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Introduction / Esther M.K. Cheung, Gina Marchetti & Esther C.M. Yau -- Section A: Critical paradigms: defining Hong
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The first book-length English-language study of Hong Kong horror films Dumplings stuffed with diabolical fillings. Swor
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Hong Kong Cinema and Sinophone Transnationalisms explores the intricate complexity of selected films and film-making pra
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When Ridley Scott envisioned Blade Runner's set as "Hong Kong on a bad day," he nodded to the city's
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Actively rewrites and reconfigures how Hong Kong cinema and media are to be defined and located Examining how Hong Kong
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This is the first full-length English-language study of one of the world’s most exciting and innovative cinemas. Coverin
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This volume provides an overview of all aspects of Hong Kong English in a style designed for undergraduates and general
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