat Eng
0662 Teo, Stephen. Fight and flight: the Wuxia film in Chinese cinema: Ph.D. thesis. 261 p. Note: Thesis (Ph.D.)—RMIT University, 2002. Studies wuxia and martial arts films produced in Hong Kong, Taiwan, and mainland China from historical and critical perspectives. Includes a bibliography. WorldCat Eng
0659 Ni, Jun. Ằ. Pang luo de jiang hu: Zhongguo wu xia dian ying de li shi yu shen mei. ೨ϡ䩭ЅмેྣӈؙϡࣄԁᅮѤ. Beijing: Zhongguo you yi chu ban gong si, 2008. 210. ISBN 9787505724457 Note: A general introduction to Chinese martial arts film history and its aesthetic meanings. Although the author mentions Taiwan martial arts films, his limited knowledge of, and access to, Taiwan martial arts films is apparent. Includes a filmography and bibliography. Duxiu Chi
0663 Zhang, Li. צҨ. Gong fu pian de mi mi: dong zuo dao yan yi shu = The secret of Kong Fu movie: the arts of action directors. ۋਜ਼әϡ੶઼䩭҃ӑࣔࠟभ = The secret of Kong Fu movie: the arts of action director. Qingdao: Qingdao chu ban she, 2009. 386 p. ISBN 9787543653900 Note: A work on the art of Chinese martial arts film developed in mainland China, Hong Kong, and Taiwan. Covers multiple aspects, such as special effects, martial arts training, directing skills, equipment, and acting. Pays primary attention to Hong Kong martial arts film directors and actors. Includes a bibliography and the nominees for best action design in martial arts films for Hong Kong Film Awards and Golden Horse Awards in Taiwan. WorldCat Chi
0660 Palmer, Bill, 1947– The encyclopedia of martial arts movies / Bill Palmer, Karen Palmer, and Ric Meyers. Metuchen, NJ: Scarecrow Press, 1995. 465 p. ISBN 0810830272 (acid-free paper) Note: Provides 3,281 entries on martial arts films produced mainly in Hong Kong, Taiwan, Japan, the United States, and China with film information, including the title, cast, director, producer, film studio, runtime, and availability. The major problems with the text are as follows: only English translations are used for
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Opera and Drama Films
3.15
0668
OPERA AND DRAMA FILMS
structural(ist), transhistorical accounts of the poetics and aesthetics of Chinese film as an integral part of world cinema” (p. 15). Interesting studies include the essay by Mary Farquhar and Chris Berry: “Shadow Opera: Toward a New Archaeology of the Chinese Cinema,” which states :“If civilized plays are cinema’s stepmother, then opera is the mother in terms of first film productions, whether on the mainland (1905) or in Hong Kong (1909). Opera films were also the first productions in major regional language films, Cantonese (1933) and Taiwanese (1954)” (p. 51). Other Taiwan film or related comparative film studies essays include Meiling Wu’s “Postsadness Taiwan New Cinema: Eat, Drink, Everyman, Everywoman,” Emilie Yuehyu Yeh’s “Poetics and Politics of Hou Hsiao-hsien’s Films,” Sheldon H. Lu’s “Crouching Tiger, Hidden Dragon, Bounding Angeles: Hollywood, Taiwan, Hong Kong, and Transnational Cinema,” Darrell W. Davis’s “Borrowing Postcolonial: Wu Nien-chen’s Dou-san and the Memory Mine,” and Shao-ying Shen’s “Locating Feminine Writing in Taiwan Cinema: A Study of Yang Hui-shan’s Body and Sylvia Chang’s Siao Yu.” Includes filmography, Chinese glossary, bibliography, notes on contributors, and an index. WorldCat Eng
0664 Bai, Xianyong, 1937– Ձର, 1937– You yuan jing meng. ղࡪइٓ. Guangzhou: Hua cheng chu ben she, 2000. 410 p. ISBN 7536031335 Series title: Bai Xianyong wen ji: di wu juan: xi ju, dian ying Ձରҹओ䩭ҷٚඵ䩭ۜঃ䩟ӈؙ Note: A collection of essays by Bai Xianyong on opera films. Duxiu Chi
0665 Chen, Weizhi (Chen, Edwin W.) ⤇. Wo ai Huangmei diao: si zhu Zhongguo gu dian yin xiang—Gang Tai Huangmei diao dian ying chu tan. ϢДࢶႰ݇: ࡉኵЅлࣲਹࢣ—୯ࢶݡႰ݇Ӈؙ२෬. Taibei: Mu cun tu shu you xian gong si, 2005. 224 p. ISBN 9867533372 Note: Beginning in the late 1950s, for more than ten years Huangmei opera films produced by Hong Kong and Taiwan film studios were successful in the Chinese film markets of Hong Kong, Taiwan, and Southeast Asia. This special phenomenon is studied in this book, which describes the origins of Huangmei opera, the definition of a Huangmei opera film, the development of the Huangmei opera film in Hong Kong and Taiwan During the Pre-Classical (1958–1959), First Experimental (1959–1962), First Classical (1962–1963), Second Experimental (1963–1964), Second Classical (1965–1966), Decline (1967–1969), and Golden Era of Taiwan Huangmei Opera Film (1960s) periods, and an Epilogue of the Huangmei Opera Film (early 1980s) in ten chapters. Includes a filmography of Huangmei Opera Film from 1958–1982. WorldCat Chi
0667 Du, Yunzhi, 1923– ᖯࠥҏ䩟1923– Zhongguo de dian ying. ЅлϡӇؙ. Taibei: Huang guan chu ban she, 1978. 266 p. Note: A collection of essays on Chinese film history, focusing mainly on Taiwan and Hong Kong film history. The most interesting and important essays in the book include the following topics: the relationship between ROC’s leader Chiang Kai-shek and film production, the history of Chinese documentary and news film development, the relationship between Chinese film and Peking opera, a review of the Taiwan film industry, an analysis of the psychology of film audiences, martial arts film and martial arts–magic spirit films (wuxia shenguai pian), a fifty-year history of the Shao family’s involvement in Chinese film production, and an account of female movie stars and female spies in the real world. Includes film stills, posters, and photos, a list of 100 important Chinese films, and a chronology of Chinese film history (1896–1978), but there is no bibliographical information or index. WorldCat Chi
0666 Chinese-language film: historiography, poetics, politics / edited by Sheldon H. Lu and Emilie Yueh-yu Yeh. Honolulu: University of Hawai’i Press, 2005. 413 p. ISBN 0824828135 (alk. paper), 9780824828691 (pbk.; alk. paper), 0824828690 (pbk.; alk. paper) Note: This edited volume “covers the cinematic traditions of mainland China, Taiwan, Hong Kong, and the Chinese diaspora from the beginning of Chinese film history to the present moment” (p. 2). Part I. Historiography, Periodization, Trends includes articles that either address Chinese film history broadly or different significant movements within Chinese cinema; Part II. Poetics, Directors, Styles provides “lucid, synchronic,
0668 Huang, Xiuru. ࢶഫҒ. Tai yu pian de xing shuai qi luo. ܭݡәϡࣱᆽв. 124 leaves.
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Specific Film Genres
0669 Note:
Thesis (M.A.)—National Taiwan University, 1991. An exploration of the rise and fall of Taiwanese-dialect cinema from 1955 to 1981. Describes the economic conditions and competition of Taiwanese-dialect films, and government film policies. In conclusion, the paper states that the following reasons lead to the eventual downturn of Taiwanese-dialect cinema: (1) Initially local filmmakers in Taiwan started to produce Taiwanese-dialect films due to a weak market of Mandarin films and stimulation of popular Xiamendialect films; (2) the quality of early Taiwanese-dialect films was poor and did not improve over time, even after its initial popular period, due to limited resources; (3) Taiwanese-dialect films inevitably lost their share of the market share when the Mandarin film industry emerged and Japanese films were banned; (4) government film policy and officials in Taiwan were always hostile to Taiwanese-dialect films and filmmaking. Includes a Chinese abstract and a bibliography, as well as a Chronology of Domestic Political Affairs, Film Policies and Government-Owned Film Studios, Charts of Mandarin Film-Making and TaiwaneseDialect Filmmaking, Filmography of Mandarin Films 1949–1954, Taiwanese Theatrical Professionals Involved in Taiwanese-Dialect Filmmaking, Lists of Taiwanese-Dialect and Mandarin Films Selected and Received Golden Horse Awards, Production Charts of Mandarin and Taiwanese-dialect Films from 1955– 1974, and Box Office Record of 1965. NTUL Chi
Moreover, in 1992, Lee Daw-ming, a Taiwan scholar, found out that Lu had copied part of Chapter 3 from Japanese scholar Sai Ichigawa’s work: Ajia eiga no s䲖z䲖 oyobi kensetsu (Creation and Building of Asian Films) in Chapter 1, Taiwan Film During the Japanese Occupation Period within the Taiwan film history part of his work. Lee’s discovery was published in the article: “Dian ying shi ru he lai dao Taiwan de” (How did film come to Taiwan?) in the journal Dian ying xin shang (Film Appreciation), no. 9/10 (September/ October 1993), p. 107. The preface includes an introduction of the author written by You Mijian. The appendix includes the author’s photo collection (pp. 536–542), an essay on Taiwanese-dialect film (pp. 543–544), and the author’s resume (pp. 576). WorldCat Chi
0670 Wang, Zilong. ࣼжᑹ. Zhongguo ying ju shi. Ѕлঁؙ. Taibei: Jian guo chu ban she, 1960. 152 p. Note: Because of the close relationship between Chinese film and drama (in this case, not Chinese opera, but Western performance art), the author provides a joint history of Chinese film and drama, divided into six periods: Budding: End of Qing to 1920; Establishing: 1921–1930; Developing: 1931–1937; Peaking: 1938–1945; Prosperous: 1946–1949; and Struggling: 1950–1959. Appendix includes the essays on Taiwanese-dialect film and drama. CTFAL Chi
0669 Lu, Sushang, 1915–1970. पϼ, 1915–1970. Taiwan dian ying xi ju shi = A history of cinema and drama in Taiwan. ݡஹӇঁؙۚ = A history of cinema and drama in Taiwan. Taibei: Yin hua chu ban she, 1961. 577 p. Note: This is the earliest known academic work on Taiwan film and opera/drama history written by a Taiwanese scholar. The first part of the book, Taiwan Film History (pp. 1–156), contains Chapter 1: Taiwan Film During the Japanese Occupation Period, Chapter 2: Taiwan Film after Retrocession, Chapter 3: International Cooperation in Film Production, Chapter 4: Introduction of Taiwan Film Studios, Chapter 5: Official Film Advisory and Censorship Functions, Chapter 6: Non-governmental Film Organizations, Chapter 7: Film Education and Workshops, Chapter 8: Film Related Publications, Chapter 9: Film Theory and Critics, and Chapter 10: Film Industry and Theatres. As a groundbreaking work, the author provides a vast amount of firsthand information about Taiwan film history from 1901 to 1961, including dates, names, and events related to the Taiwan film. As an academic work, however, it is weak in terms of theoretical analysis and objectivity due to the limits of the overall political and academic environment during the time.
3.16
MUSICAL FILMS
0671 Jiao, Xiongping (Chiao, Peggy). ဖ๔. Ge wu dian ying zong heng tan. ܮଢӇؙ྾ืড. Taibei: Yuan liu chu ban gong si, 1993. 266 p. ISBN 9573219263 Series title: Dian ying guan; 39 Ӈؙఖ; 39 Note: A book on musical films. Although no chapter or discussion focuses exclusively on Taiwan musicals, the author mentions that there are many Chinese musical films, including local opera films, as well as film music composers in mainland China, Hong Kong, and Taiwan. Due to limited records and resources, however, a thorough study of Chinese musicals remains unfulfilled in this volume. Includes a film title and name index. CTFAL Chi
124
Science and Education Films / Short Films
0675 Note:
0672 Zhongguo dian ying ge wu yi / Ce hua bian ji: Jiao Xiongping, Jing Yingrui. ЅлӇܮؙଢশ / ೫ഹফ: ဖ๔, ቯࣽᇳ. Taibei: Zhongguo dian ying nian chu ban f axing, [1993] 108 p. Note: A special publication for the Chinese Musical Film Festival held in Taiwan in 1993. Includes synopses of the thirteen Hong Kong musical films shown at the festival, film reviews, introductions of the stars and festival workers, and thirty songs from these musical films. Contains discussions regarding the limited quantity of musicals in Taiwan and a comparison of Hong Kong and mainland musicals. CTFAL Chi
3.17
SCIENCE AND EDUCATION FILMS
0673 Huang, Ren, 1925– ࢶწ, 1925– Dian ying yu zheng zhi xuan chuan. Ӈؙӿूୌة. Taibei: Wan xiang tu shu go fen you xian gong si, 2004. 441 p. ISBN 9576694841 Series title: Taiwan dian ying shi cong shu; 3 ݡஹӇؙᜣ ;ڣ3 Note: A most comprehensive work on the relationship between film and politics in Taiwan. Divided into eleven chapters: Chapter 1: General Introduction; Chapter 2: Film Policy and Public & Private Film Studios; Chapter 3: Anti-Communist Films; Chapter 4: Anti-Japanese Films; Chapter 5: “Search-Roots” (nativism) and Nationalist Films; Chapter 6: Military Education Films; Chapter 7: Character-Building and Educational Films; Chapter 8: Agricultural Reform, Economic Development, and Unity-Building Films; Chapter 9: National Revolution Films; Chapter 10: Biographies of Film Professionals; and Chapter 11: Interviews. NTUL Chi
3.18
0674 Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming ; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. ઔ࠷ݡஹ: ݡஹઔ࠷ә୳ૢڣ۵ӿҹຶקओ / Ұഹפቾᴧ, ଽѬҴ ; వҲഹফᖻҹ, ठ᯾ঌ, פቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570265478 (v. 1), 9570262486 (v. 2) Series title: Taiwan dian ying shi liao cong shu ݡஹӇؙࢧᜣڣ
This is the first and most comprehensive bibliography and collection of essays on Taiwan film documentaries. Vol. 1 covers the colonial period and includes sixty-five essays and articles written by three contemporary Taiwan scholars as well as colonial-era Japanese authors whose articles were initially published in Japanese before being translated into Chinese for the purposes of this book. Contains eight parts: (1) Film History; (2) Documentary, News, and Education Films; (3) Film Show Activities; (4) Film Propaganda; (5) Film Censorship; (6) Film Affairs; (7) Film Reviews and Introduction; and (8) a Bibliography of Taiwan Documentary Film Studies During the Colonial Period, which includes monographs (in both Chinese and Japanese), dissertations, and journal articles (in both Chinese and Japanese, dated and undated). There is also a bibliography at the end of the book. Vol. 2 covers Taiwan documentary film studies after 1945 and includes eighty-one essays, articles, interviews, film reviews, and news reports. Similar to Vol. 1, it also contains eight parts: (1) Anthropology Films; (2) Introduction and Review of Taiwan Documentary Films; (3) Theory and Aesthetics of Documentary Film; (4) Documentary Film and Social Movements; (5) Documentary and Indigenous People; (6) Documentary Film Directors and Workers; (7) Documentary Film History, and Analysis; and (8) a Bibliography of Taiwan Documentary Film Studies after 1945, which is organized under the following subjects: anthropology films, China (including Hong Kong) documentary films, review and introduction to Taiwan documentary films, review and introduction to foreign documentary films, documentary filmography and others, documentary film theory and aesthetics, documentary films and social culture, documentary film and social movements, documentary film and indigenous people, documentary film directors and workers (domestic), documentary film directors and workers (abroad), documentary film history (domestic), and documentary film history (abroad). The materials collected in the bibliography include monographs, dissertations, journal and newspaper articles, handbooks, and manuals. WorldCat Chi
SHORT FILMS
0675 Huang, Qidi (Huang, Chi-Ti). ࢶᐚ. Taiwan duan pian zhi zuo mo shi yan jiu—yi “Qiubite nu hai” yu “Wu zhang ai” wei li = An empirical study on the production mode of Taiwanese short films: taking Ms. Cupid and Let off as examples. ݡஹߦә३ӑথܴ୳ૢ—й “ᆥԝئѽ ”יӿ “ѩᅣዏ” Њຎ = An empirical study on the production mode of Taiwanese short films: taking Ms. Cupid and Let off as examples. 135 leaves. Note: Thesis (M.A.)—National Taiwan University of Arts, 2009.
125
Specific Film Genres
0676 From the perspective of a film producer, the paper explores the auteur-centered mode of short film production. Two short films Wu zhang ai = Let off and Qiubite nu hai = Ms. Cupid, which differ from each other in terms of content and style, are used as case studies. Proposes an audience-oriented, communicative, conceptual short film production mode known as MEED (Manager, Executer, Experienced people, and Dreamer). Includes a Chinese abstract and a bibliography, as well as Case Study Film Scripts, Case Study Film Production Budgets, and Case Study Film Promotion Materials. NCL/NDLTD Chi
of them as they are raised by authoritative male figures within a patriarchal society. The comradery forged among the male teenagers arguably represents the comradery among citizens of the nation as a whole within a national imaginary. Includes a Chinese and English abstract, a bibliography, and Charts of the Films Produced in the 1980s. NCL/NDLTD Chi
3.20
0679 Lin, Fangmei. ᇙᄮ. Jie du Qiongyao ai qing wang guo. ࢵثᬆᴽДєࣼл. Taibei: Shi bao wen hua, 1994. 342 p. ISBN 9571312940 Series title: Wen hua cong shu; 128 ҹ٩ᜣ ;ڣ128 Note: An in-depth study of Qiongyao’s romance novels, including films and television series adapted from her work. Includes a list of fifty adapted films and their original novels. CTFAL Chi
0676 Lin, Tzuhui. Grandpa!? 52 leaves. Note: Thesis (M.F.A)—Rochester Institute of Technology, 2010. Describes the making of the short film Grandpa!? (2009), filmed and produced in Taiwan. Provides an account of the film’s production, filming, and postproduction, all as part of the director’s student-film project. Includes the film script, proposal, timeline, budget, film stills, and behind-the-scenes photos. Full-text access is available at R.I.T Digital Media Library Repository. WorldCat Eng
0677
0680
Taiwan cinema 2000–2002: short fictions, documentaries, animations, experimentals / Chinese Taipei Film Archive. Taipei: Arthur Lap, 2003. 84 p. Note: An introduction to Taiwan cinema from 2000 to 2002; includes short films, documentaries, animation, and experimental cinema. WorldCat Eng
3.19
QIONGYAO’S MELODRAMA FILMS
Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. A national score: popular music and Taiwanese cinema. 263 leaves. Note: Thesis (Ph.D.)—University of Southern California, 1995. An interesting study of the relationship between popular music, cinema, and national identity in Taiwan from the 1970s to the 1990s. Explores multiple relevant interrelationships between popular music and Taiwan cinema, including the inclusion of popular songs in the 1970s policy films and romantic melodramas, the exclusion of pop music in Taiwan New Cinema in the 1980s, and the return of popular music in commercial films of the 1990s, thus revealing “a national identity characterized by shifting loci of commerce, politics, and art” (abstract). As a serious academic work, it provides many interesting perspectives based on in-depth research and substantial evidence. It states, however, that “A huge massacre occurred in 1945 when many Taiwanese rose up against the semi-colonial governance of the National Party” (l. 2), which is possibly miswritten, for if Dr. Yeh is referring to the February 28 Incident, this event occurred in 1947. Includes a filmography (pp. 243–247) and bibliography (pp. 248–263). WorldCat Eng
TEENAGE-CAMPUS FILMS
0678 Pan, Suhui (Pan, Su-hui). ᕤঈ༫. Jie gou ba shi nian dai xiao yuan xue sheng dian ying: Lei xing, xing bie, guo zu ren tong = Deconstruction of Teenager-Campus Films in the 80’s: Genre, gender and national identity. ثภࡂёࡩޥڊѹТӇؙ: ढࡿ, ԛԇ, лఓگӎ = Deconstruction of Teenager-Campus Films in the 80’s: Genre, gender and national identity. 112 leaves. Note: Thesis (M.A.)—Tamkang University, 2007. Analyzes four coming-of-age films produced in the 1980s that represent teenagers growing up on campuses. Identifies the ways teenagers become socialized and gradually conform to the masculine stereotypes expected
126
Qiongyao’s Melodrama Films
0681 Political and Economic Development,” “Chinese Film and Gender Study,” “Chinese Film Genre Study,” and “Chinese Film and Culture Representation.” Eight papers touch on the subject of Taiwan film, including Li Tianduo’s paper on Taiwan film under the colonial system; Liu Xiancheng’s essay on the history of Taiwan color film development in terms of social issues as well as scientific and technical practice; Huang Yingfen’s article on the aesthetic trends of contemporary Taiwan film; Roland B. Tolentino’s (in English) comparative study of the Chinese “city film” from Taipei, Hong Kong, and Beijing; Qi Longren’s essay on Qiongyao’s films during the 1970s; Zhang Yupei’s analysis of the social and cultural meanings of Taiwan film during the 1990s; and Ye Yueyu’s paper on the relationship between nationality and popular songs in Taiwan films produced from the mid-1970s to the early 1990s. NTUL Chi Eng
0681 Zhongguo dian ying: li shi, wen hua yu zai xian = Chinese cinemas: history, culture and representation: Hai xia liang an ji Xiang Gang dian ying fa zhan yu wen hua bian qian yan tao hui lun wen ji / Liu Xiancheng bian. ЅлӇؙ: ࣵ, ҹ٩ӿӐѳ = Chinese cinemas: history, culture and representation: ᒘҔ᠕ܫ୯Ӈؙчࣁӿҹ٩Ժቜ୳क़Ͼ ںҹओ / ѳюഹ. Taibei: Taibei shi Zhongguo dian ying shi liao yan jiu hui, Zhonghua Minguo shi jue chuan bo yi shu xue hui, 1996. 335 p. Note: A collection of the papers from a film symposium in Taiwan attended by scholars from Taiwan, Hong Kong, mainland China, and the United States on September 13–15, 1995. Twenty-three papers were presented during the symposium, nineteen of which are published here. Themes include “Chinese Film History,” “Relationship between Chinese Film with Society,”
127
4 Film Reviews
4.1
GENERAL REVIEWS
and films produced by the left-wing film studios in Hong Kong, such as the Great Wall Studio and Phoenix Film Studio, are not included in this list of films shown publicly in Taipei. Provides in-depth studies of the Chinese literary art film, including the definition of Literary Art Film, its early development in Mainland China, recent domination by films produced in Hong Kong and Taiwan, the influence of novels and individual film directors, a forecast for the future, and reviews of some of the most representative literary films and directors. Includes a bibliography (pp. 310–311). WorldCat Chi
0681a Anderson, John, 1955– Edward Yang. Urbana: University of Illinois Press, 2005. 128 p. ISBN 0252029933 (alk. paper), 0252072367 (pbk.; alk. paper) Note: This introductory work on Edward Yang and his films consists of the essay “Poetry and Motion”; reviews of Yang’s films Expectations (1982), That Day, On the Beach (1983), Taipei Story (1985), The Terrorizer (1986), A Brighter Summer Day (1991), A Confucian Confusion (1994), Mahjong (1996), Yi Yi (2000); and “An Interview with Edward Yang.” Includes filmography, bibliography, and an index. WorldCat Eng
0684 Cai, Zhaocheng. ᓥᘻ. Fa lu dian ying yuan—Jing pi jie xi 18 bu jing dian fa lu dian ying. ֚ಋӇؘ—ࡨؙ᭽ث18חҬਹ֚ಋӇؙ. Taibei: Wu nan tu shu chu ban gu fen you xian gong si, 2007. 347 p. ISBN 9789571146461 Series title: Fa lu ren wen guan ֚ಋϪҹఖ Note: Written by lawyer and legal advisor to film director Edward Yang, the book provides eighteen reviews of Hollywood films from a legal perspective, including related legal cases in Taiwan. CTFAL Chi
0682 Bi, Ming. ഋҴ. Dian ying wei si—101 tao hao hao xi. Ӈ۔ؙӚ—101 ࠇϮϮۚ. Xianggang: Kubrick, 2005. 205 p. ISBN 9889793113 Note: A collection of the author’s film reviews, including reviews of Taiwan films directed by Yi Zhiyan, Hou Hsiao-hsien, and Edward Yang. NTUL Chi
0685 Chen, Aini. ዐᔾ. Ai qing gu shi dian ying ji (nan ren pian). ДєݞѨӇؙओ (ԲϪࢡ). Taibei xian Xindian shi: Xue ying wen hua shi ye you xian gong si, 1998. 239 p. ISBN 9578369069 Series title: Ai qing gu shi zhi; 1 ДєݞѨҏ; 1 Note: A collection of film reviews, primarily on Taiwan romantic films, written from a feminist perspective. CTFAL Chi
0683 Cai, Guorong. ᓥлึ. Zhongguo jin dai wen yi dian ying yan jiu. ЅлڊײҹਲӇૢ୳ؙ. Taibei: Zhonghua Minguo dian ying tu shu guan chu ban bu, 1985. 312 p. Note: Focuses on the so-called literary art film in Taiwan, Hong Kong, and Mainland China film history before 1949. Based on the author’s preface, the book includes all Chinese films produced in Taiwan and Hong Kong, and shown publicly in Taipei; note that Taiwanese-dialect films
129
Film Reviews
0686 0686
0690
Chen, Biyue, 1969– ካ֊, 1969– Ning shi xin ling: wen xue dian ying yu ren sheng. ፝؆Кࢼ: ҹѹӇؙӿϪТ. Taibei: Xiu wei zi xun ke ji gu fen you xian gong si, 2010. 280 p. ISBN 9789862215418, 9862215410 Series title: Mei xue yi shu lei; PH 0022 Ѥѹਲफढ; PH 0022 Note: Reviews films from mainland China, Hong Kong, and Taiwan. Includes a bibliography. WorldCat Chi
Chen, Nianxuan. ݉ἒ. Wo ai shuo dian ying. ϢДМӇؙ. Taibei: Zhi ku go fen you xian gong si, 2005. 319 p. ISBN 9867264274 Series title: Xiu xian sheng huo; 8 ࣤሤТ҅; 8 Note: A collection of film reviews divided by region; includes two Taiwan film reviews in the section on the “China, Hong Kong, and Taiwan” region. NTUL Chi
0687
0691
Chen, Guofu䩟 1958– лࣥ䩟1958– Pian mian zhi yan-Chen Guofu dian ying wen ji. әӌҏߞ-лࣥӇؙҹओ. Taibei: Zhonghua Minguo dian ying tu shu guan chu ban bu, 1985. 268 p. Note: A collection of the author’s film reviews and articles on film theory and Taiwan film studies. NTUL Chi
Chen, Yaocheng (Chan, Evans Yiu Shing). ႙ю. Cong xin lang chao zhi hou xian dai = From the new wave to the postmodern. ԩЈع۠ћѳ = ڊFrom the new wave to the postmodern. Xianggang: Xianggang dian ying ping lun xue hui, 2001. 342 p. ISBN 9628271563 Series title: Xianggang dian ying ping lun xue hui cong shu; 11 ܫ୯Ӈںؙ߰ѹϾᜣ ;ڣ11 Note: A collection of the author’s film reviews and essays on film studies; Chapter 4 includes a segment on Taiwan. Includes an index. CTFAL Chi
0688 Chen, Kehua. ࡽܓ. E sheng—Chen Kehua dian ying bi ji. ॱ—كࡽܓӇؙદ֮. Taibei: Huang guan wen xue chu ban you xian gong si, 1994. 231 p. ISBN 9573311526 Series title: Huang guan cong shu di er san qi san zhong ෦ഃᜣڣҷԏѧࢳѧ҆ Note: A collection of the author’s film reviews primarily on Taiwan films. CTFAL, NTUL Chi
0692 Chihan. စఈ. Se qing pian. ዸєә. Taibei: Mu cun tu shu, 2004. 222 p. ISBN 9867533119 Series title: Qu wei ren sheng xi lie; 1 ঙڏϪТ ;࠶ڍ1 Note: A collection of adult film reviews, divided into two parts: Western and Oriental. The book cover carries an “18 and older” marking. CTFAL Chi
0689 Chen, Huiyang. ሓเ. Meng ying ji—Zhongguo dian ying yin xiang. ؙْओ—ЅлӇؙࢣ. Taibei: Yun chen wen hua shi ye gu fen you xian gong si, 1990. 291 p. Series title: Yun chen wen xuan; 10 ኧநҹ ;ק10 Note: A collection of film reviews on mainland China, Hong Kong, and Taiwan films. Four reviews (pp. 253–276) focus on Taiwan films. NTUL Chi
0693 Chinese films in focus: 25 new takers / edited by Chris Berry. London: BFI Pub., 2003. 216 p. ISBN 0851709850, 9780851709857, 0851709869, 9870851709864 Note: A collection of the essays on twenty-five Chinese films, including the essays on the following Taiwanese films: “Flowers of Shanghai: Visualising Ellipses and (Colonial) Absence” by Gang Gary Xu; “A Time to Live, a Time to Die: A Time to Grow” by Corrado Neri; “A Touch of Zen: Action in Martial Arts Movies” by
130
General Reviews
0700
Mary Farquhar; “Vive l’amour: Eloquent Emptiness” by Fran Martin; “Wedding Banquet: A Family (Melodrama) Affair” by Chris Berry; and “Yi Yi: Reflections on Reflexive Modernity in Taiwan” by David Leiwei Li. Includes a bibliography and an index. WorldCat Eng
0697 Frodon, Jean-Michel. Hou Hsiao-Hsien / dir. de Jean-Michel; pref. par Olivier Assayas. [Paris] : Cahiers du cinema, 1999. 191 p. ISBN 286642249X, 9782866422493 Series title: Collection Essais Note: A study on Hou Hsiao-hsien and his films. WorldCat Fre
0694 Chinese films in focus II / edited by Chris Berry. Basingstoke, Hampshire, England; New York: Palgrave Macmillan; London: on behalf of British Film Institute, 2008. 287 p. ISBN 9781844572366, 1844572366, 9781844572373, 1844572374 Note: An enhanced version of Chinese Films in Focus: 25 New Takes published in 200, and an essential guide to key Chinese films from the 1930s to the present in China, Taiwan, Hong Kong, Singapore, and other areas. In addition to the essays published in the earlier book, fourteen new articles were added, including a new article dealing with Taiwan cinema: “Formula 17: Mainstream in the Margins” by film scholar Brian Hu. Includes a bibliography and an index. WorldCat Eng
0698 Frodon, Jean-Michel. Hou Xiaoxian = Hou Hsiao-Hsien / Zuo zhe Olivier Assayas . . . [et al.]; Yi zhe Lin ᢡᖮᐊ = Hou Hsiao-Hsien / ӑٷOlivier Assayas . . . [et al.]; ፆٷ Ҵ . . . . [et al.]. Taibei: Cai tuan fa ren guo jia dian ying zi liao guan, 2000. 219 p. ISBN 9573097222, 9789573097228 Note: The Chinese translation of the author’s original work in French: Hou Hsiao-hsien, published in 1999, a study on Hou Hsiao-hsien and his films. WorldCat Chi
0695
0699
Dan, Hanzhang, 1949–1990 Ԕఈא, 1949–1990. Dian ying xin chao. ӇؙЈ. Taibei: Shi bao wen hua chu ban shi ye you xian gong si, 1976. 268 p. Series title: Shi bao shu xi; 27 Ж ;ڍڣڻ27 Note: The author’s articles on and reviews of current worldwide film trends, including Taiwan. CTFAL Chi
Gang Tai liu da dao yan / Li Youxin bian. ୯ࡏݡϽ࣒ࠟ / ଽෂЈഹ. Taibei: Zi li wan bao she, 1986. 229 p. Series title: Zi li cong shu; 26 І߹ᜣ ;ڣ26 Note: An introduction to four Taiwan and two Hong Kong film directors—Song Cunshou, Li Han-hsiang, Edward Yang, Hou Hsiao-hsien, Xu Anhua, and Fang Yuping— and their films. Includes chronologies, film production lists, interviews, and reviews. CTFAL Chi
0696 Dian ying, dian ying ren, dian ying kan wu / Li Youxin bian. Ӈؙ, ӇؙϪ, Ӈؙᑂ / ଽෂЈഹ. Taibei: Zi li wan bao she, 1986. 209 p. Series title: Dian ying wen xuan; 2 Ӈؙҹ ;ק2 Zi li cong shu; 27 І߹ᜣ ;ڣ27 Note: An insightful history of Taiwan New Cinema. Originally published in various journals, books, film reviews, and newspapers, this collection of articles and essays focuses on film critiques from the early period of Taiwan New Cinema. The most unique and important aspect of this book is the editor’s insightful comments, interpretations, and background information provided after each article or essay. Includes film stills. WorldCat Chi
0700 Gong ren kan dian ying / Zuo zhe: He Huixiang deng. ֞ϪЃӇ ؙ/ ӑٷ: ح༫ܫҳ. Taibei: Taiwan gong yun za zhi she, 1994. 149 p. Series title: ICLE Taiwan gong ren wen hua xi lie zhi yi ICLE ݡஹ֞Ϫҹ٩࠶ڍҏϣ Note: A collection of film reviews and articles written from the perspective of Taiwan’s working class. Three Taiwan movies related to working conditions and workers’ strikes are reviewed, and the subject of developing a film about Taiwan workers is discussed in the book. CTFAL Chi
131
Film Reviews
0701
Taipei and its images in two Taiwan film directors’ films are selected as representative of urban development in Taiwan since 1949. Both Li Xing, the most senior and influential Taiwan film director who came to Taiwan from mainland, and Wan Ren, one of the most important new wave film directors since the 1980s, who grew up in Taiwan, depict Taipei’s social, political, and economic milieu in their films in ways different from official urban development history accounts. Includes a Chinese and English abstract, a bibliography, and an appendix (including the film information, Wan Ren’s comments, and Taipei City Development Statistics). NCL/NDLTD (FT) Chi
0701 Hasumi, Shigehiko, 1936– ၬӢԳᴧ, 1936– Lianshi Zhongyan te ji: yi ci yu dian ying de bei ju xing jiao wang / Xu Jielin zhu bain. ၬӢԳᴧئओ: ϣҋӿӇؙϡঁԛ ܊ے/ ܛೀᗗҰഹ. Taibei: Guo li Taiwan da xue Riben zong he yan jiu zhong xin, 1995. 56 p. ISBN 9579019657 Note: Chinese translations of lectures and articles by Japanese film critic Shigehiko Hasumi, including his lecture on Edward Yang’s films at the Chinese Taipei Film Archive, and another lecture on Hou Hsiao-hsien’s film A City of Sadness (1989) at the College of Liberal Arts, National Taiwan University. Includes a biography of Shigehiko Hasumi. NTUL Chi
0705 Hou, Gangben. ᢡӃӆ. Qi miao ying cheng. ࡞ిڵؙ. Taibei: Yu zhou guan quan ren guan huai ji gou, 2007. 223 p. ISBN 9789577273383 Note: A collection of film reviews from a religious perspective, divided into three parts: Part 1, European films; Part 2, North American films; and Part 3, Asian films, including Taiwan films. NTUL Chi
0702 He, Yingjie. ီ߭ح. Dian ying su miao. Ӈؙঈᆡ. Taibei: Xiu wei zi xun ke ji go fen you xian gong si, 2007. 441 p. ISBN 9789866732430 Note: A collection of the author’s film reviews, including the reviews of films produced in Taiwan, Hong Kong, and mainland China. NTUL Chi
0706 Hou, Gangben. ᢡӃӆ. Wei Yesu liu yi zhang dian ying piao—yong jing tou lai shi fang xin tou ya li. Њኬᮚ߈ϣפӇ—ܯؙѓӰϰౠӵКӰॠҨ. Jilong: Ya xi ya chu ban she, 1999. 186 p. ISBN 9570317043 Series title: Xin ling zhi lu; 6 Кࢼҏ߫; 6 Note: A collection of the alternative film reviews written from a religious perspective. CTFAL Chi
0703 Hong, Guo-Juin. New Taiwanese cinema, the year 1986, an identity in the making. 109 leaves. Note: Thesis (M.A.)—San Francisco State University, 1995. This thesis focuses on two Taiwanese directors, Hou Hsiao-hsien and Edward Yang, as well as their films Dust in the Wind and Terrorizers, both of which were made in 1986. Describes the ways these two directors and their films have left an indelible mark on Taiwan New Cinema. Includes a bibliography. WorldCat Eng
0707 Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐊ, 1947– Hou Xiaoxian = Hou Hsiao-hsien ᢡᖮᐊ = Hou Hsiao-hsien. Taibei: San shi ying ye, 2005. [45 p.] Note: A work issued along with a four-DVD set titled, Hou Xiaoxian (Hou Hsiao-hsien) 1983–1986: Hou Xiaoxian (Hou Hsiao-hsien) dian ying jing dian xi lie. Includes the director’s commentary on four of his major film productions. Includes a filmography. WorldCat Chi
0704 Hong, Yueqing (Hung, Yueh-ching). ᖻ֊. Taiwan dian ying zhong de du shi cheng xian—yi Li Xing he Wan Ren de dian ying wei li = The urban representation of Taiwanese movies—an example for Li hsing and Wan Jen. ݡஹӇؙЅϡЁصᅲѳ—йଽҲфݛწϡӇؙЊຎ = The urban representation of Taiwanese movies—an example for Li hsing and Wan Jen. 119 leaves. Note: Thesis (M.A.)—Tamkang University, 2000.
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General Reviews
0713 Note:
0708 Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐊ, 1947– Hou Xiaoxian dian ying jiang zuo = Hou Hsiao-hsien Master Class / Hou Xiaoxian; Zhuo Botang zhu bian. ᢡᖮᐊӇ܈ؙӏ = Hou Hsiao-hsien Master Class / ᢡᖮᐊ; ᅤᐑ ἙҰഹ. Xianggang: Tian di tu shu you xian gong si, 2008. 236 p. ISBN 9789882119888 Series title: “Quan qiu hua ren dian ying dao yan jiang zuo” xi lie “ҪܓܧϪӇ܈ؙ࣒ࠟӏ”࠶ڍ Note: Presents six lectures given by Hou Hsiao-hsien during the film director’s lecture series, hosted by Hong Kong Baptist University, November 5–7, 2007. Hou discusses his film career and aesthetic concepts, comments on his favorite film directors and their films, and opines on the current situation and future of Taiwan cinema. Includes a filmography and list of the lecture series attendants. CTFAL Chi
A collection of essays on early Chinese films, the concurrent Taiwan film industry, and film reviews of 1980s Taiwan and Hong Kong films. NTUL Chi
0711 Huang, Jianye, 1954– ࢶࠃ, 1954– Yang Dechang dian ying yan jiu: Taiwan xin dian ying de zhi xing si bian jia. ख़ቾӇૢ୳ؙ: ݡஹЈӇؙϡҌԛڽᔨр. Taipei: Yuan liu chu ban shi ye gu fen you xian gong si, 1995. 259 p. ISBN 9573223880 Series title: Dian ying guan; 50 Ӈؙఖ; 50 Note: The main part of this work consists of a biography of Edward Yang (Yang Dechang), a historical background of Taiwan New Cinema, and reviews of six of Edward Yang’s most representative films. The appendix contains interviews with Yang Dechang, a chronology of his life and directing career, a bibliography, and a list of journal articles about Edward Yang. WorldCat Chi
0709 Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐉ, 1947– Hou Xiaoxian dian ying jiang zuo = Hou Hsiao-hsien Master Class / Hou Xiaoxian; Zhuo Botang zhu bian. ᢡᖮᐉӈ܇ؙӏ = Hou Hsiao-hsien Master Class / ᢡᖮᐉ; ᅤᐑ ἙҰ൜. Guilin: Guangxi shi fan da xue chu ban she, 2009. 235 p. ISBN 9787563384013 Note: Mainland China’s version of the similarly titled text published by Tian di tu shu you xian gong si in Hong Kong in 2008. Presents six lectures given by Hou Hsiao-hsien during the film director’s lecture series, hosted by Hong Kong Baptist University, November 5–7, 2007. Hou discusses his film career and aesthetic concepts, comments on his favorite film directors and their films, and opines on the current situation and future of Taiwan cinema. Includes a filmography. Duxiu (FT) Chi
0712 Huang, Jianye, 1954– ࢶࠃ, 1954– Zhuan dong zhong de dian ying shi jie. ׅҁЅϡӇؙԒ֎. Taibei: Zhi wen chu ban she, 1980. 280 p. Series title: Xin chao wen ku; 234 Јҹᆞ; 234 Note: A collection of film reviews divided into seven chapters. Chapter 6 focuses on Taiwan films. Includes a film and name index in English and Chinese. NTUL Chi
0713 Huang, Ren, 1925– ࢶწ, 1925– Taiwan ying ping liu shi nian: Taiwan ying ping shi hua = 60 years of film critique in Taiwan. ݡஹࡏؙ߰ё: ݡஹؙ߰ҧ = 60 years of film critique in Taiwan. Taibei: Ya tai tu shu chu ban she, 2004. 269 p. ISBN 986780919X Series title: Taiwan dian ying yan jiu cong shu; 12 ݡஹӇؙ傘ૢᜣ ;ڣ12 Note: A work that documents the history of film reviews in Taiwan; divided into the following historical delineations: Japanese Colonial Period (1916–1945), the 1940s, the 1950s, the 1960s, the 1970s, and After the 1980s. Contains many firsthand historical records based on
0710 Huang, Jianye, 1954– ࢶࠃ, 1954– Ren wen dian ying de zhui xun. ϪҹӇؙϡ৪ଵ. Taipei: Yuan liu chu ban gong si, 1990. 243 p. ISBN 9573206188 Series title: Dian ying guan; 2 Ӈؙఖ; 2
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Film Reviews
0714 the author’s personal experiences; unfortunately, there is no index. Includes the contents of Film Commentary, no. 1–17 (1977–1987), when the author was chief editor of the journal. WorldCat Chi
0717 Huang, Yingxiong. ࢶ߭. Yi shu dian ying shang xi: Guo li guo fu ji nian guan rang ai fei yang yi shu dian ying jiang zuo, jiu shi er nian du. ਲफӇؙ: л߹лઔ݉ఖџДٞเਲफӇ܈ؙӏ, ॰ԏ ё֏. Taibei: Guo li guo fu ji nian guan, 2004. 211 p. ISBN 9570192216 Note: A collection of film reviews and related synopses of forty-six selected art films, including seven Taiwan films, screened and discussed during an annual art film seminar held at the Sun Yat-sen Museum. Includes the author’s chronology. CTFAL Chi
0714 Hua yu dian ying 2005 / Wei Xidi zhu bian. ܬܗӈ ؙ2005 / ਛ՝ᪿҰ൜. Guangzhou: Hua cheng chu ban she, 2006. 323 p. ISBN 7563359680, 9787563359684 Note: A collaborative work by film critics, directors, and scholars from mainland China, Hong Kong, and Taiwan that provides a film production summary of, and introduction to, important films of 2005. WorldCat Chi
0718 Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming ; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. ઔ࠷ݡஹ: ݡஹઔ࠷ә୳ૢڣ۵ӿҹຶקओ / Ұഹפቾᴧ, ଽѬҴ ; వҲഹফᖻҹ, ठ᯾ঌ, פቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570265478 (v. 1), 9570262486 (v. 2) Series title: Taiwan dian ying shi liao cong shu ݡஹӇؙࢧᜣڣ Note: This is the first and most comprehensive bibliography and collection of essays on Taiwan film documentaries. Vol. 1 covers the colonial period and includes sixty-five essays and articles written by three contemporary Taiwan scholars as well as colonial-era Japanese authors whose articles were initially published in Japanese before being translated into Chinese for the purposes of this book. Contains eight parts: (1) Film History; (2) Documentary, News, and Education Films; (3) Film Show Activities; (4) Film Propaganda; (5) Film Censorship; (6) Film Affairs; (7) Film Reviews and Introduction; and (8) a Bibliography of Taiwan Documentary Film Studies During the Colonial Period, which includes monographs (in both Chinese and Japanese), dissertations, and journal articles (in both Chinese and Japanese, dated and undated). There is also a bibliography at the end of the book. Vol. 2 covers Taiwan documentary film studies after 1945 and includes eighty-one essays, articles, interviews, film reviews, and news reports. Similar to Vol. 1, it also contains eight parts: (1) Anthropology Films; (2) Introduction and Review of Taiwan Documentary Films; (3) Theory and Aesthetics of Documentary Film; (4) Documentary Film and Social Movements; (5) Documentary and Indigenous People; (6) Documentary Film Directors and Workers; (7) Documentary Film History, and Analysis; and (8) a Bibliography of Taiwan Documentary Film Studies After 1945, which is organized under the following
0715 Hua yu dian ying 2006 / Yu Xiaoyi zhu bian. ܬܗӈ ؙ2006 / ᷇༿ᗥҰ൜. Guangzhou: Hua cheng chu ban she, 2007. 373 p. ISBN 9787536050297 Note: A collaborative work by film critics, directors, and scholars from mainland China, Hong Kong, and Taiwan that provides a film production summary of, and introduction to, important films of 2006. Part 3 (pp. 262–296) deals with Taiwan films. Written by Liang Liang, it summarizes the Taiwan film industry in 2006. Seven films, with accompanying synopses and reviews, are selected to represent Taiwan cinema in 2006. Includes a list of the ten best-selling films in mainland China, Hong Kong, and Taiwan. WorldCat Chi
0716 Huang, Ren, 1925– ࢶწ, 1925– You xiu Tai yu pian ping lun jing xuan ji / Huang Ren bian; Huang Ren deng zhu. ݿഫܭݡә߰קؘںओ / ࢶწഹ; ࢶწҳЯ. Taibei: Ya tai tu shu chu ban she, 2006. 299 p. ISBN 9789867809445 Series title: Taiwan dian ying yan jiu cong shu; 15 ݡஹӇૢ୳ؙᜣ ;ڣ15 Tai yu pian wu shi zhou nian ji nian ji; 1 ܭݡәٚڬёઔ݉ফ; 1 Note: A collection of selected film reviews on Taiwanesedialect films, divided by decade into the 1950s and 1960s. Also includes essays that review the history of Taiwanese-dialect films. Includes photos, film stills, posters, and a bibliography. NTUL Chi
134
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0724
subjects: anthropology films, China (including Hong Kong) documentary films, review and introduction to Taiwan documentary films, review and introduction to foreign documentary films, documentary filmography and others, documentary film theory and aesthetics, documentary films and social culture, documentary film and social movements, documentary film and indigenous people, documentary film directors and workers (domestic), documentary film directors and workers (abroad), documentary film history (domestic), and documentary film history (abroad). The materials collected in the bibliography include monographs, dissertations, journal and newspaper articles, handbooks, and manuals. WorldCat Chi
Note:
0719
The most comprehensive study on the history, structure, and contribution of Grand Motion Pictures Co., Ltd. (Guo Lian Dian Ying Gong Si) in Taiwan as well as the company’s founder and film director Li Han-hsiang. Explores issues surrounding the company’s rapid rise and fall, and provides insights into the company’s founder and employees. Includes four chapters: Chapter 1, Rise and Fall of Guo Lian Dian Ying Gong Si; Chapter 2, Li Han-hsiang and Guolian; Chapter 3, Review of the Films Produced by Guolian and Guolian’s Chronology; and Chapter 4, Conclusion. Includes interviews with Guolian employees, biographies of Guolian employees, and a bibliography. NTUL Chi
0722
Jiang, Longzhao. ዕहᢘ. Dian ying xi ju lun ji. Ӈںঁؙۚओ. Taibei: Wen hao chu ban she, 1979. 246 p. Series title: Wen hao cong shu ҹൻᜣڣ Note: A collection of the author’s essays on film and drama, film and drama reviews, and a screenplay. The author states that there should be works on the KMT leader Chiang Kai-shiek in Taiwan film, drama, and television. Includes a chronology. CTFAL Chi
Jiao, Xiongping (Chiao, Peggy). ဖ๔. Jiao Xiongping kan dian ying: Tai Gang xi lie. ဖ๔ЃӇؙ: ݡ୯࠶ڍ. Taibei: San san shu fang, 1985. 266 p. Note: This work focuses on Taiwan and Hong Kong films. Includes two parts: Part 1 is a collection of articles, interviews, and reports on Taiwan and Hong Kong films in general; Part 2 is a series of film reviews. NTUL Chi
0723 Jiao, Xiongping (Chiao, Peggy). ဖ๔. Tai Gang dian ying zhong de zuo zhe yu lei xing. ݡ୯ӇؙЅϡӑٷӿढࡿ. Taibei: Yuan liu chu ban shi ye gu feng you xian gong si, 1991. 294 p. ISBN 9573214784 (pbk.) Series title: Dian ying guan; 19 Ӈؙఖ; 19 Note: A collection of articles and reviews on Taiwan and Hong Kong film directors and their films published in various newspapers and journals in Taiwan from 1981 to 1990. NTUL Chi
0720 Jiang, Longzhao. ዕहᢘ. Xi ju ping lun ji. ۚঁ߰ںओ. Taibei: Cai feng chu ban she, 1986. 259 p. Series title: Wen xue chuang zuo; 101 ҹѹࡶӑ; 101 Note: A collection of the author’s reviews of drama productions, television programs, and films. WorldCat Chi
0724
0721
Jiao yu ying ping ji / Cui Guangzhou, Fang Yongquan zhu. ڌड़ؙ߰ओ / ᮫ׇዚ, ҤݖЯ. Gaoxiong: Li wen wen hua shi ye ge fen you xian gong si, 1997. 157 p. ISBN 9577481302 Note: This collection of seventeen film reviews with seventeen films is organized in seven educational categories. Note that these films are not from Taiwan. CTFAL Chi
Jiao, Xiongping (Chiao, Peggy). ဖ๔. Gai bian li shi de wu nian: Guo Lian dian ying yan jiu. ۨԺࣵϡٚё: лࡀӇૢ୳ؙ. Taibei: Wan xiang tu shu go fen you xian gong si, 1993. 327 p. ISBN 9576694663 Series title: Taiwan dian ying shi cong shu; 2 ݡஹӇؙᜣ ;ڣ2
135
Film Reviews
0725 Note:
0725 Jin, Bingxing. ؖẅࣱ. Zhang ba deng tai kan dian ying. ࿆ࡂݡЃӇؙ. Xianggang: Xianggang dian ying ping lun xue hui, 2000. 230 p. ISBN 9628271547 Series title: Xianggang dian ying ping lun xue hui cong shu; 8 ܫ୯Ӈںؙ߰ѹϾᜣ ;ڣ8 Note: A collection of the author’s film reviews of Hong Kong, Taiwan, mainland China, and overseas films. CTFAL Chi
A collection of film reviews, interviews, and articles on Taiwan and Hong Kong films, directors, producers, studio executives, actors, and actresses. NTUL Chi
0729 Li, Gang, 1957– ଽᐻ, 1957– Li Gang pei ni kan dian ying. ଽᐻোϧЃӇؙ. Taibei: Yuan shen chu ban she, 1997. 229 p. ISBN 9576072905 Series title: Yuan shen cong shu; 234 ࡩظᜣ ;ڣ234 Note: A collection of short but entertaining film reviews. CTFAL Chi
0726 Lai kan dian ying: Ping Zhen Shi Min Da Xue 93 nian she qu ying xiang du shu hui cheng guo fen xiang / Chen Cailuan, Ying xiang tu shu hui xue yuan he zhu. ϰЃӇؙ: כھصϽѹ93ёؙՌࢵڣϾюҝдұ / ࠡ○, ؙՌ ࢵڣϾׁЯ. Taibei: Xiu wei zi xun ke ji gu fen you xian gong si, 2005. 229 p. ISBN 9789867263339 Series title: Yu yan wen xueh lei; PG0137 ߞܭҹѹढ; PG0137 Note: This is a collection of film reviews and personal viewing experiences written by members and organizers of the Film Reading Club at Ping Zhen Community College in 2004. Includes a Recommended Film List. CTFAL Chi
0730 Li, Zhuotao. ଽ⮣ಱ. Guan ni ji, Zhong wai dian ying pian. ဵओ, Ѕ֔Ӈࢡؙ. Xianggang: Ci wen hua you xian gong si, 1993. 206 p. ISBN 96274200577 Series title: Ci wen hua ying xiang wen hua xi lie; 4 ҋҹ٩ؙՌҹ٩ ;࠶ڍ4 Note: The author, a film critic in Hong Kong, organizes his film reviews regionally into three parts: Hong Kong, mainland China and Taiwan, and overseas. Includes the author’s biography. CTFAL Chi
0727 Li, De’an. ଽख़ԥ. Wo kan Zhong wai dian ying. ϢЃЅ֔Ӈؙ. Taibei: Jin went u shu you xian gong si, 1982. 343 p. Series title: Jin wen cong shu; 108 ؖҹᜣ ;ڣ108 Note: Film reviews presented in two parts: Chinese and foreign films. The Chinese film section contains articles on Chinese filmmaking, interviews with film directors and stars, and film reviews. CTFAL Chi
0731 Liang an san di ying ping ren yan tao hui lun wen ji / Zong bian ji Chen Bosheng. Ҕѧсؙ߰Ϫ୳क़Ͼںҹओ / րഹফᓱТ. Xianggang: Xianggang ying ping ren xie hui, 2005. 304 p. ISBN 9889852810, 9789889852818 Note: Conference proceedings from the Second Conference of Chinese Film Critics from mainland China, Hong Kong, and Taiwan; hosted by the Hong Kong Film Critics Association in Hong Kong, 2005. WorldCat Chi
0732
0728
Liang, Liang, 1954– ᅯમ, 1954– Dian ying de yi dai. Ӈؙϡϣڊ. Taibei: Zhi wen chu ban she, 1988. 294 p. Series title: Xin wen ku; 324 Јҹᆞ; 324
Li, De’an. ଽख़ԥ. Yi ying jian wen. ਲؙԊࢨ. Taibei: Zhi yi shu wu, 1967. 90 p. Series title: Zhi yi shu wu cong shu zhi ba ᗥڣ൙ᜣڣҏࡂ
136
General Reviews
Note:
0739
Consists of six chapters: Chapter 1 discusses the “film review” and “film reviewer” in Taiwan, Hong Kong, and the United States; Chapter 2 assesses the film environment in Taiwan; Chapter 3 focuses on film censorship; Chapter 4 comments on the Sixteenth Golden Horse Film Awards; Chapter 5 reviews Chinese film production in Taiwan during the 1970s and 1980s; and Chapter 6 is devoted to foreign films. NTUL Chi
Hong Kong: Bo ya xuan chu ban she, 2002 180 p. ISBN 9628607448 Note: A general introduction to Hong Kong, Taiwan, and Japan films and directors. Includes lists of Hong Kong film-related entertainment newspapers and journals (1930s to 1970s). WorldCat Chi
0737 0733
Lin, Yunmei. Ⴐ. Yue du xin ling guang cai. ་ࢵКࢼׇࠡ. Taidong: Tong Xian wen hua, 1996. 260 p ISBN 9570071125 Series title: Taidong Xian ji zuo jia zuo pin ji ݡֆ້ጭӑрӑԘओ Note: Lectures and film reviews on film, including Taiwan films. NTUL Chi
Liang, Liang, 1954– ᅯમ, 1954– Zhongguo dian ying wo jian wo si. ЅлӇؙϢԊϢڽ. Taibei: Mao lin chu ban she, 1998. 320 p. ISBN 9579860963 Series title: Dian ying lun tan; 2 ӇںؙႫ; 2 Note: A collection of the author’s Chinese film reviews and critiques. Includes four parts: Taiwan, Hong Kong, mainland China, and Comparative Studies. CTFAL Chi
0738 Liu, Chenghan. юఈ. Dian ying fu bi xing ji. Ӈؙᔽԝࣱओ. Xianggang: Tian di tu shu you xian gong si, 1991. 449 p. ISBN 9622575277 Note: Includes essays on such subjects as Chinese film history from the 1920s to the 1940s, a comparative study of Hong Kong and Taiwan films, film theory, and Taiwan and Hong Kong film directors and their films. CTFAL Chi
0734 Liao, Jinfeng. ᴰؖང. Dai zhe dian ying qu san bu = Walking with the movies. ծЯӇؙЧ્ = ܌Walking with the movies. Taibei: Jiao yu bu, 2004. 58 p. ISBN 9789570175769, 9570175761 Series title: Yi shi xin shang ru men shou ce; dian ying pian ਲफಶՊ՞Ѳೠ; Ӈࢡؙ Note: A film appreciation guidebook, including reviews of Taiwan’s most famous movies. WorldCat Chi
0739 Liu, Chenghan. юఈ. Dian ying fu bi xing ji. Ӈؙᔽԝࣱओ. Taibei: Yuan liu chu ban gong si, 1992. 2 v. ISBN 957321623X, 9573216256 Series title: Dian ying guan; 29–30 Ӈؙఖ; 29–30 Note: Essays on subjects such as Chinese film history from the 1920s to the 1940s, a comparative study of Hong Kong and Taiwan films, film theory, and Taiwan and Hong Kong film directors and their films. Includes a Chinese and English glossary. NTUL Chi
0735 Lin, Kangrong. ࣉึ. Dian ying bing fen lu / Lin Kangrong zhu. Ӈؙᠷ࠷ / ࣉึЯ. Hong Kong: Bo ya xuan chu ban she, 2007. 208 p. ISBN 9789889937003 Note: A casual introduction to Hong Kong, Taiwan, Japan, and Hollywood films, film directors, and film industries. WorldCat Chi
0736 Lin, Kangrong. ࣉึ. Zhong wai ding ying man tan / Lin Kangrong, Lian Min’an zhu. Ѕ֔Ӈࢿؙড / ࣉึ,ھۀԥЯ.
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0740 0740
0744
Liu, Senyao. ာ. Dian ying sheng huo. ӇؙТ҅. Taibei: Zhi wen chu ban she, 1984. 270 p. Series title: Xin chao wen ku; 233 Јҹᆞ; 233 Note: A collection of the author’s film reviews, including a few on Taiwan films. NTUL Chi
Lu, Zhizi. ჁᎴж. Ying xiang wen hua san lun. ྱࢣҹ٩્ں. Taizhong: Taizhong shi li wen hua zhong xin, 1991. 209 p. Series title: Taizhong shi wen xue jia zuo pin ji zhi qi ݡЅصҹѹрӑԘҏࢳ Note: The author’s film reviews and articles on various subjects, such as a comparative study of Hong Kong and Taiwan films, and the film censorship and rating system in Taiwan. NTUL Chi
0741 Liu, Senyao. ာ. Tian guang yun ying gong pai huai: wen xue, dian ying ji qi ta. ϳׇؙࠥ: ҹѹ, ӇߵؙԷј. Taibei: Er ya chu ban she, 2001. 410 p. ISBN 9576393159 Series title: Er ya cong shu; 364 ঌᜣ ;ڣ364 Note: A collection of the author’s literary and film reviews. CTFAL Chi
0745 Luo, Qing. ݙ. Luo Qing kai dian ying: yuan xing yu xiang zheng. ݙЃӇؙ: ֍ࡿӿࢣၹ. Taibei: Dong da tu shu gu fen you xin gong si fa xing, 1995. 222 p. ISBN 9571918814, 9571918822 Note: A four-part book; Part 3 contains six essays commenting on Taiwan films. NTUL Chi
0742 Liu, Yi, 1930–1990 ਲ, 1930–1990 Wo kan dian ying. ϢЃӇؙ. Taibei: Li ming wen hua shi ye gu fen gong si, 1973. 236 p. Series title: Li ming wen cong; 4 ሑҴҹᜣ; 4 Note: A collection of film reviews. CTFAL
0746 Ma, Jean. Melancholy drift: marking time in Chinese cinema. Hong Kong: Hong Kong University Press, 2010. 224 p. ISBN 9789888028054 (hbk.), 9888028057 (hbk.), 9888028065 (pbk.), 9789888028061 (pbk.) Note: A significant work focusing on three film directors: Hou Hsiao-hsien, Cai Mingling (Tsai Ming-Liang), and Wong Kar-wai and the representations of melancholy displayed in their films. “Focusing on the highly stylized and nonlinear configurations of time in each director's films, [Ma] argues that these directors have brought new global respect for Chinese cinema in amplifying motifs of loss, nostalgia, haunting, absence and ephemeral poetics. Hou, Tsai, and Wong all insist on the significance of being out of time, not merely out of place, as a condition of global modernity. Ma argues that their films collectively foreground the central place of contemporary Chinese films in a transnational culture of memory, characterized by a distinctive melancholy that highlights the difficulty of binding together past and present into a meaningful narrative” (abstract). WorldCat Eng
Chi
0743 Lu, Kuang. բୄ. Xu wu zhu yi shu jian—li shi zhong jie de you mu si kao. ѩҰचࣵ—ߢڣְٽϡղᖥߎڽ. Taibei: Tangshan chu ban she, 1993. 209 p. Series title: Zhan zheng ji qi cong kan; 12 ڕৎҚॆᜣᑂ; 12 Note: A combination of the author’s reviews of literature, film, and music. CTFAL Chi
138
General Reviews
0753 211 p. Note:
0747 Maike. ፪ࡽ. Mi hun zhen = Spellbound. ࣿฆಔ = Spellbound. Hong Kong: Oxford University Press, 2005. 282 p. ISBN 0195964683 Note: A collection of film reviews, including a few Taiwan film reviews. Includes an index of films and names in both English and Chinese. NTUL Chi
0748 Mizou. ࣿҵ. Li kai dian ying yuan zhi hou. ڐыӇࡨؙҏћ. Taibei: Yuan zun wen hua qi ye you xian gong si, 1998. 219 p. ISBN 9578399596 Series title: Feng ge guan. Feng ge ren wen գ۴ఖ. գ۴Ϫҹ Note: The author’s film reviews of Taiwan, Hong Kong, Japan, mainland China, Hollywood, and other Western films. These reviews, unlike purely entertainment-oriented film articles, delve into deeper subjects, such as the complicated relationship between Taiwan and Japan, and reflections on the images of Taiwan aboriginal peoples depicted in Taiwan cinema. CTFAL Chi
Thesis (M.A.)—National Taiwan University, 2006. Considering that globalization and Hollywood domination has greatly influenced Chinese filmmaking, the paper selects three major Chinese film directors and compares their works before and after receiving transnational and Hollywood investment, including Ang Lee’s Wedding Banquet (1993) and Crouching Tiger, Hidden Dragon (2000); Zhang Yimou’s Raise the Red Lantern (1992) and Hero (2002); and Chen Kaige’s Farewell My Concubine (1993) and The Promise (2005). Concludes that the influence of globalization is inevitable, and the pressure of box office success challenges the directors’ integrity and cultural and national values. In terms of Taiwan’s film industry, the paper suggests that the government should change its policy: subsidies need to be more carefully directed to promising directors and their works, and their subjects should not be limited to “local characteristics.” Includes a Chinese abstract and bibliography. NCL/NDLTD Chi
0751 Ren jian shi yu li xiang guo: cong dian ying kan ren sheng di san ji / Zeng Zhaoxu, Lin Jingsu zhu. ϪҼԒӿԑЂл: ԩӇؙЃϪТҷѧফ / ߲ᢘ᯾, Я. Taibei: Han guang wen hua shi ye go fen you xiang gong si, 1990. 213 p. Note: A collection of film reviews, including a few reviews of Taiwan films. NTUL Chi
0752 Ren sheng ru meng: Ping Zhen Shi Min Da Xue 94 nian she qu ying xiang du shu hui cheng guo fen xiang / Chen Cailuan, Ying xiang tu shu hui xue yuan bian zhu. ϪТҒْ: כھصϽѹ94ёؙՌࢵڣϾюҝдұ / ࠡ○, ؙՌ ࢵڣϾഹЯ. Taibei: Xiu wei zi xun ke ji gu fen you xian gong si, 2006. 251 p. ISBN 978966909153 Series title: Yu yan wen xueh lei; PG0099 ߞܭҹѹढ; PG0099 Note: This is a collection of film reviews and personal viewing experiences written by members and organizers of the Film Reading Club at Ping Zhen Community College in 2005. Includes a recommended film list. CTFAL Chi
0749 Ning shi nu xiang: 56 zhong yue du nu xing ying zhan de fang fa / Chen Ruxiu, Huang Huimin, Zheng Yujing bian. ፝؆ѽՌ: 56҆་ࢵѽԛࣁؙϡҤ֚ / ᭉ, ࢶ์,ቼർ᪦ഹ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1999. 314 p. ISBN 9573238837 Series title: Dian ying guan; 87 Ӈؙఖ; 87 Note: Film reviews of films shown during six annual International Women Make Waves Film Festivals in Taipei, hosted by the Taipei Women’s Film Association from 1993 to 1998. The book shows fifty-six ways to look at these films about women and made by women. Includes a filmography and an introduction to the Taipei Women’s Film Association. NTUL Chi
0753 Shen, Xiuzhen. ഫ▗. Ying xiang ren jian, jen jian ying xiang. ؙՌϪҼ, ϪҼؙՌ. Taibei: Li shi wen hua you xiang gong si, 2006. 198 p.
0750 Peng, Guangwei (Peng, Kuang-wei). ᣴׇ໖. Quan qiu hua yu Haolaiwu Hua yi dao yan—zuo pin tan tao yu xing tai fen xi. Ҫܧ٩ӿϮᒀᩕܓᶜ࣒ࠟ—ӑԘ෬क़ӿࡿݯд.
139
Film Reviews
0754 ISBN Note:
9868083524 A collection of short essays in which the author watches daily life as a film and watches film as watching daily life. NTUL Chi
Note:
A collection of the author’s film reviews on the eighteen best Chinese and foreign films made over the previous three years, including several Taiwan films. CTFAL Chi
0757 0754
Taiwan dian ying jing xuan = Films: made in Taiwan / Ce hua: Zhonghua Minguo dian ying nian guo ji tui guang zu; zhi xing bian ji: Ou Guizhi. ݡஹӇ = קؘؙFilms: made in Taiwan / ೫: ЅھܓлӇؙёл গԐܰ६; వҲഹফ߅ᄉᆙ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1993. Various paginations. ISBN 9576694469 Note: A collection of six essays with accompanying photos, film posters, and stills. Wang Zhicheng’s essay analyzes the relationship between Taiwan film and social change, while Cai Kangyong and Han Liangyi’s essay comments on Taiwan film and literature. The book introduces directors Hou Hsiao-hsien, Edward Yang, Wang Tung, and a group of “New Directors,” including Tsai Ming-liang, Ang Lee, Lan Shengchuan, Xu Xiaoming, Chen Guofu, and Ye Hongwei, followed by relevant film synopses and reviews of these director’s films. The appendix includes a list of awards won by the films presented in the book. CTFAL Chi
Shi ji hui mou: Zhonghua dian ying jiang dian zhan: Di nian wu jie Xianggang guo ji dian ying jie / Xianggang dian ying zi liao guan chou ban; [Xianggang dian ying ping lun xue hui bian ji] = A century of Chinese cinema: look back in glory: the 25th Hong Kong International Film Festival, 6–21.4.2001 / Organized by the Hong Kong Film Archive; [edited by Hong Kong Film Critics Society] ԒઔҘ : ЅܓӇؙҬਹࣁ: ҷ⃖ٚโܫ୯лগӇڞؙ, 6–21.4.2001 / ܫ୯Ӈࢧޞؙఖቺܫ[ ;ދ୯Ӈںؙ߰ѹϾഹফ] = A century of Chinese cinema: look back in glory : the 25th Hong Kong International Film Festival, 6–21.4.2001 / Organized by the Hong Kong Film Archive; [edited by Hong Kong Film Critics Society]. [Xianggang] : Kang le ji wen hua shi wu shu, 2001. 56 p. ISBN 9628050117 Note: As part of the Twenty-Fifth Hong Kong International Film Festival, the Hong Kong Film Archive screened twenty-five Chinese films produced in mainland China, Hong Kong, and Taiwan and published reviews of these films by renowned film critics in both Chinese and English. The films from Taiwan included Beauty of Beauties (1965), A Touch of Zen (1969), Taipei Story (1985), A Time to Live, a Time to Die (1985), and Crouching Tiger, Hidden Dragon (2000); their reviews were written by Law Kar, Bryan Chang, Ye Yueh-yu, Sam Ho, and Po Fung. WorldCat Chi Eng
0758 Taiwan ji lu pian nu dao yan bi ji shu = The female directors of Taiwan Documentary / Lin Xinghong zong bian ji. ݡஹઔ࠷әѽ࣒ࠟદ֮ = ڣThe female directors of Taiwan Documentary / ᕭրഹফ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2005. 230 p. ISBN 9570187212 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 4 ҙصӇڣؙ֖ఖӇؙᜣ ;ڣ4 Note: Introduces twenty female Taiwan documentary film directors, based on the number of documentary films directed and the time they began making documentary films, along with brief biographies, personal statements, and filmographies. Includes ten essays on Taiwan female directors and their films. Includes an index. NTUL Chi
0755 Shu, Tan. স໐. Ai yao zen me zuo: jin nian zui ju zheng yi xing de jin jiang ying pian. ДϴВ҂: ײёзࡢৎ৶ԛϡؖ؉ؙә. Taibei: Ye qiang chu ban she, 2002. 163 p. ISBN 9576836603 Series title: Wen xue feng qing; 95 ҹѹգє; 95 Note: A collection of the author’s recent (2002) film reviews. CTFAL Chi
0756
0759
Shu, Tan. স໐. Fei yue de guang pu. ٞቷϡׇഊ. Taibei: Ye qiang chu ban she, 1995. 204 p. ISBN 9576833485 Series title: Wen xue feng qing; 86 ҹѹգє; 86
Taiwan zhi zao—2008 dian ying bei wang lu = Taiwan cinema observation, 2008 / Zong bian ji: Chen Ruxiu deng; zhi xing bian ji: Wang Yuyan. ݡஹ३߃—2008 Ӈއؙ۲࠷ = Taiwan cinema observation, 2008 / րഹফ: ᭉҳ; వҲഹফ: ࣼർᆜ. Taibei: Cai tuan far en guo jia dian ying zi liao guan, [2008] 91 p. ISBN 9789869445505
140
General Reviews
Note:
0766
A general overview of Taiwan cinema in 2008. Includes thirty-two reviews, in both English and Chinese, of films produced in 2008 as well as two forums on Taiwan cinema. CTFAL Chi Eng
Note:
0760 Tam, Kwok-kan, 1952– New Chinese cinema / Kwok-kan Tam and Wimal Dissanayake Hong Kong; New York: Oxford University Press, 1998. 96 p. ISBN 0195906071 Series title: Images of Asia Note: As the author states in the preface, this is a work for the nonspecialist and interested layperson. Six of the most important Chinese films directors and their works are selected: Chen Kaige (1952–), Zhang Yimou (1950–), and Tian Zhuangzhuang (1952–) from Mainland China; Hou Hsiao-hsien (1947–) and Edward Yang (1947–2007) from Taiwan; and Stanley Kwan (1957–) from Hong Kong. Includes a selected filmography, bibliography, and index. WorldCat Eng
An in-depth analysis of Hou Hsiao-hsien films: Puppetmaster, A City of Sadness, Flowers of Shanghai, and Goodbye South, Goodbye. Superbly expounds on the aesthetics of Hou’s films in terms of historical experience, lighting, improvisational acting, and long, static shots. “James Udden argues that Hou’s films reflect Taiwan’s peculiar historical and geographical situation and could only have emerged there. Udden also examines the regional impact Hou’s films have had on other Asian directors and cinema artists” (abstract). Includes a bibliography. WorldCat Eng
0764 Wang, Chang’an. ࣼӕԥ. Dian ying bi ji: Wang Chang’an kan dian ying. Ӈؙદ֮: ࣼӕԥЃӇؙ. Tabie: Wan xiang tu shu ge fen you xian gong si, 1995. 299 p. ISBN 957669700X Series title: Yi shu fang; 13 ਲ ;ࠚڣ13 Note: A collection of film reviews, including reviews of twelve Chinese movies from Taiwan, Hong Kong, and mainland China as well as articles on female characters in recent Taiwan films. CTFAL Chi
0761 Tang, Wenbiao. ࿔ҹ࠳. Wo yong yuan nian qing. Ϣݖёڳ. Taibei: Dong da tu shu you xian gong si, 1980. 274 p. Series title: Cang hai cong kan ፄᜣᑂ Note: A collection of the authors’ essays on art and film, including three Taiwan film reviews in the book. CTFAL Chi
0765 Wang, Chang’an. ࣼӕԥ. Ying shi guan jian bao gao. ؙ؆Ԭඟݍڻ. Taibei: Ya Tai tu shu, 2003. 249 p. ISBN 9867809106 Note: The author’s film reviews and commentary articles, some of which deal with Taiwan film, television, and related topics. CTFAL Chi
0762 Tu, Xiangwen. ກጕҹ. Dian yin A ka—kai mai la. ӇᎥA౹—ыࠁ. Taibei: Han huang guo ji wen hua you xian gong si, 2009. 287 p. ISBN 9789866590269 Note: A collection of the author’s interviews with famous movie stars and directors, mainly from Taiwan, and film reviews. Includes photos, stills, and posters. CTFAL Chi
0766 Wang, Jingrong. ࣼݕᕣ. Dian ying xiu lian mo fa. Ӈؙತ֚. Taibei: Xin lu chu ban you xian gong si, 1997. 236 p. ISBN 9579898367 Series title: Xin gan dong cong shu; 001 ЈҀҁᜣ ;ڣ001 Note: A collection of film reviews written from the perspective of “self-realization,” as stated by the author and the book’s reviewers. DTFALib Chi
0763 Udden, James. No man an island: the cinema of Hou Hsiao-Hsien. Hong Kong: Hong Kong University Press, 2009. 226 p. ISBN 9789622090743 (hbk.), 9622090745 (hbk.)
141
Film Reviews
0767 0767
0771
Wang, Molin. ࣼၢ. Dao yan yu zuo pin. ࣒ࠟӿӑԘ. Taibei: Lian ya chu ban she, 1978. 261 p. Series title: Lian ya cong kan; 39 ࡀਐᜣᑂ; 39 Note: This is a collection of the author’s reviews of worldfamous film directors and their films. In the domestic part, fourteen Taiwan film directors and their films are presented in four categories: Dynasty Court Films, Martial Arts Films, Literary Films, and New Directors. Includes a filmography. CTFAL Chi
Wen hua pi ping yu hua yu dian ying = Cultural Criticism and Chinese cinema / Zheng Shusen bian. ҹ٩߰ӿܭܓӇ = ؙCultural Criticism and Chinese cinema / ቼ கာഹ. Taibei: Mai tian chu ban you xian gong si, 1995. 366 p. ISBN 9577083102 Series title: Mai tian ren wen; 9 ೧Ϫҹ; 9 Note: Liao Ping-hui states in the Foreword that the text’s purpose is to explore the relationship between western cultural criticism and Chinese cinema of the 1980s and 1990s in mainland China, Hong Kong, and Taiwan. Three essays discuss films of Taiwan New Cinema: Zhan Mingxin’s essay on Edward Yang’s The Terrorizers (1986), Huang Yuexiu’s discussion of Edward Yang’s A Brighter Summer Day (1991), and Liao Chaoyang’s essay on Wang Tung’s Banana Paradise (1989). Includes a bibliography at the end of each essay. WorldCat Chi
0768 Wang, Wei ࣼᬕ. Xun qiu jia xiang xian de yin mu: dang dai Taiwan dian ying de guan cha. ଵؒЂ۷ϡુ௷: ԄݡڊஹӇؙϡൌ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1995. 178 p. ISBN 9576696984 Series title: Yi shu fang; 14 ਲ ;ࠚڣ14 Note: The author’s film reviews of contemporary Taiwan films. Includes a filmography. CTFAL Chi
0772 Wen hua pi ping yu hua yu dian ying / Zheng Shusen bian. ҹ٩߯ԁܬܗӈ ؙ/ ችஔာ൜. Guilin: Guangxi shi fan da xue chu ban she, 2003. 249 p. ISBN 756334232X Note: The mainland China version, in simplified characters, of the same title published in Taiwan in 1995. Liao Ping-hui states in the Foreword that the text’s purpose is to explore the relationship between western cultural criticism and Chinese cinema of the 1980s and 1990s in mainland China, Hong Kong, and Taiwan. Three essays discuss films of Taiwan New Cinema: Zhan Mingxin’s essay on Edward Yang’s The Terrorizers (1986), Huang Yuexiu’s discussion of Edward Yang’s A Brighter Summer Day (1991), and Liao Chaoyang’s essay on Wang Tung’s Banana Paradise (1989). Includes a bibliography after each essay and a contributor introduction at the end of the book. WorldCat Chi
0769 Wang, Ying. ᑓᙀ. Ying ying yan. ᒭᒭՒ. Taibei: Wen sheng shu ju, 1982. 304 p. Note: A collection of film reviews. CTFAL
Chi
0773
0770
Wen, Tianxiang. ࢨϳፖ. Fu yi ke dian ying dan: “Ji mo fang xin ju le bu” dian ying shu. ₿ϣੀӇؙࠠ: “ఘದᇙК༤Ӏ ”חӇڣؙ. Taibei: Yuan liu chu ban gong si, 1995. 207 p. ISBN 9573225557 Series title: Dian ying guan; 57 Ӈؙఖ; 57 Note: Primarily a discussion of the film: Ji mo fang xin ju le bu / Lonely Hearts Club; however, at the end, films directed by Ang Lee and Tsai Ming-liang are reviewed. CTFAL Chi
Wang, Zhicheng, 1961– ࣼю, 1961– Sheng se zhi mi: dian ying xing shi yu feng ge jie du. كաҏຮ: Ӈؙܴ࣏ӿգ۴ࢵث. Taibei: Wan xiang tu shu gu fen you xian gong si, 1996. 324 p. ISBN 9576697948 Series title: Yi shu fang; 19 ਲ ;ࠚڣ19 Note: A collection of the author’s film reviews organized into three categories: Directors, Box Office Records, and Film Festivals. Reviewed Taiwan films include those by Tsai Ming-liang, Yang Dechang, and Hou Xiaoxian. CTFAL Chi
142
General Reviews
0780 Note:
0774 Wen, Tianxiang. ࢨϳፖ. She ying ji yu jiao rou ji—Hua yu dian ying 1990–1996. ؙҚӿ᧷ރӫ—ܭܓӇ ؙ1990–1996. Taibei xian Zhonghe shi: Zhi shu fang, 1996. 281 p. ISBN 9578622449 Series title: Yue du dian ying shu xi; 2 ་ࢵӇ ;ڍڣؙ2 Note: A collection of the author’s film reviews on Chinese films produced in Taiwan, Hong Kong, and mainland China, from 1990 to 1996. CTFAL Chi
A collection of the author’s reviews, commentaries, and anecdotes regarding Hong Kong and Taiwan films and television programs. WorldCat Chi
0778 Wu, Mengqiao. ྶ. Ai kan dian ying de ren. ДЃӇؙϡϪ. Taibei: Er ya chu ban she, 2003. 342 p. ISBN 9576393663 Series title: Er ya cong shu; 387 ঌᜣ ;ڣ387 Note: A collection of film reviews, some of which deal with Taiwan films. Includes the author’s biography. NTUL Chi
0775 Wen, Tianxiang. ࢨϳፖ. Ying chi zi zhu can. ؙစІࡾ࠼. Taibei: Yang zhi wen hua shi ye gu fen you xian gong si, 2001. 308 p. ISBN 9578181906 Series title: Dian ying xue yuan; 2 Ӈؙѹᮛ; 2 Note: An organized collection of film reviews for film fans. Includes various favorite or best film lists and Golden Horse Film Award record holders. CTFAL Chi
0779 Wu, Qiyan. ྶԷ᷀. Bian yuan shi jiao: Wu Qiyan wen ji / Wu Qiyan; Zhang Jingbei bian. ࢊנ؆ࡠ: ྶԷ᷀ҹओ / ྶԷ᷀; פᑽᲅഹ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1996. 377 p. ISBN 9576697719 Note: Film reviews and essays by Wu Qiyan. Includes two parts: Part 1 covers foreign films; Part 2 reviews Taiwan films. Includes a bibliography. CTFAL Chi
0776 Wen, Tianxiang. ࢨϳፖ. Ying mi cang bao tu. ؙࣿেմ֖. Taibei xian Zhonghe shi: Shu pin wen hua shi ye you xian gong si, 1996. 353 p. ISBN 9578622287 Series title: Yue du dian ying shu xi; 1 ་ࢵӇ ;ڍڣؙ1 Note: A collection of the author’s film reviews and papers on film studies. Includes Taiwan film reviews in Chapters 5 and 6. CTFAL Chi
0780 Wu, Yelan. ેⴲầ. Dian ying bai nian jia pian shang xi / Wu Yelan, Zhao Zhao Zhengjie bian zhu. ӈښؙёәೄ / ેⴲầ䩟ᖀԜڝ൜Я. Beijing: Zhongguo Chang’an chu ban she, 2005. 2 v. ISBN 7801753089 Note: A film appreciation guide and series of reviews of the 120 best Chinese films from 1905–2005, including 8 films produced in Taiwan. Compared with similar works published in mainland China, this text is more objective and less political work. Each review includes the film’s credits, cast, backgro information, synopsis, and the authors’ comments. Includes a bibliography. WorldCat Chi
0777 Wu, Junrong. ྶᒺ๎. Dian ying sui bi. Ӈڨؙદ. Xianggang: Ke hua tu shu chu ban gong si, 2007. 448 p. ISBN 9789621601506, 9621601509
143
Film Reviews
0781
a comparative study of Taipei and Shanghai in Chinese cinema from the 1930s to the 1990s. Includes interviews, synopses, and an introduction of the contributors in the appendix. NTUL Chi Eng
0781 Xi lian ren sheng: Hou Xiaoxian dian ying yan jiu = Passionate detachment: Films of Hou Hsiao-hsien / Lin Wenqi, Shen Xiaoyin, Li Zhenya bian. ۚߧϪТ: ᢡᖮᐊӇؙ傘ૢ = Passionate detachment: Films of Hou Hsiao-hsien / ҹᚉ, ཁ᱘, ଽዄਐഹ. Taibei: Mai tian chu ban gu fen you xian gong si, 2000. 389 p. ISBN 9577089534 (pbk.) Series title: Mai tian ren wen; 33 ೧Ϫҹ; 33 Note: This collection of essays provides arguably the most broad and in-depth study of Hou Hsiao-hsien’s films up to the year 2000, written by scholars from Taiwan, Hong Kong, and United States. NTUL Chi
0784 Yan, Huizeng. ୶Ҷ. Shen sheng yu shi su: cong dian ying de biao mian jie gou dao shen ceng jie gou. ظӿԒཞ: ԩӇؙϡԣӌְภϺٹৡְภ. Taibei: Yuan liu chu ban gou si, 1992. 246 p. ISBN 9573216639 Series title: Dian ying guan; 28 Ӈؙఖ; 28 Note: A collection of essays on film theory and Taiwan film reviews. NTUL Chi
0782 Xie Wenyu (Hsieh, Wen-yu). هᝉ㙻. Hei an zhi guang: Zhang Zuoji feng ge yan jiu = Light in darkness: Stylistics of Chang Tso-chi. ܪମҏׇ: פӑ┫գ۴୳ૢ = Light in darkness: Stylistics of Chang Tso-chi. 111 leaves. Note: Thesis (M.A.)—National Taiwan Normal University, 2007. Studies Chang Tso-chi’s films from aesthetic, historical, and cultural perspectives. Explores the influence of Taiwan New Cinema on Chang’s films and the development of the director’s cinematic style. Written in English. Includes a Chinese abstract and bibliography. NCL/NDLTD (FT) Eng
0785 Yan, Shikai. ୶ࡲᏎ. Zhan zhe zuo ai: dian ying yu xing = Stand to make love. ۖа҂Д: Ӈؙӿԛ = Stand to make love. Taibei: Bo shi ke ji yi shu, 2005. 370 p. ISBN 9867224698 Series title: Zhuan jia zhi zao; b02034 ֟р३߃; b02034 Note: Explores the indirect, hidden sexual content and innuendos presented in mainstream films produced in Hong Kong, Taiwan—including Taiwan New Cinema—and films from other countries to expound on the political subtext of such representations. The book cover carries an “18 and older” marking. CTFAL Chi
0783 Xun zhao dian ying zhong de Taibei = Focus on Taipei through cinema 1950–1990 / Chen Ruxiu, Liao Jinfeng bian zhu. ଵװӇؙЅϡ = ܚݡFocus on Taipei through cinema 1950–1990 / ᭉ, ᴰؖངഹЯ. Taibei: Wan xiang tu shu ge fen you xian gong si, 1995. 164 p. ISBN 9576697433 Note: This is a special bilingual (Chinese and English) publication for the Taipei film exhibit: “Focus on Taipei through Cinema, 1950–1990,” and the 1990 Golden Horse Film Awards. Twelve Taipei-related films were selected for the exhibit, all of them produced from 1963 to 1990. Ten essays, which investigate these twelve films, focus on the subjects of Taipei’s film history, Taipei’s city image in Chinese films, the “Taipei experience” in Taiwanese-dialect films, aesthetic and comparative studies of Taiwanese and Mandarin films during the 1960s, Post-Taiwan New Cinema from the 1980s to the 1990s, a sociological study of portrayals of Taipei city through films from 1960 to 1990, depictions of Taipei youth, Taipei’s landscape of desire, and
0786 Yi jiu ba jiu Jin Ma guo ji guan mo ying zhan, 12.9–12.22, 1989 / Dian ying zi liao guan. ϣ॰ࡂ॰ެؖлগಎࣁؙ, 12.9–12.22, 1989 / Ӈࢧޞؙఖ. Taibei: Dian ying zi liao guan, 1989. 162 p. Note: Published to celebrate the 1989 Golden Horse International Film Festival hosted by the Taiwan Film Library from December 9 to December 22, 1989, this work includes the filmography of all participating films, including three Taiwanese-dialect films, one film by Edward Yang, and related reviews and interviews by film scholars and critics. NTUL Chi
144
General Reviews
0795 Taibei: Liang jing chu ban shi ye gong si, 1999. 249 p. ISBN 9570820179 Series title: Bin fen ban xi lei; 1 ᠷ ;࠶ڍؗ1 Note: A collection of the author’s film reviews. CTFAL
0787 Yi ge ren ke dian ying / Shu weir en bian ji bu zuo. ϣϫϪḡӇ ؙ/ ُ֧Ϫഹফחӑ. Taibei: Shu wei ren zi xun you xian gong si, 2008. 142 p. ISBN 9789866690198 Note: An informal collection of short film reviews, notes, and comments. Includes cartoons, photos, film stills, and posters. NTUL Chi
Chi
0792 Yu, Yeying. ཡ⁒. Dian ying bei wo pao kua le. ӇؙҩϢާቄϦ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1990. 318 p. ISBN 9571301744 Series title: Ji zhe 25 xiao shi xi lie; 7 ֮ٷ25ЩЖ ;࠶ڍ7 Note: A film journalist’s memoir. Covers film-related news and stories from the 1970s to the 1980s, including historical events and famous directors, producers, actors, and actresses in Taiwan, Hong Kong, and mainland China. CTFAL Chi
0788 Yi qu wei wan dian ying meng—Wang Feilin ji nian wen ji / Zhu bian Jian Zhen, Jing Yingrui deng. ϣॽ۔ԟӇࣼ—ؙْ๘ઔ݉ҹओ / Ұഹߢ㱠, ቯࣽᇳҳ. Taibei: Ke ning chu ban she, 1993. 432 p. ISBN 9579099162 Note: This is a commemorative work of Wang Feilin, a Taiwan film director and critic who passed away in 1992. It includes Wang Feiling’s essays, film reviews, articles, interviews, and memorial articles about Wang Feiling. Includes a chronology. NTUL Chi
0789
0793
Ying xiang: 1979—2005 zui you jia zhi ying ping / Di Rongjun bian. ؙՌ䩭1979—2005 зϩ٣ߚ ؙ߯/ ⌃ึݲഹ. Bejing: Dunhuang wen yi chu ban she, 2006. 333 p. ISBN 780587798X Note: Film reviews selected by film critics from multiple countries, including Taiwan, from 1979 to 2005. Reviews of Taiwan film director Edward Yang’s A Brighter Summer Day (1991) and Tsai Ming-liang’s Vive L’Amour (1994) are included in the book. CTFAL Chi
Zeng, Weizhen. ߲໖ℭ. Cong xin kan dian ying. ԩКЃӇؙ. Taibei: Fa gu wen hua shi ye gu fen you xian gong si, 2006. 287 p. ISBN 9789575989710 Series title: Liu li wen xue; 8 ᧑ᅏҹѹ; 8 Note: A collection of the author’s film reviews. Includes a filmography. CTFAL Chi
0790 Ying xiang yu yin xiang: Zhongguo ying ping ren xie hui chuang hui sa zhou nian ji nian / Zhongguo ying ping ren xie hui bian ji wei yuan hui. ؙՌӿࢣ: Ѕлؙ߰ϪϾࡶϾⓔڬёઔ݉ / Ѕлؙ߰ϪϾ ഹফణϾ. Taibei: Zhongguo ying ping ren xie hui, 1995. 233 p. Note: A commemorative work for the Thirtieth Anniversary of the Chinese Film Critics Association; includes articles on Taiwan film and film reviews divided into Chinese and foreign film review sections. CTFAL Chi
0794 Zeng, Zhaoxu. ߲ᢘ᯾. Cong dian ying kan ren sheng. ԩӇؙЃϪТ. Taibei: Han guang wen hua shi ye gu fen you xian gong si, 1982. 215 p. Series title: Han guang cong shu; 003 ఈׇᜣ ;ڣ003 Note: A collection of film reviews. CTFAL Chi
0791 0795
Yu, Qianru. 圎Ғ. Shang xin dian ying yuan. ،КӇࡨؙ.
Zeng, Zhaoxu. ߲ᢘ᯾. Zai ai zhong cheng zhang. ϨДЅюӕ.
145
Film Reviews
0796 Taibei: Han guang wen hua shi ye go fen you xiang gong si, 1987. 243 p. Series title: Han guang cong kan; 30 ఈׇᜣᑂ; 30 Note: A collection of film reviews, including the first four reviews on Taiwan films. NTUL Chi
Jiayi: Wen zhi chu ban she, 1983. 264 p. Note: A collection of film reviews. CTFAL
0800 Zeng, Xiba. ߲՝ພ. Tan ying lun xi. ডۚںؙ. Taibei: Zhong ying wen zhou she, 1974. 192 p. Series title: Zhong ying wen zhou kan cong shu Ѕ߭ҹڬᑂᜣڣ Note: A collection of the author’s articles and reviews on both film and drama. CTFAL Chi
0796 Zeng, Zhicheng. ߲ю. Ying hua nan nu = Nuovo cinema paradiso. ྱࡌԲѽ = Nuovo cinema paradiso. Taibei xian Sancheng shi: Xin yu, 2002. 126 p. ISBN 9577336914 Note: One hundred films from the various countries, including few Taiwan, are selected and reviewed by the author. CTFAL Chi
0801 Zhang, Guoqing. פлদ. Bian yuan bian zheng: dian ying, wen xue yu wen hua pi ping. ࢊנᗙࢮ: Ӈؙ, ҹѹӿҹ٩߰. Taibei: Shu lin chu ban you xian gong si, 1998. 226 p. ISBN 9575867777 Note: A collection of the author’s articles on film, literature, and culture. Part 1 is a collection of film reviews, including two reviews on Taiwan films. CTFAL Chi
0797 Zeng, Xiba. ߲՝ພ. Dian ying lun ji. Ӈںؙओ. Taibei: Yan Tai tu shu, 2007. 164 p. ISBN 978986780946 Series title: Chuan bo jiao yu cong shu; 43 ةڌड़ᜣ ;ڣ43 Note: This is a collection of film reviews. NTUL
Chi
0802 Zhang, Jian. פ. Cong Tangmu Qiongsi dao tiao hui—Zhang Jian ying ping ji. ԩᏛᬆটϺ੩ී—ؙ߰פओ. Taibei: Min zhong ri bao chu ban she, 1979. 170 p. Series title: Min zhong cong shu; L-2 ੁھᜣ ;ڣL-2 Note: A collection of film reviews. CTFAL Chi
Chi
0798 Zeng, Xiba. ߲՝ພ. Dian ying shi dai. ӇؙЖڊ. Nantou: Nantou xian wen hua ju, 2001. 272 p. ISBN 9570103361 Series title: Nantou xian wen hua zi chan cong shu; 78 ້۪ۄҹ٩ݗޞᜣ ;ڣ78 Note: A collection of the author’s film reviews, divided by region into three sections: Foreign Film Reviews, Taiwan, and Hong Kong. Includes a chronology. CTFAL Chi
0803 Zhang, Jingbei. פᑽᲅ. Jing tou xia de ai qing. ӰЎϡДє. Taibei xian Xindian shi: Mi luo chu ban she, 1998. 318 p. ISBN 9579825505 Series title: Kai mai la; 1 ыࠁ; 1 Note: A collection of film reviews. CTFAL
0799 Zeng, Xiba. ߲՝ພ. Leng yan guan ying. ߤՒؙ.
146
Chi
Individual Film Reviews
0810 Includes a bibliography. CTFAL
0804 Zheng, Binghong. ቼ. Taiwan dian ying ai yu si: guan yu dian ying, wo lue zhi yi er = The love and death of Taiwan Cinema. ݡஹӇؙДӿӚ: ԬӿӇؙ, ϢଯҌϣԏ = The love and death of Taiwan Cinema. Taibei: Shu linchu ban gong si, 2010. 347 p. ISBN 9789574453535, 9574453537 Series title: Dian ying yuan; F9 Ӈؙᮛ; F9 Note: A collection of the author’s film reviews on Taiwanese films produced during the first decade of the twentyfirst century. Provides a clear overall view of the latest and best Taiwan films produced since Taiwan New Cinema garnered the world’s attention in the 1980s. Chapter 1 deals with influential feature and fictional films; Chapter 2 presents profiles and interviews of nine film directors; Chapter 3 surveys Taiwan documentaries; Chapter 4 comments on films produced for television channels; Chapter 5 covers television series; and the final chapter, Chapter 6, includes film reviews that focus on various “Taiwan themes.” Includes film stills. WorldCat Chi
Chi
0807 Zhou, Yanzi. رἻж. Dian ying qing huai. Ӈؙєॕ. Taibei: Da te xie chu ban she, 1983. 220 p. Note: A collection of short articles, including film reviews of Taiwan films and commentaries on Taiwan’s film rating system and film awards. CTFAL Chi
0808 Zhuang, Yongkang. ນࣉݖ. Xi yan: Zhuang Yongkang guan ying bi ji. ۜߞ䩭ນؙࣉݖધ֭. [Singapore] : Chuang yi quan gong zuo shi, 2001. 199 p. ISBN 9810440774, 9789810440770 Note: Reviews of ten motion pictures produced in China, Germany, Japan, Taiwan, and the United States— previously published in various Chinese newspapers in Singapore—are published here. WorldCat Chi
0805 Zhou, Liming. رሑҴ. Hua yu pian die zhong die / Zhou Liming, Liang Liang zhu. ܬܗәᖦЅᖦ / رሑҴ䩟ᅯમЯ. Guangzhou: Hua cheng chu ban she, 2006. 433 p. ISBN 7536047037 (pbk.), 9787536047037 (pbk.) Series title: Raymond Zhou’s Film Guide Hua yu dian ying 2000 bu “Die zhong die” xi lie; di 3 juan ܬܗӈؙ2000”חᖦЅᖦ”࠶ڍ䩮 ҷ3ඵ Note: A Chinese film (DVD) guide with more than 2000 film reviews of representative films from Taiwan, Hong Kong, and mainland China. WorldCat Chi
4.2
INDIVIDUAL FILM REVIEWS
20: 30: 40 (2004) 0809 203040 Dian ying quan shu / Guo Yujun zhuan gao. 203040 ӇؙҪ ڣ/ ᔕఛᅿ᫃፻. Taibei: Da tian chu ban you xian gong si, 2004. 150 p. ISBN 957455581X, 9789574555819 Note: This is a comprehensive account of the making Sylvia Chang’s film 20:30:40 (2004). Includes film stills, interviews with three main actresses, and related stories from the film’s production. WorldCat Chi
0806 Zhou, Qixing. رൠҲ. Xian dai ying shi lu = Cinema apocalypse now. ѳ = ࠷ؙܾڊCinema apocalypse now. Taibei: Taiwan shang wu yin shu guan, 2008. 331 p. ISBN 9789570523041 Series title: Xin wan you wen ku Јݛϩҹᆞ Note: A collection of the author’s film reviews organized by country. Taiwan, Hong Kong, and Vietnam film reviews are grouped together at the end of the book.
Ai de fa sheng lian xi = So Called Love (2008) Дϡчك( ܄2008) 0810 Li, Ding. ଽᑾ. Zai jian de di fang: “Ai de fa sheng lian xi” dian ying er san shi = See you again. ӐԊϡсҤ: “Дϡчك”܄ӇؙԏѧѨ = See you again.
147
Film Reviews
0811 Taibei: Da kuai wen hua chu ban gu fen you xian gong si, 2008. 215 p. ISBN 9789862130940, 9862130946 Note: Director’s account of making the film: So Called Love (2008). WorldCat Chi
0814 Bao dao da meng: Taiwan dian ying de qi huan bian jing / Huang Mingchuan bian. մޯϽْ: ݡஹӇؙϡ࡞ୀ ॒נ/ ࢶҴඇഹ. Taibei: Qian wei chu ban she, 1999. 226 p. ISBN 9578994605 Series title: Taiwan dian ying; 1 ݡஹӇ ;ؙ1 Note: The book describes how the film Bodo (1993) was made, including sound and scene design, and the equipment used. WorldCat Chi
Ai qing wan sui = Vive L’amour (1994) Дє( ۈݛ1994) 0811 Cai, Mingliang (Tsai, Ming-liang), 1957– ᓥҴ݊, 1957– Ai qing wan sui: Cai Mingliang de dian ying = Vive l’amour. Дєۈݛ: ᓥҴ݊ϡӇ = ؙVive l’amour. Taibei: Wan xiang tu shu go fen you xian gong si, 1994. 208 p. ISBN 9576695317 (pbk.), 9789576695315 (pbk.) Note: Describes the writing and making of Vive L’amour (1994). Includes screenplay. WorldCat Chi
0815 Shen hua 3 bu qu: Huang Mingchuan dian ying ji shi = Huang Mingchuan trilogy / Huang Mingchuan dian ying shi xun you xian gong si. ظҧ3ॽח: ࢶҴඇӇؙ֮Ѩ = Huang Mingchuan trilogy / ࢶҴඇ Ӈؙ؆ళϩࡳԍޅ. Taibei: Huang Mingchuan dian ying shi xun you xian gong si, 2011. 205 p. ISBN 9789868704701, 9868704707 Note: Reviews of the filmmaking process of independent film director Huang Mingchuan’s famous trilogy, The Man from the Island West (1990), Bodo (1993), and Flat Tire (1998), plus a short film, Wind Within (1999). Includes four DVDs. WorldCat Chi
0812 Powley, Kathryn Anne. Silence, emptiness and love in Ts’ai Ming-liang’s film Vive l’amour. 47 leaves. Note: Thesis (M.A.–Chinese)—University of Auckland, 1997. A work on Cai Mingliang (Tsai Ming-liang) and his film Vive l’amour. Includes a bibliography. WorldCat Eng
Bao dao man po = Formosa Mambo (2011) մޯࢿம (2011) 0816
An lian Taohuayuan = The Peach Blossom Land (1992)
Xi, Han. Ӎ៲. Bao dao man po = Formosa Mambo. մޯࢿம = Formosa Mambo. Xin Bei Shi: Yuan jing chu ban shi ye you xian gong si, 2011. 189 p. ISBN 9789573907954, 957390795X Note: A book in four parts: (1) an introduction of the film director Wang Qizai and his production team; (2) a collection of filmmaking stories; (3) an introduction of the film cast; and (4) a review of the film Formosa Mambo (2011). WorldCat Chi
ମߧಱՐ (1992) 0813 Yan, Hongya. Ἡਐ. Wo an lian de Taohuayuan / Honghong (Yan Hongya), Yuehui (Lin Yuehui) bian zhu. ϢମߧϡಱՐ / (Ἡਐ), ֊ (֊) ഹЯ. Taibei: Yuan liu, 1992. 216 p. ISBN 9573216310 Series title: Dian ying guan; 27 Ӈؙఖ; 27 Note: Describes the adaptation of a stage drama into a film. Contains interviews with the producers of The Peach Blossom Land (1992) and film reviews. Includes a list of the film’s cast and crew and an account of the director’s film production logistics. CTFAL Chi
Bei qing cheng shi = A City of Sadness (1989) є( صڵ1989) 0817 Cai, Peijuan (Tsai, Pei Chung). ᓥႬᥱ. “Bei qing cheng shi” de lun shu jian gou—Shi chang xing xiao, lei xing yu li shi xu shi = The construction of “A city of sadness”: Marketing, genre and narrative.
Bao dao da meng = Bodo (1993) մޯϽْ (1993)
148
Individual Film Reviews
0824
“є ”صڵϡںࠃภ—صԾҲઍ,ढࡿӿࣵᡳѨ = The construction of “A city of sadness”: Marketing, genre and narrative. 138 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 1994. Viewing Hou Hsiao-hsien’s film A City of Sadness (1989) as an example of Taiwan films produced in the 1980s, the paper analyzes the discourse of the film from the perspectives of marketing, genre, and historical narrative. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi
Asserts that Hou Hsiao-hsien’s unconventional style in his film A City of Sadness (1989) should be examined carefully, for the director’s representation of history reveals an indirect cinematic, but not an evasive, approach to the historical reality. This position is voiced in contradiction to critics who claim Hou’s representation of the February 28 Incident keeps a safe distance from the sensitive events and conforms to the KMT government’s perspective. It is written in English. Includes a Chinese and English abstract and bibliography. NCL/NDLTD Eng
0818
0821
Chan, Shuen-yan. History and memory in Hou Hsiao-hsien’s A City of Sadness and Tian Zhuangzhuang’s The Blue Kite. 68 leaves. Note: Thesis (M.A.)—Hong Kong University, 1999. A comparative study of A City of Sadness (Hou Hsiaohsien, 1980) and The Blue Kite (Tian Zhuangzhuang, 1993). Focuses on issues of private memory versus official history. Includes appendix I and II (brief biography of the directors), a filmography, and a bibliography. Full-text access through the HKU Scholars Hub. WorldCat Eng
Chi, Robert Yee-sin (Bum, Al). A world of sadness. 48 leaves. Note: A manuscript on Hou Hsiao-hsien’s film A City of Sadness (1989). Received the Susan Anthony Potter Prize in Comparative Literature, Harvard University, 1997. WorldCat Eng
0822 Hung, Christine Yu-Ting. A nation of sadness? Reading history, culture, and gender in Hou Hsiao-hsien’s A City of Sadness. 100 leaves. Note: Thesis (M.A.)—University of New South Wales, 2006. Includes a bibliography. WorldCat Eng
0819 Chen, Ruxiu (Chen, Ru-shou Robert). ᭉ. Dian ying di guo, ling yi zhong zhu shi: dian ying wen hua yan jiu. Ӈؙл, ࡔϣ҆ڀ؆: Ӈؙҹ٩୳ૢ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1995. 264 p. ISBN 9576697344 Series title: Yi shu fang; 16 ਲ ;ࠚڣ16 Note: A collection of the author’s essays organized into three sections: (1) cultural, gender, psychological, and comparative analyses of Taiwan films of the 1990s; (2) mainland China films; (3) Taiwan film through the lens of postcolonial theory. Essays of note include a study of mental illness in Taiwan films, and a psychological study of Hou Hsiao-hsien’s film A City of Sadness (1989). Includes a bibliography. CTFAL Chi
0823 Reynaud, Bérénice. A city of sadness = єصڵ. London: British Film Institute, 2002. 95 p. ISBN 0851709303 Series title: BFI Modern Classics Note: A comprehensive study of Hou Hsiao-hsien’s film A City of Sadness (1989). Integrates unique perspectives, such as a comparative analysis of the June 4 Incident in Tiananmen Square in Beijing in 1989 and the film; provides historical background of the Lin family in the film; and offers a detailed study of the film’s sound editing strategy and effects. Includes, an appendix, the Lin Family genealogy chart, filmography, notes, and film credits. WorldCat Eng
0820 Chen, Yuanqiu (Chen, Yuan-chiu). ᤨڠ. Bei qing cheng shi: Hou Xiaoxian de yu hui que wu gui bi = A City of Sadness: Hou Hsiao-Hsien’s elusiveness without evasiveness. єصڵ: ᢡᖮᐊϡᯩ፯ѩ೬ = A City of Sadness: Hou Hsiao-Hsien’s elusiveness without evasiveness. 128 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2008.
0824 Tamura, Shizue, 1944– ೧భဋብ, 1944– Hij䲖j䲖-shi no hitobito: Taiwan to Nihon no uta. єصڵ䫟Ϫ䫤䫙 : ݡළ䫙яӆ䫟䪷䫐. T䲖ky䲖: Sh䲖bunsha, 1992. 228 p. ISBN 4794961030, 9784794961037
149
Film Reviews
0825 Note:
A work on the film A City of Sadness (1989) and the relationship between Taiwan and Japan as reflected in the film. WorldCat Jpn
(1993), and Good Men, Good Women (1995), as well as the author’s comments and records of making the films. Includes a filmography and bibliography. Duxiu (FT) Chi
Brokeback Mountain (2005)
0825 Xin dian ying zhi si—cong “Yi qie wei ming tian” dao “Bei qing cheng shi” / Mizou, Liang Xinhua bian. ЈӇؙҏӚ—ԩ “ϣܷЊҴϳ” Ϻ “є”صڵ/ ࣿҵ, ᅯЈܓഹ. Taipei: Tang shan chu ban she, 1991. 236 p. Series title: Zhan zheng ji qi cong kan; 3 ڕৎҚॆᜣᑂ; 3 Note: A collection of essays critical of Taiwan New Cinema director Hou Hsiao-hsien and his acclaimed film A City of Sadness (1989). Several essays declare that the death of Taiwan New Cinema occurred in 1988 when Hou Hsiao-hsien and other Taiwan New Cinema directors delivered a “Taiwan Film Memoratum” in 1987 and then agreed to make the government policy film Everything for the Events of Tomorrow for Taiwan’s Defense Department in 1988. Most of the film reviews of Hou Hsiao-hsien’s film A City of Sadness (1989) take both a negative view of the director’s portrayal of the February 28 Incident and the film as a whole. Also includes a negative review of Taiwan’s so-called first independently made film, The Man from the Island West (1990). Includes a bibliography. CTFAL Chi
0828 Li, Dahan. ଽܺᲆ. Yi san zou guo you yi san—Li An, Se jie, Duan bei san. ϣځҵОҍϣ—ځଽԥ, աയ, ऄࠧځ. Taibei: Ru guo chu ban she; Da yan wen hua, 2007. 479 p. ISBN 9789868331389 Note: The author’s interviews, introductions, reports, and film reviews related to Ang Lee and his two major works Brokeback Mountain (2005), and Lust, Caution (2007). Includes photos, film posters, and stills. CTFAL Chi
0829 Lu, Wanying (Lu, Wan-ying). ᙙᙀ. Li An “Duan bei shan” yu Zhnag Yimou “Shi mian mai fu” dian ying mei xue guan zhi bi jiao yan jiu = A comparative study of movie aesthetics between Ang Lee’s “Brokeback Mountain” and Yimou Zhang’s “House of flying daggers”. ଽԥ “ऄࠧ ”ځӿפਲጚ “ӌႲቛ” ӇؙѤѹҏԝࢺ୳ૢ = A comparative study of movie aesthetics between Ang Lee’s “Brokeback Mountain” and Yimou Zhang’s “House of flying daggers”. 431 leaves. Note: Thesis (M.A.)—National Tainan Arts University, 2007. A comparative analysis of the movie aesthetics in Ang Lee’s Brokeback Mountain (2005) and Zhang Yimou’s House of Flying Daggers (2004). Includes an abstract in Chinese and English and a bibliography. NCL/NDLTD Chi
0826 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Bei qing cheng shi: Wu Nianzhen Zhu Tianwen zuo pin / Wu Nianzhen, Zhu Tianwen. єصڵ: ྶ݉ѐᗌϳҹӑԘ / ྶ݉ѐ, ᗌϳҹ. Taibei: San san shu fang, 1989. 198 p. ISBN 9579528004 Note: Includes the screenplay of A City of Sadness (1989), written by Wu Nien-chen, and a question and answer with Chu T’ien-wen. Duxiu (FT) Chi
0830 Wang, Xuanru (Wang, Xuan-ru). ࣼ២Ғ. “Kua yue tong zhi yu jia ting de hong gou”: tan tao Li An “Duan bei shan” zhong de tong zhi yu jia ting zhi jian de zheng zha = “Family that hurts”: Struggle between family and homosexuality in Ang Lee’s Brokeback Mountain. “ቄքӎӿрϡཻ”: ෬क़ଽԥ “ऄࠧ ”ځЅӎӿрҏҼ ϡᄋႹ= “Family that hurts”: Struggle between family and homosexuality in Ang Lee’s Brokeback Mountain. 105 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2007. Focuses on the struggle between family and homosexuality in Ang Lee’s film Brokeback Mountain (2005). Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Eng
0827 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Bei qing cheng shi. єصڵ. Shanghai: Shanghai wen yi chu ban she, 2001. 248 p. ISBN 7532121003 Series title: Tai Gang ji hai wai Hua yu zuo jia zi xuan wen ku ݡ୯᠕֔ӑрІשҹᆟ Note: A collection of four screenplays written by the author and directed by Hou Hsiao-hsien: Dust in the Wind (1986), A City of Sadness (1989), The Puppetmaster
150
Individual Film Reviews
0835 ISBN Note:
0831 Xie, Yiping (Hsieh, Yi-ping) هचכ. Chuang jian ta men de kong jian: Li An dian ying Duan Bei Shan zhong de kong jian xing yu xing bie ren tong = Constructing a space of their own: spatiality and gendered identification in Ang Liee’s Brokeback Mountain. ࡶࠃјИϡҼ: ଽԥӇؙऄࠧځЅϡҼӿԛԇگӎ = Constructing a space of their own: spatiality and gendered identification in Ang Lee’s Brokeback Mountain. 91 leaves. Note: Thesis (M.A.)—Shih Hsin University, 2009. Investigates the importance and linkage of space and gender based on the cinematic context of Ang Lee’s film Brokeback Mountain (2005). Concludes that the queer love in this particular spatiotemporal portrayal of Brokeback Mountain is both forbidden and under surveillance, and the tension is whether or not to break the taboo or compromise with its reality. Includes a bibliography. NCL/NDLTD Eng
9814139106, 9789814139106 With prefaces by both Tsai Ming-liang and Lee Kangsheng, this text provides a detailed description of the filmmaking process of Bu San / Goodbye, Dragon Inn (2003) directed by Tsai Ming-liang and casting direction by Lee Kang-sheng, and Bu Jian / The Missing (2003) directed by Lee Kang-sheng and produced by Tsai Ming-liang. Provides insight into the relationship between these two important figures in contemporary Taiwan cinema. Includes posters, stills, scripts, and credits from the two films. WorldCat Chi
Ci Ling = The Treasure Hunter (2009) ᒆ (2009) 0834 Ci Ling ying xiang gai nian shu: liu dong yu sha mo de guang, ying, chuan qi / Chang Hong Ying Shi zhu. ᒆؙՌม݉ڣ: Եҁӿဴϡׇ, ؙ, ࡞ة/ ӕᒩؙ؆Я. Taibei: Kai te wen hua chuang yi gu fen you xian gong si, 2009. No pagination. ISBN 9789866606696 Series title: Kai te wen hua xing sheng huo; 15 Ꮞئҹ٩լТ҅; 15 Note: A pictorial work that captures the making of the film The Treasure Hunter (2009), a joint venture between Taiwan, Hong Kong, and mainland China. Includes a narrative summary, credits, and character introductions. CTFAL Chi
Bu jian = The Missing (2003) ϤԊ (2003) 0832 Zhang, Jingbei. פᑽᲅ. Bu jian bu san—Cai Mingliang yu Li Kangsheng. ϤԊϤ્—ᓥҴ݊ӿଽࣉТ. Singapore: Ba fang wen hua chuang zuo shi, 2004. 139 p. ISBN 9814139106; 9789814139106 Note: With prefaces by both Tsai Ming-liang and Lee Kangsheng, this text provides a detailed description of the filmmaking process of Bu San / Goodbye, Dragon Inn (2003) directed by Tsai Ming-liang and casting direction by Lee Kang-sheng, and Bu Jian / The Missing (2003) directed by Lee Kang-sheng and produced by Tsai Ming-liang, as well as insights into the relationship between these two important figures in contemporary Taiwan cinema. Includes posters, stills, scripts, and credits from the two films. WorldCat Chi
Dai shu nan ren = Kangaroo Man (1994) ೂԲϪ (1994) 0835 Li, Li. ଽሑ. Dai shu nan ren: dian ying ju ben yu mu hou ren yu / Li Li, Liu Yiming zhu. ೂԲϪ: Ӈঁؙӆӿ௷ћϪ ܭ/ ଽሑ, ជҴЯ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1994. 166 p. ISBN 9573224534 Series title: Dian ying guan; 52 Ӈؙఖ; 52 Note: The screenplay and account of making Kangaroo Man (1994), directed by Liu Yiming, with behind-thescenes perspectives and an interview with director Liu Yiming. NTUL Chi
Bu san = Goodbye, Dragon Inn (2003) Ϥ્ (2003) 0833 Zhang, Jingbei. פᑽᲅ. Bu jian bu san—Cai Mingliang yu Li Kangsheng. ϤԊϤ્—ᓥҴ݊ӿଽࣉТ. Singapore: Ba fang wen hua chuang zuo shi, 2004. 139 p.
Dan dao shuang bu da = Every Odd Numbered Day (1994) ӋדϤӋ (1994)
151
Film Reviews
0836
Cinema After World War II (1945–1969), World’s Orphan Era (1970s), and the Era of Taiwan New Cinema (1980s–1990s). Includes photos, stills, posters, and a bibliography WorldCat Jpn
0836 Dan dao shuang bu da—yi bu lai zi Jinmen de bai xing dian ying / Ying huo chong ying xiang ti zuo. ӋדϤӋ—ϣחϰІؖ՞ϡښӇ ؙ/ ⁒ڮາྱՌՂӑ. Taibei: Wan xiang tu shu go fen you xian gong si, 1995. 193 p. ISBN 9576696321 Series title: Yi shu fang; 7 ਲ ;ࠚڣ7 Note: An introduction to the independent film Every Odd Numbered Day (1994), including commentary by the director, producer, and related personnel, as well as interviews and reviews. The film, a mixture of documentary and fiction, describes the residents of Jinmen Island, the location of the last ground battle between Nationalist and Communist troops in 1949, and the site of more than twenty years of artillery fire between the two sides. CTFAL Chi
Gei wo yi zhi mao = Drop Me a Cat (2002) ѰϢϣ( ࢈ݒ2002) 0839 Wu, Misen (Wu, Mi-sen), 1967– ྶܶာ, 1967– Gei wo yi zhi mao. ѰϢϣ࢈ݒ. Taibei: Xiao zhi tang wen hua, 2004. 177 p. ISBN 9574501949, 9789574501946 Note: The screenplay of Wu Mi-sen’s film Drop Me a Cat (2002). Includes stills and photos. WorldCat Chi
Dong = The Hole (1998) ၻ (1998)
Gong fu guan lan = Kung Fu Dunk (2008)
0837
ۋਜ਼ᓲႨ (2008)
Dong: dian ying ju ben yu ping lun / Jiao Xiongping, Cai Mingliang bian zhu. ၻ: Ӈঁؙӆӿ߰ ں/ ဖ๔, ᓥҴ݊ഹЯ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1998. 182 p. ISBN 9572702653 Series title: Yi shu fang; 29 ਲ ;ࠚڣ29 Note: Screenplay and reviews of Tsai Ming-liang’s film The Hole (1998). CTFAL Chi
0840 Zhou Jielun: gong fu guan lan zhen cang xie zhen ben = Jay Chou: the photo album of Kung Fu Dunk / Zong bian ji: Waigang Hongchang (Hironaka Sotooka); She ying: Cai Rongfeng; Wen zi: Huang Ting. ီرൔ: ۋਜ਼ᓲႨੵেѐӆ = Jay Chou: the photo album of Kung Fu Dunk / րഹফ: ֔ᐻᒩӕ; ؙ: ᓥึழ; ҹܒ: ࢶᑢ. Taibei: Taiwan guo ji jiao chuan shu dian, 2008. 135 p. ISBN 9789861745855, 9861745858 Note: A photographic record of the production of Kung Fu Dunk (2008), directed by Zhu Yanping with casting direction by Zhou Jielun (Jay Chou). WorldCat Chi
Duosang = A Borrowed Life (1994) Єᇤ (1994) 0838 Kawase, Ken’ichi. ඇⰗϣ. Taiwan eiga e no sh䲖tai: ichiya ni shite Ch䲚gokujin ni natta t䲖san (t䲖san). ݡළྱࡌ䫩䫟ۉ: ϣ١䫜䫈䫗ЅмϪ䫜䫛䫔䫐Єᇤ (䫆䬄). Nara-ken Kashihara-shi: T䲖y䲖 Shis䲖 Kenky䲚jo; Ŕsaka-fu Suita-shi: hatsubai Birejji Puresu, 1998. 94 p. ISBN 493859854X, 9784938598549 Note: The text begins with an introduction to the film director Wu Nien-chen and his film “T䲖san = A Borrowed Life” followed by introductions to five additional leading figures in Taiwan cinema: Wang Tung, Liao Hsiang-hsiung, Lin Cheng-sheng, Tsai Ming-liang, Hou Hsiao-hsien, and their films. Contains “A Brief History of Taiwan Cinema,” which includes Taiwan Film during Japanese Occupation (1895–1945), Taiwan
Grandpa!? (2009) 0841 Lin, Tzuhui. Grandpa!? 52 leaves. Note: Thesis (M.F.A)—Rochester Institute of Technology, 2010. Describes the making of the short film Grandpa!? (2009), filmed and produced in Taiwan. Provides an account of the film’s production, filming, and postproduction, all as part of the director’s student-film project at R.I.T. Includes the film script, proposal, timeline, budget, film stills, and behind-the-scenes photos. Full-text access is available at R.I.T Digital Media Library Repository. WorldCat Eng
152
Individual Film Reviews
0844 Ji yi zai xian de fu diao yu dui hua: lun Yang Dechang dian ying “Guling jie shao nian sha ren shi jian” = The polyphony and dialogue of the reproduction of memories: A Brighter Summer Day. ֭ষӐѴϡߒ݆ԁцҦ䩭ڹख़ቾӈ⚯“ ؙᗮঅվё৹ϪѨխ” = The polyphony and dialogue of the reproduction of memories: A Brighter Summer Day. 38 p. Note: Thesis (M.A.)- Zhejiang University, 2010. Focuses on the narrative structure of Edward Yang’s film A Brighter Summer Day (1991), recognizing how the reproduction of memories, representations of family life, and connections to historical and societal networks reveal the nuances of Taiwanese society. Includes an abstract in Chinese and English and a bibliography. Duxiu (FT) Chi
Gu lian hua = Love’s Lone Flower (1985, 2005) વߧՐ (1985, 2005) 0841a Lin, Xuanxiao (Lin, Hsuan-hsiao) ୌᖮ. Nu tong zhi shu xie: Bai Xianyong xiao shuo “Gu lian hua” ji qi gai bian dian ying yan jiu = Writing the image of lesbian: A Study on Bai Hsienyung’s Novel “Ku Lien Hua” and Its Film Adaptation. ѽӎڣ: ՁରЩМ “વߧՐ” ࡗԷۨഹӇ = ૢ୳ؙWriting the image of lesbian: A Study on Bai Hsienyung’s Novel “Ku Lien Hua” and Its Film Adaptation. 159 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2012. Compares Bai’s lesbian novel Gu lian hua with its film adaptations in 1985 and 2005. Focuses on the differences between the novel and adaptations in terms of visual imagery, sound, set design, and descriptions of lesbian sexuality. Includes a Chinese abstract and bibliography. Online full text access will be available in 2017. NCL/NDLTD Chi
Guo shi wu shuang = Catch (2006) лࡲѩ( ד2006) 0843 Lu, Hong. ᡭ₽. Guo shi wu shuang zhi dian ying chu sheng ri ji. лࡲѩדҏӇؙоТя֮. Taibei: Da kuai wen hua chu ban gu fen you xian gong si, 2006. 132 p. ISBN 9867291948, 9789867291943 Note: A diary-style record of making the film Catch (2006). WorldCat Chi
Guling jie shao nian sha ren shi jian = A Brighter Summer Day (1991) ⚯ᗬঅվё৵ϪѨխ (1991) 0842 Jiang, Huixian (Chiang, Huey-hsien). ឣ༫࿁. Taiwan dian ying, guo zu xu shi yu xing bie zheng zhi—tan “Guling jie shao nian sha ren shi jian.” ݡஹӇؙ, лఓᡳѨӿԛԇू—ড “⚯ᗬঅվё৵ϪѨխ.” 83 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 1993. Describes how Taiwan New Cinema represented sociopolitical changes in Taiwan from the 1960s through the 1980s by presenting personal films and transforming the “Big China concept” into a new nationality of Taiwan and localization. Provides an analysis of the film A Brighter Summer Day (1991). Appendix includes newspaper reports on Hou Hsiaohsien and Edward Yang, promotional materials for the film A Brighter Summer Day, an outline of the R.O.C. Cinema Year activity plan, and a summary of the film subsidies for filmmakers who participate in international film festivals. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi
Haijiao qi hao = Cape No. 7 (2008) ࡠࢳ( ى2008) 0844 Lai, Yingtai (Lai, Terrence Ying-Tai). ߭. Er shi yi shi ji chu qi Taiwan dian ying li the lun shu yu ren tong— yi Wei Desheng dao yan de “Haojiao 7 hao” yu “Shaidekebalai” wei li = Discourse and identity of Taiwan film in during early 21st century—Director Wei Te-Shen’s film Cape No. 7 and Seediq Bale as examples. ԏϣԒઔ२ݡஹӇؙѶϡںӿگӎ—й᪭ख़࣒ࠟϡ “ ࡠࢳ”ىӿ “ॴख़ࡽ࣬ᒀ”Њຎ. 89 p. Note: Thesis (M.A.)—Chang Jung Christian University, 2012. Using Normam Fairclough’s “Critical Discourse Analysis” from the perspectives of “Texts,” “Discourse Practice,” and “Social Practice,” this paper examines the development and evolution of Taiwan cinema’s discourse and identity during the first part of the twenty-first century in the films Cape No. 7 and Seediq Bale directed by Wei Desheng. Wei’s films depict Taiwan’s society today as well as famous historical events, such as the “Wushe incident,” when Taiwan’s
0842a Kang, Qianru. ࣉᝤҒ.
153
Film Reviews
0845 aboriginal people’s revolted against Japanese colonial rule in 1930. Wei’s films have garnered acclaim and set box office records in Taiwan. Includes a bibliography and Chinese abstract. NCL/NDLTD Chi
Hai shang hua = Flowers of Shanghai (1998) ϼՐ (1998) 0848 Huang, Wenying. ࢶҹ߭. Hai shang fan hua lu: “Hai shang hua” de ying xiang mei gan / Huang Wenying, Cao Zhiwei. ϼ࠷ܓ:”ϼՐ”ϡؙՌѤҀ / ࢶҹ߭, ᢳ໖. Xianggang: Yuan liu chu ban gong si, 1998. 187 p. ISBN 9573235951, 9789573235958 Note: A work on the production and aesthetic of Flowers of Shanghai (1998). Includes a bibliography. WorldCat Chi
0845 Lin, Bolong (Lin, Po-Long). ᐑह. Taiwan dian ying jia zhi lian yu mai zuo an li zhi tan tao: yi “Hai jiao qi hao” wei li = The value chain of Taiwan movie and blockbuster: a case study on “Cape No. 7.” ݡஹӇؙ٢ߚషӿࢀӏଈຎҏ෬क़: й “ࡠࢳ”ىЊຎ = The value chain of Taiwan movie and blockbuster: a case study on “Cape No. 7.” 134 leaves. Note: Thesis (M.A.)—National Yunlin University of Science & Technology, 2008. By describing the process of making the film Cape No. 7 (2008), this paper explores the main reasons for the box office success of the film. Includes a Chinese and English abstract, bibliography, and appendix, including guidelines for applying for the 2009 government domestic film subsidy, a filmmaking budget management example, the cast and personnel of Cape No. 7, and box office records for Cape No. 7 in Taipei. NCL/NDLTD (FT) Chi
0849 Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐊ, 1947– Ji shang zhi meng: “Hai shang hua” dian ying quan ji lu / Hou Xiaoxian, Zhu Tianwen zhu. ࡗϼҏْ: “ϼՐ” ӇؙҪઔ࠷ / ᢡᖮᐊ, ᗌϳҹЯ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1998. 159 p. ISBN 9573235935 Series title: Dian ying guan; 80 Ӈؙఖ; 80 Note: Records the making of Hou Hsiao-hsien’s Flowers of Shanghai (1998). Includes the introduction to the original story depicted in the film, discussions of the film’s historical context including brothels in Shanghai, use of Shanghainese, casting, standout performances, setting, and film reviews. Includes film stills and photos. NTUL Chi
0846 Hai jiao qi hao he ta men de gu shi: yi duan cong kun jing zou xiang meng xiang de lu cheng = Cape No. 7: the marking of dreams / Da kuai wen hua bian zhuan. ࡠࢳىфјИϡݞѨ: ϣݫԩ॒ҵْזЂϡ߫ࡄ = Cape No. 7: the marking of dreams / Ͻࡰҹ٩ഹ᫃. Taibei: Da kuan wen hua chu ban gu fen you xian gong si, 2008. 265 p. ISBN 9789862130988, 9862130989, 9789862130995 (set), 9862130997 (set) Note: A collection of stories related to the filmmaking of Cape No. 7 (2008). WorldCat Chi
Hao nan hao nu = Good Men, Good Women (1993) ϮԲϮѽ (1993)
0847
0850
Transnational Asian identities in Pan-Pacific cinemas: the reel Asian exchange / edited by Philippa Gates & Lisa Funnell. New York: Routledge, 2011. ISBN 9780415893541, 0415893542 Note: A collection of essays on transnational Asian identities in Pan-Pacific cinemas, including the production of and audience reception to the cinemas of Hong Kong, Japan, South Korea, Thailand, China, Taiwan, and Hollywood. This volume’s essay focusing on Taiwan film is entitled “Trauma and Taiwan’s Melodrama: Seven Orphans of Cape No. 7” by Sheng-mei Ma. Includes a bibliography, index, and filmography. WorldCat Eng
Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Bei qing cheng shi. єصڵ. Shanghai: Shanghai wen yi chu ban she, 2001. 248 p. ISBN 7532121003 Series title: Tai Gang ji hai wai Hua yu zuo jia zi xuan wen ku ݡ୯᠕֔ӑрІשҹᆟ Note: A collection of four screenplays written by the author and directed by Hou Hsiao-hsien: Dust in the Wind (1986), A City of Sadness (1989), The Puppetmaster (1993), and Good Men, Good Women (1995), as well as the author’s comments and records of making the films. Includes a filmography and bibliography. Duxiu (FT) Chi
154
Individual Film Reviews
0856
He liu = The River (1997)
0854 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Hong qi qiu de lu xing: Hou Xiaoxian dian ying ji lu xu bian. ێӤܧϡ߫Ҳ䩭ᢡᖮᐉӈؙઓ࠹۟൜. Jinan: Shandong hua bao chu ban she, 2009. 642 p. ISBN 9787807138419 Note: Written by noted author and famous screenwriter Chu T’ien-wen, many of whose works were directed by Hou Hsiao-hsien. As a supplementary work to the author’s earlier work published by the same publisher in 2006, this text is a combination of reviews, notes, screenplays, filmmaking diaries, and interviews related to Hou Hsiao-hsien and his films, including Flight of the Red Balloon (2006). Includes a list of the author’s screenplays and publications. WorldCat Chi
૯Ե (1997) 0851 Jiao, Xiongping (Chiao, Peggy). ဖ๔. He liu: Cai Mingliang de dian ying / Jiao Xiongping, Cai Mingliang zuo. ૯Ե: ᓥҴ݊ϡӇ ؙ/ ဖ๔, ᓥҴ݊ӑ. Taibei: Huang guan, 1997. 207 p. ISBN 9573213987, 9789573313984 Series title: Huang guan cong shu: di 2690 zhong ෦ഃᜣڣ: ҷ 2690 ҆ Note: The screenplay, introduction to, and film reviews of The River (1997), directed by Tsai Ming-Liang. CTFAL Chi
Ji mo fang xin ju le bu = Lonely Hearts Club (1995)
0852
ఘದᇙК༤Ӏ( ח1995)
The trans-Pacific imagination: rethinking boundary, culture and society / edited by Naoki Sakai and Hyon Joo Yoo. Singapore: Hackensack, NJ: World Scientific, 2012. 330 p. ISBN 9789814324137, 9814324132, 9789814324144, 9814324140 Note: A collection of academic essays, including “InterAsia Comparative Framework: Postcolonial Film Historiography in Taiwan and South Korea” by Kim Soysoung, which compares the Taiwan film The Puppetmaster (Hou Hsiao-hsien, 1993) and the Korean Film Chihwasǂn (Im Kwŗntaek, 2002); and “The Incurable Feminine: Women Without a Country in East Asian Cinema” by Yoo Hyon Joo, which studies female characters in two Korean films, Time (Kim Kiduk, 2006) and Sympathy for Lady Vengeance (Park Chan-wook, 2005), and two Taiwanese films, The River (Tsai Ming-liang, 1997) and What Time Is It There? (Tsai Ming-liang, 2004). Includes a bibliography and an index. BAS Chi
0855 Wen, Tianxiang. ࢨϳፖ. Fu yi ke dian ying dan: “Ji mo fang xin ju le bu” dian ying shu. ₿ϣੀӇؙࠠ: “ఘದᇙК༤Ӏ ”חӇڣؙ. Taibei: Yuan liu chu ban gong si, 1995. 207 p. ISBN 9573225557 Series title: Dian ying guan; 57 Ӈؙఖ; 57 Note: Primarily a discussion of the film: Ji mo fang xin ju le bu / Lonely Hearts Club; however, at the end, films directed by Ang Lee and Tsai Ming-liang are reviewed. CTFAL Chi
Ka fei shi guang = Café Lumière (2003) ౹Ж( ׇ2003)
Hong qi qiu de lu xing = Flight of the Red Balloon = Le Voyage du Ballon Rouge (2006)
0856
یӠܧϡ߫Ҳ (2006)
Ka fei shi guang, suo yin / Lao Jiahua deng. ౹Жׇ, / ҡဓܓҳ. Taibei: San shi duo mei ti wang lu go fen you xiang gong si, 2004. 189 p. Note: A special publication for Hou Hsiao-hsien’s 2003 film Ka fei shi guang (Café Lumière). The literal translation of the film is “coffee time.” Commissioned by the Japanese film studio, Shochiku; includes the film’s background story, credits, and an index. CTFAL Chi
0853 World cinema and the visual arts / edited by David Gallagher. New York: Amthem Press, 2012. 178 p. ISBN 9780857284389, 085728438X Note: A collection of academic essays on world cinema, including “The Postnational and the Aesthetics of the Spectral: Hou Hsiao-Hsien’s Flight of the Red Balloon” by Je Cheol Park. Includes a bibliography and an index. WorldCat Eng
155
Film Reviews
0857 Note:
Kong bu fen zi = Terrorizers (1986) ౦࿙ڤж (1986) 0857
Includes the screenplay, film reviews, and behind-thescenes stories of making Face (2009), directed by Tsai Ming-Liang. WorldCat Chi
Lian lian feng chen = Dust in the Wind (1986)
Gao, Ruiyang (Kao, Ray-young). ҙᇳݷ. “Kong bu fen zi” de fen lie cheng shi—Dian ying de du shi xiang zheng yan jiu = The urban schizophrenia within “Terrorizers”: the symbolic analysis of cinematics. “౦࿙ڤж” ϡдი—صڵӇؙϡЁࢣصၹ୳ૢ = The urban schizophrenia within “Terrorizers”: the symbolic analysis of cinematics. 125 leaves. Note: Thesis (M.A.)—Tamkang University, 1999. Studies the urban setting within Edward Yang’s film Terrorizers (1986), noting the relationship between the symbolism and social practice and the cinematic representation of social formation in Taipei, Taiwan. Includes a Chinese and English abstract and bibliography. NCL/NDLTD Chi
ߧߧգຳ (1986) 0860 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Lian lian feng chen: ju ben ji yi bu dian ying de kai shi dao wen cheng / Wu Nianzhen, Zhu Tianwen bian zhu. ߧߧգຳ: ঁӆߵϣחӇؙϡы״Ϻԟю / ྶ݉ѐ, ᗌϳҹഹЯ. Taibei: San san shu fang, 1987. 241 p. Note: The screenplay of the film Dust in the Wind (1986), directed by Hou Hsiao-hsien, as well as related stories regarding director’s decision-making process during the making of the film and comments by the scriptwriters. Includes photos and film stills. NTUL Chi
Lan se da men = Blue Gate Crossing (2002) ঢաϽ՞ (2002)
0861 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Bei qing cheng shi. єصڵ. Shanghai: Shanghai wen yi chu ban she, 2001. 248 p. ISBN 7532121003 Series title: Tai Gang ji hai wai Hua yu zuo jia zi xuan wen ku ݡ୯᠕֔ӑрІשҹᆟ Note: A collection of four screenplays written by the author and directed by Hou Hsiao-hsien: Dust in the Wind (1986), A City of Sadness (1989), The Puppetmaster (1993), and Good Men, Good Women (1995), as well as the author’s comments and records of making the films. Includes a filmography and bibliography. Duxiu (FT) Chi
0858 Zhao, Tinghui. ᕿ៴ሓ. Xu shi dian ying yu xing bie lun shu = Narrative cinema and gender discourse. ᡳѨӇؙӿԛԇں = Narrative cinema and gender discourse. Taibei Xian Yonghe shi: Airiti Press Inc., 2010. 335 p. ISBN 9789866286292, 9866286290 Series title: Chuan bo xue yan jiu xi lie ةѹ୳ૢ࠶ڍ Note: Analyzes representations of females in films from Taiwan, Hong Kong, and Hollywood to explore gender power structures. Films include Taiwan’s The Shoe Fairy (2006) and Blue Gate Crossing (2002), Hong Kong’s Turn Left, Turn Right (2003), and Hollywood’s Mulan (1998) and Shanghai Noon (2000). Includes a bibliography. WorldCat Chi
0862 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Zui hao de shi guang: dian ying ben shi, fen chang ju ben, yi ji suo you guan yu dian ying de 1982 / 2006. зϮϡЖׇ: ӇؙӆѨ, дԾঁӆ, йߵӛϩԬҿӇؙϡ 1982 / 2006. Taibei: INK yin ke chu ban you xian gong si, 2008. 417 p. ISBN 9789866873621 Series title: Zhu Tianwen zuo pin ji; 7 ᗌϳҹӑԘओ; 7 Note: Written by noted author and famous screenwriter Chu T’ien-wen, this text presents ten scripts written by the author, details of making eight films with Hou
Lian = Face (2009) ࠙ (2009) 0859 Lian = Face / Cai Mingliang . . . [et al.]. ࠙ = Face / ᓥҴ݊ . . . [et al.]. Taibei: Dian cang yi shu jia ting gu fen you xian gong si, 2009. 1 v. (unpaginated). ISBN 9789866833618, 9866833615
156
Individual Film Reviews
0864
Hsiao-hsien, from Dust in the Wind (1986) to Three Times (2005), and the author’s writings on Taiwan film. Includes photos and film stills. CTFAL Chi
Lian xi qu = Island Etude (2007) ( ॽ܄2007) 0865 Zhu, Shiyu (Chu, Shih-yu). ᗌஉ⡹. Zhuan dong = Rolling. ׅҁ = Rolling. 87 leaves. Note: Thesis (M.A.)—National Taiwan University of Arts, 2006. The paper explores the concept, creation process, structure and design, and retrospective analysis of the documentary film Island Etude (2007). Includes a Chinese and English abstract, bibliography, and appendix (including film shooting specifications, budgets, production timetable, crew member biographies, survey sample, survey analysis, and stills). NCL/NDLTD (FT) Chi
Lian lian wu = Step by Step (2009) ߧଢ (2009) 0863 Lian lian wu ying xiang tu wen quan ji lu = Step by step / Bian zhuan: Xin xian wen hua. ߧଢؙՌ֖ҹҪ ઔ࠷ = Step by step / ഹ᫃: К৬ҹ٩. Taibei: Xin xian wen hua shi ye you xian gong si, 2009. 189 p. ISBN 9789867446398 Series title: Loft; 006 Note: A pictorial book that presents the making of the film Step by Step (2009), directed by Guo Zhendi. Includes photos, selected film stills, and interviews with the director, producer, cast, and cinematographers. CTFAL Chi
Liu li dao ying = Floating Islands (2000) Ե( ؙޯڐ2000)
Lian ren = Fall . . . in Love (2004)
0866
ߧϪ (2004)
Liu li dao ying / Li Zhiqiang deng zhu. Ե ؙޯڐ/ ଽᨋҳЯ. Taibei: Tangshan, 2001. 162 p. ISBN 9678221428 Note: A record of a documentary film project from 1999– 2000 in which twelve film directors visited twelve islands surrounding Taiwan to make twelve documentary films about these islands. Includes a discussion of the project’s initial concept, and a history of each island’s people, culture, and environment. Includes photos. NTUL Chi
0864 Qin, Dingchang. ቦᑾቾ. Taiwan dian ying chuan tong ying xiang yu shu wei ying xiang zhi chan zhi yan jiu: yi “Lian ren,” “Ren yu duo duo” wei li = A study of traditional cinematography production and digital cinematography production for filmmaking in Taiwan: using “Fall . . . in love” & “The shoe fairy” as examples. ݡஹӇؙࢃةؙՌӿُؙ֧Ռҏݗ३୳ૢ: й “ߧϪ,” “Ϫ־ ” Њຎ = A study of traditional cinematography production and digital cinematography production for filmmaking in Taiwan: using “Fall . . . in love” & “The shoe fairy” as examples. 150 leaves. Note: Thesis (M.A.)—Shih Hsin University, 2008. Using the production of his two films as examples (Fall . . . in Love [2004], and The Shoe Fairy [2006]) the author describes, with firsthand experience, filmmaking in both traditional and digital formats to provide a practical reference point for the film industry and scholars as the Taiwan film industry moves to digital film production. Appendix includes a list of cinematography equipment, shooting scripts, production and postproduction technical guidelines, and award-winning information regarding the two films described. Includes a Chinese and English abstract and bibliography. NCL/NDLTD (FT) Chi
Lu gang qing shen = Wind Within (1999) ࿇୯є( ٹ1999) 0867 Shen hua 3 bu qu: Huang Mingchuan dian ying ji shi = Huang Mingchuan trilogy / Huang Mingchuan dian ying shi xun you xian gong si. ظҧ3ॽח: ࢶҴඇӇؙ֮Ѩ = Huang Mingchuan trilogy / ࢶҴඇ Ӈؙ؆ళϩࡳԍޅ. Taibei: Huang Mingchuan dian ying shi xun you xian gong si, 2011. 205 p. ISBN 9789868704701, 9868704707 Note: Reviews of the filmmaking process of independent film director Huang Mingchuan’s famous trilogy, The Man from the Island West (1990), Bodo (1993), and Flat Tire (1998), plus a short film, Wind Within (1999). Includes four DVDs. WorldCat Chi
157
Film Reviews
0868 Mei can jia = And She Wasn’t (2000)
0871 Nan fang ji shi zhi fu shi guang ying / Li Qinxian, Huang Yushan zhu. ۪Ҥ֮ѨҏൿԒ ׇؙ/ ଽᯃᐊ, ࢶർᦸЯ. Taibei: Cao gen chu ban shi ye you xian gong si, 2005. 167 p. ISBN 9578466862 Note: A book about the biographic film The Strait Story (2005), directed by Huang Yushan. Includes background information, a biography, and chronology of the main character, a talented young Taiwan artist who died near the end of the Second Sino-Japanese War, and the screenplay of the film. NTUL Chi
Э۾Ӹ (2000) 0868 Yi qi can jia, mei can jia dian ying zhu ti shu / Liu Jixiong, Liu Jianwei. ϣв۾Ӹ, Э۾ӸӇؙҰ֤ ڣ/ แ, ࠃ໖. Taibei: Shi gan wen hua, 2002. 157 p. Note: An account of a short documentary film made in 2000, directed by Liu Jixiong and Liu Jianwei, about a dog adoption in Taiwan; includes an introduction by the film directors, a description of making the film, technical details of the film, and film reviews. CTFAL Chi
Ni na bian ji dian = What Time Is It There? (2001) ϧъנӫѡ? (2001)
Mengjia = Monga (2010) ⛑➩ (2010)
0872 Cai, Mingliang (Tsai, Ming-liang), 1957– ᓥҴ݊, 1957– Ni na bian ji dian: Cai Mingliang zuo pin. ϧъנӫѡ: ᓥҴ݊ӑԘ. Taibei: Bao ping wen hua shi ye you xian gong si, 2002. 190 p. ISBN 9868007623; 9789868007628 Note: The director’s account of making the film What Time Is It There? (2001). Includes the screenplay. WorldCat Chi
0869 Feng, Yanshuo. ᫄ᴧ፩. Mengjia: jing zhuan xie zhen yu mu hou ji shi = Monga. ⛑➩: آؘѐӿ௷ћ֮Ӣ = Monga. Taibei: Taibei guo ji jiao chuan shu dian gu feng you xian gong si, 2010. 1 v. ISBN 9789862375068 (pbk.), 986237506X Note: Interviews and background stories from the making of Monga (2010), which deals with youth gang members in the Monga district of Taipei during the 1980s. Accompanying booklet contains English captions. WorldCat Chi Eng
0873 The trans-Pacific imagination: rethinking boundary, culture and society / edited by Naoki Sakai and Hyon Joo Yoo. Singapore: Hackensack, NJ: World Scientific, 2012. 330 p. ISBN 9789814324137, 9814324132, 9789814324144, 9814324140 Note: A collection of academic essays, including “InterAsia Comparative Framework: Postcolonial Film Historiography in Taiwan and South Korea” by Kim Soysoung, which compares the Taiwan film The Puppetmaster (Hou Hsiao-hsien, 1993) and the Korean Film Chihwasǂn (Im Kwŗntaek, 2002); and “The Incurable Feminine: Women Without a Country in East Asian Cinema” by Yoo Hyon Joo, which studies female characters in two Korean films, Time (Kim Kiduk, 2006) and Sympathy for Lady Vengeance (Park Chan-wook, 2005), and two Taiwanese films, The River (Tsai Ming-liang, 1997) and What Time Is It There? (Tsai Ming-liang, 2004). Includes a bibliography and an index. BAS Chi
Mo fa a ma = Grandma and Her Ghosts (1998) ತ֚०֒ (1998) 0870 Mo fa a ma: wo ba a ma bian ka tong le / Wang Xiaodi deng zhu. ತ֚०֒: Ϣө०֒ᔨ१֡Ϧ / ࣼЩ➅ҳЯ. Taibei: Mai tian chu ban she, 1999. 205 p. ISBN 9577087442 Note: An introduction to Wang Xiaodi’s animated film Grandma and Her Ghosts (1998), with interviews and film reviews. CTFAL Chi
Nan fang ji shi zhi fu shi guang ying = The Strait Story (2005) ۪Ҥ֮ѨҏൿԒ( ׇؙ2005)
158
Individual Film Reviews
0879
Po lun tai = Flat Tire (1998)
0877 Huang, Ting. ࢶᑢ. e shi dai dian ying nan nu shuang ren ya zuo—zou ru “Qian xi man bo” de Taibei bu ye cheng. e ԒڊϡӇؙԲѽדϪӏ—ҵՊ”࡛Ẽᅸம” ϡܚݡϤ١ڵ. Taibei: Taiwan guo ji jiao chuan shu dian, 2001. 149 p. ISBN 9867993020 Note: Summarizes a dialogue between nine participants, each one an established representative in their respective field; the conversation is initiated by a discussion about Hou Hsiao-hsien’s film Millennium Mambo (2001). CTFAL Chi
ਈნ (1998) 0874 Shen hua 3 bu qu: Huang Mingchuan dian ying ji shi = Huang Mingchuan trilogy / Huang Mingchuan dian ying shi xun you xian gong si. ظҧ3ॽח: ࢶҴඇӇؙ֮Ѩ = Huang Mingchuan trilogy / ࢶҴඇ Ӈؙ؆ళϩࡳԍޅ. Taibei: Huang Mingchuan dian ying shi xun you xian gong si, 2011. 205 p. ISBN 9789868704701, 9868704707 Note: Reviews of the filmmaking process of independent film director Huang Mingchuan’s famous trilogy, The Man from the Island West (1990), Bodo (1993), and Flat Tire (1998), plus a short film, Wind Within (1999). Includes four DVDs. WorldCat Chi
0878 Huang, Ting. ࢶᑢ. Qian xi man bo dian ying bi ji: Hou Xiaoxian de dian ying. ࡛ẼᅸமӇؙદ֮: ᢡᖮᐊϡӇؙ. Taibei: Mai tian chu ban, 2001. 159 p. ISBN 9574697177 Series title: Sheng huo yue du; 24 Т҅་ࢵ; 24 Note: An account of Hou Hsiao-hsien’s film Millennium Mambo (2001) by the film’s embedded recorder. Contains film scenes with accompanying script segments, film stills, background information, setting locations, addresses and contact information, and interviews with the director, cast, cinematographer, musicians, and artistic advisor. NTUL Chi
Qi mao qiu le = Fluffy Rhapsody (2000) вࢂܧϦ (2000) 0875 Wu, Misen (Wu, Mi-sen), 1967– ྶܶာ, 1967– Qi mao qiu le. вࢂܧϦ. Taibei: Xiao zhi tang wen hua shi ye you xian gong si, 2003. 157 p. ISBN 9574501930, 9789574501939 Series title: Chuang shi ji; 4 ࡶԒઔ; 4 Note: Primarily consists of photos and stills from the film Fluffy Rhapsody (2000). Created by the author as well as the director of the film. Text in Chinese and Japanese. WorldCat Chi Jpn
Qiao ke li zhong ji = Chocolate Rap (2005) ಌࡽҨԳ( ܂2005) 0879 Wang, Chuanzong (Wang, Chuan-tzung). ࣼةᅓ. Yi “Wen hua lao dong de xin guo ji fen gong” jia gou fen xi kua guo he zhi guo pian de qian jing yu wei lai—yi guo pian “Qiao ke li zhong ji” wei ge an yan jiu. й “ҹ٩ఫҁϡЈлগд֞” ବภдቄлׁ३ләϡӓӿ۔ ϰ—й “ಌࡽҨԳ ”܂Њϫଈ୳ૢ. 37 leaves. Note: Thesis (M.A.)—National Taiwan University, 2005. By adopting the structure of NICL (New International Division of Cultural Labour) developed by Toby Miller and using the film production of Chocolate Rap (2005), jointly produced and distributed by both Taiwan and the United States, as a case study, the author explores a new transnational film production and distribution model for Taiwan film production, which was previously dependent on government subsidies and whose distribution channels are controlled by American companies. Includes a bibliography. NTUL Chi
Qian xi man bo = Millennium Mambo (2001) ࡛Ẽᅸம (2001) 0876 Durafour, Jean-Michel. Millennium mambo. Chatou, France: Editions de la Transparence, 2006. 84 p. ISBN 2350510190, 9782350510194 Series title: Cinéphilie Note: A work on Hou Hsiao-hsien and his film Millennium Mambo (2001). Includes a bibliography. WorldCat Fre
159
Film Reviews
0880
traditional and digital formats to provide a practical reference point for the film industry and scholars as the Taiwan film industry moves to digital film production. Appendix includes a list of cinematography equipment, shooting scripts, production and postproduction technical guidelines, and award-winning information regarding the two films described. Includes a Chinese and English abstract and bibliography. NCL/NDLTD (FT) Chi
Qing shao nian Nezha = Rebels of the Neon God (1992) ݙվёڃᢁ (1992) 0880 Cai, Mingliang (Tsai, Ming-liang), 1957– ᓥҴ݊, 1957– Qing shao nian Nezha / Cai Mingliang zhu; Zhang Lianghan bian. ݙվёڃᢁ / ᓥҴ݊Я; פᑽ⛄ഹ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1992. 148 p. ISBN 9573217147, 9789573217145 Series title: Dian ying guan; 33 Ӈؙఖ; 33 Note: The director/author’s account of making Rebels of the Neon God (1992). Includes the screenplay. WorldCat Chi
0883 Zhao, Tinghui. ᕿ៴ሓ. Xu shi dian ying yu xing bie lun shu = Narrative cinema and gender discourse. ᡳѨӇؙӿԛԇں = Narrative cinema and gender discourse. Taibei Xian Yonghe shi: Airiti Press Inc., 2010. 335 p. ISBN 9789866286292, 9866286290 Series title: Chuan bo xue yan jiu xi lie ةѹ୳ૢ࠶ڍ Note: Analyzes representations of females in films from Taiwan, Hong Kong, and Hollywood to explore gender power structures. Films include Taiwan’s The Shoe Fairy (2006) and Blue Gate Crossing (2002), Hong Kong’s Turn Left, Turn Right (2003), and Hollywood’s Mulan (1998) and Shanghai Noon (2000). Includes a bibliography. WorldCat Chi
Qiu jue = Execution in Autumn (1972) ( ݺڠ1972) 0881 Zhang, Yongxiang, 1929– ݖפፖ, 1929– Qiu jue. ݺڠ. Taibei: Zhi wen chu ban she, 1977. 179 p. Series title: Xin chao cong shu zhi er shi Јᜣڣҏԏ Note: Includes the original story, screenplay, and reviews of the film Execution in Autumn (1972). CTFAL Chi
Saideke—Balai = Seediq Bale (2011) ॴख़ࡽ—࣬ᒀ (2011) 0884 Lai, Yingtai (Lai, Terrence Ying-Tai). ߭. Er shi yi shi ji chu qi Taiwan dian ying li the lun shu yu ren tong— yi Wei Desheng dao yan de “Haojiao 7 hao” yu “Shaidekebalai” wei li = Discourse and identity of Taiwan film in during early 21st century—Director Wei Te-Shen’s film Cape No. 7 and Seediq Bale as examples. ԏϣԒઔ२ݡஹӇؙѶϡںӿگӎ—й᪭ख़࣒ࠟϡ “ ࡠࢳ”ىӿ “ॴख़ࡽ࣬ᒀ”Њຎ. 89 p. Note: Thesis (M.A.)—Chang Jung Christian University, 2012. Using Normam Fairclough’s “Critical Discourse Analysis” from the perspectives of “Texts,” “Discourse Practice,” and “Social Practice,” this paper examines the development and evolution of Taiwan cinema’s discourse and identity during the first part of the twenty-first century in the films Cape No. 7 and Seediq Bale directed by Wei Desheng. Wei’s films depict Taiwan’s society today as well as famous historical events, such as the “Wushe incident,” when Taiwan’s aboriginal people’s revolted against Japanese colonial rule in 1930. Wei’s films have garnered acclaim and set box office records in Taiwan.
Ren yu Duoduo = The Shoe Fairy (2006) Ϫ־ (2006) 0882 Qin, Dingchang. ቦᑾቾ. Taiwan dian ying chuan tong ying xiang yu shu wei ying xiang zhi chan zhi yan jiu: yi “Lian ren,” “Ren yu duo duo” wei li = A study of traditional cinematography production and digital cinematography production for filmmaking in Taiwan: using “Fall . . . in love” & “The shoe fairy” as examples. ݡஹӇؙࢃةؙՌӿُؙ֧Ռҏݗ३୳ૢ: й “ߧϪ,” “Ϫ־ ” Њຎ = A study of traditional cinematography production and digital cinematography production for filmmaking in Taiwan: using “Fall . . . in love” & “The shoe fairy” as examples. 150 leaves. Note: Thesis (M.A.)—Shih Hsin University, 2008. Using the production of his two films as examples (Fall . . . in Love [2004], and The Shoe Fairy [2006]) the author describes, with firsthand experience, filmmaking in both
160
Individual Film Reviews
0891
Includes a bibliography and Chinese abstract. NCL/NDLTD Chi
Taibei: Ru guo chu ban she; Da yan wen hua, 2007. 479 p. ISBN 9789868331389 Note: The author’s interviews, introductions, reports, and film reviews related to Ang Lee and his two major works Brokeback Mountain (2005), and Lust, Caution (2007). Includes photos, film posters, and stills. CTFAL Chi
0885 Wei, Desheng (Wei, Te-sheng), 1986– ᪭ख़, 1986– Dao yan—Balai: Te you zhong Wei Desheng “Saideke—Balai” shou ji = Director—Bale / Wei Desheng zhu; You Wenxing zhuan wen zheng li. ࣒ࠟ—࣬ᒀ: ئϩ҆᪭ख़ “ॴख़ࡽ—࣬ᒀ” Ѳ֮ = Director— Bale / ᪭ख़Я; ղҹࣱ᫃ҹݱԑ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 2011. 299 p. ISBN 9789573268215, 9573268213 Note: The director’s commentary on making the film Seediq Bale (2011). WorldCat Chi
0889 Li, Oufan. ଽଟ᰼. Di “Se, jie”—wen xue, dian ying, li shi. ⷺ “ա, യ “—ҹѹ, Ӈؙ, ࣵ. Hong Kong: Oxford University Press (China) Ltd, 2008. 152 p. ISBN 9780195498684 Note: Compares Zhang Ailing’s novel and its film adaptation by Ang Lee’s Lust, Caution (2007) as well as historical connections shared by the two works. Appendix includes the author’s essay, “Lust, Caution: Vision and Revision,” and Guo Shiyong’s essay, “‘Se, jie’: xiao shuo yu dian ying dui du.” CTFAL Chi
San sheng you xing = Doubles / Giddens (2009) ѧТϩ (2009) 0886 Jiubadao (Ke, Jingteng and Ko, Giddens), 1978– ॰өఋ (ᛊ), 1978– San sheng you xing = Doubles / Giddens. ѧТϩ = Double / Giddens. Taibei: Chun tian chu ban guo ji wen hua you xian gong si, 2009. 269 p. ISBN 9789866675843, 986667584X Note: The author/director’s work on the creation of Doubles (2009). WorldCat Chi
Sense and Sensibility (1995) 0890 Thompson, Emma. Sense and sensibility: the screenplay & diaries : bringing Jane Austen’s novel to film. New York: Newmarket Press, 2008. 288 p. ISBN 1557047820 (pbk.), 9781557047823 (pbk.) Note: A work on the relationship between Sense and Sensibility (1995), directed by Ang Lee, and Jane Austen’s famous novel. WorldCat Eng
Se Jie = Lust, Caution (2007) ա,യ (2007) 0887 “Se, jie” de shi jie / Zheng Peikai zhu bian. “ա,യ”ϡԒ֎ / ችഷᏐҰ൜. Guilin: Guangxi shi fan da xue chu ban she, 2007. 165 p. ISBN 9787563369140 Note: Includes film reviews and interviews with the director, screenwriter, and main characters of the film Lust, Caution (2007). Includes screenshots, photos, and film stills. CTFAL Chi
Shuang tong = Double Vision (2002) ( ᧢ד2002) 0891 Guo, Dongyi (Kuo, Tong-yi). ᔕֆ೯. Kua guo zhi zuo dui Taiwan dian ying zhi zuo ying xiang zhi tan tao: yi “shuang tong” wei li = An examination on international coproduction in Taiwanese film production: a case study on “Double Vision.” ቄл३ӑхݡஹӇؙ३ӑؙҏ෬क़: й””᧢דЊຎ = An examination on international co-production in Taiwanese film production: a case study on “Double Vision.” 173 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2004.
0888 Li, Dahan. ଽܺᲆ. Yi san zou guo you yi san—Li An, Se jie, Duan bei san. ϣځҵОҍϣ—ځଽԥ, աയ, ऄࠧځ.
161
Film Reviews
0892 Explores the new model of international film production in Taiwan used by Columbia Pictures Film Production Asia (CPFPA) to produce and release the mystery thriller Double Vision (2002), which was successful at the box office in Taiwan after CPFPA had already been successful with its product Crouching Tiger, Hidden Dragon. This model represents a trend of cultural globalization and commodification in Taiwan film production. Appling the discourse of the New International Division of Cultural Labor (NIDCL) and the Global Film Market System in the case of Double Vision, the close connection between transnational film production and characteristics of Hollywood film production is evident. Concludes that the existence of high-quality international film coproduction brings major challenges to Taiwan film production in the twenty-first century because of the emphasis on commercial success rather than cultural representation. Includes a Chinese and English abstract, bibliography, and structure charts of the globalization of Taiwan film production and information on four films by CPFPA since 2000. NCL/NDLTD (FT) Chi
Note:
Includes film reviews, credits, received awards, historical background, and filmmaking accounts. CTFAL Chi
Tui shou = Pushing Hands (1991) ԐѲ (1991) 0894 Lai, Yizhu (Lai, Yi-chu). ᧂဘ. Kua yue jiang jie: lun Li An “Tui shou” ji “Xi yan” zhong de wen hua han hun yu chong xin ding wei = Crossing borders: Cultural ambivalence and relocation in Ang Lee’s Pushing Hands and The Wedding Banquet. ቄքቨ֎: ںଽԥ “ԐѲ” ߵ “㏵ᑱ” Ѕϡҹ٩ଭౢӿԳЈӡ֧ = Crossing borders: Cultural ambivalence and relocation in Ang Lee’s Pushing Hands and The Wedding Banquet. 76 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2003. The paper focuses on Ang Lee’s Pushing Hands (1991) and The Wedding Banquet (1993) as both films use family dramas to present conflict and negotiation among different cultures. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi
Taiwan hei dian ying = Taiwan Black Movies (2005) ݡஹܪӇ( ؙ2005) 0892 Hou, Jiran (Hou, Chi-jan). ᢡࡵѼ. “Taiwan Hei Dian Ying” ji lu pian zhi chuang zuo yu yi yi = “Taiwan Black Movies”—The Making and Meaning of a Documentary. “ݡஹܪӇ ”ؙઔ࠷әҏࡶӑӿҺच = “Taiwan Black Movies”— The Making and Meaning of a Documentary. 80 leaves. Note: Thesis (M.A.)—National Chengchi University, 2005. Using “Social Realistic Movies,” popular during the early 1980s, as a primary reference point, the author makes a documentary film entitled Taiwan Black Movies (2005). This paper records the production and meaning of “Taiwan Black Movies.” Includes a Chinese and English abstract, a bibliography, a chronology of “Social Realistic Movies” 1975–1985, a filmography of “Social Realistic Movies” 1975– 1985, interviews, reviews of “Taiwan Black Cinema,” the copyright agreement and script of Taiwan Black Movies, and Hou Jiran’s professional biography. NCL/NDLTD Chi
0895 Tui shou: yi bu dian ying de dan sheng / Feng Guangyuan bian. ԐѲ : ϣחӇؙؙϡᅈТ / ׇ᫄ഹ. Taibei: Yuan liu chu ban shi ye you sian gong si, 1991. 221 p. ISBN 9573214741 Series title: Dian ying guan; 22 Ӈؙఖ; 22 Note: Includes the screenplay and interviews with the director, cinematographer, producer, manager, cast, and other related personnel of the film Pushing Hands (1991). NTULILP Chi
Wang Xiang = Homesick Eyes (1997) ֳ (1997) 0896 Shen, Xiaoyin. ཁ᱘. Wang xiang—dian ying dang an: di san shi si jie Jin Ma Jiang ying pian. ֳ—Ӈؙးଈ:ҷѧףโެؖ؉ؙә. Taibei: Taibei Jin Ma guo ji ying chan zhi xing wei yuan hui, 1998. Note: An introduction to and review of the film Homesick Eyes (1997). CTFAL Chi
Tang shan guo Taiwan = The Heroic Pioneers (1986) ࿔ځОݡஹ (1986) 0893 Tang shan guo Taiwan de hui xiang / “Tang shan guo Taiwan” bian ji wei yuan hui. ࿔ځОݡஹϡ፯ / “࿔ځОݡஹ” ഹফణϾ. Taibei: Taiwan dian ying zhi pian chang, 1986. 108 p.
162
Individual Film Reviews
0902
Wo de mei li yu ai chou = The Peony Pavilion (1995)
0900 Dai, Ning. ඕો. Wu xi apian sheng yin gui ze zhi yun yong—Hu Jinquan “Da zui xia” yu Li An “Wo hu cang long” zhi bi jiao. ેཱུәٸكछҏػѓ—ഐؖ⠌ “Ͻ௴ཱུ” ӿଽԥ “၃ഝেह” ҏ ԝࢺ. 130 leaves. Note: Thesis (M.A.)—National Chengchi University, 2005. The paper provides a comparative study of King Hu and Ang Lee’s use of sound in their two most famous martial arts films. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi
ϢϡѤܡӿඅེ (1995) 0897 Chen, Guofu, 1958– лࣥ, 1958– Wo de mei li yu ai chou: dian ying ju ben / Chen Guofu, Chen Shijie zhu; Lin Zhixiang bian. ϢϡѤܡӿඅེ:Ӈঁؙӆ / лࣥ, ԒီЯ; ፖഹ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1995. 218. ISBN 957322450X, 9789573224501 Series title: Dian ying guan; 51 Ӈؙఖ; 51 Note: The screenplay of the film The Peony Pavilion (1995). WorldCat Chi
0901 Huang, Yizhen (Huang, Yi-chen). ࢶជ♴. Quan qiu hua shi dai de wen hua rou za: yi Li An de “Wo hu cang long” wei li = Cultural hybridity in the age of globalization: a case study of Ang Lee’s “Crouching Tiger, Hidden Dragon.” Ҫܧ٩Жڊϡҹ٩ᚥ: йଽԥϡ “၃ഝেह” Њຎ = Cultural hybridity in the age of globalization: a case study of Ang Lee’s “Crouching Tiger, Hidden Dragon.” 75 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2005. Uses Ang Lee’s martial arts film Crouching Tiger, Hidden Dragon (2000) as a case study to analyze cultural hybridity and discuss cultural homogenization and heterogenization in the process of cultural hybridization. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Eng
0898 Lin, Zhixiang. ፖ. Wo de mei li yu ai chou: pai she ji shi. ϢϡѤܡӿඅེ.: ޛ֮Ӣ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1995. 195 p. ISBN 957669633X, 9789576696336 Note: An on-site record of the making of the film The Peony Pavilion (1995). WorldCat Chi
Wo de yi piao xuan zong tong = The Tofu Maker Had a Dream (1994) Ϣϡϣקܯրࢃ (1994)
0902 Xie, Caimiao. ిࠡه. Xun zhao qing min jian: cong “Wo hu cang long” tan Hua yu dian ying guo ji hua = Globalization of Chinese language cinemas: a case study of Crouching Tiger, Hidden Dragon. ଵݙװᙛ: ԩ “၃ഝেह” ডܭܓӇؙлগ٩= Globalization of Chinese language cinemas: a case study of Crouching Tiger, Hidden Dragon. Taibei: Ya Tai tu shu, 2004. 244 p. ISBN 9867809297 Series title: Chuan bo jiao yu cong shu ةڌड़ᜣڣ Note: A book based on the author’s master’s degree thesis at the National Taiwan University. Studies Crouching Tiger, Hidden Dragon (2000) as a blueprint for the success of Chinese cinema in the global marketplace. Analyzes the film’s production, distribution, and marketing as well as the current film production environment in Taiwan, Hong Kong, mainland China, and the United States; includes in-depth interviews with the film’s producers and scholars in Taiwan, Hong Kong,
0899 Qiu, Mingcheng, 1952– ᆥ᎘, 1952– Wo de yi piao xuan zong tong: fan ying xiong ren wu de hei se you mo ju. Ϣϡϣקܯրࢃ: ߭ބϪϡܪա྇ࢪঁ. Taibei: Hao jiao chu ban she, 1995. 197 p. ISBN 9576201365, 9789576201363 Note: The director’s analysis and screenplay of the film The Tofu Maker Had a Dream (1994). WorldCat Chi
Wo hu cang long = Crouching Tiger, Hidden Dragon (2000) ၃ഝেह (2000)
163
Film Reviews
0903 and mainland China; and uses an immersion–crystallization method to reach its conclusion. Includes a bibliography and an appendix. NTUL Chi
0906 Wu zi tian shu / Zhu bian Gao Zhihao. ѩܒϳ ڣ/ Ұഹҙൻ. Taibei: Yun shui chu ban she, 1978. 186 p. Note: Presents examples of special effects in Western films; also describes the special effects in the Taiwan film Wu zi tian shu (The Phoenix; Chang Mei-chun, 1978), as well as reviews of the special effects in the film. CTFAL Chi
0903 Zhang, Xiaohong. פЩᅋ. Jia quan qiu hua = Fake globalization. Ҫܧ٩= Fake globalization. Taibei: Lian he wen xue chu ban she, 2008. 291 p. ISBN 9789575227241 Series title: Lian he wen cong; 400 ࡀׁҹᜣ; 400 Note: The author tries to answer the question: “what is fake or real globalization?” from various perspectives; in Chapter 2, the author discusses Crouching Tiger, Hidden Dragon (2000) as a study case to discuss whether the film presents the true identity of Taiwan film, or if it is a Chinese film under the influence of globalization. CTFAL Chi
Xi bu lai de ren = The Man from Island West (1990) ՝חϰϡϪ (1990) 0907 Du li zhi pian zai Taiwan: “Xi bu lai de ren” / Huang Mingchuan deng zhu. ߹ݻ३әϨݡஹ: “՝חϰϡϪ” / ࢶҴඇҳЯ. Taibei: Qian wei chu ban she, 1990. 200 p. Series title: Xin Taiwan ren cong shu; 22 ЈݡஹϪᜣ ;ڣ22 Note: A work on independent filmmaking in Taiwan and the first such film produced in Taiwan in 1989. The author and the director of the film declare that this film achieved the following firsts in Taiwan film history: (1) the film was made in the Taiwan eastern mountainous tribe area; (2) the film used the local tribe language Taiya in many parts of the film; (3) the film crew was self-organized; (4 ) the film depicts harmony between the male body and nature; (5) the film started production before signing the distribution contract; (6) the director raised funds from non-film-related sources; (7) the cast consisted entirely of nonprofessionals; and (8) the film’s distribution and marketing only used an art film model. Includes papers on independent filmmaking, film reviews, interviews, screenplay writer’s diary, an introduction of the eastern mountain tribes’ legendary stories, and synopsis and screenplay of The Man from Island West (1990). CTFAL Chi
0904 Zheng, Peipei, 1946– ቼႬႬ, 1946– Wo hu cang long sui bi. ၃ഝেहڨદ. Hong Kong: ichannel.com Limited, 2000. 171 p. ISBN 9628595547, 9789628595549, 9628595539 (pbk.), 9789628595532 (pbk.) Note: This is a segment of the author’s autobiography, Wo de yan yi sheng ya. It was selected by an editorial board and published in celebration of the release of Ang Lee’s film Crouching Tiger, Hidden Dragon (2000) in Hong Kong. Provides anecdotes from the making of the film. WorldCat Chi
Wu yue zhi lian = Love of May (2004) ٚ֊ҏߧ (2004) 0905
0908
Wu yue zhi lian ying xiang quan ji lu = Love of May movie photography album / Ji guang dian ying gong si zuo. ٚ֊ҏߧؙՌҪઔ࠷ = Love of May movie photography album / แ ׇӇؙԍޅӑ. Taibei: Tai shi wen hua, 2004. 1 v. ISBN 957565630X, 9789575656300 Note: A photographic record of the feature film Love of May (2004). Includes a DVD. WorldCat Chi
Shen hua 3 bu qu: Huang Mingchuan dian ying ji shi = Huang Mingchuan trilogy / Huang Mingchuan dian ying shi xun you xian gong si. ظҧ3ॽח: ࢶҴඇӇؙ֮Ѩ = Huang Mingchuan trilogy / ࢶҴඇ Ӈؙ؆ళϩࡳԍޅ. Taibei: Huang Mingchuan dian ying shi xun you xian gong si, 2011. 205 p. ISBN 9789868704701, 9868704707 Note: Reviews of the filmmaking process of independent film director Huang Mingchuan’s famous trilogy, The Man from Island West (1990), Bodo (1993), and Flat Tire (1998), plus a short film, Wind Within (1999). Includes four DVDs. WorldCat Chi
Wu zi tian shu = The Phoenix (1978) ѩܒϳ( ڣ1978)
164
Individual Film Reviews
0913
0909
0911
Xin dian ying zhi si—cong “Yi qie wei ming tian” dao “Bei qing cheng shi” / Mizou, Liang Xinhua bian. ЈӇؙҏӚ—ԩ “ϣܷЊҴϳ” Ϻ “є”صڵ/ ࣿҵ, ᅯЈܓഹ. Taipei: Tang shan chu ban she, 1991. 236 p. Series title: Zhan zheng ji qi cong kan; 3 ڕৎҚॆᜣᑂ; 3 Note: A collection of essays critical of Taiwan New Cinema director Hou Hsiao-hsien and his acclaimed film A City of Sadness (1989). Several essays declare that the death of Taiwan New Cinema occurred in 1988 when Hou Hsiao-hsien and other Taiwan New Cinema directors delivered a “Taiwan Film Memoratum” in 1987 and then agreed to make the government policy film Everything for the Events of Tomorrow for Taiwan’s Defense Department in 1988. Most of the film reviews of Hou Hsiao-hsien’s film A City of Sadness (1989) take both a negative view of the director’s portrayal of the February 28 Incident and the film as a whole. Also includes a negative review of Taiwan’s so-called first independently made film, The Man from Island West (1990). Includes a bibliography. CTFAL Chi
Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Bei qing cheng shi. єصڵ. Shanghai: Shanghai wen yi chu ban she, 2001. 248 p. ISBN 7532121003 Series title: Tai Gang ji hai wai Hua yu zuo jia zi xuan wen ku ݡ୯᠕֔ӑрІשҹᆟ Note: A collection of four screenplays written by the author and directed by Hou Hsiao-hsien: Dust in the Wind (1986), A City of Sadness (1989), The Puppetmaster (1993), and Good Men, Good Women (1995), as well as the author’s comments and records of making the films. Includes a filmography and bibliography. Duxiu (FT) Chi
Xi yan = The Wedding Banquet (1993) ㏵ᑱ (2003) 0912 Lai, Yizhu (Lai, Yi-chu). ᧂဘ. Kua yue jiang jie: lun Li An “Tui shou” ji “Xi yan” zhong de wen hua han hun yu chong xin ding wei = Crossing borders: Cultural ambivalence and relocation in Ang Lee’s Pushing Hands and The Wedding Banquet. ቄքቨ֎: ںଽԥ “ԐѲ” ߵ “㏵ᑱ” Ѕϡҹ٩ଭౢӿԳЈӡ֧ = Crossing borders: Cultural ambivalence and relocation in Ang Lee’s Pushing Hands and The Wedding Banquet. 76 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2003. The paper focuses on Ang Lee’s Pushing Hands (1991) and The Wedding Banquet (1993) as both films use family dramas to present conflict and negotiation among different cultures. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi
Xi meng ren sheng = The Puppetmaster (1995) ْۚϪТ (1995) 0910 The trans-Pacific imagination: rethinking boundary, culture and society / edited by Naoki Sakai and Hyon Joo Yoo. Singapore: Hackensack, NJ: World Scientific, 2012. 330 p. ISBN 9789814324137, 9814324132, 9789814324144, 9814324140 Note: A collection of academic essays, including “InterAsia Comparative Framework: Postcolonial Film Historiography in Taiwan and South Korea” by Kim Soysoung, which compares the Taiwan film The Puppetmaster (Hou Hsiao-hsien, 1993) and the Korean Film Chihwasǂn (Im Kwǂntaek, 2002); and “The Incurable Feminine: Women Without a Country in East Asian Cinema” by Yoo Hyon Joo, which studies female characters in two Korean films, Time (Kim Kiduk, 2006) and Sympathy for Lady Vengeance (Park Chan-wook, 2005), and two Taiwanese films, The River (Tsai Ming-liang, 1997) and What Time Is It There? (Tsai Ming-liang, 2004). Includes a bibliography and an index. BAS Chi
0913 Li, An (Lee, Ang), 1954– ଽԥ, 1954– Xi yan / Li An; Feng Guangyuan. ㏵ᑱ / ଽԥ; ׇ᫄. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1993. 283 p. ISBN 9571306231, 9789571306230 Series title: Ren jian cong shu; 190 ϪҼᜣ ;ڣ190 Note: A work about the film The Wedding Banquet (1993). WorldCat Chi
Xia nu = A Touch of Zen (1969) ཱུѽ (1969)
165
Film Reviews
0915
ISBN 9578446861 Series title: Wen hua shou bian ce; 45 ҹ٩Ѳנೠ; 45 Note: Uses the theory of historiophoty as a cross-disciplinary method of analysis between history, cinema, and television to discuss the film The Opium War (1997), jointly produced by mainland China, Taiwan, and Hong Kong, as a case study. Includes a bibliography (pp. 165–166). WorldCat Chi
0914 Teo, Stephen. King Hu’s A Touch of Zen. Hong Kong: Hong Kong University Press, 2007. 179 p. ISBN 9789622098152 (pbk.), 9622098150 (pbk.) Note: This is a work on King Hu and his famous film A Touch of Zen (1969). Includes a bibliography, index, and filmography. WorldCat Eng
Xiang fei = Princess D (2002)
Yan guang si she ge wu tuan = Splendid Float (2004)
Ђٞ (2002)
ᇗףׇथܮଢࣗ (2004)
0915
0918
Xiang fei dian ying xie zhen ji shi = Princess D: I believe the day will com / Wen zi bian ji Huang Weixiong; Dao yan / Bian ju: Zhang Aijia, Yuan Jinlin. ЂٞӇؙѐ֮Ѩ = Princess D: I believe the day will come / ҹܒ ഹফ: ࢶ໖; ࣒ࠟ / ഹঁ: פዐဓ, ᭛ቇᰕ. Taibei: Jian dui chu ban you xian gong si, 2002. No pagination. Note: A pictorial book on the making of the film Princess D (2002), written and directed by Zhang Aijia. Includes words by the director, interviews with the cast, a narrative outline, credits, stills, and film script. CTFAL Chi
Li, Zhiqiang, 1966– ଽᨋ, 1966– Dian shi dian ying, ou xiang ju = television -film, trendy drama; yan guang si she ge wu tuan: yi bu dian ying de wan cheng = Drag queen: from dream to film. Ӈ؆Ӈؙ, ઢՌঁ = television -film, trendy drama; ᇗףׇथܮଢ ࣗ: ϣחӇؙϡԟю = Drag queen: from dream to film. Xindian, Taibei Xian: Yuan zhu wen hua shi ye you xian gong si, 2004. [187 p.] ISBN 9867630467, 9789867630469 Note: Divided into two parts: Part 1, the history of Taiwan’s television-film and trendy drama production; and Part 2, detailed and daily descriptions of making the television-film, Yan guang si she ge wu tuan / Splendid Float (2004), a drag queen film. Includes photos, stills, posters, chronology, filmography, and interviews with the director and cinematographer. WorldCat Chi
Xiao zhen chun hui = Gain Sons, Not Losing Daughters (1968) ЩࡇҘ (1968) 0916 Xiao zhen chun hui / Taiwan dian ying zhi pian chang bian. ЩࡇҘ / ݡஹӇؙ३әྃഹ. Taibei: Taiwan dian ying zhi pian chang, 1970. 196 p. Note: An internal publication by the Taiwan Film Production Co.; includes award-winning works from a writing contest that were adapted for the screenplay, a list of the cast, an account of the filmmaking process, and reviews of the film Gain Sons, Not Losing Daughters (1968). CTFAL Chi
Yangzi jiang feng yun = Storm Over the Yang-Tse River (1969) เжգࠥ (1969) 0919 Yangzi jiang feng yun ying ping ji / Zhongguo dian ying zhi pian chang bian. เжգؙࠥ߰ओ / ЅлӇؙ३әྃഹ. Taibei: Zhongguo dian ying zhi pian chang, 1969. 131 p. Note: Includes an introduction to, and interviews and reviews of, the film Storms over the Yangzi River (1969). CTFAL Chi
Ya pian zhan zheng = The Opium War (1997) ᛃәڕৎ (1997)
Yi ba jiu wu = The Legend of Formosa in 1895 (2008)
0917 Zhang, Guangzhi. ܰפ. Ying shi shi xue = Historiophoty. ؙ؆ѹ = Historiophoty. Taibei: Yang zhi wen hua shi ye gu fen you xian gong si, 1998. 166 p.
ϣࡂ॰ٚ (2008)
166
Individual Film Reviews
0925 Note:
0920 Yi ba jiu wu dian ying xie zhen bi ji shu / Bu Ke wen hua bian ji shi. ϣࡂ॰ٚӇؙѐદ֮ ڣ/ ࡽҹ٩ഹফॣ. Taibei: Bu Kew en hua chu ban shi ye bu, 2008. 128 p. ISBN 9789867010742, 9867010744 Note: A description of the making of the film The Legend of Formosa in 1895 (2008). Includes film stills, script dialogue, and narrative. WorldCat Chi
Thesis (M.A.)—Fu Jen Catholic University, 2004. Analyzes the subtitle translation of Taiwanese films by using Ang Lee’s Eat Drink Man Woman (1994) and reception theory. The paper is written in Japanese, with a Chinese and English title, and a Chinese abstract. Includes a bibliography and an appendix. NCL/NDLTD (FT) Jpn
0923 Yin shi nan nu: dian ying ju ben yu bai she guo cheng / Zhong yang dian ying gong si ce hua; Wang Huiling, Li An, James Schamus bian ju; Chen Baoxue cai fang. ୗېԲѽ: ӇঁؙӆӿޛОࡄ / Ѕ႑Ӈؙԍޅ೫; ࣼ┰ጘ, ଽ ԥ, James Schamus ഹঁ. Taibei: Yuan liu wen huachu pan qi ye gong si. 206 p. ISBN 957322271 Series title: Dian ying guan; 47 Ӈؙఖ; 47 Note: Includes the screenplay of Ang Lee’s film Eat Drink Man Woman (1994) and interviews with Ang Lee, Wang Huiling (screenwriter), and James Schamus (producer, scholar, and promoter of the film). CTFAL Chi
Yi qie wei le ming tian = Everything for the Events of Tomorrow (1988) ϣܷЊϦҴϳ (1988) 0921 Xin dian ying zhi si—cong “Yi qie wei ming tian” dao “Bei qing cheng shi” / Mizou, Liang Xinhua bian. ЈӇؙҏӚ—ԩ “ϣܷЊҴϳ” Ϻ “є”صڵ/ ࣿҵ, ᅯЈܓഹ. Taipei: Tang shan chu ban she, 1991. 236 p. Series title: Zhan zheng ji qi cong kan; 3 ڕৎҚॆᜣᑂ; 3 Note: A collection of essays critical of Taiwan New Cinema director Hou Hsiao-hsien and his acclaimed film A City of Sadness (1989). Several essays declare that the death of Taiwan New Cinema occurred in 1988 when Hou Hsiao-hsien and other Taiwan New Cinema directors delivered a “Taiwan Film Memoratum” in 1987 and then agreed to make the government policy film Everything for the Events of Tomorrow for Taiwan’s Defense Department in 1988. Most of the film reviews of Hou Hsiao-hsien’s film A City of Sadness (1989) take both a negative view of the director’s portrayal of the February 28 Incident and the film as a whole. Also includes a negative review of Taiwan’s so-called first independently made film, The Man from the Island West (1990). Includes a bibliography. CTFAL Chi
Ying lie qian qiu = The Everlasting Glory (1974) ࡛߭( ڠ1974) 0924 Ying lie qian qiu ying ping ji / Zhu bian: Zhong ying zhi pian qi hua bu. ؙ࡛߭߰ڠओ / Ұഹ: Ѕؙ३әఌח. Taibei: Zhong yang dian ying shi ye gong si, 1974. 179 p. Series title: Zhong ying tong xun cong shu zhi yi Ѕؙ֡ళᜣڣҏϣ Note: An introduction, with interviews and reviews, of the film The Everlasting Glory (1974). CTFAL Chi
Yin shi nan nu = Eat Drink Man Woman (1994)
Zui hao shi guang = Three Times (2005)
ୗېԲѽ (1994)
зϮЖ( ׇ2005)
0922
0925
Honda, Momo. ӆ೧ಱ. Cong “Jie shou li lun” tan tao Taiwan dian ying zhi zi mu fan yi: yi “Yin shi nan nu” wei li = An exploration of the subtitle translation of Taiwanese movies using the Reception Theory: using “Eat Drink Man Woman” as an example. ԩ “בիԑ ”ں෬क़ݡஹӇؙҏࢬ௷ܒፆ: й “ୗېԲѽ” Њຎ = An exploration of the subtitle translation of Taiwanese movies using the Reception Theory: using “Eat Drink Man Woman” as an example. 79 leaves.
Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Zui hao de shi guang: dian ying ben shi, fen chang ju ben, yi ji suo you guan yu dian ying de 1982 / 2006. зϮϡЖׇ: ӇؙӆѨ, дԾঁӆ, йߵӛϩԬҿӇؙϡ 1982 / 2006. Taibei: INK yin ke chu ban you xian gong si, 2008. 417 p. ISBN 9789866873621 Series title: Zhu Tianwen zuo pin ji; 7 ᗌϳҹӑԘओ; 7
167
Film Reviews
0926 Note:
Written by noted author and famous screenwriter Chu T’ien-wen, this text presents ten scripts written by the author; details of making eight films with Hou Hsiaohsien, from Dust in the Wind (1986) to Three Times (2005); and the author’s writings on Taiwan film. Includes photos and film stills. CTFAL Chi
Jinan: Shangdong hua bao chu ban she, 2006. 386 p. ISBN 7807132973, 9787807132974 Note: A combination of film stories, sceenplays, and reviews related to Hou Hsiao-hsien and eight of his films, from Dust in the Wind (1986) to Three Times (2005). Includes Hou Hsiao-hsien’s filmography. Duxiu Chi
0926 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Zui hao de shi guang: Hou Xiaoxian dian ying ji lu. зϮϡЗׇ䩭ᢡᖮᐉӈؙઓ࠹.
168
5 Film Theory and Technique
5.1
GENERAL
0930 Liu, Lixing. ߹Ҳ. Dian ying li lun yu pi ping. Ӈؙԑںӿ߰. Taibei: Wu nan tu shu chu ban you xian gong si, 1997. 241 p. ISBN 9571114324 Note: Part 1, “Theory,” presents eight introductory chapters on film theory; and Part 2, “Criticism,” presents a collection of film reviews and comments on film-related topics. CTFAL Chi
0927 Chen, Guofu, 1958– лࣥ, 1958– Pian mian zhi yan-Chen Guofu dian ying wen ji. әӌҏߞ-лࣥӇؙҹओ. Taibei: Zhonghua Minguo dian ying tu shu guan chu ban bu, 1985. 268 p. Note: A collection of the author’s film reviews and articles on film theory and Taiwan film studies. NTUL Chi
0931
0928
Liu, Yi, 1930–1990. ਲ, 1930–1990 Dian ying yi shu lun ji. Ӈؙਲफںओ. Taibei: Huang guan za zhi she, 1982. 400 p. Series title: Huang guan cong shu dib a si wu zhong ෦ഃᜣڣҷࡂףٚ҆ Liu Yi dian ying cong shu zhi wu ਲӇؙᜣڣҏٚ Note: The author, a film director and screenwriter, presents his perspectives on film theory and world cinema, including Taiwan cinema. CTFAL Chi
Ha, Gong. Հԍ. Dian ying yi shu gai lun. Ӈؙਲफมں. Taibei: Hua xin wen hu shi ye zhong xin, 1974. 279 p. Series title: Hua xin xue shu cong shu zhi qi ܓಶѹफᜣڣҏࢳ Note: An introduction to film theory, techniques, and world cinema. CTFAL Chi
0929 Jiang, Longzhao. ዕहᢘ. Dian ying xi ju lun ji. Ӈںঁؙۚओ. Taibei: Wen hao chu ban she, 1979. 246 p. Series title: Wen hao cong shu ҹൻᜣڣ Note: A collection of the author’s essays on film and drama, film and drama reviews, and a screenplay. The author states that there should be works on the KMT leader Chiang Kai-shiek in Taiwan film, drama, and television. Includes a chronology. CTFAL Chi
0932 Lu, Zhizi. ჁᎴж. Dian ying yi shu man tan = A look at movie art. Ӈؙਲफࢿড = A look at movie art. Taibei: Aboluo chu ban she, 1970. 162 p. Series title: Aboluo wen cong; 1 ०மҹᜣ; 1 Note: A sequel to the author’s work published in 1969; an introduction to film theory, techniques, and world cinema. CTFAL Chi
169
Film Theory and Technique
0933 0933
0937
Lu, Zhizi. ჁᎴж. Dian ying yi shu zong heng tan = A look at movie art. Ӈؙਲफ྾ืড = A look at movie art. Taibei: Xian ren zhang chu ban she, 1969. 178 p. Series title: Xian ren zhang wen ku; 20 ࿁Ϫҹᆞ; 20 Note: An introduction to film theory, techniques, and world cinema. CTFAL Chi
Liu, Chenghan. юఈ. Dian ying fu bi xing ji. Ӈؙᔽԝࣱओ. Taibei: Yuan liu chu ban gong si, 1992. 2 v. ISBN 957321623X 9573216256 Series title: Dian ying guan; 29–30 Ӈؙఖ; 29–30 Note: Includes essays on such subjects as Chinese film history from the 1920s to the 1940s, a comparative study of Hong Kong and Taiwan films, film theory, and Taiwan and Hong Kong film directors and their films. Includes a Chinese and English glossary. NTUL Chi
0934 Lu, Zhizi. ჁᎴж. Xian dai dian ying yi shu. ѳڊӇؙਲफ. Taibei: Zhongguo dian ying wen xue chu ban she, 1968. 275 p. Series title: Zhongguo dian ying wen xue chu ban she dian ying cong shu ЅлӇؙҹѹоؗघӇؙᜣڣ Note: A general introduction to film theory and techniques. Includes a Japanese screenplay: Harakiri (Kobayashi Masaki, 1962). CTFAL Chi
0938 Liu, Yi, 1930–1990. ਲ, 1930–1990. Dian ying gong zuo lin chang lu. Ӈؙ֞ӑெԾ࠷. Taibei: Dian ying wen xue chu ban she, 1968. 222 p. Note: An account of the author’s film production experience with both Japanese and American directors, and a record of the Taiwan filmmaking system from the perspective of this director and screenwriter. NTUL Chi
0935 Mei, Changling. Ⴐӕ. Dian ying yuan li yu zhi zuo. Ӈ֍ؙԑӿ३ӑ. Taibei: San min shu ju, 1982. 337 p. Note: A general introduction to film history, production, theory, and techniques; presented as a text for universitylevel instruction. NTUL Chi
0939 Liu, Yi, 1930–1990. ਲ, 1930–1990. Dian ying lu tan. ӇںؙႫ. Taibei: Zhongguo ying ping ren xie hui, 1979. 400 p. Note: A collection of author’s articles and studies on Taiwanese film, followed by film reviews. NTUL Chi
0936
0940
Liu, Chenghan. юఈ. Dian ying fu bi xing ji. Ӈؙᔽԝࣱओ. Xianggang: Tian di tu shu you xian gong si, 1991. 449 p. ISBN 9622575277 Note: Includes essays on such subjects as Chinese film history from the 1920s to the 1940s, a comparative study of Hong Kong and Taiwanese films, film theory, and Taiwan and Hong Kong film directors and their films. CTFAL Chi
Ma, Sen. ެာ. Dian ying, Zhongguo, Meng. Ӈؙ, Ѕл, ْ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1990. 301 p. ISBN 9571301450 Series title: Ren jian cong shu; 106 ϪҼᜣ ;ڣ106 Note: Contains three parts: (1) a collection of articles on film theory; (2) a comparative study of Western and Taiwanese films; and (3) a study of new Taiwan film directors and their films. Includes a chronology. CTFAL Chi
170
General
0947
0941
0944
Qi, Longren, 1952– ಞᇐ〣, 1952– Dian ying chen si ji. Ӈؙਭڽओ. Taibei: Yuan shen chu ban she, 1987. 207 p. Series title: Yuan shen cong shu; 20 அظᜣ ;ڣ20 Note: A collection of film-related articles originally published in various newspapers and journals. Includes the following four parts: Movements, Structure, Criticism, and Appendix. Articles on Taiwanese film are present in all four parts of the book. CTFAL Chi
Chen, Jiandao. ࠃѬ. Ji lu pian zhi zhi zuo. ઔ࠷әҏ३ӑ. Taibei: Shi jie shu ju, 1978. 258 p. Note: This is the same work published in 1965 under the name of Wenquan (Chen, Wenquan) with a similar title. An introduction to documentary film theory and a detailed description of the techniques and processes of documentary filmmaking in Taiwan. The appendix includes three papers on documentary films by Xiao Hao. CTFAL Chi
0945
0942
Chen, Wenquan. ҹ. Dian ying gai lun. Ӈؙมں. Taibei: Guo li xi ju zhuan ge xue xiao xiao you hui, 1961. 166 p. Note: A general introduction to film, its origins, film theory, film art, film education, screenplay writing, directing, and further topics. Wenquan is presented as the author’s name in the book, but the author’s full name is Chen Wenquan. NTUL Chi
Qi, Longren, 1952– ಞᇐ〣, 1952– Dian ying fu hao xue. Ӈؙላىѹ. Taibei: Shu lin chu ban you xian gong si, 1992. 219 p. ISBN 9575862988 Series title: Dian ying cong shu; 1 Ӈؙᜣ ;ڣ1 Note: The author both introduces readers to, and reviews key elements of, the development of La semiologie du cinema film theory initiated by French scholar Christian Metz in 1964, and then applies said theory to the study of Taiwan film directors, including Edward Yang, Hou Hsiao-hsien, and Chen Guofu. Includes a glossary in French, English, and Chinese; a Name and Film Title List in both the original language and Chinese translation; and a Name and Film Title Index organized according to Chinese character stroke numbers. NTUL Chi
0946 Chen, Wenquan (Wenquan). ҹ (ҹ). Ji lu pian she zhi zhi li lun yu shi jian. ઔ࠷ә३ҏԑںӿӢᒂ. Taibei: Zhong wai dian ying za zhi she, 1965. 220 p. Note: An introduction to documentary film theory and a detailed description of the techniques and processes of documentary filmmaking in Taiwan. The appendix includes three papers on documentary films by Xiao Hao. CTFAL Chi
0943 Liao, Xiangxiong. ᴰፖ. Dian ying yi shu lun. Ӈؙਲफں. Taibei: San shan chu ban she, 1964. 283 p. Series title: San shan cong shu; er ѧځᜣ ;ڣԏ Note: A general introduction to world cinema in terms of film art and film production. Although the text does not mention Taiwan film production, the book concludes with a commentary on the artistic relationship between Chinese poetry, characters, and film. NTUL Chi
0947 Wu, Dongquan. ྶֆ. Dian ying yu chuan bo. Ӈؙӿة. Taibei: Li ming wen hua shi ye gu fen you xian gong si, 1979. 292 p. Note: A collection of the author’s articles on film production and distribution, the relationship between literature and film, the Chinese Communist influence on film production, Taiwanese film history, and the rise and fall of Taiwanese-dialect film. Includes a bibliography. CTFAL Chi
171
Film Theory and Technique
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0952
Wu, Dongquan. ྶֆ. Ying guang mu hou. ᝰ௷ׇћ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1986. 225 p. Series title: Wen hua jian she cong shu; 7 ҹ٩ࠃޗᜣ ;ڣ7 Note: A collection of the author’s articles dealing with film and television production and direction in Taiwan. WorldCat Chi
Yan, Zhongxian. ୶ᇝᐊ. Ying xiang di zhi xue: mai xiang dian ying kong jian li lun de jian gou. ؙՌс௨ѹ: ፪זӇؙҼԑںϡࠃภ. Taibei: Wan xiang tu shu ge fen you xian gong si, 1996. 231 p. ISBN 9576698642 Series title: Yi shu fang; 28 ਲ ;ࠚڣ28 Note: The author aims to establish an original theory of film space by considering related film theories and analyzing relevant films. Includes a bibliography and an index. CTFAL Chi
0949 Wu, Peici. ྶⳍ፦. Zai dian ying si kao de nian dai. ϨӇߎڽؙϡёڊ. Taibei: Shu lin chu ban you xian gong si, 2007. 175 p. ISBN 9789574451869 Series title: Dian ying yuan; F4 Ӈؙᮛ; F4 Note: The author uses the lens of various film theories to review and analyze Edward Yang’s films as well as the films of Alfred Hitchcock and other famous Western film directors. Includes a bibliography. NTUL Chi
0953 Yao, Yiwei. ϣἹ. Xi ju lun ji. ۚঁںओ. Taibei: Taiwan kai ming shu dian, 1969. 243 p. Note: A collection of the author’s essays on drama and film theory. CTFAL Chi
0954 Yi qu wei wan dian ying meng—Wang Feilin ji nian wen ji / Zhu bian Jian Zhen, Jing Yingrui deng. ϣॽ۔ԟӇࣼ—ؙْ๘ઔ݉ҹओ / Ұഹߢ㱠, ቯࣽᇳҳ. Taibei: Ke ning chu ban she, 1993. 432 p. ISBN 9579099162 Note: This is a commemorative work of Wang Feilin, a Taiwan film director and critic who passed away in 1992. It includes Wang Feiling’s essays, film reviews, articles, interviews, and memorial articles about Wang Feiling. Includes a chronology. NTUL Chi
0950 Xie, Pengxiong. هអ. Dian ying si kao. Ӈߎڽؙ. Taibei: Guang fu shu ju, 1988. 236 p. Series title: Chun hui cong shu; 24 ࡇᜣ ;ڣ24 Note: A collection of the author’s articles on film theory and film reviews; very few mention Taiwan film. NTUL Chi
0955 Ying xiang bi ji = The moving image / Zhu bian Yu Weizheng. ؙՌદ֮ = The moving image / ҰഹЊू. Tainan: Tainan yi shu da xue, 2007. 311 p. ISBN 9789860090987 Note: A collection of film studies essays and lectures presented at Tainan National University of the Arts. Divided into four parts: Part 1, Principle of Moving Image and Aesthetics; Part 2, Moving Image Culture and Communication; Part 3, Moving Image Today and Tomorrow; and Part 4: Moving Image Creation. In terms of specifics, Part 1 touches on current (2007) Taiwan film theory discussions, Part 2 focuses on Taiwan film history, Part 3 considers the future of Taiwan film
0951 Yan, Huizeng. ୶Ҷ. Shen sheng yu shi su: cong dian ying de biao mian jie gou dao shen ceng jie gou. ظӿԒཞ: ԩӇؙϡԣӌְภϺٹৡְภ. Taibei: Yuan liu chu ban gou si, 1992. 246 p. ISBN 9573216639 Series title: Dian ying guan; 28 Ӈؙఖ; 28 Note: A collection of essays on film theory and Taiwan film reviews. NTUL Chi 172
Acting
0962 development, and Part 4 presents filmmaking anecdotes and experiences within Taiwan. NTUL Chi
0959 Zhuang, Ling. ບࢼ. Dian ying yi shu za tan = Talks on cinematic art. Ӈؙਲफড = Talks on cinematic art. Taibei: Chen zhong chu ban she, 1970. 2 v. Series title: Xiang ri kui wen cong; 3 זяᕽҹᜣ; 3 Note: A collection of the author’s discussions on cinematic art. The first articles in the text discuss contemporary Taiwan film, including its achievements and shortcomings. NTUL Chi
0956 Ying xiang xia de xian dai: dian ying yu shi jue wen hua = Visual modern and its other / Zhu bian: Zhou Yingxiong, Feng Pinjia. ؙՌЎϡѳڊ: Ӈؙӿ؆ңҹ٩= Visual modern and its other / Ұ ഹ: ߭ر, ᫄Ԙ. Taibei: Shu lin chu ban you xian gong si, 2007. 293 p. ISBN 9789574451951 Series title: Dian ying yuan; F5 Ӈؙᮛ; F5 Note: Explores the relationship between film illusion and modernity. Presented in four parts: (1) McCarthyism’s affect on Hollywood film directors, actors, actresses, and Chinese writer Zhang Ailing; (2) the theoretical relationship between “the gaze” and being the object of the gaze; (3) the connection between Taiwan films and their representations of modernity; and (4) the characteristics of and desire expressed in New Queer Film. Includes an index and contributor introduction. CTFAL Chi
5.2
ACTING
0960 Ha, Gong. Հԍ. Biao yan lun. ԣࠟں. Taibei: Huang guan chu ban she, 1973. 498 p. Note: Presents Chinese and Western drama acting techniques and theory with the intention of applying these concepts to film performance. CTFAL Chi
0957 Zeng, Xiba. ߲՝ພ. Wo ai dian ying. ϢДӇؙ. Taibei: Da han chu ban she, 1979. 204 p. Series title: Da han wen ku; 8 Ͻఈҹᆞ; 8 Note: A collection of film-related articles originally published in various newspapers and journals. Articles on Taiwan film, in Parts 1 and 3, deal with film theory, box office results, and censorship issues. CTFAL Chi
0961 Ha, Gong. Հԍ. Tan yan ji. ডࠟ. Taibei: Hai tian chu ban she, 1960. 148 p. Note: A text that presents acting techniques. CTFAL
Chi
0958 0962
Zhang, Wugong. ેפ௫. Dian ying jian shang yu chuang yi. ӇؙᅹӿࡶҺ. Taibei xian Zhonghe shi: Xin wen jing kai fa chu ban gu fen you xian gong si, 2007. 217 p. ISBN 9789861505794 Note: Introduces film history, art, theory, techniques, production, and appreciation. Includes a bibliography. CTFAL Chi
Jia, Yidi. ᯊඩ➅. Biao yan yi shu. ԣࠟਲफ. Taibei: Zheng zhong shu ju, 1973. 172 p. Series title: Zheng zhong wen yi cong shu ԜЅҹਲᜣڣ Note: A collection of essays on drama and movie acting. Includes Acting Test Sample Questions. CTFAL Chi
173
Film Theory and Technique
0963 5.3
0963 Liu, Shibing. ขஈഈ. Zhongguo dian ying biao yan bai nian shi hua. ЅмӈؙԣࠟښёҦ. Beijing: Zhongguo dian ying chu ban she, 2005. 239 p. ISBN 7106023779 Note: A summary of 100 years of Chinese film acting history and development. Chapter 6 (pp. 191–222) surveys fifty years (1950–2000) of film acting in Hong Kong and Taiwan. WorldCat Chi
AESTHETICS
0967 Cinema Taiwan: politics, popularity and state of the arts / edited by Darrell William Davis and Ru-shou Robert Chen. London, England; New York, NY: Routledge Taylor & Francis Group, 2007. 236 p. ISBN 0415412579 (hbk.), 0415412587 (pbk.), 020396439X (ebk.), 9780415412575 (hbk.), 9780415412582 (pbk.), 9780203964392 (ebk.) Note: An excellent collection of essays divided into three groups: Politics, Popularity, and State of Arts. As the introduction by Darrell William Davis states, this text is “a foray into the cultural politics of contemporary Taiwan film, which brings into focus several developments since the famous milestones of Hou Hsiaohsien, Edward Yang, Ang Lee, Tsai Ming-liang, et al” (p. 8). The text explores new developments of Taiwan film in the twenty-first century based on a historical understanding of Taiwan’s previous film movements, including Taiwan New Cinema. Includes a selected filmography (with English translation and Chinese characters), a Chinese glossary, selected bibliography, and an index. WorldCat Eng
0964 Peng, Zhaohong. ᣴᘻᒩ. Yan yuan xun lian jiang yi. ࠟਗ܈च. Taibei: Hua lian chu ban she, 1979. 107 p. Note: An outline for teaching drama and film acting in workshops or in the classroom. Includes a glossary. CTFAL Chi
0968
0965
Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. ઔ࠷ݡஹ: ݡஹઔ࠷ә୳ૢڣ۵ӿҹຶקओ / Ұഹפቾᴧ, ଽѬҴ ; వҲഹফᖻҹ, ठ᯾ঌ, פቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570265478 (v. 1), 9570262486 (v. 2) Series title: Taiwan dian ying shi liao cong shu ݡஹӇؙࢧᜣڣ Note: This is the first and most comprehensive bibliography and collection of essays on Taiwan film documentaries. Vol. 1 covers the colonial period and includes sixty-five essays and articles written by three contemporary Taiwan scholars as well as colonial-era Japanese authors whose articles were initially published in Japanese before being translated into Chinese for the purposes of this book. Contains eight parts: (1) Film History; (2) Documentary, News, and Education Films; (3) Film Show Activities; (4) Film Propaganda; (5) Film Censorship; (6) Film Affairs; (7) Film Reviews and Introduction; and (8) a Bibliography of Taiwan Documentary Film Studies During the Colonial Period, which includes monographs (in both Chinese and Japanese), dissertations, and journal articles (in both Chinese and Japanese, dated and undated). There is also a bibliography at the end of the book. Vol. 2 covers Taiwan documentary film studies after 1945 and includes eighty-one essays, articles,
Xia, Peng. ॼអ. Ying ju yan ji zhi fang. ࠟঁؙҏҤ. Taibei: Xia Peng, 1968. 214 p. Note: An overview of the skills, training, and techniques of acting necessary for movie, television, and drama performance, presented in twelve chapters. NTUL Chi
0966 Zhang, Shenzhi. פዌҏ. Dian ying yan yuan ji ben lian xi—zi xiu jiang yi. Ӈؙࠟऴӆ—܄І܈च. Taibei: Liu feng chu ban she, 1968. 149 p. Note: A self-study guide for film actors and actresses, with basic information regarding acting, make-up, mise-enscène, equipment, terminology, and the filmmaking process. NTUL Chi
174
Aesthetics
0973 interviews, film reviews, and news reports. Similar to Vol. 1, it also contains eight parts: (1) Anthropology Films; (2) Introduction and Review of Taiwan Documentary Films; (3) Theory and Aesthetics of Documentary Film; (4) Documentary Film and Social Movements; (5) Documentary and Indigenous People; (6) Documentary Film Directors and Workers; (7) Documentary Film History, and Analysis; and (8) a Bibliography of Taiwan Documentary Film Studies After 1945, which is organized under the following subjects: anthropology films, China (including Hong Kong) documentary films, review and introduction to Taiwan documentary films, review and introduction to foreign documentary films, documentary filmography and others, documentary film theory and aesthetics, documentary films and social culture, documentary film and social movements, documentary film and indigenous people, documentary film directors and workers (domestic), documentary film directors and workers (abroad), documentary film history (domestic), and documentary film history (abroad). The materials collected in the bibliography include monographs, dissertations, journal and newspaper articles, handbooks, and manuals. WorldCat Chi
Taibei: Shu lin chu ban you xian gong si, 2006. 283 p. ISBN 9574450678 Note: An accessible introduction to film aesthetics and theory, originally published in 1993. Compared with the second edition, the third edition contains additional reviews of concurrent foreign and mainland Chinese films. Includes a bibliography and film index. NTUL Chi
0972 Liu, Lixing. ߹Ҳ. Ying shi li lun yu pi ping. ؙ؆ԑںӿ߰. Taibei: Wu nan tu shu chu ban go fen you xian gong si, 2005. 229 p. ISBN 9571141070 Note: A collection of essays divided into two parts: Part 1, Theory, an introduction to film theory and various film schools, and Part 2, Criticism, a collection of the author’s critical essays and film analyses. NTUL Chi
0973
0969
Lu, Feiyi. ᡭۘډ. Taiwan dian ying: zheng zhi, jing ji, mei xue (1949–1994). ݡஹӇؙ: ू,Ҭ௵,Ѥѹ (1949–1994). Taibei: Yuanliu chu ban gong si, 1998. 476 p. ISBN 9573235943 Series title: Dian ying guan; 81 Ӈؙఖ; 81 Note: This essential book studies Taiwan film history from political, economic, and aesthetic perspectives. Taiwan film history is divided into the following time periods: 1949, 1950–1954, 1955–1959, 1960–1964, 1965–1969, 1970–1974, 1975–1979, 1980–1984, 1985– 1989, and 1990–1994. Politically, the author focuses on government policy, processes, laws, and regulation of Taiwan film production; economically, based on the text’s political analysis, the author explores how film resources were allocated and policy control was instituted in Taiwan film production and the interrelationship between film production, distribution, and competition; and aesthetically, following the political and economic studies of Taiwan film history, the author explains artistic styles and trends in Taiwan by analyzing major film productions and film artists over the past forty years (before 1998). Includes a bibliography and statistical charts. All related statistical information can also be found in the Database of Taiwan Cinema at http://cinema.nccu.edu.tw. NTUL Chi
Jian, Zhengzhen. ߢूੵ. Dian ying yue du mei xue. Ӈؙ་ࢵѤѹ. Taibei: Shu lin chu ban you xian gong si, 1993. 224 p. Note: An accessible introduction to film aesthetics and theory; includes close readings of film scenes, including scenes from Taiwan films. NTUL Chi
0970 Jian, Zhengzhen. ߢूੵ. Dian ying yue du mei xue (zeng ding er ban). Ӈؙ་ࢵѤѹ (Ҷ๓ԏ)ؗ. Taibei: Shu lin chu ban you xian gong si, 2004. 268 p. ISBN 9574450678 Note: An accessible introduction to film aesthetics and theory, originally published in 1993. The new edition contains such additions as a review of Ang Lee’s film Crouching Tiger, Hidden Dragon in the appendix. Includes a film index. NTUL Chi
0971 Jian, Zhengzhen. ߢूੵ. Dian ying yue du mei xue (zeng ding san ban). Ӈؙ་ࢵѤѹ (Ҷ๓ѧ)ؗ.
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0974
hegemony and the aesthetic development of documentary films from 1985 to 1999 (martial law was lifted in 1987). Vol. 3, Private Me Time: I and My . . . , curated by Wen Tien-hsiang, describes the arrival of “private me time” in Taiwan documentary films from 1990 to 2008. Vol. 4, Video-Dialogue with One Self in the Aesthetics of Documentary Films: Between Truth and Fiction, Between Documentary and Drama, curated by Wang Wei-tsy, considers female perspectives in Taiwan documentary films and deals with female expressions through the documentary form. Vol. 5, History, Memory, Representation and Documentary Film, curated by Lee Daw-ming, investigates the aesthetic strategy of Taiwan documentary films in reconstructing Taiwan history, which is to combine the “big history” of influential historical figures and the “small history” made up of ordinary people. Includes both Chinese and English versions of the curator’s essays, a film list, and records of the panel discussions. NTUL Chi Eng
0974 Lu, Wanying (Lu, Wan-ying). ᙙᙀ. Li An “Duan bei shan” yu Zhnag Yimou “Shi mian mai fu” dian ying mei xue guan zhi bi jiao yan jiu = A comparative study of movie aesthetics between Ang Lee’s “Brokeback Mountain” and Yimou Zhang’s “House of flying daggers.” ଽԥ “ऄࠧ ”ځӿפਲጚ “ӌႲቛ” ӇؙѤѹҏԝࢺ୳ૢ = A comparative study of movie aesthetics between Ang Lee’s “Brokeback Mountain” and Yimou Zhang’s “House of flying daggers.” 431 leaves. Note: Thesis (M.A.)—National Tainan Arts University, 2007. A comparative analysis of the movie aesthetics in Ang Lee’s Brokeback Mountain (2005) and Zhang Yimou’s House of Flying Daggers (2004). Includes an abstract in Chinese and English and a bibliography. NCL/NDLTD Chi
0975 Shi, Zuosheng. ӑ. San yue hou de wu juan—Ai yu bian zheng yu dian ying mei xue. ѧ֊ћϡٚඵ—Д௰ᗙࢮӿӇؙѤѹ. Taibei: Shui ping shi ji wen hua, 1999. 284 p. ISBN 9579692688 Series title: Sophia; 5 Note: Although the title and Chapter 4 both mention “film aesthetics,” in fact, this text could be more accurately described as a work at the intersection of philosophy, critical theory, and film. Includes the author’s chronology. CTFAL Chi
0977 Zhongguo dian ying: li shi, wen hua yu zai xian = Chinese cinemas: history, culture and representation: Hai xia liang an ji Xiang Gang dian ying fa zhan yu wen hua bian qian yan tao hui lun wen ji / Liu Xiancheng bian. ЅлӇؙ: ࣵ, ҹ٩ӿӐѳ = Chinese cinemas: history, culture and representation: ᒘҔ᠕ܫ୯Ӈؙчࣁӿҹ٩Ժቜ୳क़Ͼ ںҹओ / ѳюഹ. Taibei: Taibei shi Zhongguo dian ying shi liao yan jiu hui, Zhonghua Minguo shi jue chuan bo yi shu xue hui, 1996. 335 p. Note: A collection of the papers from a film symposium in Taiwan attended by scholars from Taiwan, Hong Kong, mainland China, and the United States on September 13–15, 1995. Twenty-three papers were presented during the symposium, nineteen of which are published here. Themes include “Chinese Film History,” “Relationship between Chinese Film with Society,” Political and Economic Development,” “Chinese Film and Gender Study,” “Chinese Film Genre Study,” and “Chinese Film and Culture Representation.” Eight papers touch on the subject of Taiwan film, including Li Tianduo’s paper on Taiwan film under the colonial system; Liu Xiancheng’s essay on the history of Taiwan color film development in terms of social issues as well as scientific and technical practice; Huang Yingfen’s article on the aesthetic trends of contemporary Taiwan film; Roland B. Tolentino’s (in English) comparative study of the Chinese “city film” from Taipei, Hong Kong, and Beijing; Qi Longren’s essay on Qiongyao’s films during the 1970s; Zhang Yupei’s analysis of the social and cultural meanings of Taiwan film during the 1990s; and Ye Yueyu’s paper on the relationship between nationality and popular songs in Taiwan films produced from the mid-1970s to the early 1990s. NTUL Chi Eng
0976 Taiwan ji lu pian mei xue xi lie = Taiwan documentary aesthetic series / Zong ce hua Chen Jimin. ݡஹઔ࠷әѤѹ = ࠶ڍTaiwan documentary aesthetic series / ր ೫௵ھ. Taizhong: Guo li Taiwan mei shu guan, 2008. 5 v. ISBN 9789860173086 Note: This study is the result of a project entitled the Taiwan Documentary Aesthetic Series, hosted by the National Taiwan Museum of Fine Arts in 2008. Examines multiple topics while providing the history of Taiwan documentary films in a systematic way. Five Taiwan documentary film studies scholars were invited to act as curators for the project, and each scholar presents his or her perspective on the development of Taiwan documentary film aesthetics in this work. Vol. 1, A Pre-history of Taiwanese Documentary Filmmaking: Actualities, Home Movies and Documentary, curated by Liao Gene-fon, covers early documentary films from the 1930s to the 1970s. Vol. 2, Hegemony and the Aesthetic of Taiwan Documentary Film in the Early Post-Martial Law Era, curated by Lin Bao-yuan, reviews challenges to the
176
Cinematography
5.4
0983
CINEMATOGRAPHY
Taibei: Guo jia wen hua yi shu ji jin hui, [n.d.] 2 v. Note: An end-of-project report on the history and development of cinematography in Taiwan from 1930 to 1969. NCLAAC Chi
0978 Chen, Qinghe. ֜૯. Dian zi she lu ying shi wu. Ӈж࠷ؙӢࠔ. Taibei: He ji tu shu chu ban she, 1984. 250 p. Note: Describes the use of Electronic News Gathering and Electronic Field Production equipment in filmmaking and television production. CTFAL Chi
0982 Qin, Dingchang. ቦᑾቾ. Taiwan dian ying chuan tong ying xiang yu shu wei ying xiang zhi chan zhi yan jiu: yi “Lian ren,” “Ren yu duo duo” wei li = A study of traditional cinematography production and digital cinematography production for filmmaking in Taiwan: using “Fall . . . in love” & “The shoe fairy” as examples. ݡஹӇؙࢃةؙՌӿُؙ֧Ռҏݗ३୳ૢ: й “ߧϪ,” “Ϫ־ ” Њຎ = A study of traditional cinematography production and digital cinematography production for filmmaking in Taiwan: using “Fall . . . in love” & “The shoe fairy” as examples. 150 leaves. Note: Thesis (M.A.)—Shih Hsin University, 2008. Using the production of his two films as examples (Fall . . . in Love [2004], and The Shoe Fairy [2006]) the author describes, with firsthand experience, filmmaking in both traditional and digital formats to provide a practical reference point for the film industry and scholars as the Taiwan film industry moves to digital film production. The appendix includes a list of cinematography equipment, shooting scripts, production and postproduction technical guidelines, and award-winning information regarding the two films described. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi
0979 Hua, Huiying, 1925– ܓ༫߭, 1925– Bu zhuo ying xiang de ren: Hua Huiying she ying but u wu shi nian. ቫ፬ؙՌϡϪ: ܓ༫߭܌ؙಬٚё. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 2000. 470 p. ISBN 957323999X Note: The autobiography of a cinematographer with more than fifty years (1946–2000) of experience. Includes a filmography, Chinese and English cinematography glossary, and related personnel biography. NTUL Chi
0980 Lin, Zanting. ლ. Taiwan dian ying she ying ji shu fa zhan gai shu 1945–1970 = Cinematography in Taiwan 1945–1970: History and technical development / Lin Zhanting bian zhu. ݡஹӇؙؙफчࣁม 1945–1970 = Cinematography in Taiwan 1945–1970: History and technical development /ლഹЯ. Taibei: Xing zhe yuan wen hua jian she wei yuan hui, 2003. 319 p. ISBN 9570148454 Note: This title is the most comprehensive, accurate work on the history and development of cinematography in Taiwan. Part 1 focuses on the history of cinematography in Taiwan; and Part 2 provides a brief introduction to all of the private film studios and cinematographers in Taiwan, as well as technological advances in cinematography equipment from 1945 to 1970. The appendix includes 1945–1970 Taiwan Film Negative List, 1945–1970 Taiwan 35 mm Film Projector List, a filmography, and a bibliography. NTUL Chi
0983 Yin yue ying ju lun ji / Bian ji zhe: Zhonghua xue shu yuan. ٸӀںঁؙओ / ഹফٷ: Ѕܓѹफࡨ. Taibei: Zhongguo wen hua da xue chu ban she, 1981. 835 p. Series title: Zhonghua xue shu yu xian dai wen hua cong shu, di liu ce Ѕܓѹफӿѳڊҹ٩ᜣڣ, ҷࡏೠ Chinese learning and modern civilization series, V. VI Note: A collection of essays on music, opera, and cinema. Includes two essays on Taiwan film: “Special Effects of Color Cinematography in Motion Pictures” by Chi Ho-hsi (Qi Hexi) and “The Temporary Status of Chinese Film Industry” by James Y. Liu (Liu Yi). Chi’s essay explains how special effects are enabled by color cinematography from a technical perspective. Liu’s essay outlines ten suggestions to improve the Taiwan film industry, including, for example, the following: paying attention to audience expectations, ending false advertising, and eliminating obstacles in film distribution. WorldCat Chi
0981 Lin, Zanting. ლ. Zao qi (1930–1969) Taiwan dian ying she ying ji shu fa zhan shi jie an bao gao / Lin Zanting diao cha yu yan jiu. Չ( 1930–1969) ݡஹӇؙؙफчࣁְଈ ݍڻ/ ლ݇ ݓӿ୳ૢ.
177
Film Theory and Technique
0984 5.5
CULTURAL CRITICISM
Note:
0984 Wen hua pi ping yu hua yu dian ying = Cultural Criticism and Chinese cinema / Zheng Shusen bian. ҹ٩߰ӿܭܓӇ = ؙCultural Criticism and Chinese cinema / ቼ கာഹ. Taibei: Mai tian chu ban you xian gong si, 1995. 366 p. ISBN 9577083102 Series title: Mai tian ren wen; 9 ೧Ϫҹ; 9 Note: Liao Ping-hui states in the foreword that the text’s purpose is to explore the relationship between Western cultural criticism and Chinese cinema of the 1980s and 1990s in mainland China, Hong Kong, and Taiwan. Three essays discuss films of Taiwan New Cinema: Zhan Mingxin’s essay on Edward Yang’s The Terrorizers (1986), Huang Yuexiu’s discussion of Edward Yang’s A Brighter Summer Day (1991), and Liao Chaoyang’s essay on Wang Tung’s Banana Paradise (1989). Includes a bibliography at the end of each essay. WorldCat Chi
0987 Zhu, Xiaocang. ᗌ឴ፄ. Jun yong de dian ying dui bai / Zhu Xiaocang ji yi. ℚݖϡӇؙхՁ / ᗌ឴ፄফፆ. Taibei: Lian jing chu ban gong si, 1989. 153 p. Note: A collection of meaningful dialogue excerpts from notable films. CTFAL Chi
0988 Zhou, Lijun. ݲ߹ر. Dian ying ming yan de zhi hui. ӇؙӜߞϡ༫. Taizhong: Hao du chu ban you xian gong si, 2007. 327 p. ISBN 9789861780283, 9861780289 Note: Includes 200 memorable quotations from famous films. CTFAL Chi
0985 Wen hua pi ping yu hua yu dian ying / Zheng Shusen bian. ҹ٩߯ԁܬܗӈ ؙ/ ችஔာ൜. Guilin: Guangxi shi fan da xue chu ban she, 2003. 249 p. ISBN 756334232X Note: The mainland China version, in simplified characters, of the same title published in Taiwan in 1995. Liao Ping-hui states in the foreword that the text’s purpose is to explore the relationship between Western cultural criticism and Chinese cinema of the 1980s and 1990s in mainland China, Hong Kong, and Taiwan. Three essays discuss films of Taiwan New Cinema: Zhan Mingxin’s essay on Edward Yang’s The Terrorizers (1986), Huang Yuexiu’s discussion of Edward Yang’s A Brighter Summer Day (1991), and Liao Chaoyang’s essay on Wang Tung’s Banana Paradise (1989). Includes a bibliography after each essay and contributor introduction at the end of the book. WorldCat Chi
5.6
A collection of famous dialogue excerpts from classic films in Chinese and English. CTFAL Chi Eng
5.7
DIRECTING
0989 Bai, Ke, 1913–1964 Ձࡽ, 1913–1964 Dian ying dao yan. Ӈؙ࣒ࠟ. Taibei: Zheng gong gai bu xue xiao, [n.d.] Note: The text presents ten chapters that introduce general film directing approaches, skills, and techniques. This work is listed in a memorial publication entitled: Bai Ke dao yan ji nian wen ji ji yi zuo xuan ji (edited by Huang Ren in 2003), but the text cannot be found in the major film libraries in Taiwan, including the Chinese Taipei Film Archive Library, National Central Library, and National Taiwan University Library. NTUL Chi
0990
DIALOGUE
Chen, Feibao. ٞմ. Taiwan dian ying dao yan yi shu. ݡஹӇؙ࣒ࠟਲफ. Taibei: Ya Tai tu shu, 2000. 449 p. ISBN 9578264291 Series title: Taiwan dian ying yan jiu cong shu; 4 ݡஹӇૢ୳ؙᜣ ;ڣ4
0986 Shi, Fangyu. Ҥឨ. Ying yan yin yu: dian ying li de jing dian ming ju. ߞؙܭ: ӇؙѶϡҬਹӜط. Taibei: Liang chen chu ban shi ye, 2000. 250 p. ISBN 9579751722
178
Directing
Note:
0998 A study of twenty-two Taiwan film directors and their directorial arts. NTUL Chi
0995 Liu, Yi, 1930–1990. ਲ, 1930–1990. Dian ying gong zuo lin chang lu. Ӈؙ֞ӑெԾ࠷. Taibei: Dian ying wen xue chu ban she, 1968. 222 p. Note: An account of the author’s film production experience with both Japanese and American directors, and a record of the Taiwan filmmaking system from the perspective of this director and screenwriter. NTUL Chi
0991 Chen, Wenquan. ҹ. Ying shi xi ju dao yan ji shu ji chu. ؙ؆ۚঁ࣒ࠟफऴኝ. Taibei: He ji tu shu chu ban she, 1987. 718 p. Note: A general introduction to directing techniques for film, drama, and television. Chapters that deal with cinema include the following: Chapter 4 discusses representative traits of various film genres and movements; Chapters 5–24 introduce nineteen basic directing techniques; and Chapter 26 provides specific techniques for feature film production. CTFAL Chi
0996 Lu, Zhizi. ჁᎴж. Xian dai dian ying dao yan san lun = Studies in current motion picture directing. ѳڊӇ = ں્ؙ࣒ࠟStudies in current motion picture directing. Taibei: Wen xing shu dian, 1965. 324 p. Series title: Wen xing cong kan; 164 ҹլᜣᑂ; 164 Note: A work on concurrent foreign film directing theories and techniques. CTFAL Chi
0992 Lee, Tai-Dow. Performing film study at the level of high education in Taiwan, the Republic of China. 173 leaves. Note: Thesis (Ph.D.)—Ohio State University, 1986. A study on film studies education, including film production and directing, in Taiwan. Includes a bibliography. WorldCat Eng
0997 Tang, Shaohua. ࿔ཿܓ. Dian ying dao yan de yuan li yu jing yan jiang yi. Ӈؙ࣒ࠟϡ֍ԑӿҬࡐ܈च. Taibei: Zhonguo dian ying xi ju jie jin hui, 1967. 176 p. Note: A general introduction to film directing and production, including technical and theoretical information. NTUL Chi
0993 Li, Zhenlin, 1965– , 1965– Dao yan de lu dong: hua yu dian ying, shi yan ying xiang he zuo zhe dian ying yan jiu. ࣔࠟϡಋ҃䩭ܬܗӈؙ䩟 ӥࡑؙՌфӑٷӈؙϡ୳ૢ. Shanghai: Shanghai shu dian chu ban she, 2011. 229 p. ISBN 9787545804102, 7545804104 Note: The author studies Chinese films produced in mainland China, Hong Kong, and Taiwan during the first decade of the twenty-first century by considering different directing perspectives. Chapter 3 is devoted to the market-saving function of Taiwan’s New Youth Films. Includes a bibliography. WorldCat Chi
0998 Tang, Shaohua. ࿔ཿܓ. Dian ying dao yan yu dian shi dao bo. Ӈؙ࣒ࠟӿӇ؆࣒. Taibei: Li ming wen hua shi ye gu fen you xian gong si, 1977. 278 p. Series title: Da xue cong shu Ͻѹᜣڣ Note: Presents film and television directing techniques and compares these two presentation formats. CTFAL Chi
0994 Liao, Xiangxiong. ᴰፖ. Lun dao yan dui yu dian ying te xing ying you de ren shi yu kong zhi. ࣒ࠟںхҿӇئؙԛϩϡࡦگӿସء. Taibei: Zhongguo ying ping ren xie hui, 1981. 130 p. Note: Presents basic filmmaking techniques for film directors. Includes a bibliography. CTFAL Chi
179
Film Theory and Technique
0999 5.7.1
5.9
Montage and Editing
0999
5.9.1
Chen, Meijing Ⴐᨎ. Meng tai qi ji fa jian yan yi xiang xing cheng guo cheng zhi yan jiu = Proving the process of image formation through montage technic. ྤѿ࡞֚ഛࡐҺࢣ࣏юОࡄҏ୳ૢ. = Proving the process of image formation through montage technic. Taibei: Ling dao chu ban she, 1994. 79 p. Note: The Chinese translation of the author’s dissertation written in Japanese. The paper studies the ways in which film montage creates meaning. Includes a bibliography. CTFAL Chi
Healthy Realism
1002 Chen, Nan. ವ۪. Zhongguo dian ying si chao ping xi. Ѕмӈࡷؙӑڽ߯. Shanghai: Tongji da xue chu ban she, 2002. 226 p. ISBN 7560824382 Note: Chapter 11 (pp. 209–224) covers Taiwan Healthy Realism during the 1960s and the New Taiwan Cinema movement during the 1980s. WorldCat Chi
1000
1003
Jing, Yingzhao. ቯࣽᘻ. Dian ying jian jie mei xue: shuo de yi shu = The aesthetics of film editing: art of speech. ӇؙයבѤѹ: Мϡਲफ = The aesthetics of film editing: art of speech. Taibei: San min shu jug u fen you xian gong si, 2006. 311 p. ISBN 9571444820 Note: This is a work on the aesthetics and techniques of film editing. Includes a bibliography, filmography, and an index. CTFAL Chi
5.8
FILM MOVEMENTS AND THEORY
Li Xing—yi jia zi de hui huang / zhu bian Jiao Xiongping, Qu Guizhi. ଽҲ—ϣപжϡሓᑟ / Ұഹဖ๔, ߅ᄉᆙ. Taibei: Yue sheng wen hua shi ye you xian gong si, 2008. 255 p. ISBN 9789576307348 Series title: Taibei Jin Ma ying zhan cong shu, 2008; 4 ཅࣁؙެؖܚᜣڣ, 2008; 4 Note: A special collection of essays, written by film scholars on both sides of the Taiwan Strait, compiled to celebrate the sixtieth anniversary of Li Xing’s film career (1958–2008). The essays cover Li Xing, the “father of Taiwan film” and “founder of the Healthy Realism Film movement,” and his classic works. Includes a recent interview and chronology. NTUL Chi
FILM GRAMMAR
1004 Tang, Weimin (Tang, Albert Wei-Min). ࿔์ۆ. You yi wen yi zhan dou fu sheng, dian ying zheng jing jian kong qi fei, xu shi wen ben mei xue zai xian: Liu shi nian dai Taiwan jian kang xie shi dian ying de jue qi = Recurring right-wing discursive tactics, policing political economy of cinematic production, representing narrative aesthetic syndromes: The rise of Healthy Realistic Cinema in Taiwan. ૼॢҹਲڕஸТ, ӇूؙҬฬସвٞ, ᡳѨҹӆѤѹӐѳ: ࡏ ёݡڊஹࣉӢӇؙϡ៷в = Recurring right-wing discursive tactics, policing political economy of cinematic production, representing narrative aesthetic syndromes: The rise of Healthy Realistic Cinema in Taiwan. 267 leaves. Note: Thesis (Ph.D.)—Fu Jen Catholic University, 2008. The paper analyzes the discursive formation of Taiwan’s Healthy Realism movement in the 1960s. The author argues that, based on an account of the KMT’s efforts to preserve its monolithic governance from the 1930s through the Healthy Realism era, filmmakers used subtle tactics in a struggle for artistic freedom,
1001 Chen, Xuanwei. ἒᬕ. Yi jie zou fen xi wei ji chu de dong zuo dian ying fen ge yu zhai yao = Action movies segmentation and summarization based on tempo analysis. йڞᄊдЊऴኝϡҁӑӇؙдኘӿሁϴ = Action movies segmentation and summarization based on tempo analysis. 70 p. Note: Thesis (M.A.)—National Taiwan University, 2004. This paper, in English, proposes the use of a digital film management system that would detect and retrieve the most semantically important story units and segments of films based on movie tempo analysis. The system is based on shot changes, motion activity, and audio features to access and retrieve films in a sophisticated manner. Includes a bibliography. NTUL Eng
180
Film Movements and Theory
1009
whereas film critics and film historians desired relevant film productions. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi
1007 Chen, Nan. ವ۪. Zhongguo dian ying si chao ping xi. Ѕмӈࡷؙӑڽ߯. Shanghai: Tongji da xue chu ban she, 2002. 226 p. ISBN 7560824382 Note: Chapter 11 (pp. 209–224) covers Taiwan Healthy Realism during the 1960s and the New Taiwan Cinema movement during the 1980s. WorldCat Chi
1005 Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. A national score: popular music and Taiwanese cinema. 263 leaves. Note: Thesis (Ph.D.)—University of Southern California, 1995. An interesting study of the relationship between popular music, cinema, and national identity in Taiwan from the 1970s to the 1990s. Explores multiple relevant interrelationships between popular music and Taiwan cinema, including the inclusion of popular songs in the 1970s policy films and romantic melodramas, the exclusion of pop music in Taiwan New Cinema in the 1980s, and the return of popular music in commercial films of the 1990s, thus revealing “a national identity characterized by shifting loci of commerce, politics, and art” (abstract). As a serious academic work, it provides many interesting perspectives based on in-depth research and substantial evidence. It states, however, that “A huge massacre occurred in 1945 when many Taiwanese rose up against the semi-colonial governance of the National Party” (l. 2), which is possibly miswritten, for if Dr. Yeh is referring to the February 28 Incident, this event occurred in 1947. Includes a filmography (pp. 243–247) and bibliography (pp. 248–263). WorldCat Eng
5.9.2
1008 Chen, Ruxiu (Chen, Ru-shou Robert). ᭉ. Taiwan xin dian ying de li shi wen hua jing yan / Chen Ruxiu zuo; Luo Pocheng yi. ݡஹЈӇؙϡࣵҹ٩Ҭࡐ / ᭉӑ; Ꮱፆ. Taipei: Wan xiang tu shu gong si, 1993. 194 p. ISBN 9576694493 Series title: Taiwan dian ying shi cong shu; 1 ݡஹӇؙᜣ ;ڣ1 Note: This is the Chinese translation of Robert Chen’s Ph.D. dissertation completed in 1993 at the University of Southern California. The author explores the relationship between Taiwan New Cinema and three cultural characteristics: “Dispersion,” “Ambivalence,” and “Hybridity.” Divided into eight chapters: Chapter 1: Research Project Introduction; Chapter 2: History of Taiwan Film Industry and Style Development; Chapter 3: Taiwanese Identity; Chapter 4: Major Events of Taiwan New Cinema; Chapter 5: Taiwan’s Modern Experience; Chapter 6: Male and Female Characters in Taiwan Film; Chapter 7: Influence of Hollywood and Other Areas Films; and Chapter 8: Meaning of Taiwan New Cinema. Includes biographies of major figures, introductions of major works in Taiwan New Cinema, and a bibliography. NTUL Chi
Taiwan New Cinema
1006 Cai, Dujian. ᓥỵߗ. Mei ti zai xian yu dang dai Taiwan min zu ren tong xing gou de gong gong lun shu fen xi. ෪ՂӐѳӿԄݡڊஹھఓگӎ࣏ภϡԍںд. Taibei: Tang shan chu ban she, 2001. 299 p. ISBN 9578221525 Series title: Ben tu wen hua shi jian xi lie; 2 ӆगҹ٩Ӣᒂ ;࠶ڍ2 Note: A collection of five of the author’s essays on media representations of Taiwan’s nationality, including a study of Taiwanese identity presented in Taiwan New Cinema. CTFAL Chi
1009 Chen, Ziying (Chen, Tzu-Ying). ༙ᔏ. Shen ti dian ying: Cai Mingliang dian ying zhong de shen ti ying xiang = Corporeal movies: the cinematic body in Tsai Ming-liang’s films. ӱՂӇؙ: ᓥҴ݊ӇؙЅϡӱՂؙՌ = Corporeal movies: the cinematic body in Tsai Ming-liang’s films. 97 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2007. The paper studies the cinematic body in Tsai Mingliang’s films, analyzing representations of self-reflection, in contrast to historical nostalgia, in Tsai Ming-liang’s films.
181
Film Theory and Technique
1010 It is written in English. Includes a Chinese and English abstract, bibliography, filmography, and glossary. NCL/NDLTD Eng
aspect of this book is the editor’s insightful comments, interpretations, and background information provided after each article or essay. Includes film stills. WorldCat Chi
1010 1012
Chinese-language film: historiography, poetics, politics / edited by Sheldon H. Lu and Emilie Yueh-yu Yeh. Honolulu: University of Hawai’i Press, 2005. 413 p. ISBN 0824828135 (alk. paper), 9780824828691 (pbk.: alk. paper), 0824828690 (pbk.: alk. paper) Note: This edited volume “covers the cinematic traditions of mainland China, Taiwan, Hong Kong, and the Chinese diaspora from the beginning of Chinese film history to the present moment” (p. 2). Part I. Historiography, Periodization, Trends includes articles that either address Chinese film history broadly or different significant movements within Chinese cinema; Part II. Poetics, Directors, Styles provides “lucid, synchronic, structural(ist), transhistorical accounts of the poetics and aesthetics of Chinese film as an integral part of world cinema” (p. 15). Interesting studies include the essay by Mary Farquhar and Chris Berry: “Shadow Opera: Toward a New Archaeology of the Chinese Cinema,” which states :“If civilized plays are cinema’s stepmother, then opera is the mother in terms of first film productions, whether on the mainland (1905) or in Hong Kong (1909). Opera films were also the first productions in major regional language films, Cantonese (1933) and Taiwanese (1954)” (p. 51). Other Taiwan film or related comparative film studies essays include Meiling Wu’s “Postsadness Taiwan New Cinema: Eat, Drink, Everyman, Everywoman,” Emilie Yueh-yu Yeh’s “Poetics and Politics of Hou Hsiao-hsien’s Films,” Sheldon H. Lu’s “Crouching Tiger, Hidden Dragon, Bounding Angeles: Hollywood, Taiwan, Hong Kong, and Transnational Cinema,” Darrell W. Davis’s “Borrowing Postcolonial: Wu Nien-chen’s Dou-san and the Memory Mine,” and Shao-ying Shen’s “Locating Feminine Writing in Taiwan Cinema: A Study of Yang Huishan’s Body and Sylvia Chang’s Siao Yu.” Includes filmography, Chinese glossary, bibliography, notes on contributors, and an index. WorldCat Eng
Guo, Yue, 1975– ᔕք䩟1975– Hua yu dian ying de mei xue ge ming yu wen hua hui liu: Dalu, Xianggang, Taiwan “xin dian ying” yan jiu. ܬܗӈؙϡѤѺཪܞԁҹ٩ཹԵ䩭Ͻ䩟ܫ୯䩟ݡළ”Јӈ୳”ؙ ૢ. Beijing: Ren min chu ban she, 2008. 289 p. ISBN 9787010045849 Series title: Xibei da xue Zhongguo yu yan wen xue cong shu ՝ܚϽѺЅмߞܬҹѺᜥڪ Note: The author adopts the notion of “New Cinemas” to describe the development of filmmaking in mainland China, Hong Kong, and Taiwan since the 1980s. Makes comparative assessments and studies the phenomenon of cultural convergence created by these new cinemas. The author indicates in the postscript that this is a work based on his Ph.D. dissertation at Xibei University in Xi’an, China. Includes a bibliography. WorldCat Chi
1013 Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐊ, 1947– Hou Xiaoxian dian ying jiang zuo = Hou Hsiao-hsien Master Class / Hou Xiaoxian; Zhuo Botang zhu bian. ᢡᖮᐊӇ܈ؙӏ = Hou Hsiao-hsien Master Class / ᢡᖮᐊ; ᅤᐑ ἙҰഹ. Xianggang: Tian di tu shu you xian gong si, 2008. 236 p. ISBN 9789882119888 Series title: “Quan qiu hua ren dian ying dao yan jiang zuo” xi lie “ҪܓܧϪӇ܈ؙ࣒ࠟӏ”࠶ڍ Note: Presents six lectures given by Hou Hsiao-hsien during the film director’s lecture series, hosted by Hong Kong Baptist University, November 5–7, 2007. Hou discusses his film career and aesthetic concepts, comments on his favorite film directors and their films, and opines on the current situation and future of Taiwan cinema. Includes a filmography and list of the lecture series attendants. CTFAL Chi
1011 Dian ying, dian ying ren, dian ying kan wu / Li Youxin bian. Ӈؙ, ӇؙϪ, Ӈؙᑂ / ଽෂЈഹ. Taibei: Zi li wan bao she, 1986. 209 p. Series title: Dian ying wen xuan; 2 Ӈؙҹ ;ק2 Zi li cong shu; 27 І߹ᜣ ;ڣ27 Note: An insightful history of Taiwan New Cinema. Originally published in various journals, books, film reviews, and newspapers, this collection of articles and essays focuses on film critiques from the early period of Taiwan New Cinema. The most unique and important
1014 Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐉ, 1947– Hou Xiaoxian dian ying jiang zuo = Hou Hsiao-hsien Master Class / Hou Xiaoxian; Zhuo Botang zhu bian. ᢡᖮᐉӈ܇ؙӏ = Hou Hsiao-hsien Master Class / ᢡᖮᐉ; ᅤᐑ ἙҰ൜.
182
Film Movements and Theory
1019
Guilin: Guangxi shi fan da xue chu ban she, 2009. 235 p. ISBN 9787563384013 Note: Mainland China’s version of the similarly titled text published by Tian di tu shu you xian gong si in Hong Kong in 2008. Presents six lectures given by Hou Hsiao-hsien during the film director’s lecture series, hosted by Hong Kong Baptist University, November 5–7, 2007. Hou discusses his film career and aesthetic concepts, comments on his favorite film directors and their films, and opines on the current situation and future of Taiwan cinema. Includes a filmography. Duxiu (FT) Chi
1017 Jiang, Huixian (Chiang, Huey-hsien). ឣ༫࿁. Taiwan dian ying, guo zu xu shi yu xing bie zheng zhi—tan “Guling jie shao nian sha ren shi jian.” ݡஹӇؙ, лఓᡳѨӿԛԇू—ড “⚯ᗬঅվё৵ϪѨխ.” 83 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 1993. Describes how Taiwan New Cinema represented sociopolitical changes in Taiwan from the 1960s through the 1980s by presenting personal films and transforming the “Big China concept” into a new nationality of Taiwan and localization. Provides an analysis of the film A Brighter Summer Day (1991). Appendix includes newspaper reports on Hou Hsiaohsien and Edward Yang, promotional materials for the film A Brighter Summer Day, an outline of the R.O.C. Cinema Year activity plan, and a summary of the film subsidies for filmmakers who participate in international film festivals. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi
1015 Hsu, Tzu-yi. Rethinking the film critics’ role of Taiwan New Cinema in the 1980s. 92 leaves. Note: Thesis (M.A.)—Indiana University, 1996. A work on the relationship between the film critics and Taiwan New Cinema in the 1980s. Includes a bibliography. WorldCat Eng
1018 Jiao, Xiongping (Chiao, Peggy). ဖ๔. Taiwan dian ying 90 xin xin lang chao = New new wave of Taiwan cinema 90s. ݡஹӇؙ90 ЈЈع = New new wave of Taiwan cinema 90s. Taibei: Mai tian chu ban she, 2002. 315 p. ISBN 9867895118, 9789867895110 Series title: Dian ying guan; 01 Ӈؙఖ; 01 Note: Outlines Taiwan films produced in the 1990s, described as “The Second Wave of Taiwan New Cinema” or “New New Wave of Taiwan Cinema” to distinguish these films from the Taiwan New Cinema films of the 1980s. Differing cinematic techniques include the absence of the long take, which was typical of the Taiwan New Cinema. Part 1 provides filmography of sixty-four films produced from 1990 to 1998, Parts 2–4 list the biographies of thirty-four directors, thirty-seven actors and actresses, six supervisors, six screenwriters, nine cinematographers, two sound designers, and two editors; Part 5 introduces thirteen film studios; and Part 6 ends with a list of award-winning films of the 1990s. WorldCat Chi
1016 Island on the edge: Taiwan New Cinema and after / edited by Chris Berry and Feii Lu. Hong Kong: Hong Kong University Press, 2005. 195 p. ISBN 9622097154 (hbk.), 9789622097155 (hbk.), 9622097162 (pbk.), 9789622097162 (pbk.) Note: A collection of essays focusing on the Taiwan New Cinema studies, including “The Terrorizer and the great divide in contemporary Taiwan’s cultural development” by Sung-sheng Yvonne Chang; “Reflections on the Screen: Hou Hsiao Hsien’s Dust in the Wind and the Rhythms of the Taiwan New Cinema” by Haden Guest; “A Borrowed Life in Banana Paradise: De-Cold War/Decolonization, or Modernity and Its Tears” by Chen Kuan-Hsing; “Hou Hsiao Hsien’s City of Sadness: History and the Dialogic Female Voice” by Rosemary Haddon; “Myth(ology) Mythologizing Its Own Closure: Edward Yang’s A Brighter Summer Day” by Liu Yu-hsiu; “Hou Hsiao Hsien’s The Puppetmaster: The Poetics of Landscape” by Nick Browne; “Where Is the Love? Hyperbolic Realism and Indulgence in Vive L’Amour” by Chris Berry; “Generational/Cultural Contradiction and Global Incorporation: Ang Lee’s Eat Drink Man Woman” by Ti Wei; “On Tsai Mingliang’s The River” by Gina Marchetti; “Compulsory Orientalism: Hou Hsiao Hsien’s Flowers of Shanghai” by Nick Kaldis; “Another Cinema: Darkness & Light” by Feii Lu; “China Simulacrum: Genre, Feminism, and Pan-Chinese Cultural Politics in Crouching Tiger, Hidden Dragon” by Fran Martin. WorldCat Eng
1019 Jiao, Xiongping (Chiao, Peggy). ဖ๔. Taiwan xin dian ying / Jiao Xiongping bian zhu. ݡஹЈӇ ؙ/ ဖ๔ഹЯ. Taibei: Shi bao wen hua chu ban qi ye you xiang gong si, 1988, 1990.
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1020 433 p. ISBN 9571301582, 9789571301587 Series title: Ren jian cong shu; 117 ϪҼᜣ ;ڣ117 Note: A fairly extensive review of Taiwan New Cinema. Divided into 18 chapters and an appendix. Chapters 1–3 review the historical, industrial, and political background of Taiwan New Cinema; Chapters 4–11 discuss eight major early film directors and their works; Chapter 12 is dedicated to other contributors to Taiwan New Cinemas, including screenwriters, cinematographers, producers, and additional film personnel; Chapters 13 and 14 contain film reviews of Taiwan New Cinema’s major works; Chapters 15 and 16 deal with the relationship among Taiwan New Cinema, literature, and feminist studies; and Chapters 17 and 18 consider the legacy of Taiwan New Cinema. Appendix includes papers that offer foreign scholars’ perspectives on Taiwan New Cinema. NTUL Chi
Note:
The text begins with an introduction to the film director Wu Nien-chen and his film “T䲖san = A Borrowed Life” followed by introductions to five additional leading figures in Taiwan cinema: Wang Tung, Liao Hsiang-hsiung, Lin Cheng-sheng, Tsai Ming-liang, and Hou Hsiao-hsien, and their films. Contains “A Brief History of Taiwan Cinema,” which includes Taiwan Film during Japanese Occupation (1895–1945), Taiwan Cinema After World War II (1945–1969), the World’s Orphan Era (1970s), and the Era of Taiwan New Cinema (1980s–1990s). Includes photos, stills, posters, and bibliography WorldCat Jpn
1022 Kawase, Ken’ichi. ඇⰗϣ. Taiwan dian ying xiang yan: bai nian dao lan / zhu zhe Chuanlai Jianyi ; Zhong yi Li Changchuan. ݡஹӇؙ⡕ᑱ : ښё࣒ऋ / ЯٷඇⰗϣ ; Ѕፆଽة. Taibei: Nan tian shu ju, 2002. 165 p. ISBN 9576386012 Note: A Chinese translation of the revised version of Taiwan eiga e no sh䲖tai = ݡළྱࡌ䫩䫟 ۉwritten by Kawase Ken’ichi and published in Japan in 1998. Consists of three parts: Part 1: A Brief History of Taiwan Cinema, including Taiwan Film during Japanese Occupation (1895–1945), Taiwan Cinema After World War II (1946–1970), the Isolated Taiwan Cinema (1970–1979), and the Era of Taiwan New Cinema (1980–1990); Part 2: Taiwan Film Directors, including biographies and interviews of sixteen Taiwan film directors; and Part 3: Legendaries of Taiwan Cinema, including biographies and interviews of twenty-two legendary figures in Taiwan cinema, such as novelist and director Huang Chunming, screenwriter Chu T’ien-wen, composer and singing star Cai Zhennan, and actress Yang Guimei. Includes photos, film stills, posters, a chronology of Taiwan film history from 1895 to 1998, and a bibliography. WorldCat Chi
1020 Jing xiang yu wen hua: Gang Tai dian ying yan jiu / Wang Haizhou zhu bian. Ռԁҹ٩䩭୯ݡӈ ૢ୳ؙ/ ࣼರҰ൜. Beijing: Zhongguo dian ying chu ban she, 2002. 438 p. ISBN 7106018236 Series title: Xin shi ji dian ying xue lun cong ЈԒઓӈؙѺڹᜥ Note: A collection of essays on Hong Kong and Taiwanese film studies by graduate students and faculty members at the Beijing Film Academy. Part 1 contains three essays on Taiwan New Cinema: Hu Yankai, a Taiwan student who graduated from the Beijing Film Academy, describes the historical evolution of Taiwan New Cinema, and the following two essays focus on Hou Hsiao-hsien and Tsai Mingliang, respectively; Part 3 contains Liu Ting’s essay, an analysis of the cultural contents of Ang Lee’s films through a unique perspective: “home”; Part 4 presents two essays by Huang Shixian, a faculty member at the Beijing Film Academy, who provides comparative studies of mainland China, Taiwan, and Hong Kong films. WorldCat Chi
1023 Li, Meirong (Li, Mei-Jung). ଽѤ๎. Ling yi zhong dian ying shi xue: Hou Xiaoxiang dian ying li de huo che—ying xiang = Towards alternative cinematic poetics. ࡔϣ҆Ӈؙஉѹ: ᢡᖮᐊӇؙѶϡڮӝ—ؙՌ = Towards alternative cinematic poetics. 86 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2008. Inspired by Gilles Deleuze’s notion of the time-image, the paper redefines the three signature styles of Hou Hsiao-hsien’s films: nostalgia, slowness, and realism through a new concept: “train-image.” The train is not simply regarded as a diegetic symbol in his films, but instead it is a metaphor combining train-traveling and
1021 Kawase, Ken’ichi. ඇⰗϣ. Taiwan eiga e no sh䲖tai: ichiya ni shite Ch䲚gokujin ni natta t䲖san (t䲖san). ݡළྱࡌ䫩䫟ۉ: ϣ١䫜䫈䫗ЅмϪ䫜䫛䫔䫐Єᇤ (䫆䬄). Nara-ken Kashihara-shi: T䲖y䲖 Shis䲖 Kenky䲚jo; Ŕsaka-fu Suita-shi: hatsubai Birejji Puresu, 1998. 94 p. ISBN 493859854X, 9784938598549
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film-viewing experience to recapitulate the aesthetics of Hou’s films. Written in English. Includes a Chinese and English abstract, bibliography, and filmography. NCL/NDLTD Eng
1990s, including Chen Kaige, Tian Zhuangzhuang, Hou Hsiao-hsien, and Edward Yang. Includes a filmography, bibliography and an index. WorldCat Chi
1027 1024
Mei xue yu shu min: 2008 Taiwan “Hou xin dian ying” xian xiang guo ji xue shu yan tao hui lun wen ji / Zhong yan yan jiu yuan wen zhe yan jiu suo. Ѥѹӿ⋚ھ: 2008 ݡஹ “ћЈӇ”ؙѳࢣлগѹफ୳क़Ͼںҹओ / Ѕ႑୳ૢࡨҹᎻ୳ૢӛ. Taibei: Zhong yang yan jiu yuan wen zhe yan jiu suo, 2009. 269 p. Note: A collection of essays from the international symposium Aesthetics and Common People: 2008 Taiwan Post-New Cinema Phenomenon, hosted by Academia Sinica, October 29–30, 2009, in Taiwan. Includes eleven papers focusing on Taiwan Post-New Cinema represented by the box office success Cape No. 7 (2008). Includes a bibliography at the end of each paper. WorldCat Chi
Lin, Chi-fan. Fiction and film in Taiwan, 1960s to 1980s: narratives, politics, and aesthetics. 208 p. Note: Thesis (Ph.D.)—New York University, 1999. Comparing eleven works of Taiwanese native-soil literature during the 1960s and 1970s with their film adaptations in the 1980s during the Taiwan New Cinema movement, the paper examines the dynamic relationship between Taiwan’s socioeconomic realities and aesthetic artifacts. Includes a bibliography. WorldCat Eng
1025 Lu, Tonglin. Confronting modernity in the cinemas of Taiwan and Mainland China. Cambridge; New York: Cambridge University Press, 2007, 2002, 2001. 246 p. ISBN 0521806771, 0521037271 (pbk.), 9780521037273 (pbk.) Note: A comparative study of fifth-generation directors in mainland China and Taiwan New Cinema directors in Taiwan conducted to analyze how the interaction and confrontation with Western notions of progress are reflected on the screen. The author focuses on representative directors from the 1980s through the 1990s, including Chen Kaige, Tian Zhuangzhuang, Hou Hsiao-hsien, and Edward Yang. Includes notes, a glossary, bibliography, filmography, and an index at the end of the book. WorldCat Eng
1028 Realism and the audiovisual media / edited by Lucia Nagib, Cecilia Mello. Basingstrike, Hampshire; New York: Palgrave Macmillan, 2009. 257 p. ISBN 9780230577220, 0230577229 Note: A collection of essays that examine two recent phenomena: “the return of realist tendencies and practices in world cinema and television, and the rehabilitation of realism in film and media theory” (abstract). Includes the essay “Observational Realism in Taiwan New Cinema” by Ming-yeh T. Rawnsley. Includes a bibliography and an index WorldCat Eng
1029 Sun, Mingde (Sun, Mi-te). ྒ᎘ख़. Taiwan Jin Ma jiang dian ying hai bao tu xiang fu hao fen xi = Study of image and symbol applied in analyzing the film posters of the Golden Horse Awards in Taiwan (1982–2008). ݡஹެؖ؉Ӈ֖ڻؙՌላىд = Study of image and symbol applied in analyzing the film posters of the Golden Horse Awards in Taiwan (1982–2008). 122 leaves. Note: Thesis (M.A.)—National Taiwan University of Arts, 2010. Assesses potential meanings conveyed by the posters of twelve films awarded best film in Taiwan’s Golden Horse Awards. The author uncovers cultural and artistic changes in posters created during the rise of Taiwan New Cinema. Includes a Chinese and English abstract, bibliography, and interviews with the film poster designers and curator of the film poster collection at the Chinese Taipei Film Archive. NCL/NDLTD Chi
1026 Lu, Tonglin. ‽ረ. Da lu Taiwan wen hua lun tan: xin dian ying yu xian dai xing / Lu Tonglin zhu; Xiao Yu yi. Ͻݡஹҹ٩ںႫ: ЈӇؙӿѳڊԛ / ‽ረЯ; ᖆ⟆ፆ. Xianggang: Xianggang da xue chu ban she, 2004. 325 p. ISBN 9622096395, 9789622096394 Note: The Chinese translation of the author’s text Confronting Modernity in the Cinemas of Taiwan and Mainland China (2002). A comparative study of fifth-generation directors in mainland China and Taiwan New Cinema directors in Taiwan conducted to analyze how the interaction and confrontation with Western notions of progress are reflected on the screen. The author focuses on representative directors from the 1980s through the
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1030 249 p. ISBN Note:
1030 Taiwan dian ying xin xin lang chao = New Taiwan cinema in the 1990s / Cai tuan far en dian ying tui guang ji jin hui zhu. ݡஹӇؙЈЈع = New Taiwan cinema in the 1990s /֚ࣗϪӇ ؙԐܰऴؖϾഹЯ. Taibei: Wan xiang tu shu, 2001. 456 p. ISBN 9572708902, 9789572708903, 9572708910, Note: Based on author Jim Cheng’s research, only the National Central Library has a record of this book in their online catalog; however, he could not find the book when researching there, nor could the NCL staff. NCL Chi
1031 Taiwan xin dian ying er shi nian = 20th Anniversary of Taiwanese New Cinema / Taipei Golden Horse Film Festival Executive Committee. ݡஹЈӇؙԏё = 20th Anniversary of Taiwanese New Cinema / Taipei Golden Horse Film Festival Executive Committee. Taibei: Taipei Golden Horse Film Festival Executive Committee, 2002. 215 p. Note: A bilingual (Chinese and English) text published in celebration of the twentieth anniversary of Taiwan New Cinema (1982–2002). Includes seven film critiques, film synopses of forty-one films, and introductions to twenty-two filmmakers. Includes a chronicle of Taiwan New Cinema and a film history. CTFAL Chi Eng
756334232X The mainland China version, in simplified characters, of the same title published in Taiwan in 1995. Liao Ping-hui states in the foreword that the text’s purpose is to explore the relationship between Western cultural criticism and Chinese cinema of the 1980s and 1990s in mainland China, Hong Kong, and Taiwan. Three essays discuss films of Taiwan New Cinema: Zhan Mingxin’s essay on Edward Yang’s The Terrorizers (1986), Huang Yuexiu’s discussion of Edward Yang’s A Brighter Summer Day (1991), and Liao Chaoyang’s essay on Wang Tung’s Banana Paradise (1989). Includes a bibliography after each essay and a contributor introduction at the end of the book. WorldCat Chi
1034 Wu, Qiyan. ྶԷ᷀. Di du kai fa de hui yi, yi zhong yi lei ying ping. ࠍ֏ычϡҘশ, ϣ҆ढؙ߰. Taibei: Tang shan chu ban she, 1993. 218 p. Note: Consists of five parts: Parts 1 and 2 discuss Taiwan films in the 1980s, mainly Taiwan New Cinema and Hou Hsiao-hsien’s films; Part 3 explores the relationship between Taiwan film and “Third World Cinema”; Part 4 introduces films produced in Eastern European countries during the Soviet era; and Part 5 describes links between psychology and the experience of film. Includes a bibliography. CTFAL Chi
1032 Wen hua pi ping yu hua yu dian ying = Cultural Criticism and Chinese cinema / Zheng Shusen bian. ҹ٩߰ӿܭܓӇ = ؙCultural Criticism and Chinese cinema / ቼ கာഹ. Taibei: Mai tian chu ban you xian gong si, 1995. 366 p. ISBN 9577083102 Series title: Mai tian ren wen; 9 ೧Ϫҹ; 9 Note: Liao Ping-hui states in the foreword that the text’s purpose is to explore the relationship between Western cultural criticism and Chinese cinema of the 1980s and 1990s in mainland China, Hong Kong, and Taiwan. Three essays discuss films of Taiwan New Cinema: Zhan Mingxin’s essay on Edward Yang’s The Terrorizers (1986), Huang Yuexiu’s discussion of Edward Yang’s A Brighter Summer Day (1991), and Liao Chaoyang’s essay on Wang Tung’s Banana Paradise (1989). Includes a bibliography at the end of each essay. WorldCat Chi
1035 Xi lian ren sheng: Hou Xiaoxian dian ying yan jiu = Passionate detachment: Films of Hou Hsiao-hsien / Lin Wenqi, Shen Xiaoyin, Li Zhenya bian. ۚߧϪТ: ᢡᖮᐊӇؙ傘ૢ = Passionate detachment: Films of Hou Hsiao-hsien / ҹᚉ, ཁ᱘, ଽዄਐഹ. Taibei: Mai tian chu ban gu fen you xian gong si, 2000. 389 p. ISBN 9577089534 (pbk.) Series title: Mai tian ren wen; 33 ೧Ϫҹ; 33 Note: This collection of essays provides arguably the most broad and in-depth study of Hou Hsiao-hsien’s films up to the year 2000, written by scholars from Taiwan, Hong Kong, and United States. NTUL Chi
1036 Xiaoye, 1951– Щఀ, 1951– Bai ge wu yu. Ձܭ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1988. 237 p.
1033 Wen hua pi ping yu hua yu dian ying / Zheng Shusen bian. ҹ٩߯ԁܬܗӈ ؙ/ ችஔာ൜. Guilin: Guangxi shi fan da xue chu ban she, 2003.
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1041
Series title: Ren jian cong shu; 138 ϪҼᜣ ;ڣ138 Note: The sequel to the author’s first such book, published in 1986. Contains a preface written by the famous Taiwan New Cinema director, Edward Yang. Collects the author’s various musings on his interactions with Taiwan New Cinema’s milieu and participants. CTFAL Chi
1039 Xin dian ying zhi wai / hou / Mizou, Liang Xinhua bian. ЈӇؙҏ֔ / ћ / ࣿҵ, ᅯЈܓഹ. Taipei: Tang shan chu ban she, 1994. 240 p. ISBN 9578900090 Series title: Zhan zheng ji qi cong kan; 13 ڕৎҚॆᜣᑂ; 13 Note: Following in sequence with a work of the same title “Xin dian ying zhi si,” published in 1991, this text analyzes Taiwan cinema movements that occurred concurrently with Taiwan New Cinema, such as Taiwan nonmainstream and alternative media, independent filmmaking, and documentary film movements. Also contains the latest works of the time by Taiwan New Cinema directors, such as Edward Yang, Lan Shengchuan, Tsai Ming-liang, Xu Xiaoming, and Wang Tung. Includes a bibliography. CTFAL Chi
1037 Xiaoye, 1951– Щఀ, 1951– Yi ge yun dong de kai shi. ϣϫػҁϡы״. Taibei: Shi bao chu ban gong si, 1986. 284 p. Series title: Ren jian cong shu; 54 ϪҼᜣ ;ڣ54 Note: Although not an academic work, this text is a readable collection of essays, diaries, letters, interviews, and prose that touches on a broad series of topics, including the author’s daily experiences at Zhong ying (Central Motion Pictures Company) as he managed film production issues; personal anecdotes regarding his relationship with some of the most famous Taiwan film directors, screenwriters, and Zhong ying studio officials; comparative reviews on Hong Kong and mainland China films; and, most important, his records and comments, as an insider, about the birth of the Taiwan New Cinema movement during the early 1980s. WorldCat Chi
1040 Xin Yazhou dian ying mian mian guan / Jiao Xiongping bian. ЈਐರӇؙӌӌ / ဖ๔ഹ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1991. 239 p. ISBN 9573214547 Note: A collection of essays focusing on the “New Asian Films.” Two essays are of note: Jiao Xiongping’s essay deals with the growing pains faced by Taiwan, Hong Kong, and mainland China film industries during the late 1980s and early 1990s when cooperation among film producers outpaced the uncooperative political, commercial, and economic systems that remained in place. Meanwhile, Zhang Cangyan’s essay describes the relationship between Taiwan’s film tradition and the emergence of New Taiwan Cinema in 1982. NTUL Chi
1038 Xin dian ying zhi si—cong “Yi qie wei ming tian” dao “Bei qing cheng shi” / Mizou, Liang Xinhua bian. ЈӇؙҏӚ—ԩ “ϣܷЊҴϳ” Ϻ “є”صڵ/ ࣿҵ, ᅯЈܓഹ. Taipei: Tang shan chu ban she, 1991. 236 p. Series title: Zhan zheng ji qi cong kan; 3 ڕৎҚॆᜣᑂ; 3 Note: A collection of essays critical of Taiwan New Cinema director Hou Hsiao-hsien and his acclaimed film A City of Sadness (1989). Several essays declare that the death of Taiwan New Cinema occurred in 1988 when Hou Hsiao-hsien and other Taiwan New Cinema directors delivered a “Taiwan Film Memoratum” in 1987 and then agreed to make the government policy film Everything for the Events of Tomorrow for Taiwan’s Defense Department in 1988. Most of the film reviews of Hou Hsiao-hsien’s film A City of Sadness (1989) take both a negative view of the director’s portrayal of the February 28 Incident and the film as a whole. Also includes a negative review of Taiwan’s so-called first independently made film, The Man from the Island West (1990). Includes a bibliography. CTFAL Chi
1041 Yan, Huizeng. ୶Ҷ. Shen sheng yu shi su: cong dian ying de biao mian jie gou dao shen ceng jie gou. ظӿԒཞ: ԩӇؙϡԣӌְภϺٹৡְภ. Taibei: Yuan liu chu ban gou si, 1992. 246 p. ISBN 9573216639 Series title: Dian ying guan; 28 Ӈؙఖ; 28 Note: A collection of essays on film theory and Taiwan film reviews. NTUL Chi
187
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1042 1042
1045
Yan, Shikai. ୶ࡲᏎ. Zhan zhe zuo ai: dian ying yu xing = Stand to make love. ۖа҂Д: Ӈؙӿԛ = Stand to make love. Taibei: Bo shi ke ji yi shu, 2005. 370 p. ISBN 9867224698 Series title: Zhuan jia zhi zao; b02034 ֟р३߃; b02034 Note: Explores the indirect, hidden sexual content and innuendos presented in mainstream films produced in Hong Kong, Taiwan—including Taiwan New Cinema—and films from other countries to expound on the political subtext of such representations. The book cover carries an “18 and older” marking. CTFAL Chi
Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. A national score: popular music and Taiwanese cinema. 263 leaves. Note: Thesis (Ph.D.)—University of Southern California, 1995. An interesting study of the relationship between popular music, cinema, and national identity in Taiwan from the 1970s to the 1990s. Explores multiple relevant interrelationships between popular music and Taiwan cinema, including the inclusion of popular songs in the 1970s policy films and romantic melodramas, the exclusion of pop music in Taiwan New Cinema in the 1980s, and the return of popular music in commercial films of the 1990s, thus revealing “a national identity characterized by shifting loci of commerce, politics, and art” (abstract). As a serious academic work, it provides many interesting perspectives based on in-depth research and substantial evidence. It states, however, that “A huge massacre occurred in 1945 when many Taiwanese rose up against the semi-colonial governance of the National Party” (l. 2), which is possibly miswritten, for if Dr. Yeh is referring to the February 28 Incident, this event occurred in 1947. Includes a filmography (pp. 243–247) and bibliography (pp. 248–263). WorldCat Eng
1043 Yang Dechang—Taiwan dui shi jie ying shi de gong xian / Huang Jianye deng zuo. ख़ቾ—ݡஹхԒ֎Ӈؙϡᕠຶ / ࢶࠃҳӑ. Taibei: Yue sheng wen hua shi ye you xian gong si, 2007. 210 p. ISBN 9789576307300 Series title: Taibei Jin Ma ying zhan cong shu, 2007; 3 ࣁؙެؖܚݡᜣڣ, 2007; 3 Note: A special collection of essays that systematically review Edward Yang’s eight films. Includes an Edward Yang chronology compiled by Qu Guizhi. NTUL Chi
1046 Yip, June Chun, 1962– Colonialism and its counter-discourses: On the uses of “nation” in modern Taiwanese literature and film. 2 v. (415 leaves.) Note: Thesis (Ph.D.)—Princeton University, 1996. Explores the formation of Taiwanese Nationalism and Identity by analyzing 1960s and 1970s Hsiang-tu (Native) literature and 1980s New Taiwan Cinema. Analyzes writer Huang Chunming (Hwang Chun-ming) and his works and film director Hou Hsiao-hsien and his films. Includes bibliography and list of films by Hou Hsiaohsien. WorldCat Eng
1044 Yang, Shifan. Ԓఅ. Ren wu yan shuo yu Taiwan xin dian ying—yi xiang zhi shi she hui xue de yan jiu. ϪߞМӿݡஹЈӇ—ؙϣ࣯ҌࡦघϾѹϡ୳ૢ. 154 p. Note: Thesis (M.A.)—National Taiwan University, 1991. Discusses Taiwan’s social condition represented in Taiwan New Cinema of the 1980s by analyzing the social networks presented in the films and by in-depth interviews to acquire personal accounts. Includes five chapters: Chapters 1 and 2 provide a review of Taiwan New Cinema. Chapter 3 describes the theoretical framework and methods and divides the fifty-five Taiwan New Cinema interviewees into three groups: (1) reporters, critics, and scholars; (2) screenwriters, directors, and important technicians; and (3) producers and policy makers. Chapter 4 assesses interview results, and Chapter 5 provides a conclusion. Includes a bibliography and filmography. NTUL Chi
1047 Zhang, Shilun (Chang, Shih-lun). פԒൔ. Taiwan “Xin dian ying” lun shu xing gou zhi li shi fen xi (1965–2000) = Discursive formation of “Taiwanese New Cinema” : a historical analysis (1965–2000). ݡஹ “ЈӇں ”ؙ࣏ภҏࣵд (1965–2000) = Discursive formation of “Taiwanese New Cinema” : a historical analysis (1965–2000). 141 leaves.
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Historiography
Note:
1052
Thesis (M.A.)—National Chengchi University, 2001. Analyzes the discursive formation of Taiwan New Cinema, the influence of Western Art Cinema on Taiwan New Cinema, and the historical relationship between Taiwan New Cinema and the popular Golden Horse Awards. Also covers traditional topics in the field: the disconnect between Taiwan New Cinema and the local film industry, the government’s transition from passive involvement in the 1980s to active involvement in the 1990s, the establishment of the Guidance Fund for Domestically Produced Films and participation in international film festivals, and the decline of Taiwan’s film industry in the 1990s. Includes a Chinese abstract, a bibliography, and charts of international and domestic box office records of Hou Hsiao-hsien and Edward Yang’s Films (1983– 1988), percentage of the domestically produced films that were sent for censorship and received the Guidance Fund (1980–1999), and films that received the Guidance Fund. NCL/NDLTD (FT) Chi
Series title: Wen hua shou bian ce; 45 ҹ٩Ѳנೠ; 45 Note: Uses the theory of historiophoty as a cross-disciplinary method of analysis between history, cinema, and television to discuss the film The Opium War (1997), jointly produced by mainland China, Taiwan, and Hong Kong, as a case study. Includes a bibliography (pp. 165–166). WorldCat Chi
5.11
MUSIC AND SOUNDTRACK COMPOSITION
1050 Dai, Hongxuan. ඕᤃ. Tan dian ying pei yue. ডӇࡈؙӀ. Taibei: Wen kai yin yue yi shu gong si, 1975. 115 p. Note: Describes how to compose affective soundtracks and the relationship between film and music; includes several Taiwan films with accompanying film scores as case studies. Includes a section of Tchaikovsky’s “Piano Concerto No. 1.” CTFAL Chi
1048 Zhongguo dian ying, dian ying Zhongguo: Hai xia liang an dian ying xue shu jiao liu yan tao hui lun wen ji / Bian ji Zhang Shufen, He Shihuang. ЅлӇؙ, ӇؙЅл: ᒘҔӇؙѹफےԵ୳क़Ͼںҹओ / ഹফ פᎂᐇ, حԒᑟ. Taibei: Zhonghua Minguo shi jue chuan bo yi shu xue hui, Furen da xue da zhong chuan bo xi, 1993. 182 p. Note: A collection of papers presented at a film symposium hosted by Taiwan Fu Jen Catholic University and the R.O.C. Visual Art and Communication Association on December 29–30, 1992. The symposium provided the opportunity for film scholars on both sides of the Taiwan Strait to exchange ideas in their research fields. Includes twelve papers; three assess contemporary Taiwan film—“Taiwan Film Industry Moving Out of the 20th Century” by Chen Qinghe, “Local Identity Realization in Taiwan New Cinema” by Wang Wei, “Identity of Aboriginals in Taiwan Cinema” by Qi Longren—and one offers a comparative study of mainland, Taiwan, and Hong Kong films—“Meaning of ‘China Code’ in Chinese Films” by Chen Ruxiu. WorldCat Chi Eng
1051 Huang, Xinzhang. ࢶҞᔛ. Li Linqiu yu Wang Chun Feng de nian dai. ଽெڠӿֳࡇգϡёڊ. Taibei: Taibei shi wen xian wei yuan hui, 2009. 185 p. ISBN 9789860181555 Note: A biography of Li Linqiu, a popular composer, screenwriter, and producer of Taiwanese-dialect films; his famous works include the Taiwanese-dialect popular song, “Wang Chun Feng” written in 1933, and the film of the same title in 1937. Includes lyrics from 186 Taiwanese-dialect popular songs written by Li Linqiu, and an appendix with published song lyrics, film stories, screenplays, a chronology, and a bibliography. CTFAL Chi
1052 5.10
HISTORIOGRAPHY
Lan, Zuwei. ঢྥ. Sheng yu ying: 20 wei zuo qu jia tan Hua yu dian ying yin yue chuang zuo = Film music composers. كӿؙ: 20֧ӑॽрডܭܓӇٸؙӀࡶӑ = Film music composers. Taibei: Mai tian chu ban, 2001. 295 p. ISBN 9574697517 Series title: Mai tian ying yin guan; 01 ೧ٸؙఖ; 01
1049 Zhang, Guangzhi. ܰפ. Ying shi shi xue = Historiophoty. ؙ؆ѹ = Historiophoty. Taibei: Yang zhi wen hua shi ye gu fen you xian gong si, 1998. 166 p. ISBN 9578446861
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1053 Note:
A collection of the author’s interviews with twenty famous film music composers from Taiwan, Hong Kong, and mainland China. CTFAL Chi
The appendix includes the best-selling records of film music in Taiwan from 1995 to 1996 and the Golden Horse film music award-winning films. CTFAL Chi
1053 5.12
Liu, Wanli. ᙙᰆ. Ying yue, yue ying—dian ying pei yue wen lu. ؙӀ, Ӏ—ؙӇࡈؙӀҹ࠷. Taibei: Yang zhi wen hua shi ye gu fen you xian gong si, 2000. 182 p. ISBN 9578180896 Series title: Yang zhi yin yue ting; 12 เٸӀ; 12 Note: A collection of the essays that discuss world film music composers and film soundtracks. CTFAL Chi
POSTCOLONIAL THEORY
1056 Chen, Ruxiu (Chen, Ru-shou Robert). ᭉ. Dian ying di guo, ling yi zhong zhu shi: dian ying wen hua yan jiu. Ӈؙл, ࡔϣ҆ڀ؆: Ӈؙҹ٩୳ૢ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1995. 264 p. ISBN 9576697344 Series title: Yi shu fang; 16 ਲ ;ࠚڣ16 Note: A collection of the author’s essays organized into three sections: (1) cultural, gender, psychological, and comparative analyses of Taiwan films of the 1990s; (2) mainland China films; and (3) Taiwan film through the lens of postcolonial theory. Essays of note include a study of mental illness in Taiwan films, and a psychological study of Hou Hsiao-hsien’s film A City of Sadness (1989). Includes a bibliography. CTFAL Chi
1054 Liu, Xiuting. ഫ. Zeng Zhongying de yin yue sheng ya. ߲ᓶؙϡٸӀТᄇ. Yilan: Guo li chuan tong yi shu zhong xin, 2002. 140 p. ISBN 9570125624 Series title: Chuan tong yin yue ji lu, ge zai xi juan ٸࢃةӀফ࠷, ܮ௩ۚඵ Note: A biography of Zeng Zhongying, a ge zai xi (Local Taiwanese Opera) and film music composer. Includes nine chapters; Chapter 7 focuses on Zeng’s career as a film music composer. The appendix includes chronology, family tree, song lists, and music scores. Includes a bibliography. CTFAL Chi
1057 Chinese-language film: historiography, poetics, politics / edited by Sheldon H. Lu and Emilie Yueh-yu Yeh. Honolulu: University of Hawai’i Press, 2005. 413 p. ISBN 0824828135 (alk. paper), 9780824828691 (pbk.: alk. paper), 0824828690 (pbk.: alk. paper) Note: This edited volume “covers the cinematic traditions of mainland China, Taiwan, Hong Kong, and the Chinese diaspora from the beginning of Chinese film history to the present moment” (p. 2). Part I. Historiography, Periodization, Trends includes articles that either address Chinese film history broadly or different significant movements within Chinese cinema; Part II. Poetics, Directors, Styles provides “lucid, synchronic, structural(ist), transhistorical accounts of the poetics and aesthetics of Chinese film as an integral part of world cinema” (p. 15). Interesting studies include the essay by Mary Farquhar and Chris Berry: “Shadow Opera: Toward a New Archaeology of the Chinese Cinema,” which states :“If civilized plays are cinema’s stepmother, then opera is the mother in terms of first film productions, whether on the mainland (1905) or in Hong Kong (1909). Opera films were also the first productions in major regional language films, Cantonese (1933) and Taiwanese (1954)” (p. 51). Other Taiwan film or related comparative film studies essays include Meiling Wu’s “Postsadness Taiwan New Cinema: Eat, Drink, Everyman, Everywoman,” Emilie Yueh-yu Yeh’s
1055 Wang, Jie’an. ࣼೀԥ. Dian ying yin yue fa shao shu = Movie music. ӇٸؙӀч = ڣMovie music. Taipei: Ping shi chu ban you xian gong si, 1996. 255 p. ISBN 9578031165 Series title: Ping shi cong shu; di san shi si zhong כᖐᜣ ;ڣҷѧ҆ף Note: Considers the relationship between film and music, and discusses world film music composers. Chapter 5 presents Chinese film music, including the music in Tian Zhuangzhuang, Ang Lee, and Lan Shengchuan’s films, and introduces the composers Zhao Jiping (mainland China), Shi Jieyong (Taiwan), Tan Dun (mainland China), Xiaochong (Taiwan), and Chen Mingzhang (Taiwan).
190
Scenery and Set Design
1062
“Poetics and Politics of Hou Hsiao-hsien’s Films,” Sheldon H. Lu’s “Crouching Tiger, Hidden Dragon, Bounding Angeles: Hollywood, Taiwan, Hong Kong, and Transnational Cinema,” Darrell W. Davis’s “Borrowing Postcolonial: Wu Nien-chen’s Dou-san and the Memory Mine,” and Shao-ying Shen’s “Locating Feminine Writing in Taiwan Cinema: A Study of Yang Huishan’s Body and Sylvia Chang’s Siao Yu.” Includes filmography, Chinese glossary, bibliography, notes on contributors, and an index. WorldCat Eng
career (pp. 224–225) in Shanghai; presents the story of the 1943 film The Bell of Sayon (pp. 279–280), a film that depicts Taiwanese aboriginal peoples and remains the only Japanese colonial feature film made in Taiwan that can still be seen; and includes editor Liao Ping-Hui’s essay which notes the vastly different views of Taiwan’s colonial and postcolonial history held by former president Lee Tenghui and the views presented in the films directed by the famous New Taiwan Cinema directors Hou Hsiao-hsien and Wu Nien-chen (pp. 2–3). Includes a bibliography and an index. WorldCat Eng
1058 1061
Hong, Guo-Juin. Taiwan cinema: a contested nation on screen. New York, NY: Palgrave Macmillan, 2011. 246 p. ISBN 0230111629, 9780230111622 Note: This is the first English work to cover the entire history of Taiwan cinema. It is divided into two parts: Part I, Genres, which deals with the following time periods: pre-1945, 1955–1970, 1964–1980, and 1980– 1982; and Part II, Style, which starts with the time period of 1982–1986 and concludes with two chapters that describe the current film landscape in Taiwan: “Island of No Return: Cinematic Narration as Retrospection in Wang Tung’s Taiwan Trilogy and Beyond” and “Anywhere but Here: the Postcolonial City in Tsai Ming-Liang’s Taipei Trilogy.” With rich historical materials and close analysis based on cinematic case studies, the work focuses on the theme of “a contested nation on screen.” Includes a bibliography and an index. WorldCat Eng
Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. Ge sheng mei ying: ge qu xu shi yu Zhong wen dian ying = Phantom of the music: song narration and Chinese-language cinema. كܮຓؙ: ॽܮᡳѨӿЅҹӇ = ؙPhantom of the music: song narration and Chinese-language cinema. Taibei: Yuan liu chu ban gong si, 2000. 244 p. ISBN 9573241552 Series title: Dian ying guan; 91 Ӈؙఖ; 91 Note: A collection of the author’s essays on popular music in Chinese films produced in Taiwan, mainland China, and Hong Kong. The English titles of the eight essays are as follows: (1) “Two Histories: Notes on Taiwanese Cinema and Popular Songs”; (2) “Sinification and Historiography: Music in Chinese Films of the 1930s”; (3) “Beyond Visual Narration: College Folk Songs and Policy Films”; (4) “Victory Popular Music and the Patriotic Imaginary”; (5) “A Life of Its Own: Musical Discourses in Wong Kar-Wai’s films”; (6) “Postcolonial Rock: A Bright Summer Day and Historical Memory”; (7) An Immigrant’s Suitcase: “Comrades, Almost a Love Story”; (8) “Noise Reduction: Rock’n Roll in Chinese-Language Films.” Includes an English table of contents and abstracts. CTFAL Chi Eng
1059 Nguyen, Uyen. Orientalist visuality in a postcolonial context: a critical interrogation of theoretical positions advanced in Rey Chow’s primitive passions, with discussions of pertinent films made in China, Hong Kong, Taiwan, Australia, France & Vietnam. 178 leaves. Note: Thesis (M.A.)—Monash University, 2002. By using postcolonial theory advanced by Rey Chow, the author studies films produced in China, Hong Kong, Taiwan, Australia, France, and Vietnam. Includes a bibliography. WorldCat Eng
5.13
SCENERY AND SET DESIGN
1062 Guang ying ji xing: Gaoxiong xian ying shi kan jing shou ce = Journey to cinema: a guide book for film-makers on locations in Kaohsiung county / Zhou Jiarong zhu bian; Huang Zhengyue she ying. ׇؙઔҲ: ҙؙ້؆ Ѳೠ = Journey to cinema: a guide book for film-makers on locations in Kaohsiung county / رрึҰഹ; ࢶ Ԝៈؙ. Gaoxiong: Gaoxiong xian zheng fu, 2009. 183 p. ISBN 9789860191172 Note: This is a bilingual, pictorial guidebook prepared by the Kaohsiung County Government for filmmakers who may want to choose Kaohsiung as their film’s setting. Presents
1060 Taiwan under Japanese colonial rule 1895–1945: history, culture, memory / edited by Liao Ping-Hui and David Der-Wei Wang. New York: Columbia University Press, 2006. 416 p. ISBN 0231137982 Note: A comprehensive work that captures the history, culture, and memory of Japanese colonial rule in Taiwan. It does not, however, provide a serious discussion of cinema during the time period discussed, with an exception of the following: includes descriptions of Liu Na’ou’s
191
Film Theory and Technique
1063 comments from directors who have used Kaohsiung’s natural, historical, and cultural landmarks in their films. Includes directions for Kaohsiung County film subsidies and Kaohsiung county accommodation information. CTFAL Chi Eng
years as a film director (1983–2004). It includes twentyseven sites in Kaohsiung City, thirteen sites in Kaohsiung County, and nine sites in Pingtung County. The author states in the preface that he hoped to create a “Filming Site Guide Book” for southern Taiwan. Includes photos, maps, contact information, and a CD-ROM. NTUL Chi Eng
1063 Hai shan quan shi: Taiwan dian ying pai she jing dian ji zhi zuo dao lan II = Imaging a paradisal landscape: cinema location and production guide in Taiwan II / Hou chang yin xiang ji lu gong zuo shi qi hua zhi zuo. ځ: ݡஹӇޛؙѡߵ३ӑ࣒ऋ II = Imaging a paradisal landscape: cinema location and production guide in Taiwan II / ћԾ ٸՌઔ࠷֞ӑॣఌ३ӑ. Taibei: Xing zheng yuan xin wen ju, 2005. 173 p. ISBN 9860010161 Note: A Taiwan cinema location and production site guidebook. The second volume in a two-volume series; the first volume is entitled: Proceed from the Sea, Follow the Waves: Cinema Location and Production Guide in Taiwan” edited by Ji Yalan and published in 2004. NCL Chi
1066 Liang, Jiawei (Liang, Jia-wei). ᅯр໖. Yi After Effect ruan ti ji shu yun yong yu shi jing he cheng zhi tan tao = Using After Effect as a tool of composition computer graphics to live scenes. й After Effect લՂफػѓҿӢׁюҏ෬क़ = Using After Effect as a tool of composition computer graphics to live scenes. 49 leaves. Note: Thesis (M.A.)—National Taiwan University of Science and Technology, 2009. Focuses on “compositing computer graphics to live scenes” in Taiwan film production; explains an efficient procedure for integrating three-dimensional animation into low-budget short films. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi
1064 Hai yang chu fa, shui de wen lu: Taiwan dian ying pai she jing dian ji zhi zuo dao you = Proceed from the sea, follow the waves: cinema location and production guide in Taiwan / Ji Yalan bian ji. ଥоч, һϡඌբ: ݡஹӇޛؙѡߵ३ӑׂ࣒ = Proceed from the sea, follow the waves: cinema location and production guide in Taiwan / ઔ୪ഹফ. Taibei: Xing zheng yuan xin wen ju, 2004. 167 p. ISBN 9570170530 Note: A bilingual Taiwan cinema location and production site guidebook. Includes the following sections: Recommendation Lists from the Motion Picture Industry in Taiwan, Appendix—Laws Relevant to the Motion Pictures Industry in Taiwan: The Motion Picture Act-Article 39–1, Application for Foreign Film Crew Members Coming to Taiwan and Bringing in Foreign Equipment, and Regulations Governing Rewards for Participation in International Film Festivals by CoProduction Motion Pictures. Includes photos, maps, and two DVDs. NCL Chi Eng
1067 Pai Taibei: ying shi kan jing zhi nan = Taipei cinema location guide / Rao Zijuan zhu bian. ܚݡޛ: ؙ؆ = ۪܋Taipei cinema location guide / ᓔཎᥱҰ ഹ. Taibei: Taibei shi dian ying wei yuan hui, 2009. 199 p. ISBN 9789868468603 Note: A bilingual (Chinese and English) guidebook to Taipei’s cultural areas, scenic spots, and filming sites. Important information is included in the appendix, including Production Subsidies in Taipei, Directions for Funding Foreign Motion Picture Production Enterprises to Produce Motion Pictures in Taiwan, Regulations Governing Tax Credit for Businesses Investing in Motion Picture Production Enterprises for the Production of Domestically Produced Motion Pictures, Current Preferential Taxation Policies on Films, and a Directory of Motion Picture Industry in Taiwan. NTUL Chi Eng
1065 Li, Youning (Lee, You-ning), 1951– ଽⷵો, 1951– Nan Taiwan: dian ying dao yan zhen cang de pai pian chang jing = Zoom in Southern Taiwan. ۪ݡஹ: Ӈੵؙ࣒ࠟেϡޛәԾ = Zoom in Southern Taiwan. Gaoxiong: Gaoxiong shi xin wen chu, 2005. 147 p. ISBN 9860020108 Note: A bilingual (Chinese and English) work that presents the author/director’s favorite filming sites in Southern Taiwan based on his experience of more than twenty
5.14
SCREENPLAY WRITING
1068 Feng, Jishi. ᫄গ䉕. Xiao shuo gai bian yu ying shi bian ju / Feng, Jishi bian yi. ЩМۨഹӿؙ؆ഹঁ / ᫄গ䉕ഹፆ. Taibei: Shu lin chu ban you xian gong si, 1988.
192
Screenplay Writing
679 p. Note:
1077 1073
A work on film adaptation and scriptwriting. CTFAL
Zhang, Juemin. פңھ. Dian ying bian ju. Ӈؙഹঁ. Taibei: Yang zhi wen hua shi ye gu fen you xian gong si, 1992. 342 p. ISBN 9579091099 Note: A work on screenplay writing. CTFAL Chi
Chi
1069 Liu, Wenzhou. ҹر. Dian ying, dian shi bian ju de yi shu. Ӈؙ, Ӈ؆ഹঁϡਲफ. Taizhong: Guang qi chu ban she, 1984. 252 p. Series title: Wen yi cong shu ҹਲᜣ\ڣ Note: Describes the art of television and film scriptwriting. CTFAL Chi
1074 Zhang, Juemin. פңھ. Dian ying bian ju = The playwright of movies. Ӈؙഹঁ = The playwright of movies. Taibei: Yang zhi wen hua shi ye gu fen you xian gong si, 1997. 474 p. ISBN 9578446284 Series title: Dian ying xue yuan Ӈؙѹᮛ Note: A work on screenplay writing. CTFAL Chi
1070 Liu, Yibing. ขϣഈ. Xu gou de zi you: dian ying ju zuo ben ti lun / Liu Yibing, Zhang Min. พϡІۥ䩭ӈؙӑӆՄ ڹ/ ขϣഈ䩟ھצ. Beijing: Zhongguo dian ying chu ban she, 2002. 467 p. ISBN 7106018279, 9787106018276 Series title: Xin shi ji dian ying xue lun cong ЈԒઓӈؙѺڹᜥ Note: Explores fictional leeway evident in screenplays by Chu T’ien-wen from Taiwan and Wong Kar-wai from Hong Kong, and uses their respective scripts as case studies. Include a bibliography. WorldCat Chi
1075 Zhang, Juemin. פңھ. Shi yong dian ying bian ju = Screen writing for film. ӢѓӇؙഹঁ = Screen writing for film. Taibei: Yang zhi wen hua shi ye gu fen you xian gong si, 2008. 506 p. ISBN 978957818952 Series title: Dian ying xue yuan Ӈؙѹᮛ Note: A work on screenplay writing. CTFAL Chi
1071 Xu, Tianrong. ጝϳึ. Tu po: Chuang zuo dian feng. ߷: ࡶӑᠩ. Taibei: Ya tai tu shu chu ban she, 2008. 285 p. ISBN 9789867809506 Series title: Taiwan dian ying yan jiu cong shu ݡஹӇૢ୳ؙᜣڣ Zhonghua Minguo dian ying xi ju xie hui ying ju cong shu ЅھܓлӇঁؙۚϾঁؙᜣڣ Note: A work on screenplay writing. CTFAL Chi
1076 Zhang, Mingyu. פҴർ. Mu qian mu hou. ටӓ௷ћ. Jiayi shi: Yuan da wen hua, 1978. 224 p. Note: An autobiographical work by Zhang Mingyu, a recognized singer, dancer, and screenwriter in Taiwan. Includes a detailed description of writing the screenplay for, and the filmmaking of, Hua fei hua (Soung Tsun-Shou, 1978). CTFAL Chi
1072 Ying shi ju ben zhuan xie ge shi yan tao hui hui yi ji lu / Zhao yang ke ji da xue bian. ؙ؆ঁӆ᫃۴ܴ୳क़ϾϾ৶֮࠷ / ச॓ݷϽѹഹ. Taizhong: Zhao yang ke ji da xue, 2001. 39 p. Note: Proceedings from a conference on the technical formats of screenplay writing. CTFAL Chi
1077 Zhang, Mingyu. פҴർ. Ren sheng ru xi. ϪТҒۚ.
193
Film Theory and Technique
1078 Monterey, CA: Evergreen Pub., 2003. 301 p. ISBN 193225904X (pbk.), 9781932259049 (pbk.) Note: A personal reflection on, and insight into the profession of, screenwriting. WorldCat Chi
5.15
1079 Li, Ling. ଽᾐ. Zhuan ye ying shi te xiao zhi zuo da quan = After Effects / Premiere Pro. ؙ֟؆ئ३ӑϽҪ = After Effects / Premiere Pro. Taibei: Dian mao ren wen hua, 2006. 404 p. ISBN 9867075293 Note: An introduction to two software programs, After Effects and Premiere Pro, which are used for special effects and animated filmmaking. CTFAL Chi
SPECIAL EFFECTS
1078 Ji, Weiguo. ઔ໖л. Dian ying zhong de xian dai mo shu. ӇؙЅϡѳڊತफ. Xinzhu: Fan yi chu ban she, 2000. 150 p. ISBN 9576944295 Series title: Xian dai ke xue ji shu cong shu ѳ॓ڊѹफᜣڣ Note: A basic introduction to film history, theory, production, and special effects. CTFAL Chi
1080 Wu zi tian shu / Zhu bian Gao Zhihao. ѩܒϳ ڣ/ Ұഹҙൻ. Taibei: Yun shui chu ban she, 1978. 186 p. Note: Presents examples of special effects in Western films; also describes the special effects used in the Taiwanese film Wu zi tian shu (The Phoenix; Chang Mei-chun, 1978) as well as reviews of the special effects in the film. CTFAL Chi
194
6 Interdisciplinary Studies
6.1
COMPARATIVE FILM STUDY
1084 Chen, Shuli, 1966– Cinemas and the cities: spatiality in Taiwanese, Mexican, and Iranian urban films. 219 leaves. Note: Thesis (Ph.D.)—University of Washington, 2009. A comparative study of urban films from Taiwan, Mexico, and Iran. Includes a bibliography. WorldCat Eng
1081 Asian cinema—yesterday, today and tomorrow / edited by Myungkyu Park. Seoul: Korea Film Archive, 2002. 348 p. Note: Proceedings from the Fifty-Eighth Congress of the International Federation of Film Archives, Seoul, 2002. Includes papers introducing film archive works in various Asian countries, including the paper “Films WellMade and Kept in Taiwan: A Brief Introduction t to the Film Industry, Film Databases and Film Archive in Taipei” by Feiyi Lu. WorldCat Kor Eng
1085 Contemporary Asian cinema: popular culture in a global frame / edited by Anne Tereska Ciecko. Oxford; New York: Berg, 2006. 250 p. ISBN 9781845202361, 1845202368, 9781845202378, 1845202376 Series title: Asian cinema series Note: An introduction to popular Asian cinema, including the essay “Taiwan: Popular Cinema’s Disappearing Act” by Emilia Yueh-yu Yeh. Includes a bibliography and an index. WorldCat Eng
1082 Carruthers, Lee. Doing time: timeliness and temporal rhetorics in contemporary cinema. 212 leaves. Note: Thesis (Ph.D.)—University of Chicago, 2008. This is a comparative study of Taiwan film director Cai Mingling (Tsai Ming-Liang) with contemporary film directors Steven Soderbergh (1963–), John Frankenheimer (1930–2002), and François Ozon (1967–). Includes a bibliography. WorldCat Eng
1086 The cinema of small nations / edited by Mette Hjort, Duncan Partie. Bloomington: Indiana University Press, 2007. 250 p. ISBN 9780253351975, 0253351979, 97802532202103, 0253220106 Note: An introduction to the cinema of twelve nations, including an introduction to Taiwan cinema by James Udden. Originally published by Edinburgh University Press, 2007. Includes a bibliography and an index. WorldCat Eng
1083 Carter, David. East Asian cinema. Harpenden: Kamera, 2007. 254 p. ISBN 9781904048688, 1904048684 Note: The films of China, Hong Kong, Taiwan, Japan, and South and North Korea reflect political turmoil, conflict between modern lifestyles and traditional values, and the exchange of cultural heritages and mutual influences. Includes a DVD: Cinema on Road: A Personal Essay on Cinema in Korea by Jang Sun-woo (British Film Institute, 1995: 52 min), a bibliography, and an index. WorldCat Eng
1087 Hasumi, Shigehiko, 1936– ၬӢԳᴧ, 1936– Hikari o megutte: eiga intavy䲚-sh䲚. ׇ䬃䫲䫁䫔䫗 : ྱࡌ䬓䭢䬮䭣䭔䴈ओ. T䲖ky䲖 : Chikuma Shob䲖, 1991. 357 p.
195
Interdisciplinary Studies
1088 ISBN 4480871691, 9784480871695 Series title: Ryumi䲎ru s䲖sho; 9 䭙䭔䭎䬗䴈䭚ᜣ;ڣ9 Note: A collection of interviews with eight famous film directors of the world, including Hou Hsiao-Hsien. Includes a filmography. WorldCat Jpn
Includes a bibliography and an index. WorldCat
6.1.1
Eng
Films in Taiwan, Hong Kong, and Mainland China
1092 1994 Taibei Jin Ma ying zhan zhuan ti te kan; “duan lie” yu “fu he”: zhan wang jiu shi nian dai zhongguo dian ying = 1994 Taipei Golden Horse Film Festival special programs: perspective of Chinese cinemas of the 90s / Te kan zhu bian: Xie Renchang. 1994 ئ֤֟ࣁؙެؖܚݡᑂ; “ऄი” ӿ “ׁ”: ࣁֳ90ёڊЅл Ӈ = ؙ1994 Taipei Golden Horse Film Festival special programs: perspective of Chinese cinemas of the 90s / ئᑂҰഹ: هწቾ. Taibei: Taibei Jin Ma ying zhan zhi xing wei yuan hui, [1994] 139 p. Note: Published to commemorate the 1994 Taipei Golden Horse Film Festival. Primarily focuses on Taiwan and Hong Kong as it provides a survey of Chinese cinemas in the 1990s. Includes a bibliography and filmography. WorldCat Chi
1088 Nguyen, Uyen. Orientalist visuality in a postcolonial context: a critical interrogation of theoretical positions advanced in Rey Chow’s primitive passions, with discussions of pertinent films made in China, Hong Kong, Taiwan, Australia, France & Vietnam. 178 leaves. Note: Thesis (M.A.)—Monash University, 2002. By using postcolonial theory advanced by Rey Chow, the author studies films produced in China, Hong Kong, Taiwan, Australia, France and Vietnam. Includes a bibliography. WorldCat Eng
1089 Server, Lee. Asian pop cinema: Bombay to Tokyo. San Francisco, CA: Chronical Books, 1999. 132 p. ISBN 0811821196, 9780811821193 Note: A general introduction to the Asian pop cinemas of Hong Kong, China, Taiwan, Japan, Philippines, Korea, India, and Southeast Asia. Includes a bibliography and an index. WorldCat Eng
1093 Baskett, Michael. The attractive empire: colonial Asia in Japanese imperial film culture, 1931–1953. 336 leaves. Note: Thesis (Ph.D.)—University of California, Los Angeles, 2000. Chapter 1: “From film empire to great East Asian film sphere” discusses the intense competition between Chinese films, specifically films made in Shanghai and Japan, during the colonial period in Taiwan. Includes a bibliography and filmography. WorldCat Eng
1090 Transnational Asian identities in Pan-Pacific cinemas: the reel Asian exchange / edited by Philippa Gates & Lisa Funnell. New York: Routledge, 2011. ISBN 9780415893541, 0415893542 Note: A collection of essays on transnational Asian identities in Pan-Pacific cinemas, including the production of and audience reception to the cinemas of Hong Kong, Japan, South Korea, Thailand, China, Taiwan, and Hollywood. This volume’s essay focusing on Taiwan film is entitled “Trauma and Taiwan’s Melodrama: Seven Orphans of Cape No. 7” by Sheng-mei Ma. Includes a bibliography, an index, and a filmography. WorldCat Eng
1094 Baskett, Michael. The attractive empire: transnational film culture in imperial Japan. Honolulu: University of Hawaii Press, 2008. 216 p. ISBN 9780824831639 (hbk.: alk. paper), 0824831632 (hbk.: alk. paper), 9780824832230 (pbk.: alk. paper), 082483223X (pbk.: alk. paper) Note: Chapter 1, “From Film Empire to Great East Asian Film Sphere” discusses the intense competition between Chinese films, specifically films made in Shanghai and Japan, during the colonial period in Taiwan. Includes a bibliography, a filmography, and an index. WorldCat Eng
1091 Vick, Tom. Asian cinema: a field guide. New York: Collins, 2007. 274 p. ISBN 9780061145858, 0061145858 Note: A general introduction to the Asian cinemas of China, Japan, India, Hong Kong, Korea, Iran, Taiwan, South and Southeast Asia, Central Asia, and the Middle East. Taiwan and Iranian cinema are grouped together in Part Three under the title “Recent Arrivals.”
1095 Baskett, Michael. Japanese colonial film enterprise 1937–1945: imagining the imperial Japanese subject. 106 leaves. Note: Thesis (M.A.)—University of California, Los Angeles, 1993.
196
Comparative Film Study
1102
The paper studies the Japanese colonial film enterprise throughout the Asian region, including Manchuria, Korea, and Taiwan. Includes a bibliography. WorldCat Eng
Chinese film. Specifically, in Chapter 5, the author provides a case study of the space usage in the films of Chen Kaige (mainland China), Hou Hsiao-hsien (Taiwan), and Wong Kar-wai (Hong Kong). Includes a bibliography and appendixes (Glossary of Chinese Names and Glossary of Chinese Terms). WorldCat Eng
1096 Berry, Chris. China on screen: cinema and nation / Chris Berry; Mary Ann Farqhar. New York: Columbia University Press, 2006. 313 p. ISBN 0231137060, 9780231136065, 0231137079, 9780231137072 Series title: Film and culture series Note: A major work covering more than one hundred years of Chinese cinema and issues of nation and nationalism, with new perspectives on key movements, themes, and filmmakers in China, Hong Kong, Taiwan, and the Chinese diaspora. Includes a bibliography (in both English and Chinese), an index, and a filmography. The table of contents and abstract are available on WorldCat. WorldCat Eng
1100 Chan, Shuen-yan. History and memory in Hou Hsiao-hsien’s A City of Sadness and Tian Zhuangzhuang’s The Blue Kite. 68 leaves. Note: Thesis (M.A.)—Hong Kong University, 1999. A comparative study of A City of Sadness (Hou Hsiaohsien, 1980) and The Blue Kite (Tian Zhuangzhuang, 1993). Focuses on issues of private memory versus official history. Includes two appendixes (a brief biography of the directors), a filmography, and a bibliography. Full-text access is available through the HKU Scholars Hub. WorldCat Eng
1101 Chen, Mo. ၢ. Zhongguo wu xia dian ying shi. ЅлેཱུӇؙ. Taibei: Feng yun shi dai chu ban gu fen you xian gong si, 2006. 332 p. ISBN 9861462740 Series title: Feng yun dian ying xi lie գࠥӇ࠶ڍؙ Note: A comprehensive work on Chinese martial arts film history. Divides the development of Chinese martial arts films into five periods: (1) the first period in Shanghai in the 1920s and 1930s; (2) a shift to Hong Kong in the 1940s and 1950s; (3) Hong Kong, and later in Taiwan, in the 1960s and 1970s; (4) a cooperative period between Hong Kong and mainland China in the 1980s and 1990s; and (5) the trend toward globalization and further cooperation between Hong Kong, Taiwan, and mainland China, using Ang Lee’s film Crouching Tiger, Hidden Dragon (2000) as an example. In the postscript, the author admits that his knowledge of Hong Kong and Taiwan martial arts films, specifically during the mid-1960s to the early- 1980s period, is limited and thus apologizes for any missing or oversimplified parts in this section of the book. NTUL Chi
1097 Braester, Yomi. Painting the city red: Chinese cinema and the urban contract. Durham, NC: Duke University Press, 2010. 405 p. ISBN 9780822347064, 0822347067, 9780822347231, 0822347237 Note: Focuses on the dynamic relationship between visual media—film and theater—and the development of cities in China and Taiwan, including Beijing, Shanghai, and Taipei. Describes the changes and cinematic rewritings of the Veteran’s village in Taipei, Nanjing Road in Shanghai, and Tiananmen Square, courtyards, and the postmodern architectural landmarks of Beijing. Includes a bibliography and an index. WorldCat Eng
1098 Cai, Hongsheng, 1940– ᓥᖻل, 1940–. Tai Gang dian ying yu ming xing. ݡ୯ӈؙԁҴլ. Beijing: Zhongguo wen lian chu ban she, 1992. 223 p. ISBN 7505917412, 9787505917415 Note: An introduction to the cinemas of Taiwan and Hong Kong and their movie stars. WorldCat Chi
1102 1099
Cheng, Jim. An annotated bibliography for Chinese film studies = Zhongguo dian ying yan jiu shu mu ti yao. An annotated bibliography for Chinese film studies = Ѕмӈ୳ؙ ૢڪ۵٤ϴ. Hong Kong: Hong Kong University Press, 2004. 404 p.
Chae, Youn-Jeong. Film space and the Chinese visual tradition. 235 leaves. Note: Thesis (Ph.D.)—New York University, 1997. A work on the relationship between the use of negative space in Chinese traditional painting and its use in
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9622097030 A comprehensive annotated bibliography focusing on film studies in Mainland China from 1920 to 2003. A section entitled “Films in China, Hong Kong, and Taiwan,” within “Chapter 6: Interdisciplinary Studies,” describes works that compare films produced in mainland China, Hong Kong, and Taiwan. Includes a bibliography and subject, author, and title indexes. WorldCat Eng Chi Fre Ger Ita Jpn Kor Spn Rus Uig
and the Memory Mine,” and Shao-ying Shen’s “Locating Feminine Writing in Taiwan Cinema: A Study of Yang Hui-shan’s Body and Sylvia Chang’s Siao Yu.” Includes filmography, Chinese glossary, bibliography, notes on contributors, and an index. WorldCat Eng
1105 Chinese women’s cinema: transnational contexts / edited by Lingzhen Wang. New York: Columbia University Press, 2011. 430 p. ISBN 9780231156745 (cloth: alk. paper), 023115674X (cloth: alk. paper), 9780231156752 (pbk.: alk. paper), 0231156758 (pbk.: alk. paper), 9780231527446 (ebk.), 0231527446 (ebk.) Note: An edited volume that explores the transnational contexts of Chinese women’s cinema, from Chinese films produced in the 1920s and 1930s to the most recent Chinese films produced in China, Taiwan, Hong Kong, the United States, and elsewhere. Essays on Taiwan women’s cinema include “Post-Taiwan New Cinema Women Directors and Their Films: Auteurs, Images, and Language” by Yu-shan Huang and Chunchi Wang, translated by Robbin Visser and Thomas Moran; and “Chu T’ien-wen and the Sotto Voce of Feminine Expression in the Films of Hou HsiaoHsien” by Christopher Lupke. Includes a bibliography. WorldCat Eng
1103 Chinese connections: critical perspectives on film, identity, and diaspora / edited by Tan See-kam, Peter X. Feng, and Gina Marchetti. Philadelphia: Temple University Press, 2009. 311 p. ISBN 1592132677, 9781592132676, 1592132685, 9781592132683 Note: A collection of essays, including “Hollywood and Taiwan: Connections, Countercurrents, and Ang Lee’s Hulk” by Gina Marchetti, and “Taiwan Fever: Tsai Ming-liang and the Everyday Postnation” by Peter Hitchcock. Includes a bibliography, an index, and a filmography. WorldCat Eng
1104 Chinese-language film: historiography, poetics, politics / edited by Sheldon H. Lu and Emilie Yueh-yu Yeh. Honolulu: University of Hawai’i Press, 2005. 413 p. ISBN 0824828135 (alk. paper), 9780824828691 (pbk.: alk. paper), 0824828690 (pbk.: alk. paper) Note: This edited volume “covers the cinematic traditions of mainland China, Taiwan, Hong Kong, and the Chinese diaspora from the beginning of Chinese film history to the present moment” (p. 2). Part I. Historiography, Periodization, Trends includes articles that either address Chinese film history broadly or different significant movements within Chinese cinema; Part II. Poetics, Directors, Styles provides “lucid, synchronic, structural(ist), transhistorical accounts of the poetics and aesthetics of Chinese film as an integral part of world cinema” (p. 15). Interesting studies include the essay by Mary Farquhar and Chris Berry: “Shadow Opera: Toward a New Archaeology of the Chinese Cinema,” which states :“If civilized plays are cinema’s stepmother, then opera is the mother in terms of first film productions, whether on the mainland (1905) or in Hong Kong (1909). Opera films were also the first productions in major regional language films, Cantonese (1933) and Taiwanese (1954)” (p. 51). Other Taiwan film or related comparative film studies essays include Meiling Wu’s “Postsadness Taiwan New Cinema: Eat, Drink, Everyman, Everywoman,” Emilie Yuehyu Yeh’s “Poetics and Politics of Hou Hsiao-hsien’s Films,” Sheldon H. Lu’s “Crouching Tiger, Hidden Dragon, Bounding Angeles: Hollywood, Taiwan, Hong Kong, and Transnational Cinema,” Darrell W. Davis’s “Borrowing Postcolonial: Wu Nien-chen’s Dou-san
1106 Cinematic landscapes: observations on the visual arts and cinema of China and Japan / edited by Linda C. Ehrlich and David Desser. Austin, TX: University of Taxes Press, 1994. 345 p. ISBN 0292720866 (hbk.), 0292720874 (pbk.)(pbk.) Note: This collection of essays explores cinematic landscapes, locating the relationship between the visual arts and cinema of China and Japan. Hou Hsiao-hsien and his films are used as case studies for a comparative study of classical Chinese painting and cinematographic design; meanwhile, the New Cinema Movements in both mainland China and Taiwan during the 1980s are described in the essay “Classical Chinese painting and Cinematographic Signification” by Ni Zhen, translated by Douglas Wilkson (pp. 63–80). Includes bibliographical reference (pp. 327–330), index, and filmography (pp. 323–326). WorldCat Eng
1107 Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake. Bloomington: Indiana University Press, 1994. 224 p. ISBN 0253318041 (alk. paper), 0253208955 (pbk.: alk. paper) Note: A collection of essays focusing on colonialism and nationalism in Asian cinema. Includes Chris Berry’s essay “A Nation T(w/o)o: Chinese Cinema(s) and
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Nationhood(s),” which analyzes films produced by mainland Chinese film directors as well as Taiwanese film directors Hou Hsiao-hsien, Edward Yang, and Huang Mingchuan, and explores representations of nationality, colonialism, and aboriginal peoples. Includes a bibliography in the end of each essay, an introduction to the contributors, and an index at the end of the book. WorldCat Eng
130 leaves. Note: Thesis (M.A.)—National Chengchi University, 2005. The paper provides a comparative study of King Hu and Ang Lee’s use of sound in their two most famous martial arts films. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi
1110 Dalla Gassa, Marco. Il cinema dell’Estremo Oriente: Cina, Corea del Sud, Hong Kong, Taiwan dagli anni Ottenta a oggi / Marco Dalla Gassa, Dario Tomasi. [Torin, Italy] : UTET universita, 2010. 511 p. ISBN 9788860082756, 8860082757 Note: A work on East Asian cinema, including the cinemas of China, Hong Kong, and Taiwan. Includes a bibliography and an index. WorldCat Ita
1108 Curtin, Michael. Playing to the world’s biggest audience: the globalization of Chinese film and TV. Berkeley; Los Angeles: University of California Press, 2007. 341 p. ISBN 9780520251335 (cloth: alk. paper), 9780520251342 (pbk.: alk. paper) Note: Michael Curtin’s text, Playing to the World’s Biggest Audience: The Globalization of Chinese Film and TV examines the shifting dynamics of film and television industries in an era of global connectivity. Although the historical breadth of the project considers the early filmic entertainment industries in China, Taiwan, Hong Kong, and Singapore, it focuses on the “dramatic changes that have occurred since the 1980s with the end of the Cold War, the rise of the World Trade Organization, the modernization policies of the PRC, the end of martial law in Taiwan, the transfer of Hong Kong to Chinese sovereignty, the high-tech liberalization of Singapore, the rise of consumer and youth cultures across the regions, and the growing wealth and influence of overseas Chinese in such cities as Vancouver, London, and Kuala Lumpur” (p. 3). This book focuses on the challenge of globalization during the 1990s and early 2000s, confronts the idea that Hollywood hegemony will last indefinitely, and considers globalized Chinese media enterprises that faced a slower pace of expansion in wake of the financial crisis of 1997 and the burst of the dotcom bubble in 2000. In short, the text discusses how commercial media enterprises—and at times the text addresses state media in the PRC—adjusts and shifts to the social and institutional dynamics of the new millennium. Includes a broad historical synopsis of the Shaw Brothers Studio (Chapter 1), a study of Hollywood’s saturation of Taiwan’s film market (Chapter 4), and an account of the current cooperation between mainland China and Taiwan (Chapter 6). Includes industry interviews, notes, a bibliography, and an index. WorldCat Eng
1111 Dang dai Gang Tai dian ying: 1988–1992 / Huang Wulan zhu bian. Ԅڊ୯ݡӇؙ: 1988–1992 / ࢶ循ᘈҰഹ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1992. 2 v. ISBN 9571305553, 9571305561, 957130557X Series title: Ren jian cong shu; 187–188 ϪҼᜣ ;ڣ187–188 Note: Introduces the Taibei Film Award (ཅܚӇؙ؉, the forerunner to the Taipei Film Festival) from 1988 to 1992 and presents award-winning films from Taiwan and Hong Kong. Two categories of films were considered for awards: commercial films and noncommercial films. Includes an annual film report for each year, photos, film stills, and posters. CTFAL Chi
1112 Dang dai Gang Tai dian ying: 1993 / Huang Wulan zhu bian. Ԅڊ୯ݡӇؙ: 1993 / ࢶ循ᘈҰഹ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1993. 226 p. ISBN 9571308730 Series title: Ren jian cong shu; 202 ϪҼᜣ ;ڣ202 Note: Introduces the Taibei Film Award (ཅܚӇؙ؉, the forerunner to the Taipei Film Festival) in 1993 and presents award-winning films from Taiwan and Hong Kong. Two categories of films were considered for awards: commercial films and noncommercial films. In the preface, the editor mentions that 1993 marked the second year in which films from mainland China were recommended for awards; however, there were problems with selecting and acquiring copyrights for the mainland Chinese films. Includes photos, film stills, and a 1993 Hong Kong and Taiwan Film Index. CTFAL Chi
1109 Dai, Ning. ඕો. Wu xi apian sheng yin gui ze zhi yun yong—Hu Jinquan “Da zui xia” yu Li An “Wo hu cang long” zhi bi jiao. ેཱུәٸكछҏػѓ—ഐؖ⠌ “Ͻ௴ཱུ” ӿଽԥ “၃ഝেह” ҏ ԝࢺ.
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Mainland China film returned to the event in 1998, after not participating in 1997. Includes the 1998 Hong Kong, Taiwan, and Mainland China Film Catalogs. CTFAL Chi
1113 Dang dai Zhongguo dian ying: 1994 / Huang Wulan zhu bian. ԄڊЅлӇؙ: 1994 / ࢶ循ᘈҰഹ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1994. 309 p. ISBN 9571314919 Series title: Ren jian cong shu; 217 ϪҼᜣ ;ڣ217 Note: Introduces the 1994 (Seventh) Taibei Film Award (ཅ ܚӇؙ؉, the forerunner to the Taipei Film Festival), and discusses the award-winning films from Taiwan, Hong Kong, and mainland China. Includes photos, film stills, and the 1994 Film Index. NTUL Chi
1116 Dang dai Gang Tai dian ying: 1988–1992 / Huang Wulan zhu bian. Ԅڊ୯ݡӇؙ: 1988–1992 / ࢶ循ᘈҰഹ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1992. 2 v. ISBN 9571305553, 9571305561, 957130557X Series title: Ren jian cong shu; 187–188 ϪҼᜣ ;ڣ187–188 Note: Introduces the Taibei Film Award (ཅܚӇؙ؉, the forerunner to the Taipei Film Festival) from 1988 to 1992 and presents award-winning films from Taiwan and Hong Kong. Two categories of films were considered for awards: commercial films and noncommercial films. Includes an annual film report for each year, photos, film stills, and posters. CTFAL Chi
1114 Dang dai Zhongguo dian ying: 1995–1997 / Zhu bian: Huang Wulan. ԄڊЅлӇؙ: 1995–1997 /Ұഹ: ࢶ循ᘈ. Taibei: Shi bao wen hua chu ban qi ye gu fen you xian gong si, 1998. 329 p. ISBN 9571325236 Series title: Shi bao shu xi; 679 Ж ;ڍڣڻ679 Note: Introduces the 1997 Taibei Film Award (ཅܚӇؙ؉, the forerunner to the Taipei Film Festival), with the same series title as the 1994 publication. The text differs, however, from the 1994 publication in interesting ways. In terms of additions, Taiwan and Hong Kong film scholars report on the films from Taiwan, Hong Kong, and mainland China, review important films from 1995 to 1997, and introduce five contemporary Taiwan and Hong Kong directors. In terms of differences, mainland Chinese films did not participate in the Taipei Film Awards, notably this occurred when proindependence R.O.C. President Chen Shuibian was in office—interestingly, he provides the preface of the book—and the final film catalog includes only Taiwan and Hong Kong films. Includes the 1995–1997 Hong Kong and Taiwan Film Catalogs. CTFAL Chi
1117 Davis, Darrell Williams. East Asian screen industries / Darrell Williams; Emilie Yueh-yu Yeh. London: British Film Institute, 2007. 192 p. ISBN 9781844571802 (hbk.), 1844571807 (hbk.), 9781844571819 (pbk.), 1844571815 (pbk.) Note: East Asian Screen Industries is situated at the forefront of current trends in film studies. It not only recognizes the continuing importance of national policy and identity in the production of the film image, but also observes the regional connections among Korea, Japan, China, Taiwan, and Hong Kong that must be factored into a present-day consideration of film in the region. Specifically, Davis and Yeh focus on the ways deregulation—that is, the abandonment of protectionist measures, such as government-imposed quotas and tax barriers—has led to the influx of Hollywood film in East Asia. This, in turn, challenged local industries and also provided an opportunity for various film industries to restructure and reconsider industrial practices in a make or break effort to maintain their vitality despite the obstacles—whether they are institutional, economical, or political. Davis and Yeh describe East Asia’s vibrant and energetic market with a series of case studies and examples. Their close readings of key films and examples of key film personnel are concise and informative. Thus, this text reads as a current who’s who and what’s what of the East Asia cinema industry; yet, as the book also makes clear, the authors recognize that the film industry changes quickly. WorldCat Eng
1115 Dang dai Zhongguo dian ying: 1998 / Zhu bian: Huang Wulan. ԄڊЅлӇؙ: 1998 /Ұഹ: ࢶ循ᘈ. Taibei: Shi bao wen hua chu ban qi ye gu fen you xian gong si, 1999. 256 p. ISBN 9571328464 Series title: Shi bao shu xi; 681 Ж ;ڍڣڻ681 Note: Introduces the 1998 Taibei Film Award (ཅܚӇؙ؉, the forerunner to the Taipei Film Festival), with the same series title as the 1994 publication. Taiwan, Hong Kong, and mainland China film scholars report on the films from Taiwan, Hong Kong, and mainland China; review important films of 1998; and list award-winning films of 1998.
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1118
1121
Dian ying dang an: di san shi si jie Jin Ma Jiang de jiang ying pian = Cinedossier: The 34th Golden Horse Award-winning films / Taibei Jin Ma ying zhan zhi xing wei yuan hui. Ӈؙးଈ: ҷѧףโެؖ؉Џ؉ؙә = Cinedossier: The 34th Golden Horse Award-winning films / ࣁؙެؖܚݡవҲణϾ. Taibei: Taibei Jin Ma ying zhan zhi xing wei yuan hui, 1998. 165 p. Note: A bilingual archive of the films that won the ThirtyFourth Golden Horse Awards in Taibei in 1998. Includes a filmography, judges’ results, and film reviews in both Chinese and English. NTUL Chi Eng
East Asian cinema and cultural heritage: from China, Hong Kong, and Taiwan to Japan and South Korea / edited by Kinnia Shuk-ting Yao. New York: Palgrave Macmillan, 2011. 207 p. ISBN 9780230116955, 0230116957 Note: This collection of essays examines how the legacies of East Asian cultures are being revived and recreated by contemporary filmmakers; examples include references to martial arts, music, aesthetics, stage performances, and legends in the cinemas of mainland China, Taiwan, Hong Kong, Japan, and South Korea. Includes a bibliography. WorldCat Eng
1119 “Ch䲚goku, Honkon, Taiwan” Ch䲚ka den’ei: yomimono d䲎ta bukku : Ajia-teki den’ei sekai. 䦫Ѕмίܫ୯ίݡළ䦬ЅܓӇؙ: 媠䫰䬶䴈䬮䭅䬲䬞: 㙔࢜㙔ϡ ӇؙԒ֎. T䲖ky䲖: Kinema Junp䲖sha, 1993. 182 p. Note: A Kinema Junposha Journal supplementary book on China, Hong Kong, and Taiwan Cinema. Includes an “Illustrated Who’s Who of Chinese Movies, Actors, Directors and Staff.” WorldCat Jpn
1122 Guo, Yue, 1975– ᔕք䩟1975– Hua yu dian ying de mei xue ge ming yu wen hua hui liu: Dalu, Xianggang, Taiwan “xin dian ying” yan jiu. ܬܗӈؙϡѤѺཪܞԁҹ٩ཹԵ䩭Ͻ䩟ܫ୯䩟ݡළ”Јӈ”ؙ ୳ૢ. Beijing: Ren min chu ban she, 2008. 289 p. ISBN 9787010045849 Series title: Xibei da xue Zhongguo yu yan wen xue cong shu ՝ܚϽѺЅмߞܬҹѺᜥڪ Note: The author adopts the notion of “New Cinemas” to describe the development of filmmaking in mainland China, Hong Kong, and Taiwan since the 1980s. Makes comparative assessments and studies the phenomenon of cultural convergence created by these new cinemas. The author indicates in the postscript that this is a work based on his Ph.D. dissertation at Xibei University in Xi’an, China. Includes a bibliography. WorldCat Chi
1120 Eberhard, Wolfram, 1909– ዐᓱܓ, 1909– The Chinese silver screen; Hong Kong and Taiwanese motion pictures in the 1960s = Zhongguo dian ying ti yao : yi jiu liu ling nian Taiwan, Xianggang de ying pian. The Chinese silver screen; Hong Kong and Taiwanese motion pictures in the 1960s = ЅлӇؙ٤ϴ; ϣ॰ࡏജёݡஹ,ܫ୯ϡؙә. Taipei: Orient cultural service, 1972. 241 p. Series title: Asian folklore and social life monographs; v. 23 Yazhou min su, she hui sheng huo zhuan kan, di er shi san ji ਐರھཞ.घϾТ҅֟ᑂ, ҷԏѧফ Note: A rare, early English work on Taiwan and Hong Kong films screened in Taiwan during the 1960s. The text focuses on the relationships among film and Chinese society, folktales, legends, myth, opera, novels, and short stories. The introduction’s subtitle is “Family and Social Problems in Chinese Films Shown in Taiwan.” Includes abstracts of 329 films (pp. 41–223); film titles, presented in both Wade-Giles and Chinese characters, are followed by a synopsis and a note regarding screening locations and dates. Rather than using page numbers, the book’s general index references the text’s 329 film abstracts by their respective, sequentially assigned numbers. The quality of the book’s paper, printing, editing, translation, and organization is poor. WorldCat Eng Chi
1123 Hino, K䲖ichi, 1929– яఀࣉϣ, 1929– Kunf䲚 doragon daizensh䲚: Bur䲚su R䲒 kara Jakk䲒 Chen / Hino K䲖ichi sekinin hensh䲚. KUNG FU!䬸䭘䬣䭢ϽҪओ : 䭅䭚䴈䬨ί䭙䴈䪼䫺䬧䭒䬲䬜䴈ί 䬰䬖䭢 / яఀࣉϣૻڗഹओ. T䲖ky䲖: Haga Shoten, 1980. 183 p. ISBN 4826100760, 9784826100762 Series: Shine arubamu; 76 䬦䬼䬑䭚䬿䭏; 76 Note: An introduction to kung fu and martial arts film actors and actresses in Hong Kong, Taiwan, and mainland China. WorldCat Jpn
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1124 Hoare, Stephanie Alison. Melodrama and innovation: literary adaptation in contemporary Chinese film. 218 leaves. Note: Thesis (Ph.D.)—Cornell University, 1989. Analyzes, by comparing and contrasting, contemporary Chinese films from Taiwan and mainland China adapted from Chinese literature. Includes a bibliography, filmography, and glossary. WorldCat Eng
A collaborative work by film critics, directors, and scholars from mainland China, Hong Kong, and Taiwan that provides a film production summary of, and introduction to, important films of 2005. WorldCat Chi
1128 Hua yu dian ying 2006 / Yu Xiaoyi zhu bian. ܬܗӈ ؙ2006 / ᷇༿ᗥҰ൜. Guangzhou: Hua cheng chu ban she, 2007. 373 p. ISBN 9787536050297 Note: A collaborative work by film critics, directors, and scholars from mainland China, Hong Kong, and Taiwan that provides a film production summary of, and introduction to, important films of 2006. Part 3 (pp. 262–296) deals with Taiwan films. Written by Liang Liang, it summarizes the Taiwan film industry in 2006. Seven films, with accompanying synopses and reviews, are selected to represent Taiwan cinema in 2006. Includes a list of the ten best-selling films in mainland China, Hong Kong, and Taiwan. WorldCat Chi
1125 Hong, Guo-Juin. Cinematograph of history: post/colonial modernity in 1930s Shanghai and New Taiwan Cinema since 1982. 228 leaves. Note: Thesis (Ph.D.)—University of California, Berkeley, 2004. A comparative study of New Taiwan Cinema since 1982 and the leftist cinema movement in Shanghai during the 1930s. The author substantiates the argument that “For both cinemas, modernity is flanked by nationalism and colonialism” and “these two leftist cinemas represent and participate in China’s ongoing processes of modernization” (abstract). Includes a bibliography. WorldCat Eng
1129 Hua yu dian ying 2007 / Zeng Yanbin zhu bian. ܬܗӈ ؙ2007 / ߲ᴦᭌҰ൜. Guangzhou: Hua cheng chu ban she, 2008. 380 p. ISBN 9787536053397, 7536053398 Note: A collaborative work by film critics, directors, and scholars from mainland China, Hong Kong, and Taiwan that provides a film production summary of, and introduction to, important films of 2007. WorldCat Chi
1126 Hu, Brian. Worldly desires: cosmopolitanism and cinemas in Hong Kong and Taiwan. 385 leaves. Note: Thesis (Ph.D.)—University of California, Los Angeles, 2011. “This dissertation examines the role that cinema played in imagining Hong Kong and Taiwan’s place in the world during decades in which the idea of belonging and identity was under duress. In fan magazines with names like International Screen and in films with titles like Cosmopolitan Fantasy, the dissertation unearths two generations of discourses on cosmopolitanism, an ideal of being a citizen of the world, a provocative possibility of belonging for residents in islands turbulently on the peripheries of colonizers and nations. The dissertation also tracks discourses of cosmopolitanism as it is embedded across various kinds of cinematic pleasures and industrial practices such as beauty, fashion, music, genre, stardom, and advertising” (abstract). Includes a bibliography. WorldCat Eng
1130 Hua yu dian ying 2008–2009: dian ying ren ying ping ren yan li de ling ba ling jiu hua yu dian ying fa zhan qu xiang / Zeng Yanbin zhu bian. ܬܗӈ ؙ2008–2009䩭ӈؙϪؙ߯ϪՒѦϡജࡂജ॰ܬܗӈؙт ࣁࠌ ז/ ߲ᴦᭌҰ൜. Guangzhou: Hua cheng chu ban she, 2010. 444 p. ISBN 9787536059825, 7536059825 Note: A collaborative work by film critics, directors, and scholars from mainland China, Hong Kong, and Taiwan that provides a film production summary of, and introduction to, more than fifty important films from mainland China, Hong Kong, and Taiwan in 2008 and 2009. Includes the summaries of the Ninth and Tenth Chinese Film Media Awards. WorldCat Chi
1127 Hua yu dian ying 2005 / Wei Xidi zhu bian. ܬܗӈ ؙ2005 / ਛ՝ᪿҰ൜. Guangzhou: Hua cheng chu ban she, 2006. 323 p. ISBN 7563359680, 9787563359684
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1136 written as 1902 instead of 1922; and Chapter 12 starts on p. 331, but the table of contents notes that it starts on p. 329; (2) poor content organization—for example, Chapters 11–21 in Vol. 2 are not connected cohesively; and (3) the text does not contain a complete bibliography, filmography, or indexes, except for inconsistent bibliographical materials included at the end of selected chapters. Thus, it is difficult to recommend this text as reference material, even though it contains important historical information. Includes some bibliographic information at the end of selected chapters; and film stills, posters, and photos. WorldCat Chi
1131 Huang, Jianye, 1954– ࢶࠃ, 1954– Ren wen dian ying de zhui xun. ϪҹӇؙϡ৪ଵ. Taipei: Yuan liu chu ban gong si, 1990. 243 p. ISBN 9573206188 Series title: Dian ying guan; 2 Ӈؙఖ; 2 Note: A collection of essays on early Chinese films, the concurrent Taiwan film industry, and film reviews of 1980s Taiwan and Hong Kong films. NTUL Chi
1134 Jia zhi de zhui xun: liang an chuan bo yu wen hua lun ji / Chen Linghui zhu bian. ٢ߚϡ৪ଵ: Ҕةӿҹ٩ںओ / ༫Ұഹ. Tainan: Tainan yi shu da xue, 2009. 461 p. ISBN 9789860188226 Note: Conference proceedings of the Seventh Cross Taiwan Strait Media and Cinema Symposium hosted by National Tainan Arts University in October 2008. Includes four parts; Part 4 contains seven papers on contemporary Taiwan and mainland China film studies by scholars from both sides of the Taiwan Strait. CTFAL Chi
1132 Huang, Ren, 1925– ࢶწ, 1925– Guo pian dian ying shi hua: kua shi ji hua yu dian ying chuang yi de xian xing zhe. ләӇؙҧ: ቄԒઔܭܓӇࡶؙҺϡҲٷ. Taibei: Taiwan shang wu ying shu guan gu fen you xian gong si, 2010. 462 p. ISBN 9789570524819, 957052481 Series title: Xin wan you wen ku = New variety Јݛϩҹᆞ = New variety Note: An introduction to the front-runners of Chinese film production in the twentieth and twenty-first centuries in China, Hong Kong, and Taiwan. WorldCat Chi
1135 Jiao, Xiongping (Chiao, Peggy). ဖ๔. Jiao Xiongping kan dian ying: Tai Gang xi lie. ဖ๔ЃӇؙ: ݡ୯࠶ڍ. Taibei: San san shu fang, 1985. 266 p. ISBN Note: This work focuses on Taiwan and Hong Kong films. Includes two parts: Part 1 is a collection of articles, interviews, and reports on Taiwan and Hong Kong films in general; Part 2 is a series of film reviews. NTUL Chi
1133 Huang, Ren, 1925– ࢶწ, 1925– Taiwan dian ying bai nian shi hua / Huang Ren, Wang Wei bian zhu. ݡஹӇښؙёҧ/ࢶწ,ࣼଂഹЯ. Taipei: Zhonghua ying ping ren xie hui, 2004. 2 v. ISBN Note: A comprehensive and objective text on Taiwan film history. Significant achievements of the work include (1) the discovery that the first film shown in Taiwan occurred in 1899, differing from scholars who claim the first screening occurred in 1901; (2) a detailed description of Taiwan film artists’ activities and achievements during the colonial period in both Taiwan and mainland China; (3) Taiwan film history from multiple perspectives; (4) the authors maintain an objective stance while approaching politically charged issues, such as the Japanese influence on Taiwan cinema, propaganda films in Taiwan, and the Nationalist government’s censorship system; and (5) the text includes important filmographies in some of its chapters. Shortcomings of the work include (1) poor editing—for example, multiple typos, such as on page 19, when the date of the first feature film made in Taiwan, by the Japanese, is
1136 Jiao, Xiongping (Chiao, Peggy). ဖ๔. Shi dai xian ying: Zhong xi dian ying lun shu. Жؙࣶڊ: Ѕ՝Ӈںؙ. Taibei: Yuan liu chu ban gong si, 1998. 308 p. ISBN 9573234270 Series title: Dian ying guan; 78 Ӈؙఖ; 78 Note: A collection of essays organized into five categories: China, Hong Kong, Taiwan, Asia, and Film Theory. In the Taiwan segment, the author reviews Taiwan film history from the 1950s to 1990s, and explores Taiwan film’s “mainland complex.” In the Asia section, the
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1137 future of Chinese and Asian films is discussed, and the work of Hou Hsiao-hsien is selected as a case study for the interaction of Taiwan film with other world film industries. Includes a filmography organized by subject. CTFAL Chi
through a unique perspective: “home”; and Part 4 presents two essays by Huang Shixian, a faculty member at the Beijing Film Academy, who provides comparative studies of mainland China, Taiwan, and Hong Kong films. WorldCat Chi
Jiao, Xiongping (Chiao, Peggy). ဖ๔. Tai Gang dian ying zhong de zuo zhe yu lei xing. ݡ୯ӇؙЅϡӑٷӿढࡿ. Taibei: Yuan liu chu ban shi ye gu feng you xian gong si, 1991. 294 p. ISBN 9573214784 (pbk.) Series title: Dian ying guan; 19 Ӈؙఖ; 19 Note: A collection of articles and reviews on Taiwan and Hong Kong film directors and their films published in various newspapers and journals in Taiwan from 1981 to 1990. NTUL Chi
Kawase, Ken’ichi. ඇⰗϣ. Shokuminchi Taiwan de j䲖eisareta eiga. ယھсݡළ䫘ϼࠟ䫆䫽䫐ྱࡌ. Nara-ken Kashihara-shi: T䲖y䲖 Shis䲖 Kenky䲚jo, 2010-2013. 3 v. [v. 1] 1899(Ҵ32)ё䦢1934(ᢘф9)ё; [v. 2] 1935(ᢘф10)ё䦢 1945(ᢘф20)ё; [v. 3] ଥࡌഹ 1899(Ҵ32)ё䦢1945(ᢘф20)ё ISBN [v.3] 9784990536626 Note: An inventory of 23,700 films shown in Taiwan from 1899 to 1945 during the Japanese colonial era, including 15,200 Japanese, Taiwanese, and Chinese and 6,500 Western (United States, France, United Kingdom, Germany, Italy, Australia, Denmark, Poland, Soviet Union, Argentine, etc.) feature films, documentaries, news films, official propaganda films, and cultural films. Some Chinese feature films produced in Shanghai or by Man’ei (Manchuria Motion Picture Production and Distribution Co. 1937–1945), and illustrations of 430 Japanese and Chinese, and 200 Western film posters and newspaper articles introducing the films. (Some film titles are duplicated.) Includes film titles screened and attendance numbers during the Taiwan Expo, October 10–November 28, 1935. Japanese feature film poster titles are chronologically organized with related studio names and a bibliography. WorldCat Jpn
1137
1140
1138 Jin, Guanjun. ؖഃݳ. Hua yu dian ying: kua di jiao liu yu shen fen ren tong. ܬܗӈؙ䩭ቄсےԵԁӱڶڤӎ. Shanghai: Shanghai san lian shu dian, 2010. 314 p. ISBN 9787542632555, 7542632558 Series title: Hai shang ying shi wen cong ϼؙ؇ҹᜥ Note: Examines the relationship between Chinese films from Taiwan, Hong Kong, and mainland China, including issues of identity as reflected in the films. WorldCat Chi
1140a Kawase, Ken’ichi. ඇⰗϣ. Shokuminchi Taiwan de j䲖eisareta eiga. ယھсݡළ䫘ϼࠟ䫆䫽䫐ྱࡌ. Nara-ken Kashihara-shi: T䲖y䲖 Shis䲖 Kenky䲚jo, 2014. 2 v. [v. 1] 1899(Ҵ32)ё䦢1934(ᢘф9)ё; [v. 2] 1935(ᢘф10)ё 䦢1945(ᢘф20)ё ISBN 9784990536640, 9784990536657 Note: [v. 1] and [v. 2] are enlarged and revised editions of 0246. An inventory of 17,200 Japanese, Taiwanese, and Chinese films shown in Taiwan from 1899 to 1945 during the Japanese colonial era including feature films, documentaries, news films, official propaganda films, and cultural films. Two volumes include illustrations of 430 Japanese and Chinese posters and newspaper articles introducing the films. (Some film titles are duplicated.) Includes film titles screened and attendance numbers during the Taiwan Expo, October 10-November 28, 1935, and a list of the newly added films in [v.2].
1139 Jing xiang yu wen hua: Gang Tai dian ying yan jiu / Wang Haizhou zhu bian. Ռԁҹ٩䩭୯ݡӈ ૢ୳ؙ/ ࣼರҰ൜. Beijing: Zhongguo dian ying chu ban she, 2002. 438 p. ISBN 7106018236 Series title: Xin shi ji dian ying xue lun cong ЈԒઓӈؙѺڹᜥ Note: A collection of essays on Hong Kong and Taiwan film studies by graduate students and faculty members at the Beijing Film Academy. Part 1 contains three essays on Taiwan New Cinema: Hu Yankai, a Taiwan student who graduated from the Beijing Film Academy, describes the historical evolution of Taiwan New Cinema, while the next two essays focus on Hou Hsiao-hsien and Tsai Mingliang, respectively; Part 3 contains Liu Ting’s essay, an analysis of the cultural contents of Ang Lee’s films
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1147
The images of Japanese feature film poster titles are chronologically organized with related studio names, and a bibliography. WorldCat Jpn
Note:
This collection of the essays focuses on new filmmaking trends and the emerging regional cooperation between China, Hong Kong, Taiwan, Japan, and South Korea during the era of globalization. WorldCat Eng
1141 1145
Koyama, Sabur䲖, 1952– Щځѧᅦ, 1952– Taiwan eiga: Taiwan no rekishi, shakai o shiru madoguchi / Koyama Sabur䲖 hencho. ݡළྱࡌ: ݡළ䫟䖉ί घϿ䬃Ҍ䫼凵 ט/ ЩځѧᅦഹЯ. Kyoto: K䲖y䲖 Shob䲖, 2008. 233 p. ISBN 9784771020207 Note: A collection of eleven chapters by various film scholars that deals with the following topics: Japanese colonialism and the formation of modern Taiwan society and film, politics and Taiwan’s modern cinema, the KMT government and Taiwan film, Shanghai’s film influence on Taiwan film development, Taiwan and Hong Kong film exchange, the Taiwanese-dialect film era (1955– 1961), Taiwan film reviews and publications after World War II, and Taiwan film policy and censorship. Includes endnotes at the end of each essay and biographies of the contributors at the end of the book, but there is no index. WorldCat Jpn
Li, Daoxin. ଽѬЈ. Zhongguo dian ying wen hua shi (1905–2004) = History of Chinese Film Culture. Ѕмӈؙҹ٩ (1905–2004) = History of Chinese Film Culture. Beijing: Beijing da xue chu ban she, 2005. 676 p. ISBN 7301084382 Note: Starting in Part 3: Separate Country and Home Dreams (1949–1979) and ending in Part 4: Combined Cultural Interpretation (1979–2004), the author explores the history of Chinese film culture from three perspectives: mainland China, Taiwan, and Hong Kong. At the beginning of Part 3, the author presents a summary chapter discussing the relationship among these three perspectives. Includes bibliography, name, and film indexes. WorldCat Chi
1146 Li’er. Ѧ. Gang Tai dian ying shuang jin dang an. ୯ݡӈ့ؖהؙଈ. Hangzhou: Zhejiang wen yi chu ban she, 2005. 300 p. ISBN 7533920384 Note: Introduces readers to recipients of twenty-three Hong Kong Golden Statue Awards and forty Taiwan Golden Horse Awards. Includes a list of Golden Stature and Golden Horse Award recipients. CTFAL Chi
1142 Kramer, Stefan. Chungguk yonghwasa / Stefan Kramer chium, Hwang Chin-ja omgim. Soul Tukpolsi: Isan, 2000. 383 p. ISBN 8987608166, 9788987608167 Note: The Korean translation of author Stefan Kramer’s work: Geschichte des Chinesischen films. An introduction to the history of Chinese cinemas in China, Hong Kong, and Taiwan. Includes a filmography, a bibliography, and an index. WorldCat Kor
1143
1147
Kramer, Stefan. Geschichte des Chinesischen films. Stuttgart: Metzler, 1997. 313 p. ISBN 3476015092; 9783476015099 Note: An introduction to the history of Chinese cinemas in China, Hong Kong, and Taiwan. Includes filmography (pp. [271]–286), bibliographical references (pp. 287– 300), and indexes. WorldCat Ger
Li, Tianduo. ଽϳ⟢. Dang dai Hua yu dian ying lun shu. ԄܭܓڊӇںؙ. Taibei: Shi bao wen hua chu ban qi ye you xiang gong si, 1996. 338 p. ISBN 9571320323 Series title: Wen hua cong shu; 143 ҹ٩ᜣ ;ڣ143 Note: A collection of essays organized into three parts: Taiwan Film (pp. 17–133), Hong Kong Film (pp. 137–207), and Mainland Film (pp. 211–331). The Taiwan section includes the following essays: “Taiwan Film Culture and Two Cinematic Perspectives” by Wu Zhengheng, “A Sociologist Exploration of Taiwan New Cinema
1144 Lee, Vivian P Y. East Asian cinemas: regional flows and global transformations. Basingstoke, UK: Palgrave Macmillan, 2011. 272 p. ISBN 9780230307186, 0230307183
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1147a in 1980s” by Li Tianduo and Chen Peizhi, “Widen Historical View: Examine the Polarized Taiwan Film Discourse during 1980s and 1990s” by Liu Xiancheng, “Review the Cultural Contents of the 1990s Taiwan Film” by Li Tianduo, and “The Japanese Colonial Memory in Taiwan Film” by Qi Longren. Includes a brief introduction to all contributors and bibliographies at the end of selected essays. WorldCat Chi
history of film exchange between the two sides of the Taiwan Strait. CTFAL Chi
1150 Liang an san di ying ping ren yan tao hui lun wen ji / Zong bian ji Chen Bosheng. Ҕѧсؙ߰Ϫ୳क़Ͼںҹओ / րഹফᓱТ. Xianggang: Xianggang ying ping ren xie hui, 2005. 304 p. ISBN 9889852810, 9789889852818 Note: Conference proceedings from the Second Conference of Chinese Film Critics from mainland China, Hong Kong, and Taiwan; hosted by the Hong Kong Film Critics Association in Hong Kong, 2005. WorldCat Chi
1147a Lim, Song Hwee. Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese Cinemas. Honolulu: University of Hawaii Press, 2006. 272 p. ISBN 9780824830779 (hbk.); 9780824829094 (pbk.) Note: “Tracing the engendering conditions within the film industries of China, Taiwan, and Hong Kong, Song Hwee Lim argues that the emergence of Chinese cinemas in the international scene since the 1980s created a public sphere in which representations of marginal sexualities could flourish in its interstices. Examining the politics of representation in the age of multiculturalism through debates about the films, Lim calls for a rethinking of the limits and hegemony of gay liberationist discourse prevalent in current scholarship and film criticism” (abstract). WorldCat Eng
1151 Liang, Liang, 1954– ᅯમ, 1954– Lun liang an san di dian ying. ںҔѧсӇؙ. Taibei: Mao lin chu ban she, 1998. 350 p. ISBN 9579860955 Series title: Dian ying lun tan ӇںؙႫ Note: Recognizing that a similar problem affects Taiwan, Hong Kong, and mainland China, namely declining domestic film markets and an increasing quantity of films from Hollywood, the author provides a general overview of film production history in Taiwan (1945–1991), Hong Kong (1896–1995), and mainland China (1946–1994); analyzes current film production trends and problems; and provides suggestions for cooperation between Taiwan, Hong Kong, and China. It includes four parts: Taiwan, Hong Kong, mainland China, and combined studies. CTFAL Chi
1148 Lin, Huijun. ᅿ. Jin Ma jiang de zai xian fen xi (1962–2000). ެؖ؉ϡӐѳд (1962–2000). 135 leaves. Note: Thesis (M.A.)—National Chengchi University, 2001. A history of the Golden Horse Awards from1962 to 2000. The Golden Horse Awards emerged as a way to promote domestically produced films containing progovernment political views, and then transitioned to recognize regionally produced Chinese commercial films. Includes a Chinese abstract, a bibliography, and an appendix (including the Award Winning Film List and Evaluation Committee Members from the Sixth to Thirty-Seventh Golden Horse Awards). NCL/NDLTD Chi
1152 Liang, Liang, 1954– ᅯમ, 1954– Zhongguo dian ying wo jian wo si. ЅлӇؙϢԊϢڽ. Taibei: Mao lin chu ban she, 1998. 320 p. ISBN 9579860963 Series title: Dian ying lun tan; 2 ӇںؙႫ; 2 Note: A collection of the author’s Chinese film reviews and critiques. Includes four parts: Taiwan, Hong Kong, mainland China, and comparative studies. CTFAL Chi
1149 Liang an da zhong chuan bo jiao liu xian kuang yu fa zhan / Xing zheng yuan xin wen ju bian yin. ҔϽੁةےԵѳୄӿчࣁ / ҲूࡨЈࢨഹ. Taibei: Xing zheng yuan xin wen ju, 2005. 228 p. ISBN 986003818X Note: A Taiwan government report on the current state of, and future predictions for, mass media exchange between Taiwan and mainland China. Chapter 6 describes the
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1158 Includes notes, a glossary, bibliography, filmography, and an index at the end of the book. WorldCat Eng
1153 Liu, Chenghan. юఈ. Dian ying fu bi xing ji. Ӈؙᔽԝࣱओ. Taibei: Yuan liu chu ban gong si, 1992. 2 v. ISBN 957321623X 9573216256 Series title: Dian ying guan; 29–30 Ӈؙఖ; 29–30 Note: Essays on subjects such as Chinese film history from the 1920s to the 1940s, a comparative study of Hong Kong and Taiwan films, film theory, and Taiwan and Hong Kong film directors and their films. Includes a Chinese and English Glossary. NTUL Chi
1156 Lu, Tonglin. ‽ረ. Da lu Taiwan wen hua lun tan: xin dian ying yu xian dai xing / Lu Tonglin zhu; Xiao Yu yi. Ͻݡஹҹ٩ںႫ: ЈӇؙӿѳڊԛ / ‽ረЯ; ᖆ⟆ፆ. Xianggang: Xianggang da xue chu ban she, 2004. 325 p. ISBN 9622096395, 9789622096394 Note: The Chinese translation of the author’s text: Confronting Modernity in the Cinemas of Taiwan and Mainland China (2002). A comparative study of fifth-generation directors in mainland China and Taiwan New Cinema directors in Taiwan conducted to analyze how the interaction and confrontation with Western notions of progress are reflected on the screen. The author focuses on representative directors from the 1980s through the 1990s, including Chen Kaige, Tian Zhuangzhuang, Hou Hsiao-hsien, and Edward Yang. Includes filmography, bibliography, and index. WorldCat Chi
1154 Lu, Meihui (Lu, Mei-huei). ᡭѤ. Taiwan dian ying jin jun da lu shi chang guan jian cheng gong yin su zhi tan tao = The Taiwanese movie industry entering the Chinese market: a discussion of critical success factors. ݡஹӇؙՔݲϽصԾԬඟюۋӹঈҏ෬क़ = The Taiwanese movie industry entering the Chinese market: a discussion of critical success factors. 90 leaves. Note: Thesis (M.A.)—Chinese Culture University, 2009. This thesis focuses on the challenges and opportunities faced by Taiwanese movie companies that attempt to enter the Chinese market. An analysis of the key strategies commonly adopted for entering the Chinese market is provided. Concludes that government policy, film quality, and innovation are the most critical factors for success in the Chinese market. Includes a Chinese and English Abstract, a bibliography, and an appendix (including Survey Sample, Results from Interviews, and an Introduction of Film Distribution). NCL/NDLTD Chi
1157 Ma, Jean. Melancholy drift: marking time in Chinese cinema. Hong Kong: Hong Kong University Press, 2010. 224 p. ISBN 9789888028054 (hbk.), 9888028057 (hbk.), 9888028065 (pbk.), 9789888028061 (pbk.) Note: A significant work focusing on three film directors: Hou Hsiao-hsien, Cai Mingling (Tsai Ming-Liang), and Wong Kar-wai and the representations of melancholy displayed in their films. “Focusing on the highly stylized and nonlinear configurations of time in each director's films, [Ma] argues that these directors have brought new global respect for Chinese cinema in amplifying motifs of loss, nostalgia, haunting, absence and ephemeral poetics. Hou, Tsai, and Wong all insist on the significance of being out of time, not merely out of place, as a condition of global modernity. Ma argues that their films collectively foreground the central place of contemporary Chinese films in a transnational culture of memory, characterized by a distinctive melancholy that highlights the difficulty of binding together past and present into a meaningful narrative” (abstract). WorldCat Eng
1155 Lu, Tonglin. Confronting modernity in the cinemas of Taiwan and Mainland China. Cambridge; New York: Cambridge University Press, 2007, 2002, 2001. 246 p. ISBN 0521806771, 0521037271 (pbk.), 9780521037273 (pbk.) Note: A comparative study of fifth-generation directors in mainland China and Taiwan New Cinema directors in Taiwan conducted to analyze how the interaction and confrontation with Western notions of progress are reflected on the screen. The author focuses on representative directors from the 1980s through the 1990s, including Chen Kaige, Tian Zhuangzhuang, Hou Hsiao-hsien, and Edward Yang.
1158 Martin, Fran. Backward glances: contemporary Chinese cultures and the female homoerotic imaginary. Durham, NC; London, England: Duke University Press, 2010. 290 p. ISBN 9780822346685, 9780822346807
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1159 Note:
A comparative study of female homoeroticism and ways of understanding love between women today in China, Hong Kong, and Taiwan as played out in mainstream Chinese media and literary cultures, including films, novels, and television. Includes an appendix, notes, filmography, selected bibliography, and an index. WorldCat Eng
1162 Nishizawa, Haruhiko, 1954– ՝䘕ᴦ, 1954– Ch䲚goku eiga no bunka jinruigaku. Ѕмྱࡌ䫟ҹ٩ϪढѺ. T䲖ky䲖: F䲚ky䲖sha, 1999. 300 p. ISBN 4938718219 Note: Uses theories of cultural anthropology to study the social, cultural, and historical contexts of Chinese film, including mainland China, Taiwan, and Hong Kong. Includes a bibliography and film title, name, book title, and event indexes. WorldCat Jpn
1159 Mintz, Marilyn D., 1950– The martial arts film. South Brunswick, [NJ] : A. S. Barnes & Co., Inc., 1978. 243 p. ISBN 0498017753 Note: A book on worldwide martial arts film production, including Chinese kung fu, James Bond, and Japanese samurai movies, with a focus on Bruce Lee and Japanese samurai movies. Martial arts films directed by King Hu and produced in both Hong Kang and Taiwan are discussed in the book. Includes a selected filmography (Chinese and Japanese), bibliography, and an index. WorldCat Eng
1163 Peng, Guangwei (Peng, Kuang-wei). ᣴׇ໖. Quan qiu hua yu Haolaiwu Hua yi dao yan—zuo pin tan tao yu xing tai fen xi. Ҫܧ٩ӿϮᒀᩕܓᶜ࣒ࠟ—ӑԘ෬क़ӿࡿݯд. 211 p. Note: Thesis (M.A.)—National Taiwan University, 2006. Considering that globalization and Hollywood domination has greatly influenced Chinese filmmaking, the paper selects three major Chinese film directors and compares their works before and after receiving transnational and Hollywood investment, including Ang Lee’s Wedding Banquet (1993) and Crouching Tiger, Hidden Dragon (2000), Zhang Yimou’s Raise the Red Lantern (1992) and Hero (2002), and Chen Kaige’s Farewell My Concubine (1993) and The Promise (2005). Concludes that the influence of globalization is inevitable, and the pressure of box office success challenges the directors’ integrity and cultural and national values. In terms of Taiwan’s film industry, the paper suggests that the government should change its policy: subsidies need to be more carefully directed to promising directors and their works and their subjects should not be limited to “local characteristics.” Includes a Chinese abstract and bibliography. NCL/NDLTD Chi
1160 New Chinese Cinema = Zhongguo xin dian ying / edited by Klaus Eder and Deac Rossell. New Chinese Cinema = ЅлЈӇ ؙ/ edited by Klaus Eder and Deac Rossell. London: National Film Theatre, 1993. 132 p. ISBN 0851704425; 9780851704425 Series title: Dossier; 11 Note: A collection of essays focusing on New Chinese Cinema since the 1980s. “Reel Contact Across the Taiwan Strait: A History of Separation and Reunion,” by Peggy Chiao, details the cross-strait contacts between film personnel, producers, and investors starting in the mid-1980s. WorldCat Eng
1161 Nguyen, Uyen. Orientalist visuality in a postcolonial context: a critical interrogation of theoretical positions advanced in Rey Chow’s primitive passions, with discussions of pertinent films made in China, Hong Kong, Taiwan, Australia, France, and Vietnam. 178 leaves. Note: Thesis (M.A.)—Monash University, 2002. By using postcolonial theory advanced by Rey Chow, the author studies films produced in China, Hong Kong, Taiwan, Australia, France, and Vietnam. Includes a bibliography. WorldCat Eng
1164 Perspectives on Chinese cinema / edited by Chris Berry. London: BFI Publishing, 1991 [2nd, expanded ed.] 234 p. ISBN 0851702716 (hbk.), 0851702724 (pbk.) Note: An early collection of scholarly work on Chinese cinema. As the editor notes in the Introduction, the book does not satisfy the editor’s desire to present reliable English-language histories of Chinese cinema before 1949, Taiwanese cinema, Hong Kong cinema, in-depth studies on the emergent “Taiwanese New Wave” (Taiwan New Cinema), Hong Kong popular cinema, and classic mainland films.
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1167a
The essay “The Distinct Taiwanese and Hong Kong Cinemas” by Chiao Hsiung-Ping provides a comparative study of Taiwan and Hong Kong cinema from a historical perspective. Includes a bibliography at the end of each essay, two appendixes (Major Directors and Chronology), and an index. WorldCat Eng
Includes a list of Hong Kong anti-Japanese films (1934–1941), Japanese films shown in the Shanghai Concession (1942–1945), and the exchange of films between Hong Kong and Japan. Includes a bibliography. WorldCat Chi
1167 Quan qiu Hua yu dian ying chuang zuo ren ji zhi pian lun tan ji shi lu = The International Forum on Creative Production and Global Marketing for Chinese Film 2004 in Taiwan, Memorabilia / Li Tianduo bian. ҪܭܓܧӇࡶؙӑϪ᠕३әںႫઔѨ࠷ = The International Forum on Creative Production and Global Marketing for Chinese Film 2004 in Taiwan, Memorabilia / ଽϳ⟢ഹ. Tainan xian Yongkang shi: Kunshan ke ji da xue, 2005. 274 p. ISBN 9868148014 Note: Conference proceedings from the International Forum on Creative Production and Global Marketing for Chinese Film sponsored by the Office of News Affairs, Executive Yuan at the National Central Library in Taipei, April 21–23, 2004. Includes the forum agenda and schedule as well as eleven forum sessions: “Impact and Competition: The Situation and Tendency of Current Chinese Film”; “Prospectives on Chinese Film Market: The Integration and Complement of Financing, Production and Distribution”; “Digital Technology: The Impact and Transformation to Film Production and Distribution”; “The Interaction Among Chinese and Korean film industry in Asia”; “Creative Industry: The Development of Animation in Japan”; “Creative Industry: Development of Animation in Korea”; “Aesthetics and Marketing: Dialectic Position on Chinese Film”; “Creation and Innovation: Filmmakers’ Prospects on Taiwan Film”; “New Faces of Animation: The Rise of Digital Technology”; “The Practices and Cases of Chinese Film and International Co-financing and Co-production”; “The Operation of Financing and Venture Capital to Film Production”; and “Toward a New Face of Taiwanese Film: Localization, Greater Chinese Region and International Cooperation.” Includes background documents and a “Summary of Chinese Film Production and Transformation of Taiwan Film Production After Martial Law.” CTFAL Chi
1165 Qiu, Shichun. ᆥஉ᳝. Taiwan dian ying ru he li yong guo ji ying shi shi chang jin xing guo ji fa xing zhi tan tao—yi Fushan yu Xianggang shi chang wei li = Exploration of International distribution for Taiwan cinema via international market: case studies of Asia film market & HK filmart. ݡஹӇؙҒح۱ѓлগؙ؆صԾՔҲлগчҲҏ෬क़—й᷶ځӿ ܫ୯صԾЊຎ = Exploration of International distribution for Taiwan cinema via international market: case studies of Asia film market & HK filmart. 113 p. Note: Thesis (M.A.)—National Chengchi University, 2010. Analyzes the “2009 Busha Asia Film Market Exhibition” and the “2010 Hong Kong Filmart” to explore international distribution strategies for Taiwan cinema. Concludes the following: Taiwan films should first be distributed to Chinese and Asian markets, current Taiwan cinema style and content is not particularly appealing to audiences overseas and limits investor interest, and the quality of Taiwan’s art films must improve to compete in the competitive international marketplace. Finally, the author recommends that if Taiwan filmmakers want to enter the international market, then they should select topics and scripts that match concurrent world cinema trends. Includes Chinese index and bibliography. NCL/NDLTD Chi
1166 Qiu, Shuting (Yao, Kinnia Shuk-ting). ᆥᎂᑢ. Gang Ri dian ying guan xi: xun zhao Yazhou dian ying wang luo zhi yuan. ୯яӇؙԬ: ଵװਐರӇؙӻ౪ҏ. Xianggang: Tian di tu shu you xian gong si, 2006. 250 p. ISBN 9789882115491, 9789882115497 Series title: Xianggang wen hua yan jiu cong shu ܫ୯ҹ٩୳ૢᜣڣ Note: A substantial academic work that explores the relationship between Hong Kong and Japanese films. In the second section of the third chapter, the author analyzes the relationship between Taiwan and Japanese films. Additional references to Taiwan cinema are found in chapter 4 as the author describes the relationship between the Shaw Brothers Studio and both the Japanese film industry and the Taiwan film industry.
1167a Rojas, Carlos. The Oxford Handbook of Chinese Cinemas / edited by Carlos Rojas and Eileen Cheng-yin Chow. New York: Oxford University Press, 2013. 709 p. ISBN 9780199765607, 019976560X Note: This volume includes thirty-three essays written by leading researchers in the field of Chinese cinemas.. Divided into three parts:(1) Part I describes the history of Chinese cinema from its beginnings on the mainland to contemporary Hong Kong, Taiwan, and China
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1168 co-productions; (2) Part II features the study of Chinese cinema’s techniques and aesthetic influences such as Chinese opera and martial arts, and political influences such as “Maoist film”; (3) Part III focuses on Chinese film production, distribution, and reception. Includes “Taiwan New Cinema: Small Nation with Soft Power” by Song Hwee Lim (pp. 152–169). WorldCat Eng
quoted film reviews, and a prodigious quantity of film stills, posters, and photos to illustrate a century of Chinese cinema history. It is the most objective and comprehensive description of Chinese film history in terms of the photographic materials and range of subjects included in the book, but not in terms of in-depth academic exploration of the topics presented. It is a bilingual work in Chinese and English and is divided into four parts: Chinese Cinema 1896–1949 (with separate chapters dealing with the beginnings of Chinese cinema in mainland China, Hong Kong, and Taiwan), Taiwan Cinema 1949–1999, Hong Kong Cinema 1949–1999, and Mainland Chinese Cinema 1949–1999. The text attempts to tackle controversial issues, such as the Japanese influence on cinema during the colonial period, government censorship in Taiwan, antiCommunist propaganda films, and the February 28 Incident in 1947 in Taiwan. A comparative line of study connects Taiwan (and Japan during the colonial period), Hong Kong, and mainland China throughout the book. Unfortunately, apart from a short bibliography, there is no index for the incredibly rich film-related materials, particularly the photographical materials, from Taiwan, Hong Kong, and mainland China. WorldCat Chi Eng
1168 San di chuan qi: Hua yu dian ying er shi nian = Romance of three cities: Studies of Chinese cinemas / Ye Yueyu, Zhuo Bojia, Wu Hao zhu. ѧс࡞ة: ܭܓӇؙԏё = Romance of three cities: Studies of Chinese cinemas / ౕ֊ᒶ, ᅤᐑဓ, ྶ⑤Я. Taibei: Cai tuan fa ren guo jia dian ying zi liao guan, 1999. 334 p. ISBN 9579904898 Series title: Dian ying lun tan ӇںؙႫ Note: Conference proceedings from the First International Chinese Cinema Symposium (1980–1996) in Hong Kong, hosted by Hong Kong Baptist University. Papers discuss films produced in Hong Kong, mainland China, and Taiwan from 1980 to 1996. Includes brief biographies of the authors. CTFAL Chi
1171 Sibergeld, Jerome. Hitchcock with a Chinese face: cinematic doubles, Oedipal triangles, and China’s moral voice. Seattle: University of Washington Press, 2004. 146 p. ISBN 0295984171, 9780295984179 Note: A book in three chapters: Chapter 1 analyzes the mainland Chinese film Suzhou River (Ye, 2000); Chapter 2 the Hong Kong film The Day the Sun Turned Cold (Yim, 1995); and Chapter 3 the Taiwan film Good Men, Good Women (Hou, 1995). Includes a bibliography, an index, and a DVD containing scenes from the three films. WorldCat Eng
1169 Shi duo san luo de guang ying: Hua yu dian ying de li shi, zuo zhe yu wen hua zai xiang / Liu Xiancheng bian. ༺␜્ϡׇؙ: ܭܓӇؙϡࣵ, ӑٷӿҹ٩Ӑѳ / ѳюഹ. Taibei: Ya Tai tu shu, 2001. 390 p. ISBN 9578264836 Series title: Taiwan dian ying yan jiu cong shu; 7 ݡஹӇૢ୳ؙᜣ ;ڣ7 Note: A collection of essays focusing on Chinese film history, including the film histories of mainland China and Taiwan. Includes a bibliography. NCL Chi
1172 Suen, Pak-kin. Filming gay representations: male homosexuality in Hong Kong and Taiwanese cinema. 147 leaves. Note: Thesis (M. Phil.)—University of Hong Kong, 2001. Although same-sex relationships have been decriminalized in Hong Kong and Taiwan, the issue of male homosexuality is still controversial. This paper discusses the relationship between the meaning of homosexuality in Chinese society and its significance in Hong Kong and Taiwan gay films. The table of the contents in the paper provides an overview of the study: Chapter 1: Situating Homosexuality and Film in Chinese Contexts; Chapter 2: City Nomads: Heteropia, Homosexuality and the Urban Space of Hong Kong and Taipei; Chapter 3: Homosociality or
1170 Shi ji hui gu : tu shuo Hua yu dian ying = Spectrums of the century : Chinese cinemas, 1896–1999 / [zong bian ji Huang Jianye, Huang Ren ; Ying yi Su Zhe’an (Jon Soloman) . . . et al.]. ԒઔҘઆ: ֖МܭܓӇ = ؙSpectrums of the century : Chinese cinemas, 1986–1999 / [րഹফࢷࠃ, ࢷწ ; ߭ፆᎻԥ (Jon Soloman) . . . et al.]. Taibei: Xing zheng yuan wen hua jian she wei yuan hui : Guo jia dian ying zi liao guan, 2001. 431 p. ISBN 9570277572 Note: This is an unprecedented joint project involving scholars from Taiwan, Hong Kong, and mainland China under the auspices of the Chinese Taipei Film Archive. It presents short essays, chronological statements,
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Homosexuality? Male Bonding and the Unspeakable Desire; Chapter 4: Does “Homosexuality” Exist? The Construction of Homosexuality in Hong Kong Cinema; and Chapter 5: Gay People As Ghostly Figures: The Allegorical Representation of Male Homosexuality. Includes a bibliography. HKUSH (FT) Eng
Includes a bibliography. WorldCat
Eng
1177 Wang, Weici. ࣼ໓፦. Ji lu yu tan suo: 1990–2000 da lu ji lu pian de fa zhan yu kou shu ji lu. ઔ࠷ӿ෬: 1990–2000Ͻઔ࠷әϡчࣁӿטઔ࠷. Taibei: Dian ying zi liao guan, 2001. 670 p. ISBN 9573097257 Note: This work is more detailed and better organized, including more materials, than a similar work by the author published in 2000. Records the dialogue between mainland Chinese and Taiwanese documentary film workers; includes a historical background, describes the current state of documentary filmmaking, provides a forecast of documentary film development, and lists documentary film directors and their works in mainland China. It represents the Taiwan scholarly perspective on the study of mainland China’s documentary film development, and it is interesting to see that the independent documentary film development in mainland China, which has been ignored by the mainland Chinese government for quite a long time, is received with great interest in Taiwan. Includes a bibliography. CTFAL Chi
1173 Taiwan Honkon shin eiga sengen = Taiwan Hong Kong new cinema. ݡළܫ୯Јྱࡌୌߞ = Taiwan Hong Kong new cinema. T䲖ky䲖: Wave; hatsubai Beyotoru K䲖b䲖, 1989. 159 p. ISBN 4893420879, 9784893420879 Note: A late-1980s study of new cinemas in Taiwan and Hong Kong. WorldCat Jpn
1174 Teo, Stephen. Fight and flight: the Wuxia film in Chinese cinema: Ph.D. thesis. 261 p. Note: Thesis (Ph.D.)—RMIT University, 2002. Studies wuxia and martial arts films produced in Hong Kong, Taiwan, and mainland China from historical and critical perspectives. Includes a bibliography. WorldCat Eng
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Tobari, Haruo, 1938– פݏֆਜ਼, 1938– Eiga de kataru Ch䲚goku Taiwan Honkon. ྱࡌ䫘ܭ䫼Ѕмίݡළίܫ୯. T䲖ky䲖: Maruzen Kabushiki Kaisha, 1991. 227 p. ISBN 4621050249, 9784621050248 Series: Maruzen raiburar䲒; 024 ᐣ䭘䬓䭅䭘䭙䴈; 024 Note: A Japanese newspaper reporter in Hong Kong for more than ten years, the author is interested in studying Chinese films from Taiwan, Hong Kong, and mainland China and broadly examines the cinematic characteristics seemingly inherent to each of these three areas. For example: Taiwan films present ideas in moderation, whereas Hong Kong films are meant for entertainment and other purposes. WorldCat Jpn
Wang, Weici. ࣼ໓፦. Ji lu yu tan suo: yu da lu ji lu pian gong zuo zhe de shi ji dui hua. ઔ࠷ӿ෬: ӿϽઔ࠷ә֞ӑٷϡԒઔхҧ. Taibei: Yuan liu chu ban shi ye go fen you xian gong si, 2000. 475 p. ISBN 9573240432 Series title: Dian ying guan; 90 Ӈؙఖ; 90 Note: Records the dialogue between mainland Chinese and Taiwanese documentary film workers; includes a historical background, describes the current state of documentary filmmaking, provides a forecast of documentary film development, and lists documentary film directors and their works in mainland China. It represents the Taiwan scholarly perspective on the study of mainland China’s documentary film development, and it is interesting to see that the independent documentary film development in mainland China, which has been ignored by the mainland Chinese government for quite a long time, is received with great interest in Taiwan CTFAL Chi
1176 Wang, Kai ming. A history and thematic analysis selected Chinese fictional motion pictures produced in Hong Kong and Taiwan (1968–1970). 121 leaves. Note: Thesis (M.A.)—Ohio State University, 1976. A comparative study of selected Chinese fictional films produced in Hong Kong and Taiwan from 1968 to 1970.
1179 Weakland, John H. Conflicts between love and family relationships in Chinese films. Ft. Belvoir, VA: Defense Technical Information Center, 1967. 12 p.
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A study of three groups of fictional feature Chinese films from Taiwan, Hong Kong, and mainland China focusing on the theme of conflict between love and family relationships. The following conclusions are made: in mainland Chinese Communist films, parents are blamed for conflict and a possible resolution is radical social change; in Taiwan Nationalist films, parents receive no blame and resolution is achieved by the young restoring family unity. Both Communist films from mainland China and Nationalist films from Taiwan accept traditional values, such as respect for authority and personal sacrifice, to achieve wider social goals. WorldCat Eng
1183 Wu, Junrong. ྶᒺ๎. Dian ying sui bi. Ӈڨؙદ. Xianggang: Ke hua tu shu chu ban gong si, 2007. 448 p. ISBN 9789621601506, 9621601509 Note: A collection of the author’s reviews, commentaries, and anecdotes regarding Hong Kong and Taiwan films and television programs. WorldCat Chi
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Xianggang dian ying hui gu / Bian zhe Zhongguo Tai Gang dian ying yan jiu hui. ܫ୯ӈؙҘઈ / ൜ٷЅмݡ୯ӈૢ୳ؙϿ. Beijing: Zhongguo dian ying chu ban she, 2000. 293 p. ISBN 7106016098 Note: A collection of essays focusing on Hong Kong film history. The text’s essay by Liang Liang (pp. 259–269) deals with the influence of Taiwan on Hong Kong film during the years from 1949 to 1997. WorldCat Chi
Wen hua de jiao xiang: Zhongguo dian ying bi jiao yan jiu / Zhu bian Yan Chunjun, zuo zhe Zhang Yinghui dEng ҹ٩ϡےড়䩭Ѕмӈؙԝࢹ୳ૢ / Ұ൜୵ῥ䩟ӑצٷሒҳ. Beijing: Zhongguo dian ying chu ban she, 2000. 415 p. ISBN 7106016381 Note: Chapter 4 (pp. 180–229) compares mainland China, Hong Kong, and Taiwan films. Includes endnotes for each chapter WorldCat Chi
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Wicks, James Anthony. The antecedents of Taiwan New Cinema: the state of Taiwan film in the 1960s and 1970s. 266 leaves. Note: Thesis (Ph.D.)—University of California, San Diego, 2010. Explores the ways Taiwan’s KMT (Nationalist Party) government defined itself as the representative government of all of China in the 1960s and 1970s by both studying its state-sanctioned film industry and explaining how these filmmaking conditions in the 1970s enabled the emergence of Taiwan New Cinema in the 1980s. Analyzes influences from mainland China, Japanese colonialism, and the United States during the Cold War. Includes notes and bibliography. ProQuest (FT) Eng
Xie, Caimiao. ిࠡه. Xun zhao qing min jian: cong “Wo hu cang long” tan Hua yu dian ying guo ji hua = Globalization of Chinese language cinemas: a case study of Crouching Tiger, Hidden Dragon. ଵݙװᙛ: ԩ “၃ഝেह” ডܭܓӇؙлগ٩= Globalization of Chinese language cinemas: a case study of Crouching Tiger, Hidden Dragon. Taibei: Ya Tai tu shu, 2004. 244 p. ISBN 9867809297 Series title: Chuan bo jiao yu cong shu ةڌड़ᜣڣ Note: A book based on the author’s master’s thesis at the National Taiwan University. Studies Crouching Tiger, Hidden Dragon (2000) as a blueprint for the success of Chinese cinema in the global marketplace. Analyzes the film’s production, distribution, and marketing as well as the current film production environment in Taiwan, Hong Kong, mainland China, and the United States; includes in-depth interviews with the film’s producers and scholars in Taiwan, Hong Kong, and mainland China; and uses an immersion–crystallization method to reach its conclusion. Includes a bibliography and an appendix. NTUL Chi
1182 Wu, Chia-chi. Chinese language cinemas in transnational flux. 209 leaves. Note: Thesis (Ph.D.)—University of Southern California, 2004. Studies Chinese language cinemas within a transnational framework; specifically analyzes the film production flow between Taiwan, Hong Kong, and mainland China. Include a bibliography. WorldCat Eng
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1186 Xin Yazhou dian ying mian mian guan / Jiao Xiongping bian. ЈਐರӇؙӌӌ / ဖ๔ഹ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1991. 239 p. ISBN 9573214547 Note: A collection of essays focusing on the “New Asian Films.” Two essays are of note here. Jiao Xiongping’s essay deals with the growing pains faced by Taiwan, Hong Kong, and mainland China film industries during the late 1980s and early 1990s when cooperation among film producers outpaced the uncooperative political, commercial, and economic systems that remained in place. Meanwhile, Zhang Cangyan’s essay describes the relationship between Taiwan’s film tradition and the emergence of New Taiwan Cinema in 1982. NTUL Chi
Eng
1189 Yan, Shikai. ୶ࡲᏎ. Zhan zhe zuo ai: dian ying yu xing = Stand to make love. ۖа҂Д: Ӈؙӿԛ = Stand to make love. Taibei: Bo shi ke ji yi shu, 2005. 370 p. ISBN 9867224698 Series title: Zhuan jia zhi zao; b02034 ֟р३߃; b02034 Note: Explores the indirect, hidden sexual content and innuendos presented in mainstream films produced in Hong Kong, Taiwan—including Taiwan New Cinema—and films from other countries to expound on the political subtext of such representations. The book cover carries an “18 and older” marking. CTFAL Chi
1187 Xing zheng yuan wen hua jian she wei yuan hui wei tuo ban li ji lu pian zhi zuo ren da lu fang wen tuan cheng guo bao gao / Wang Weici, Li Daoming, Li Guizhi deng. Ҳूࡨҹ٩ࠃޗణϾణኅދԑઔ࠷ә३ӑϪϽභ՛ࣗюҝڻ ݍ/ ࣼ໓፦, ଽѬҴ, ଽᄉᆙҳ. Taibei: Guo jia dian ying zi liao guan, 1998. Various paginations. Note: Internal reports of the Taiwan Documentary Film Producer Delegation’s visit to mainland China on May 27–June 7, 1998. Includes impressions and experiences of documentary film production in mainland China as well as a comparison of Taiwan and mainland China’s documentary film production. CTFAL Chi
1190 Yang, Jeff. Once upon a time in China: a guide to Hong Kong, Taiwanese, and Mainland Chinese cinema / Jeff Yang; senior contributor, Art Black, John Charles . . . [et al.]. New York: Artria Books, 2003. 306 p. ISBN 0743448170 Note: This is a unique and comparative, but Hong Kong–centric, guide to film production in Hong Kong, Taiwan, and mainland China. It endeavors to locate common themes between Hong Kong, Taiwan, and mainland Chinese films within each chapter for each time period and to explore their “intertwined traditions.” Chapters are as follows: Chapter 1, The Dawn of Chinese Film: 1896–1949; Chapter 2, Swordsmen and Revolutionaries: The Fifties and Sixties; Chapter 3, Martial Arts and Melodrama: The Seventies; Chapter 4, New Wave Dreams and Ballistic Kisses: The Eighties; Chapter 5, The Best of Times, the Worst of Times: The Nineties; and Epilogue: 2000 and Beyond. All chapters include Capsule Film Reviews. Except for the first chapter, which focuses on mainland China films, all of the following chapters are dominated by Hong Kong films. Attention to Taiwan film is certainly the weakest in the book; for example, there is no mention of Taiwan film production in Chapter 1; and in Chapter 2, although nine Hong Kong film directors and their films are mentioned, only three Taiwan film directors and films are mentioned, and one of them is King Hu whose film career took him from Hong Kong to Taiwan. Also note, the text’s method of only using English translations for the titles of all Chinese films could cause confusion. Overall, this text cannot be considered a comprehensive guide for films in all three areas, as the primary author points out in the preface. Includes Capsule Film Reviews for all chapters, but note that there are some mistakes; for example, the
1188 Xu, Gary Gang. Sinascape: contemporary Chinese cinema. Lanham, MD: Rowman & Littlefield, 2007. 175 p. ISBN 9780742554498(cloth), 9780742554504 (pbk.), 074255449X (cloth: alk. paper), 0742554503 (pbk.: alk. paper) Note: Gary Xu’s book Sinascape: Contemporary Chinese Cinema is primarily a close reading of nine films produced in China, Hong Kong, and Taiwan. The introduction contains a straightforward presentation of the themes in the text by way of four illustrative vignettes from Xu’s personal experience and research, and an outline of six key topics that the text addresses, including: (1) Proliferation of the copyright industry; (2) representation of violence and violence of representation; (3) manipulation of reality through mediation and simulacra; (4) relentless demolition driven by modernization and urbanization; (5) erasure of individual memories by linear and masculinist history; and (6) domination of the socioeconomic and political life by the cinematic mode of production (p. 20). These themes are organized under the matrix of the term “sinascape,” which Xu prefers over “Chinese-language film.”
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1191 capsule review for Chapter 2 labels two King Hu movies as mainland China productions. Includes a bibliography (as notes) and an index. WorldCat Eng
Includes a bibliography and list of theaters in Taiwan during the colonial period with the following information: location, ownership, operation agency, and contractor. WorldCat Chi
Ye, Longyan, 1940– ౕहᴧ, 1940– Guang fu chu qi Taiwan dian ying shi. ׇ२ݡஹӇؙ. Taibei: guo jia dian ying zi liao guan, 1995. 267 p. ISBN 9579987440 Series title: Taiwan dian ying shi liao cong shu; 2 ݡஹӇؙࢧᜣ ;ڣ2 Note: Based on the author’s impressive research of filmrelated materials published in various newspapers in Taiwan, this text describes the establishment of Taiwan’s film industry after retrocession from 1945 to 1949. Significantly, Chapter 2 describes the moment when mainland film studios first arrived to shoot films in Taiwan and later shipped their equipment, production, and personnel to Taiwan; Chapter 3 deals with the operation and management of the Taiwan theater system; Chapter 4 focuses on movies shown in Taiwan’s theaters, specifically, the large quantity of films produced in mainland China and, later, the domination of the market by Hollywood films; and Chapter 5 considers film censorship in Taiwan during the time. Includes two important documents at the appendix in the end of the book: the Taiwan Film Industry Corporation Business Plan and the Taiwan Film Industry Corporation Preparation Report, which provide details of the early management and operation of Taiwan’s theater system. Includes bibliography. WorldCat Chi
Yi jiu ba jiu Jin Ma guo ji guan mo ying zhan, 12.9–12.22, 1989 / Dian ying zi liao guan. ϣ॰ࡂ॰ެؖлগಎࣁؙ, 12.9–12.22, 1989 / Ӈࢧޞؙఖ. Taibei: Dian ying zi liao guan, 1989. 162 p. ISBN Note: Published to celebrate the 1989 Golden Horse International Film Festival hosted by the Taiwan Film Library from December 9–22, 1989, this work includes the filmography of all participating films, including three Taiwanese-dialect films, one film by Edward Yang, and related reviews and interviews by film scholars and critics. NTUL Chi
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1194 Ying san bai / Dou Jiangming zhu bian. ؙѧ ښ/ 扻ҴҰ൜. Shanghai: Fudan da xue chu ban she, 2006. 342 p. ISBN 7309048431 Note: Shu Qi and Luo Ka, two film critics, directors, and scholars from Hong Kong, present the 100 best films from mainland China, Hong Kong, and Taiwan; the 100 best actors and actresses with accompanying biographies; and the 100 best film directors in Chinese film history. Luo Ka admits in the postscript that the authors focused only on Taiwan’s standard, often-cited titles and film personnel. The book also includes a collection of essays that cover 100 years of Chinese film history, including an essay by Taiwan film critic Huang Ren (pp. 28–59) that deals with Taiwan’s early film history from 1907 to 1964 and an essay by August Palmer (pp. 99–152) that considers the interaction between Hong Kong New Wave films, New Taiwan films, and mainland China fifth-generation films from 1979 to 1999. Endnotes are included at the end of each essay. Includes a bibliography and a chronology. WorldCat Chi
1192 Ye, Longyan, 1940– ౕहᴧ, 1940– Ri zhi shi qi Taiwan dian ying shi = The history of Taiwanese movies during the Japanese colonization. яЖݡஹӇؙ= The history of Taiwanese movies during the Japanese colonization. Taibei: Yu shan she, 1998. 365 p. ISBN 9579361908 Series title: Bu tu xin shu; 37 ӆगЈ ;ڣ37 Note: The first academic work by a Taiwanese scholar that focuses on Taiwan film history during Japanese colonization. Divides the Japanese colonial era into four time periods: (1) Budding Period 1896–1919; (2) Rising Period 1920–1930; (3) Thriving Period 1931–1941; and (4) Pacific War Period 1942–1945. Includes noteworthy analyses of the film histories of Taiwan, Tokyo, Shanghai, and Hollywood.
1195 Yip, June Chun, 1962– Envisioning Taiwan: fiction, cinema, and the nation in the cultural imaginary. Durham, NC: Duke University Press, 2004. 356 p. ISBN 0822333570 (alk. paper), 0822333678 (pbk: alk. paper) Note: June Yip’s text, Envisioning Taiwan: Fiction, Cinema, and the Nation in the Cultural Imaginary, considers the representation of Taiwan as an imagined community in the Taiwan New Cinema of the 1980s and in Native Literature, known as Hsiang-t’u Literature, of the late 1960s.
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The table of contents of the book provides an overview of the author’s views: Introduction: Envisioning Taiwan in a Changing World; Chapter 1, Confronting the Other, Defining a Self: Hsiang-t’u Literature and the Emergence of a Taiwanese Nationalism; Chapter 2, Toward the Postmodern: Taiwanese New Cinema and Alternative Visions of Nation; Chapter 3, Remembering and Forgetting, Part I: History, Memory, and the autobiographical Impulse; Chapter 4, Remembering and Forgetting, Part II: Hou Hsiao-hsien’s Taiwan Trilogy; Chapter 5, Language and Nationhood: Culture as Social Contestation; Chapter 6, The Country and the City: Modernization and Changing Apprehensions of Space and Time; Chapter 7, Exile, Displacement, and Shifting Identities: Globalization and the Frontiers of Cultural Hybridity; Conclusion: From Nation to Dissemi-nation: Postmodern Hybridization and Changing Conditions for the Representation of Identity. Includes a bibliography and an index. WorldCat (FT) Eng
Note:
A biographical work on the Golden Horse Best Actor and Actress Award winners from the First to the Twenty-Ninth Golden Horse Awards. The appendix includes a brief history of the Golden Horse Awards, list of Golden Horse Awards, and bibliography. CTFAL Chi
1199 Zeng, Wenjun (Tseng, Wen-chun). ߲ҹᒺ. Quan qiu hua qu shi xia kua guo Hua yu dian ying de fa zhan = A Progress of international Chinese cinemas in the global age. Ҫܧ٩ࠊۢЎቄлܭܓӇؙϡчࣁ = A Progress of international Chinese cinemas in the global age. 71 leaves. Note: Thesis (M.A.)—Tainan National University of the Arts, 2006. This thesis aims to locate the position of the Taiwan film industry within the international network of Chinese cinemas in a global age by considering cinema in terms of political economy, commodification, and cultural labor. Concludes that after joining World Trade Organization, China will become the secondbiggest film market for Hollywood and that Taiwan’s film industry is losing ground in the areas of marketing, funding, and influence. To solve this dilemma, the author advocates for the Taiwan film industry to actively seek coproduction opportunities in the global market. Includes a Chinese and English abstract, bibliography, appendix, and charts of Chinese film professionals in Hollywood and advantages for Hong Kong films entering the China market. NCL/NDLTD Chi
1196 You, Xinren. දЈწ. Dian ying wen ti, wen ti dian ying: xing, bao li, dian jian. Ӈؙ՛֤, ՛֤Ӈؙ: ԛ, ફҨ, Ӈഛ. Taibei: Da te xie chu ban she, 1983. 199 p. Note: A collection of the author’s articles on sexuality, violence, and censorship in world cinema, including Hong Kong and Taiwan cinema. CTFAL Chi
1197 Yu, Gwo-chauo. China, Hong Kong, and Taiwan: The convergence and interaction of Chinese film. Ann Arbor, Mich.: University Microfilms International, 1993. 95 leaves. Note: Thesis (Ph.D.)—University of North Texas, 1993. A work on the convergence and interaction of Chinese films produced in China, Hong Kong, and Taiwan. This is a photocopy of typescript. Includes bibliographical references (leaves 87–95). WorldCat Eng
1200 Zhang, Che (Chang, Cheh), 1923–2002. פ, 1923–2002. Zhang Che jin zuo ji (1986–1988). פײӑओ (1986–1988). Hong Kong: Ming chuang chu ban she, 1988. 136 p. Note: A collection of the author’s articles organized in three parts: Part 1 deals with the author’s relationship (as a writer, film music composer, film and drama director) with Chiang Ching-guo, former president of the R.O.C. in Taiwan; Part 2 discusses the history of film production in Shanghai, Taiwan, and Hong Kong; and Part 3 provides a general commentary on the concurrent cultural and political affairs in mainland China and Hong Kong. Includes a brief biography of the author. CTFAL Chi
1198 Yu, Yeying. ཡ⁒. Jin Ma xing zong san shi nian: li jie Jin Ma ying di hou de cang sang. ެؖլᏈѧё: ࣵโؙެؖњϡፄᇤ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1993. 324 p. ISBN 9571308706 Series title: Li shi yu xian chang; 47 ࣵӿѳԾ; 47
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Zhang, Yingjin. Chinese national cinema. New York: Routledge, 2004. 328 p. ISBN 0415172896 (hbk. alk. paper), 9780415172899 (hbk. alk. paper), 041517290X (pbk. alk. paper), 9780415172905 (pbk. alk. paper) Series title: National Cinemas Note: A serious academic work that provides thorough research and original perspectives. As the first attempt to outline Chinese film history in English with an upto-date and chronological history approach, the author uses a “Chinese national cinema” paradigm to cover all films produced in mainland China (including those before 1949), Hong Kong, and Taiwan, while at the same time instructing the reader to keep in mind all associated problems and “messiness”—theoretical as well as geopolitical—surrounding “China” and “Chineseness.” The text forms a “general and potentially comparative framework of Chinese national cinema” in the three territories of mainland China, Hong Kong, and Taiwan (5). Unlike many other works on the same subject, it provides a unique historical perspective: Cinema and National Traditions, 1896–1929; Cinema and the Nation-People, 1930–49; Cinematic Reinvention of the National in Taiwan, 1896–1978; Cinematic Revival of the Regional in Hong Kong, 1945–78; Cinema and the Nation-State in the PRC, 1949–78; Cinema and National/Regional Cultures, 1979–89; and Cinema and the Transnational Imaginary, 1990–2002. This is not a comprehensive history of Chinese cinema; the author states that “this book concentrates primarily on feature films” (12). Because the publisher does not print Chinese characters, the author reasonably used Pinyin unless names are more commonly recognized in Wade-Giles or Cantonese (for more information regarding this tactic, see “Romanization and Name Spelling” in the Introduction to this volume). Almost all Chinese film titles in the text and index are presented in their English translations, without romanization or Chinese characters. Includes a bibliography and an index. WorldCat Eng
Zhao, Tinghui. ᕿ៴ሓ. Xu shi dian ying yu xing bie lun shu = Narrative cinema and gender discourse. ᡳѨӇؙӿԛԇں = Narrative cinema and gender discourse. Taibei Xian Yonghe shi: Airiti Press Inc., 2010. 335 p. ISBN 9789866286292, 9866286290 Series title: Chuan bo xue yan jiu xi lie ةѹ୳ૢ࠶ڍ Note: Analyzes representations of females in films from Taiwan, Hong Kong, and Hollywood to explore gender power structures. Films include Taiwan’s The Shoe Fairy (2006) and Blue Gate Crossing (2002), Hong Kong’s Turn Left, Turn Right (2003), and Hollywood’s Mulan (1998) and Shanghai Noon (2000). Includes a bibliography. WorldCat Chi
1204 Zheng, Jiashi. ቼဓஉ. Cong Zhongguo dian ying fa zhan ce lue kan Taiwan dian ying jin ru Zhongguo shi chang zhi ji hui yu tiao zhan. ԩЅлӇؙчࣁ೫ଯЃݡஹӇؙՔՊЅлصԾҏҚϾӿखڕ. 117 leaves. Note: Thesis (M.A.)—National Chengchi University, 2009. Considers the opportunities and challenges facing Taiwan’s film industry vis-à-vis mainland China’s film regulations and development. Concludes that Taiwan should coproduce films with China’s film industry to increase its market reach and enable competition in light of the CEPA (Closer Economic Partnership Arrangement) signed by China and Hong Kong. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi
1205 Zhonghua Minguo qi shi yi nian Jin Ma jiang guo ji dian ying zhan / Zhu ban dan wei: Zhonghua Minguo dian ying shi ye fa zhan ji jin hui; Zong bian ji: Xu Ligong; Bian ji: Chen Guofu, Huang Jianye. Ѕھܓлࢳϣёެؖ؉лগӇ ࣁؙ/ Ұ֧ދ: ЅھܓлӇؙ ѨчࣁऴؖϾ; րഹফ: ጝ߹ ;ۋഹফ: лࣥ, ࢶࠃ. Taibei: Zhonghua Minguo dian ying shi ye fa zhan ji jin hui, 1982. 147 p. Note: An introduction to the Golden Horse Award films in 1982. WorldCat Chi
1202 Zhao, Xueyong. ᖀѺର. Zhongguo dian ying jian shi / Zhao Xueyong, Ruan Qing bian zhu. Ѕмӈߣؙ / ᖀѺର䩟∜ݙ൜Я. Lanzhou: Lanzhou da xue chu ban she, 2007. 339 p. ISBN 7311026717 Note: Chapter 10 (pp. 277–287) involves a comparative study of contemporary film “reform” and “innovation” movements in mainland China, Hong Kong, and Taiwan. Includes a filmography and bibliography. Duxiu Chi
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1211 “Relationship between Chinese Film with Society,” Political and Economic Development,” “Chinese Film and Gender Study,” “Chinese Film Genre Study,” and “Chinese Film and Culture Representation.” Eight papers touch on the subject of Taiwan film, including Li Tianduo’s paper on Taiwan film under the colonial system; Liu Xiancheng’s essay on the history of Taiwan color film development in terms of social issues as well as scientific and technical practice; Huang Yingfen’s article on the aesthetic trends of contemporary Taiwan film; Roland B. Tolentino’s (in English) comparative study of the Chinese “city film” from Taipei, Hong Kong, and Beijing; Qi Longren’s essay on Qiongyao’s films during the 1970s; Zhang Yupei’s analysis of the social and cultural meanings of Taiwan film during the 1990s; and Ye Yueyu’s paper on the relationship between nationality and popular songs in Taiwan films produced from the mid-1970s to the early 1990s. NTUL Chi Eng
1206 Zhongguo dian ying, dian ying Zhongguo: Hai xia liang an dian ying xue shu jiao liu yan tao hui lun wen ji / Bian ji Zhang Shufen, He Shihuang. ЅлӇؙ, ӇؙЅл: ᒘҔӇؙѹफےԵ୳क़Ͼںҹओ / ഹফ פᎂᐇ, حԒᑟ. Taibei: Zhonghua Minguo shi jue chuan bo yi shu xue hui, Furen da xue da zhong chuan bo xi, 1993. 182 p. Note: A collection of papers presented at a film symposium hosted by Taiwan Fu Jen Catholic University and the R.O.C. Visual Art and Communication Association on December 29–30, 1992. The symposium provided the opportunity for film scholars on both sides of the Taiwan Strait to exchange ideas in their research fields. Includes twelve papers, three of which assess contemporary Taiwan film: “Taiwan Film Industry Moving Out of the 20th Century” by Chen Qinghe, “Local Identity Realization in Taiwan New Cinema” by Wang Wei, and “Identity of Aboriginals in Taiwan Cinema” by Qi Longren. One paper offers a comparative study of mainland China, Taiwan, and Hong Kong films: “Meaning of ‘China Code’ in Chinese Films” by Chen Ruxiu. WorldCat Chi Eng
1209 Zhongguo dian ying xin bai nian: he zuo yu fa zhan, di shi si jie Zhongguo jin ji bai hua dian ying jie xue shu yan tao hui lun wen ji / Zhongguo dian ying jia xie hui bian. ЅмӈؙЈښё䩭ׁӑԁтࣁ䩟ҷףไЅмؖښՐӈڝؙѺ भ୳ॗϿڹҹओ / ЅмӈؙрϿ൜. Beijing: Zhongguo dian ying chu ban she, 2006. 654 p. Series title: Zhongguo dian ying lun tan cong shu Ѕмӈڹؙႊᜥڪ ISBN 7106025429 Note: Proceedings from the Fourteenth Golden Rooster and Hundred Flowers Film Festival Symposium in 2005; features essays by scholars from mainland China, Hong Kong, and Taiwan, including Li Tianduo and Zuo Shan. The theme of cooperation and development is common throughout the collection. WorldCat Chi
1207 Zhongguo dian ying ge wu yi / Ce hua bian ji: Jiao Xiongping, Jing Yingrui. ЅлӇܮؙଢশ / ೫ഹফ: ဖ๔, ቯࣽᇳ. Taibei: Zhongguo dian ying nian chu ban f axing, [1993] 108 p. Note: A special publication for the Chinese Musical Film Festival held in Taiwan in 1993. Includes synopses of the thirteen Hong Kong musical films shown at the festival, film reviews, introductions of the stars and festival workers, and thirty songs from these musical films. Contains discussions regarding the limited quantity of musicals in Taiwan and a comparison of Hong Kong and mainland China musicals. CTFAL Chi
1210 Zhou, Bin. رᭌ. Bu yi yang de jing guan: Gang Tai dian ying yan jiu. Ϥϣ҈ϡ䩭୯ݡӈૢ୳ؙ. Shanghai: Dong fang chu ban zhong xin, 2009. 342 p. ISBN 9787547300381, 7547300383 Note: A comparative study of Hong Kong and Taiwan cinema. WorldCat Chi
1208 Zhongguo dian ying: li shi, wen hua yu zai xian = Chinese cinemas: history, culture and representation: Hai xia liang an ji Xiang Gang dian ying fa zhan yu wen hua bian qian yan tao hui lun wen ji / Liu Xiancheng bian. ЅлӇؙ: ࣵ, ҹ٩ӿӐѳ = Chinese cinemas: history, culture and representation: ᒘҔ᠕ܫ୯Ӈؙчࣁӿҹ٩Ժቜ୳क़Ͼ ںҹओ / ѳюഹ. Taibei: Taibei shi Zhongguo dian ying shi liao yan jiu hui, Zhonghua Minguo shi jue chuan bo yi shu xue hui, 1996. 335 p. Note: A collection of the papers from a film symposium in Taiwan attended by scholars from Taiwan, Hong Kong, mainland China, and the United States on September 13–15, 1995. Twenty-three papers were presented during the symposium, nineteen of which are published here. Themes include: “Chinese Film History,”
1211 Zhou, Liming. رሑҴ. Hua yu pian die zhong die / Zhou Liming, Liang Liang zhu. ܬܗәᖦЅᖦ / رሑҴ䩟ᅯમЯ. Guangzhou: Hua cheng chu ban she, 2006. 433 p.
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Interdisciplinary Studies
1212 ISBN 7536047037 (pbk.), 9787536047037 (pbk.) Series title: Raymond Zhou’s Film Guide Hua yu dian ying 2000 bu “Die zhong die” xi lie; di 3 juan ܬܗӈؙ2000”חᖦЅᖦ”࠶ڍ䩮 ҷ3ඵ Note: A Chinese film (DVD) guide with more than 2,000 film reviews of representative films from Taiwan, Hong Kong, and mainland China. WorldCat Chi
6.1.2
A comparative study of Yokomitsu Riichi and Liu Na’ou, New Sensationalist School writers who pursued the cinematic in modern literature. WorldCat Eng
1215 East Asian cinema and cultural heritage: from China, Hong Kong, and Taiwan to Japan and South Korea / edited by Kinnia Shuk-ting Yao. New York: Palgrave Macmillan, 2011. 207 p. ISBN 9780230116955, 0230116957 Note: This collection of essays examines how the legacies of East Asian cultures are being revived and recreated by contemporary filmmakers; examples include references to martial arts, music, aesthetics, stage performances, and legends in the cinemas of mainland China, Taiwan, Hong Kong, Japan, and South Korea. Includes a bibliography. WorldCat Eng
Films in Taiwan and Japan
1212 Chen, Zhenhao (Chen, ChenHao). ዄΆ. Nihon eiga to ky䲖iku : Nihon bunka ky䲖iku o ch䲚shin ni = Dian ying yu jiao yu—yi Riben wen hua jiao yu wei zhong xin = Film and education—Core by Japan cultural education. ྱࡌ䫙ڌड़ : яӆҹ٩ڌड़䬃ЅК䫜 = Ӈؙӿڌड़—йяӆ ҹ٩ڌड़ЊЅК = Film and education—Core by Japan cultural education. 119 leaves. Note: Thesis (M.A.)—National Kaohsiung First University of Science and Technology, 2008. Describes how Japanese films have affected Taiwan’s film market and the popularity of Japanization in Taiwan. Explores the relationship between film and education as well as film and culture, and the usage of film as a method of presenting Japanese culture. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Jpn Chi
1216 Guo, Xiaolu. ᔕЩⲉ. Dian ying li lun bi ji. ӈؙԑڹધ֭. Nanning: Guangxi shi fan da xue chu ban she, 2002. 249 p. ISBN 7563335439 Note: A collection of essays on film studies and film theory, including a comparative study on the films directed by Hou Hsiao-hsien in Taiwan and Yasujiro Ozu in Japan. Duxiu Chi
1213
1217
Cinematic landscapes: observations on the visual arts and cinema of China and Japan / edited by Linda C. Ehrlich and David Desser. Austin: University of Texas Press, 1994. 345 p. ISBN 0292720866 (hbk.), 0292720874 (pbk.) Note: This collection of essays explores cinematic landscapes, locating the relationship between the visual arts and cinema of China and Japan. Hou Hsiao-hsien and his films are used as case studies for a comparative study of classical Chinese painting and cinematographic design; meanwhile, the New Cinema movements in both mainland China and Taiwan during the 1980s are described in the essay “Classical Chinese Painting and Cinematographic Signification” by Ni Zhen, translated by Douglas Wilkson (pp. 63–80). Includes bibliographical reference (pp. 327–330), index, and filmography (pp. 323–326). WorldCat Eng
Qiu, Shuding (Yao, Kinnia Shuk-ting). ᆥᎂᑢ. Gang Ri dian ying guan xi: xun zhao Yazhou dian ying wang luo zhi yuan. ୯яӇؙԬ: ଵװਐರӇؙӻ౪ҏ. Xianggang: Tian di tu shu you xian gong si, 2006. 250 p. ISBN 9789882115491, 9789882115497 Series title: Xianggang wen hua yan jiu cong shu ܫ୯ҹ٩୳ૢᜣڣ Note: A substantial academic work that explores the relationship between Hong Kong and Japanese films. In the second section of the third chapter, the author analyzes the relationship between Taiwan and Japanese films. Chapter 4 includes additional references to Taiwan cinema, as the author describes the relationship between the Shaw Brothers Studio and both the Japanese film industry and the Taiwan film industry. Includes a list of Hong Kong anti-Japanese films (1934–1941), Japanese films shown in the Shanghai Concession (1942–1945), and the exchange of films between Hong Kong and Japan. Includes a bibliography. WorldCat Chi
1214 DeBoer, Stephanie. Pursuing the cinematic in modern literature: a comparative study of Yokomitsu Riichi and Liu Na’ou. 76 leaves. Note: Thesis (M.A.)—Indiana University, 2000.
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1221 [v. 1] 1899(Ҵ32)ё䦢1934(ᢘф9)ё; [v. 2] 1935(ᢘф10)ё 䦢1945(ᢘф20)ё ISBN 9784990536640, 9784990536657 Note: [v. 1] and [v. 2] are enlarged and revised editions of 0246. An inventory of 17,200 Japanese, Taiwanese, and Chinese films shown in Taiwan from 1899 to 1945 during the Japanese colonial era including feature films, documentaries, news films, official propaganda films, and cultural films. Two volumes include illustrations of 430 Japanese and Chinese posters and newspaper articles introducing the films. (Some film titles are duplicated.) Includes film titles screened and attendance numbers during the Taiwan Expo, October 10–November 28, 1935, and a list of the newly added films in [v.2]. The images of Japanese feature film poster titles are chronologically organized with related studio names, and a bibliography. WorldCat Jpn
1218 Huang, Ren, 1925– ࢶწ, 1925– Riben dian ying zai Taiwan. яӆӇؙϨݡஹ. Taibei: Xiu wei zi xun ke ji chu ban, 2008. 314 p. ISBN 9789862211205 Series title: Mei xue yi shu lei; PH0015 Ѥѹਲफढ; PH0015 Note: This is a comprehensive work on the influence of Japanese films in Taiwan. It includes two major parts: Part 1: Japanese Directors Who Influenced Taiwan FilmMaking; and Part 2: Influence of Japanese Films in Taiwan. The appendix includes lists of Japanese films shown in Taiwan from 1915 to 1945 (selected) and 1950 to 1972. Includes a bibliography. NTUL Chi
1220 Mintz, Marilyn D., 1950– The martial arts film. South Brunswick, [NJ] : A. S. Barnes & Co., Inc., 1978. 243 p. ISBN 0498017753 Note: A book on worldwide martial arts film production, including Chinese kung fu, James Bond, and Japanese samurai movies, with a focus on Bruce Lee and Japanese samurai movies. Martial arts films directed by King Hu and produced in both Hong Kang and Taiwan are discussed in the book. Includes a selected filmography (Chinese and Japanese), a bibliography, and an index. WorldCat Eng
1219 Kawase, Ken’ichi. ඇⰗϣ. Shokuminchi Taiwan de j䲖eisareta eiga. ယھсݡළ䫘ϼࠟ䫆䫽䫐ྱࡌ. Nara-ken Kashihara-shi: T䲖y䲖 Shis䲖 Kenky䲚jo, 2010-2013. 3 v. [v. 1] 1899(Ҵ32)ё䦢1934(ᢘф9)ё; [v. 2] 1935(ᢘф10)ё 䦢1945(ᢘф20)ё; [v. 3] ଥࡌഹ 1899(Ҵ32)ё䦢1945(ᢘф 20)ё ISBN [v.3] 9784990536626 Note: An inventory of 23,700 films shown in Taiwan from 1899 to 1945 during the Japanese colonial era, including 15,200 Japanese, Taiwanese, and Chinese and 6,500 Western (United States, France, United Kingdom, Germany, Italy, Australia, Denmark, Poland, Soviet Union, Argentine, etc.) feature films, documentaries, news films, official propaganda films, and cultural films. Some Chinese feature films produced in Shanghai or by Man’ei (Manchuria Motion Picture Production and Distribution Co. 1937–1945), and illustrations of 430 Japanese and Chinese, and 200 Western film posters and newspaper articles introducing the films. (Some film titles are duplicated.) Includes film titles screened and attendance numbers during the Taiwan Expo, October 10–November 28, 1935. Japanese feature film poster titles are chronologically organized with related studio names and a bibliography. WorldCat Jpn
1221 Qiu, Shichun ᆥஉ᳝. Taiwan dian ying ru he li yong guo ji ying shi shi chang jin xing guo ji fa xing zhi tan tao—yi Fushan yu Xianggang shi chang wei li = Exploration of International distribution for Taiwan cinema via international market: case studies of Asia film market & HK filmart. ݡஹӇؙҒح۱ѓлগؙ؆صԾՔҲлগчҲҏ෬क़—й᷶ځӿ ܫ୯صԾЊຎ = Exploration of International distribution for Taiwan cinema via international market: case studies of Asia film market & HK filmart. 113 p. Note: Thesis (M.A.)—National Chengchi University, 2010. Analyzes the “2009 Busha Asia Film Market Exhibition” and the “2010 Hong Kong Filmart” to explore international distribution strategies for Taiwan cinema. Concludes the following: Taiwan films should first be distributed to Chinese and Asian markets, current Taiwan cinema style and content is not particularly appealing to audiences overseas and limits investor interest, and the quality of Taiwan’s art films must improve to compete in the competitive international marketplace. Finally, the author recommends that if Taiwan filmmakers want to enter the international market, then they should select topics and scripts that match concurrent world cinema trends.
1219a Kawase, Ken’ichi. ඇⰗϣ. Shokuminchi Taiwan de j䲖eisareta eiga. ယھсݡළ䫘ϼࠟ䫆䫽䫐ྱࡌ. Nara-ken Kashihara-shi: T䲖y䲖 Shis䲖 Kenky䲚jo, 2014. 2 v.
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Interdisciplinary Studies
1222 Includes a Chinese index and bibliography. NCL/NDLTD
Vol. 4: Chronologies and Indexes. Chapter 5, in Vol. 2 (pp. 111–155), deals with the film histories of Japanese colonies and occupied areas during World War II, including Taiwan, Korea, Shanghai, and Manchuria. Includes chronologies of major Japanese film-related events and major film productions, and indexes of personal names, movies, events, and film studios in Vol. 4. WorldCat Jpn
Chi
1222 Sat䲖, Tadao, 1930– ᩊᗳᇝԲ, 1930– Le cinéma japonais / Tadao Sat䲖 ; traduction de Karine Chesneau, Rose-Marie Makino-Fayolle et Chiharu Tanaka. Paris: Centre Georges Pompidou, 1997. 2 v. ISBN 2858509301 Note: The French translation of a Japanese, four-volume text entitled Nihon eigashi (T䲖ky䲖: Iwanami Shoten, 1995), published during a Japanese film retrospective held at the Centre Georges Pompidou from March 19– October 1, 1997. Chapter 5 (pp. 255–263) deals with the film histories of Japanese colonies and occupied areas during World War II, including Taiwan, Korea, Shanghai, and Manchuria. WorldCat Fre
1225 Sat䲖, Tadao, 1930– ᩊᗳᇝԲ, 1930– Shirarezaru eiga o motomete. Ҍ䫺䫽䫇䫼ྱࡌ䬃ؒ䫲䫗. T䲖ky䲖: Gendai Shokan, 1999. 294 p. ISBN 4768476902, 9784768476901 Note: An introduction to Asian cinema, including the cinemas of Japan and Taiwan. WorldCat Jpn
1223
1226
Sat䲖, Tadao, 1930– ᩊᗳᇝԲ, 1930– Nihon eigashi. яӆྱࡌ. T䲖ky䲖: Iwanami Shoten, 1995. 4 v. ISBN 4000037854 (v. 1), 4000037862 (v. 2), 4000037870 (v. 3), 4000037889 (v. 4) Note: One of the most authoritative works on Japanese film history. Organized by time period covered: Vol. 1: 1896–1940, Vol. 2: 1941–1959, Vol. 3: 1960–1995, and Vol. 4: Chronologies and Indexes. Chapter 5, in Vol. 2 (pp. 111–155), deals with the film histories of Japanese colonies and occupied areas during World War II, including Taiwan, Korea, Shanghai, and Manchuria. Includes chronologies of major Japanese film-related events and major film productions, and indexes of personal names, movies, events, and film studios, and an index in Vol. 4. WorldCat Jpn
Shi ji hui gu : tu shuo Hua yu dian ying = Spectrums of the century : Chinese cinemas, 1896–1999 / [zong bian ji Huang Jianye, Huang Ren ; Ying yi Su Zhe’an (Jon Soloman) . . . et al.]. ԒઔҘઆ: ֖МܭܓӇ = ؙSpectrums of the century : Chinese cinemas, 1986–1999 / [րഹফࢷࠃ, ࢷწ ; ߭ፆᎻԥ (Jon Soloman) . . . et al.]. Taibei: Xing zheng yuan wen hua jian she wei yuan hui : Guo jia dian ying zi liao guan, 2001. 431 p. ISBN 9570277572 Note: This is an unprecedented joint project involving scholars from Taiwan, Hong Kong, and mainland China under the auspices of the Chinese Taipei Film Archive. It presents short essays, chronological statements, quoted film reviews, and a prodigious quantity of film stills, posters, and photos to illustrate a century of Chinese cinema history. It is the most objective and comprehensive description of Chinese film history in terms of the photographic materials and range of subjects included in the book, but not in terms of in-depth academic exploration of the topics presented. It is a bilingual work in Chinese and English and is divided into four parts: Chinese Cinema 1896–1949 (with separate chapters dealing with the beginnings of Chinese cinema in mainland China, Hong Kong, and Taiwan), Taiwan Cinema 1949–1999, Hong Kong Cinema 1949– 1999, and Mainland Chinese Cinema 1949–1999. The text attempts to tackle controversial issues, such as the Japanese influence on cinema during the colonial period, government censorship in Taiwan, anti-Communist propaganda films, and the February 28 Incident in 1947 in Taiwan. A comparative line of study connects Taiwan (and Japan during the colonial period), Hong Kong, and mainland China throughout the book. Unfortunately, apart from a short bibliography, there is no index for the incredibly rich film-related materials,
1224 Sat䲖, Tadao, 1930– ᩊᗳᇝԲ, 1930– Nihon eigashi (Z䲖hoban) яӆྱࡌ (㬱ਣ)ؗ. T䲖ky䲖: Iwanami Shoten, 2006–2007. 4 v. ISBN 4000265776 (v. 1), 4000265784 (v. 2), 4000265792 (v. 3), 4000265806 (v. 4) Note: An enhanced revision to the original work published in 1995. The most significant changes, compared with the original work, are in Vol. 3: 1960–1995. One of the most authoritative works on Japanese film history. Organized by time period covered: Vol. 1: 1896–1940, Vol. 2: 1941–1959, Vol. 3: 1960–1995, and
220
Comparative Film Study
1233
particularly the photographical materials, from Taiwan, Hong Kong, and mainland China. WorldCat Chi Eng
Note:
1227
Compares Hollywood films with Japanese, mainland Chinese, and concurrent Taiwan films. Includes a bibliography. CTFAL Chi
1231
Tamura, Shizue, 1944– ೧భဋብ, 1944– Hij䲖j䲖-shi no hitobito: Taiwan to Nihon no uta. єصڵ䫟Ϫ䫤䫙 : ݡළ䫙яӆ䫟䪷䫐 . T䲖ky䲖: Sh䲖bunsha, 1992. 228 p. ISBN 4794961030, 9784794961037 Note: A work on the film A City of Sadness (1989) and the relationship between Taiwan and Japan as reflected in the film. WorldCat Jpn
Ye, Longyan, 1940– ౕहᴧ, 1940– Ri zhi shi qi Taiwan dian ying shi = The history of Taiwanese movies during the Japanese colonization. яЖݡஹӇؙ= The history of Taiwanese movies during the Japanese colonization. Taibei: Yu shan she, 1998. 365 p. ISBN 9579361908 Series title: Bu tu xin shu; 37 ӆगЈ ;ڣ37 Note: The first academic work by a Taiwanese scholar that focuses on Taiwan film history during Japanese colonization. Divides the Japanese colonial era into four time periods: (1) Budding Period 1896–1919; (2) Rising Period 1920–1930; (3) Thriving Period 1931–1941; and (4) Pacific War Period 1942–1945. Includes noteworthy analyses of the film histories of Taiwan, Tokyo, Shanghai, and Hollywood. Includes a bibliography and list of theaters in Taiwan during the colonial period with the following information: location, ownership, operation agency, and contractor. WorldCat Chi
1228 Tanaka, Hideo, 1952– ೧Ѕഫ, 1952– Eiga ni miru Higashi Ajia no kindai. ྱࡌ䫜Ԋ䫼ֆ䬑䬧䬑䫟ڊײ. T䲖ky䲖: Fuy䲖 Shob䲖, 2002. 245 p. ISBN 482950322X Note: The author accounts for the modern histories of Japan, China, Taiwan, and Korea by comparing each nation’s cinema traditions. The last section of Chapter 1 focuses on Taiwan film history by considering Japan’s influence on Taiwan and representations of Japan in Taiwan films. There is no bibliography or index at the end of the book, but reference notes are included at the end of some of the chapters. WorldCat Jpn
1232 Ye, Longyan, 1940– ౕहᴧ, 1940– Riben dian ying dui Taiwan de ying xiang 1945–1972. яӆӇؙхݡஹϡؙ 1945–1972. Zhanghua: Zhong zhou ji shu xue yuan dian ying yan jiu zhong xin, 2006. 198 p. Note: An overview of the relationship between Japanese and Taiwanese films from 1945 to 1972. It deals with the following subjects: the ban on importing Japanese films from 1945 to 1950 and 1963 to 1964, the peak of Japanese film imports, government policy on importing Japanese films, cases of smuggling Japanese films, Taiwan’s film censorship system, and the influences of imported Japanese films and culture on Taiwan filmmaking. Includes a bibliography. CTFAL Chi
1229 Transnational Asian identities in Pan-Pacific cinemas: the reel Asian exchange / edited by Philippa Gates & Lisa Funnell. New York: Routledge, 2011. ISBN 9780415893541, 0415893542 Note: A collection of essays on transnational Asian identities in Pan-Pacific cinemas, including the production of and audience reception to the cinemas of Hong Kong, Japan, South Korea, Thailand, China, Taiwan, and Hollywood. This volume’s essay focusing on Taiwan film is entitled “Trauma and Taiwan’s Melodrama: Seven Orphans of Cape No. 7” by Sheng-mei Ma. Includes a bibliography, an index, and a filmography. WorldCat Eng
1233 Ye, Longyan, 1940– ౕहᴧ, 1940– Zheng zong Tai yu dian ying shi 1955–1974 (dian cang ban). ԜᅓܭݡӇؙ 1955–1974 (ਹে)ؗ. Taibei: Taiwan kuai le xue yan jiu suo, 2005. 143 p. ISBN 9574130223 Series title: Happy 01
1230 Yang, Dunli. ᆼٗ. Xi fang dian ying dui wo guo dian ying fa zhan zhi yan jiu. ՝ҤӇؙхϢлӇؙчࣁҏ୳ૢ. Taibei: Xin tain di shu ju, 1986. 180 p.
221
Interdisciplinary Studies
1234 Note:
6.1.3
As the author states in the preface, the work both reviews the history of Taiyu pian (Taiwanese-dialect film) and explores the close relationship between Japanese culture and Taiyu pian. Introduces the private film studios that produced Taiyu pian; discusses important Taiyu pian producers, screenwriters, directors, posters, and its distribution system; and explains Taiyu pian’s fall and complex relationship with Japanese culture. Includes film posters, stills, and photos. CTFAL Chi
1236 The trans-Pacific imagination: rethinking boundary, culture and society/ edited by Naoki Sakai and Hyon Joo Yoo. Singapore; Hackensack, NJ: World Scientific, 2012. 330 p. ISBN 9789814324137, 9814324132, 9789814324144, 9814324140 Note: A collection of academic essays, including “Inter-Asia Comparative Framework: Postcolonial Film Historiography in Taiwan and South Korea” by Kim Soysoung, which compares the Taiwan film The Puppetmaster (Hou Hsiao-hsien, 1993) and the Korean Film Chihwasǂn (Im Kwǂntaek, 2002); and “The Incurable Feminine: Women without a Country in East Asian Cinema” by Yoo Hyon Joo, which studies female characters in two Korean films: Time (Kim Ki-duk, 2006) and Sympathy for Lady Vengeance (Park Chan-wook, 2005), and two Taiwanese films: The River (Tsai Mingliang, 1997) and What Time Is It There? (Tsai Mingliang, 2004). Includes a bibliography and an index. BAS Chi
Films in Taiwan and Korea
1234 East Asian cinema and cultural heritage: from China, Hong Kong, and Taiwan to Japan and South Korea / edited by Kinnia Shuk-ting Yao. New York: Palgrave Macmillan, 2011. 207 p. ISBN 9780230116955, 0230116957 Note: This collection of essays examines how the legacies of East Asian cultures are being revived and recreated by contemporary filmmakers; examples include references to martial arts, music, aesthetics, stage performances, and legends in the cinemas of mainland China, Taiwan, Hong Kong, Japan, and South Korea. Includes a bibliography. WorldCat Eng
1237 You, Shixian (Yu, Shih-hsien). ղࡲᐊ. Taiwan dian ying chan ye sheng cun ce lue: 2004–2006—cong Hanguo dian ying shi chang jie xi Taiwan xian zhuang. ݡஹӇݗؙТࡖ೫ଯ: 2004–2006—ԩठлӇصؙԾثݡஹѳ ୄ. 90 leaves. Note: Thesis (M.A.)—National Chengchi University, 2004. This EMBA thesis compares the decline of Taiwan’s film industry with the rise of Korean film industry to provide a three-year financial strategy for Taiwan’s film industry. Appendix includes a Chronicle of Taiwan Film Affairs from 1982 to 2003, and Taiwan’s Film Box Office Records from 1980 to 1999. Includes a Chinese abstract, a bibliography, and a Chart of the Ten Best Box Office Records of Korean Films. NCL/NDLTD (FT) Chi
1235 Qiu, Shichun. ᆥஉ᳝. Taiwan dian ying ru he li yong guo ji ying shi shi chang jin xing guo ji fa xing zhi tan tao—yi Fushan yu Xianggang shi chang wei li = Exploration of International distribution for Taiwan cinema via international market: case studies of Asia film market & HK filmart. ݡஹӇؙҒح۱ѓлগؙ؆صԾՔҲлগчҲҏ෬क़—й᷶ځӿ ܫ୯صԾЊຎ = Exploration of International distribution for Taiwan cinema via international market: case studies of Asia film market & HK filmart. 113 p. Note: Thesis (M.A.)—National Chengchi University, 2010. Analyzes the “2009 Busha Asia Film Market Exhibition” and the “2010 Hong Kong Filmart” to explore international distribution strategies for Taiwan cinema. Concludes the following: Taiwan films should first be distributed to Chinese and Asian markets, current Taiwan cinema style and content is not particularly appealing to audiences overseas and limits investor interest, and the quality of Taiwan’s art films must improve to compete in the competitive international marketplace. Finally, the author recommends that if Taiwan filmmakers want to enter the international market, then they should select topics and scripts that match concurrent world cinema trends. Includes a Chinese index and bibliography. NCL/NDLTD Chi
6.1.4
Taiwan and Bollywood Films
1238 Taiwan V.S. Yindu ying zhan = The Taiwan V.S. India Film Festival / Ce hua dan wei: Taiwan dian ying wen hua xie hui. ݡஹ V.S. ֏ = ࣁؙThe Taiwan V.S. India Film Festival / ೫ ֧: ݡஹӇؙҹ٩Ͼ. Taibei: Taiwan dian ying wen hua xie hui, 2004. 117 p. Note: A special publication for the Taiwan versus India Film Festival hosted by the Taiwan Film and Culture Association from December 2004 to January 2005 in Taiwan.
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1242
Includes the festival schedule, synopses of films shown during the festival, an introduction to Bollywood (India) films, and comparative studies of Taiwan and Bollywood films. CTFAL Chi
6.1.5
1241 Chinese connections: critical perspectives on film, identity, and diaspora / edited by Tan See-kam, Peter X. Feng, and Gina Marchetti. Philadelphia: Temple University Press, 2009. 311 p. ISBN 1592132677, 9781592132676, 1592132685, 9781592132683 Note: A collection of essays, including “Hollywood and Taiwan: Connections, Countercurrents, and Ang Lee’s Hulk” by Gina Marchetti, and “Taiwan Fever: Tsai Ming-liang and the Everyday Postnation” by Peter Hitchcock. Includes a bibliography, an index, and a filmography. WorldCat Eng
Taiwan and Hollywood Films
1239 Chen, Junji (Chen, Chun-chi). ᒺแ. Taiwan shi shi dian ying yin mu pei ji zhi de ke xing xing = The feasibility of the implements of the silver screen quota system in Taiwan. ݡஹӢැӇࡈ௷ુؙѰءϡНҲԛ = The feasibility of the implements of the silver screen quota system in Taiwan. 120 leaves. Note: Thesis (M.A.)—Shi Hsin University, 2009. Since 1980, the Taiwanese government has implemented a domestic film subsidy system; however, the subsidy policy did not entirely alter Hollywood’s colonization of Taiwan’s domestic film market in which 90 percent of Taiwan’s box office was taken by Hollywood films, with local Taiwanese films usually contributing less than 1 percent of the box office. This study uses quantitative research, interviews, and the lens of Edward Said’s theory of culture and imperialism to study the feasibility of a screen quotas system in Taiwan to protect Taiwan’s domestic film industry and enable it to prosper. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi
1242 Chinese-language film: historiography, poetics, politics / edited by Sheldon H. Lu and Emilie Yueh-yu Yeh. Honolulu: University of Hawai’i Press, 2005. 413 p. ISBN 0824828135 (alk. paper), 9780824828691, (pbk.: alk. paper), 0824828690 (pbk.: alk. paper) Note: This edited volume “covers the cinematic traditions of mainland China, Taiwan, Hong Kong, and the Chinese diaspora from the beginning of Chinese film history to the present moment” (p. 2). Part I. Historiography, Periodization, Trends includes articles that either address Chinese film history broadly or different significant movements within Chinese cinema; Part II. Poetics, Directors, Styles provides “lucid, synchronic, structural(ist), transhistorical accounts of the poetics and aesthetics of Chinese film as an integral part of world cinema” (p. 15). Interesting studies include the essay by Mary Farquhar and Chris Berry: “Shadow Opera: Toward a New Archaeology of the Chinese Cinema,” which states :“If civilized plays are cinema’s stepmother, then opera is the mother in terms of first film productions, whether on the mainland (1905) or in Hong Kong (1909). Opera films were also the first productions in major regional language films, Cantonese (1933) and Taiwanese (1954)” (p. 51). Other Taiwan film or related comparative film studies essays include Meiling Wu’s “Postsadness Taiwan New Cinema: Eat, Drink, Everyman, Everywoman,” Emilie Yuehyu Yeh’s “Poetics and Politics of Hou Hsiao-hsien’s Films,” Sheldon H. Lu’s “Crouching Tiger, Hidden Dragon, Bounding Angeles: Hollywood, Taiwan, Hong Kong, and Transnational Cinema,” Darrell W. Davis’s “Borrowing Postcolonial: Wu Nien-chen’s Dou-san and the Memory Mine,” and Shao-ying Shen’s “Locating Feminine Writing in Taiwan Cinema: A Study of Yang Hui-shan’s Body and Sylvia Chang’s Siao Yu.” Includes filmography, Chinese glossary, bibliography, notes on contributors, and an index. WorldCat Eng
1240 Chen, Lifang (Chen, Li-fang). ᾭҤ. 1989–2006 Di shi ni jing dian tong hua zai Taiwan de xiao fei yu yun yong = The consumption and application of Disney classical animation between 1989 and 2006 in Taiwan. 1989–2006ၔࡲ৸ҬਹҁޫϨݡஹϡٮ۽ӿػѓ = consumption and application of Disney classical animation between 1989 and 2006 in Taiwan. 104 leaves. Note: Thesis (M.A.)—National Cheng Kung University, 2006. In 1989, animated films produced by Walt Disney officially entered the Taiwan film market, and in 1995, Disney movies entered Taiwan’s cable television programs. Chapter 1 discusses the history of Walt Disney Studio; Chapter 2 focuses on characteristics of and cultural elements in Disney film plots; and Chapter 3 studies the influence of Disney’s animated films on Taiwan’s animated film production, children’s education, and audience reception since 1989. Includes a Chinese and English abstract, a bibliography, and an appendix. NCL/NDLTD (FT) Chi
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films dominate Taiwan’s market after limits on imported foreign films were lifted. As the result of these conditions, and various solutions proposed by film directors, the paper suggests that the government should intervene by being more involved in film production and establishing improved film policies. Includes a Chinese abstract, a bibliography, and an appendix (including past import quotas on foreign films, and a list of government subsidized domestically produced films from 2002 and 2003). NCL/NDLTD (FT) Chi
1243 Curtin, Michael. Playing to the world’s biggest audience: the globalization of Chinese film and TV. Berkeley; Los Angeles: University of California Press, 2007. 341 p. ISBN 9780520251335 (cloth: alk. paper), 9780520251342 (pbk.: alk. paper) Note: Michael Curtin’s text, Playing to the World’s Biggest Audience: The Globalization of Chinese Film and TV examines the shifting dynamics of film and television industries in an era of global connectivity. Although the historical breadth of the project considers the early filmic entertainment industries in China, Taiwan, Hong Kong, and Singapore, it focuses on the “dramatic changes that have occurred since the 1980s with the end of the Cold War, the rise of the World Trade Organization, the modernization policies of the PRC, the end of martial law in Taiwan, the transfer of Hong Kong to Chinese sovereignty, the high-tech liberalization of Singapore, the rise of consumer and youth cultures across the regions, and the growing wealth and influence of overseas Chinese in such cities as Vancouver, London, and Kuala Lumpur” (p. 3). This book focuses on the challenge of globalization during the 1990s and early 2000s, confronts the idea that Hollywood hegemony will last indefinitely, and considers globalized Chinese media enterprises that faced a slower pace of expansion in wake of the financial crisis of 1997 and the burst of the dotcom bubble in 2000. In short, the text discusses how commercial media enterprises—and at times the text addresses state media in the PRC—adjusts and shifts to the social and institutional dynamics of the new millennium. Includes a broad historical synopsis of the Shaw Brothers Studio (Chapter 1), a study of Hollywood’s saturation of Taiwan’s film market (Chapter 4), and an account of the current cooperation between mainland China and Taiwan (Chapter 6). Includes industry interviews, notes, a bibliography, and an index. WorldCat Eng
1245 Huang, Ren, 1925– ࢶწ, 1925– Wo hu cang long Haolaiwu: Li An yu hua yi ying ren jing ying / Huang Ren, Liang Liang zhu. ၃ഝেहϮᒀᩕ: ଽԥӿܓᶜؙϪ ؘ߭/ ࢶწ, ᅯમЯ. Taibei: Ya Ta tu shu chu ban she, 2002. 223 p. ISBN 9578264933 Series title: Taiwan dian ying yan jiu cong shu; 8 ݡஹӇૢ୳ؙᜣ ;ڣ8 Note: A book about Crouching Tiger, Hidden Dragon; Chapters 1–5 describe how Ang Lee broke in into Hollywood and include academic essays on Ang Lee’s films; Chapters 6–9 present successful Chinese directors, cinematographers, technicians, actresses, and actors in Hollywood. NTUL Chi
1246 Huang, Shikai. ࢶஉᏎ. Yi jiu jiu ling nian dai Taiwan dian ying gong ye de zheng zhi jing ji fen xi. ϣ॰॰0ёݡڊஹӇؙ֞ϡूҬ௵д. 119 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2004. An overview of Taiwan’s film industry as influenced by political and economic changes during the 1990s: local capital was moved to the area of foreign film distribution dominated by Hollywood; in 1999, Taiwan only produced sixteen films and occupied less than 0.46 percent of the box office income in Taiwan. The paper argues that the government did not adequately change its film policies and even abandoned some valuable cultural regulations, which protected the domestic film industry after entering the World Trade Organization. Includes a Chinese abstract and an appendix (including Taipei Area Box Office Records of Domestic Films and Foreign Films, 1990–1999; and Domestic Films That Received Government Subsidies and Awards during International Film Festivals, 1990–1999). NCL/NDLTD (FT) Chi
1244 Gu, Shuxun (Gu, Shushiun). ࣲᎂ៨. Taiwan dian ying sheng chan chang yu fen xi, 1998–2003 = Analysis of the field of film production in Taiwan, 1998–2003. ݡஹӇؙТݗԾд, 1998–2003 = Analysis of the field of film production in Taiwan, 1998–2003. 136 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2004. Based on Pierre Bourdieu’s field theory, this paper explores structural changes within the field of film production in Taiwan from 1998 to 2003 by way of interviewing twelve local Taiwan film directors. Politically, Taiwan’s film industry inherits a legacy of censorship and propaganda; economically, Hollywood
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1251 information of Chinese Times Daily newspaper and United Daily newspaper (1996–2004). ӐѳӇؙ: йЅлЖھߵڻТڻϡӇޞؙళЊຎ = Represent films: research news information of Chinese Times Daily newspaper and United Daily newspaper (1996–2004). 213 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2005. By assessing film-related stories from two Taiwan newspapers, the Chinese Times Daily and United Daily as the case studies, this paper describes responses to, and the presentation of, Hollywood films in Taiwan. In the 1990s, Hollywood films flooded Taiwan’s theaters (in 1996, Hollywood films occupied 90 percent of Taiwan’s film market), at the same time, the Taiwan government, policymakers, scholars, and film workers tried to alleviate Taiwan’s film market slippage. Research reveals that Taiwan directors were featured in newspapers in terms of their achievements in receiving awards in international film festivals, the government film subsidies received by these directors, and the difficulties inherent to releasing films domestically— unlike the Hollywood and Hong Kong newspaper reports that focused on film plots and promotional activities. The study recommends that newspapers present Taiwanese domestic films with similar exposure as provided for Hollywood films. Includes a Chinese and English abstract; a bibliography; statistical charts of Taiwan domestic, Hong Kong, and foreign film distribution; and box office records from 1996 to 2004. NCL/NDLTD (FT) Chi
1247 Li, Peipei. ଽഷഷ. 2000–2010 nian Taiwan dia ying yu gao pian yan jiu yu mo shi tan qiu = The study of 2000–2010 Taiwan movie trailers and model exploration. 2000–2010 ёݡஹӇؙভݍә୳ૢӿথܴ෬ؒ = The study of 2000–2010 Taiwan movie trailers and model exploration. 167 p. Note: Thesis (M.A.)—National Cheng Chi University, 2009. Compares Taiwanese movie trailers with Hollywood movie trailers. Categorizes Hollywood movie trailers into four types (narrative, visual, audial, and stars), and then categorizes Taiwanese movie-trailers into three types (quasi- Hollywood, Hollywood-like, and a local Taiwan model). The purpose of the study is to help Taiwan’s film industry maximize the marketing impact of its movie trailers. Includes a bibliography and Chinese and English abstracts. NCL/NDLTD Chi
1248 Li, Shu-chu Sarrina. The image of America delivered by American TV programs and movies to the Chinese in Taiwan. 108 leaves. Note: Thesis (M.A.)—Texas Tech. University, 1985. Analyzes the way the United States is represented through American television programs and movies shown in Taiwan. Includes a bibliography. WorldCat Eng
1250a
1249
Lin, Xianru (Lin, Hsien Ju). ᢌҒ. Jiu shi nian dai zheng jing bian qian zhong de Taiwan dian ying gong ye. ॰ёूڊҬԺቜЅϡݡஹӇؙ֞. 197 leaves. Note: Thesis (M.A.)—Chinese Culture University, 2000. Assesses Taiwan’s film industry decline resulting from both political and economic changes during the 1990s. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi
Li䩟Yuxuan (Lee, Yu-shiuan). ଽℯἒ. Wen hua duo yang xing yu fu wu mao yi zi you hua zhi hu dong guan xi䩭yi WTO jia gou zhi dian ying shi ting fu wu wei zhong xin. ҹ٩ЄҊԛӿࠔעᆓډ٩ҏૠҁԬ䩭йWTOବภҏӇؙ؆ԯ ࠔעЊЅК. 187 leaves. Note: Thesis (M.A.)—National Dong Hwa University, 2008. This paper explores the contradictions and interactions between UNESCO’s Convention on the Protection and Promotion of the Diversity of Cultural Expressions and the World Trade Organization’s General Agreement on Trade in Services, which covers the audiovisual business in the service sector, and then discusses how to protect Taiwan’s film industry. Includes a Chinese abstract and a bibliography. NCL/NDLTD (FT) Chi
1251 Lin, Yupeng. ർអ. Quan qiu hua shi dai xia de min zu guo jia dian ying: wen hua gong min quan shi ye de fen xi = National cinema in the global age: an analysis in perspective of cultural citizenship. Ҫܧ٩ЖڊЎϡھఓлрӇؙ: ҹ٩ԍھ؆ఀϡд = National cinema in the global age: an analysis in perspective of cultural citizenship. 124 leaves. Note: Thesis (M.A.)—Tamkang University, 2004.
1250 Liang, Wenqi (Liang, Wen-chi). ᅯҹ⓭. Zai xian dian ying: yi Zhongguo Shi Bao ji Min Sheng Bao de dian ying zi xun wei li (1996–2004) = Represent films: research news
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1252 The paper claims that laissez-faire film policies of deregulation adopted by Taiwan during the 1980s and 1990s transformed audiences from “citizens” into “consumers” and ignored the cultural significance and rights of film audiences; then the thesis attempts to find a solution for Taiwan national cinema in a global age from the perspective of “Cultural Citizenship,” including audience access to information, participation in communication, and egalitarian dialogue. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi
promising directors and their works and their subjects should not be limited to “local characteristics.” Includes a Chinese abstract and bibliography. NCL/NDLTD Chi
1254 Szeto, Kin-Yan. The martial arts cinema of the Chinese diaspora: Ang Lee, John Woo, and Jackie Chan in Hollywood. Carbondale: Southern Illinois University Press. 171 p. ISBN 9780809330218 (pbk.: alk. paper); 0809330210 (pbk.: alk. paper); 9780809386208 (ebk.); 0809386208 (ebk.) Note: A work on Ang Lee, John Woo, Jackie Chan, and their martial arts film careers in Hollywood. WorldCat Eng
1252 Liu, Youjing. ҍ᪦. Cong yu qiu li yi guan dian tan tao Taiwan dian ying zhi shi chang qu ge—yi Meiguo dian ying wei yan jiu dui xiang = A study of Taiwan’s movies market segmentation from a benefit-seeking perspective: a case study of American movies. ԩ௰ؒ۱೯ѡ෬क़ݡஹӇؙҏصԾ߅ഭ—йѤлӇؙЊ୳ૢх ࢣ= A study of Taiwan’s movies market segmentation from a benefitseeking perspective: a case study of American movies. 82 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2003. Considering the dominance of Hollywood cinema in Taiwan in the 1990s, this study considers Taiwan college and graduate students’ high level of interest in watching American movies in the Taipei area. Concludes that there are three ways to categorize this cross-section of university students as follows: “self-improvement,” “fashionable,” and “social and entertainment” (the third group was largest at 56.2 percent). Includes a Chinese abstract and a bibliography. NCL/NDLTD (FT) Chi
1255 Sibergeld, Jerome. Hitchcock with a Chinese face: cinematic doubles, Oedipal triangles, and China’s moral voice. Seattle: University of Washington Press, 2004. 146 p. ISBN 0295984171, 9780295984179 Note: A book in three chapters: Chapter 1 analyzes mainland Chinese film Suzhou River (Ye, 2000); Chapter 2 the Hong Kong film The Day the Sun Turned Cold (Yim, 1995); and Chapter 3 the Taiwanese film Good Men, Good Women (Hou, 1995). Includes a bibliography, an index, and a DVD containing scenes from the three films. WorldCat Eng
1256 Tesson, Charles. L’Asie à Hollywood / Charles Tesson; Claudine Paquot; Roger Garcia. Paris: Cahiers du Cinéma, 2001. 255 p. ISBN 2866422821, 9782866422820 Note: A work on successful Asian Americans in Hollywood, including Ang Lee, John Woo, Tsui Hark, and Raymond Chow. WorldCat Fre
1253 Peng, Guangwei (Peng, Kuang-wei). ᣴׇ໖. Quan qiu hua yu Haolaiwu Hua yi dao yan—zuo pin tan tao yu xing tai fen xi. Ҫܧ٩ӿϮᒀᩕܓᶜ࣒ࠟ—ӑԘ෬क़ӿࡿݯд. 211 p. Note: Thesis (M.A.)—National Taiwan University, 2006. Considering that globalization and Hollywood domination has greatly influenced Chinese filmmaking, the paper selects three major Chinese film directors and compares their works before and after receiving transnational and Hollywood investment, including Ang Lee’s Wedding Banquet (1993) and Crouching Tiger, Hidden Dragon (2000), Zhang Yimou’s Raise the Red Lantern (1992) and Hero (2002), and Chen Kaige’s Farewell My Concubine (1993) and The Promise (2005). Concludes that the influence of globalization is inevitable, and the pressure of box office success challenges the directors’ integrity and cultural and national values. In terms of Taiwan’s film industry, the paper suggests that the government should change its policy: subsidies need to be more carefully directed to
1257 Tian, Jiaqi (Tien, Chia-Chi). ೧рᔂ. Taiwan Hua shang fa Xing Ou Mei wai pian zhi li shi fa zhan yan jiu = A historical research of the development of domestic distributors of imported foreign films. ݡஹ࠱ܓчҲଟѤ֔әҏࣵчࣁ୳ૢ = A historical research of the development of domestic distributors of imported foreign films. 213 leaves. Note: Thesis (M.A.)—Yuan Ze University, 2000. This paper divides the development and history of Taiwan domestic film distribution and distributors into three periods: “Beginning Period”: 1954–1980, during which Taiwan’s government instituted policies that restricted imported films, including prints and
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exhibition of foreign films, to ensure the growth of the domestic film industry, prevent unbalanced competition, and control access to foreign films in the local market; the “Golden Era”: 1980–1988, when the Taiwan government deregulated portions of its restrictions and protections in response to the Motion Pictures Export Association of America’s (MPEA’s) requirements to open Taiwan’s local film market, and Taiwanese distributors could import various foreign films; and the “Decline Time” (1989–1999), during which Taiwan removed almost all of its restrictions and Hollywood Majors directly dominated the Taiwan film market, and Taiwan became the tenth largest film market in Hollywood’s global box office ranking. The paper suggests that Taiwan’s government should control the number of imported film prints and screening venues, media should avoid being Hollywood’s advertising tool, and research should focus on local audience and consumer behavior in improve domestic film production and distribution. Includes a Chinese and English abstract and bibliography. NCL/NDLTD Chi
Taibei: guo jia dian ying zi liao guan, 1995. 267 p. ISBN 9579987440 Series title: Taiwan dian ying shi liao cong shu; 2 ݡஹӇؙࢧᜣ ;ڣ2 Note: Based on the author’s impressive research of filmrelated materials published in various newspapers in Taiwan, this text describes the establishment of Taiwan’s film industry after retrocession from 1945 to 1949. Significantly, Chapter 2 describes the moment when mainland film studios first arrived to shoot films in Taiwan and later shipped their equipment, production, and personnel to Taiwan; Chapter 3 deals with the operation and management of the Taiwan theatre system; Chapter 4 focuses on movies shown in Taiwan’s theaters, specifically, the large quantity of films produced in mainland China and, later, the domination of the market by Hollywood films; and Chapter 5 considers film censorship in Taiwan during the time. Includes two important documents at the appendix in the end of the book: the Taiwan Film Industry Corporation Business Plan and the Taiwan Film Industry Corporation Preparation Report, which provide details of the early management and operation of Taiwan’s theater system. Includes bibliography. WorldCat Chi
1258 Yan, Zhilong (Yen, Chih-lung). ୶ह. Meiguo dian ying zai Taiwan = American movie in Taiwan. ѤлӇؙϨݡஹ = American movie in Taiwan. 60 leaves. Note: Thesis (M.A.)—National Taiwan University, 2007. Uses economic statistics to consider why Hollywood movies succeed in Taiwan’s market. Concludes that Hollywood’s rating system, higher production budgets, quantity of theaters exhibiting films, and release times result in better box office results compared with Taiwan films. Includes a Chinese and English abstract, bibliography, and various box office records in Taiwan film market. NCL/NDLTD Chi
1261 Ye, Longyan, 1940– ౕहᴧ, 1940– Ri zhi shi qi Taiwan dian ying shi = The history of Taiwanese movies during the Japanese colonization. яЖݡஹӇؙ= The history of Taiwanese movies during the Japanese colonization. Taibei: Yu shan she, 1998. 365 p. ISBN 9579361908 Series title: Bu tu xin shu; 37 ӆगЈ ;ڣ37 Note: The first academic work by a Taiwanese scholar that focuses on Taiwan film history during Japanese colonization. Divides the Japanese colonial era into four time periods: (1) Budding Period 1896–1919; (2) Rising Period 1920–1930; (3) Thriving Period 1931–1941; and (4) Pacific War Period 1942–1945. Includes noteworthy analyses of the film histories of Taiwan, Tokyo, Shanghai, and Hollywood. Includes a bibliography and list of theaters in Taiwan during the colonial period with the following information: location, ownership, operation agency, and contractor. WorldCat Chi
1259 Yang, Dunli. ᆼٗ. Xi fang dian ying dui wo guo dian ying fa zhan zhi yan jiu. ՝ҤӇؙхϢлӇؙчࣁҏ୳ૢ. Taibei: Xin tain di shu ju, 1986. 180 p. Note: Compares Hollywood films with Japanese, mainland Chinese, and concurrent Taiwan films. Includes a bibliography. CTFAL Chi
1262 Ying yin mei xue yu chuang yi xing xiao yan tao hui = Seminar on digital aesthetics and creative marketing / Li Tianduo, Fan Shengbao, Qiu Zhiyong zong zhu bian. ٸؙѤѹӿࡶҺҲઍ୳क़Ͼ = Seminar on digital aesthetics and creative marketing / ଽϳ⟢, ഄخ, ᆥ௨ରրҰഹ.
1260 Ye, Longyan, 1940– ౕहᴧ, 1940– Guang fu chu qi Taiwan dian ying shi. ׇ२ݡஹӇؙ.
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1263 Taibei: Jiao yu bu, 2007. 210 p. ISBN 9789860101904 Note: Conference proceedings organized into twelve sessions, including lectures and panel discussions, focusing on the emergent multimedia, digital technology, film production, and marketing trends involving Hollywood marketing strategies in Taiwan and Taiwan film production and marketing, as well as the cooperation of animated film production between Taiwan and mainland China. CTFAL Chi
1265 Zeng, Wenjun (Tseng, Wen-chun). ߲ҹᒺ. Quan qiu hua qu shi xia kua guo Hua yu dian ying de fa zhan = A Progress of international Chinese cinemas in the global age. Ҫܧ٩ࠊۢЎቄлܭܓӇؙϡчࣁ = A Progress of international Chinese cinemas in the global age. 71 leaves. Note: Thesis (M.A.)—Tainan National University of the Arts, 2006. This thesis aims to locate the position of the Taiwan film industry within the international network of Chinese cinemas in a global age by considering cinema in terms of political economy, commodification, and cultural labor. Concludes that after joining World Trade Organization, China will become the second-biggest film market for Hollywood and that Taiwan’s film industry is losing ground in the areas of marketing, funding, and influence. To solve this dilemma, the author advocates for the Taiwan film industry to actively seek coproduction opportunities in the global market. Includes a Chinese and English abstract, bibliography, appendix, and charts of Chinese film professionals in Hollywood and advantages for Hong Kong films entering the China market. NCL/NDLTD Chi
1263 You, Shangmin. ղϼھ. “Shang dian ying yuan = kan Haolaiwu dian ying?”: Meiguo hua xia Taiwan guan zhong de dian ying xiang xiang. “ϼӇ = ࡨؙЃϮᒀᩕӇ”?ؙ: Ѥл٩ЎݡஹੁϡӇؙЂՌ. 200 leaves. Note: Thesis (M.A.)—National Taiwan Normal University, 2008. Studies the domination of Hollywood films in Taiwan’s film market and the Americanization of Taiwan movie theaters from an audience perspective. Defines movie theaters as sites of technology, consumption, and entertainment for Taiwanese society and concludes that Hollywood films best match the requirements of these three spaces. In addition, Taiwan’s art films only shown in film festivals and commercial films, which include elements of Hollywood style, have further Americanized Taiwan’s film viewing experience and audience. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi
1266 Zou, Nianzu (Tzou, Nian-tsu). ề݉ྥ. Guo pian fu dao jin zhi du yan jiu = Research on the subsidiary Policy of Taiwan Cinema. ләᔆ࣒ = ૢ୳֏ءؖResearch on the subsidiary Policy of Taiwan Cinema. 177 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2001. Hollywood has dominated the international film markets, including Taiwan market, for decades, and many countries implement different policies to support their own national cinemas. After studying these policies, the paper suggests that Taiwan should not copy the policies of other countries; rather, it should position its subsidiary grant clearly as a cultural policy and spend the grant more appropriately in the areas of producing art-oriented films and investing in new directors. Includes a Chinese and English abstract, a bibliography, and an appendix (including a List of the Films [That] Received the Subsidiary Grants, Chronology of Taiwan Film Subsidiary System, and Name List of the Subsidiary Grant Evaluation Committee Members). NCL/NDLTD Chi
1264 Zhao, Tinghui. ᕿ៴ሓ. Xu shi dian ying yu xing bie lun shu = Narrative cinema and gender discourse. ᡳѨӇؙӿԛԇں = Narrative cinema and gender discourse. Taibei Xian Yonghe shi: Airiti Press Inc., 2010. 335 p. ISBN 9789866286292, 9866286290 Series title: Chuan bo xue yan jiu xi lie ةѹ୳ૢ࠶ڍ Note: Analyzes representations of females in films from Taiwan, Hong Kong, and Hollywood to explore gender power structures. Films include Taiwan’s The Shoe Fairy (2006) and Blue Gate Crossing (2002), Hong Kong’s Turn Left, Turn Right (2003), and Hollywood’s Mulan (1998) and Shanghai Noon (2000). Includes a bibliography. WorldCat Chi
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FILM AND ABORIGINAL PEOPLE
1270 Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming ; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. ઔ࠷ݡஹ: ݡஹઔ࠷ә୳ૢڣ۵ӿҹຶקओ / Ұഹפቾᴧ, ଽѬҴ ; వҲഹফᖻҹ, ठ᯾ঌ, פቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570265478 (v. 1); 9570262486 (v. 2) Series title: Taiwan dian ying shi liao cong shu ݡஹӇؙࢧᜣڣ Note: This is the first and most comprehensive bibliography and collection of essays on Taiwan film documentaries. Vol. 1 covers the colonial period and includes sixty-five essays and articles written by three contemporary Taiwan scholars as well as colonial-era Japanese authors whose articles were initially published in Japanese before being translated into Chinese for the purposes of this book. Contains eight parts: (1) Film History; (2) Documentary, News, and Education Films; (3) Film Show Activities; (4) Film Propaganda; (5) Film Censorship; (6) Film Affairs; (7) Film Reviews and Introduction; and (8) a Bibliography of Taiwan Documentary Film Studies During the Colonial Period, which includes monographs (in both Chinese and Japanese), dissertations, and journal articles (in both Chinese and Japanese, dated and undated). There is also a bibliography at the end of the book. Vol. 2 covers Taiwan documentary film studies after 1945 and includes eighty-one essays, articles, interviews, film reviews, and news reports. Similar to Vol. 1, it also contains eight parts: (1) Anthropology Films; (2) Introduction and Review of Taiwan Documentary Films; (3) Theory and Aesthetics of Documentary Film; (4) Documentary Film and Social Movements; (5) Documentary and Indigenous People; (6) Documentary Film Directors and Workers; (7) Documentary Film History, and Analysis; and (8) a Bibliography of Taiwan Documentary Film Studies after 1945, which is organized under the following subjects: anthropology films, China (including Hong Kong) documentary films, review and introduction to Taiwan documentary films, review and introduction to foreign documentary films, documentary filmography and others, documentary film theory and aesthetics, documentary films and social culture, documentary film and social movements, documentary film and indigenous people, documentary film directors and workers (domestic), documentary film directors and workers (abroad), documentary film history (domestic), and documentary film history (abroad). The materials collected in the bibliography include monographs, dissertations, journal and newspaper articles, handbooks, and manuals. WorldCat Chi
1267 Ba, Ruiling, 1977– ࣬ᇳ, 1977– Yuan zhu min ying pian zhong de yuan han yi shi ji qu yun yong = Aboriginese Taiwan. ֍ؙ֙ھәЅϡ֍ఈҺࡦߵԷػѓ = Aboriginese Taiwan. Taibei: Xiu wei zi xun ke ji you xian gong si, 2011. 180 p. ISBN 9789862216569; 9862216565 Series title: Dong da xue shu; 31 she hui ke xue lei; PF0035 ֆϽѹफ; 31 घϾ॓ѹढ; PF0035 Note: Explores expressions of Han ethnicity in Taiwanese films dealing with Taiwan’s aboriginal peoples. Includes a bibliography. WorldCat Chi
1268 Chen, Lizhu. ܡ. Taiwan dian ying zhong yuan zhu min xing xiang zhi yan jiu: lun shu gong ye xia de ta zhe tu xiang. ݡஹӇؙЅϡ֍֙ࢣ࣏ھҏ୳ૢ: ں֞Ўϡࢣ֖ٷؚ. 108 leaves. Note: Thesis (M.A.)—Chinese Culture University, 1997. Using images of Taiwan’s aboriginal people as presented in ten movies produced between 1957 to 1990, the author investigates and analyzes how the ethnic Han majority created and established stereotypes of Taiwan’s aboriginal people through mass media. Includes a bibliography. NTUL Chi
1269 Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake. Bloomington: Indiana University Press, 1994. 224 p. ISBN 0253318041 (alk. paper), 0253208955 (pbk.: alk. paper) Note: A collection of essays focusing on colonialism and nationalism in Asian cinema. Includes Chris Berry’s essay “A Nation T(w/o)o: Chinese Cinema(s) and Nationhood(s),” which analyzes films produced by mainland Chinese film directors as well as Taiwanese film directors Hou Hsiao-hsien, Edward Yang, and Huang Mingchuan, and explores representations of nationality, colonialism, and aboriginal peoples. Includes a bibliography in the end of each essay, an introduction to the contributors, and an index at the end of the book. WorldCat Eng
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1271 Lin, Xing (Lin, Hsin). լ. “Dong bu zhu yi”—21 shi ji chu Taiwan dian ying zhong de huan bao lun shu yu lu xing shen hua = Journey to the East Environmental Discourse and travel stories in Taiwan films of the early 21st century. “ֆחҰच”—21Ԓઔ२ݡஹӇؙЅϡࢰںخӿ߫Ҳظҧ = Journey to the East Environmental Discourse and travel stories in Taiwan films of the early 21st century. 130 leaves. Note: Thesis (M.A.)—Shih Hsin University, 2008. The author notes that since the year 2000, Eastern Taiwan increasingly has used as a film theme or setting representations the author considers to be overidealized and overnaturalized in light of historical, social, and cultural changes. Also includes discourse surrounding Eastern Taiwan’s environment, aboriginal protection, and travel stories. Appendix includes the filmography of “Eastern Taiwan Theme” films from 1984 to 2008 and a Chart of Eastern Taiwan Natural Resources. Includes a Chinese abstract and bibliography. NCL/NDLTD (FT) Chi
A substantial academic work that analyzes the filmrelated laws, policy, regulations, and propaganda of the Japanese colonial administration, as well as local target audiences in Taiwan, during the period from 1895–1942. Divided into Part 1, Film Related Laws, Regulations and Control System; Part 2, Propaganda and Film; and Part 3, Population and Film. Includes fascinating topics—for example, the strategy of using film as a tool to improve the image of the local police, the effort to educate and control Taiwan’s aboriginal population, and the use of film to promote the war effort. One of the chapters includes nine interviews— eight Taiwanese and one Japanese—about their memories of the cinema in Taiwan. Based on the author’s master’s thesis completed at the History Institute of National Taiwan University, written in Chinese. Includes a bibliography and an appendix of Donated Film List from the Patriotic Women Association to the Taiwan Education Association, Schedule of Taiwan Propaganda Team in Mainland China, Films Produced by Taiwan Education Association, and Films Housed by Various Organizations in Taiwan. WorldCat Chi
1274
1272
“Taiwan wen xue yu dian ying zhong de mu yu” xue shu yan tao hui lun wen ji / Jian Guangming zhu bian. “ݡஹҹѹӿӇؙЅϡআ ”ܭѹफ୳क़Ͼҹओ / ߢׇҴҰഹ. Pingdong: Guo li Pingdong jiao yu da xue Zhongguo yu wen xue xi, 2008. 234 p. ISBN 9789860136210 Note: Consists of nine papers presented at the Native Languages in Taiwan Literature and Film Symposium on February 22, 2008. The papers explore Taiwan native languages, including Mandarin, Min’nan/Taiwanese, Hakka, and aboriginal dialects used in literature and film under different political, cultural, economic, and historical conditions. Includes the Symposium program and presenter introduction. NTUL Chi
Liu, Yizhu (Liu, Yi-chu). ፐኵ. Xie hou Lanyu: lun san bu min zu zhi ji lu pian “Lanyu guan dian,” “Qing Wen bu zai jia,” “Mian dui e mo” = Close/d encounters with Orchid Island: A study of “Voice of Orchid Island,” “Libangbang,” and “Deliver Us from Evil.” ᝳ୪ᓊ: ںѧھחఓ௨ઔ࠷ә “୪ᓊѡ,” “֜ҹϤϨр,” “ӌ хॱತ” = Close/d encounters with Orchid Island: A study of “Voice of Orchid Island,” “Libangbang,” and “Deliver Us from Evil.” 96 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2003. Discusses three documentary films produced between 1993 and 2001 that represent Orchid Island on two levels: encounters with modernity and the camera’s representation of this encounter. The author describes how Orchid Island becomes a living subject with its own voice, the problem of truth and the reflexivity in ethnographic films, and the ways in which the three directors of the films delve into these issues in their work. Includes a bibliography. NTUL Eng
1275 “Taiwan yuan zhu min zu wen hua ying yin zi liao ku” fu wu jian ji shu, “Yuan zhu min dian shi ren cai pei xun ji zhi bo jie mu ji jian zhi Taiwan yuan zhu min zu wen hua ying yin zi liao ku” an / Xing zheng yuan yuan zhu min zu wei yuan hui, Hua yi shu wei yi shu go fen you xian gong si. “ݡஹ֍֙ھఓҹ٩ࢧޞٸؙᆞ” ࠃࠔע৶ڣ, “֍֙ھఓӇ؆Ϫ ҥഷਗߵ३ڞ۵᠕ࠃঞݡஹ֍֙ھఓҹ٩ࢧޞٸؙᆞ” ଈ / Ҳ ूࡨ֍֙ھఓణϾ, ܓਲُ֧ਲफ੦ڤϩࡳԍޅ. Taibei: Xing zheng yuan yuan zhu min zu wei yuan hui, 2004. 186 p. Note: The government proposal, service plan, and contract for building the “Taiwan Indigenous Peoples Culture and Audio/Visual Archive” by the Council of Indigenous Peoples, Executive Yuan, and Hua Yi Art Digital Company. The archive will be a repository for digitized
1273 Misawa, Mamie. ѧѐѤ. Zhi min di xia de “yin mu”: Taiwan zong du fu dian ying zheng ce zhi yan jiu (1895–1942). ᜊھсЎϡ “ુ௷”:ݡஹրᒾӇूؙ೫ҏ୳ૢ (1895–1942). Taibei: Qian wei chu ban she, 2002. 470 p. ISBN 9578013248
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cultural and audiovisual content, including movie portrayals of Taiwan’s indigenous peoples. NTUL Chi
Includes a Chinese and English abstract, a bibliography, the sample survey, and survey results of Han, aboriginal, and other people. NCL/NDLTD (FT) Chi
1276 1279
Yang, Dahe. Ͻф. Tai chan yuan xian lu ying dai zhong, Gaoshan zu yu fei Gaoshan zu su xiang zhi yan jiu—She hui xin li yu wen hua qing xiang de tan tao. ཅࡨݗ۷࠷ؙծЅ, ҙځఓӿۘҙځఓᄽՌҏ୳ૢ—घϾКԑӿ ҹ٩זϡ෬क़. 343 p. Note: Thesis (Ph.D.)—National Political University, 1992. Eighteen Taiwan films screened in theaters are selected as case studies to analyze the representation of Gaoshan aboriginal people as well as non-Gaoshan people in terms of environment, social status, and behavior. Significant differences between these two groups of characters are observed, and in most cases, Gaoshan aboriginal characters are presented negatively. Includes a bibliography. NTYLibIPS Chi
Zheng, Guijin. ቼਰѵ. Muzhi Longyao de Pingpu zu qun ji lu pian zhi quan shi feng ge yu zai xian zheng shi. ަብ.ᑹ⮡ϡכᰎఓळઔ࠷әҏ᙮ౠգ۴ӿӐѳू. 239 p. Note: Thesis (M.A.)—Tainan National University of the Arts, 2004. The author uses theories of documentary aesthetics and postcolonialism to analyze and study the contents of director Muzhi Longyao’s six documentaries about the Pingpu aboriginal people. The thesis shows how the director returns ownership of interpretation to the Pingpu people, enabling a reestablishment of ethnicity and self-recognition. Includes a bibliography. NTUL Chi
1277 Yang, Huanhong (Yang, Huan-hong). ᢵ. Ta zhe bu xian ying: Taiwan dian ying zhong de yuan zhu min ying xiang. јٷϤؙࣶ: ݡஹӇؙЅϡ֍ؙ֙ھՌ. 106 leaves. Note: Thesis (M.A.)—National Dong Hwa University, 2007. This paper considers representations of Taiwan aboriginals in fictional feature films produced both during the Japanese colonial period and after retrocession. The author uses film analysis as the starting point to explore the relationship between the aboriginal people and colonialism, postcolonialism, nation-building, and national identity. Includes a Chinese abstract, bibliography, and filmography. NCL/NDLTD (FT) Chi
6.3
FILM AND ANIMALS
1280 Chinese ecocinema: in the age of environmental challenges / edited by Sheldon H. Lu and Jiayan Mi. Hong Kong: Hong Kong University Press, 2009. 370 p. ISBN 9789622090859, 9789622090866 Note: A significant text that explores concurrent cinematic reflections of, and approaches to, environmental challenges in China, Taiwan, and Hong Kong. Consists of the following parts: Part I. Hydo-Politics: Water, River, and National Trauma; Part II. Eco-Aesthetics, Heteroscape, and Manufactured Landscape; Part III. Urban Space in Production and Disappearance; and Part IV. Biothics, Non-Anthropocentrism, and Green Sovereignty. The text’s first chapter, “Framing Ambient Unheimlich: Ecoggedon, Ecological Unconscious, and Water Pathology in New Chinese Cinema,” by Jiayan Mi, examines imagery of water in both post-Mao mainland China and post–Miracle Taiwan cinema and claims that “beneath these seemingly ecodystopian films lies New Chinese Ecocinema’s utopianism of messianic redemption and elevated humanism.” Chapter 6, “Putting Back the Animals: Women-Animal Meme in Contemporary Taiwanese Ecofeminist Imagination,” by Cha-ju Chang, uses an ecofeminist critique of a woman–animal meme to analyze contemporary Taiwanese films and argues that this meme represents the overlapping oppression and exploitation of both women and animals. Includes a Chinese glossary, a filmography, a bibliography, and an index. WorldCat Eng
1278 Zhang, Zhijing (Chang, Chih-ching). פᆙ᪦. Yuan zhu min yuan sheng dian ying zhi guan cha—yi “Shan zhu, fei shu, Sakenu” wei ge an yan jiu = “The sage hunter”—a case study of an original aboriginal movie. ֍֙֍ھТӇؙҏൌ—й “ځ坴, ٞ, ྺНझ” Њϫଈ୳ૢ. 183 leaves. Note: Thesis (M.A.)—National Central University, 2006. The first Taiwanese aboriginal film Shan zhu, fei shu, Sakenu = The Sage Hunter, released in 2005, is an account of aboriginal tribe life. The paper explains how the film describes tribal life in Eastern Taiwan, the difficulties during film production, and the differing responses by various ethnic groups after viewing the film.
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1281 6.4
FILM AND ANTHROPOLOGY
1282 Nishizawa, Haruhiko, 1954– ՝䘕ᴦ, 1954– Ch䲚goku eiga no bunka jinruigaku. Ѕмྱࡌ䫟ҹ٩ϪढѺ. T䲖ky䲖: F䲚ky䲖sha, 1999. 300 p. ISBN 4938718219 Note: Uses theories of cultural anthropology to study the social, cultural, and historical contexts of Chinese film, including mainland China, Taiwan, and Hong Kong. Includes a bibliography, film title, name, book title, and event indexes. WorldCat Jpn
1281 Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. ઔ࠷ݡஹ: ݡஹઔ࠷ә୳ૢڣ۵ӿҹຶקओ / Ұഹפቾᴧ, ଽѬҴ ; వҲഹফᖻҹ, ठ᯾ঌ, פቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570265478 (v. 1); 9570262486 (v. 2) Series title: Taiwan dian ying shi liao cong shu ݡஹӇؙࢧᜣڣ Note: This is the first and most comprehensive bibliography and collection of essays on Taiwan film documentaries. Vol. 1 covers the colonial period and includes sixty-five essays and articles written by three contemporary Taiwan scholars as well as colonial-era Japanese authors whose articles were initially published in Japanese before being translated into Chinese for the purposes of this book. Contains eight parts: (1) Film History; (2) Documentary, News, and Education Films; (3) Film Show Activities; (4) Film Propaganda; (5) Film Censorship; (6) Film Affairs; (7) Film Reviews and Introduction; and (8) a Bibliography of Taiwan Documentary Film Studies During the Colonial Period, which includes monographs (in both Chinese and Japanese), dissertations, and